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One giant leap: 50 years after moon landing, UVA students build their own spacecraft

July 20, 1969. It’s one of the most significant dates in human history, and the groundbreaking event occurred almost 240,000 miles away from our home planet.

American astronauts Neil Armstrong and Buzz Aldrin became the first people to ever set foot on the moon that day, marking the culmination of an eight-year mission to complete a lunar landing set forth by U.S. President John F. Kennedy in the first year of his term. It was a landmark event that paved the way for the development of modern space exploration technology.

Now 50 years later, even college students are building their own spacecraft to be launched into orbit. UVA is one of three Virginia universities that will be monitoring student-built nano-satellites, called CubeSats, released into space in early July by astronauts at the International Space Station.

The first-ever spacecraft developed by the university was launched last April at the NASA flight facility at Wallops Island, Virginia. A four-inch-by-four-inch cube weighing about three pounds, UVA’s CubeSat is collecting data on orbital decay and the Earth’s outer atmosphere, to be used by NASA for future missions.

“We put three CubeSats in orbit and we’re monitoring, basically, the atmospheric drag on those CubeSats and seeing how quickly their orbit gets degraded from the natural drag from the air that’s up there,” says UVA engineering professor Chris Goyne, who’s overseeing the project. “That slows it down and eventually they’ll burn up in the atmosphere.”

The NASA-sponsored CubeSat Launch Initiative has facilitated 85 missions for students and nonprofit organizations since its inception in 2010. The satellites are relatively cheap to build (by rocket science standards) and can hitch free rides on larger-scale NASA missions to the space station. UVA receives funding for the project from both the NASA Undergraduate Student Instrument Program and Virginia Space Grant Consortium.

Libertas, the name given to UVA’s CubeSat, will orbit the Earth for the next year or two at about 250 miles above the planet’s surface.

Over the course of three years, undergraduate students built the miniature satellite as part of a capstone course in spacecraft design, with each year’s students completing different phases along the way. UVA, Old Dominion University, and Virginia Tech constructed one CubeSat each with assistance from the Virginia Space Grant Consortium and Hampton University.

“One of the objectives of this mission was to give students hands-on project experience but also give the university experience in how to conduct these missions and how to create an environment in which the students can innovate and design and operate and then try to replicate with progressively more complicated experiments,” Goyne says.

Although Libertas was released from the International Space Station on July 3, Goyne and his students are still awaiting the orbital parameters of the CubeSat from the U.S. Air Force. Once the group, which expects to obtain the information in the next week, determines when Libertas will fly over Charlottesville, it’ll adjust its antenna and establish radio communications.

Two rising fourth-year students were selected to lead the 2019-20 class in its data collection efforts over the next two semesters. Aerospace engineering majors Connor Segal and Hannah Umansky have stayed in Charlottesville this summer as interns to help Goyne monitor the project’s progress. They’ll be the most hands-on for both tracking Libertas and developing the university’s next spacecraft, which is expected to launch in the winter of 2021.

Don’t go calling them Armstrong and Aldrin just yet, but Segal and Umansky credit the two moonwalking astronauts and the team that got them there with generating enthusiasm for space exploration that’s extended across generations and influenced their interest in the industry.

“The whole space race exploded this sort of field, which I think is worthwhile,” and it brought a lot of interest to the field that helped further develop it, Segal says.

The moon landing set a precedent of ambition and innovation for astronauts and engineers that over the last 50 years has served as a symbol of humanity’s capabilities. With commercial moon voyages on the horizon and NASA hoping to plan a human-led trip to Mars, there’s no telling what we can achieve given another 50.

Goyne notes that the students involved in this program were born after the moon landing. “The Apollo mission is really in the history books for them,” he says. “But a lot of the technology, the concepts, and the ability to overcome technical challenges is a really good motivator.”

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Arts

Mission control: First Man’s storyline falls out of step

As Janet Armstrong, Claire Foy exclaims, “You’re just boys playing with balsa wood models!” to the NASA scientists preventing her from listening to the direct feed of husband Neil’s (Ryan Gosling) test flight. It’s a terrific dressing down of administrators more concerned with public relations than personnel, and a fitting description of space travel as depicted in Damien Chazelle’s First Man, which centers around Neil Armstrong’s personal motivation and the obstacles he overcame to become the first man to set foot on the moon.

