Categories
Arts Culture

PICK: John and Chris Kelly

Plays together: The Front Porch continues its Save the Music series with an all-in-the-family edition featuring John and Chris Kelly. The father-son team appeared together on John’s recent release In Between, a collection of rock and folk songs that reflect on social justice issues as well as the importance of family bonds. Chris’ six-member, alt-rock band 14 Stories formed in 2017, and broke through on local high school stages before gigging at the Southern and the Pavilion. Proceeds will benefit the Heather Heyer Foundation.

Sunday 10/4. Zoom required. 8pm. facebook.com/frontporchcville.

Categories
Arts Culture

PICK: Save the Music with Beleza

Musical mash-up: Tired of your quarantine playlists? Then it’s time to spice things up with some samba, funk, soul, blues, bossa nova, jazz, and Spanish flamenco—the livestreamed Save the Music with Beleza embodies it all. Madeline and Berto Sales take you to a Brazilian paradise with their musical and marital harmonies: Madeline sings in Portuguese, English and Spanish, while Berto skillfully strums his guitar to blend the sounds of North and South America. Proceeds benefit The Front Porch.

Sunday 9/13. 8pm. facebook.com/frontporchcville.

Categories
Arts Culture

PICK: Alice Clair

Tuning in at home: With her mixture of thoughtful lyrics, environmental consciousness, and passionate music, Alice Clair is a singular talent—one you’ll often find jamming with her psych-rock band The BLNDRS. The folk rock singer-songwriter, guitarist, and mandolinist performs for The Front Porch’s ongoing series Save the Music. Donations benefit Georgia’s Healing House.

Sunday, 6/28. 8pm. facebook.com/frontporchcville.

Categories
News

The Power Issue: People and organizations that hold us together in tough times

 

Every year, C-VILLE publishes a power issue. It’s usually a rundown of local real-estate moguls and entrepreneurs, tech tycoons, arts leaders, and big donors. This year’s issue is a little different—most of the people and groups listed here aren’t the richest folks in town. They don’t own the most land, they don’t run the biggest companies. But when things got really rocky, they stepped up, and exercised the power they do have to help those around them. This isn’t a comprehensive or objective list, of course, but we hope it highlights some of the many different forms that power can take in a community like ours. Dan Goff, Brielle Entzminger, and Ben Hitchcock

The Organizers: Black Lives Matter movement in Charlottesville 

There’s a revolution brewing. Activists all over the country and the world are taking a stand against police brutality, and Charlottesville is no different. Over the last few weeks, local black activists young and old have organized events in support of the national Black Lives Matter movement and its associated goals, including a march from the Charlottesville Police Department to Washington Park and a Defund the Police Block Party that marched from the John Paul Jones Arena parking lot to hold the intersection of Barracks Road and Emmet Street. Other organizations such as Congregate Charlottesville and its Anti-Racist Organizing Fund are supporting the activists calling for defunding the police department. Little by little, change is happening—on June 11, Charlottesville City Schools announced it will remove school resource officers and reallocate those funds for a new “school safety model.”—D.G.

Eze Amos: Photo: Eze Amos

The Documenters: C’ville Porchraits

How do we preserve art and community during a pandemic? It’s been a question addressed by many creatives, perhaps none more successfully than the creators of Cville Porch Portraits. Headed by Eze Amos, the “porchrait” takers, who have photographed 950 families outside their Charlottesville-area homes, also include Tom Daly, Kristen Finn, John Robinson, and Sarah Cramer Shields—all local photographers in need of work once the city shut down. The group has donated $40,000 to Charlottesville’s Emergency Relief Fund for Artists. “This is for everyone,” says Amos of the project, which has been successfully emulated by other photogs, including Robert Radifera.—D.G.

The Musicians: The Front Porch

As most concert venues were struggling to reschedule shows and refund ticket money, The Front Porch, Charlottesville’s beloved music school and performing space, wasted no time in pivoting to COVID-friendly programming. Executive Director Emily Morrison quickly set up Save the Music, a livestreamed concert series that brings performances by local artists like David Wax Museum and Lowland Hum to the comfort and safety of your home. If you haven’t tuned in yet, there’s still plenty of time—as the city tentatively reopens, Morrison recognizes that live music will likely be one of the last things to return, so she’s extended Save the Music to late August.—D.G.

 

Jay Pun. Photo: John Robinson

The Innovator: Jay Pun

All restaurant owners have had to get creative to keep their businesses alive during the pandemic, but almost no one has been as creative as Jay Pun, co-owner of both Chimm and Thai Cuisine and Noodle House. Pun has gone further than just a pickup/delivery model by starting a virtual cooking series on Instagram and Facebook Live, and selling kits to be used in tandem with the lessons. He’s also donated significant amounts of food to UVA health workers, and most recently has brought other Thai restaurants into the conversation: A recent discussion with the proprietor of famed Portland institution Pok Pok focused on food, but also touched on the issue of race in America.—D.G.

The Reporter: Jordy Yager

Through his work as a Digital Humanities Fellow at the Jefferson School African American Heritage Center and as a reporter for multiple local news outlets, journalist Jordy Yager addresses equity or the lack thereof in all its forms. This is showcased most notably in his Mapping Cville project, which takes on the enormous job of documenting Charlottesville’s history of racially restrictive housing deeds, but also through in-depth coverage of Home to Hope, a program dedicated to reintegrating formerly incarcerated citizens into society, and other studies on the redevelopment of Friendship Court and the day-to-day lives of refugees. Yager’s also extremely active on Twitter, retweeting the content of community organizers as well as his own work, and keeping his followers up to date on, well, almost everything.—D.G.

Kat Maybury (left) and Sherry Cook volunteering at the Haven. Photo: Zack Wajsgras

The Safe Places: The Haven and PACEM

Since the onset of the pandemic, the places that serve some of our community’s most vulnerable members have ramped up their efforts to keep guests and staff safe. Downtown day shelter The Haven has opened its doors to women who needed a place to sleep, while also continuing to provide its regular services, including daily to-go meals, with cleanliness and social distancing measures in place.

