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When the Latter-day Saints come marching in

"Outside, if you look at the LDS church, it looks pretty wacky,” says Bryan Kasik, sitting in Java Java on the Downtown Mall. “This farm boy from New York has a vision of golden plates and then he writes this entire book.” A Mormon, Kasik is talking about the founder of his church, Joseph Smith, who went before Almighty God in prayer one night in 1823.


When this new chapel is completed in November, the area’s Mormon nexus will switch to Charlottesville.

More features from this issue:

A lot on his plates
How Joseph Smith founded the Mormon Church

All in the family
The old practice of polygamy still dogs the Mormons

White and black
The Mormon Church struggles to shake the stigma of racism

“While I was thus in the act of calling upon God, I discovered a light appearing in my room, which continued to increase until the room was lighter than at noonday, when immediately a personage appeared at my bedside, standing in the air, for his feet did not touch the floor,” Smith wrote afterwards. It was an angel with the name of Moroni who four years later directed him to a hill in upstate New York, where Smith received a buried ancient text that resulted in the Book of Mormon.

One hundred eighty years later, Smith’s belief system has beget the 12-million-member Church of Jesus Christ of Latter-day Saints (and potentially the next president of the United States of America). More than 82,000 are in Virginia alone with a segment of those residing in our region. “There’s been some great growth in the last 20-some years,” Victor Morris says. In November of this year, a new church building off Airport Road will be completed and once the chapel is finished, it will shift the area’s Mormon nexus, or “stake,” to Charlottesville from Waynesboro, where it currently sits.  “I’ve seen the changes a little bit more dramatically,” says Morris, who is now the bishop of the local church’s First Ward. (A ward is the LDS’ term for a congregation of 500-600 members or less and each ward has a bishop. In Charlottesville, there are four that are all at capacity.) “We were just barely coming up on a ward when I left.”

In 1987, Morris, a then-teenage Latter-day Saint, left to attend Brigham Young University and eventually ended up on the West Coast, where he continued full-time in the church, teaching seminary to high school and college students.

A year and a half ago, Morris returned here to coordinate a similar effort in an area that includes not only Charlottesville, but Harrisonburg, Lexington and Lynchburg as well. “The Old Testament is what we’re working through now,” he says.


Jim and Tanya Skeen are surrounded by their children and the life goals they created for them.

Six months after returning, Morris was also tapped to serve as First Ward bishop. “It came really as a surprise,” he says. As a new arrival, many in the church were still foreign to him. “It’s been a learning curve to get to know them to where I feel like I can serve them well in this capacity.”

Per Smith, Mormons believe that each and every one receives divine revelation, but a bishop has authority over an entire ward. “That’s a lot to live up to, spiritually and even physically,” Morris admits.

Some of a bishop’s duties might include serving the temporal needs of those in the ward. “It’s very rewarding because you get to see what I feel is a very powerful manifestation of the true love of Christ,” he says. “You’re put in that capacity, and it’s been quite a blessing, but it’s intimidating to me. These are real people with real needs and those real needs come at times that are not always so coordinately planned.”

Four years ago, Gretchen Patterson woke up to find her husband still sitting in his den chair, dead from an apparent heart attack. “He was gone and I knew it,” she says. After calling the rescue squad, Patterson notified members of the church who rushed over. One of those was the Relief Society’s Compassionate Service Leader, a role Tanya Skeen filled for a number of years, one she describes as “compassionate service in different aspects.”

“They still take care of me,” says Patterson of her church ward, a smattering who are represented here. These Latter-day Saints are spread throughout the community in various vocations and lifestyles. Some of them even like Metallica—early Metallica that is.

Enter night

One Friday night around 10:30, Bryan Kasik and a friend are setting up in the Brick Oven to film the last few scenes of a new segment of “Belly Flavored Candy,” a local cable access show that airs at 10pm on Friday and Saturday nights. “[Susan Steedman] lets me film there,” Kasik says of the restaurant’s co-owner, who is Mormon. “She invites me, and as long as they’re closed, she’s like, do whatever.”

A couple of employees flit about in back, getting ready to leave. Meanwhile, Kasik goes to look for a bowl to use in the upcoming scene. He will be playing an obnoxious customer, and his friend a waiter who stands nearby practicing his lines. “Did you spit in my soup? Yes, I mean, no,” he says, reciting both parts.


In 2000, the current LDS president instructed parents to caution their children against having their bodies tattooed. “A tattoo is graffiti on the temple of the body,” he wrote. Ren Kasik obviously disagrees. “I have issues with people who won’t give something a chance,” she says.

Action. Moments later, Kasik sits at a table with a black leather jacket and dark shades on, his long hair pushed over his shoulders. “Hey, you want a tip?” he asks the waiter, and then challenges him to armwrestle for it. “I’m pretty sure that’s against policy,” the waiter responds. “You mean you’re a chicken puss,” Kasik says. “What?” the waiter stammers. “Wussy-y-y-y!!” Kasik shouts as the waiter covers his ears and runs from the table in fright. Then Kasik nods his head, inflating his lips. “Wussy!” Cut.


