Categories
News

Szakos and Taliaferro will likely battle for the other Council spot

On April 21 at a forum sponsored by Charlottesville Tomorrow and the Free Enterprise Forum, Charlottesville Mayor Dave Norris strengthened his place as the lead candidate for one of the two spots open for this year’s city council election (as well as for the May 9 Democratic primary).

“The wonderful experience that I’ve had raising my family in Charlottesville is an experience not shared by every family here,” said challenger Kristin Szakos.

Before a small gathering in Burley Middle School’s auditorium, Norris consistently outlined his agenda for a better Charlottesville, starting with his plan—if he is re-elected—to revitalize the city’s public housing developments by creating a mixed-income, integrated neighborhood system, instead of the current model. “It’s the best opportunity for changing the very dynamics of poverty in our community,” he said, “moving away from … the failed model of segregating people by income which too often means segregating people by race.”

Norris was joined on the stage by Councilor Julian Taliaferro and challenger Kristin Szakos. While the former emphasized his concern over the 13.2 percent dropout rate in the city school system, Szakos said she is running to improve the “city’s responsiveness to its citizens.” As part of that she suggested that City Council meetings be held in neighborhoods and schools to give greater access to the public, even that pizza and childcare be provided. “We have to figure out how to motivate people to participate,” she explained the next day. 

Overall, there was great agreement among the three candidates, with the major difference concerning the embattled Meadowcreek Parkway. On that question, Norris firmly detailed his opposition. “I don’t see what the city gets from this deal,” he said. “We’re putting a huge swath of asphalt through our largest park” that “will clog downtown streets” and “drive a stake through the downtown renaissance.”

Over the course of the evening’s two hours, Norris’s clarity of position left little doubt he will be re-elected, leaving Taliaferro and Szakos in a likely battle for the last spot. “It’s all fair game,” the latter says, but politics dictates that an incumbent always holds an edge in name recognition if nothing else. As a result, it is up to Szakos to separate herself and she seemed to do so based on her advocacy for those with the lowest income in Charlottesville. “Many people who work here in the city cannot afford to live here,” she said during the April 21 forum. As a result, she called for more frequent and efficient bus lines.

“The wonderful experience that I’ve had raising my family in Charlottesville is an experience not shared by every family here,” she expounded in her closing statement. “And I feel I have an obligation … to make sure that that sort of opportunity is available for every family and every child and everyone who lives in the city.”

“I believe in public service,” said Taliaferro. In his closing, he stressed his decades as a public servant in Charlottesville (he was fire chief for more than 30 years before running for council in 2005), reasoning that his experience would help when it came to making tough decisions in hard economic times. Norris also called attention to his past accomplishments while on City Council, but cautioned that more work is necessary, saying, “We have made good progress but we’re not where we need to be.”

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
News

City workers make more than their county counterparts

Nearly five years have passed since we last shared with you the salaries of the 10 highest-paid employees in both Charlottesville and Albemarle. And not much has changed. Charlottesville still pays its employees better than Albemarle, and many of the names in the top 10 of jurisdictions remain the same. This time around, however, all of the top 10 salaries have risen well above $100,000. In 2004, the lowest salary was $87,133; this year the lowest is $120,339.91. [Here’s a PDF of that list]

On the other end of the salary spectrum, the lowest-paid County employees earn $20,300.70. Though we don’t have an exact number for the lowest City employee salary, all City employees “make over $10 per hour,” according to spokesman Ric Barrick, meaning the salaries of the lowest-paid City employees are probably about the same as in the County. 655 people are employed by the County, and 916 people are employed by the City. These figures do not include school system personnel. The median salary in the County is $63,619 while the median salary in the City is a much lower $37,195.

One thing that has certainly changed since 2004 is the state of the economy. The country remains in the midst of one of the worst ever economic downturns, and it shows in the budgets of both localities. The 2010 county budget, adopted on April 8, is $303.7 million, which is about $30 million less than last year’s budget. The city budget, adopted on April 14, did not decrease, but the 2010 budget of $142.4 million represents the smallest year-to-year increase in a decade.