Where this film shines is in its depiction of why no man had been there before: Space is not able to accommodate us any more than we are equipped to survive there. The most advanced engineering minds in the world created a system that relies on a metal box strapped to a rocket that keeps an earthling safe inside while performing advanced science under enough G-force to knock most people unconscious. The notion is as absurd as it is inspiring, which is why it gripped the public’s imagination as they watched it in real time on television in 1969.

Fifty years after Armstrong walked on the lunar surface and spoke his immortal words, we know how his story ends, but the many ways it could—and did—­go wrong are less familiar. The film opens with Armstrong conducting a test flight that brings him right to the edge of the Earth’s atmosphere, where he marvels at the thin line that separates our planet from the vast emptiness of space. His daring and intellect get him noticed by NASA officials who are looking to surpass the Soviet Union in the space race—an opportunity he initially passes up to care for his ailing daughter, Karen, who passes away from cancer. In search of a new start, he and Janet relocate to join what would become the successful effort to put a man on the moon.

Set between 1961 and 1968, First Man conveys time and place more than the particulars of Armstrong’s biography or the nuts and bolts of space flight. We are never told what happens after the mission’s success, only his mindset before blast-off and in space—there’s no explanation of the mechanics, just that it takes an extraordinary person to do this job.

The mood of the country is briefly addressed in an awkward but well-meaning montage about social and political anxiety featuring Gil Scott-Heron’s famous poem “Whitey on the Moon.” It’s a deviation consistent with what the movie is trying to achieve, but also underlines the fact that when First Man isn’t about testing, training, and launching, it can spiral out of control. Armstrong’s loss of Karen is  significant, and its role in his decision to make history is a subject worth exploring, but frequently the look on Gosling’s face is more powerful than the shoehorned flashbacks.

The supporting cast is one of the best of the year—Foy, Kyle Chandler, Patrick Fugit, Corey Stoll, among others—and the emotional approach to the subject is one not usually seen in a film of this scale. First Man might have been a masterpiece had certain tropes been avoided, but that is not a dealbreaker. Instead, what could have been a great movie is a really good one.


First Man PG-13, 141 minutes. Playing at Alamo Drafthouse Cinema, Regal Stonefield 14 and IMAX, Violet Crown Cinema

 

Playing this week

 Alamo Drafthouse Cinema 377 Merchant Walk Sq., 326-5056 z A Star is Born, Bad Times at the El Royale, Goosebumps 2: Haunted Halloween, Halloween, Smallfoot, Thunder Road, Venom

Regal Stonefield 14 and IMAX The Shops at Stonefield, 244-3213 z A Star is Born, Bad Times at the El Royale, Colette, Goosebumps 2: Haunted Halloween, Gosnell: The Trial of America’s Biggest Serial Killer, The Hate U Give, The House with a Clock in Its Walls, Night School, Smallfoot, Venom, The Wife

Violet Crown Cinema 200 W. Main St., Downtown Mall, 529-3000 z A Simple Favor, Bad Times at the El Royale, Blaze, Colette, Crazy Rich Asians, First Man, Goosebumps 2: Haunted Halloween, The Hate U Give, Halloween, Kusama: Infinity, The Old Man and the Gun, The Sisters Brothers, Smallfoot, Venom

In First Man, Ryan Gosling turns fear and trial and error into heroism in his portrayal of Neil Armstrong.

UNIVERSAL PICTURES

Set between 1961 and 1968, First Man conveys time and place more than the particulars of Armstrong’s biography or the nuts and bolts of space flight.

Categories
Arts News

Local author spotlights under-the-radar female mathematicians at NASA

On February 20, 1962, Americans sat around their radios or TVs, transfixed by every update as astronaut John Glenn was launched into space, and became the first American to orbit the Earth. It was a big deal, not only for the country, but for the world. But as with many major scientific milestones, individual icons often overshadow the people behind the scenes. Back at NASA, the women “computers”—mathematicians—were an integral part of the approximately 1.2 million tests and simulations that got Glenn into space.

“These women really were amazing,” says Margot Lee Shetterly. “American superheroes, ordinary extraordinary people.”

A University of Virginia alum and Charlottesville resident, Shetterly is the author of the New York Times best-seller Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race (Hidden Figures, the movie, opens on Christmas Day). In the book, Shetterly lays out the histories and the story of black female mathematicians and physicists such as Dorothy Vaughan, Katherine Johnson and Mary Jackson, who became human computers for the West Area Computing Group at Langley Memorial Aeronautical Laboratory.

