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Twenty yeras of local news and arts in the spotlight

You say you want a revolution? In this, the 39th week of our highly selective tour through the past 20 years of local news and arts in C-VILLE, we turn our attention to exactly that. Nothing says history quite like a Civil War re-enactment. Or, did we mean to say Wal-Mart? Earlier this year, we reported on the controversy surrounding the Wilderness Battlefield—a 55-acre tract of land northeast of Charlottesville that the corporation is eyeing for a future Supercenter. Speaking of revolution, any time you’re talking change, the name Bono can’t be far behind. As we gear up for the band’s stop at Scott Stadium on their 360° Tour, we recall its instructions on How to Dismantle An Atomic Bomb.

Paging through the archives

“When Gens. Robert E. Lee and Ulysses S. Grant first met in battle, it was in May 1864, at a site called Wilderness—just 50 miles northeast of Charlottesville. And the result of that meeting was some of the bloodiest fighting of the Civil War.

The intersection near the proposed site isn’t exactly pristine. There’s already a McDonald’s, a Sheetz, a 7-Eleven and a string of offices. The place is a densely forested tract of land located at the intersection of Routes 3 and 20. It is at this same intersection that Wal-Mart intends to build a 141,000-square-foot Supercenter, and it’s here that a different fight is shaping up, with preservationists against property-rights advocates in yet another quarrel over the development of historic green spaces.”—Kathryn Faulkner, March 17, 2009

Getting covered

November 23, 2004

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News

Tim Davis; The Bridge/Progressive Arts Initiative; Saturday, September 26

It was as if the rainiest night of the summer didn’t come until the first week of autumn. Lucinda Williams, awaiting showtime, was sheltered in one of two identical tour buses behind the Charlottesville Pavilion. Across the Ninth Street Bridge a small group of folks, many of whom appeared to be friends, was assembled at The Bridge to hear Tim Davis read something that was dubbed PerfectlyNormalPoems—a selection of unpublished works that Davis said will likely never be published.

“For no intents or purposes”: Tim Davis got existential and hilarious with a reading from PerfectlyNormalPoems at The Bridge/Progressive Arts Initiative. (Below) The author letting it all hang out, artistically speaking.

Inside, copies of his 2004 collection American Whatever lay on a small table, next to a handwritten note: “Free—seriously.” Greg Kelly, managing director of The Bridge, introduced the reading as “poetic sideshow to Tim’s big exposition.” Davis, who was in town for a residency at UVA, is known for his work as a photographer—his collection, “My Life in Politics,” is showing at Ruffin Gallery through October 23—much of which explores his fascination with the American ephemeral. “Seven Entertainers,” for example, is a canted view of cardboard cutouts of real-life powerbrokers (Bill and Hillary) next to not-so-real ones (Dr. Evil and Xena). A harsh light glares off the creases at each character’s waist, where the cardboard folds.

Davis shuffled through a Manila folder of loose pages, reacting to them with the audience as if he had just found the poems in some soggy alleyway. His poetry—referential, messy and often funny—hoisted onto language that same preoccupation with preserving the disposable. A brief poem entitled “Retail” winded through variations on the phrase, “For all intents and purposes,” and ultimately came to rest on “For no intents or purposes.” Another poem, “Bumper Sticker Humor,” explored what Davis called a “false sense of community” by re-imagining bumper sticker slogans; among them, “My other car is a terrorist,” and “End hunger: Eat a little snack.”

 

The surface-level silliness in these lines at times gave way to more serious considerations. Was it the same poet who asked how many orifices a human has (arguably, 11), who poignantly asked, “What is the difference between terror and horror,” and went on to answer, “The old French said it had something to do with trembling”? It was.

In his essay “On Photography,” Davis writes, “America is a symphony of One-Offs. We’re always Supersizing and Downsizing or something. That’s why photographing it matters.” As the group stood to leave, somewhere in America—what Davis calls the “theme park of Flux”—three George W. Bushes were simultaneously broadcast on three flatscreen TVs at a Circuit City. Davis’ image of that moment, when it happened once before, hung on the wall of the Ruffin Gallery. And just outside, as Lucinda Williams began to play songs in the style of a durable American tradition, no one braved the rain on the Ninth Street Bridge to catch a free glimpse.

