Virginia’s arts funding is on the chopping block

Down with the arts! Virginia’s House Appropriations Committee decided this week that they’d like to eliminate half the funding for the Virginia Commission for the Arts, effective in July—and eliminate the office entirely by July 2011. They’re up against the Senate Finance Committee, which wants to cut the commission’s budget by $290,000 in July, and no further. They’re both going to vote on it on tomorrow, and then resolve it in committee.

Why does this matter? Consider this from the locally run Virginia Foundation for the Humanities, which depends on the state for funding:

“VFH has already experienced deep cuts, in the last two budget years, adversely affecting every VFH program. Additional cuts will undermine such well-known educational programs as the Virginia Festival of the Book, Encyclopedia Virginia, VFH Grants and Fellowships, With Good Reason Radio programs; African American, Virginia Indian, and Virginia Folklife Programs.”

Really, I’m glad the Commonwealth’s leaders have finally mustered the courage say "no more handouts" for these hippy-dippy programs.

But seriously, it feels like Feedback’s beloved arts programs are always among the first on the chopping block. Times sure are tough, but the programs are modest. Every year since 1997, the General Assembly endorsed a goal of providing $1 per capita—roughly the cost of a small bag of Doritos—in funding for grants to arts organizations. That money’s supposed to be "seed money" for arts programs in the state so that programs can solicit private donations once they get going. But by last October the Virginia Commission for the Arts was funded at $.51 per capita, according to Virginians for the Arts. Mind you, that’s much lower than all of our neighbors: On the upper end, Maryland’s state art agency gets $2.52 and Kentucky gets $.84.

Should the Commonwealth bankroll the arts?

Rutherford Institute president John Whitehead gets Milner S. Ball Lifetime Achievement Award

Two days before the University of Georgia Law School’s annual Working in the Public Interest Law Conference, the school named Rutherford Institute president John Whitehead the recipient of its Milner S. Ball Lifetime Achievement Award. Previous recipients of the award include J.L. Chestnut, Jr., a civil rights advocate and the first African-American attorney in Selma, Alabama, and Phyllis Holmen, executive director of the Georgia Legal Services Program.

"Over the years, we’ve defended thousands upon thousands of people," says Whitehead in his acceptance speech. "People who find that they can’t picket in front of a governmental office, they get arrested, which they have a free speech right to be there. Prisoners who can’t get information in prison or who are abused in prison…public school students who are thrown out for such crazy things as taking Alka Seltzer in violation of zero-tolerance drug policies… You name the people, we have defended them."

Watch Whitehead’s complete acceptance remarks in the video below:

Finding spring in dead skunks

In our hermetically sealed world, it can be easy to forget, or resent, that there are seasons going on out there. We mostly do a lot of complaining—HOW DARE IT BE COLD IN FEBRUARY!—except when we get a rare perfect day and mete out some praise. More often, we dash between home, car, and office trying our best to ignore the sky, temperature and wind.

Lest I sound a little holy, let me be clear: I’ve hardly been a model of Zen calm throughout this winter. I confess to feeling truly angry at times about the slippery walk to our front door and the cold that pours in through our ancient windows. I also may have cursed at a snow-covered field or two.

But things are looking up, and I will choose this convenient moment—when the temps are rising and the days are undeniably longer—to begin paying attention again, looking for positive signs. Never hurts to tune in a little bit.

For one thing, I’ve noticed lots of dead skunks on the road, attended of course by that unmistakeable parfum. I’ve been told that a rise in skunk fatalies heralds spring, because those critters are out moving around more as spring approaches, and therefore more of them meet their fates.

I’ve also seen big flocks of robins wandering through fields, and hear cardinals singing more in the mornings. Today a friend told me her daffodils are coming up.

It’s always heartening to me to see evidence of the planet continuing to do its thing, despite all the damage we do, and despite my own modern-lifestyle blinders. What’s getting your blood stirring right now?