PACEM has remained open, serving more than 40 people per night, even though its volunteer staff is smaller than usual. Guests are screened for virus symptoms, and they’re given face masks, among other safety precautions, before being admitted to either the men’s or women’s shelter, where there’s at least six feet between every cot. Though it had to move its male guests out of a temporary space at Key Recreation Center on June 10, PACEM will offer shelter for women at Summit House until at least the end of the month.

Thanks to funding from the city, county, and a private donor, PACEM has also housed 30 high-risk homeless individuals in private rooms at a local hotel, in addition to providing them with daily meals and case management. Men who still need shelter after leaving Key Rec have been able to stay at the hotel for at least 30 days.—B.E.

The Sustainers: C’ville Mutual Aid Infrastructure

One of the most heartwarming nationwide responses to COVID-19, and all of the difficulties that came with it, was the widespread creation of mutual aid networks. Charlottesville joined the trend in March, creating a Facebook page for community members to request or offer “time, money, support, and resources.” Since it was launched, the page has gained hundreds of followers, and posts have ranged from pleas for a place to sleep to the donation of a

half-used Taco Bell gift card. The page’s moderators have also shared resources such as a continually updated list of when and where food-insecure community members can access pantries. Though it came about through dire circumstances, the C’ville Mutual Aid Infrastructure network is proof that our community looks after its own.—D.G.

Howie and Diane Long. Photo: Keith Sparbanie/AdMedia

The Nourishers: School lunches

Before COVID, over 6,000 students relied on our public schools for free (or reduced price) breakfast and lunch. To make sure no student has gone hungry since schools closed in March, Charlottesville City Schools and Albemarle County Public Schools have given away thousands of grab-and-go breakfasts and lunches to anyone under age 18, regardless of family income. With the help of school staff and volunteers, both districts have set up dozens of food distribution sites, as well as sent buses out on delivery routes every week. During spring break, when CCS was unable to distribute food, Pearl Island Catering and Mochiko Cville—backed by the Food Justice Network and area philanthropists Diane and Howie Long—stepped up and provided 4,000 meals to kids in neighborhoods with large numbers enrolled in free and reduced-price meal programs. Even though students are now on summer break, that hasn’t slowed down staff and volunteers, who are still hard at work—both districts plan to keep the free meal programs going until the fall.—B.E.

The Superheroes: Frontline workers

After Governor Ralph Northam issued his stay-at-home order in March, most Charlottesvillians did just that: stayed at home. But the city’s essential workers didn’t have that luxury. In the language of Northam’s executive order, these are employees of “businesses not required to close to the public.” Frontline workers’ jobs vary widely, from health care professionals to grocery store cashiers, but they all have one thing in common: The people who do them are required to put on their scrubs or their uniform and go into their physical place of employment every day, while the rest of us work from the safety of our sofa in a pair of sweatpants. Their reality is one that the majority of us haven’t experienced—and the least we can do is thank these workers for keeping our city running.—D.G. 

Jim Hingeley. Photo: Elli Williams

The Reformers: Commonwealth’s attorneys/Albemarle-Charlottesville Regional Jail

The area’s commonwealth’s attorneys are some of the most powerful people you might never have heard of. During normal times, Albemarle’s Jim Hingeley and Charlottesville’s Joe Platania have tremendous influence over sentencing decisions for those on trial in their localities. They’ve both worked toward progressive reforms since taking office, but since the pandemic took hold, they’ve accelerated their efforts.

The effect has been especially pronounced at the Albemarle-Charlottesville Regional Jail. Under the guidance of the commonwealth’s attorneys and Jail Superintendent Martin Kumer, around 90 inmates have been transferred to house arrest. As prisons across the state have fought coronavirus outbreaks, the ACRJ has yet to report a single case among those incarcerated.

“It’s a shame that it took this crisis to motivate the community to get behind decarceration,” Hingeley said at a panel in May, “but it’s happened now, and when the crisis has passed, we’re going to work to continue doing this.”—B.H. 

Zyahna Bryant. Photo: Eze Amos

The Voices: Charlottesville Twitter

“Twitter isn’t real life,” some say. (Most often, they say it on Twitter.) But Charlottesville’s ever-growing group of dedicated tweeters has recently used the platform to make real-life change.

The synergy between social media and protest is well-documented, and the demonstrations against police brutality that have taken place across town have been organized and publicized on Twitter, as well as on other social media platforms. Meanwhile, people like Matthew Gillikin, Rory Stolzenberg, and Sarah Burke have used Twitter to call out the police department for botching its collaboration with state forces and dragging its heels on revealing important budget details. And Molly “@socialistdogmom” Conger—perhaps Charlottesville Twitter’s most recognizable avatar—continues to digest and interpret dense city government meetings for the public, making real-life advocacy easier for everyone.

The effect is felt on UVA Grounds, as well—this month, tweeters shamed the university into changing its new athletics logo to remove a reference to the school’s historic serpentine walls, which were designed to conceal enslaved laborers. After UVA abruptly laid off its dining hall contract employees in March, outraged tweeters raised tens of thousands of dollars for those workers, while pushing the university to create an emergency contract worker assistance fund. And recently, Zyahna Bryant drew attention to UVA President Jim Ryan’s limp response to the protests that followed the death of George Floyd, when she tweeted her resignation from the school’s President’s Council on University Community Partnerships. Keep tweeting, people. It’s working.—B.H.

 

Updated 6/24 to clarify which organizers were responsible for recent demonstrations to support Black Lives Matter.

Categories
Arts

Pick: Rusty Speidel and Michael Clem

In session: Tracing Rusty Speidel’s music career is like coloring a zentangle. It twists, turns, and flows into many shapes, connects to a greater body of work, and the results are dependably creative and beautiful. Speidel (right) is a session musician, producer, arranger, and a founding member of SGGL (Speidel, Michael Goggin, Tom Goodrich, and Michael Lille), a popular local band that took off from UVA in the ’80s and toured the East Coast extensively. He’s played with Ellis Paul, Mary Chapin Carpenter, Martin Sexton, Sugarland, and Sarah White, to name a few. This time out, he will perform with another local heavyweight—Michael Clem (founder of Eddie from Ohio and more) for the Front Porch Save the Music series.

Sunday 6/14. Proceeds benefit PACEM. facebook.com/frontporchcville.

