Categories
News

Hop springs eternal

It’s early on a Friday night, we’ve got a town to paint, and Tex recommends we go to a Corner bar that shall remain unnamed. I put down my Tröegs Hopback Amber Ale in protest.
Enough. No more drinking just to get drunk, no more dubiously mixed drinks, and definitely—definitely—no more discussions of Pinot Noir.
     “No way, not tonight,” I snap, fixing my evening’s companions, Tex and Straightedge, with a withering stare. Tex gets off the couch, starts walking toward the kitchen. “If you’re going to the fridge—stop. Don’t open up another can of stinkin’ Miller, Tex. We’re going out, and I’m going to preach to you some real goddamn beer.
    “What we ain’t gonna do is head out to the same old standard-issue Corner bars to chill with frat dudes whose drinks resemble cat piss and taste like water. We ain’t going to those upscale, trendier-than-thou joints around Downtown—and we ain’t havin’ top-shelf liquor or overpriced Chardonnays shoved down our throats.
    “Oktoberfest is upon us, boys! We’re going out to find some real beer here in Charlottesville.”
    And so I have my mission: Initiate two novices to the real brew, the fine stuff, the beers with bouquets that remind you why the hell you are alive on this godforsaken planet, with hop-and-malts that make you dismiss, however temporarily, global warming and broken ambitions, cyclical poverty and misbehaving children, or whatever else it is that keeps you up at night. That evervescent alcohol that could, if only they both drank, fuel brotherly conversation between George Bush and Mahmoud Ahmadinejad.
    “Prepare yourself, boys—we ain’t stoppin’ for no red wines tonight.”

Hammering down the basics
Cue the German folk music. Considering the season, our first stop is a no-brainer: the lounge at Ludwig’s, a Bavarian restaurant on Jefferson Park Avenue that specializes in German beers. The lounge is decorated in every tourists’ stereotype of an Oktoberfest bar: fake kegs built into the walls, beers served in large glassware, paintings of the iconic Bavarian castle Neuschwanstein. Tonight it’s relatively quiet, all the better to instill some beer basics.
    A former Lone Star linebacker, Tex looks about as cornfed as you can get. His parents raised him on Schlitz and Michelob Ice starting in high school, and he’s progressed relatively little since then. Straightedge, a gangly 6′ 4" kid who recently graduated from UVA, earned his nickname in high school, when, like a certain sect of punk rockers, he abstained from chemicals (forever shaming his Irish ancestry). When his father took him to a pub for his first Guinness at age 18, Straightedge had a few sips and couldn’t stomach any more. He’s into wine now.
    Tex orders the Oktoberfest special, a hefe-weiss that’s a play on the traditional Märzen-style lager. Straightedge, who calls himself a light beer drinker (an oxymoron to me, but I try not to give him too much hell), takes up a pilsner from Jever.
    When I see Franziskaner on the menu, I can’t resist. I discovered Franzy back when I was still drinking on a fake ID, and their hefe-weiss dunkel (a dark wheat beer) marked my shift toward pursuing beer drinking with passion, rather than just passionately pursuing a buzz.
Our beer is served (O Franzy! Your golden hue reminiscent of golden youth: eager, earnest, naïve!), and Tex raises his glass, ready for a resounding cheers and a huge chug. Straightedge raises his pint to join him.
    “Steady, boys, steady!” I caution. “First, we gotta know what we’re dealing with. Tastin’ beer ain’t too different from the process of tasting anything, from wine to whisky. First, take a good, strong look at what you got in yer glass. Hoist it up in front of you. Is it cloudy or clear? What’s goin’ on with yer head—is it thick and resilient? Quick to dissipate, what? Take in that beauty, top to bottom.
    “All right, let’s move on to the nose. I like to take a first whiff, then agitate the sucker a little to open up those aromas and take another whiff. Get those flavors lodged in yer nostrils.
    “Only now are you ready to put it in yer mouth. Pay attention to how the tastes hit you, what the mouth-feel is like, how the aftertaste pans out. How does it match up to what you were smelling?”
    Tex is grouchy because I stopped his toast; Straightedge looks scared to touch his beer. Hesitantly, they stick their noses over their glasses. Satisfied, I begin my own ritual, only to observe Tex taking a long sip while I’m still sniffing. Sigh.
    “Whatcha got, boys?”
    “I’m used to throwing back beers,” says Tex, who demonstrates by throwing back a huge gulp. “This one’s weird, ‘cause it’s not all that crisp—it’s sweet at the front of my mouth, but then I get nothing at all.”
    “It’s a bit more bitter on the sides of the tongue,” says Straightedge. “A bit more body than I’m used to.”
    We move on to Ludwig’s most popular selection, the Cambonator. A doppelbock with a daunting 8 abv [that’s alcohol by volume—for more, see “Glossary of Terms”], it serves with an unsubstantial head, a heavy caramel flavor—which matches its tawny color—and hits with malty sweetness and a feeling of alcoholic potency on the finish.
    “This is amazing,” says Tex, after a hearty slurp. “It’s creamy, and less bitter.” Straightedge says he likes it, finds it surprisingly light.
    I’m a little worried Straightedge is just telling me what I want to hear. He’s too uptight. He’s stressing about giving me right answers, rather than just digging his drink. It’s time for…

Monologue No. 1: Beer versus wine
“Even though I just said this is like wine tasting, it isn’t, thank God. If it was, we might have to talk about noble grapes and French regions and the weather in 2003. Beer drinking has a layman’s feel to it—we’re casual, relaxed.
    “Don’t get me wrong. You can get pretty geeky about lager yeasts and dark malt and other such technicalities. But beer drinking isn’t purely an exercise in subtlety like wine drinking is. Wine tasting requires you to suss out the complex differences in a relatively small span of flavor. Some beer flavors—a pilsner and a chocolate stout, for instance—they don’t even come close to each other.
    “No beer drinker will ever be as insufferable as a wine snob—that type of cat who’s looking down his nose at you while you’re sipping one of 10 small samples of identical-looking wines. Those are the guys you really have to be worried about.
    “Beer experts, they love a dude coming in to check out the beers. They love recalling their own fondness for certain beers. And they’re open to admitting they haven’t before had a beer that you might mention. You don’t go into beer loving if you’re the pretentious type.
    “Where the hell do you get trained for this sort of stuff? You don’t. You just drink, thank God—and then, one night, you find out that you can tell the difference between a Yuengling and a Bud Light. Go to Barnes & Noble, you’ll find a bookcase and a half on wine—but not even a full shelf on beer. I started writing beer reviews as a sort of joke, doing blind taste tests of cheap domestic brews like Old Milwaukee and Schaeffer.”
    I take a self-congratulatory sip of Cambonator, feeling my brain expand from the good-natured brew and my own speechifying. But I look over at Straightedge, and he’s still a deer in headlights. Tex raises his glass.

