Keeping the green in the governor’s race

Well, Creigh Deeds it is. After some deliberating, I ended up voting for Brian Moran, reasoning that although his environmental record is far from perfect, he at least was taking an obvious stand on eco-matters to which voters could attempt to hold him later, if he won. But he didn’t, and regardless of dismal (though better than expected) turnout in yesterday’s Democratic primary, the Virginia governor’s race will be watched around the country. So the way Deeds and Republican Bob McDonnell talk about environmental issues over the next few months could have ramifications for future races elsewhere.

Good Deeds?

I won’t pretend to understand the various pressures and maneuverings that will shape this race statewide; a mustachioed professor of politics I’m not. All I know are the issues I care about and the kind of governor I’d like to have. Deeds has been at best lukewarm in his environmental stands, making statements designed to please everyone ("I believe we must promote conservation as well as be on the cutting edge of technology development to address climate change").

Well, let’s at least hold him to what he’s said. He should promote conservation, during the campaign and in office, actively and strongly, beyond just throwing out the word. He should withhold support for offshore drilling if it has negative environmental consequences. He should work to clean up the Chesapeake.

And we should all continue to make known that we think mountaintop removal mining is insane, that the PATH power line is a bad move, and that "carbon sequestration" is not even half an answer to the problem of pollution from coal-burning power plants.

While we’re at it, let’s do some talking about issues that haven’t been put forward very much so far: sprawl, biodiversity, industrial agriculture and the evils of individual juice boxes.

What do you want to hear Deeds talk about in this campaign?

Creigh Deeds wins overwhelmingly in both Albemarle and Charlottesville

It’s official. Senator Creigh Deeds has won the Democratic nomination for Governor of the Commonwealth.

According to the Virginia State Board of Elections, Deeds won in both the City of Charlottesville and Albemarle County with a large margin.

Voting as follows:

Albemarle County: – voter turnout just shy of 10 percent
Creigh Deeds—5,224 votes, 79 percent
Terry McAuliffe—734 votes, 11 percent
Brian Moran—645 votes, 9.7 percent

City of Charlottesville: – voter turnout at 11 percent
Creigh Deeds—2,333 votes, 76 percent
Brian Moran—425 votes, 14 percent
Terry McAuliffe—296 votes, 9.6 percent

In the Lieutenant Governor race, Judy Wagner won the nomination with 74 percent of the votes. Michael Signer received 21 percent of the votes.
 

Big Whiskey tops Billboard; Dave Matthews GPS yet to sell [VIDEO]

424,000 fans can’t be wrong. Or, they can be, but who wants to have a fanboy Wrestlemania with nearly half a million Dave Matthews Band fans?

Sources report that DMB’s latest album, Big Whiskey and the GrooGrux King—which features that song with the inappropriate title—currently tops the Billboard 200 chart and sold more than 424,000 copies during its first week on the market. So, Matthews didn’t move a milli right off the bat, but he also didn’t fuel sales and hype with any bogus beef or Dr. Pepper ads.

Although, I wonder if a bit of product promotion helped push the numbers…

Nonetheless, fine work from our boys. Let’s hear your thoughts on Big Whiskey below.

JustChildren Director Andy Block receives Bar award

Andy Block, legal director of JustChildren, a program of the Legal Aid Justice Society, is the first recipient of the Virginia Bar Association’s Robert E. Sheperd Jr. Award.

Block started JustChildren in 1998 and the center is now the largest children’s law program in Virginia.

According to a press release, Sheperd, who died last December, helped him secure the Soros Justice Fellowship with which JustChildren was created.

Read C-VILLE’s 2007 profile of Block here.
 

Andy Block received the Robert E. Sheperd Jr. Award for this work at JustChildren.

Categories
News

Virginia Quarterly Review; Spring 2009

There’s no question that the title of the latest Virginia Quarterly Review, “The End of Ice,” is meant to be taken literally. In travelogues that chronicle experiences as divergent as ice hunters blasting away at errant icebergs in Newfoundland’s White Bay to adolescents following the chaddar, or frozen river-highway, out of a village in the Indian Himalayas to a Western education, the latest issue attempts to draw in full dramatic relief the human face of what most scientists now agree will be the most significant, catastrophic effect of global warming: the wholesale extinction of glacial ice.