DF-01466_R - Janelle Monáe stars as Mary Jackson in HIDDEN FIGURES. Photo Credit: Hopper Stone.
Janelle Monáe stars as Mary Jackson in Hidden Figures. 20th Century Fox

Shetterly spent much of her early life around the scientists, physicists and engineers of NASA. Her father started work there in 1966 as a co-op student, and Shetterly remembers going to work with him, seeing the giant wind turbines, eating in the cafeteria and going to family festivals for NASA employees.

She later moved to Charlottesville to study finance at UVA, graduating in 1991 from the McIntire School of Commerce. After getting her degree, she spent years trading on Wall Street before she and her husband moved to Mexico and started an English-language publication there.

Around Christmas of 2010, the couple was back in Hampton visiting family. They were driving around with her father, Robert Lee III, and he was telling her about her Sunday school teacher who had been a computer at NASA. During the ride, the conversation about the women who worked there, such as Johnson, who calculated launch windows for astronauts (including for Glenn’s first flight), grew.

“For me, I realized I knew these women, but I didn’t know this story,” Shetterly says in a phone interview with C-VILLE. “And that sent me down the path to figure it out.”

Once she understood the historical significance of the work the women did, Shetterly wrote in the book’s prologue that “the spark of curiosity became an all-consuming fire,” and she dove vigorously into the research.

Margot Lee Shetterly, a 1991 graduate of UVA, started researching material for her book, Hidden Figures, in 2010, after her dad, Robert Lee III, told her he had worked alongside one of her Sunday school teachers at NASA. Photo by Aran Shetterly
Margot Lee Shetterly, a 1991 graduate of UVA, started researching material for her book, Hidden Figures, in 2010, after her dad, Robert Lee III, told her he had worked alongside one of her Sunday school teachers at NASA. Photo by Aran Shetterly

The story of the desegregation of NASA is a complicated one, rooted in the early civil rights movement. Its kicking off point came in 1941 when President Franklin D. Roosevelt desegregated the defense industry. Government agencies like Langley Memorial Aeronautical Laboratory suffered from a labor shortage during World War II, and qualified African-Americans seized the opportunity to apply to fill positions such as scientific aides, lab assistants, model makers and mathematicians. The women human computers crunched numbers for the NACA (National Advisory Committee for Aeronautics, later to be renamed NASA) to make airplanes quicker, safer and more efficient. They often matriculated from historically black colleges and universities like Hampton Institute and West Virginia Institute (today’s historically black colleges and universities, which serve 3 percent of the U.S. collegiate population, produce more than a quarter of the African-American college graduates with a bachelor’s degree in a STEM field).

Once World War II ended, and America transitioned into the Cold War Space Race with the Soviet Union, NASA set its sights on sending American astronauts into space. Vaughan, Johnson and Jackson were integral parts of advancing this mission—doing long calculations, creating, checking and rechecking equations, taking part in model experiments and studying aeronautics to improve air traffic control.

Hidden Figures catalogs these contributions, but it also talks about the complicated time period from the early integration period of the 1940s to 1980, when about 50 black female mathematicians worked at Langley. The women computers were separated from the men, but also from each other—the East Computing area was for white women, and the West Computing area was for black women. But collaboration was necessary to keep the assembly line of equations, figures and data running smoothly between research divisions, so working with people from different genders and races was a regular occurrence.

However, women at NASA were ranked below and paid less than their male counterparts, even with a similar amount of education and experience. And it was hard work—the grind of computers was repetitive and tedious, as these women inputed numbers through calculating machines as they tested equations through long days with half-hour lunches during a six-day work week. Before astronauts took off into space, the computers of West Area helped engineers in the aeronautic division. The women computers had to keep pace with the blitzing speed of the American aircraft industry, which went from the 43rd-largest industry in the U.S. in 1938 to the biggest industry in the world by 1943.

The women’s experience with NASA is rooted in the evolving political and social climate of the time. While it may have not been as harsh or overt at Langley, segregation was a part of virtually every level of U.S. society at the time—from housing to employment to health services to education. But, eventually, landmark victories in the fight for civil rights and racial equality were won.

In the 1954 case Brown v. Board of Education, the U.S. Supreme Court ruled that separate educational facilities were inherently unequal, therefore unconstitutional. African-American students were granted admission into public schools—from grade school to grad school—across the country.