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Foreclosure sale, breach of contract lawsuit to keep Kluge and Moses busy in coming weeks

In February of 2009, Frank Hardy of Frank Hardy, Realtors, Inc. filed suit against Vineyard Estates, LLC, a.k.a. Patricia Kluge and William Moses, for breach of contract on two listing agreements. On Friday, an Albemarle County Circuit Court judge will decide whether the case will head to trial on April 2.

According to the suit, the listing agreements in question were signed and executed by both parties in late 2007 for separate properties—one for a house, and one for a group of lots in Meadows Estates. 

In the suit, Hardy claims that Vineyard Estates, LLC, asked to be released from the listing agreements in April 2008. Hardy declined and, according to documents, the defendant contracted another real estate firm, Sotheby’s, to sell the properties. According to court documents, Hardy filed a breach of contract for both listing agreements for $1.8 million in damages. 

Yet, according to a counterclaim filed by Vineyard Estates, the defendant claims that a settlement with Hardy was reached to terminate the listings. 

“When they dismissed Frank Hardy, there was some discussion about a settlement and they claimed that that discussion can constitute a legal settlement in the case,” says D. Brock Green, Hardy’s attorney. “And we claim it does not, that there was never any kind of meeting of the minds that they would pay a certain amount of money by a certain time and that Frank Hardy would therefore release his rights under both of the contracts.”

Ronald Tweel, attorney for Vineyard Estates, disagrees. According to Tweel, the case was settled for $25,000 and an agreement to release the listings. “That was in our view the final settlement of the case and the court should rule that that should be the final resolution of the case,” says Tweel. 

In other Vineyard Estates-related news, a foreclosure sale for Lot 5 of the Meadows Estates will be held in front of the County Circuit Court on March 1 at 9:30am. 

“The referenced foreclosure is on only one of the 24 lots and will reduce the debt overhang for purposes of reconfiguring and restructuring the full project for Kluge’s future development interests,” said Kluge Estate Winery and Vineyard spokeswoman Kristin Moses Murray in a prepared statement. “Like most real estate projects, it was developed with partners. As a result of the collapse in the real estate market, some of those other partners went bankrupt, and many of the remaining investors abandoned their continuing obligations. In short, they have gone under and we have not.”

The property, sold “as is,” is located at 2621 Coopers Lane in Albemarle County and is assessed at $2.7 million.  

Virginia travels to Miami for key ACC match-up tonight at 7

Virginia (14-11, 5-7) needs a win. Badly. Maybe a blood transfusion, too. And an injection of quality defense might make things competitive again. Losers of five straight in conference play, the Hoos have not won a game since beating NC State 20 days ago.

Cavs travel to Miami (17-9, 3-9) for a huge contest tonight at 7 p.m at the conference’s least-inspiring venue: Miami’s BankUnited Center (Hoos are 0-3 there). After Virginia lost at Clemson they flew directly to Miami to get ready for this mega-important ACC game. Miami is also desperate for a win if they care to make it to the post season.

Virginia’s Sylven Landesberg has shot only 36% from the field on the last six games. And as Sylven goes, the Hoos losing streak goes. In the last five games Virginia has only scored 56.4 points per game, including 49 the last time out. The Wahoos have lost their last 11 games (last win was in 2001) in the state of Florida. Scary…

Miami was ranked #23 the last time these two teams met in Charlottesville and their season has totally fallen apart as well. They have lost 8 of their last 10, and Miami’s coach Frank Haith is clearly on the coaching hot-seat! Look for the Hurricane’s to attempt to hammer it inside early and often to 6-8 big-man James Collins (12 PPG). If that doesn’t work they will start hoisting 3’s from both Durand Scott and James Dews. Miami has 13 of their last 15 at home and are 11-2 in Miami this season. The Hurricanes average around eight 3-pointers a game, and can be streaky from beyond the arc!

I think Virginia gets it done and wins this game 67-64. Let’s get a new steak started and get ready to make some noise in the ACC Tournament! Go Hoos!
 

UVA President John Casteen inhaled by Altria Group’s board of directors

The Associated Press reports today that UVA President John Casteen, who will retire at the end of July, joined the board of directors for Altria Group, the parent company of Philip Morris. The tobacco company has given money in the past to recipients like the UVA law school and the Darden School of Business, and also donated $25 million to UVA’s $3 billion capital campaign in February 2007. The gig adds one more board position to Casteen’s list, which includes the likes of Sallie Mae and Wachovia.