 

The starting point is a report by a team of geophysicists at the University of Toronto warning that the effects of even a partial collapse of the West Antarctic Ice Sheet would be truly colossal; I feel compelled to repeat what is stated well enough in Ted Genoways’ “Editor’s Desk”—that the least effects of this might be a sudden shift of weight, knocking the planet half a kilometer off its axis and redistributing the seawater to the Northern Hemisphere. Some of you might appreciate the poetic justice in America paying the heaviest price for its failure to act, with nearly half of our 40 most populous cities underwater, but I don’t. The trouble is that the truth is almost too overwhelming to be believed, much less acted on, and so the point of this issue is to fill in the gaps in our disbelief with local, human drama, in bite-sized pieces, of what’s happening to glacial environments out there. The results are more than just terrifying: They are remarkably poignant, entertaining and even uplifting.

I won’t try to recreate what stood out for me as an extraordinarily powerful issue, but I should reiterate some of the issue’s fun facts for those of you who might not yet be true believers in the face of overwhelming scientific, anecdotal and statistical evidence. So here goes: First, the part of the earth that contains the only unclaimed portion of territory is also the most threatened by global warming—West Antarctica, a massive glacier that may also contain the planet’s last “supergiant” oil field. Second, the rate of retreat for Peru’s Quelccaya, the world’s largest tropical glacier, has increased tenfold in the last 30 years, with potentially catastrophic consequences for the continent’s fresh water supply and rainfall. Third, from 1990 to 2005, world energy consumption increased by 30 percent. Fourth, the carbon dioxide that emanates from the tailpipe of the cars we drive will last for at least 300 years once it’s been emitted, and at least a quarter of it will last forever. I could go on, but then you might be too terrified and depressed to complete the issue.

Outside of the climate-concerned “VQR Portfolio” section, one can find more amazing stuff: An essay about the Oakes twins, visual artists who are rethinking perspective itself; a large chunk of Rita Dove’s new book, Sonata Mulattica; a particularly creepy profile of an Macedonian serial killer; and a genuinely great poem by Jim Harrison, entitled “The Golden Eye,” in which the poet’s mother asks a startling question: “Are we the same species as God?” Reading the essays in “The End of Ice,” I have to think that I know the answer to that question, but I will let you pick up the latest issue and find your own answer.

Categories
Living

Gallery Listings

Galleries

Art Upstairs Gallery 112 W. Main St., Suite 3 (in York Place). Tuesday-Thursday and Saturday, noon-5pm; Friday, 1-9pm; Sunday, 1-4pm. 923-3900. www.artupstairsgallery.com. Through June 28: “Bricks: Images of C-ville,” by Bill Finn.

BozArt 211 W. Main St., Wednesday-Thursday, 3-9pm; Friday-Saturday, noon-9pm; Sunday, 1-4pm. 296-3919. www.bozartgallery.com. Through June 30: Recent works by Barbara Wachter.

The Bridge/Progressive Arts Initiative 209 Monticello Rd. Wednesday-Saturday, noon-3pm, or by appointment. 984-5669. www.thebridgepai.com. Through June 27: “El Barrio (The Neighborhood): The iConnect Southwood Youth Photography Project,” a collection of photography by students of the iConnect Photography Workshop depicting images of where they live.

The Gallery at Fifth and Water 107 Fifth St. SE. Monday-Friday, 9am-5pm. 979-9825. Through June 30: “Looking Back: Retrospectives of Dance and Illusion,”  a collection of works by Bonny Bronson.

Kluge-Ruhe Aboriginal Art Collection 400 Worrell Dr. Tuesday-Saturday, 10am-4pm; Sunday, 1-5pm. 244-0234. Through August 9: “All Time Favorites,” a sampling of “best loved” works from the Kluge-Ruhe collection; “Timeless: Bark Paintings from Arnhem Land,” works on eucalyptus bark from the major art-producing communities throughout northern Australia.

La Galeria 218 W. Main St. Call for hours. 293-7003. Through June 30: “American Travels,” a collection of landscape photos throughout the United States by Mary Porter.

Les Yeux du Monde 401 East Market St. 11am-5pm and by appointment. 973-5566. June 11-13: “The Immense & Brooding Spirit,” featuring photographs by Michael Bowles.

LOOK3 Festival of the Photograph Offers multiple exhibits at venues around town, from James Nachtwey’s “Struggle to Live” exhibit at 101 E. Main St., to the trees along the Downtown Mall. For full listings, visit look3.org. For C-VILLE’s highlights, see feature, page 16.