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
News

Jeffrey Sachs talks global commerce and partnership opportunities

“We need you,” said Jeffrey Sachs to a packed auditorium in Old Cabell Hall. “We should find ways to team up.” Sachs, a leading international economic adviser, outlined the need to merge resources to solve major global problems, such as poverty, at the 2009 Annual Spring Symposium, presented by the UVA McIntire School of Commerce on Friday, April 24. Following Sachs’ keynote address, a panel of four prominent UVA professors discussed what could be done locally to begin crafting a vision for global sustainability.

Jeffrey Sachs revealed the reality of global markets at the 2009 Annual Spring Symposium in Old Cabell Hall. It will take public responsibility and education to overcome major issues, such as poverty and sustainability, he said.

“Problems don’t come packaged anymore,” said Sachs. Vice Provost for International Programs Gowher Rizvi echoed the sentiment. Just when borders and frontiers are becoming irrelevant, he said, UVA must “produce global citizens,” who can move from one society to another with ease and comfort.

In his speech, Sachs, the director of the Earth Institute and Quetelet Professor of Sustainable Development at Columbia University, painted a gloomy picture. According to him, the world is currently witness to at least three crises that are unraveling simultaneously:  “All three crises, I believe, come from the fact that we need a robust and value-based approach” to resource challenges. As a market economist, he believes in capitalism, but “what I don’t believe in … is what’s called the free market economy, because there is no such thing as a market that’s free.”  For that reason, Sachs welcomed the idea of rebuilding and better organizing growth and economic development, for the challenges of this generation are “unparallel” to those of older and even future generations. At this time, the markets are inherently unstable and, more importantly, they do not “ensure a humane distribution of income,” he said. In the U.S., there are at least 50 million people who are uninsured, but the situation in the world is even more dramatic. Global markets work, said Sachs, but, “markets are absolutely capable of also leaving a billion people struggling for survival every day,” and there is nothing in theory or in practice that would guarantee the survival of these individuals. Ultimately, because the markets have been deregulated since the 1980s, and the shadow banking system has helped in the collapse of banks, Sachs stressed the need for more regulation. “I believe in the market economy, but one that is embedded in other institutions.”

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
News

New YMCA design has nothing to do with fields

In December 2007, on a 3-2 vote, City Council approved the ground lease for the Piedmont YMCA to construct its facility within McIntire Park. And that’s when the controversy began. The construction of the YMCA has been at the center of a heated debate over the possibility of losing the park’s softball fields.

“If you go to the public records and you check the City Council minutes and the ground lease agreement with the YMCA, you will discover that we never intended to be on the softball fields,” says Denny Blank, CEO of the Piedmont Family YMCA. “We got somehow tied up with that whole controversy.”

Blank and architect Todd Bullard went before the city’s Board of Architectural Review (BAR) last Tuesday night, to present the latest design for the facility.

“It’s all about transparency with us,” says Blank. “And because we are utilizing public space and parkland, we wanted to make sure that it is in accordance to what the city’s best wishes are.”

The new design currently features an aquatics center with two swimming pools —a competition pool and a more family-oriented, therapeutic pool—“with water slides and maybe some spray features,” says Bullard. The next major component in the 60,000-square-foot project, is a double gymnasium with two full-court basketball courts, a jogging track on the upper level, a fitness center with weight-training equipment, stationary bikes, multipurpose rooms and lockers. “The concept is for a two-story building,” says Bullard, but most of the square footage will be in the lower level, sunken into the hillside, thus giving the appearance of being a single story structure.

The schematics “look very promising,” said BAR Chairman Fred Wolf at the meeting. “I think it’s an exciting project … I personally feel like I would tend to support it,” he said. Bullard says he was pleased the BAR did not find major red flags with the design. “We didn’t hear anything that would cause us any alarm,” he says. “We are proceeding along.”
Most importantly, the current design does not encroach on the softball fields. “The YMCA is only going to disrupt the part of the park that has two seldom-used picnic shelters,” says Blank. “Actually, they will be dismantled and moved, so we are not even losing them. We are just moving them to another location in the park.”

The original cost of the facility was estimated at $15 million, as Kurt Krueger, chairman of the YMCA Board, told C-VILLE in November. Blank says the cost is now estimated between $11 million and $12 million. The initial cost, says Blank, was based on a much larger facility. “At the time, UVA was in negotiations with us to add a water component, which they no longer decided they need,” says Blank. “It has been inappropriately reported in the press the reason the Y is downsizing is because of the softball fields,” he says.