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It's 1864 in Stanardsville and General Custer is approaching. You got a problem with that?

 

“It’s not about slavery.  It’s not about racism. For a lot of us it’s about ancestors.” Amanda Kutch is a United Daughter of the Confederacy and on Saturday morning, September 19, she’s dressed like one. Blonde, fair, and outfitted in a blue, flowered dress with a white blouse and a crocheted hairnet, Kutch is getting ready to re-enact the Battle of Rio Hill and the Battle of Stanardsville. A genealogist by hobby and an office manager and academic services coordinator for UVA’s School of Continuing Education by day, Kutch has traced her family in Albemarle County to 1760, and to the Civil War, where they fought in the 19th Virginia, Company E, “The Piedmont Guard.” Recently, she has been campaigning to preserve confederate graves on the UVA campus. “The past is the past,” she says. “There’s nothing that I can do to change it.”

Her sensitivity to how her hobby is perceived will be echoed throughout the day as re-enactors slide in and out of their historical personas to field questions from a reporter and photographer, who are themselves, as per the rules of engagement, tricked out in period clothes.

The sky is clear and the sun is shining as the 19th Virginia Regiment Company B, a.k.a. “The Albemarle Rifles,” goes through morning drills, a line of men in grays and muted browns marching over a green field just off Route 33 in Greene County. They cycle endlessly through the same five years. It is currently 1864.

“These folks,” Kutch says, gesturing towards the Albemarle Rifles camp, “they’re really good friends. We’re family.”

Captain Pat Knowles, from Natural Bridge Station, leads the 19th Virginia, Company B. A 45-year-old contractor for Columbia Natural Gas Transmission, Knowles has been re-enacting for 13 years, but he dates his interest in the Civil War to his early teens. He began as a private in the 19th and worked his way up through Sergeant and Lieutenant to Captain. In real life, Knowles had family in the 17th Carolina. He points out that now, as a re-enactor he outranks them. He seems proud of this.

“Once I’m here,” Knowles says, “I don’t leave. I like to forget the present day. This is how I unwind.”

Indeed, today’s actual battle will last only one hour. For the re-enactors, most of the day is spent sitting around camp, gossiping, talking about military history, and messing with gear. It’s like any camping trip; only instead of Patagonia it’s Cold Mountain. “A week of doing this and I go home friendly and happy and all of the stress of the modern world is gone,” says Robert Pugh, an Albemarle Rifle who serves as Chaplain for the whole army. “If you’re out here on a damp morning and you’ve got a cup of coffee cooked over wood, you’re in another world.”

 


 

Clockwise from top: Union re-enactors fire on Confederate re-enactors during the Battle of Rio Hill. To visit the site of the actual warfare, head to Kroger at the Rio Hill Shopping Center. Karrin Temple, a civilian re-enactor, looks on during the Battle of Rio Hill. What’s she doing joining the Confederate Army? “I like broadening people’s perspectives, ” she tells her friends. Al Stone, as General Robert E. Lee, surveys the battlefield.


A weekend-long Civil War re-enactment is kind of like a 19th century rock festival. Immediately beyond the parking area and ticket table ($6 for adults, $3 for kids), food vendors sell hot dogs, funnel cake and lemonade in huge neon plastic cups. Past the food court, two rows of tents house living history demonstrations, such as a working blacksmith and the great General R.E. Lee himself, and then more commerce, but of the old-fashioned variety. Sutler’s Row it’s called, sutlers being the merchants who followed in an army’s wake during the Revolutionary and Civil wars, setting up their mobile stores in or near camp. The modern version is very similar, providing an extraordinary array of period goods for the re-enactors to purchase, from clothes to camp equipment to weaponry. They also sell souvenirs for visitors from the modern era—R.E. Lee action figures, toy guns, “The South Will Rise Again” bumper stickers and fake severed hands. Beyond Sutler’s Row, a rope divides the spectator area from the Confederate camp, an orderly cluster of white canvas tents separated from the Union troops by a long swath of soon-to-be-killing field.
Spectators’ two most frequently asked questions at Civil War reenactments are “Is it hot in those uniforms?” and “Do the guns fire real bullets?” These questions are easy to answer. The uniforms are made from heavy wool, and when re-enactors come off the field their shirts are soaked with sweat and their faces are red. The guns can shoot real bullets, but re-enactors load them with black powder charges that make a lot of noise and smoke and emit a burst of flame. They can also, however, burn your fingers, take out an eye, even maim or kill at close range.