Protests planned for John Yoo appearance at University of Virginia

Days before a Department of Justice investigation cleared Bush administration lawyer John Yoo of misconduct for his work on legal memos that authorized the use of waterboarding of suspected terrorists by the Central Intelligence Agency, protestors greeted Yoo’s appearance at Johns Hopkins University like so:

Yoo, also a professor of law at University of California, Berkeley, can expect the same when he arrives in Charlottesville in March. The Miller Center of Public Affairs will host Yoo on March 19 for a discussion of his new book, Crisis and Command: Executive Power from George Washington to George W. Bush.

A handful of local organizations, from After Downing Street and War Criminals Watch to CODE PINK and the Bill of Rights Defense Committee, will host a "Funk the War" musical march at 2pm, then will meet in front of Minor Hall at 3pm to protest Yoo, who speaks at 3:30pm. The After Downing Street website features protest information, as well as a flyer about the protest.

Former GWAR member and Sarah White join forces

Feedback was a panelist at UVA’s Battle of the Bands this weekend, alongside The Corner’s Brad Savage, representatives from Nailgun and Red Light Management, as well as Michael Bishop, who was known as Beefcake the Mighty when he was in GWAR. Judges unanimously decided to pass the crown and scepter to Pompadour, who now get to open for an unannounced act at UVA’s Springfest. (A birdie told me that it might be the Dirty Projectors.)

If you’re wondering why this is editorial interest to the non-UVA crowd, past winners of the battle include Sons of Bill and Sparky’s Flaw, now Parachute, who take cruises on VH1’s dime.

I’ve heard for years about these Bigfoot-like rumors that former GWAR members live in town, where they probably buy groceries and drink coffee like the rest of us. I asked Bishop what he’s been up to, aside from teaching music history at UVA. He said he’s started playing bass for Sarah White and the Pearls. She’s apparently got a whole new lineup.

More on that to come. For now, enjoy this video of GWAR on the Joan Rivers show. For reasons that will become clear, I’m not positive that it’s Michael Bishop in the Beefcake the Mighty costume.

Joan Rivers asks GWAR who writes their music, and they respond: "After we destroyed the dinosaurs, we stretched their gizzards across the Grand Canyon and Beefcake composed the first song ever."

 

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Opportunity knocked. Did Casteen answer?

With his last day of office slated for July 31, was outgoing University of Virginia President John Casteen being a tad rough on himself during his final State of the University Address? It depends on who you ask.

After previous plans for a music hall were put on hold, Cavalier Marching Band Director Bill Pease says his band’s new rehearsal hall, planned to open in 2011, will put UVA “in an elite group of marching band programs.”

After sharing a wealth of successes—among them, a $3 billion capital campaign only nine days off schedule and new buildings that account for roughly 42 percent of UVA’s gross square footage—Casteen brought up “missed opportunities.” The list includes curriculum reforms in foreign languages and mathematics, the lack of a major concert hall, planning mistakes surrounding UVA’s shelved Arts Gateway project and meeting science initiatives as part of the University’s Virginia 2020 plan.

“We have requested more faculty lines every year in the last years,” says María-Inés Lagos, chair of the Department of Spanish, Italian and Portuguese, via e-mail. “Since 2002 we have hired one Assistant Professor in Spanish linguistics and one Assistant Professor in a joint appointment with American Studies.” In 2008, a chance to hire two new faculty members was lost due to UVA’s hiring freeze, says Lagos. 

And while more than 50 faculty-led study-abroad programs were created during Casteen’s presidency, Lagos says that more students could benefit from pairing cultural competency with linguistic competency.

“At present, universities are left with the task of doing what should have been done in K-12,” says Lagos. “Clearly, UVA students need greater and more intense exposure to languages and cultures in order to compete in a globalized world.”