A video clip from "Belly Flavored Candy."

“I’ve always been into “Monty Python” and weird off-the-wall horror movies,” says Kasik as a way of explaining the content of the show he writes and directs. “That’s where I’ve always gravitated towards and that’s where my sense of humor is. It’s not very Mormon, but enjoyable, I think.”

On the show, characters yell, shout, and throw stuff at each other in extravagant fashion in a seeming parody of the secular world. “It’s one of those things I started just as a joke; I had some spare time, and I was goofing around with my wife and friends,” he says, mostly regarding it as a hobby, “something fun to do on the side. My friends take it a lot more seriously and want to make a living with it. If something good happens with it, that would be great.”


Every Saturday, Gretchen Patterson drives up to the Mormon Temple in Washington, D.C., where she helps baptize and marry the dead.

Kasik is a member of the First Ward, as is his wife, Ren, whom he met in the late 1990s when the two worked at a movie theater in Northern Virginia. At that point, Ren had just broken up with a long-term boyfriend when two LDS missionaries randomly rapped on her apartment door. After giving her their “spiel,” they left the 19-year-old with a Book of Mormon and a pamphlet that had a picture of Christ on it. She gathered up the material and went into her room where she sat the book down on the bed, and “for no apparent reason,” stood the pamphlet on end behind it, so that the cartoon Jesus was looking out over the book. Ren stood there for a second looking at it. “[T]hen I burst into tears,” she writes in a 12-part account of her conversion she has posted on MySpace.

“For over an hour, I bawled like a baby, like every pain I’d ever experienced in my life was suddenly trying to fight its way out at once.” Shortly thereafter, Ren began to meet regularly with Mormon missionaries and one night decided to test out their teaching. Lying in bed staring at the ceiling, she asked God if she should join the church. “The thought no sooner escaped my mind than I was hit by a physical sensation that I can only describe as heat,” she writes. “It washed through me, complete, intense and undeniable, from my head to my toes. I nearly choked on my breath. My eyes started to water. I was stupefied, even mortified. It filtered away, and I lay there, stunned. Was this the Holy Ghost?”

So she asked for confirmation and it hit her again. “In a split second, my world had turned completely upside down,” she writes. Three years later, the same thing happened to Bryan. He was a freshman English major at UVA and was having a tough time of it. Ren had joined the Marines and he was very lonely. “I was kind of like, ‘What’s the point?’” he says. “Everything felt useless.”

Despondent, with his Mormon girlfriend hundreds of miles away, he decided to go before God. Then he had what he describes as a mystical experience. “It was kind of like the sensation you get when watching a really emotional movie or listening to a particular piece of music and you get chills all through your body and the endorphins are flowing,” he says. “It was like that but a lot stronger.”

My posse’s gettin’ big

Unlike the converted Kasiks, Tanya and Jim Skeen were born into the church and met at BYU. After they were married, the two made a remarkable discovery. Amazingly, they both had direct ancestors who had literally lived across the street from each other in Nauvoo, Illinois, in the 1850s. In April 1839, Joseph Smith had surveyed a tiny town along the Mississippi called Commerce and declared, “It is a beautiful site, and it shall be called Nauvoo, which means in Hebrew a beautiful plantation.” By that point, Smith was only 12 years removed from his discovery of the golden plates. The Latter-day Saints had been driven out of New York, Ohio and Missouri, and they’d come into Illinois, seeking a place where they wouldn’t be persecuted. “It was really just a swamp and no one wanted to be there,” says Jim. “We have a map back there,” he says, pointing to an ancient old city plat on the Skeens’ living room wall behind a still-decorated Christmas tree.

“It became the largest city in Illinois, larger than Chicago,” he says. “It was really magnificent.” By 1844, Nauvoo was a Mormon metropolis, informed by the revelations Smith continued to receive. That year, he announced his candidacy for president of the United States of America. By that summer, though, the prophet was dead, martyred, and afterwards the Saints were essentially invited to leave. “It went from a population of 20,000 to 20 in one year.”

Until a few years ago, the Skeen family, all 10 of them, packed up and traveled to Nauvoo, Illinois, every other summer for a re-enactment of the Mormons’ time there. The pageant began more than 30 years ago, and the Skeens regularly took part in all two weeks of it. “It was a tremendous experience and a lot of hard work,” Jim says. There was singing, acting and dancing. “You worked from 8am until 9 o’clock at night or until you got it right,” he says.

There are a couple pictures in their house depicting this. In both, Tanya is in a white and red striped lollipop dress. A bonnet is on her head. Jim is in frontier gear; he is supposed to be Parley P. Pratt, an early missionary. Unfortunately, the pageant was altered a couple of years ago because it brought so many people into Nauvoo—60,000 or 70,000 over a two-week period—that the church concluded it was too much of a burden on the town, so they changed the format. “We have not done the new pageant,” Tanya says.