Other issues come to mind, too: Is this any way to spend money and time? For men, just the uniform alone can exceed $1,000. A good rifle costs about the same. It doesn’t stop there, of course. It never does with any serious hobby. One soldier claims he has more than $15,000 worth of Civil War equipment. Campsites are elaborate and comfortable with chairs, tables and lanterns—everything made of wood and metal. Civilian re-enactors cook an abundance of food over open flames and, post-battle, contraband beers emerge from hidden coolers.

Past all that, there’s the vexing matter of motivation. A century-and-a-half after the fact, tens of thousands of Americans put up with the scorn and suspicion of their neighbors, family and co-workers (“Let’s not go there,” says Amanda Kutch, when the subject comes up) to relive the most devastating war this country has ever seen. Why?

At 2:30, the Albemarle Rifles don their jackets, grab their rifles and bayonets, and take to the field. In 1985, about 25 people gathered for the first time to re-enact the Battle of Stanardsville. Today, some 400 spectators line up along a rope and aim cell phones and video cameras at around 700 re-enactors. Over a booming PA, an announcer narrates the spectacle. “What a great country this is,” he says, “where you can re-enact a revolution.”

Everywhere you look, people are living with war. Kids stand on the sidelines with toy rifles and blue or grey Civil War hats. Some re-enactors fight in multiple eras. Knowles also re-enacts World War II battles and Kutch used to take part in medieval recreations in high school. Seemingly to a person, the re-enactors have had ancestors in the military, or are veterans themselves, or both. Staff Sergeant Wayne Ellyson, for example, tall and saber thin, currently serves in the Army with the 529th out of Virginia Beach. He survived a suicide bombing in Iraq in 2004, went back in a year later, and is about to leave for his third deployment. Re-enactments, he says, are a way to show respect for the soldiers who came before him.

The Union and the Confederacy face each other in parallel lines. Muskets spitting out smoke, they fire in unison. After about 15 minutes some re-enactors start to fall to the ground. The crowd responds with an “Oooooh!”

 

Here’s another pressing question: How does a re-enactor know when to die? At first, because everybody wants a chance to fire his gun, no one takes a hit. But after a while if a soldier sees the enemy pointing his gun right at him and firing, the soldier is kind of honor-bound to fall down and play dead. Then there are those people who just get tired and decide to call it quits. In Stanardsville, one soldier declares to a buddy, “I’ll take a hit tomorrow. My wife is here today!”
   
After an hour it’s all over. The Federal Army surrenders to the Rebels.

The true Battle of Rio Hill was more of a skirmish. It took place in February 1864 when General George Armstrong Custer led Union troops on a raid of a Confederate Camp outside of Charlottesville (to see the actual spot where it happened, head to Kroger in the Rio Hill shopping center). Three months later, Generals Lee and Grant met 50 miles north between Orange and Spotsylvania for the Battle of Wilderness, where more than 30,000 Americans were either killed or wounded. You may have heard of Wilderness: It’s where Wal-Mart now plans to build a 138,000 square foot Super Center, with the blessing of the Board of Supervisors. It’s a touchy subject. “Progress is nice,” Knowles says, “but once a battlefield is gone, it’s gone forever.”

Virginia paid a heavy toll in the true Civil War. Over half of all battles were fought here and some 7,000 Virginians are thought to have died or been wounded. John Dungan, who’s been with the Albemarle Rifles for 20 years, has an enigmatic answer to why the Civil War ought to stay alive: “Winners write the history.” From there, he recites a simpler version of the standard Southern history lesson. The war wasn’t about slavery. It was about state’s rights. You were a Virginian first, an American second. “You didn’t know nothing about Washington. You were worried about where you lived,” he says.