Former UVA Art Museum director Jill Hartz, now executive director of the Jordan Schnitzer Museum of Art at the University of Oregon, agrees with Casteen’s assessment of the Arts Gateway. “I’m in a museum now that has everything that we had hoped to have at the UVA Art Museum,” she says. “It’s over 70,000 square feet, it has a covered loading dock, it has all the things a museum really needs…So, while I’m thrilled to have it, I’m really disappointed that we couldn’t get it done there.”

Hartz said that incoming UVA president Teresa Sullivan should bring an interesting perspective on the UVA Art Museum. During Sullivan’s time at the University of Michigan, the school completed a $42 million renovation and expansion of its art museum. Last June, UVA Vice Provost for the Arts Elizabeth Hutton Turner shared her hope to expand the museum’s home, the Bayly building, by an additional 17,000 square feet—an 88 percent increase in programming space.

John Bean, a professor in the School for Engineering and Applied Science and a member of the Virginia 2020 Science and Technology commission, says UVA is behind on 2020 science initiatives because of the cost that being a top-notch science department entails.

“If you say ‘I want X number of number one departments,’ it’s a heck of a lot cheaper to do it in humanities than it is in science and engineering,” he says. The Science and Technology commission was encouraged to think big—“including in the multi-hundred-million-dollar category,” says Bean—and incremental steps towards a stronger department may be “more plausible.”

The other missed opportunities? While Casteen said curriculum reforms could create “vigorous” math programming for science careers, math department chair Don Ramirez says that 79 bachelor’s degrees were awarded last year—“an increase of 13 undergraduate mathematics majors over last year,” he tells C-VILLE.

And sometimes opportunity knocks twice: UVA won’t be without a concert hall for much longer. After longtime UVA donor Hunter Smith withdrew a $22 million gift for the Arts Gateway for not starting construction in 2005, she promised a gift of $10.7 million to fund a 12,900-square foot rehearsal hall for use by the UVA Music Department, with construction slated to finish by the summer of 2011.

“This will put us in an elite group of marching band programs around the country to have a building like this,” Cavalier Marching Band director Bill Pease told C-VILLE via e-mail. The new facility will provide coverage against rough weather and instrument storage space to lighten the load carried by band members—both things that Pease seems happy to have waited for.

“We are all so lucky to be here at UVA,” he says. “This is heaven on earth to me as a band director.” 

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

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Charlottesville archaeologists uncover local Black stories

Matt Reeves is a jovial Ph.D. who travels the grounds of Montpelier on a mountain bike, wearing a knapsack. When I met him at the presidential estate he was standing near a team of seven or eight workers. They milled about like a road crew, not 200 yards from where President Madison once penned the Constitution. Between the house and the steeplechase grounds was a small excavator. Its operator sunk the machine’s claw into earth near the edge of the road, and lifted a fat slab of blacktop. The concrete broke into a massive puzzle piece.

Reeves stepped forward from the crew, trowel in hand. He knelt and began to stab the blank slate of dirt before him. If I had seen Reeves doing this anywhere else, he would have looked nuts. But I had gone to Montpelier with a specific question in mind: What is the first step toward recreating history? Before he had the chance to say anything, he had already answered my question.

Reeves, who is the head  archaeologist at Montpelier, was initiating the process of restoring a wooden gate that, in Madison’s day, framed the estate against its mountain backdrop—Marion DuPont Scott, one of the estate’s later owners, had apparently run over the gate with her car in the 1960s. There had been some historical record, in the form of landscape plans and journal entries, but the only cold, hard evidence as to where the gate had been had registered in the soil.

It’s the same imperative—to understand history by looking first at its minutiae—that guides archaeology at places like Montpelier and Monticello; digging in the dirt is often the first step towards recreating history. But history lines the dirt at places that don’t have the luxury of being roped off—at places like parking lots and future sites of subdivisions. It’s there that the crucial physical link between past and present is often destroyed.

Archeologists at Montpelier spent a portion of the fall digging through the Madison family’s middens­­—trash, really—that had accumulated outside a landscaping wall. The Montpelier Foundation is in the process of restoring the estate to the conditions that James and Dolly Madison knew.