Getting monked
We pound up a flight of stairs and join the din of revelry at Michael’s Bistro. Not all Corner bars are created equal—Michael’s features one of the best beer lists in town, particularly since we’re here for the Belgians.
    “It’s time for some real complexity, boys—it’s time for flavor enigmas engineered by true craftsman, often by monks whose souls may belong to God, but whose palates belong to Epicurus.”
    At first stab, we go for a variety of popular Belgians: St. Bernardus Prior 8, Chimay Grande Réserve, and, for some contrast, Victory Golden Monkey, a Belgian-style triple brewed in the U.S. Our bartender wanders to some back chamber where the ambrosia is kept, returning with appropriate snifter glassware, to help concentrate the nose.
    A stranger sitting next to Tex leans over and sniffs the Golden Monkey. “It smells like rotting grass clippings.”
    Tex: “I would drink this until I got really drunk.”
    Straightedge: “Frankly, I’m at a point where I can be very easily duped.”
    For our next course, I order for us a 22 oz bottle of one of my favorite styles: A double India Pale Ale, this one from Left Hand Brewing Company, with a whopping 9.6 abv.
While our bartender struggles to open the corked bottle, we quiz her about local drinking habits. “I’m always perplexed with the Bud Light people,” she says. “It’s weird. I don’t want to stereotype people, but the guys usually drink pilsner and the chicks usually drink white wine. That’s kind of how it goes down.” She watches me scribbling. “Definitely not a lot of note taking.”
    As soon as I can get a filled glass to my nose, I’m howling like a maniac about the virtue of the hop.
    “Smell that, boys! That delicious floral hop bouquet hovering above a powerful blend of beer’s best elements, the delectable odor of hop’s ying balancing malt’s yang.” Straightedge dutifully takes a whiff and nods. Tex just shakes his head at my lunatic ravings.
But I won’t be daunted: “Without hops, what do you have? Some overly sweet liquid that, more’n likely, will make you vomit after a few swigs. But craft it with hops—Cascade hops, Bavarian hops, hops for aroma, hops for flavor, whatever—you throw in the hops, and it’s… it’s a revelation!” I take a smell and a taste, eyes closed in ecstasy. “Hops clarify, they preserve, and God! They give us that wonderful, wonderful smell.”
    At this point, I’m fairly certain my words are wasted on my companions, so I wander off and strike up a conversation with Button Down, a clean-cut fellow with a touch of Virginia gentility who seems to want more beer knowledge.
    Button Down: “I don’t have the vocabulary, or really the knowledge, to tell the difference all the time.”
    Me: “Forget the vocabulary. Can you hear what your taste buds are telling you?”
    Button Down: “I can tell what I like and what I don’t like.”
    Me (arm on his shoulder): “That’s it, man! That’s it. That’s all you need to get going. Now just pay attention to what you’re drinking and ask questions when you can.”
We talk about the beer he’s drinking, a Golden Carolus Triple. After getting carried away in more rhetorical flourishes concerning the vibrancy of its aroma, I remember my journalistic day job and ask him why, prey tell, he wants to know more about beer.
    Button Down: “Part of it’s the kind of place Charlottesville is—it’s a town that likes to be sophisticated. But also, I really feel there is a deeper social aspect to going out for a beer with a friend. I don’t think I would ever, you know, just go out for a glass of wine.” Score one for the good guys.
    Here his cohort, The Bearded Wonder, breaks in. “I think all levels of society combine around a glass of beer. It’s a common ground. The ground is level at the tap.”

It’s hammered time!
Speaking of taps: We’ve moved on to Mellow Mushroom, home to the widest selection of beers on tap in town. And at this point, things start getting a little sloppy.
    Like most great addictions, beer drinking doesn’t start off easy. Few of us liked it when our fathers (or mothers, or cousins) allowed us a sip at some tender young age. There is an early time in virtually every beer drinker’s life when beer is not a beverage with intrinsic value unique to itself, but simply a convenient vehicle for alcohol. Early Beer Drinker imbibes to get drunk alone, for whatever reasons those may be—Later Beer Drinker gets drunk only because he wants to keep drinking good beer. Such is tonight’s story.
    I’m pretty sure that Straightedge orders some Flemish sour ale, Tex gets a Sierra Nevada Pale Ale, and I go with a some tasty beverage from Stone Brewing Company—but my note taking is seriously breaking down. Tex has managed to pick up some brunette law student. They start a mini-dance party when “One More Time” comes on.
    I escape to talk to a bartender about drinking habits at Mellow, which aren’t particularly surprising—before 10pm, you get some guys who want to talk beer and try different stuff, and afterwards you get the Bud Light-drinkin’ student crowd. But I’m at the point where everything seems interesting. Patrons are screaming in the background like spider monkeys being dissected alive.
    In an effort to make our final destination before it closes, I make Tex kiss his law student goodbye, pull Straightedge from his seat, and drag our motley crew out the door. Still delighting in my microbrewed servings, I begin…

Monologue No. 2: The American Beer Revolution
    “Almost unarguably, in 2006, we’re in the best time to drink beer since before Prohibition. At long last, we’re not in the grips of a handful of breweries. Coors and Miller and Anheuser-Busch—they’re finally starting to lose market share to the small dogs. In 1983, there were only 80 breweries in the U.S. We’ve come a long way.”
    “Numbers are still down. Once upon a time, in 1873, you could find over 4,000 breweries in this great land that made 9 million barrels of beer. Nine million! Today we’re only back to 1,500 breweries making roughly 6 million barrels of beer.
    No one is listening—Tex is mad because I robbed him of his damsel, and Straightedge is having a hard enough time putting one foot in front of the other—but I cannot be stopped.
    “But the microbrew movement is pushing the giant to change his formula! Taste is back. Anheuser-Busch has finally increased the hop content in their Budweiser recipe—after decades of reducing the hops to try and meet the American drinker at the most common, most watered-down, least bitter denominator.
    “Taste has returned! Long live taste!”