Instead, they now campaign for another LDS presidential candidate. “Some time back I wasn’t so sure that Mitt Romney was the person that I would want for president,” admits Tanya, despite her familial connections. Her brother was Romney’s roommate in France when the two were missionaries. “I wasn’t sure we shared the same values.” Then she met Mitt and learned more about him. “I believe he is just right on with pretty much all the issues that concern me,” she says. She needed to make sure the candidate had truly changed his positions on issues like, say, abortion. “I know he’s a very honest person; if he says he’s changed his positions, he has.”

Two of her older brothers and a sister were just out in Iowa helping Mitt. “I wanted to but I’ve been sick so I couldn’t,” Tanya says (before the Michigan primary that Romney ultimately won for the GOP). “My brother is already in Michigan right now and another is going up tomorrow.”

“Our church will never tell anyone who to vote for, our church will never endorse anyone,” she proceeds. “Our church will encourage us and does encourage us to get involved, and to go vote.”

“You would never see Bishop Morris or any bishop say, ‘Go vote for Mitt Romney,’” adds husband Jim, a local tax and real estate attorney. “That just would not happen.”

On another wall, framed in their kitchen, is the Skeen Family Creed that contains 14 goals they created for their children that say things like, “We will develop our talents,” or “We will get married in the temple.”
 
“We believe in eternal families but we don’t think that it just happens accidentally,” says Jim. “Tanya and I were married in the temple in Provo, Utah, and by virtue of being married in the temple we believe that we are sealed together forever, not just in this life. We believe that as a consequence that our children that are born to us also belong to us forever.”

Death is a star   

Shortly after her husband’s untimely death, Gretchen Patterson’s bishop signed her up to work at the Mormon Temple that seems to hover above the beltway outside Washington, D.C. “This is the next step in your life, Gretchen,” he told her. First, she had to be found worthy, though, which required multiple interviews, one with the bishop, another with the stake presidency and finally with the temple president. By and by, she was given the O.K., and to be set apart for service, the stake president then laid his hands on her curly white-haired head, blessing her. At first, the Woodbrook Elementary librarian worked every other Saturday. Sometimes, she could carpool with another lady who came from the area. 

Then, one day, the president of the temple came to her and said she had been called to work every Saturday. As with the other posts in the church, Patterson is a volunteer, so initially she had second thoughts, but, like a good Mormon, went before the Lord. “I prayed really hard about it and I just thought, ‘If the temple president knows something that Heavenly Father wants me to do then how could I say no?’” she says. “And I truly have been blessed.”
So every Saturday, Patterson sets out in her 13-year-old car—her tithing car, she calls it—the one with hundreds of thousands of miles on it, for the Mormon Temple in Kensington, Maryland. “We do sacred ordinance work,” explains Patterson. “It’s not secret, it’s just sacred. Most of it we don’t talk about outside the temple.” Nevertheless, according to her, baptisms of the dead and other “saving ordinances” like marriages and live baptisms are conducted inside.

Since the prophet Joseph Smith did not receive his golden testament from the angel Moroni until 1827, Mormons believe that they can retroactively baptize the dead. So if you are a convert like Patterson and her husband were, you can go to temple—the closest one is in D.C.—and with either a death or birth date in hand, baptize the dead in your family. It is all done with stand-ins, mostly the male members of the priesthood between the ages of 12 and 18 (as in many Christian traditions, women occupy a somewhat subservient role. When Mormon males turn 12 they enter the priesthood whereas women join the relief society which was started by Joseph Smith’s first wife, Emma). They stand in an ornate baptismal font and as a name of the dead is read they are immersed in the water. Each kid can be dunked as many as five times in a row for five separate people, although Patterson’s daughter, who recently served a mission in Mexico, acted as proxy and was actually immersed 15 times consecutively. “She said, ‘I thought they were going to drown me, Mom,’” says Patterson, laughing. 

Patterson explains that Mormons can also do marriages by proxy. “It’s the same thing that was said when my husband and I were married at the temple, except it’s for and on behalf of these people,” she says. At the altar, a man and woman will kneel as they are married for the departed couple. “You just take their name for that one ordinance,” she says. “My husband and I did my grandparents when we were on our honeymoon in Oakland. We were in our wedding clothes still.” She will also wed her parents, Patterson says, but “my mother’s still alive so I can’t do it for her yet. And they were divorced but I will marry them in the temple anyway.” Never mind that they were both Catholic. “My father to his dying day thought I would come back to the fold,” she says, laughing again.

And I hope we passed the audition!

Listen to "Her Bloodstained Grin" by Caustic Bloodline:
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Courtesy of Caustic Bloodline – Thank you!

“Sometimes my wife worries about whether her stuff will be misinterpreted,” says Bryan Kasik, “that she’ll be kicked out of the church for being a metal singer.” By day, Ren works at Michael’s framing pictures, but at night, and in her dreams, she is the lead singer for a heavy metal band called Caustic Bloodline. “I scream, I don’t sing at all,” she says. Roaring is more like it. “Her Bloodstained Grin,” the featured song on her MySpace page, is delivered with a husky growl that conjures up all sorts of mind-addled mayhem. “From adolescence on we never fit in with our peers—we got made fun of all the time—and I guess extreme music was our sanctuary,” says Bryan. He has long hair and a goatee but his wife is the one with tattoos, an ornate one that covers one arm plus one on each wrist that alternately say SOLITUDE, the other RESTRAINT.