Despite the ruling, integration was not immediate, nor was it institutionalized en masse. Many state and local politicians, particularly in the South, fought the ruling. During his inauguration speech, Virginia Governor James Lindsay Almond Jr. described segregation as part of the “plain and unequivocal facts of history.” On a chilly January 1958 day, Almond proclaimed an antebellum creed that “integration anywhere means destruction everywhere.”

But the federal government and civil rights groups continued to fight to desegregate public schools. At the time, African-Americans in Charlottesville attended segregated schools like Jefferson Elementary and Burley High School. Seeking better education and resources, black families petitioned to be allowed into the city’s white schools and were the denied by the Charlottesville School Board. In 1956, the National Association for the Advancement of Colored People filed a lawsuit against the board to force its schools to integrate. By the fall of the same year, the U.S. District Court ruled in Allen v. School Board of the City of Charlottesville that Charlottesville must integrate Venable Elementary and Lane High.

Refusing to comply with the federal order, Almond ordered the shutdown of Lane and Venable in the fall of 1958, both of which remained closed until the next school year. Though truncating more than half of a school year was a serious measure, Almond’s C’ville order was not the most drastic in Virginia. Prince Edward County schools closed for five years rather than integrate—from 1959 to 1964. But Charlottesville eventually accepted the judgment, and at the start of the 1959 school year, three African-American students—John Martin, his brother, Donald, and French Jackson—walked through the front doors of Lane High School.

Though the progress was just as gradual, the road to desegregating the University of Virginia happened earlier than the Brown v. Board of Education decision. In the 1950s, the undergraduate community was almost exclusively white males, aside from white women studying in the nursing and education schools. Pro-segregation Virginia Senator Harry Byrd said, “If we can organize the Southern states for massive resistance to this order I think that, in time, the rest of the country will realize that integration is not going to be accepted in the South.”

But in 1950, Gregory Swanson sued the university to gain admission into its law school. Swanson was admitted, but he decided to leave after one year. Though his stay was short-lived, Swanson paved the way for other graduate students such as Walter N. Ridley from Newport News. At the time, UVA was looking to admit blacks “who were highly likely to be successful.” Ridley applied and was admitted, and in 1953, he became the first black man to receive an academic doctoral degree at the University of Virginia and at any Southern institution of higher education. UVA’s undergraduate program became integrated in 1955, and many of the trailblazing African-American undergrads studied in the STEM fields.

One of the students who benefited from these trailblazers is Victoria Tucker. Tucker, who graduated in 2012 with a nursing degree, works in palliative care at Virginia Commonwealth University while pursuing a nursing Ph.D. at UVA. She originally wanted to focus her doctoral studies on palliative care, doing something that focused on mindfulness as a family caregiver, but then she stumbled upon her own “hidden figure.” For a grad school class assignment, the professor asked students to turn in a history paper on any topic of their choice.

“What started as a personal quest for understanding my own heritage in nursing became such a humbling experience,” says Tucker. “I thought to myself, ‘What did I need when I was younger?’ There weren’t books about black nurses that were really accessible to me at an early age. And I just realized, ‘This is what I want to do. I want to add to that scholarship.’”

Tucker reached out to the nursing school alumni office to inquire about Dr. Mavis Claytor, the first African-American to earn a degree from UVA’s nursing school in 1970. Tucker spent time with Claytor and her family, and learned about her experience integrating UVA’s nursing school. That meeting inspired Tucker to change her course trajectory to nursing history, specifically the history of African-American nurses in Virginia during segregation from 1950 to 1980. She’s now digging into the archives to uncover these written and oral histories.

Tucker’s discovery of Claytor as a “first” for UVA as late as the 1970s was not unique. Many institutions found it difficult to integrate in a timely manner—juggling the law of the land with the racial climate of U.S. society. To reconcile these warring demands, some educational institutions complied in a de jure sense, by pushing back against or slowing down integration efforts. In terms of early and high school education, this could mean building portable additions to overcrowded black schools instead of sending extra students to nearby white schools, or busing black students to farther away black schools instead of letting them attend white schools closer to home.