The Y will mostly be paid for by private donations, and just as Krueger told C-VILLE last year, the board has not yet raised all the money. “We are about $7.5 million from our goal, “ says Blank. “Quite frankly, this entire controversy over the softball fields put us in a situation where we actually had to step back and focus our attention on negating bad publicity.”

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
Living

Exhibits in town this week

Art Upstairs Gallery 112 W. Main St., Suite 3 (in York Place). Tuesday-Thursday and Saturday, noon-5pm; Friday, 1-9pm; Sunday, 1-4pm. 923-3900. www.artupstairsgallery.com. Through May 31: “Watercolor Retrospective: 1960s to Present,” by Peter Almonte.

Bozart Gallery 211 W. Main St., Wednesday-Thursday, 3-9pm; Friday-Saturday, noon-9pm; Sunday, 1-4pm. 296-3919. www.bozartgallery.com. Through May 31: Recent works by Julia Kindred.

The Bridge/Progressive Arts Initiative 209 Monticello Rd. Wednesday-Saturday, noon-3pm, or by appointment. 984-5669. www.thebridgepai.com. May 1-31: A collection of photography from fourth-year students at UVA, including Allison Harbin, Anna Kreyling, Ellie Frazier, David Schneider, Adam Barkley, Carter Ward, Alix Baycroft and Aunspaugh fellow James Scheuren.

C’ville Arts 118 E. Main St. Monday-Thursday, 10am-6pm; Friday, 10am-9pm; Saturday, 10am-8pm; Sunday, 12-6pm. 972-9500. www.charlottesvillearts.com. Through April 28: “Blooms: Images from the Garden and Objects for the Landscape,” by Ben Greenberg.

The Gallery at Fifth and Water 107 Fifth St. SE. Monday-Friday, 9am-5pm. 979-9825. May 1-27: “Naming the Architects,” a series of paintings by James Lightbourne.

Kluge-Ruhe Aboriginal Art Collection 400 Worrell Dr. Tuesday-Saturday, 10am-4pm; Sunday, 1-5pm. 244-0234. Through May 3: “Yuru-yururla: Women’s Painting from Yuendumu,” a collection of 23 works. Through August 9: “All Time Favorites,” a sampling of “best loved” works from the Kluge-Ruhe collection.

La Galeria 218 W. Main St. Call for hours. 293-7003. May 1-31: A collection of works across a variety of media from many of La Galeria’s finest artists.

McGuffey Art Center
201 Second St. NW. Tuesday-Saturday, 11am-6pm; Sunday, 1-5pm. 295-7973. www.mcguffeyartcenter.com. Through May 31: Multiple exhibits, including “Retrospective: Selected Works, 1961-2009,” by Sarah Smith; “Nature and Buildings,” a 20-year retrospective by Wilma Bradbeer; “Curious Combinations,” collages by Rhonda Roebuck; and “Forest Discoveries,” a science and arts project by the Boys and Girls Club.

PVCC 501 College Dr. Monday-Thursday, 9am-10pm; Friday, 9am-5pm; Saturday, 1-5pm. 961-5202. May 1-August 27: The annual student art exhibition.

Ruffin Gallery 179 Culbreth Rd. Monday-Friday, 9am-5pm. 924-6123. The gallery exhibits work by UVA faculty and students on an ongoing basis.

Second Street Gallery 115 Second St. SE. Tuesday-Saturday, 11am-6pm. 977-7284. www.secondstreetgallery.org. May 1-30: “Rhythm 1001,” a sound installation using a one-of-a-kind analog drum machine; “Mementos,” paintings by Yoko Iwanaga.

Other exhibits

Restaurants, retailers and public spaces that host regular art events

Angelo 220 E. Main St., on the Downtown Mall. Monday-Friday, 11am-6pm; Saturday, 11am-5pm. May 1-June 30: “Florida Hybrids,” photographs by Susan Crowder.

ART Life Studio The Glass Building, 313 Second St. SE. Call for hours. 996-8087. Through May 1: “Art & Soul,” a collection of works by eight female artists across a variety of media.

Blue Ridge Beads and Glass 1724 Allied St. Tuesday-Saturday, 10:30am-5:30pm. 293-2876. www.blueridgebeads-glass.com. Glass pieces, paintings and instruments by Jerry O’Dell.