Bishop Victor Morris returned here a year and a half ago after 20 years away. “When I came back it was really shocking,” he says of the church’s growth.

“I have issues with people who won’t give something a chance,” says Ren. She and Bryan live in a house that is decorated with movie posters of Texas Chainsaw Massacre and Seven. Right inside their doorway is a portrait of a beatific Jesus. “I’ve never had anybody say anything adverse about it,” she says of her side interest. “I did have one bishop who said I’m always concerned when I hear about people being in bands, but he didn’t say you shouldn’t try to do that. Most of the Mormons that I’ve met are open-minded enough that they will seek the good in a thing.”

“I wouldn’t wear a Motorhead t-shirt to church and my wife probably wouldn’t wear a Metallica shirt to church either,” Bryan says, although he says Ren did her first time to church. “I would wear a collared shirt out of respect on Sundays. As far as Monday through Saturday, I’m more concerned about how I’m living my life and the choices I make than what I wear.”

During the week, he is a reference librarian at UVA’s law school. He does “Belly Flavored Candy” in his spare time. “Some of the stuff I do is maybe a bit extreme, maybe a bit out there,” he says of the show. “I canceled a couple of ideas because I thought it was too gross. I censored myself because I didn’t want to be perceived a certain way.”

“I was kind of worried about it because some of the stuff is really offensive and silly,” he says, although he has not met anyone in the church who dislikes it. “The bishop and the mothers tend to go, ‘You’re very talented’ because they think it’s stupid. But every dad and kid is like, ‘When’s the next episode coming on?’”

Like all Mormons, Bryan wears the special white undergarments that symbolize Latter-day Saints’ covenant with God. He got his in a store in the D.C. temple where he and Ren were married. “We don’t believe we’re the one true church,” he says of the belief system he has committed his soul to for all eternity. “We just believe we have the most truth right now and we believe that there’s a lot of stuff we don’t know. We just hope our glass is a little less dark than other churches.”

Categories
News

Your tax dollars, at work

Worked for the city for: 3.5 years

Resides in: Albemarle County

Job title: Permit Technician. You encounter Barmore when you call or walk in to Neighborhood Development Services, in the city hall annex. She answers the phones, directs walk-ins and organizes all kinds of permits for building, home occupancy, temporary parking and all that good stuff.

Best of times: The lunch to celebrate the winter holidays

Worst of times: Any day after a holiday break, having to deal with a backlog of work

Strangest moments on the job: "I haven’t had anything too out of the ordinary. People call here and act like we’re the DMV or ask directions somewhere. Sometimes it’s like we’re 411."

If she were a superhero, she’d be: I’m-Every-Woman woman

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News

The Colorful Apocalypse: Journeys in Outsider Art

Ten years ago, author Greg Bottoms and I worked together at a local arts and culture magazine called “Gadfly” in an office on the middle level of The Rutherford Institute (which bankrolled the mag). Upstairs, my dad was busy suing Bill Clinton, but down in our purgatory, Greg and I would talk of fringe religious artists like James Hampton, Jr., a Washington, D.C.-based janitor who also made a 180-piece sculpture out of tin foil-wrapped refuse, all for the purpose of announcing the end times as told in the Book of Revelation. As a Christian, I could offer some perspective on religious belief to Bottoms who, as an agnostic, was always a little uncomfortable in his immediate surroundings. That same tension is everpresent  in his newest book, The Colorful Apocalypse, an account of his “journeys in outsider art.”


Devilish works: Greg Bottoms uncovers the wild side of Christian art in The Colorful Apocalypse.

Over the course of 180 pages, readers follow the former UVA creative writing student as he travels to Georgia on the first anniversary of the death of Howard Finster (who died in 2000), whose fundamentalist art construction “Paradise Gardens” made him famous enough to be commissioned by both R.E.M. and Talking Heads to do album covers. There, Bottoms meets artist Myrtice West, who only began to paint her visions from God after her daughter’s murder. In Baltimore and then South Carolina, the author tags along with William Thomas Thompson, whose nerve damage preceded a life of painting apocryphal anti-Semitic portraits. His sometime-partner Norbert Kox leads Bottoms to frozen rural Wisconsin, where he finds the artist constructing sculptures attacking the Catholic Church and the pope as the anti-Christ, all after a bad LSD trip.

“For my project I was mainly interested,” Bottoms says near the end of his book, “in the social and psychological situation out of which Christian visionary art came. I didn’t want to be a critic; more like a documentarian. My idea was to talk to the artists themselves about their intentions.” As with this one, Bottoms’ two previous books were as much about him as they were its subjects. Published in 2000, Angelhead was a riveting memoir of his schizophrenic brother’s descent into mental illness and his family’s suffering. Sentimental, Heartbroken Rednecks—a loose collection of stories chronicling the lives of eccentric Southern characters—was released the following year. Whereas Rednecks seemed to suffer from a self-consciousness that overshadowed his characters, the six year span between books shows Bottoms efficiently balancing his own experiences with mental illness against the sheer craziness of these religious artists, people who have transformed their painful pasts into visceral art, much as Bottoms does here.