Categories
Culture

Pick: Musical Suspects

Special something: Musical Suspects, well-loved veterans of the Charlottesville music scene, go live with their eclectic sound as part of The Front Porch’s virtual benefit concert series Save the Music. Matt Horn leads the tight- knit group with his boisterous voice and grooving trombone. Featuring drums, guitar, saxophone, and brass, this funky band of local legends plays to the crowd, even through a screen. Donated proceeds will benefit the Boys & Girls Clubs of Central Virginia.

Friday, May 22. 8pm. Facebook.com/frontporchcville.

Categories
Culture

Pick: Ti Ames and Ivan Orr

Saved by song: If anyone can Save the Music, it’s Ti Ames and Ivan Orr (pictured). Powerful vocalist Ames, well-known for their thespian talents (writer, director, and the first black actor to win the English-Speaking Union National Shakespeare Competition in 2012), is accompanied by pianist, vocalist, and saxophonist Orr, for an evening of song that would stand out in even the busiest of concert seasons. Proceeds from Save the Music will benefit the United Way of Greater Charlottesville and its COVID-19 Emergency Response Fund.

Tuesday, May 19. 8pm. Facebook.com/frontporchcville.

Categories
Culture

Golden tickets: Locals reminisce about memorable C’ville shows

Remember live music? Us, too.

There’s reason to be extra grateful for recorded music right now (and for all the artists streaming sets into our living rooms), but it’s not the same as packing into a whatever-sized room with a bunch of other people to hear some tunes played just for you. Sweating, swaying, swooning, swirling, swilling a beverage while the band plays (we better not catch you talking)…it’s an  experience that’s on hold during social distancing. It’s just too risky.

We can’t convene in our favorite venues right now, and won’t for a while still, but we sure can wax poetic about when we could. Some pretty rad bands have played some pretty rad shows in Charlottesville, and local folks have these stories to prove it (and others, like City Councilor Sena Magill, have the cool, hard proof: outrageous memorabilia).

Scroll down for an update on local venues.

What’s your favorite show memory? Tell us in the comments.


Diarrhea Planet

The Southern Café & Music Hall, April 2015

When Diarrhea Planet (RIP) was on, no band mixed respect for the grandeur of rock with tongue-in-cheek jibes at the ridiculousness of “maximum rock ‘n’ roll” like they did.  —Charlie Sallwasser

 

Toots and the Maytals

Starr Hill, early 1990s 

Starr Hill was a 400 [-person capacity] club on West Main. There were maybe 600 people in attendance and, as Toots found out when he held his mike out to urge people to sing along, everybody there knew every single word to every song they played. I went downstairs for a drink and the floor was literally moving up and down eight or nine inches in each direction. It was his A-list band—the guys he records with—and they were so stoked that the crowd really knew the material.  Charlie Pastorfield

 

Against Me!

Champion Brewing Company, October 2016

Lead singer Laura Jane Grace came out in a Trump mask to sing “Baby, I’m an Anarchist.”  Nolan Stout

 

My Bloody Valentine and Dinosaur Jr.

Trax, February 1992

It was “immersive” and that’s an understatement. MBV was feel-it-in-your-spine loud and I am convinced that most of my current high-frequency hearing loss can be traced to that show. Then they turned on the strobe light and left it on for the duration of “To Here Knows When,” which felt like an hour [ed. note: the recorded version is 5:32]. The crowd, the bone-rattling, the sound, the blinding light all simultaneously induced euphoria and claustrophobia. It was honestly the greatest show of my life. I don’t remember the Dinosaur Jr. set at all. Mike Furlough

 

A Tribute to Roland Wiggins

The Jefferson School African American Heritage Center, September 2019

Hands down, the Roland Wiggins tribute. I had to watch it on Facebook because I was out of town doing a gig, but the surprise performances from his best friend made my heart smile. Super close second fave was [soul-rock musician and theologian] Rev. Sekou at The Festy [2019]. Lawd hammercy…. Richelle Claiborne

 

Neutral Milk Hotel

Tokyo Rose, March 1998

Won’t do the Pud (too many to count), so I’ll say [this one]. I bartended downstairs that night; they made everyone very, very, very happy and very hopeful. They stayed at our house. I went to work and then they JAMMED AND STEVE RICHMOND DIDN’T RECORD IT (forgave). Tyler Magill

 

Jonathan Richman

The Southern Café & Music Hall, November 2015

Because every Jonathan Richman show is better than every show without Jonathan Richman. #RoadRunner  Siva Vaidhyanathan

Funk and soul act Sharon Jones & The Dap-Kings played multiple memorable shows in town before Jones passed away from pancreatic cancer in November 2016. Photo by Jack Looney

 

Sharon Jones & The Dap Kings

Satellite Ballroom,

February 2006

The horns! Her voice! The dancing! The being young!  Nell Boeschenstein 

 

Trey Anastasio Band

The Jefferson Theater, February 2010 

It was insane. Working with a hero. They rehearsed in the venue the day before, which was a real treat. Basically a private show. We loaded in during a blizzard. Tom Daly snapped one of my all-time favorite photos of me during the show. I was 24 years old and like a kid in a candy shop.  Warren Parker

 

Muddy Waters

The West Virginian (the basement of The Virginian), 1976

Astonishing electric blues. I wrote a review of the show for the Tandem Evergreen, and got into an argument with the editor, who sniffed that “all the songs were in E.”  —Hawkins Dale

 

Lightning Bolt/ Forcefield

The Pudhaus, 2001

One of the sweatiest, most energetic, and righteous shows I have ever experienced. A room so full that the floor bounced but just an ecstatic feeling. Felt like the building levitated.  —Davis Salisbury

 

The Flaming Lips at The Sprint Pavilion. Photo by Tristan Williams

The Flaming Lips

The Sprint Pavilion, August 2019

Absolute and utter magic. The music. The energy of the crowd. The giant balloons and inflatable robot. I am not the same person I was before.  —Emily Cain

 

University School

The Bridge PAI, March 2017

University School (Peter Bussigel and Travis Thatcher) played a live techno set, did the whole thing wearing crazy animal masks and making hot dogs for everyone while they played. They even had veggie dogs for the vegetarians out there, and everyone was eating and having a great time. Not saying the concert convinced me to move here, but it definitely helped.  —Kittie Cooper

 

Sleater-Kinney

Tokyo Rose, April 1996

I bet a few people mention this one—for those who saw it, many probably remember it as one of the peak music moments of their lives, including me. It was a benefit for the Sexual Assault Resource Agency, right after the album Call the Doctor came out. Curious Digit opened—in honor of the riot grrrl occasion they did Bikini Kill’s “Carnival.” Sleater-Kinney were so glorious, my friend Jeanine (who MC’d the show, repping both SARA and WTJU) threw her bra up onstage, where it landed on Corin’s microphone. She left it dangling there the rest of the show.  —Rob Sheffield

 

Public Enemy

Trax, early 1990s 

I was a disaffected undergrad at UVA in the early ’90s when a friend told me Public Enemy was coming to Charlottesville. Why, to burn it down? Nope, to play a show, at Trax. I honestly couldn’t believe it; all I knew about Trax was that Dave Mathews played there all the time. This, was anti-Dave. But it was true, and we got tickets as soon as they became available.