BozArt 211 W. Main St. Wednesday-Thursday, 3-9pm; Friday-Saturday, noon-9pm; Sunday, 1-4pm. 296-3919. Through May 31: Works by Julia Kindred.

C’ville Coffee 1301 Harris St. Monday-Thursday, 7:30am-9pm; Friday, 7:30am-5pm; Saturday, 8:30am-5pm; Sunday, 9:30am-8pm. 817-2633. Through April 30: “Eight Years/Eight Days,” an extensive documentary photography project following a local elementary school class by Tod Cohen.

Café Cubano 112 W. Main St. Call for hours. 971-8743. Through April 29: Works by Lydia Abbot, Marie Arlet, Zoe Bae and Grace Bowser, seniors at St. Anne’s-Belfield.

Charlottesville Community Design Center 100 Fifth St. NE. 984-2232. www.cvilledesign.org. May 1-June 5: “Urban Places, Rural Spaces,” an installation from multiple local artists and photos by Robert Llewellyn.

Fellini’s #9 200 W. Market St. Call for hours. 979-4279. Through April 30: “Celebrating Jazz through Photography,” works by Marty Phillips.

The Garage N. First St., across from Lee Park. Hours by appointment. 295-6649. thegarage-cville.com. Through May 31: Prints by Matt Pamer.

Horse & Hound 625 W. Main St. Call for hours. 293-3365. Ongoing: “Virginia Hunt Country,” photographs on canvas by James Rowinski.

Jefferson Library
1329 Kenwood Farm Ln. Call for hours. 964-7540. May 3-November 12: “Lucy Meriwether Lewis Marks: A Biographical and Botanical Art Exhibit.”

Jefferson-Madison Regional Library Third floor, 201 E. Market St. 979-7151. Call for hours. Through April 30: “We Have to Dream While Awake: Courage and Change in El Salvador,” portraits by Peggy Harrison.

Mudhouse 213 W. Main St. Monday-Thursday, 6:30am-10pm; Friday-Saturday, 6:30am-11pm; Sunday, 7am-7pm. 984-6833. Through May 31: A collection of photographs documenting Middle Eastern life and culture by Nadjib Aktouf.

New Dominion Bookshop 404 E. Main St. Monday-Saturday, 9:30am-5:30pm; Sunday, noon-5pm. 295-2552. May 1-31: “The City in Which I Love You,” new paintings by Kendall Cox.

Sage Moon Gallery LLC at Siips 212 E. Main St. Monday-Wednesday, 11:30am-10pm; Thursday-Saturday, 11:30am-midnight; Sunday, 11am-9pm. 872-0056. May 1-31: Oil landscapes using gold and copper leaf by Gwyn Kohr.

Small Special Collections Library On the UVA Grounds. Monday-Thursday, 9am-9pm; Friday-Saturday, 9am-5pm. 924-3021. Through August 1: “From Out That Shadow: The Life and Legacy of Edgar Allan Poe.”

South Street Brewery 106 W. South St. Daily 4:30pm-close. 960-9352. Ongoing: A collection of paintings by Edward Thomas.

Speak! Language Center Rear entrance to The Glass Building, 313 Second St. SE. 245-8255. May 1-July 1: “Hadrian’s Coffee: Ancient Images of Contemporary Italy,” photographs by Richard Robinson.

Spring Street Boutique
107 W. Main St., on the Downtown Mall. Call for hours. 975-1200. May 1-June 30: Photographs from Virginia Fashion Week by Jack Looney and Liza Bishop.

Virginia Artists in Action 112 W. Main St. Wednesday, 3-6pm; Thursday-Saturday, 11am-6pm. 295-4080. May 1-31: “Metaphors,” a series of paintings by David Copson, and works by Susan Ema Vernon, Nancy Jane Dodge and David Golden.

Categories
News

Virginia politics must be over-stimulated

If you’re anything like us (and honestly, our condolences if you are), you probably spend way too much time following the vagaries and vicissitudes of Virginia’s preening political class. And if you’ve been watching closely over the past few weeks — while completely ignoring that insignificant little thing we call real life—you could be excused for thinking that our Commonwealth is absolutely awash in cash.

Kaine took his pro-stimulus message straight to the people…of Israel, Dubai and Morocco, courtesy of Virginia’s taxpayers.