Skunked
Perhaps the sour ale shoved Straightedge out of bounds. As we’re walking to South Street Brewery, to compare the evening’s foreign brews to the local craftsman’s, Straightedge begs leave to leave. He’s polite, but when I look at him, his haggard, lowered face shows his misery. I rage that he can’t give up now, with but a 10-minute walk to more delectable pints—Satan’s Ponies and Porter’s Porters await! Broken, shattered, mustering his most agreeable tone, Straightedge caves.
    We are not fair to South Street and can’t even pretend to do it justice. There are few other patrons, and I quickly score a round of Hogwaller Kölsh, J.P. Ale, and Satan’s Pony. For Straightedge, more than just his palate is exhausted, and he cringes in his seat, glassy eyed, waiting for me to demand words about the beer in his paws.
    After several minutes of anemic conversation, I relent, and off Straightedge goes, disappearing into the gloom.
    If this were New York or New Orleans, Tex and I would head out to another bar, in another part of town where folks stay out ‘til they can’t stand up. But, with no other options—and Tex pondering his potential law-school conquest much more than the brew—we’ve lost our zeal, anyway.
    I sip my J.P. Ale, suddenly feeling the bitterness of the hops. I’ve failed. Straightedge, clearly, will not remember this night with fondness, dooming whatever might have been delicious about it. Tex has clearly liked the booze, but perhaps not enough to change his habits in any significant way: I have a feeling he’ll be killing a case of PBR at a tailgate tomorrow.
    Pint finished, tab paid, bar closed, I head out into a soft rain and hope only that I still have a Hopback left at home.

Categories
News

Won’t get fueled again

Dear Ace: Gas is so expensive in the city! I was traveling in the Valley, and people were paying 20 to 30 cents less at the pump there than in Charlottesville. I doubt very much that it costs less to transport gas over the mountains. What gives? —Ronny Gong Fewms

Dear Ronny: It’s not often that Ace gets more than one person asking him about any particular topic. On the question of this fair city’s relatively higher gas prices, however, Ace has been deluged with calls, e-mails and faxes from throughout Central Virginia over the past few weeks. People clearly care about the high cost of gasoline.
    This fact was also reflected in a September 12 broadcast by NBC 29, a September 13 article in The Daily Progress, and a flurry of local blogging about what we pay at the pump. And, though Ace’s weekly writing schedule precludes him from pinpointing the price of gas as you read this, he can surely tell you more than a few things about it.
    The average price of gas nationwide has indeed been dropping by as much as 10 cents a gallon per week since late August. So why, exactly, have Charlottesville stations been so slow to catch up? Well, consider this, Ronny: The Department of Energy’s Energy Information Administration reports that in 2002, refining costs and profits for the major fuel companies made up 13 percent of the price of gasoline. That number has since doubled, with refining and profit-making now comprising 26 percent of the price of gas. Consequentially, the percentage of what you pay that actually goes to retailers (i.e., gas stations) has been cut in half—from 13 percent in 2002 to just 6 percent as of July 2006.
    In short, the big companies are making more and the little guys are making less. Ace hardly has to remind you that ExxonMobil, for example, posted a record-smashing $36 billion in profit at the end of 2005.
    With that, we return to our original question: Are Charlottesville’s higher gas prices the stopgap measures of beleaguered gas station owners suffering under an unfair corporate structure? Or are they simply the result of greed and malice aforethought under the protection of “what the market can bear”?
    Ace is no economist, Ronny, but his best guess is, it’s probably a little of both. Gas station owners are trying to protect their shrinking slice of the gas-price pie, and Charlottesville—with its large number of vehicles and relatively elevated standard of living—provides them a better opportunity to pad their profits than outlying areas. Ace, in the meantime, is pinching his pennies and walking. If only good bourbon whiskey cost a few bucks a gallon!

Categories
Arts

Flawless no more

Ask around town about favorite local bands, and you are very likely to find Sparky’s Flaw at the top of many people’s list. Ask Sparky’s Will Anderson about the reason for the band’s popularity, and he will give you the most nuts-and-bolts answer there is: “Good songwriting, good live shows and hard work.”
    Touring up and down the East Coast, from Georgia to Connecticut, Anderson says that the band “has never been so excited about making music.” They have played the beautiful Paradise Club in Boston, and are looking at a future New York gig at The Knitting Factory. Along the way, they have managed to put more than 15,000 friends on their MySpace page, a figure that resonates with industry types.
    iTunes has also helped the band a lot, Anderson says, and digital distribution can definitely “boost a band’s legitimacy.” Anderson does not even describe the sound of the band’s music to anyone anymore. Instead he says, “Just go on MySpace and hear it.” He also credits CDBaby with getting the group’s CDs into Amazon and Aware Store.
    Despite all the modern technology, the members of Sparky’s Flaw still draw great joy from being in a live band, and still believe in making CDs. You can credit them with a strong work ethic, as well—the band will go into an undisclosed studio this year to record their third disc. While SF relies in a big way on a DIY mentality, Anderson says the band would definitely entertain an offer from a big label, and that their third recording is a push in that direction.
Believe it or not, all of the band members are all still in school, and Anderson, who is a music major at UVA, says that his professors understand the business and have been very supportive. He also gives a shout-out to Red Light Management for helping the band with advice and support.
    If you haven’t seen them yet, better get a ticket soon, because they regularly sell out their Starr Hill shows. And since the band’s last scheduled gig was the first ever rained-out Pavilion show (thanks to Tropical Storm Ernesto), it’s been a good while since they’ve played locally. Also, demonstrating their marketing smarts, the band members carry show tickets for sale right in their pockets—so if you see Will, Kit, Alex, Eric, Peter or Johnny walking around, you can secure your entry right there. The show on September 29 also features alt-country locals Dreaming Isabelle and alt-rockers Moses Mayfield as openers.

More recently on the rock circuit, Birmingham, Alabama, transplant Kate Starr made a pretty major splash on the national scene before returning to town to play gigs with her band. As one of four finalists (out of 2,000 bands) in the Lollapalooza Last Band Standing contest, Starr’s indie-rock trio got to play Chicago’s Double Door club with the other finalists, and then go to the festival. Starr’s influences? Jane’s Addiction, Sonic Youth, The Pixies and Bob Dylan.
    Starr, bassist Mike Ishaya and drummer Seth Johnston are recording an EP of original music in Lance Brenner’s studio. The disc should be available in a matter of weeks, and you can pick it up at live shows. Starr plays the almighty Atomic Burrito this Thursday, September 28. Starr says that she loves playing the Burrito. “The energy is fabulous, right in your face, and I am all about that.”
    She also says that Charlottesville is filled with talented musicians and good bands, “but one thing that I have noticed is that the indie sound, like Built To Spill, is kind of hard to find here—I’m hoping to bring some of that to town.” Fans are catching on, and her last Atomic gig was nicely packed. So come catch a charismatic performer.