Initially, U.S. colleges and universities only admitted white males. White women were the next demographic to be integrated into American higher education, but, early on, they faced pushback as well. Kitty O’Brien Joyner, one of the only female engineers at NACA when she was hired in 1939, had sued UVA—and won—to gain admittance into its all-male undergraduate engineering school. But institutions around the South especially, built extension schools to reach underserved populations like women, people who lived in more rural, secluded areas or those who wanted an education but did not have the economic liberty to move to college towns or to go to school full-time. As the early civil rights movement gained steam, and African-Americans demanded equal opportunities, many colleges and universities admitted minorities into these extension schools, where they attended classes away from campus. One such student was Mary Jackson, one of the women highlighted in Hidden Figures. In 1938, the Hampton, Virginia, native graduated from Phenix High with the highest honors. She went to Hampton Institute (later renamed Hampton University), majoring in math and physical science. After college, she worked as a secretary and bookkeeper for the King Street USO. Jackson was active in the Hampton community, leading the Bethel AME Church Girl Scout Troop, and she spearheaded social uplift programs as a sister of Alpha Kappa Alpha, the first historically black intercollegiate sorority. Jackson was working as a military clerk typist when she perused a list of job vacancies in the Air Scoop, the official publication at Langley. Jackson spotted a research position at Langley and decided to apply. Three month later, she accepted the job, where she performed research investigations about the airflow around model planes and space rockets in the Supersonic Tunnels Branch.

Recognizing a brilliant mathematician, Jackson’s boss offered her a promotion if she took a few more math classes, starting with a differential equations course. This extension program (managed by UVA) was set up for the NASA Langley employees. At the time, Hampton was a segregated city, and Hampton High School, where UVA offered its extension classes, was an all-white school. Jackson applied to the City of Hampton for special permission to attend the extension school classes, and although her dispensation was granted, it didn’t result in a general acceptance of black employees from Langley being allowed to attend the school.

Like Margot Lee Shetterly, other UVA grads have actively engaged in archiving the contributions of African-Americans to the greater American history, but also, more specifically, to the legacy of Virginia and its flagship university.

Born and raised in Charlottesville, Niya Bates has two degrees from UVA—a bachelor’s of arts in African-American studies in 2012 and a master’s in architectural history. In May, she became the public historian of slavery and African-American life at Monticello. Her daily tasks include leading guide staff trainings on talking about race and the legacy of slavery at Monticello, helping develop new museum exhibitions and cultivating a diverse visitation audience with community outreach. Bates knew she wanted to be a historian since childhood.

Niya Bates, who was hired as the public historian of slavery and African-American life at Monticello in May, says uncovering the hidden histories at Monticello is critical to continuing to spotlight the complexities and depth of American history. Photo by Eze Amos
Niya Bates, who was hired as the public historian of slavery and African-American life at Monticello in May, says uncovering the hidden histories at Monticello is critical to continuing to spotlight the complexities and depth of American history. Photo by Eze Amos

“I spent a lot of time with my grandparents growing up,” she said. “My granddaddy was born in 1908, and my grandmother 1927, so they told us about growing up in the South during Jim Crow, going to one- or two-room schools, walking miles to work at a nearby former plantation. But they were proud of their history, and the ways they maintained and resisted. It’s something that always stuck with me.”

After serving in AmeriCorps, Bates became interested in how physical space shapes identity, which is what led her to architectural history and historic preservation. Bates feels that her work to uncover the hidden histories at Monticello is critical, spotlighting the complexities and depth of American history. To her, the lives of Sally Hemings, Brown Colbert and other slaves Thomas Jefferson owned are the “hidden figures” that make history so unique and complicated.

“I knew I was led by a desire to stay in my hometown, and wanted to work in a profession that allowed me to do community development,” Bates says. “Sure Jefferson’s contributions to our nation’s founding were interesting, but telling their stories is what makes my job fun and gives it the most meaning.”

Claudrena Harold, an associate professor of African-American and African studies and history at UVA, says that desegregation was a complicated story that began decades before Brown v. Board of Education or the Civil Rights Act of 1964, and it extends into the late 1970s. She recently published a book on the political organizing work and activity of black Southerners titled New Negro Politics in the Jim Crow South.

“For the most part, African-Americans integrated graduate schools before they integrated undergraduate schools,” she says. “Before some of the major Southern schools became integrated, what the states would actually do is pay for African-Americans to go to schools that would accept them.”

Claudrena Harold, associate professor of African-American and African studies and history at UVA, says the draw to the Hidden Figures story is that it’s told through a collective voice, rather than spotlighting one individual in black history. Photo by Eze Amos
Claudrena Harold, associate professor of African-American and African studies and history at UVA, says the draw to the Hidden Figures story is that it’s told through a collective voice, rather than spotlighting one individual in black history. Photo by Eze Amos

UVA did that in 1936 when a black student named Alice Jackson became the first black student to apply to the university. When she was denied admission into UVA’s master’s degree program in French, the NAACP sued the state of Virginia. As a response, the Virginia General Assembly passed the Dovell Act, or House Bill 470, which set up a fund that would subsidize the tuition and travel expenses of qualified black students so they could pursue graduate education in other states. Jackson and hundreds of African-American students over the next few decades had their educations paid for this way (UVA continued this policy until 1950). She used her grant money to get a master’s in English in 1937 from Columbia University.