For starters, just take a look at the eye-popping first quarter fundraising haul for the governor’s race, in which the four candidates raked in nearly eight million smackers, setting a pace that seems sure to make this the most expensive electoral free-for-all in Virginia’s history. And if you’re wondering where all of that sweet, sweet green is going, just head on over to YouTube and take a gander at the massive sign gauntlet (aka “Terry McAuliffe’s Sea of Hubris”) that greeted this year’s Shad Planking attendees.

But even more impressive than the ability to rake in massive amounts of loot (and spend it like Michael Jackson in a Baby Gap) is the devil-may-care insolence it takes to be handed a heaping pile of cashola on a silver platter, and then blithely hand it back because the platter isn’t shiny enough.

Yes, that’s exactly what the swells over at the General Assembly recently did, giving the old “thanks but no thanks” to $125 million in federal stimulus funds because, even though it would fund a nice chunk of current state unemployment benefits, it might just possibly maybe make it necessary to expand unemployment coverage in the future. Now, we’re certainly no experts, but with Virginia’s unemployment rate at 6.7 percent and rising, you’d think these guys would just take the money and concentrate on creating new jobs, thereby solving the problem, instead of assuming that we’re headed for a post-apocalyptic future where everyone is on the dole, and the only available work revolves around the shoe-shining and suit-pressing needs of our god-like legislators. But hey, that’s just us.

Now, there is one way in which Virginia’s pols resemble regular people when it comes to money: They just can’t stop talking about it. In fact, it seemed like the entirety of last week’s gubernatorial debate was dedicated to charges and counter-charges of shady fundraising (for those keeping score at home: Brian Moran took money from defense contractors with business in front of his brother, Creigh Deeds wanted to take money from defense firms but failed, Terry McAuliffe takes money from anything with a pulse, and Bob McDonnell takes money from a Virginia Beach law firm, but claims to be “sort of unemployed”).

Not to be outdone, Governor Tim Kaine (who’s sort of over-employed, if you ask us) has been berating the Assembly non-stop for turning down the Fed’s free dough, and recently promised to take his message to the people to force lawmakers to “do the right thing.”

So what’s the Gov’s first message-spreading stop? Why, an eight-day trip to Israel, Dubai and the Kingdom of Morocco, of course, at an estimated cost to taxpayers of $32,000.

Like we said: as long as you ignore everything outside of politics, we’ve got the best economy in the world!

Categories
Living

Andy Gems shares his vision for the former Gravity Lounge space

For the last few years, I’ve known local soundman Andy Gems as something of an unavoidable techie, a man who feels as fondly for his sound equipment as he does for the bands that push its limits. He’s been omnipresent at many of the gigs I’ve enjoyed most in town—prowling the floors of the now-defunct Satellite Ballroom and Gravity Lounge spaces in his customary black cap, checking cables and microphone placement, then resuming his space behind the mixing board as the lights dim. When I asked him for his most memorable shows during his tenure at Gravity Lounge, he answers as a fan (My Brightest Diamond’s gig for 15 or so people) and a sculptor of sound (folk musician Ben Taylor needed a very precise mix; Gems delivered). He’s detail attentive, if not obsessed.

Andy Gems and Lauren McRaven refashion the old Gravity Lounge space from the ground up, with hopes to open the venue for music and food as early as this summer.

When Gems stopped working at Gravity Lounge in late February, then—after a brief tenure as the room’s soundman—I should’ve guessed that change was afoot. Now, two months later, Gems is back in the space, ready to resurrect Gravity Lounge under a new name, with what he hopes will be a more precise mix.

“You ever see that brick? I love that brick!” he exclaimed as he led me between stacks of boxes, a few housing collector’s objects left by former manager Bill Baldwin. “Nobody saw that brick in five years. It’s really a killer space.”

A bit more brick inside Gravity is the least of Gems’ plans for the room. The borderline-bloated Gravity Lounge calendar will be a bit more trim, according to Gems: “The days of throwing 40 events per month on the calendar are over.

“The double-headers I like a lot…I love that the space is flexible enough to accommodate a seated, listening room show, then turn right around and accommodate a loud, rowdy rock show,” he added. “But I definitely don’t like the nonstop cavalcade of events. I think it weakens the better shows; it doesn’t allow them to float up to the top, you know? Too much clutter.”

In addition to his usual touches on the room’s sound (“Gotta have a new PA. Big PA. Too much PA.”), Gems will also coordinate booking for the room, a new skill for him, but not an unfamiliar one.