The night of the show we walked over from our place with a Dr. Pepper bottle filled 50/50 with whiskey. Typical undergraduate idiots, not challenging any stereotypes. It was a packed house and the crowd was pretty…energetic? There was a sense that something crazy was about to happen but it was unclear what form it would take: a wild party, maybe a riot. Public Enemy didn’t show for a long time, and the crowd was getting more and more agitated. My friend went to sit down in the back, the whiskey and Dr. Pepper weren’t mixing well. 

There was a palpable sense of relief when the announcement was made that PE was in the building and they started setting up. Almost immediately there was another delay, Terminator X’s turntables were messed up somehow getting them onto the stage. Not great; things really started leaning towards riot. There was some pushing, scuffling, a lot of impolite shouting. I was trying to figure out how I was going to get the hell out of there when everyone heard the unmistakable sound of Flav shouting, “Yo, Chuck!,” and it was on. Every single person was immediately through the roof. What followed was a two-hour-long sonic assault; angry, political, righteous, and absolutely everything I’d hoped for. Maybe this Charlottesville thing was going to work out after all. When it was all over, I went to find my friend, still passed out sitting on the floor with his back against the wall. I had to wake him up, and he groggily asked what he had missed. Everything.

I learned later that night that another friend had his face slashed somewhere in the pushing and shoving. He stayed for the show and got quite a few stitches later. We all agreed it was worth it, and that he had likely done something to deserve it.  —Steve Hoover

 

Taj Mahal

Trax, late 1980s/early 1990s

He told the audience they were the rudest mofos he’d ever seen and he left the stage. He was right. Maybe not my favorite memory, but one of the more stand-out memories.  —Jamie Dyer

 

Ratatat

The Jefferson Theater, October 2010 

Not counting EDM shows, Charlottesville crowds are typically on the more reserved side, but something was in the air that night. It was packed and yet I was able to move freely from bar to stage, dancing from person to person on my way. It felt more like a party where everyone was a friend and Ratatat were the house band. On multiple occasions I’ve recounted the show years later to someone and they’ll light up and say, “I was at that show!” They always agree it was a special one.  —Jonathan Teeter

Fugazi

Trax, 1993

I still have the flier from that show. Trax became known as the beginnings of DMB, but they had a pretty stellar run of booking amazing indie bands in the late ’80s and ’90s—Ramones, Sonic Youth, Pixies, Pavement, Replacements, Smithereens, Jesus and Mary Chain, Bob Mould, Superchunk…Dinosaur Jr. and My Bloody Valentine on the same bill.  —Rich Tarbell

Courtesy of Rich Tarbell

 

Nada Surf and Rogue Wave

Starr Hill, 2006

Used…someone else’s ID…and had my first craft beer at a show. One of my favorite memories.  —Allison Kirkner

 

Memorial Gym, UVA, 1990s

All the dope shows at Mem Gym. Jane’s Addiction…or rap shows put on by UVA in the ’90s. All of James McNew’s Yo La Tengo shows were good, too.  —DJ Rob A 

 

Levon Helm

The Paramount Theater, 2008

With an amazing band in tow, from the opening romp of “Ophelia” onward, Levon was the happiest guy in the room and it just trickled down. We were all fortunate to have him in good voice that night. —Michael Clem

 

Gogol Bordello

Live Arts, 2004

The downstairs stage still had scaffolding and platforms up from whatever production, and the band kept pulling people out of the audience until it felt like there were more people on stage than off it.  —Phil “dogfuck” Green

 

Nik Turner

Champion Brewing Company, October 2017

Nik Turner [of Hawkwind], free, outside, bit o’ rain, C’ville…Skulls split from grinning so much. A perfect storm in every way, and to be there with a novitiate who was gobbling it up like candy made it that much better for me. And it was with Hedersleben to boot.  —Kevin McFadin

 

Phoenix 

The Sprint Pavilion, September 2013

I had lived in Charlottesville from 1999-2002 as a recent college grad. I moved back in 2013, driving from Brooklyn in a U-Haul truck with a 2-year-old and a spouse who had never lived here before. It was very hot out, we were in debt, we missed our friends, and our stuff was in boxes in a too-small apartment. We went out for a walk on the Downtown Mall and saw a poster for Phoenix, playing at the Pavilion that night. I asked some people sitting on a bench “Is that Phoenix, the band from France?” They shrugged yes, and a few hours later I drifted over to the Ninth St. bridge, where I stood and watched. (I had no money for admission, and spouse and child were tired and stayed home.) The band played a set of songs I had gotten to know and love in my old home, and from where I stood I saw a sea of smiling faces. On their way offstage the band gave an amused wave to the bridge crowd, and I walked back to the apartment feeling for the first time in a while that it would be possible to make a life here work.  —Jake Mooney

 

Fugazi

Trax, April 1993

-and-

Sleater-Kinney

Tokyo Rose, April 1996

I chose two, which occurred three years and one day apart. Fugazi: The first time I had ever seen them outside of D.C. Brilliant, dynamic and WAY too loud. Turns out it was the first date of a new PA, which left many a fan stone-deaf for a few days. This can be found as part of the Fugazi Live Series. The middle section, tracks 13-21, I would put up against any band, anywhere, ever. Then Sleater-Kinney: One of the very few times I have ever said to a band, “One year from now, you guys are gonna be huge.” I think that creeped out Carrie Brownstein (though I was right). Emotionally overwhelming set, even with the pre- Janet Weiss drummer.  —Joe Gross