Three hundred fifty of Dungan’s ancestors fought in the Civil War—on both sides. Ultimately, he says, he’s just honoring them. But it’s more relevant than that, he suggests, with a rueful laugh. “The way things are going today,” he says, “there’s gonna be another Civil War.”

Over what?

“The haves and the have-nots.”

As night approaches, the subject of politics becomes unavoidable. “I voted for Jefferson Davis,” says Greg, from “over in the valley” as he sits around a fire. His friends laugh and shake their heads, beer cans barely disguised in period mugs. “It’s just half time! The North 1, the South 0.”

“People think we’re all Klansmen,” someone else says, “but we’re not.”

Karrin Temple, a middle school teacher from Madison with degrees in history and political science, has spent most of the day in camp cooking. She was a spectator at this same event last year, but by the end of the day she was in period dress and had joined the 19th Virginia. She’s been interested in the Civil War for years. That surprises a lot of her friends. Temple’s father is white and her mother is black. “Do they make you play a slave?” her friends ask.

What’s a nice black girl doing joining the Confederate Army? “I like broadening people’s perspectives, ” she replies.

Temple admits that as a Democrat she voted for Obama. “We just don’t talk about [politics],” she says of her Confederate brethren.  When it comes to re-enactment, apparently such differences don’t matter much. “I love it. It’s almost like coming home, in a weird way.”

The camp at dusk is painted with yellow candle flame and hazy smoke. The ladies and girls duck into tents and emerge dressed in silks and pearls and fringe for the celebratory ball that caps the evening. At a Richmond artillery regiment, there’s kielbasa and cabbage and beer for supper. Dan Redfearn sits with his 11-year-old son James on his lap. Twenty-three of his and James’ ancestors served in the Civil War, but only six survived. Over dinner, Redfearn complains about how frustrated he was earlier with the shopkeeper down the road who didn’t speak much English. He’s polite about it, but some of the others around the fire aren’t. As they toss out the inevitable “They oughta learn our language” comments, the specter of a post-race re-enactment culture fades quickly. When Redfearn was young he knew exactly where he was heading; school, then the army, then a successful career, then family and retirement. But the world has changed and he’s not sure what to make of it. The future belongs to his son James, who spent the day ferrying charges to the cannons, as comfortable with computers as he is with 19th century warfare.

It’s fully dark now. The soldiers fire the cannons one last time to say goodbye to the remaining spectators. There seem to be many reasons that people dress up in hot, expensive costumes and recreate the past. It’s family recreation, a history lesson, and a way of honoring our war dead all rolled into one. “We just don’t want to forget what people have done for us,” Dungan says. Or as Pat Knowles succinctly puts it, “If we didn’t do it, who would?”

Here’s another theory: Some people re-enact the Civil War because they believe that how our country was then can tell us something about how our country is now, or how it ought to be. There’s a similarity between the frustration that the South felt in the 19th century and the frustration that some people feel now, a sense that if back then they “didn’t know nothing about Washington,” then today Washington knows nothing about us. One hundred and-forty-five years ago, geography placed Virginians on the same side in the Civil War. Today, politics threatens to pit them against each other. Around the camp, as night sounds thicken, it’s easy to imagine that when the last spectators have gone home, the electric lights are dimmed, and there’s nothing left but campfires and candlelight, that maybe then our country’s ghosts will finally rest.

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Arts

Capsule Reviews

(500) Days of Summer (PG-13, 95 minutes) Joseph Gordon-Levitt and Zooey Deschanel are a starry-eyed odd couple who go through a narratively chopped break-up. Playing at Regal Downtown Mall 6

9 (PG-13, 79 minutes) Bumbling stitchpunks try to save themselves from robotic overlords. Read C-VILLE’s full review here. Playing at Carmike Cinema 6

Capitalism: A Love Story (R, 127 minutes)  Read C-VILLE’s full review here. Playing at Vinegar Hill Theatre