“Even at the [Satellite] Ballroom, Danny [Shea, manager] and I kinda co-produced events. I dealt with all the technical details of the advancing and he really dealt with the hospitality and logistics…both of us always acted as cultural attaché, because one of us was always meeting the bands there.” Gems added that he’ll also look for help from third-party booking and promotion companies, which may bring a few more shows like those Shea booked at Gravity through Starr Hill Presents.

I’ve used “Gravity” a few times, but the name is out the door, too. And while Gems and his business partner, Lauren McRaven (founder of The Flat and the woman behind the space’s new café) haven’t settled on a name yet, the pair has a few ideas about how to use the room to their respective strengths. Gems says that the café and performance spaces will be divided, but with doors that allow access between the two and will stay open for concerts that require a larger capacity.

Many of the Gravity shows that attracted larger crowds were legacy acts like Paul Curreri and Devon Sproule, Carleigh Nesbit and Carl Anderson, Jeff Romano and Andy Waldeck—musicians as familiar to local listeners as the space itself, and so forever linked in the minds of audiences. But Gems—who successfully relocated another regular, Danny Schmidt, to Live Arts when landlord Ludwig Kuttner ousted the previous manager—explained that a change in venue doesn’t mean a change in acts.

“I think it’s really important to convey that the types of shows—those aren’t changing,” he said before I left. “Can you imagine Paul and Devon with a big PA?” With any luck, we won’t have to imagine it.

Wilco return! Sort of!

Thanks to the work of UVA’s OFFScreen independent film society and a few other industrious locals, filmmaker and Fugazi drummer Brendan Canty will screen his latest concert film, Ashes of American Flags, at UVA’s Newcomb Hall Theater on Friday, May 1 at 7pm. The film follows rock act/Charlottesville-philes Wilco on a string of small club shows. Tickets are $5, and will be available at the door.

While Canty will be on-hand to discuss the film after the screening, he also took time to speak with Feedback in advance of the screening. Read the interview on the Feedback blog.

Categories
Living

Andy Reagan connects the Marines to fine red wine

On a grey day in February, when the weather is still cold, I think I see the future of Virginia Wine. Cigarette hanging from his mouth, he’s cooking me lunch, flipping steaks on the grill with his bare hands. Andy Reagan, the 32-year-old winemaker at Jefferson Vineyards, will later pour me his 2007 and 2008 reds, a set of wines that could very well make him a household name. We eat in the old farmhouse at the winery that doubles as an office, drinking his 2008 Pinot Grigio while Crocket the dog complains at our feet. “My goal is to make the best wine in the world,” Reagan says, and even though he often laces his conversation with sarcasm, I get the sense that he isn’t joking in the slightest.

 

Being the promise of your generation is a heavy load, but Jefferson Vineyards’ winemaker Andy Reagan has already had on-the-job training—as a fork-lift operator.

Reagan was born and raised in Norfolk where his dad was in the Navy. In high school he worked summers in upstate New York with his sister, then winemaker at Benmarle Vineyards, where he drank 25-year-old Rieslings and developed his nascent palate. College was not his thing, so after high school he joined the Marine Corps Reserves. When his hitch was up, his sister asked him to be her assistant winemaker, which he did for a while, but he wasn’t “sold on being in the wine industry.” So he left and floated for a while, taking a few classes and working at a furniture store. It wasn’t long before he was going out of his mind. Luckily his sister wasn’t through with him. She decided to return to school and asked Reagan, at 22, to take over head winemaking duties at Benmarle. He said yes.
 
“I was kind of coming out as one of the best winemakers in the world,” Reagan says, describing the arc of his career. He pauses to chew his food thoughtfully and then continues. “I’ve always tried to be very modest, but it gets harder as, like, the gold medals stack up.” Understand that Reagan is joking, something he does all the time, but also understand that he does so with little trace of self-doubt.

Although he’s never worked outside of the East Coast, Reagan’s experience is pretty broad. He’s made wine in New York, Virginia, North Carolina and Florida. He’s worked at America’s oldest winery (Benmarle) and one of Virginia’s biggest (Williamsburg). He’s made wine out of all kinds of grapes, from Riesling to Muscadine. “Not only can I theorize and put things together mentally,” Reagan says modestly, “but I can work a cellar like nobody else can. I mean I’m a United States Marine Corps-certified fork-lift operator!”