Efforts to preserve history continue nonetheless. “I think that now more than ever there’s a tremendous effort locally to certainly become aware of local African-American history to then, through things like educational programs and national register nominations, raise awareness locally,” says Eryn Brennan, a County Planner and director of Preservation Piedmont

Rio Road in particular, just off of Route 29, is one of many areas where the desire to grow our communities has faced off with the desire to preserve the past. Nowhere is this more clear than at Free State, a rural black community that by 1833 had a population of as many as 450. The settlement began in the late 18th century when Amy Farrow Bowles, a free African-American woman, bought more than 200 acres of land. The land there was unoccupied for years, until Stonehaus, the development company, bought and developed it into the Dunlora subdivision in the 1990s. 

Eight or nine years ago, Aaron Wunsch and his wife Jillian, a staff archaeologist, discovered the site while walking around the neighborhood, where they were house-sitting for a friend. 

“I played the role of trespasser, and my wife was the archaeologist,” said Wunsch. They explored the community’s remains and found houses, still standing near Dunlora, that had survived from the turn of the 20th century. That was about it. 

The two were aware of the site’s history and used their network—Jillian works at Monticello and Wunsch with Preservation Piedmont—to drum up support for the site. The support spelled extra pressure for Frank Stoner, the developer behind Dunlora who planned a new development called Belvedere there, to hire archaeologists to explore the site. Stoner then contacted Steve Thompson of Rivanna Archaeological Services to conduct further research. They found Free State community ran between the present day sites of Dunlora and Belvedere, which had not yet been built. They also found on the property the Bowles family cemetery, which holds between 60 and 70 bodies. The only legible gravestone that was uncovered on the property read, “Mary Bowles, Died Dec. 6, 1882.” 

But not all of the Free State’s artifacts emerged intact. Very little work was done before Dunlora was developed in the early to mid ’90s, says Thompson. “It’s clear that there were probably other archaeological sites within what’s now Belvedere, but chances are that with the building on that site, that very little of significance survives,” Thompson says.

Development continues within the Belvedere community. But after pressure came from the outside, Stoner recognized that the historic site he was building on was worthy of preservation. The community’s plans changed accordingly: According to Stoner, “It’s part of our objective to weave its history into the fabric of the community.” Roads in the development are all named after members of the Bowles family, or after people from the Free State Community. (One road is named after Sally Hemings’ sister Critta, who lived at Free State.) The Bowles family cemetery, which holds between 60 and 70 bodies, will be set aside as parkland.

Wunsch says that, although he wishes Stonehaus didn’t put houses “literally on top of bodies that are buried there,” the developers did the right thing. “I think people take it much more seriously when you have not just text on a sign, but an actual piece of the built environment. It has a much more profound impact—tells a much more significant story.” He points to Civil War battlefields as an example: “The mere fact that those fields are there makes you think, this is a place where something happened.”

 

“We work in a lot of different contexts,” says Thompson. The work that they did at Free State and the Venable Lane site, near the University of Virginia, is “very different.” Ben Ford, Thompson’s partner at RAS, says that the Free State community presents a historical counterpoint to the Venable Lane site just south of the University of Virginia. 

Montpelier’s head archaeologist Matt Reeves examines the wall of a study pit near the Madison estate. In the center of the pit is a brick wall that framed the property in the 19th century.

Like Bowles at Free State, Catherine “Kitty” Foster was a free African-American woman. She purchased the property in 1833 for $450. Over the next near century, the land nearby—which was first occuppied by those who built the University—was subdivided into lots owned mostly by freed African-Americans. Foster herself continued to work for the university as a seamstress and laundress. 

The story of the Venable Lane site’s rediscovery began in 1993, when bulldozers razed an empty stretch of land at the corner of Emmet Street and Jefferson Park Avenue to make way for a parking lot. The only structure demolished was a brick house built in the 20th century. When the house fell, construction workers didn’t notice much of anything—but later research revealed a discolored rectangle of dirt: it was a grave. The one grave quickly turned into 12. That they weren’t found likely means that they had been intentionally covered by one of the property’s later occupants.  