 

The Spinners

University Hall

I call this the “phantom concert” because even though I have a pretty reliable memory, I have not been able to find any evidence on Al Gore’s interwebs that this concert happened. But…I keep telling myself that I know it did, because I was there. Just like I “remember” seeing Ike and Tina Turner here in Charlottesville at 2, I’m pretty sure I saw The Spinners at University Hall at 6. Now, there is a record of The Spinners hitting the same stage in 1981, and at that time the two biggest memories from the show I believed I was at wouldn’t have happened:

  1. A very nice man in front of my family volunteered to put me on his shoulders so that the little 6-year-old me could see (in 1981 I was 11 and almost six feet tall).
  2. There was an opener at the show and they played “Easy” by The Commodores, which was a big hit at the time, but 6-year-old me was confused because that wasn’t The Commodores on stage. In 1981, Lionel Richie would be just about out of The Commodores camp so no opener would have played “Easy” to such a rousing reception.
  3. What I “remember” of The Spinners was awesome. I kept saying to my 6-year-old self, “I’ve seen those guys on TV.” 

Ivan Orr

 

Southern Culture on the Skids

Gravity Lounge, November 2008

I’ve seen SCOTS a few times, but that was by far the best of the shows—long set list, really intimate environment, superb energy level.  —Jeff Uphoff

 

Charles Bradley & His Extraordinaires

The Jefferson Theater, May 2014

That month, everything was technicolor. I’d been dumped a few weeks prior and mourned what was really nothing, for too long. The day was warm, the beer was cold, my cat-eye liner was sharp, and my black-and-blush-and-neon-green vintage dress made no sense and perfect sense. (“If you look good, you feel good?”) The band lived up to its name, keeping perfect step while Charles grinned and sang and wailed and wept and spun and sweated buckets in his custom stage suit. Music. What crowd? Music. What ex-boyfriend? Music, music, music. Time to move on. Thank goodness for soul.  —Erin O’Hare

 

Sharon Jones & The Dap-Kings

The Jefferson Theater, December 2009

It was my birthday, and I told her so in line after the (absolutely incredible!) performance while she signed a record. She stopped the line and serenaded me with the most beautiful and simple “Happy Birthday” rendition, and I was never the same. Maybe it was a combination of the venue or her verve or this sense that time stood still, but it became the benchmark against which I’ve measured performances—did it feel like it was just for me? My pantheon of performances have done exactly that.  —Adrienne Oliver

 

“Oh there are so many.”

Oh there are so many. Gwar at Trax, had to be early ‘90s…they ended up graffiting a jacket I had graffitied in art class (I still have it). Jane’s Addiction at Mem Gym, had to be ’90 or ’91. Of course, the Tokyo times with The Pitts, The Eldelry, The Councilors, Hillbilly Werewolf. Dread Zeppelin, they were so much fun. Also going to hear The Band and others at Van Riper’s [Lake Music Festival] in the late ‘80s. The Black Crowes, before they really made it, at Trax.  —Sena Magill

Detail of Sena Magill’s GWAR jacket. Photo courtesy of Sena Magill

Ben Folds

The Jefferson Theater, 2012? 2011?

He played Chatroulette and it was the funniest, most engaging show I’ve ever seen. So many people I knew were there, it was practically a party.  —Marijean Oldham

 

The Magic Numbers

Starr Hill, 2006

There are three factors that make up the most memorable kind of concert: One, an intimate venue, two, the surprise factor—going to see a band you know little to nothing about and having your socks knocked off, and three, the magical band-audience feedback loop that manifests when you have a band that has lightning in a bottle, but is too green to know it yet— but the audience understands, and you get to watch the band’s wildest dreams come true in real time. The Magic Numbers gave me all three on a Tuesday night. I am a sucker for a bit of indie-pop perfection, and I heard their single “Love Me Like You” on the radio on my way to work, followed by the announcement that they would be at Starr Hill that night. I immediately changed my plans and it was one of the best concert decisions I’ve ever made.  —Miranda Watson

 

Dave Matthews Band

Scott Stadium, 2001

The stadium had just been renovated and DMB played with Neil Young. I worked for the stadium event staff and got field passes. Also got to kick field goals with Boyd Tinsley during sound check the day before.  —David Morris 

 

Neutral Milk Hotel

The Jefferson Theater, 2015

They have been a favorite band since I was a senior in high school in 2003, and I couldn’t believe I actually got the chance to hear them live since they broke up in 1999 and I never thought they’d get back together. It was a school night, and I was beyond stressed from finals and job searching, but for two hours I forgot all of that and was completely enthralled.  —Caroline Heylman 

 

Dump/Girl Choir/Sloppy Heads

Twisted Branch Tea Bazaar, August 2011

Hats off to Jacob Wolf for booking this show and WJTU for presenting it, but it’s a very special night for me since I put the pieces in motion to make it happen. We got Brooklyn jammers Sloppy Heads and Dump (aka James McNew from Yo La Tengo) from NYC, with Charlottesville’s own mod enthusiasts Girl Choir in between —a Brooklyn/Charlottesville/Brooklyn via Charlottesville sandwich. Tons of great folks came from all over to see a very rare non-NYC set by Dump, which he played with his partner Amy. They covered all the bases and provided a nice mellow-ish counterpoint to the Heads’ shambolic choogling and Girl Choir’s frenetic anthemic. It was quite the magical evening for both music and human interaction.  —Dominic DeVito

 

George Clinton & the P-Funk All-Stars

Trax, February 1993

The P-Funk legend was well into his 50s, but this cosmic slop raged on into the wee hours—I have never seen such a marathon with such relentless energy. George just gave up the funk for hour after hour, until every pair of hips was sore, except his. After four hours or so, I finally had to admit defeat and drag my weary bones home—but George and crew were still going strong onstage. To this day I still don’t know how much longer the show went on. An inspiration to us all.  —Rob Sheffield


Show stopper

When will live music come back?

Charlottesville is really feeling the void left by the lack of live music, and Danny Shea’s got a theory as to why.