Cloudy With a Chance of Meatballs
(PG, 81 minutes) An animated adaptation of the popular children’s book by Judi and Ron Barrett, in which all sorts of food falls from the sky. With the voices of James Caan, Anna Faris, Bill Hader, Neil Patrick Harris, Andy Samberg and Mr. T. Playing at Regal Seminole Square 4

The Cove (PG-13, 92 minutes)  A documentary about a former dolphin trainer who embarks on an underwater mission to free dolphins held in captivity in Japan. Awesome. Playing at Vinegar Hill Theatre

District 9 (R, 113 minutes) Peter Jackson produces South African native director Neill Blomkamp’s science-fiction parable of extra-terrestrial refugees quarantined in Apartheid-era Johannesburg. Playing at Regal Downtown Mall 6

Fame (PG, 107 minutes) Who wants to live forever? Performing arts school students seek immortality through the limelight. Playing at Carmike Cinema 6

The Informant! (R, 108 minutes) Read C-VILLE’s full review here Playing at Regal Seminole Square 4

Inglourious Basterds (R, 153 minutes) Lieutenant Aldo Raine (Brad Pitt) and a band of Jewish military renegades (including Eli Roth, B.J. Novak and Samm Levine) put a pretty gruesome hurting on Nazis. Read C-VILLE’s full review here. Playing at Carmike Cinema 6

The Invention of Lying
  (PG-13, 99 minutes) In a world where everyone always tells the truth, Ricky Gervais decides not to. Mayhem ensues, and Jeffrey Tambor, Jennifer Garner, Jonah Hill and Louis C.K. co-star. Opening Friday

Jennifer’s Body
(R, 102 minutes) In this teen fantasy thriller written by Juno screenwriter Diablo Cody, a hottie high-school cheerleader (Megan Fox) becomes possessed and goes on a killing spree. Amanda Seyfried, Adam Brody and J.K. Simmons co-star. Playing at Regal Downtown Mall 6

Julie & Julia (PG-13, 123 minutes) A movie about a cookbook and a memoir. Like, totally metatextual! Amy Adams and Meryl Streep star, Nora Ephron directs…do they cook? Playing at Carmike Cinema 6

Love Happens (PG-13, 109 minutes) In this romantic comedy-drama, Aaron Eckhart plays a self-help author who needs some help of his own—from Jennifer Aniston. Playing at Regal Downtown Mall 6

Pandorum (R, 108 minutes) Two men wake up aboard a spacecraft with no recollection of who they are or why they’re in the middle of space. The answers are…unnerving. Like Event Horizon meets Memento. Playing at Regal Downtown Mall 6

Surrogates (PG-13, 88 minutes) In the future, humans are recluses and interact solely through surrogates. A round of murders sends a cop (Bruce Willis) out of his house to investigate. Are things what they seem? We think not. Playing at Carmike Cinema 6

The Time Traveler’s Wife (PG-13, 108 minutes) Eric Bana is a time traveler and Rachel McAdams is his wife, trying to make their marriage work even as he uncontrollably flits back and forth through his own lifespan. Adapted from the Audrey Niffenegger bestseller by Bruce Joel Rubin, who wrote Ghost and therefore probably has a handle on the whole romance/sci-fi hybrid thing. Playing at Regal Downtown Mall 6

Tyler Perry’s I Can Do Bad All By Myself (PG-13, 113 minutes) The latest self-adapted screen version of Perry’s own play—about teenaged delinquents coming to terms with their family—stars Taraji P. Hensen, Mary J. Blige, Gladys Knight and, of course, Tyler Perry. Playing at Regal Seminole Square 4

Whip It  (PG-13, 111 minutes) In Drew Barrymore’s directorial debut, written by Derby Girl author Shauna Cross, a Texas teenager (Ellen Page) forgoes the beauty-pageant prospects favored by her mother (Marcia Gay Harden) for the rougher self-actualization of roller derby. Juliette Lewis, Kristen Wiig, Zoe Bell and Barrymore co-star. Opening Friday

Zombieland  (R, 81 minutes) In this horror comedy, a coward (Jesse Eisenberg) and a badass crackpot (Woody Harrelson) do battle with armies of the undead. Emma Stone and Abigail Breslin co-star. Opening Friday