How often can your faith in rock music be restored in front of an audience of 10? At Gravity Lounge recently, Kid Congo Powers (Nick Cave’s former guitarist) played a tremendous show for a very small audience. After the show, I got to ask Kid what tunes were on his player. Here’s what he told me: Marvin Gaye’s What’s Going On (“The time is right for that album again”), Patti Smith’s Radio Ethiopia (“Recently I saw her live, and I rediscovered how incredible and strange that music is”) and The Liars’ latest, Drum’s Not Dead (“I appreciate a band when they find their own thing”).
    Now a D.C. resident, Kid Congo will almost certainly be back—to a fuller house, I hope.

Categories
Living

Martha’s Café

Martha’s Café faces some stiff competition in its tucked-away location on Elliewood Avenue, off the Corner—it’s across the street from sorority girl-cum-Wahoo bar crawl mainstays Take It Away, the Biltmore Grill, and Buddhist Biker Bar—but it holds it own as a purveyor of reasonable meals just like Mom used to make, but with an exotic flair. We started with their artichoke dip, a gooey morass of cheesy deliciousness, before moving on to the main course, a Mediterranean quesadilla. A tortilla stuffed with goat cheese, herb chicken, tomato, and sprigs of cilantro, it’s one of those rare fusion dishes that’s more “you got chocolate in my peanut butter” than “black bean and corn sushi?” In other words, a match made in heaven.
Martha’s Café • 11 Elliewood Ave. • 971-7530

Categories
Arts

Film Reviews

The Black Dahlia
R, 119 minutes
Now playing at Seminole Square
Cinema 4

Over half a century after she was murdered, Betty Short continues to fascinate us. She’s become a screen upon which we project our hopes and fears about fame and fortune, beauty and lust, art and commerce, and that place where it all comes together, Hollywood. A would-be movie actress, Short didn’t attract the public’s attention until she was found in a vacant lot, her mutilated body drained of blood and severed at the waist, her face slit ear to ear in a hideous grin. Adding insult to injury, the killer had posed her like a pin-up girl, legs spread and one arm raised over her head. And in a sick kind of way, he made her a star. Dominating the headlines, Short was soon dubbed “The Black Dahlia” (the name derived from The Blue Dahlia, a movie that had come out the year before, written by that auteur de film noir, Raymond Chandler). Alas, Betty Short was dead before she could become a femme fatale.
    But we weren’t through with her yet. In the intervening years, at least a dozen books have been written about the still-unsolved case, including two in which the authors pointed the finger at their own fathers. And now here’s The Black Dahlia, Brian De Palma’s lurid movie version of James Ellroy’s 1987 novel, which solved the murder by introducing fictional bad guys (and girls) worthy of such a heinous crime. Known for his muscular prose, Ellroy had lost his own mother in a never-solved case of rape-murder when he was 9 years old. And his novel can be read as a J’accuse to the entire city of Los Angeles, that pungent cesspool of sleaze and corruption. Chandler and the other noir scribes had exposed the seedy underbelly of L.A.’s orange-grove Eden. But Ellroy turned the town upside down—in his L.A., everybody was on the make, everybody was getting screwed. In fact, just living there was murder.
    The novel packs a wallop, featuring a pair of former boxers who’ve wound up in the Los Angeles Police Department, serving and protecting their own interests. But the movie, I’m sorry to say, is a disaster—an enjoyable disaster, often, but a disaster nonetheless. It opens with the infamous Zoot Suit Riots, in which America’s soldiers and sailors, having fought so valiantly in World War II, decided to clear the streets of anyone whose ethnic heritage happened to differ from their own. And De Palma stages it like an MGM musical, with each vicious blow as choreographed as a Gene Kelly ballet. And why not? Ellroy’s novel isn’t exactly kitchen-sink realism. The artifice just keeps coming, though, as if De Palma were winking at us, while only pretending to take the whole thing seriously. The movie isn’t set in the ‘40s, it’s set in “the ‘40s”—that movie-stuffed time capsule buried in some long-abandoned studio backlot.
    Unfortunately, the actors don’t inhabit “the ‘40s” (or even the ‘40s). Josh Hartnett, for reasons understood only by the casting director, plays Bucky Bleichert, L.A.’s version of a good man. (He only lies, cheats and steals when he has to.) But Hartnett, with those sleepy eyes, seems almost incapable of summoning up the moral depravity required by the movie—it’s a classic case of a boy being sent to do a man’s job. And Aaron Eckhart, as Bleichert’s bulldozing partner, Lee Blanchert, is even worse, if only because the role clearly calls for Russell Crowe. Assigned to the Dahlia case, Bleichert and Blanchert seem more concerned with Kay Lake (Scarlett Johannson), a Lana Turner type whom Blanchert has known for a while, and Bleichert would like to know better. Then Hilary Swank shows up as Madeleine Linscott, a poor little rich girl who had a thing for—and perhaps a fling with—Betty Short. Yes it’s the sort of place where mysterious women abound, and all of them drive the men crazy.
    One can easily imagine De Palma (Carrie, Scarface, etc.) going to town on this material—the feverish sex, the mutilated corpse, the mental derangement. And he does pull off a couple of cinematic set-pieces that will take their rightful place in his career-highlights reel. But the movie’s close to an incoherent mess, scriptwriter Josh Friedman having failed to whittle Ellroy’s mound of pulp down to size. (It takes several scenes to sweep up all the plot shavings.) Luckily, there’s plenty to watch as the movie spins more and more out of control, including an over-the-top, around-the-back and through-the-legs performance by Fiona Shaw as a society matron unhinged by all the California sunshine. Shaw’s gothic gargoyle is a total hoot, but it’s at the expense of a movie that might have helped us understand that sprawling hallucination known as the City of Angels. But, by the end, a thick layer of smog has settled over everything.