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News

Glass “recycling” not clear cut [with video]

Last November, a report by the City of Charlottesville’s Committee on Environmental Sustainability turned some heads when it revealed that the glass collected locally for recycling ends up in a landfill. Fortunately, the situation has improved—and was never quite as bleak as the report made it seem.


Where do all the glass bottles go? For the most part, into the landfill, though as road bedding rather than general trash.

Jason Halbert, chair of the Materials Management Subcommittee, says that the report was actually written last summer, and the situation has since been steadily improving. The biggest problem is a dearth of markets for recycled glass, partially because of the difficulty in sorting, cleaning and refurbishing it. Glass must be strictly sorted according to color, and pyrex, window glass, paper and metal must be removed before returning it to the furnace, making it an expensive process.

“It’s not the city’s fault or Allied’s fault,” Halbert says, referring to the company that handles curbside recycling. “It’s that the markets for green glass are poor.”

C-VILLE asks some local recyclers where they think the glass that they recycle ends up.

If you’re thinking you should start tossing all those bottles in the garbage, it’s not that there aren’t uses for waste glass, however. Bruce Edwards, recycling director for the Rivanna Solid Waste Authority (RSWA), took umbrage at the notion that glass from the McIntire Recycling Center was simply being thrown away. Instead, he pointed out that glass was being used as road bedding within the Ivy landfill in place of gravel. RSWA Executive Director Tom Frederick added that 600 tons of glass replace gravel roads and help with ground water remediation, saving the authority around $10,000 each year. In addition, RSWA has been working closely with a geotechnical engineer to find new markets for the glass, including asphalt mixes (or “glasphalt”) and in concrete.

UVA’s record is a little more complex. Until late last year, glass from the University ended up in a Fluvanna landfill. Again, it was used as road bedding, but also as “alternative fill,” used to separate layers of trash. Now the glass is sent to a facility in Madison Heights, where it is ground up and given to concrete producers. Allied Waste Management sends its glass to Tidewater Fibers in Chester, Virginia, which is a reclamation facility. However, Tidewater did not return calls by press time regarding the ultimate fate of that glass.

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
Living

Sex Files: In control panel

How reading erotica can help you get in the mood for sex was the subject of my last column. Now it’s time to start taking on the idea of watching adult entertainment and porn.

But first things first: Are men and women different when it comes to getting turned on? The answer is “yes and no.” Let me explain:


That’s adult entertainment: For some women, one glimpse of Omar Sharif’s eyes is worth more than a hundred sexual images.

One of my favorite slides when giving a presentation shows an on/off switch with the label “Male sexuality” and below it an elaborate control panel (labeled “Women’s sexuality”) that has several fine-tuning devices and meters to watch. My audience usually laughs, but then I explain that it is very true that women often need a lot more preparation and fine-tuning than men in order to get aroused.

Men who get with the program and learn to start the process of initiating sex way before they are in the bedroom are often surprised how well it works. By pushing the right buttons on the control panel, not only do men learn to tune into their partner, but they also often end up having a mate who is ready and eager to have sex with them. Late night, suggestive moves out of the blue, on the other hand, usually lead to nothing but frustration for all concerned.

In other words, if you are a guy who wants sex tonight, be sure to send your partner a sweet (or naughty) e-mail or text message way in advance. Or pay her a heartfelt compliment, reminding her of your attraction to her. And by the way, save the flowers for special occasions, and instead do the dishes after dinner and take out the trash. It’s the day-to-day help around the house that’s the best aphrodisiac for women.

But there also are plenty of ladies who get sexually aroused from visual stimulation, such as watching adult entertainment or porn. While men usually like to look at close up shots of sexual scenes, women often are more interested in watching an erotic film that includes a story line. Not all women fall into this category, of course, but over and over women have told me that the emotional connection between individuals is just as arousing for them as watching the sex act itself. One lady told me that her all-time favorite arousing movie was Dr. Zhivago, which is rated PG-13 and has no sex scenes at all.

On a side note, one of the reasons why Viagra never caught on for women was that, while a man can get aroused from watching his penis get erect, a woman reacts differently. The fact that female research subjects’ genital blood flow and lubrication increased after Viagra did little to their overall experience of having sex. Those women told scientists that the emotional connection to their partner was much more important to them. That’s when the pharmaceutical industry, that was hoping to find another post-Viagra market to cash in on, realized that unless they developed a magic pill that enhances emotional intimacy, they would probably not succeed by targeting women.

Are you wondering what specific types of adult material women like to watch? Do you think that porn is only reserved for men? Come back in a couple of weeks for the answers.