Historical significance and narrative power are a big reason why Hidden Figures continues to garner heavy buzz. Last week, First Lady Michelle Obama held a private screening of the film, followed by a panel that included the film’s creators, cast members and Shetterly. As a scholar studying groups, movements and eras, and as a co-director of two films herself (Sugarcoated Arsenic and We Demand), Claudrena Harold thinks one of Hidden Figures’ biggest draws is that it tells the story of a collective. The book and film put the spotlight on colleagues, their cooperation with each other and support of each other, which is a story that strays from the typical way history is told—through singular actors in “great man”-type narratives.

“I tend not to like what I call ‘first Negro’ narratives–the first black person to do this or that—because when I think about something like education, I think generations, not individuals, transform history,” says Harold. “To be sure, there are seminal figures in our history, but I think black intellectual history can be told through Ida B. Wells or W.E.B. Du Bois, but also through a Virginia Union University or a Howard University. So in addition to their distinctiveness, it’s also important that they are doing this together.”

Shetterly feels that the story of Hidden Figures is encouraging for people of all races and ethnic backgrounds, genders and ages, because it taps into a sense of optimism and shared humanity.

“At a time we are looking at issues of inclusion, I think we’re asking ourselves: who are we as American? Who gets to call themselves American?” Shetterly says. “There’s all these questions that we were asking in the ’40s, ’50s and 60s that are still relevant today.”

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News

Space invaders: CHS robotics team goes international

group of Charlottesville High School students are on an espionage mission from NASA to capture photographs of a competitor satellite while managing a limited store of energy and avoiding having their own satellite’s photo snatched by the competitor.

BACON, or the Best All-around Club of Nerds, has been doing a pretty good job at it, too. Placing fourth in the world after three rounds of competition, the team has qualified for the Olympics of high school robotics in a contest, Zero Robotics, sponsored by organizations such as NASA, the Massachusetts Institute of Technology and the European Space Agency.

This competition requires teams to write computer code to control their pre-programmed virtual robot, which goes up against another team’s bot in the challenge. The finals take place at MIT, where the 180 teams get to see their codes run on satellites aboard the International Space Station.

“It’s kind of mind-blowing that this opportunity exists and that you can do this as a high schooler,” says BACON president and senior Nathan Shuster. Under his guidance, the team placed second in the international competition last year.

Of the 13 boys and girls on the CHS zero robotics team, not everyone’s job is programming or writing code. Holding such a high title in competition takes plenty of plotting and planning, so some team members act as strategizers—solely studying other teams’ coding methods in order to write strategies that compare with their own and to simulate potential enemies.

“We look at a lot of games of opponents playing,” sophomore Jonah Weissman says. “We see stuff that works and stuff that doesn’t and see what would be the ideal strategy.”

Programming the robot requires knowledge of a mathematical concept called vectors, he explains. While Weissman learned about vectors in school last year, he says he’s learning about force this year, which has also helped prepare him for this competition season.

The team’s mentor and faculty adviser, Matt Shields, is an award-winning CHS physics and engineering teacher. He says his role is limited, though.

“I would love to take some credit, but I’ve literally had nothing to do with this,” he says. “There they are, right back there, and I’m sure they’re doing something smart.”

Shields, who received a 2014 MIT Inspirational Teacher Award, commends the students for being “self-motivated, clever, smart and hard-working.”

He says the team is well-known in the realm of high school zero robotics, and when they show up at the competition this year, they’ll be rolling in like a bunch of “nerd celebrities.”

“I couldn’t be more proud of these guys,” he says. “They’re such rock stars.”

Shuster, while still applying to several colleges—namely the Ivys, UVA and engineering schools such as MIT—reflects on his three-year stint in zero robotics and the legacy he’ll leave.

“When people think about the best names in ZR,” says Shuster, “one of the names that will come to mind is BACON.” As for the hammy name? Shields attests that “everything cool about this club was some kid’s crazy idea.”

BACON will compete in a three-part international alliance with teams from California and Greece at the final competition in January.