All the King’s Men (PG-13, 120 minutes) Robert Penn Warren’s classic novel (filmed once before in 1949 with Broderick Crawford and John Ireland) returns to the big screen with a brand new, all-star cast. Based loosely on the life of Governor Huey Long of Louisiana, the film follows the rise and fall of populist political animal Willie Stark (Sean Penn). Though our politician is a self-described “hick,” he isn’t above playing dirty—a tactic that causes much consternation in his right-hand man (played by Jude Law). Kate Winslet, Patricia Clarkson, James Gandolfini, Mark Ruffalo and Anthony Hopkins round out the credits. (Devin D. O’Leary) Playing at Regal Seminole Square Cinema 4

Confetti (R, 100 minutes) This indie mockumentary out of England follows three couples as they battle it out to win the coveted title of “Most Original Wedding of the Year.” Which will it be: the all-singing/all-dancing wedding, the nudist wedding or the tennis-themed nuptials? The improvised dialogue hits some high notes, even as the film finds the dramatic trauma at the heart of the wedding biz. (D.O.) Playing at Vinegar Hill Theatre

The Covenant (PG-13, 97 minutes) Once a Hollywood player (Die Hard 2, Cliffhanger), now a bit of a pariah (Cutthroat Island, Mindhunters), Finnish director Renny Harlin tries his hand at cheap teen horror. In this modestly budgeted supernatural thriller, four teens are bestowed with ancient mystical powers by their families. In the process, they accidentally unleash an otherworldly evil force and are charged with hunting it down. It’s basically The Craft, only with hot boys instead of hot girls. Adapted from the graphic novel by Aron Coleite and Tone Rodriguez. (D.O.) Playing at Regal Downtown Mall 6

Crank (R, 83 minutes) British tough Jason Statham (The Transporter) stars in this action thriller as a hit man who learns he has been injected with a poison that will kill him if his heart rate drops below below a certain rate. So basically, it’s Speed on a … well, on foot. Oddball cast includes Efren Ramirez (Napoleon Dynamite), Amy Smart (Varsity Blues) and Dwight Yoakam. The action is rough and the film (fortunately) doesn’t take itself too seriously. (D.O.) Playing at Carmike Cinema 6

Everyone’s Hero (G, 88 minutes) Weeks after we’ve all suffered CGI toon burnout comes yet another CGI toon. This one’s an adventure comedy about a young boy who goes on a 1,000-mile quest (with a talking baseball, no less) to rescue Babe Ruth’s stolen bat. Brain Dennehy, Whoopi Goldberg, Ed Helms, William H. Macy, Raven Symone and Rob Reiner are among the not-terribly-exciting voice cast. (D.O.) Playing at Regal Seminole Square Cinema 4

Feast (R, 88 minutes) Director John Gulager’s long-awaited film from season three of “Project Greenlight” finally hits theaters. Sort of. Dimension is doing a late-night-only screening this weekend in anticipation of the film’s upcoming DVD release. This is your only chance to catch this monster movie/reality show project in a theater, so act fast. If you’re into slobbing creatures eating a random assortment of patrons stuck in an isolated desert bar, then this is the horror comedy for you. (D.O.) Playing at Carmike Cinema 6

Flyboys (PG-13, 139 minutes) This resolutely old-fashioned, airborne action flick takes us back to the days of World War I where we get to watch cute young stud James Franco (Spider-Man) join up with the famed Lafayette Escadrille to fight the evil Red Baron (just like Snoopy). The film mixes every war movie cliché together with some state-of-the-art CGI. At least the WWI dogfights look impressive (if you’re into WWI dogfights). Plus, it features copious use of the word “fokker.” (D.O.) Playing at Regal Downtown Mall 6

Gridiron Gang (PG-13, 126 minutes) Wrestlin’ thespian The Rock finally finds a project worth being passionate about with this inspirational sports drama. Rock plays Sean Porter, a real-life counselor at California juvenile detention facility. Tired of seeing the near-perfect recidivism rate, Porter tries an alternative approach, forming a high school football team from among his ragtag gangbangers. The “root for the underdogs” stuff is all standard-issue, but director Phil Joanou (U2: Rattle and Hum) lends some visual polish. (D.O.) Playing at Carmike Cinema 6

The Guardian (PG-13, 136 minutes) Until now, Hollywood hasn’t given the Coast Guard the same sort of love it has extended to Marines or firemen or cops or Russian hit men. There just aren’t a lot of Coast Guard-based action films. Now, Kevin Costner and Ashton Kutcher are here to rectify the situation. Costner takes over the “gruff older instructor with an emotionally scarred background,” leaving Kutcher to play the “cocky but hunky new recruit with a lesson to learn.” The Guardian does a good job of showing how dangerous the jobs of Coast Guard rescue swimmers actually are, but at 136 minutes, Costner and Kutcher spend a little too much time sitting around and chatting. (D.O.) Coming Friday; check local listings.

Heading South (NR, 105 minutes) Still-hot 60-year-old Charlotte Rampling stars in this naughty Euro version of How Stella Got her Groove Back. Rampling is a tourist who ends up in 1970s Haiti with a couple girlfriends looking for some fun in the sun. They find it amid the handsome native boys who are more than happy to indulge the foreigners’ carnal desires for a few bucks. Trouble sets in, however, when two of our tourists set their sights on one man. Issues of love, sex, loneliness, commerce and post-colonial power abound in this lovely think-piece from French director Laurent Cantet (Time Out, Human Resources). (D.O.) Playing at Vinegar Hill Theatre

Hollywoodland (R, 126 minutes) This noirish investigation into the circumstances surrounding the death of TV-Superman George Reeves (Ben Affleck) explores the price of fame—that long, sad walk down the boulevard of broken dreams. Affleck does a creditable job impersonating the rather flabby Man of Steel, and Diane Lane is equally effective as the studio executive’s wife who took Reeves under her wing, but the movie itself seems less hardboiled than over easy, lacking a true tragic dimension. (Kent Williams) Playing at Regal Downtown Mall 6

The Illusionist (PG-13, 110 minutes) Edward Norton stars as a magician who, because of his apparent supernatural powers, becomes a threat to the Hapsburg empire in fin-de-siècle Vienna. The movie’s a love triangle that’s supposed to stir our passions, but it doesn’t quite get the job done, partly because Norton lacks hypnotic appeal and partly because the whole thing seems to be taking place inside a cardboard box. (K.W.) Playing at Regal Downtown Mall 6

Jackass Number Two (PG-13, 103 minutes) Sigh… Yes. They made a second one. Teenagers who love to pour hot sauce in their eyes, jump off buildings and kick each other in the nuts are super friggin’ stoked! Everyone else simply continues to mourn the slow, steady death of civilization. (D.O.) Playing at Carmike Cinema 6

Jet Li’s Fearless (PG-13, 103 minutes) Allegedly Jet Li’s final martial arts film (say it ain’t so, Jet!), this historical kung fu film was a major hit in its native China. Li plays the legendary Chinese martial arts hero Master Huo Yuanjia, the founder and spiritual guru of the Jin Wu sports federation (basically, the first organization to pit fighters agaisnt one another in one-on-one bouts). It ain’t a whole lot different than his other historical fight films (like Once Upon a Time in China) But the occassionally witty fight choreography keeps things punchy. (D.O.) Playing at Carmike Cinema 6