Ours is “a remarkable town in regards to support and appetite for live music. We have the luxury of having so much live music per capita, so I think [its absence] is felt more so than in other places,” says Shea, who’s booked music in town for over a decade and currently handles booking, promotion and venue management for The Jefferson Theater and the Southern Café & Music Hall, both owned by Red Light Management.

Local venues have been dark since the second weekend in March, when the World Health Organization declared COVID-19 a global pandemic. Everyone is eager to know when we’ll be able to gather again, but the reality is that nobody—not even venue operations folks like Shea—know the date. Though restaurants with outdoor seating will be allowed to reopen with restrictions on Friday, May 15, entertainment venues, including concert halls, must remain closed. And even when they are allowed to open, it may take a while for things to return to normal. 

Emily Morrison, executive director of The Front Porch, a nonprofit music school and venue online, says she probably won’t feel comfortable holding classes and performances in the building until 2021 (they’re all online for now). When she does open, Morrison says she won’t fill the space to its 100-person capacity for a while. “If everybody rushes toward each other this summer as restrictions ease in the state, I’m worried we’ll just have this terrible spike, even worse than the one we’ve had in the spring,” she says.

Jeyon Falsini of local booking and management company Magnus Music shares that worry. Falsini books for a number of restaurant-bars in town, including The Whiskey Jar, Moe’s BBQ, Rapture, and Holly’s Diner, and he says that all of these venues will focus on food and drink sales before hosting live music. These spots typically don’t charge a cover, so musicians are paid from the register and/or a tip jar. “You can only have music if the place is packed, to justify paying out of the register,” says Falsini, who, unable to collect booking fees, is currently on unemployment.

And what would shows even be like? Will touring bands want to pile into their vans (even before the pandemic, touring wasn’t the most hygienic thing) riding from city to city where they might be exposed to the virus, and in turn expose their audiences? Will audiences want to go stand in a room with a band that’s been in 10 cities in two weeks? Will fans pay more for a ticket to offset lower capacities? If the venue marks off safe social distancing spaces on the floor with tape, will attendees obey them (especially after a few beers)? Who would enforce mask rules? Can people be trusted to properly wash their hands in the bathrooms?

With safety measures in place, a show just won’t feel the same, says Shea. “The idea of social distancing at a rock show is impossible. It would be so awkward. …Can you imagine being the band on stage? There’d be no energy created at all.”

With so many questions about how to balance entertainment with public health concerns, “we’re just a little bit on our own…and it feels a little scary,” says Morrison.

Shea expects some aspects of what venues have developed—like expertly produced concert streams—will stick with us once the pandemic’s over. “You can’t trick yourself into old ways of pursuing this stuff,” he says. And while he is unsure of whether scheduled shows will actually happen this summer,  he’s certain that Charlottesville’s appetite for them will remain.

 

Categories
Culture

Pick: Davina Jackson and Atreyu

Up on up: It’s a family affair when Davina Jackson and Atreyu go live in The Front Porch’s Save the Music series. Expect a dynamic mix of soul, funk, and reggae from Jackson, a former backup singer for The Wailers, who will be joined by her son, rap artist Atreyu. The pair is frequently seen performing with their central Virginia band Wild Common. The concert will also be broadcast live on WTJU (91.1 FM), and donation proceeds will benefit Piedmont Housing Alliance.

Sunday, May 10. 8pm. facebook.com/frontporchcville

Categories
C-BIZ

What dreams are made of: 5 stories of locals turning their passion into their business

If thinking about your passion keeps you up at night, while your job leaves you snoring, it may be time to see if you can make a living doing what you love. The Charlottesville area is home to plenty of small business entrepreneurs— and dreamers. Albemarle County, and much of central Virginia, has a self- employment rate ranging from 10-20 percent, according to the U.S. Small Business Administration’s 2019 state profile. And local initiatives, like the Community Investment Collaborative and the i.Lab at UVA, are here to help. So as you contemplate transforming your dream into a business, let these five stories inspire you to take the next step.

Adam and Nicole Goerge | ELEVATE TRAINING STUDIO

Adam Goerge and Nicole Yarbrough met as trainers at ACAC, where they both continued working after their marriage in 2006. But they always dreamed of opening their own training studio. “We wanted to be our own bosses,” Nicole recalls.” We wanted to develop a community of clients who supported our style of training—not like a big-box gym, more like a family.” Adam says they talked about the idea for seven or eight years. In September 2017, they agreed the time had come—and 14 months later, they opened Elevate Training Studio.

In preparing to make the leap, the couple spoke with colleagues at other gyms—“all different styles, from big gyms to boutiques,” Nicole recalls. They cruised small business websites (see sidebar), worked out the space and equipment they needed, and estimated expenses, from rent to taxes and salaries. They even had a color scheme (royal blue and grass green) and a mascot (their goldendoodle Velo).

While still working full-time, the Goerges took on everything from finding a location to figuring out financing—as independent contractors at ACAC, they couldn’t show a steady monthly income, which made it hard to qualify for business loans. They went through four possible sites before settling on a space on Berkmar Drive off Route 29 North, close to town and convenient for clients.

But that was just the beginning. When their contractor fell through, Adam, who had construction experience, stepped in as subcontractor for the renovation. They hired independent contractors for specialized tasks, but handled everything from demolition to drywall themselves, with their son Caden, inlaws, and friends pitching in. Handling a business license, a LLC application, rezoning, permitting, and building inspections was an education. Adam recalls spending a lot of time on the Albemarle County website.

Not everything went to plan, says Nicole: “It was all about doing what needed to be done at that moment.” Because they were both still employed—and because, as Nicole notes, “Charlottesville is a small town, especially in our field”—the couple kept the idea quiet until they were ready to launch. In the meantime, Caden was making the transition to middle school and the family moved into a new home.

Now, as they enter their second year, was it worth it? Absolutely, both agree. “We’ve been able to create our own space,” says Adam with satisfaction. Nicole says, “I walk in, and this is where I belong.”

Heather Hightower | THE CENTER FOR VOCAL STUDY

Heather Hightower had a passion for singing and performing from an early age. But her journey to becoming founder and owner of The Center for Vocal Study took a roundabout—and often serendipitous—path.

