Categories
Arts

The Back-Up Plan; PG-13, 98 minutes; Regal Downtown Mall 6

The premise alone might induce morning sickness: Jennifer Lopez plays a single Manhattanite who wants to get pregnant without waiting any longer to meet Mr. Right. So she gets pregnant. Then she meets Mr. Right. Uh oh! 

Conception precedes romance—but not in the usual way—for Jennifer Lopez in The Back-Up Plan, a romantic comedy from first-time director Alan Poul.

Here is what we know about Zoe. She lost her parents at a young age. She used to work in the corporate world, but now owns a pet store, which she has staffed with prodding, protective friends who otherwise lack any personality. She has a shrieky best friend, played by Michaela Watkins, who is a mother of several small children and advocates against motherhood, generally, by saying things like, “I will show you my vagina.” And she has a Nana, played by Linda Lavin, who has unwittingly set an example of commitment phobia that Zoe must learn to transcend.

Here is what we know about Stan. He had a cheating wife once. Otherwise, he’s available. He is played by Alex O’Loughlin, as a strapping goat farmer with a dream of starting his own sustainable cheese shop. 

The movie itself is a cheese shop, of course, and it’s going out of business. Its plan to dispatch all the hackneyed rom-com courtship conflicts and pregnancy plot points probably seemed shrewd to the filmmakers. But ultimately, The Back-Up Plan makes an hour and a half of screen time start to feel like nine very long months. 

Is it too much to ask for a love connection between two strangers, who slip into the same cab, one of whom was just artificially inseminated? The animated opening title sequence, which looks like M. Sasek by way of a disposable women’s magazine, pitches a plausible situational fusion of classic and contemporary. But then the movie proceeds to pander, and never lets up.

Positioning his comely stars among such cute-because-they’re-kinda-sad accessories like a wheelchair-bound Boston Terrier, an enfeebled Tom Bosley, and an oh-so-wacky single mothers support group, director Alan Poul exerts just enough control to ensure that sitcom stalwart Kate Angelo’s script never surrenders its contrivances. Poul presides confidently over this glossy and moneyed production, dishing up the requisite soundtrack full of orchestral rom-com pizzicato and twee heartache pop. He also goes so far as to supply a cozy bedroom scene in which J-Lo gets asked, “Why do you have a picture of your ass?” Which is basically the movie’s way of pretending not to take itself too seriously. Well, now we know for sure that the way to transcend banality is to not pass it off as humility. 

Early on, The Back-Up Plan was called Plan B. Access to emergency contraception is more important than ever. 

Categories
Arts

Checking in with Russell Richards

What are you currently working on?

Well, I am working on a series of figurative pieces. These are etchings and ink drawings, one of which I was working on when you called, an ink drawing on a white box that I did a figurative piece with, drawing from a model with the image underneath a piece of watercolor paper. It’s kind of an erotic piece. I’ve been working of a series of realist nudes lately, some of which are of a more sensuous nature. The latest series that I’ve begun is a series of tattooed women (and I’d like to mention that I’m looking for models). These are pieces that I’ve drawn from live models, so it’s a little different from what people are used to coming from me. My work has tended to be what I call my comic book kind of style, but basically I’ve retired that to forge ahead with realism. So I’ve been drawing from figures, drawing interiors, machines, landscapes, all kinds of things.

 

In addition to his paintings, Russell Richards says that he has a few screenplays in various stages of development. “One is about a society of people who mine the rings of Saturn for precious ore,” he says. “I’d like it to be animated, too, with contemporary rotoscoping techniques.”

Tell us about your day job.

Well, I am a full-time artist. But what people don’t realize about being a full-time artist is that you spend about 25 percent of your time creating and about 75 percent of your time hustling. I am constantly promoting myself, working on my website, sending out emails, trying to make contacts with people, following up on inquiries, all kinds of things. Teaching sometimes, too. It’s like not only am I an artist and trying to work in time to actually create my work, but I have to be a businessperson as well.

 

Locally, who would you like to collaborate with?

I’ve got the perfect answer to that question. I’d like to collaborate with Zap McConnell and Cindy Leal. They’re both dancers, and the funny thing is, when you interviewed them, they both said that they wanted to collaborate with me. So I’m returning the favor. But I really would like to work with them. I would like to work with dancers and performing artists. I did a lot of theater when I was a kid, and it’s something that I would like to do.


What is your first artistic memory from childhood?

When I was 7 years old, my parents took me to France. They took me to the Pompidou Centre, where there was this incredible kinetic sculpture called “The Crocodrome,” like crocodile. And it was this fantastical kinetic sculpture with an enormous crocodile head and it actually stood in this little fish contraption, which would shoot into the head, and it had all these moving gears and flashing lights and strange sculpture elements. It was just wonderful. It illustrated to me at an early age that art didn’t have to be stiff and academical, but that it could be a lot of fun.