Annette Owens, MD, Ph.D., is certified by the American Association of Sexuality Educators, Counselors, and Therapists. She sees clients in her Charlottesville office (cvillewellness.com) and answers questions online at LoveandHealth.info and SexualHealth.com. She is an advisor on the Health & Science Advisory Board (HSAB.org) and has co-edited the new four-volume book, Sexual Health (Praeger).

Categories
News

Prof talks credit crisis

On Monday, January 21, the world markets looked like they were spiraling out of control. While the market was closed in the U.S. because of Martin Luther King Jr. Day, Japan’s market fell 4 percent, China’s fell 5 percent, Germany’s fell 7 percent and India’s fell 7.4 percent—in large part because of the continued U.S. credit crisis brought on by the home mortgage collapse. The Federal Reserve reacted by dramatically cutting interest rates 0.75 percent, and it’s expected to make another cut of up to 0.5 percent this week.


“Just a kind of one-time, ‘here’s $300, here’s $600’ is not going to have a significant impact on the economy,” says commerce prof Robert Webb on the proposed stimulus package. “It might be good for votes.”

C-VILLE turned to our backyard to find some insight. We spoke to Commerce School Professor Robert Webb, who specializes in the study of speculative markets, after the dust settled on last week’s trading. And while the Dow Jones Industrial Average ended just a touch up over the week, largely thanks to the rate cut, Webb points out that last year, the European Central Bank and the Fed made rate cuts that analysts thought would be a shorter involvement than it has turned out to be. Here’s more of what he had to say.

C-VILLE: What is your interpretation of what happened to the markets early in the week?

Webb: I don’t want to oversimplify things and say there was only a single trading catalyst—you had a variety of factors, some market-specific, some not. One that was a massive concern was how big was this credit crisis going to become in terms of how many more wipe downs we were going to see in the banking sector, in large part because certain insurers of various types of debt instruments were facing massive losses, notably Ambac [Financial Group] and MBIA.

The other development this week is that we had this massive rogue trading scandal at Société Générale, the second-biggest French banking company, and the initial concerns as to whether or not some of the losses that we saw earlier in the week in Europe were sparked by covering actions by SoGen. SoGen denied that, so it’s impossible to tell.

Media reporting worldwide seems to have interpreted this as, “The U.S. economy sneezes, and the world catches a cold.” Is that a fair metaphor?

To some extent it is, but keep in mind that last fall people were equally as adamant that perhaps we were going to see decoupling occur, where the emerging markets in Asia and elsewhere were somehow going to be independent of the U.S. I think the decoupling hypothesis has proven to be wrong. In terms of the severity of the downturn and its impact on other countries, well, we’ll find out over time.

How much will the stimulus package that’s likely to come out of Congress help?

It seems like the short-term impact was positive. In terms of impact on the economy, those types of stimulus packages are unlikely to have a significant impact. The problem is simply that in order to be effective, you want to change incentives. And a package where you just have a tax rebate or something like that is not going to have an impact on the incentives to work, save, produce. A tax rate cut would have an impact. But just a kind of one-time, “here’s $300, here’s $600” is not going to have a significant impact on the economy. It might be good for votes.

What’s the bottom line for the small potatoes investor?

I think it’s a good reminder that both equity markets and housing markets go up and down. We’ve lived in an environment where people were given the mistaken impression oftentimes that housing was a one-way market, it only went up. Housing is a consumption item as well as an investment item in many cases, so you shouldn’t expect your house to be your only investment, per se, for retirement.

Categories
News

The hidden life of UVA

Heather Fischer

Year: Senior

Major: History, with a minor in studies in women and gender

Hometown: Warrenton, Virginia

What’s in your backpack? Vitaminwater, notebook, laptop, The Nation magazine, Edward Gibbon’s The Decline and Fall of the Roman Empire

Categories
Arts

Choking…on cash

The first screening of locally tied film production company ATO PicturesChoke at the 2008 Sundance Film Festival was Monday, January 21 at 8:30pm at the Racquet Club in Park City, Utah. The film, scheduled for five screenings total, let out at a bit past 10pm with the next screening set for 8:30am the next day at the same venue. Temple Fennell, who develops films at ATO, split with a fair portion of the crowd for Choke’s afterparty at a nearby club called Hyde, where he prepped himself for the rest of his time at the Festival. In his own words: “I stay there ’til it’s sold.”


“Er, how much?” ATO Pictures’  Choke (starring Brad William Henke, left, and recurring ATO Pictures man Sam Rockwell) nabbed a $5 million deal with Fox Searchlight literally overnight following its first screening at the 2008 Sundance Film Festival.

Amidst a sea of celebrities (including Woody Harrelson, stellar in No Country for Old Men—which earned local Jack Fisk an Oscar bid for Best Art Direction—and Curtain Calls favorite Quentin Tarantino), Fennell grabbed a few cocktails, mingled and quickly caught word that members of production company Fox Searchlight were on their way to the fiesta to talk about the film.