After majoring in voice at UVA, Hightower applied to graduate schools, but “my intuition told me that this was not the next step for me,” she recalls. Instead, she took a more winding route: teaching music in Guatemala; taking a series of corporate jobs; and working retail back in Charlottesville. With friends urging her to put her vocal and coaching skills to work, in 2012 she began a side gig teaching voice students in her home.

In 2013, Hightower was hired as choir director at The Field School. “It was a total adventure,” she says. “I was starting the program from scratch.” As she was developing the school’s music program, Hightower’s private lessons were outgrowing her home. In 2016, another voice teacher mentioned renting space together, “so I opened an Excel spreadsheet and started crunching the numbers,” she recalls.

In 2017, Hightower took the plunge, signing a lease on space on the Downtown Mall, and—with lots of cleaning and furnishing help from her family, friends, and students—The Center for Vocal Study opened. Soon, a group of voice teachers was using the space to collaborate, and The Center began to offer expertise in other aspects of singing and performing, from Alexander technique to auditioning.

“When you’re getting started, you have to do everything—editing the website, figuring out the online scheduling,” Hightower says. She drew on her past experience in business, in fundraising, even in sales and customer service—augmented with the help of a coach she found through a business program. And she did hire both part-time administrative help and an accounting firm.

In 2018, she left her Field School job to focus full-time on The Center—just in time, because soon her lease was up. “We knew it was coming, but I wasn’t quite ready,” she says ruefully. “But again, like with our first location, I just had to leap.” The Center’s new location on Pantops “feels like a retreat center,” she says, “and has me thinking in new ways about what we do here to embolden singers to find their voice.”

Clearly, bringing her dream to life has been both grueling and inspiring. “Making so many decisions—it can be exhausting,” Hightower admits. “Some days are glorious, and others are more like being swept away into the ocean. But I am constantly being surprised at what is being created here.”

Angelic Jenkins | ANGELIC’S KITCHEN

Angelic Jenkins has always loved to cook. “My house is the come-to house for the holidays, because everyone knows I’m going to cook up a feast,” she says.

Growing up, “I was always in the kitchen, under my mother and my grandmother, watching them and asking questions.”

The Charlottesville native also has vivid memories of eating fried fish at summer festivals in Washington Park. “To me, it was just something totally different,” she recalls. “I thought, when I grow up I want to be at the park and I want to sell fried fish.”

In high school, she spent three years studying culinary arts at CATEC, even winning a bread contest. She thought she might become a chef. But instead, she veered into another career path, taking up office technology, and eventually landing a job in HR.

While she was working full-time for DoubleTree, she spent her weekends shopping. “My husband said, there has to be something better you can do with your weekends,” she recalls with a laugh. That’s when she remembered those childhood festivals. “And I said, ‘I want to sell fried fish.’”

Her husband, Charles, encouraged her to go for it, and he rented the equipment she would need. She started off with a tent at the African American Cultural Arts Festival, in Washington Park. The event was so successful that before she knew it she was working festivals as far away as Virginia Beach, selling her fried fish, wings, hush puppies, and onion rings to a rapidly growing fan base.

Jenkins then entered a program for entrepreneurs at the Community Investment Collaborative, received her catering license, and went on to open her own catering business, Angelic’s Kitchen, renting commercial kitchen space at Bread and Roses.

As she continued to sell at festivals, she also tweaked her fish breading, experimenting with different herbs and spices to make her product stand out. Once she got the recipe down, she found a manufacturer through CIC. She had the breading bagged so she could sell it to customers interested in frying at home.

And in 2018, she and Charles bought a food truck: Angelic’s Mobile Kitchen. They sell from a parking lot on Pantops in the summer and at various festivals and other spots throughout the fall.

Now, Jenkins is poised to open her first bricks-and-mortar location, at the new Dairy Market food hall in 2020. Jenkins says her 609-foot stall will focus on soul food—her famous fried fish, but also classic down-home dishes like barbecue chicken, yams, corn pudding, and potato salad.

The biggest challenge, she says, has been the financial strain of growing the business. Because she’s still working full-time, as the head of HR for DoubleTree, she doesn’t qualify for a lot of small grants. At the moment, she has a GoFundMe up to help cover the start-up costs of the new location.

But while she plans to keep working for the first year (covering evening and weekend shifts while Charles mans the stall during the day), she’s hopeful that she’ll eventually be able to work at Dairy Market full-time.

“My hobby has turned into a career for me,” she says. “I never thought I’d end up here.”

Jenny Peterson | PARADOX PASTRY CAFÉ

Jenny Peterson has always had two passions: “From the time I was a little kid in West Virginia, I was either doing gymnastics in the yard, or [I was] in the kitchen baking with my mom.” She built a career as a personal trainer, and while her then-husband was stationed in Europe, Peterson attended the famed Cordon Bleu in Paris and interned at a noted French patisserie.

When the family came to Charlottesville in 2004, Peterson began working in the kitchen at the Boar’s Head Inn— but “I knew if I wanted to open my own business, I needed to be out in the community.” She became a personal trainer at ACAC, and started building a client base by baking for friends, giving samples to her training clients, and taking on jobs at cost to build word-of-mouth.

Through SCORE, a local business organization (see sidebar), Peterson was connected with Joe Geller, retired owner of the Silver Thatch Inn, whom she credits with helping her develop her business plan. Peterson’s concept: an open bakery. “My idea was based on my mom’s kitchen. She always has someone in, it was a community place. I didn’t want to have a wall between us and our customers—I wanted to see who we were serving, and have them see us.” Thus the name: Paradox Pastry Café, where a personal trainer is making delicious treats, and the bakery becomes a place to convene.

Peterson got a business loan through a small local financial institution. She found her space on Second Street SE– “I signed the lease before I got my loan approved,” she admits—and much of the renovation was done by “me and my friends, and a rag-tag bunch of guys working on another restaurant nearby.” She hired and then fired a business consultant. Meanwhile, she was still working at ACAC, running her home business, raising her two children, and navigating a divorce. “I was 49 years old,” Peterson recalls, “and I thought, ‘I don’t want to be 80 years old and never have tried this.’”

In June 2012, Peterson launched her café—and, almost eight years later, she admits there are still parts of her business plan she hasn’t gotten around to implementing. But her core vision remains: a community place where she and her staff greet the regulars and patrons can linger.