The Last Kiss (R, 104 minutes) TV’s Zach Braff stars in this remake of the 2001 Italian comic drama of the same name. Braff plays a 30-something dude who knocks up his girlfriend (Jacinda Barrett) and can’t decide whether or not to marry her—even with the meddling help of parents and friends. (D.O.) Playing at Regal Seminole Square Cinema 4
Little Miss Sunshine (R, 100 minutes) This pitch-black comedy features a strong cast (Greg Kinnear, Toni Collette,  Steve Carell) in the story of a downwardly mobile Albuquerque family that can’t win for losing. Although the filmmakers sometimes press too hard on their theme about the hollowness of the American Dream, the movie often achieves a light, farcical tone that’s touchingly at odds with the mood everybody’s in. (K.W.) Playing at Regal Downtown Mall 6

Open Season (PG, 99 minutes) Wow, Ashton Kutcher fans are certainly like pigs rolling in filth this week. Between this and The Guardian, there are two Kutcher films in which to wallow. Frankly, it seems like overkill—not unlike the dogpile of computer-animated animal movies we’ve been subjected to this summer. Here, Kutcher plays a cartoon deer who helps a domesticated grizzly bear (voiced by Martin Lawrence) to survive in the wild. Only complication: Hunting season starts in three days! (D.O.) Coming Friday; check local listings

Pirates of the Caribbean: Dead Man’s Chest (PG-13, 150 minutes) Call it a nasty case of sequelitis, but this second installment in the Disney theme-park franchise is bigger, louder and absolutely determined to entertain. The action sequences more or less work, but the smaller, goofier moments come up short, and that includes Johnny Depp’s surprisingly unsurprising performance as Captain Jack Sparrow. (K.W.) Playing at Regal Downtown Mall 6

The Protector (R, 109 minutes) Tony Jaa, the martial arts jaw-dropper from Ong-Bak returns in this Thailand-based action flick. Like Ong-Bak, the plot is a mere excuse for tons of bruising Muay Thai fisticuffs. In this one, Jaa plays a young Thai villager who must travel to Australia to retrieve a sacred elephant from some evil kidnappers. A little bit of a retread, but—man-oh-man—can that Tony Jaa kick some ass! In English, Thai, Mandarin and Vietnamese with English subtitles. (D.O.) Playing at Carmike Cinema 6

School for Scoundrels (PG-13, 97 minutes) Jon Heder (Napoleon Dynamite) plays Roger, a moveless, grooveless young meter maid who signs up for a class in how to seduce women. There, he meets the devious Dr. P (Billy Bob Thornton), who helps our dorky hero and his fellow misfits unleash their inner cad. Unfortunately, Roger soon finds himself competing in a battle of wits against the underhanded Dr. P, who has taken a shine to the object of Roger’s affections (Jacinda Barrett from The Last Kiss). From writer/director Todd Phillips, who gave us Road Trip and Old School. (D.O.) Coming Friday; check local listings

Talladega Nights: The Ballad of Ricky Bobby (PG-13, 100 minutes) Will Ferrell drags a bunch of pals  (John C. Reilly, Michael Clarke Duncan, Gary Cole, Sacha Baron Cohen) along for this goofball riff on NASCAR culture. Ferrell stars as a rebel NASCAR driver who suddenly faces stiff competition from a flamboyant French Formula-1 driver (Cohen from “Da Ali G Show”). There’s a continuing feeling that Farrell and friends are just making this thing up as they go along, but that doesn’t stop it form beeing quite funny on occasion. If you liked Anchorman: The Legend of Ron Burgundy, you’ll be in good hands here, becasue it’s largely the same movie. (D.O.) Playing at Carmike Cinema 6

The Wicker Man (PG-13, 106 minutes) Nicolas Cage stars in this remake of the underrated 1973 British chiller. Cage is a cop investigating the disappearance of a young girl on a remote island where mysterious pagan practices still rule. The film updates the original story quite a bit, but piles on even more creepy atmosphere. Neil LaBute (The Shape of Things, Your Friends & Neighbors) writes and directs. (D.O.) Playing at Regal Downtown Mall 6

Categories
News

Glossary of Terms

Glossary of Terms
Don’t understand the beer gibberish the author is yammering about? See if this helps.

Abv Alcohol by volume (percentage alcohol). Most beers are 4-5 percent abv, though some, like the Dogfish Head 120 Minute IPA, exceed 20 percent abv.

Ale One of the major classifications of beer, ales are brewed with top-fermenting yeasts at warmer temperatures, resulting in a more full-bodied beer than your lagers.

Beer A delectable concoction consumed by mankind for the last 6,000 years. Its four essential ingredients are water, malt, hops and yeast.

Bock A type of strong lager, with a higher abv (6-7 percent) and more malty characteristics. Double bocks (a.k.a. dobblebocks) are even stronger in both alcohol and flavor.

Dobblebock See “Bock.”

Hefe-weiss German for “yeast-white,” because of the pale coloring of this style of beer. Hefe-weiss (also called “hefeweizen,” which actually means “yeast wheat”) is made with a predominantly wheat malt —not the usual barley—that yields the golden colors. It’s also often cloudy, as the yeast is left unfiltered.

Hops The flowering cone of a vining plant, hops are used as an herb to season beer, providing the bitterness to balance the sweetness of the malt.

IBU International bitterness unit, this measures the degree of bitterness. Generally, the hoppier the beer, the higher the IBUs. A domestic lager measures 5-7 IBUs, while an IPA is generally greater than 40 IBUs.

IPA Stands for India Pale Ale, a heavily hopped style of beer developed by the colonial British in order to withstand long voyages to India.

Lager One of the major classifications of beer, lagers are brewed with bottom-fermenting yeasts at cooler temperatures, producing a cleaner, crisper taste than ales.

Malt Refers to the malted grains, usually barley. The grains become malt when they’re allowed to germinate, breaking down their starch into sugars and giving beer its substance and sweetness.

Triple A complex Belgian-style beer, triples are so-called because they use up to three times the malt of a typical Belgian. Often fruity or spicy in aroma with a sweet finish, they also generally have a high alcohol content, at 7-10 percent abv.

Yeast The microorganism used to ferment the malt, converting sugars into alcohol and carbon dioxide. In general, top-fermenting yeasts are used to make ales, while bottom-fermenting yeasts are used to make lagers.

Categories
Uncategorized

Try This Now

Albemarle Charlottesville Historical Society Walking Tours McIntire Building, 200 Second St. NE. 296-1492. www.albemarlehistory.org. Guided tours of historic Downtown every Saturday through October, 10am. Suggested donation of $5; kids free.