“They showed up at the party around 1am and then we did some negotiating there,” Fennell says a few days later, fresh off a plane at the Charlottesville Airport. “When it looked like, ‘O.K., they’re willing to match the number that we need,’ we packed it up and went to their offices.”

By 5:30am—three hours before its second screening—Fox Searchlight (which also nabbed the creepy ATO flick Joshua) shelled out $5 million for the U.S. and most of the worldwide distribution rights to Choke, adapted from Chuck Palahniuk’s novel about a food-scarfing scammer. At press time, it was the second largest monetary deal announced from the Festival (top billing goes to Hamlet 2, starring Steve “24 Hour Party People” Coogan, which nabbed a $10 million deal from Focus Features).

So Fennell got an early ticket home from the Festival, at which point Curt spoke with the obviously giddy gent. “Without blowing my horn too much,” he tells CC, “they’re saying it’s the hottest ticket at Sundance right now.”

So keep this news in mind, readers, because it may soon benefit you. When ATO nailed the Joshua deal, they set up a screening at the Newcomb Hall Theater at UVA through the Virginia Film Society. We may get our next dose of Sam Rockwell, the film’s star, sooner than we think (and that’s always a cause celebre).

In honor of ATO’s big victory, CC is giving you this week’s injection of art perfection in the spirit of coming attractions. First up: OFFscreen, UVA’s top-notch film society, recently (albeit a bit belatedly) announced its spring schedule, which kicked off January 27. The must-see flicks? The two-part director’s series on Claude Chabrol starting with Les Bonnes Femmes (February 10), American History X director Tony Kaye’s documentary Lake of Fire (March 23) and Hannah Takes the Stairs (March 16), Joe Swanberg’s engagingly plodding romance that kick-started the “mumblecore” film genre.

Cat me if you can?

Curt resumed the hunt for big news on his “Rita Mae Brown” beat in honor of the author’s book release event at the Barracks Road Barnes & Noble at 6pm on Saturday, February 2. When your snooping (and admitted “dog person”) narrator left off, he was speculating on how Brown’s cat, Sneaky Pie Brown could’ve penned 16 books with her master, counting their latest, The Purrfect Murder.

Like a hound after a mallard, CC tracked Brown to her home in Afton and got in touch with her only to ask for—nay, to demand—how she’d developed the Doolittle-ish skill of authoring mysteries with mammals. And got a relatively straightforward answer.

“If I was a really good kid,” says Brown, “my grandfather would let me sleep with his foxhound. [Animals] have a much greater range of communicability than we do.”

Yeah, but writing?

“We’re a fairly reduced species in many ways,” replies Brown. “The more I live with this particular cat—who’s very bright—the more I could see [the story] through her eyes.”

The Purrfect Murder, the latest in Brown’s best-selling “Mrs. Murphy” series, seems a bit bent on taking some unwelcome local residents to task. In the story, recurring protagonist “Harry” Harristeen and her wet-whiskered sleuth of a cat, Mrs. Murphy, take on the murder of Carla Paulson, described on the book’s jacket as “one of the diamond-encrusted ‘come-here’ set who has descended on Crozet with plenty of wealth and no feeling for country ways.”

Allegory? Maybe, but Curt operates with a strict “no spoilers” policy.

In other book news, your typically quick-witted member of the literati got all sorts of tongue-tied after WTJU alumnus Rob Sheffield’s reading at New Dominion Bookshop (though he managed to blabber out his name for a proper autograph in his copy of the excellent Love is a Mix Tape). In fact, the entire audience was relatively mum (prompting Sheffield to ask, “Who am I wearing? I’m glad you asked,” and then to reveal an old pair of Reebok Pumps sneakers), but mostly for the reason that quite a few of Sheffield’s buddies showed up.

Curt ran into his friend Elizabeth McCullough of Charlottesville Words at the reading and she informed him that a recording of Sheffield’s reading would be posted on the Charlottesville Podcasting Network, where she recently helped post a recording of local James Collins (a former editor at Time and a contributor to The New Yorker) reading from his new debut novel, Beginner’s Greek. CC has always been one for reading aloud (it ranks right up there with warm milk and foot baths, people!), and left the reading to head home and try out the Collins podcast.

But, on his way out the door, something in the New Dominion’s window caught CC’s eye. What the f…

CC challenges…

All right, John Grisham. Curt read your easily palatable, highly stimulating legal thrillers at a young age (hell, they single-handedly cultivated his love for “Law & Order”!), but now it’s time he dropped the amicus curiae act and challenged you to an interview on the occasion of the January 29 release of your latest, The Appeal, which is all over the New Do’s storefront just like every one of your previous novels.

You think you can single-handedly keep a book store in business with your clever democratization of big courtroom words? Well, CC has news for you, Grishy—court’s in session. Let’s chat. Adjourned.

Got any arts news? Are you John Grisham? E-mail curtain@c-ville.com.

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GOP kills accountability bills

In the 2006 General Assembly, the Republican majority made a substantive rule change that allowed for House bills to be killed in subcommittee where votes are not recorded. Before that, a bill could only be voted down before a full session where the vote is recorded. That year, 459 bills were quashed in subcommittee, and the following year 603 died there, including a Democratic proposal for a statewide smoking ban in restaurants and bars. As it was voted down in subcommittee, the public had no say in its determination.