McGuffey Art Center 201 Second St. NW. Tuesday-Saturday, 11am-6pm; Sunday, 1-5pm. 295-7973. www.mcguffeyartcenter.com. Through June 28: Multiple exhibits, including “Waiting” by Sylvia Plachy; “Bishop Glacier,” by Tipper Gore; “Vanishing Gems,” by Joel Sartore; and “American Youth” by Redux Pictures.

Michie Building at Seventh Street On Seventh St. side of Old Michie Building. For details, call 977-3687 or visit look3.org. Through June 28: “Natures Mortes,” by Gilles Peress.

PVCC 501 College Dr. Monday-Thursday, 9am-10pm; Friday, 9am-5pm; Saturday, 1-5pm. 961-5202. Through August 27: The annual student art exhibition.

Second Street Gallery 115 Second St. SE. Tuesday-Saturday, 11am-6pm. 977-7284. www.secondstreetgallery.org. Through July 18: “Luxury,” a collection of photography capturing occasions of flamboyant leisure by Martin Parr.

Try & Make
608 Preston Ave. Tuesday-Thursday and Saturday, noon-6pm; Friday, 1-8pm; Sunday, 1-5pm. tryandmake.org. Offers a variety of readings, events and exhibits.

Other exhibits

Restaurants, retailers and public spaces that host regular art events

Angelo 220 E. Main St., on the Downtown Mall. Monday-Friday, 11am-6pm; Saturday, 11am-5pm. 971-9256. Through June 30: “Florida Hybrids,” photographs by Susan Crowder.

Blue Ridge Beads and Glass 1724 Allied St. Tuesday-Saturday, 10:30am-5:30pm. 293-2876. www.blueridgebeads-glass.com. Glass pieces, paintings and instruments by Jerry O’Dell.

The Box
109 Second St. SE. Call for hours. 970-2699. Through June 30: Photography by Jason Lappa.

BozArt 211 W. Main St. Wednesday-Thursday, 3-9pm; Friday-Saturday, noon-9pm; Sunday, 1-4pm. 296-3919. Through June 30: Works by Barbara Wachter.

C&O Gallery 511 E. Water St. Monday-Friday, 9am-5pm. 971-7044. Through July 31: “Bolungarvík: An Icelandic Village’s Story through Sustainable Fishing,” photographs by Jon Golden.

C’ville Coffee 1301 Harris St. Monday-Thursday, 7:30am-9pm; Friday, 7:30am-5pm; Saturday, 8:30am-5pm; Sunday, 9:30am-8pm. 817-2633. Through June 30: “The Rivanna River and Its Watershed: Landscape Photographs by Ben Greenberg.”

Café Cubano
112 W. Main St. Call for hours. 971-8743. Through June 30: “Disposable Rivanna,” photographs by Billy Hunt.

Fellini’s #9 200 W. Market St. Call for hours. 979-4279. Through June 30: Recent photographs by Jeff James.

The Garage N. First St., across from Lee Park. Hours by appointment. thegaragecville.com. Through June 30: Works by Jesse Wells and Kristin Smith.

Horse & Hound 625 W. Main St. Call for hours. 293-3365. Ongoing: “Virginia Hunt Country,” photographs on canvas by James Rowinski.

Hot Cakes Barracks Road Shopping Center
1137 Emmet St. N # A. Monday-Saturday, 9am-8pm; Sunday, 10am-6pm. 295-6037. Through July 15: “Up, Over and Around the Bend, Local Landscape Paintings,” works by Meg West.

Jefferson Library 1329 Kenwood Farm Ln. Call for hours. 964-7540. Through November 12: “Lucy Meriwether Lewis Marks: A Biographical and Botanical Art Exhibit.”

King Family Vineyards 6550 Rosebud Farm, Crozet, 22932. Monday-Friday, 9am-5pm; Saturday and Sunday, 11am-5pm. 823-7800. Through July 31: “Dreams and Memories,” oil paintings by Lindsay Michie Eades.

Milano 100 W. South St. Call for hours. 220-4302. Through June 12: Traditional ink and color Chinese paintings by Zhong Wang and his students.

Mudhouse 213 W. Main St. Monday-Thursday, 6:30am-10pm; Friday-Saturday, 6:30am-11pm; Sunday, 7am-7pm. 984-6833. Through July 6: “Arabian Streets: Photographs of the Middle East,” by Jay Kuhlmann.