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Arts

Second chances

“90210”
Tuesday 8pm, CW

If you’re one of the legions who tuned in for last season’s premiere, and then promptly tuned out because it sucked, I urge you to give this Spellingvision redux another shot. Now in its second season, lessons have been learned, the cast has been tweaked and the show has become infinitely more entertaining. Most of the credit goes to AnnaLynne McCord’s Naomi, who balances her delicious bitch-on-heels diva with surprisingly sympathetic character moments, and the fact that the producers apparently realized that everyone in America hates both the new Brenda-type character, Annie, as well as the irritating actress who plays her. In roughly three episodes they have turned Annie’s life into a living hell involving social ostracism, quasi-date rape, nude photos texted to the entire school and the crushing guilt that she killed a man while driving drunk—and still hasn’t told anyone about it! Fingers crossed that she spontaneously combusts come sweeps.

“Private Practice”
Thursday 10pm, ABC

When last we saw the doctors of Oceanside Wellness, things looked bleak: The business was on the verge of financial ruin, a power struggle left its leader packing up her desk, and one of the staff was fighting for her life after a crazed patient showed up at her doorstep intending to snatch the still-gestating baby right out of her womb. Yikes! The “Grey’s Anatomy” spin-off found its identity in Season 2 by firmly embracing its wilder, soapier elements (not that “Grey’s” isn’t out there—ghost sex, anyone?), and you can look for even more of that as its third season begins tonight.

“Bored to Death”
Sunday 9:30pm, HBO

At first I thought HBO had simply retitled “Entourage” to reflect our nation’s ennui with its go-nowhere premise. But no, the cable net actually has a new comedy, an idiosyncratic little piece about a slacker writer who decides to get out of a massive personal slump by pretending to be a private detective. It stars Jason Schwartzman (Rushmore) as a fictional version of series writer/creator Jonathan Ames, whose love of Raymond Chandler novels leads him into a life of danger, sex and deceit he maybe has no idea how to handle. Also on hand are Ted Danson as Jonathan’s editor boss, Olivia Thirlby as Jonathan’s ex-girlfriend, and the indispensable Zach Galifianakis, who basically does the Zach Galifianakis thing as Jonathan’s comic artist best friend.

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News

Council to approve Massive Resistance apology

On September 19, 1958 Lane High School and Venable Elementary Schools shut down for five months in an attempt by officials to prevent the desegregation of the Charlottesville School System. Now, City Council wants to say it is sorry for that.

The action, known as Massive Resistance, was supported and advocated by Sen. Harry Byrd Sr. in an attempt to block the 1954 U.S. Supreme County decision in Brown v. Board of Education, which called for the desegregation of all public schools as “inherently unequal.” Virginia’s then-governor James Lindsay Almond Jr. ordered the immediate closure of the schools in Charlottesville, Warren County High School in Front Royal and six schools in Norfolk.

Fifty years later, City Council is considering a formal apology for the closing of the schools and for the impact Massive Resistance had on city residents. A resolution, discussed by Council on September 21, calls the school closings “a disgraceful act,” and praises the courage of the families of the 12 students who eventually integrated the city’s school system.

Councilor David Brown said that given the role of the City Council, which upheld segregation, “it’s very appropriate that an apology be issued.”

“I am very pleased that city councilors have taken upon this major responsibility to offer this apology,” says M. Rick Turner, former UVA dean and president of the local chapter of the NAACP. “I think it’s a long time coming, but this is the right time in terms of the 50th anniversary of the Massive Resistance.”

He continues, “I think the entire City of Charlottesville and Albemarle should be pleased that this apology is being offered by the city, who massively resisted African-American and white students going to school together.”

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

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Arts

Capitalism: Love it or leave it?

If Michael Moore’s Capitalism: A Love Story teaches us one thing about the global economic crisis, it is how much the stunt-documentary gold standard has declined in value.

As Moore narrates early on, “This is capitalism. A system of taking and giving. Mostly taking.” Near the end, he says, “Capitalism is an evil, and you cannot regulate evil.” A lot happens in between. Too much, actually.