The university quickly convened a task force. They hired Drake Patten, a graduate archaeology student, to use field schools and to explore the site. Students and community members dug together and located the primary Foster residence and collected, cleaned and stored thousands of artifacts. Ford told C-VILLE at the time that the “cemetery represents a community cemetery that may have had individuals buried there from a postbellum community called Canada—and that’s a direct reference to our neighbor to the north.” 

“Even in oral history, we weren’t finding stories about a community called Canada.” Patten says. “I think unpacking it the way we did, through  archaeology, I think it was a huge opportunity for the community to look at historic race relations, to consider the written history about the university, to think—O.K., what community built the university?”

The Kitty Foster home and graveyard markers, which will be part of the South Lawn, is a “rare opportunity” to have an intact  archaeological site, UVA Landscape Architect Mary Hughes said last year. “And it’s just the tip of the iceberg. It tells us about African-American life in early Charlottesville.”

It also told us a few things about the history of the University. When the Rotunda was being rebuilt after a fire in 1896, for example, the University’s rector asked an architectural firm to close off the Lawn’s south end to block “the area immediately to the south of the University’s land and in full view … filled with unsightly houses.” 

How was a freed black woman able to buy an expensive property in the antebellum South, at a time when blacks weren’t even allowed to congregate? Genealogical research points to a simple answer: The larger Charlottesville community accepted Kitty Foster as white.

The site was instrumental locally in “starting the conversation, which is now quite common, about what people call ‘passing,’” says Patten, which even in the ’90s “wasn’t happening publicly in the way that it is today.”

“What began as an archaeology project has really influenced in a substantive way UVA’s thinking about that site,” Wunsch says. 

 

In 1860, more than 12,000 freed slaves lived in Albemarle County. That means Free State, with less than  500 inhabitants, and Canada, the even smaller community that surrounded the Foster site, are likely the tip of the iceberg. What’s the use in seeking out these artifacts? Even if archaeology alone will not be able to answer that question, it doesn’t help that the odds are against survival for many sites in the area.

Steve Currie, an archeologist at Montpelier, holds a portion of a porcelain plate from China. The piece was part of the family dinnerware set, and was found in a midden site that the family used near the turn of the 19th century. 

Some weeks after my visit to Montpelier I visited the basement office of Rivanna Archaeological Services. Ford has been working on the didactic signage for the Foster site’s memorial, a shadow catcher that will be built on an acre above the Foster family graveyard. He had in his office a variety of artifacts that had been sifted from the dirt, like 19th-century toothbrushes and combs, buttons, and bits of broken bottles with the labels still legible. Most surprising about each of the 150-year-old artifacts was how they had been restored to almost new. The objects that were broken looked as if they had been broken yesterday. 

I recalled there what Reeves, at Montpelier, had told me about how artifacts are processed: “What we’ll do with all the artifacts is that we’ll bring them to the lab, we’ll wash all the artifacts, we’ll catalog them and we label them, and then we cross-mend them and restore them back to vessels. And once we’ve restored them as vessels we analyze them as objects, as part of the [Madison’s] household possessions.” There were sacks of dirt that lined the walls at Montpelier’s lab, which was packed to the gills with artifacts like these. Piecing together a story, it seems, is an enormous amount of work. Nonetheless, efforts to discover Black history continue in the area. Reeves said that excavation will begin on slave quarters at Montpelier at the end of winter. The quarters fell where they stood, and were covered in sod. The result is that they’re like time capsules. “They’re remarkably well-preserved,” he said. At the Jefferson School on Fourth Street, Preservation Piedmont is involved in efforts to preserve oral history.

But there are failures. The Vinegar Hill neighborhood, which was destroyed in a wave of urban renewal, is regarded by preservationists as a grave failure. Historical evidence at the Foster site showed that property that was owned by antebellum African-Americans tended to be demolished once the property was sold to whites. Present day, the unwitting destruction of artifacts continues whenever an excavator sinks into the ground.

“The more you dig, a lot of the times it’s not that you have all your questions answered,” Reeves says. “It’s that your questions get more refined. And that gets you more towards the final product.” In the end, it seems, it’s how deep you’re willing to dig that determines how much you’ll find.