Newcomb Hall Art Gallery
On the UVA Grounds. Call for hours. 249-2354. June 11-September 3: “Water & Health/Photovoice,” a cooperative photography project between the University of Virginia and the University of Venda in Limpopo, South Africa.

Paintings & Prose
406 E. Main St. Call for hours. 220-3490. Through July 31: “Assemblages,” curated by Dorothy Palanza.

The Paramount Theater
215 E. Main St. Open during events. 979-1333. Through June 30: “Substance,” paintings by Micah Cash.

Quick Gym 216 E. Water St. Call for hours. 220-3143. Through June 30: “Symbolic Series,” pen and ink works by Nola Tamblyn.

Small Special Collections Library On the UVA Grounds. Monday-Thursday, 9am-9pm; Friday-Saturday, 9am-5pm. 924-3021. Through August 1: “From Out That Shadow: The Life and Legacy of Edgar Allan Poe.”

South Street Brewery
106 W. South St. Daily 4:30pm-close. 960-9352. Through June 30: A collection of oil paintings by Katherine Marshall.

Speak! Language Center Rear entrance to The Glass Building, 313 Second St. SE. 245-8255. Through July 1: “Hadrian’s Coffee: Ancient Images of Contemporary Italy,” photographs by Richard Robinson.

Spring Street Boutique 107 W. Main St., on the Downtown Mall. Call for hours. 975-1200. Through June 30: Photographs from Virginia Fashion Week by Jack Looney and Liza Bishop.

Virginia Artists in Action
112 W. Main St. Wednesday, 3-6pm; Thursday-Saturday, 11am-6pm. 295-4080. Through June 30: “A New Breed of Photography,” a collection of images from multiple local artists.

Westminster Canterbury Gallery Walk
250 Pantops Mt. Rd. Call for hours. 972-2458. Through June 30: Photographs by naturalist Lois Gebhardt.

 

Categories
News

UVA to strengthen online and distance learning

In his State of the University Address in February, UVA President John Casteen proclaimed the University would respond to the sagging economy and its falling endowment by innovating and re-inventing itself. One change that he hoped would rake in more money was expanding online and distance learning.

 

“Imagine what we can do in places where we have never been, but where our name is known. It’s time to be able to exploit that kind of fame and notoriety in order to build new ventures that will produce revenues that sustain the University.” He added that the expansion would not be easy, yet “demand for the service is huge; it’s everywhere. But our success as a national system of education in meeting that is very, very limited.” Where might UVA might go with online and distance learning? It helps to know where the University already is.

Older adults vastly outnumber college-aged ones, creating a huge market for educational institutions. UVA currently reaches about 15,000 adults annually with online and distance learning through the School of Continuing and Professional Studies. Online learning means exactly that: Students take courses from faculty over the Internet and earn certificates in programs such as e-marketing, human resources, information technology or procurement and contracts.

Billy Cannaday, Jr., Dean of Continuing and Professional Studies, says the school wants to expand online opportunities “for adult learners who can’t come to Grounds or regional centers but still want an education.”
 
Such expansion requires helping adults who are not “digital natives” become comfortable learning online. A 22-question survey titled “Are You Ready to Learn Online?” notifies people they will often have to learn by reading and be prepared to work alone. And if they are in-state, they’ll pay between $280 and $300 per credit hour, comparable to community college rates.

Distance learning, meanwhile, has students in evening and weekend classes at UVA’s Zehmer Hall or one of six satellite classrooms in Richmond and Roanoke, among others. UVA has belonged for 20 years to a consortium of universities that offers engineering master’s degrees at a distance and it also offers distance programs for teacher accreditation, nursing and other professional licenses. Finally, for the past 10 years, it has offered its own Bachelor of Interdisciplinary Studies (BIS).

The BIS program has graduated about 200 students over its entire existence and is expanding. Cannaday says the school had around 50 graduates this year, and “We are now partnering with community colleges in Northern Virginia and Hampton Roads to offer four-year Bachelor of Interdisciplinary Studies degrees, which is another opportunity to make the University of Virginia accessible for students who can’t get here in traditional ways, whether because of economics or life experiences.” Cannaday adds faculty have commented that, academically, BIS students compare favorably with traditional undergraduates and can contribute more personal experiences to discussion.

Beyond the School of Continuing and Professional Studies, UVA has joined the New College Institute, founded in 2006 as a solely online and distance learning facility in Martinsville. UVA and other schools such as Virginia Commonwealth University and Old Dominion University send faculty to the school to teach classes, while the certificates and degrees come from the participating universities themselves.