Beginner Bike Ride www.cambc.org. Join the Charlottesville Area Mountain Bike Club for an easy, socially paced ride, select Tuesdays and Sundays. Next ride is Tuesday, October 3, at Observatory Hill, 6pm. Free.

Bird Walk at Ivy Creek Natural Area 973-7772. www.ivycreekfoundation.org. Learn about Virginia’s birds with experienced birders from the Monticello Bird Club on the first Saturday of each month, 7:30am. The October 7 walk will focus on fall migration. Meet in the parking lot.

Charlottesville Astronomical Society On McCormick Road. 975-4231. www.cvilleastro.org. Listen to speakers discuss astronomy and space on the first Wednesday of each month at the McCormick Observatory. The next meeting is October 4, 7pm. Free.

Charlottesville Hash House Harriers 963-9394. www.chhh.com. This “drinking club with a running problem” meets for a three- to five-mile trail run and dinner every Sunday, 3pm. Free the first time, $5 afterwards.

Charlottesville Orchid Society Church of Our Saviour, 1165 E. Rio Rd. 975-4231. Listen to speakers discuss various aspects of orchid horticulture on the second Sunday of each month, 2-3:30pm. Free.

Junior Naturalist Program Ivy Creek Natural Area. 973-7772. www.ivycreekfoundation.org. Children who enjoy the outdoors and want to be a part of Virginia’s natural resource management and conservation are invited to register for this special program. For ages 6 to 11.

McCormick Observatory On McCormick Road. 924-7494. www.astro.virginia.edu. See the stars on the first and third Friday of each month at the observatory’s public night. Telescope observation (weather permitting) and audio-visual presentations and tours are included, 9-11pm. Free.

Montalto tours Monticello, off Route 53. 984-9822. www.monticello.org. Enjoy a walking tour of “the high mountain” next to Jefferon’s home. Daily, 1pm and 3pm, weather permitting through October 31. $6-12.  Reservations recommended.

Mornings in the Mountains 3421 Wintergreen Dr., Nellysford. 325-8169. www.twnf.org. Join a Wintergreen Nature Foundation naturalist for an interpretive hike, Saturdays and Sundays through October and every Saturday starting in November. 10am. $3-6.

Outdoor Adventure Social Club 760-HIKE. www.outdoorsocial.com. This outdoor-loving social group holds outdoor activities throughout the year, from afternoon hikes and whitewater excursions to week-long backpacking adventures. Upcoming trips include an October canoe camping trip in the Roanoke River watershed, a December vacation in the Virgin Islands, and a February tour through Florida’s Everglades. Call or e-mail to become a member.

Plantation Community Tours at Monticello off Route 53. 984-9822. www.monticello.org. Tour Mulberry Row, the center of slave life at Monticello. Daily, on the hour from 10am-3pm, through October 31. General admission.

Rivanna Trail Foundation Work Party 244-5763. www.rivannatrails.org. Join others as they maintain and preserve one of the best urban trails in the South, every second Saturday, 9am-noon. Meet at Melbourne Road trailhead; tools are provided, but bring shears and clippers if you have them. The next work party is on October 14,. Free.

Scheier Natural Area nature exploration Scheier Natural Area in Palmyra. 971-1553. www.rivannariver.org. All-ages guided nature exploration, every fourth Sunday. 3pm. Free.

SeaDevil Divers 2001 Commonwealth Ave. 975-5570. www.seadevildivers.com. This scuba diving club meets the second Tuesday of each month at Starr Hill Restaurant & Brewery. Enjoy a social hour with other Central Virginia divers and a presentation related to diving. Next meeting on October 10, 6:30pm. Free.

Senior Citizen Softball Darden Towe Park, off Route 20. 245-4024. Watch the Lake Monticello Chiropractors and other whimsically named teams slug it out every Tuesday and Thursday, 9:30am. Spots are available for men, 55 and up, and women, 40 and up. If you’re interested, call Larry at 245-4042 to find out how to suit up yourself.

Sunday Social Bike Ride www.cambc.org. Join the Charlottesville Area Mountain Bike Club for a socially paced ride on local trails every Sunday. Free. Visit the website for location and details.

Trout Unlimited meeting UVA Astronomy Building, McCormick Road. 531-6938. Visit the Thomas Jefferson Chapter’s monthly gathering about coldwater conservation and fisheries. Every fourth Thursday, 6:30-8:30pm. Free.

Wednesday Night Bike Ride www.cambc.org. The Charlottesville Area Mountain Bike Club leads an intermediate/advanced pace ride every Wednesday at 8pm. Free. Visit the website for locations and details.

Women’s Mountain Biking www.cambc.org. Join the Charlottesville Area Mountain Bike Club twice a month for a noncompetitive, social ride. Free. Visit the website for locations and details.

Categories
Living

No Way, Jose!

The gourmet lunch spot and wine shop Ciboulette has always had a mixed reputation: great food, erratic service. (Both these qualities were widely attributed to the shop’s owner, Jose De Brito, who is described on one local blog as having “kind of a tart personality.”) Now the prominent Main Street Market space will start with a clean slate—new owners, new name and new concept—and presumably they’ll aim to keep the quality of the comestibles high while delivering cheery service to match.
    Orzo’s the name (actually Orzo Kitchen and Wine Bar), and the game is Mediterranean—food from “Italy, Greece, and the South of France,” according to Charles Roumeliotes. He’ll take over the space along with his wife Katherine Korloff and Ken and Laura Wooten. Charles and Ken met when both worked at Fuel Co.; Katherine runs the Downtown antique store Cadogan Square, and Laura is an artist.
    When Orzo opens on November 1, says Roumeliotes, it will be a full-service dinner restaurant with a big international wine list. Here’s the deal: Goodbye, deli cases (most of them, anyway), hello, tables and banquettes. Goodbye, retail operation (most of it, anyway), hello, meals of paella, risotto, pan-roasted salmon, escargot, and lots of other goodies from Europe’s balmier climes.
    Roumeliotes says Orzo’s partners spent the last eight months hunting for a space. Deals at Vavino and L’Avventura (see below) fell through. But the searching paid off: Orzo will, Roumeliotes promises, “be a very pretty place.”
The adventure continues
L’Avventura, the Italian place next door to Vinegar Hill Theatre that closed earlier this year, has been bought by Brian Helleberg (who also owns Petit Pois and Fleurie) and will reopen any day now as Il Cane Pazzo. We’ll bring you more details soon.
Rough waters on the James
It’s been a bit of a culinary roller coaster lately for Scottsville residents. Restaurants have been coming and going at a pace that’s altogether dizzying for such a sleepy little burg. You had, a year and a half ago, the rise of the pizza-and-burritos-palace Brick Cafe. You had the demise of upscale Magnolia, the closing-and-reopening of the landmark Dew Drop Inn, and the arrival of tiny Minor’s Diner.
    Meanwhile, Brick owner Timm Johnson, flush with success, went out on a limb and opened a steakhouse, the River Rock Chop House, next door. This proved an overly optimistic move; River Rock lasted less than six months, and now the Brick Cafe has followed its short-lived sister off the cliff.
    This story’s not as sad as it may seem, though there is a little more bad news to divulge: High Meadows Inn, offering beds and prix-fixe dining, will close November 1. (Partners Rose Farber, Jon Storey, Jae Abbitt, and Peter Sushka are simply ready to retire from innkeeping, says Farber.) The good news: Farber has a new project in mind for Johnson’s Brick Cafe space.
    Legalities were still pending when we talked with Farber, so she kept mostly mum about her plans. However, she did let slip the following phrases: “pizza, sandwiches and subs,” “jazz dance music” and “Rivertown Rose.” (That’d be the name of the new place.) More details when all those t’s have been crossed.

