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Arts Culture

Waxahatchee

In her indie-alt country band Waxahatchee, Katie Crutchfield’s lo-fi folk embraces her Alabama upbringing while breaking away from the quaint Waxahatchee Creek into the mainstream. Across six critically acclaimed albums, the group has won audiences over through Americana storytelling, explorations of sobriety, and lessons learned along the way. The new album, Tigers Blood, is another collection of tracks true to the heart and full of grit. Opener Snail Mail features the soul-stirring songs of Lindsey Jordan, and kicking off the evening is Tim Heidecker, a musician best known for his work as a comedian, writer, and actor who has played in bands of various genres including ’70s soft rock and vintage pop.

Wednesday 9/4. $34-69, 7:15pm. Ting Pavilion, 700 E. Main St., Downtown Mall. tingpavilion.com

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Arts Culture

Ben Folds

A modern piano man who rocks out and pens intelligent songs, Ben Folds rose to fame in front of his ’90s alt-rock group Ben Folds Five before going solo in 2000. The Ben Folds Paper Airplane Request Tour takes flight with opener Lindsey Kraft and invites guests to launch their song requests to the stage via paper airplane. “It’s the purest, most low-tech form of engagement that creates a special bond with my audiences,” says the Emmy-nominated musician.

Sunday 7/21. $35–90, doors 6pm, show 7pm. Ting Pavilion, 700 E. Main St., Downtown Mall. tingpavilion.com

Categories
Arts Culture

Fridays after Five: Shagwüf with Holy Roller

Ting Pavilion, July 19

On its face, it seems awfully early in the evening to lose it for the kind of rock ’n’ roll you’ll get out of Shagwüf. Then again, with that Fridays after Five offer (um, free), you can’t exactly complain about it either. A mainstay of local music stages, the self-proclaimed “sweet freaks” are actually more sweet than freaky on stage. Still, keep an eye out or you might get your drink kicked out of your hand. Bassist Sally Rose (also of the much better-behaved Sally Rose Band) and guitarist Sweet Pete make it easy to get lost: Their pop hooks keep coming at you, harkening back to musical archetypes from across the decades while keeping the energy frenzied and the crowd cavorting. The results of Shagwüf’s sound tend to come up as fuzzy, unflinching head-boppers that can easily dance sideways into snaking rhythms suggestive of world music, thanks to the flailing intensity of drummer Pablo Olivieri. Ultimately it’s slightly psychedelic, kinda indie, a touch of sludge, with the faintest whiff of stoner rock. Not that you should ever ever quote Billy Joel, but I guess it is still rock ’n’ roll to me.

CM Gorey

Categories
Arts Culture

Andrew Bird and Nickel Creek with Mike Viola 

Ting Pavilion, July 17

Chicago-based multi-instrumentalist Andrew Bird has been in a few noteworthy bands and has released or joined in on more records than we have space to discuss here. The singer and songwriter first came to fame collaborating with swing band Squirrel Nut Zippers in the late 1990s and went on to put out three big, brave, folksy swing albums under the name Andrew Bird’s Bowl of Fire. On his own for years now, Bird tends to be found playing violin—sometimes with the support of looping pedals—but he gets his hands on many other stringed instruments as well. He’s also known for his virtuosity as a whistler, but don’t hold that against him. These days, Bird mostly performs under his own name as he delves into many mixed influences ranging from indie to jazz. His latest with the Andrew Bird Trio, Sunday Morning Put-On, sticks firmly to the latter genre with a 90 percent track list of standards. We can’t be sure whether that choice flat-out nixes the chances of him doing anthemic tracks like “Fake Palindromes” or the acoustic retro catchiness of “Sisyphus,” but one can always hope his live show won’t stay too rooted in the songs of others when he’s got so many good ones of his own.

Grammy Award-winning Nickel Creek belies the simplicity of the fact that the band is made up of a guitarist, a fiddler, and a mandolinist who are also relentless harmony singers. After nine years away, the band released its fifth album Celebrants, in 2023, which saw the group branch out even further from its bluegrass roots. The best Nickel Creek songs stray from expectations—across lyrics, arrangement, chord composition, and, on its recordings, surprising production choices. The trio combines soaring voices and enough ingenuity to make you think bluegrass is much bigger than categorization, and, in Nickel Creek’s case, it’s about playing outside the genre’s box—without having to chuck out the box. Listen to the Celebrants tracks “Holding Pattern” back-to-back with “Where the Long Line Leads” and it’ll all be perfectly clear.

CM Gorey

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News

Back on stage

After over a year of empty stages, music lovers finally have something to look forward to. Last month, Governor Ralph Northam lifted all social distancing and capacity restrictions, meaning live music will soon be back at several Charlottesville venues.

On June 18, the newly renamed Ting Pavilion will reopen with the return of Fridays After Five, featuring performances by Chamomile and Whiskey and Shagwüf. The free outdoor concert series will run every Friday from 5:30-8:30pm through September 17.

“We’re hopeful that it’s going to be the same experience that people have always remembered,” says Kirby Hutto, general manager of the venue, which now has a five-year partnership with Ting. “It’s an opportunity not just to hear live music, but also to socialize and meet your friends.”

The Jefferson Theater and The Southern Cafe & Music Hall are also “scrambling” to open up their doors as quickly as possible, says booking manager and show promoter Danny Shea.

“We’re trying to rebuild with a new ticketing system, new staff, new everything,” says Shea. “We had hopes of being able to open this month, but I don’t know if that’s going to happen or not.”

Like venues across the country, the coronavirus completely “paralyzed” the Jefferson and the Southern, says Shea. With no end to the pandemic in sight, all in-person shows had to be postponed indefinitely, forcing the two theaters to lay off employees to stay afloat. “Uncertainty has been the only thing we can count on,” says Shea.

The pavilion hasn’t hosted any shows since the pandemic started. Hutto considered a partial reopening with socially distanced pods this summer, but plans quickly changed when Northam lifted pandemic restrictions on May 28, two weeks earlier than anticipated.

“I don’t think any of us expected [the lift],” says Shea. “It just accelerated a lot of things, and we’re working through other projects to try to get ready.”

In addition to Fridays after Five, the Ting Pavilion will host the Charlottesville Opera for the first time ever on June 24 and 26. More show announcements will roll out over the next few weeks—from August through November, the plan is to have around 10 shows, according to Hutto. 

John Paul Jones Arena has also started announcing events, with country duo Dan & Shay on the calendar for September. (JPJ did not provide comment for this story.)

Shea says there are likely “a ton” of acts who would love to perform at the Southern or the Jefferson soon, but it has been harder than expected to find performers who haven’t already booked shows at outdoor venues, under the previous coronavirus restrictions.

The biggest challenge for the venues, though, has been bringing on new staff members.

“Some of the folks who’ve worked with us for years and years in the past have either moved elsewhere, or taken other positions,” says Hutto. 

Once all three venues reopen, only unvaccinated people will be required to wear masks and social distance, in accordance with Centers for Disease Control guidelines.

That won’t be easy for venues to enforce, however. “If we can’t verify somebody hasn’t had a vaccine it’s hard for us to institute anything,” says Shea.

“But I hope that anybody who comes has gotten the vaccine,” he adds. “You can’t love live music and not opt in for the vaccine right now.”