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
News

Richard Spurzem lawsuit spurs 'em

Last October, developer Richard Spurzem of Neighborhood Properties decided that going through Albemarle County’s approval process for preliminary site plans was no longer an attractive plan. Having had his plans for 187 townhouse units (part of the North Pointe megadevelopment on 29N) rejected twice by county planners, and facing the prospect of a third review, he sued the county instead. The strategy seems to have paid off: On April 24, the county approved Spurzem’s preliminary plan, meaning the case will not go before a judge.

The most recent version of Neighborhood Properties’ preliminary site plan for its North Pointe development, the one that finally won  approval from county  planners, is one unit smaller than the 187 originally proposed.

At issue, says Spurzem, was a conservation area that county planners said had changed since the rezoning for North Pointe was approved by the Board of Supervisors in 2006. In a January meeting with planners, Spurzem says, “We showed them graphically that the line was in precisely the same place as it was on the rezoning.” The parties also hashed out details of building placement and orientation, which resulted in the number of proposed units on the 40-acre property dropping to 186 from 187.

Spurzem, who successfully sued the county in 2005 over the preliminary site plan for another of his projects, maintains that filing suit over North Pointe was necessary. “I think that’s the only way to force them to do what they ought to be doing just as a matter of course,” he says—i.e., moving plans forward in a timely manner. County Attorney Larry Davis has a different view, though, saying that meetings like the one Spurzem and the county had in January are a normal part of the approval process and usually satisfy both developers and planners without the need for lawsuits. “A lawsuit is something that doesn’t benefit a developer or the county except in extreme circumstances, I would think,” says Davis. Still, he calls the situation “a success story.”

Next up for Spurzem: seeking approval of a final site plan. “I’m sure that we’ll get a lot of grief on that too,” he says. “That’s probably a one-year process just to get that approved. If it were someplace else, [like] in Waynesboro, it would probably be approved in a month.” His preliminary plan was approved subject to a number of conditions, including provisions for sidewalks and stormwater management, but Davis describes those as “very typical” for a project of this kind.

The North Pointe megadevelopment, championed by developer Chuck Rotgin, is physically positioned to capitalize on the hundreds of new jobs that Albemarle County expects the National Ground Intelligence Center to bring when it occupies new facilities two miles up the road. Though the Charlottesville Area Association of Realtors reported in September that fewer NGIC homebuyers would arrive in Albemarle than had been expected (300-400 rather than 800-900), CAAR is looking forward to a number of NGIC renters.

Spurzem’s townhouses would seem to be primed for these folks, if they’re built in time. “This property is ideally located for NGIC and also for the [UVA] research park which is directly across the street.” A stalled housing market doesn’t trouble him either. “That’s what we’re counting on, is that by the time that it actually gets approved that the economy will be better,” he says. “But even if the economy isn’t any better, it’s still one of the best located pieces of property.”

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
News

County School Board to vote on making sole Latino liaison position full-time

Up until last month, Gloria Rockhold had reason to think she would be one of those county employees whose positions were terminated due to budget cuts.

“[Gloria’s] position was what’s called a centralized position,” School Board member Diantha McKeel said in early March. “Between last year and this year, we have actually eliminated 22 centralized positions.” The School Board had to come up with $2 million to lessen the funding request for the next fiscal year, in addition to having already cut $3 million, said McKeel. And among those cut would be Rockhold, the county’s sole Coordinator of the Latino Center and Community Relations. She was slated to lose her job on June 30, but at the eleventh hour, the county changed its mind. 

 

Gloria Rockhold, who was raised in Paraguay, created the Southwood Study Club. On average, between 10 and 15 students attend the club, whose purpose is to provide tutoring core classes. 

“You can’t nickel and dime those kinds of dollars,” said McKeel. “Albemarle County has had a really strong commitment to reach out to our Hispanic community. We really have.”

Rockhold is currently charged with engaging the Latino population. She assists with the integration of Latino families into the community and has helped create programs for students at risk of dropping out of high school.
 
Rockhold is also a presence in the Hispanic community in many other ways. Tim Freilich, legal director for Legal Aid’s Immigrant Advocacy Program, who has worked with Rockhold, commented that at a time when the area’s immigrant population is increasing, the county should not be cutting resources. “I think it’s very important that the liaison position be maintained,” he says. “This is an area that does not dedicate a significant amount of resources to ensuring the smooth assimilation of our immigrant communities into the larger Charlottesville-Albemarle community, and we definitely need to maintain and increase the supports that we are offering to the families that have come into this area.”