"The way the rules were changed so that bills can be killed in the dead of the night is not right," says Delegate David Toscano.

This year, the still-Democratic minority tried to attack this disparity with a two-fisted approach. Delegate Ken Plum (D-Reston) introduced a rule that would have required subcommittees to record votes and House Minority Leader Ward Armstrong (D-Henry) also introduced a rule that would have required the House to provide the live broadcast of the session to the public.

House Republicans were not fooled and shot both of them down along a straight party line vote. “That’s not the way to ensure accountability,” says Delegate David Toscano (D-Charlottesville), who says he once had a bill referred to a subcommittee that never even met. “The way the rules were changed so that bills can be killed in the dead of night is not right.”

“Transparency in government works best,” says State Senator Creigh Deeds. Unlike the House, the Senate records subcommittee votes, although Senate bills cannot be killed in subcommittee anyway. “If you’re making a binding vote, you shouldn’t be afraid to reveal it.”

“They don’t want to record it because they fear a backlash from their constituents,” says Jan Cornell, president of Staff Union at UVA.

“They should have the courage of their convictions to tell people how they voted,” says Deeds in chastising the Republicans. “I applaud the House Democrats for their attempt.”

However, House Democrats aren’t always up for having votes on the record. On January 24, House Republicans forced a vote on a bill that would have given state employees the right to unionize, according to The Washington Post. House leaders bypassed several committees without any testimony or debate and wouldn’t honor a request from the bill’s patron to withdraw it, in order to get a vote on the record that could be used against Democrats in later elections. All but two Democrats abstained from voting.

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

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Jukebox

Chan Marshall’s concert at the Satellite Ballroom in 2005 was everything I’d been led to expect it would be: a few sparse, harrowing blues originals from the nervous chanteuse with the dark bangs in her eyes, interrupted halfway through as she voiced her anxieties, saying she “felt like she was being watched by the KKK,” then grabbed her glass of wine and split the stage. Marshall finished four or five songs in her 90 minutes or so on stage, and only two or three were hers; the others were covers of “House of the Rising Sun” and the Everly Brothers’ “All I Have to do is Dream.”


Nearly a year later, Marshall spilled it all to the New York Times: whiskey and scotch by day, Xanax by night, meltdowns aplenty. But by that point, it didn’t matter: Cat Power’s 2005 record, The Greatest, was reissued with new art, and her live gigs had grown by leaps and bounds, her backing band of soul veterans amplifying tunes from her catalogue as well as providing Marshall herself with an array of talent that she could envelop herself in. “Cat Power” became a group name that Marshall could disappear into rather than a globe she was required to support on her slender, bowed shoulders. She began dotting her live shows with new covers, ranging from The Highwaymen’s “Silver Stallion” to Smokey Robinson’s “The Tracks of My Tears,” huskily murmuring, “People say I’m the life of the party ’cause I tell a joke or two./ Although I might be laughing loud and hearty, deep inside I’m blue.”

Cat Power’s latest record, Jukebox, is her second album of cover songs, following 2000’s The Covers Record (which featured one of the greatest lyrical reinterpretations in modern rock, Marshall’s cover of the Rolling Stones’ “Satisfaction” without using the chorus, a purely sexual tease). Jukebox features many of the covers that Marshall unveiled during tours that followed her recovery from addiction: “Silver Stallion” perfectly pairs Marshall’s ash-tipped voice with a dusty slide guitar, while “Aretha, Sing One for Me” drowns her voice in gospel organ and electric guitar gnarls, not altogether pleasantly.

Rather than the soul ensemble of Al Green vets that made up her band for The Greatest, Marshall’s crew features drummer Jim White of Australian instrumental whizzes Dirty Three and guitarist Judah Bauer, once a member of Jon Spencer Blues Explosion. White’s drumming almost succeeds in making Jukebox’s lead track, “New York” (made famous by Frank Sinatra), a repeat of Marshall’s take on “Satisfaction,” and the song’s cymbal-tapped transition to Hank Williams’ “Rambling (Wo)man” (Marshall makes the subject feminine) makes for a dynamite pairing of murky keys and Zeppelin drums, but Chan the Cat has to work a bit too hard to turn the schmaltzy opening cut into something darker.

Jukebox makes a few more missteps in song choices: Joni Mitchell’s “Blue” should’ve been canned, and a few tracks from a bonus disc (namely Nick Cave’s “Breathless” and Hank Cochran’s “She’s Got You,” made famous by Patsy Cline) should’ve made the cut. But Marshall’s re-imagining of “Metal Heart,” an eight minute track of tinny Danelectro guitar and a vocal double from 1998’s Moon Pix, speaks volumes about the record. The song is sliced in half, but Marshall’s voice, without studio support, soars as something new as her band rocks behind her like her past catastrophes. Marshall isn’t quite the life of the party anymore, but she seems a little less blue.