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Culture

Trust science: New documentary profiles pioneering immunologist

No one could have predicted the global pandemic of COVID-19 when production began on Jim Allison: Breakthrough, but its foundational message is so resonant that there might not be a more perfect time for it to reach audiences. Chronicling the life and scientific research of Nobel laureate and trailblazing immunologist James Allison, whose work with T cells revolutionized treatment for immunodeficiencies and some types of cancer, the film is the opposite of the escapist binging that occupies many people’s queues in this moment.

There is no fantasy or fatalism in Allison’s tale. Instead, director Bill Haney navigates the harsh realities of devastation wrought by cancer (including one patient whose life was saved directly by Allison’s research) and the small-thinking minds that stand in scientists’ way, while maintaining a fundamental optimism that an answer can be found.

“When I was a little boy and I was late for dinner,” says Haney. “My mother would say to me, ‘What were you, out curing cancer? Get in here and sit down,’ because that was the impossible dream. Nobody would ever be out curing cancer. But Jim Allison, for 20 percent of the patients, and 20 percent of the tumors, did. And he did it by personal charisma, scientific insight, persistence, resilience, humor, warmth, teamwork. All the things that probably you wish you could see working in solving COVID right now…Jim embodies all that.”

Born in Alice, Texas, Allison’s extraordinary life was forged by early struggles. Losing his mother at a young age to lymphoma, and later losing a brother to melanoma, Allison deeply understood the human impact of his work. A bright student, he butted heads with the head of his school’s science department who blocked all discussion of evolution in the classroom, and gained confidence to confront those who stand in the way of progress. Whether he is determined or stubborn will be up to the viewer to decide, but his work ethic is an inspiring blend of long-term dedication and impatience with problems he knows can be resolved.

“There’s something magical about Jim,” says Haney. “None of us do everything the right way, but he’s trying to do the right things for the right reasons.”

An immunologist and blues harmonica player, Jim Allison sits in with Willie Nelson on occasion.

There is a careful balance filmmakers must strike when chronicling scientific breakthroughs and the trailblazers who made them happen. If they focus too much on the technical details, they run the risk of losing the audience. If they go too broad with metaphors and framing devices, the importance of hard work and scientific rigor is glossed over. On top of that, who knows how the world will look when the film finally premieres? Will new research negate the findings presented in the film? 

Breakthrough sets the standard for how films about scientists can do justice to their subject’s work, their personality, and those around them. Allison is a lifelong blues harmonica player who has shared the stage with Willie Nelson. A detail like this might have been treated as a comical sidenote or postscript in other documentaries, but his zeal for life and his need to create are intrinsically linked.

Regarding the role of Allison’s creativity in his scientific work, Haney believes that “it’s central, absolutely central. And by the way, part of creativity is the willingness to follow the music wherever she takes you,” he says. “And if he had to ignore the convention and ignore the existing papers and change the way the FDA thought [about]  it and persuade them, then that’s what he was going to do.”

“The next adult you speak to, ask them to name for you five or 10 creative Americans,” Haney says. “And they will name, I promise, musicians and poets and playwrights and novelists and actors and directors. How many will name a scientist? I think almost no one, and yet they are the people who invent the devices that become our daily lives, the folks who are reimagining life right now. …If you’re a 12-year-old girl and want to have a creative, soulful life, even if you just say creative, how many of those are going to think that that’s an engineer or a biologist? I’m afraid that it’s shockingly small. To their loss and ours.”

Though the film was completed before the novel coronavirus began to spread, it is not a far jump from watching Allison at work to being interested in the work of scientists on the front lines of the search for a COVID-19 vaccine. We have to follow facts, not leaders with conflicting interests. We have to challenge conventional wisdom about what problems are insurmountable, not succumb to them. A great film about a compelling man, Breakthrough may be the antidote to hopelessness in our current pandemic.


The documentary Jim Allison: Breakthrough premieres April 27 on PBS’ “Independent Lens.”

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News

Still relevant?: WVPT and WHTJ public television stations merge, say declining revenues not a factor

For years, two out-of-town public television stations fought to claim status as Charlottesville’s “local” PBS station. Now they both can say that.

Harrisonburg’s WVPT is being consolidated into Commonwealth Public Broadcasting Corporation, the parent company of Richmond-based WHTJ, and the merger will offer local viewers two additional stations.

Instead of duplicate offerings of “Nova” or “Masterpiece Theater,” Charlottesville PBSers will have a counterprogramming channel, where they can watch “Masterpiece” on a night other than Sunday. And it’ll be harder than ever to get the children to sleep with a 24/7 PBS Kids station.

Both stations have seen declines in revenue in recent years. WVPT saw a total revenue drop of more than $1 million, according to its 2014 and 2015 990 tax forms. And WHTJ reported a nearly $400,000 revenue deficit in 2015.

That, says Commonwealth’s board chair Todd Stansbury, had little to do with the merger. While some PBS stations around the country are struggling to keep the lights on, he says, the two companies here “have been pretty healthy over prior years.”

He compares it to fixing the roof while the sun is shining rather than when it’s raining. The merger, he says, solves two problems in Charlottesville while expanding to nearly 1 million homes in central Virginia.

“It eliminates market confusion” about two independently owned public television stations in the same market that at times has even confused donors, says Stansbury. And by eliminating the overlap in programming, the spare station will offer alternatives.

“Charlottesville is going to get a very big bang for its buck out of this,” he enthuses.

Stansbury, who lives in Charlottesville, acknowledges that these are tougher times for PBS stations than back in the days when public television was one of four broadcast networks available.

The new entity wants to be a content creator delivering on broadband, which is how a lot of people now do their viewing, he says. “We still have a large part of our market receiving it over the air,” he says. The merger “will give us the resources we need while maintaining services for our legacy viewers.”

The idea of combining has been talked about for years, says Stansbury, but it helped that Stephen Davis, chair of WVPT’s Shenandoah Valley Educational Television Corporation board, also lives in Charlottesville.

Once the merger is complete in the spring, WVPT staffers will become employees of Commonwealth Public Broadcasting while it decides “the highest and best use of personnel and facilities,” says Stansbury.

Singer-songwriter Terri Allard is getting ready to premiere the 11th season of “Charlottesville Inside Out,” which she hosts and co-produces, as well as being WHTJ’s community engagement manager. She sees the union as a “win-win” for Charlottesville, giving viewers greater flexibility in “what they watch and when they watch it.”

Promises Allard, “it’s going to be twice as much fun.”