According to the 2006 Census, the Latino population in Albemarle County has reached 3.7 percent, or 3,405.

As of last week, the county seemed to have seen the light. The School Board has reinstated Rockhold’s position and it is considering making it full-time.

“The School Board identified that position as requiring some special skills and knowledge of the Hispanic, Latino community,” said School Board member-at-large Brian Wheeler last week. “And it was something we had felt strongly about in the past, enough to at least invest a half-time position. There are some concerns that it was not going to be easily absorbed by another employee in their work.”

Wheeler says at a board meeting in April, the matter was set aside because “there was not consensus by the board at that time to do anything more than half a position. Just restore that,” he says. Since then, “I think some board members have thought more deeply about that work,” says Wheeler.

Rockhold has big dreams and an even bigger personality. “I love Gloria,” says a 7-year-old student at Cale Elementary who attends “Southwood Study Group,” a program that provides tutoring in core classes and test-taking skills. The program, created by Rockhold among others, is also intended to help students at risk for academic failure, specifically students from low-income families and from Hispanic and Latino families who are not familiar with the English language.

“I come every week to study with her,” says the student, whose parents are from Mexico. She is one of many children who live in Southwood Mobile Park who spend afternoons in the conference room of the Habitat for Humanity.

 “Jose, que estas haciendo?” Rockhold asks an active middle schooler. “Focus!” Rockhold is strict just as she is friendly. “Stop jumping around and do your homework!” she tells Jose. On average, between 10 and 15 students attend the program consistently.

A shy boy carrying a notebook comes silently in the room. “What’s your name?” asks Rockhold. “Do you need help with your homework?” Jose Alberto nods and sits next to her.

 “All those who come to tutor the kids are volunteers,” says Rockhold. “We are like a little family.” UVA students, teachers in the county school system and community members want to “lend a hand.” The Club, as Rockhold calls it, is so much more than just tutoring. “I went back to thinking how I grew up,” says Rockhold, who was raised in Paraguay. “My friends and I would get together and study. We would study for exams, we would study for papers. Part of our social network was studying, and what I am trying to accomplish in this neighborhood is for [the kids] to come and realize how much fun it is to study. It’s like this huge exchange of information and brain activity.”

Most of Rockhold’s efforts are geared toward lowering the Hispanic dropout rate in county schools. According to the Virginia Board of Education, the Latino dropout rate at Monticello High School is 20 percent. At Albemarle High School it’s 30 percent.

“The Hispanic rate looks much higher because there are only 34 Hispanic students in this group,” writes Maury Brown, communications coordinator for county schools, in an e-mail. “Because there are so few students, each student who drops out counts for about 3 percent of the total.” According to Brown, about 76 percent of those students graduated on time, and seven students, or 20.6 percent dropped out.

“Our Hispanic dropout rate is very similar to the state’s dropout rate for Hispanic students (state is almost 20 percent while we are at 20.6 percent),” said Brown. “But our on-time graduation rate for our Hispanic students is much better than the state average (ours is 76.5 percent vs. their 71.5 percent).”

The high Hispanic dropout rate is a statewide problem, said Brown, comparing the Hispanic dropout rate is 24.3 percent in Alexandria, Fairfax 22.1 percent, and Fredericksburg 30 percent. Albemarle County has many programs that are geared toward helping those who are at risk of dropping out.

“Unless they are motivated and they come from a culture that values education in such a huge way, I really don’t see how they are going to graduate,” says Rockhold.

The School Board will meet on June 11 to decide whether the position will be made full-time. In the meantime, Rockhold is looking for jobs elsewhere. “I love it here, but if I can’t find anything full-time, I may have to go,” she says.

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
News

Planning your Festival of the Photograph itinerary? Allow us to focus your lenses

There are obvious shortcomings to describing a visual medium in words. Hence this preview of 2009 LOOK3: Charlottesville Festival of the Photograph can only be a snapshot, and a poor one at that. It’s more like a Polaroid (RIP, Polaroid) photo that you’ll have to flap around between June 11 and June 13 before you see the whole image develop. Until then, here are some Festival highlights to whet your artistic appetite and add fuel to your flapping.

READ MORE

Click here for an exclusive interview with photographer Sylvia Plachy!