Y not, X?
Well, because “the stars didn’t line up,” says X Lounge spokesman J.F. Legault. He’s referring to the fact that he and his partners did not, in fact, sell the fledging club to Coran Capshaw, as recently hinted at in other local media. Though Legault & Co. are “honored to have received interest” from Capshaw, they are, at least for now, going full steam ahead with their Glass Building hotspot.

Categories
The Editor's Desk

Don’t use sex as a weapon

Don’t use sex as a weapon
The last time I wrote to C-VILLE to object to advertising that used the female body and sex to advertise a product, I was essentially told not to read C-VILLE if I didn’t want to be offended. I believe the respondent was a male. Well, I like C-VILLE, (although I like it’s [sic] competitor better), so here I am again complaining about a Judy b. Clothing Salon ad in the September 5-11 issue. As I reminded Judy when I called her store, clever and creative advertising doesn’t have to exploit the female body—doing so is a cheap and offensive backslide to disrespect and unenlightenment.

Rebecca Keese
Charlottesville

Welcome to America
The two letter-writers attempting to defend Senator George Allen’s latest blunder [Mailbag, September 12] both try to obscure the issue of Allen’s lack of judgment with variations of the old “bait and switch.” Jamie Slawski tries to shift our focus away from Senator Allen’s rudeness by comparing it to comments made by other politicians. This is like excusing a purse-snatcher by saying: “So what? Stealing’s only human. After all, look at Ken Lay.”
    Pamela Sellers offers the bait-and-switch of blaming the victim, insinuating that Senator Allen’s vulgar name-calling might have been justified by some provocation on the part of Mr. Sidarth, the recipient of Allen’s attack. This is also known as the “He hit me first” defense, which is dubious in kindergarten and totally out of place when it comes to a U.S. senator addressing one of his constituents.
    What really offended me about the whole incident was not so much the name-calling, but the senator’s follow-up. After calling him “Macaca,” Allen said to the American-born Sidarth: “Welcome to America.” Through his nasty comments, Allen revealed that his notion of America is “whites only,” and that someone whose skin is darker must be a foreigner who ought to keep his mouth shut and his face hidden. Welcome to America, indeed.

Daniel Stern
Quinque

News, or editorial?
My roommate and I just finished reading the article about Bud Davis [“UVA wide receiver gets jail time for bookstore incident,” Courts & Crime News, September 5] and his situation. My only concern with the article is this: “…and is barred from UVA football, sparing us all the trouble of having to say his name (which is pronounced THAIR-en) this season.”
    First of all, I think this statement borders on sounding racist. Also, it has absolutely nothing to do with the fact that, yes, he made a stupid decision, and yes, he should be—and is—being held accountable. I think that with everything that resulted from it (i.e., withdrawal from school, three months in jail, removal from the team, a fine of over $1,000, and both an article and picture in your paper), it was a little unnecessary to, in so many words, joke on his name—a name that has an African-American sound.
    I do not think we all feel happy to be spared “the trouble of having to say his name”—I think maybe it’s just you and yours. Also, to be considered a credible news source within the Charlottesville community, it is foolish as a journalist to include one’s own haphazardly “funny” opinion when supposedly objectively reporting. This article was a mockery of not only [Theirrien’s] name, but what you all consider his mediocre performance on the football field. Is this an actual courts and crime story, or a cheap attempt at a sports editorial?

Jessica Turner
Charlottesville

CORRECTIONS
The relative enormity of the audience for the Dave Matthews Band’s 2003 concert in Central Park was misstated last week [“The once and future fan”]. At 100,000 it was and remains the band’s largest domestic audience. According to the band’s management, DMB has played larger concerts in South America and Europe.

Our coverage of the flyer controversy in Albemarle County Schools [“School flyers still up in the air,” Courts & Crime News, September 19] mischaracterized Liberty Counsel’s involvement. The civil liberties group did not file a lawsuit against the Albemarle School Board—they wrote a letter asking the board to review the schools’ flyer policies, which were subsequently deemed unlawful by School Board attorney Mark Trank. The policies are in the process of being revised. We apologize for the error.

Categories
Living

Living in a material world

There is a spot in New York City, on Greene Street, in the heart of Soho, where a special light shines down from heaven and into a certain store. The light is simple, golden, minimal and, like the Wise Men did that holy Star, design geeks from around the world drag their tired feet toward it, certain that it’s worth the pilgrimage.
    No, I’m not talking about the Rem Koolhaas Prada store (although…). I’m talking about Moss, the go-to boutique for modern industrial design lovers, with the crème de la crème of everything from china to bathroom fixtures to beds on display in glass cases, as if in a museum.
    But what if New York is not penciled into your foreseeable itinerary? Well then, Mossonline is a good substitute. The daydreams it inspires are endless. And dangerous. Concoct your ideal wedding registry by clicking through the virtual gallery of Ted Muehling porcelain, or furnish your dream apartment with the classic (the Eames lounge), the soon-to-be classic (the Favela chair), and the brand-spanking-new (oh, so many, many things).
    I’ll admit that the price tag for a single piece is probably enough to feed a small African country for a month, but aesthetes understand the sacrifice. Plus, if you can’t afford to furnish the dream apartment, you can at least splurge on one of the little knickknacks for sale (e.g. A model of The Dakota Building as part of the “Buildings of Disaster” series). Every time you look at that knickknack, all you’ll be able to think is, “But I want more, MORE!” And when you’re able to afford it, Mossonline will be there, friends.