“There are other bakeries in town, but they’re not my competition,” Peterson says. “We don’t make breads. We don’t offer gluten-free—I don’t have the space for completely separate ingredients and equipment. To me, it should be, do what you love and do it better than anyone else.”

Emily Morrison | THE FRONT PORCH

Music has always been vital in Emily Morrison’s life; the daughter of two musicians, she is a skilled banjo player herself. But she also has a calling to teach. When she came to Charlottesville in 2000, her “real job” was teaching high school English. Then she began teaching music and drama at Mountaintop Montessori school.

“It was the first time I had taught music,” Morrison recalls, “and it was so much fun!” She created a musical/ cultural “world folk tour,” recruited local musicians to help start a school string band, and launched a children’s choir. She had found her passion: people making music together—“performance as, not outcome-based, but as experiential.” That’s how the dream of a community music school began.

Morrison and a friend came up with the name The Front Porch because “that’s the place, all over the world, where people gather.” She went to a hackathon at Monticello High School to develop her website, and got a business license to offer music lessons out of her home. In summer 2015, she took part in the i.Lab incubator program at UVA. “This former English teacher didn’t know anything about business,” Morrison says. “That’s where I decided this [venture] should be a nonprofit and learned how to set it up, with a board and everything. That little test model is still what we’re doing today.”

Morrison leased space at Mountaintop for her burgeoning school. The first year’s budget was $50,000, half of it raised on a GoFundMe page. While Morrison was committed to paying her teachers a market wage, she herself was working for free. Among her “success factors,” Morrison credits her husband John, whose steady income and support enabled her to pursue her dream.

By 2016, student enrollment had doubled–and Mountaintop needed its space back. Morrison found a new location, just off the Downtown Mall, that needed extensive renovation. Another “success factor:” Jack Horn of Martin Horn Inc., a supporter of The Front Porch’s programs, whose firm handled (and partially funded) the renovation.

By 2019, the school’s annual budget surpassed $300,000, and “we were finally appropriately staffed,” she says. From hiring staff to recruiting board members, Morrison drew on relationships she had built as a teacher and as a musician. And she kept learning–visiting other community music schools around the country, and cold-calling people around Charlottesville to “have coffee with me so I could pick their brains.”

Her assessment, after five years? “I’ve mentored people who want to start a nonprofit, and I tell them it’s going to take over your life,” Morrison says. “But there’s still a learning curve, which keeps me interested.” And she’s keeping her dream alive: “The world—all of us—needs more time being together, playing music and being peaceful.”

TOP TIPS FROM FELLOW DREAMERS

We asked our featured entrepreneurs to share some of their hard-won wisdom:

Don’t quit your day job—yet. Finances are the single biggest source of stress, and the main reason business ventures fail. Having an outside job while you test the waters is a good way to prepare. (If you’re lucky enough to have a spouse or partner with a steady income, that’s a huge help too.)

Plan, plan, and plan some more. All these entrepreneurs developed (and kept revising) their business plans, financial spreadsheets, and to-do lists. Work out how much money you need (including your salary), where it’s coming from, and what you will have to charge. At the same time, as Heather Hightower cautions, expect problems—and opportunities—to come up before you’re ready.

Be willing to do everything. Jenny Peterson says on any given day she might be cleaning toilets, training a new worker, or coming in to cover for a sick employee—in addition to baking, running the café, and greeting customers. There is no 35-hour work week for a business owner.

Find the skills you don’t have. While your personal work experience may be helpful, there’s always something you won’t know. Find a mentor, hire a consultant, take a course, search the Internet— and be willing to pay for the expertise you need, whether it’s bookkeeping, marketing, or legal advice.

The buck stops with you. If you have a hard time making decisions or taking on more responsibilities, think twice about running your own business. “The owner is the catalyst,” says Peterson. “We set the tone, the vision—it’s our full responsibility to make it happen.”

It’s also your dream; don’t forget to enjoy it. Every one of these entrepreneurs said their goal was not huge profits or thousands of clients, it was the creation of their dream. Being happy in your work is a perfectly acceptable measure of success.

FINDING SUPPORT

Ready to take the leap and start a business? Here are some local resources that can help:

Community Investment Collaborative (cicville.org) focuses on helping microenterprises with financing support and counseling, networking opportunities, support groups, co-working space and services, and education. CIC’s small business classes range from a two-hour “How to Start Your Own Business” course to a 16-week “Entrepreneur Workshop.”

City of Charlottesville’s Office of Economic Development (Find it on the city’s website, charlottesville.org) has a range of resources for small business owners at any stage. “Cville Match” provides additional funding to companies that have received grants from a range of state and federal programs; once you’re launched, the “Advancing Charlottesville Entrepreneurs” program assists small (fewer than six employees), city-based businesses with grants for advertising, equipment, and supplies.

Central Virginia SCORE (centralvirginia.score.org) offers an online business library, webinars on everything from budgeting to marketing, and assistance in developing a business plan. SCORE also provides access to a stable of retired business professionals who serve as volunteer mentors for fledgling entrepreneurs.

Small Business Development Center (centralvirginia.org/ small-business-development-center) provides free business counseling services and assists with feasibility studies and business planning. SBDC also sponsors seminars and training, often in conjunction with CIC and SCORE —including the monthly Charlottesville “Entrepreneurs & Espresso” at UVA’s i.Lab.

If your dream is evolving in a nonprofit direction, the Center for Nonprofit Excellence (thecne.org) offers its members workshops, training and consulting in areas from financial management, fundraising, and grantsmanship to marketing and advocacy, as well as board recruitment and development. Membership dues start at $100/year and are keyed to the organization’s annual budget.

Don’t forget to check the course offerings at Piedmont Virginia Community College (pvcc.edu) to build skills in accounting, management, business law, IT and marketing.

Once you’re launched, the Charlottesville Regional Chamber of Commerce (cvillechamber.com) can help you connect with other entrepreneurs and potential customers and clients. Some Chamber programs, like the monthly Business Women’s Round Table and ProTip Tuesday, a social and learning event, are open to the public; its signature networking event, Let’s Connect, is for members and prospective members only. Note: If your small business (fewer than 11 employees) belongs to the Chamber in a neighboring county, you can become an affiliate member of the Charlottesville chapter at no additional charge.