First, some quick résumés for the three festival headliners: Martin Parr, Gilles Peress and Sylvia Plachy. They were all selected by Executive Directors Nick Nichols and Jessica Nagle, Guest Curator MaryAnne Golon, and the rest of the LOOK3 team to bring their internationally renowned work and artistic insights to Charlottesville, so this weekend you should operate under the savvy assumption that they’re not to be missed. Parr, Peress and Plachy stamp the whole festival with their personal watermarks, assuring Virginia that their work is inimitable.

Martin Parr

Martin Parr has a keen eye for social commentary, and the work he produces is relatable and often comic. He was only narrowly voted into Magnum, an elite guild of photojournalists, due to his reputation as being a dilettante’s (i.e. Margaret Thatcher’s favorite) photographer. While his peers were taking pictures of war zones, Parr was shooting the working class beaches of New Brighton, England. “Magnum photographers were meant to go out as a crusade…to places like famine and war,” he once said. “I went out and went rounthe corner to the local supermarket because this to me is the front line.” He has published numerous books, including Bored Couples, in which he and his own partner were self-mockingly featured, and Parking Spaces, about the last parking space available in 41 different countries. He brings an otherworldly focus to common scenes: “With photography, I like to create fiction out of reality. I try and do this by taking society’s natural prejudice and giving this a twist.”

INsight talk: June 12, 4-6pm, Paramount Theater
Gallery exhibit: “Luxury” at Second Street Gallery, through July 18
Gallery reception: June 12, 6:30-7:30, Second Street Gallery

Gilles Peress

Gilles Peress once said, “I don’t care that much anymore about ‘good photography’; I’m gathering evidence for history, so that we remember.” The man practices what he preaches. His photographs capture the atrocities of wars in Bosnia and Rwanda and the tension of the Iranian hostage crisis. In his emotionally taxing books, he is known for not detracting from his photographs with superfluous text. He lets his images of the world and its human dramas speak for themselves.

INsight talk: June 13, 4-6pm, Paramount Theater
Gallery exhibit: “Natures Mortes” at Michie at Seventh, through June 28

Sylvia Plachy

How does Charlottesville afford these superstars?

In a way, it’s misleading that the Festival of the Photograph attracts such high-profile names in addition to the occasional flush corporate sponsors like Canon, Apple and National Geographic. In just three years LOOK3 has built a prestigious reputation and an enviable street cred in the close-knit photo community (or “my tribe,” as Nichols calls it), but the annual event still suffers from a funding deficit. When a large sponsor dropped out in January, the 2009 festival seemed doomed to operate in the red. In fact, Nagle and Nichols might still have to pick up the tab for this year’s financial losses.

The funding issue was very much on Nichols’ mind last week as he contemplated how to preserve the festival for future generations. “It’s got to be sustainable,” he said. “We can’t keep begging for money…and living on the knife edge. …We need to take a deep breath after the festival and figure out how to make it last forever. It can’t last if it’s just one person’s dream…or ‘Nick and Jessica’s Show.’” Federal and city aid, grants like the one from the Annenberg Foundation that LOOK3 received this year, and private funds are key to the success of future festivals. Since 2007 Nichols and Nagle have invested wisely in bringing some of the biggest names to Charlottesville; now the prestige needs to translate into dollar amounts so these artists will continue to transform the Downtown Mall into an internationally recognized photo gallery every summer.—W.W.M.

In Hollywood, Plachy’s son, Adrien Brody, is the most famous member of her family. But in the international art world, Hungarian-born photographer Sylvia Plachy is the one doling out autographs. Known for her work in the Village Voice and the New Yorker as well as her many award-winning books like Red Light: Inside the Sex Industry, Nichols has documented schoolchildren in Romania, refugees in America, and of course the life of her son, the Oscar-winning actor. If only everyone could have such striking subjects at their fingertips. Read an exclusive interview with Plachy here.

INsight talk: June 11, 7-9pm, Paramount Theater
Gallery exhibit: “Waiting” at McGuffey Art Center, through June 28
Gallery reception: June 11, 9-10pm McGuffey

Best of the Galleries

This year the word “gallery” should be interpreted a bit loosely. Charlottesville has lost a few prominent art venues this year. With fewer traditional homes for its artists’ work, the Festival of the Photograph had to get creative. This year the Festival makes art galleries not only out of Downtown treetops and the Mall’s Central Place, but also out of empty retail spaces. Exhibitions Director Will May has been challenged with creating galleries where abandoned businesses have left an opening for art. But venues like Second Street and McGuffey are still open wide for business. And Nichols still delivers on his promise that he’ll never produce an event that requires driving. Check out the following gallery highlights through June.