After a stint at Middleburg’s Chrysalis Vineyards (the 2004 Viognier he made there is still one of the best I’ve had), Andy wound up at Jefferson Vineyards in 2005. He’s stopped wandering. He’s sold on the wine industry. His 2007 reds are awesome—the Merlot, the Petit Verdot, the Estate Reserve, all poised to put Virginia reds on the map.

Reagan lays down his winemaking philosophy as we eat. “I’ve always thought, you know, the more flavors you have, if they work together, the more complex the experience your palate’s going to go through,” he says. “Even when I was in boot camp it was like you only have three minutes to eat your food, so you mix everything together … It’s actually the United States Marine Corps that taught me how to blend.” He points down at the lunch we’re eating. “I put basil in the salad. I’ve never done that before.”

Categories
News

When it comes to power in Charlottesville, who's at the top?

JUMP TO RESULTS:

FOOD

DEVELOPMENT

UVA

GOVERNMENT

ARTS

pow·er Pronunciation: pau’(    )r   Function: noun   1 a  (1): ability to act or produce an effect  (2): ability to get extra-base hits

Merriam-Webster’s first definition of “power,” as above, certainly lined up with the standards of C-VILLE writers when we set out to create our first Power Yearbook. Looking at who has the ability to make things happen, we considered five areas of local life: Food & Wine, Development, Government, UVA and the Arts. Then we considered the sources of power. Is it money? Yes, but not only money. Network counts for a lot and office was a consideration, too. The guy who sits in the big chair at the biggest employer in town has power whether he’s a newcomer or a veteran in the position. Expertise? Check. We considered reputation as a factor, too. That could be a positive or negative influence, depending. You can get what you want either by dint of a sweet nature, or, just as likely, because you’re reputed to have a short fuse.

But as to the dictionary’s second meaning of “power”—that one we just didn’t consider. When it comes to Charlottesville’s leaders, we know our game, for sure, but when it comes to Albert Pujoles or Ryan Howard, we admit, we’re a bit out of our league.

—By J. Tobias Beard, Chiara Canzi, Brendan Fitzgerald, Will Goldsmith, Erika Howsare, Katherine Ludwig and Caite White

 

Categories
News

Bump in the night

Ace: I have been hearing an incredibly loud piercing sound the last several days near Tiger Fuel, across from C’Ville Market on Carlton Road. My friend and I traced the sound as far as the RR tracks and the recycling center. I was wondering if you know anything about this odd sound. It is elusive and mostly heard at night.—Mildred Pearce

Millie: Ace certainly knows something about elusive sounds mostly heard at night, but he was unaware of this one. And as much as he wanted to heed the siren’s call, investigating the sound would require working after the hour of 5pm. If Ace makes one exception for a reader, soon he’s not pouring his first drink until 5:15, then 5:20, and so on. Where will the working day stop? Ace has to draw the line somewhere, and he draws it firmly at 5pm. Or 3pm on Fridays.

But Ace couldn’t help but be intrigued by the question of the mysterious noise. So he did what any off-duty reporter would do—he sat around and waited for the reader to pursue the question herself. A week later, Ace received a follow-up from Millie in his mailbox: “I found the high piercing sound to be coming from Lexis Nexis’ compression silo. There are 30 or so belts in it to grind up books, and they are going bad. They, or so says a man from the recycling place 50 yards or so away from the compressor, will not change them until they blow. Since it is getting louder and louder, I plan to get in touch with the company before they blow. Maybe Ace can now go there and hear it.”

Now the ball was really rolling! Answers! Book grinding! Corporate intrigue! Ace does not like to jinx solid investigative work, so he held tight for more correspondence. A few days ago, this message arrived: “I took a friend behind the Carlton Avenue print manufacturing. The compressor is between Worksource Enterprises and Lexis Nexis/Cadmus Communications. Ace will have to sneak around the back near the RR. We went tonight and I’ll be glad to get pictures and sound if he can’t. It’s unbelievably loud.” Yes, please get sound and pictures. Ace will be here tending his scotch.

You can ask Ace yourself. Intrepid investigative reporter Ace Atkins has been chasing readers’ leads for 20 years. If you have a question for Ace, e-mail it to ace@c-ville.com.