Shout, shout, let it all out! Michael Moore tells AIG what he can do without in his latest flick, Capitalism: A Love Story.

Ancient Rome. A cat flushing the toilet. A guy getting foreclosed. “Condo vultures” in Florida. Wallace Shawn (recently sighted in Charlottesville) explaining free enterprise. (Uh, O.K.) Moore as a boy, enjoying post-war Michigan prosperity. Narration. Vietnam. Unhappy Jimmy Carter. Happy Ronald Reagan. Roger & Me. A for-profit Pennsylvania juvenile detention center, in cahoots with a corrupt judge. Airline pilots who make less money than managers at Taco Bell. Widows whose deceased spouses’ employers became the beneficiaries of their life insurance. Dead peasants. Priests. Workers on a sit-in strike.

And it doesn’t stop there. Derivatives, whatever those are, and financial professionals unable to explain them. A foreclosed family videotaping themselves being evicted by the cops. A beaming blonde spokeswoman for Countrywide Financial, equated to The Godfather. Financial regulator William Black, having told us so. Franklin Delano Roosevelt, saying, among other things, that “people who are hungry and out of a job are the stuff of which dictatorships are made.” Bass notes in the soundtrack. “A financial coup d’etat.” Attempted citizens’ arrests of Wall Street CEOs.

Moore also finds himself back at General Motors HQ, where security has standing orders not to let him in. And there is a dispiriting sense that he’s just running through his same old shtick from 20 years ago. Compare this with a rather discreet and touching scene in which Moore and his father visit the GM factory where dad used to work—or rather, the vacant lot where said factory once stood. This is the good stuff. But Moore buries it among his increasingly hackneyed throwaway jokes, stock-footage gimmicks and suggestive cuts.

Now that we’re depressed, exhausted and not at all sufficiently bailed out, do we really need to be patronized, too? Well, even the debate about whether Moore’s antics corrupt or clarify his message has gotten old. There was a time when Moore’s MO seemed like a way through the morass of under-reporting, untrustworthy agendas and bogus institutional voices of “serious” news-gathering shows. But now his most vital and refreshing moments look just like something you’d see on “60 Minutes”: simple interviews in which he actually listens.

Those moments are too brief, not least because Moore’s target is too big. So many of Capitalism’s points of attack seem like they’d have been better developed for individual segments, as in Moore’s old shows, “TV Nation” and “The Awful Truth.” But Moore has grown accustomed to his big-screen proportions. Some in his audience have grown out of them.

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News

Council defers RWSA easement vote, MCP opponents don't back down

While the vote on the relocation of a sewer pipeline into McIntire Park to make room for the Meadowcreek Parkway (MCP) was deferred last week until the next City Council meeting, opponents of the MCP are holding out hope that members of Council will deny the ordinance to grant the Rivanna Water and Sewer Authority (RWSA) the right to tear down trees and any additional “obstruction.”

On Sunday, Meadowcreek Parkway opponents gathered in McIntire Park. “Hands Across McIntire,” as their demonstration was dubbed, was meant to give a visual representation of the Parkway’s route.

RWSA owns a sewer collection line that runs for approximately 7,000′. RWSA’s Schenk’s Branch sewer line is currently a 21" terracotta pipe, considered “undersized” for current use. According to staff reports, the line will need to be increased to 30" and sunk deeper in the ground, about 15′. In addition to replacing and relocating about 640’ of the line, 1,075′ will be relocated by the Virginia Department of Transportation (VDOT) to make way for the construction of McIntire Road Extended, an aspect of the MCP.

The replacement of the line will cost the City $815,730, with about $455,000 going toward excavation.

“I think they should defer without making any decisions,” says John Cruickshank, president of the Piedmont chapter of the Sierra Club and member of the Coalition to Preserve McIntire Park. “There are so many uncertainties regarding the McIntire Road Extended and the interchange that it would not be a good decision to approve the easement this time.
At the first meeting on the topic on September 8, Daniel Bluestone, a UVA professor of architectural history and avid preservationist, argued that because the easement calls for whoever owns the line to maintain it too, “the Rivanna Sewer and Water Authority is on the verge of becoming a main player in the maintenance of our park.”