For both the sheltered and the socially conscious: Paolo Pellegrin at Free Speech Monument

Paolo Pellegrin exhibits his conflict photos at the Free Speech Monument on the Downtown Mall. This installation may include some of Pellegrin’s gut-wrenching work from As I Was Dying, his book chronicling his encounters with conflict and death in Lebanon, Haiti, and Afghanistan. A photojournalist who has worked in Kosovo, Cambodia and Darfur on assignment with the New York Times and Newsweek, Pellegrin’s photos are not for the faint of heart. “Perhaps it is only in their moment of suffering that these people will be noticed,” he once said, “and noticing erases our excuse of saying one day that we did not know.” Pellegrin’s images of suffering might threaten to start a censorship controversy similar to the one that Nichols’ treetop “chimp erection” photo caused last year, but as Nichols said in a C-VILLE interview last week, “If you can’t put conflict on the Free Speech Wall, you can’t put it anywhere.”

For amateur photographers: YourSpace opening at Charlottesville Community Design Center

YourSpace is an opportunity for both amateur and established photographers to show off their work in public during the Festival of the Photograph. In giving back to a younger generation of artists, LOOK3 aims to foster the same spirit of artistic generosity and accessibility that Nick Nichols has aimed to cultivate since his first Festival of the Photograph in 2007, which “was basically an extension of [his] back yard.” YourSpace encourages anyone to bring a print or a digital image with a “fortune” theme to the Charlottesville Community Design Center, where the work will be shown for the duration of the Festival.

For teens: “American Youth” at McGuffey Art Center

At McGuffey through June 28, “American Youth” presents companion images to the eponymous book capturing the daily existence of 18- to 24-year-olds in the U.S. Redux Pictures, a photography consortium out of New York City, sponsored the book. Capturing the diversity and spontaneity of young adult life, the prints feature 19-year-old paralyzed war veterans, Muslim daughters of Egyptian immigrants jumping on trampolines and Iowa teens skinny dipping at a popular river hangout. The photos are stirring in their honesty and in the voices captured both unspoken and painfully articulated by the camera.

For superlative chasers: Pictures of the Year International (POYI) at 418 E. Main St. and World Press Photo 09 at 106 E. Main St.

These two exhibits are particularly beneficial for people who might not know a lot about photography; both were curated by experts in the field who each year determine the best photographs in the world. The presence of the World Press Photo 09 collection is particularly significant because this is the first time the works will appear on North American soil. Artists and art patrons from all over the nation are expected to descend on Charlottesville this year for the debut. Rome, Amsterdam, Paris, Milan and Sydney will have left their scent on these photos, but Charlottesville will show the international art community that it is central, too.

For kids and adults alike: Tom Mangelsen’s “Within the Wild” on Downtown Mall and Joel Sartore’s “Vanishing Gems” at McGuffey Art Center

Although the Festival of the Photograph is perhaps most appreciated by adult artists and patrons, there’s still room for kids and novices to enjoy the events. For instance, no pedestrian could miss Tom Mangelsen’s larger-than-life photo installations in the treetops of the Downtown Mall. Each year the “Trees” exhibit features nature- or ecologically-minded photography. Last year’s whale photos by Flip Nicklin are taken over by Mangelsen’s images of gorillas, grizzly bears, and penguins. And make sure to take the kids to Joel Sartore’s “Vanishing Gems” exhibit of fragile amphibian life at McGuffey. Just think about covering their eyes when they reach the toad mating photos. Or is that censorship?

For wanderers: “Trees” on the Downtown Mall and “Pages” at Central Place

Part of the community fun of the Festival of the Photograph is seeing photos projected in various outdoor places across the Downtown Mall. The art is both democratic and unexpected, the way Nick Nichols and Jessica Nagle intended. After all, one of the reasons the festival has become so prestigious in just three years is its perfect placement. “The festival is designed around downtown,” says Nichols. The combination of The Paramount, the Pavilion and the enclosed pedestrian space makes it the perfect place to showcase photographs—almost a gallery in and of itself. In addition to Tom Mangelsen’s “Trees” exhibit, you can also catch “Pages” at Central Place and in storefront windows along the Mall. The latter projections show both raw images and their placement in international magazines as a commentary on how journalism both highlights and distorts the work of the photographer. Pages is open to submissions.