According to the ordinance, “trees, shrubs, fences, buildings, overhangs or other improvements or obstructions shall not be located within the Sewer Easement.” Because Councilor David Brown objected to the definitive and strict language of the ordinance, the new draft of such a document includes an agreement between the RWSA and City Council to create an “acceptable landscaping plan” with plantings selected from the RWSA’s approved list of flora for these kinds of easements and “low ground cover in the area ten (10) feet on each side of the centerline of the proposed sewer line.”

Bluestone believes it is counterproductive to guess how the council will vote, but says that it is important to go back to the drawing board and start the easement process again. Because some of the fewer trees will be cut to make way for the line, “Why hasn’t there been any census of trees to see whether there are alternative less destructive route for the sewer?”

Yet, at the center of the controversy is the construction of the city portions of the Meadowcreek Parkway: McIntire Road Extended and the 250 Interchange. Cruickshank says that because the U.S. Army Corps of Engineers temporarily denied VDOT a permit to build McIntire Road Extended due to the project’s lack of a south terminus, approving of the easement would be a mistake.

“We are going to do whatever we can to stop the bulldozers to get into McIntire Park,” he says. “And as it is delayed more and more, who knows, we may have different people on City Council in January,” shifting the vote to a favorable 3-2.

Colette Hall, president of the North Downtown Neighborhood Association and a member of the coalition, is not so optimistic. “I think the Council will vote the easements in,” she says. “I am so angry. I don’t know what else to do. I am beside myself.”

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Mind-Life event a chance to reflect for Curry students

Hey, teachers of the future, there may be something even more daunting than standardized tests coming your way. To wit, “people coming of age in the 21st century will need to develop unprecedented levels of intercultural cooperation, mutual moral concern, creativity, and skill in effectively addressing the challenges of the world today…” That’s the word from the Mind and Life Institute, and that’s the basis for a two-day conference that will take place in Washington, D.C. on October 8 and 9. The Curry School of Education is co-sponsoring the event, in connection with Harvard, Stanford, the American Psychological Association and others. Ten doctoral candidates from Curry will be among the attendees. And the Dalai Lama, the spiritual leader of Tibetan Buddhism and possibly the world’s most seamless example of mind-body integration, will be among the panelists for both days.

Manifesting the Buddha of Compassion, the Dalai Lama will attend a Curry School-co-sponsored conference aimed at restoring reflection and empathy to education.

For Marcus Ingram, who is among those 10 Ph.D. students, “reflection is extremely important in any type of educational experience.” He was previously a chaplain at a North Carolina university, and he says that work made him “even more aware of how important holistic pursuit is to education.”

Panel topics include “Envisioning the World Citizen” and “Compassion and Empathy.” Audrey Breen, the Curry School spokeswoman, says the conference dovetails with Curry’s larger approach towards being a “global citizen.” Certainly seems a far cry from drilling the state capitols—and probably a welcome one, at that.

In her doctoral work, Jennifer Elliott is focused on technology and what happens to students’ brains “when they’re gaming,” she says. The former third-grade teacher observes, “students spend less time at play and interacting with each other.” She attributes the growing social isolation among students to the increased emphasis on standardized testing. “We’re taking away the time that students learn compassion and empathy and friendship,” she says, noting, nonetheless, that the Mind and Life conference will, most likely, have a more philosophical than practical bent.

Chris Elliott, another Ph.D. student and no relation to Jennifer, is exploring how “spiritual identity intersects with gender identity in college-age men.” Not surprisingly, he describes the conference as “pretty perfect.”

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NEW C-VILLE COVER STORY: History repeats itself

Many of the re-enactors he interviewed told Toby Beard, in this week’s cover story, that their hobby was largely about understanding history and honoring the past’s fallen soldiers. The re-enactors say it creates community—a clear plus in anyone’s life. Moreover, they find meaning and comfort in its straightforward directions (this and only this happened in this very way during this specific battle). They like the gear. Read more about their experience here, and don’t forget to leave comments!