 

What piece of public art do you wish were in your private collection?

My favorite piece of public art, at least locally, is a statue of St. Thomas Aquinas on Alderman Road, in front of St. Thomas Aquinas Catholic Church. It’s made out of car bumpers, and I have always loved that sculpture.

 

If you could have dinner with any person, living or dead, who and why?

I would have liked to have been a fly on the wall at this famous dinner that took place in 1853, in the half-completed concrete Iguanodon in the sculpture park in the Crystal Palace in England, attended by the famous naturalists and paleontologists of the day. The Iguanodon and dinosaur sculptures are still there, even though the Crystal Palace burned down.

 

Favorite artist outside your medium?

That’s a really tough one. I’d say Richard Linklater. Waking Life, A Scanner Darkly, Slackers, those are all just brilliant films. 

Categories
News

Home by architect Eugene Bradbury on market for $5.3 million

Pass by a house designed by architect Eugene Bradbury, and you may not see the home for the trees. Jefferson-informed dwellings like the Trotter House on University Circle or the ill-fated Compton House, torn down in early 2008 in a UVA controversy, showed Bradbury’s knack for blending a home’s boundaries into the land that surrounds it. 

The five-bedroom house at 1214 Rugby Road sits on more than two acres of land and a sizeable bit of local architectural history. But, at $5 million-plus, can it shake recent real estate trends?

Spot a real estate listing for a Bradbury house, however, and it leaps clear off the page. Last week, a Bradbury-designed home at 1214 Rugby Road became the most expensive residential listing in the city, at an asking price of $5.3 million—more than twice its assessed value of $2.5 million, which is also the asking price of the second most expensive pad within city limits.

At a time when median home prices in the city are holding steady at $248,000 and a million-dollar-plus price tag means an average 240 days on the market, the house seems ready to use architectural history to buck market trends. The five bedroom, brick-and-stucco home was built around 1909 and reconstructed after a 1921 fire. In 2009, the local branch of Preservation Virginia named the house its “Private Residential Preservation of the Year,” following a year-long renovation by Dagliesh Gilpin Paxton Architects and a few updates—a limestone terrace and 1,800-bottle wine cellar.

“We’ve had a lot of strong interest and several showings,” says Sally Du Bose, the agent representing the home for Virginia Real Estate Partners. “It’s one of a kind.” 

Current owners Kevin and Beverly Sidders bought the home in late 2006 for $2.9 million. Prior to the home’s renovation, Daniel Bluestone—a Bradbury expert and professor of architectural history at UVA—spoke with the Sidderses about the home’s history.

“It has an incredible restoration that will insure that it will be around for another 100 years,” says Bluestone via e-mail. “It is an excellent piece of property in excellent shape.”

While the condition and history of the house may be enough to justify its price tag to some, one wonders how prohibitive $5 million is, no matter the figure behind the design. The first-quarter market report from the Charlottesville Area Association of Realtors lists the average price per finished square foot of Charlottesville homes at $159; the Bradbury house is roughly $897. And while the local architect’s style focused on environmental harmony, the price on his Rugby Road design may yield a few interesting facts as to whether the local high-end housing market is out of the woods. 

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
News

Doctors' orders

 You think it’s going to be such an ordeal, this business of getting healthier and living better. You’ll have to trade in your sedan for a bike, give up your favorite TV shows, eschew the brew entirely, and in general become a bore. T’ain’t so!

READ MORE

Going to health: Or, How I learned to stop eating junk in 28 days

Change of heart: Slender, active and young, Scheline Crutchfield doesn’t seem like she’d have problems with her ticker.

You can improve your health one meal, one walk, or one laugh at a time.

Eat fresh foods and eat less of them, get outside and pump up your heart rate several times a week, and go light on yourself. We talked to six local doctors and despite their diverse areas of specialty, their advice generally boiled down to these points.

Attitude counts for a lot.

Approach your well-being positively and not as if you’re serving a term. It’s all about saying “Yes.”

But, there is one big No, and we’re talking to you, smokers. Sorry, but if you smoke and you want to boost your helath, then you have to quit. Sad but true: Neither carrots nor belly laughs can undo the damage caused by cigarettes.

Healthy Women

Tips from Claudia Sencer, CNM, Woman Care

1. Love. Having an ongoing emotional connection to another being is sustaining, affirming and health promoting. This does not need to be with another human; an animal friend can fulfill this basic human need. When we feel connected to another, we are drawn into life and health.

 

2. Laugh. We have all heard the adage “Laughter is the best medicine.” Laughter opens the heart and creates connections between people. There is even a study showing that people who laughed more had less heart disease than the group that simply was not amused.

3. Exercise. Not new news, but so important in the prevention of heart disease, diabetes and cancer, as well as improving mood and mind. You don’t have to run a marathon. If you do no exercise, just walking 15 minutes three to four times a week can have a significant positive impact on your mental and physical health. 

4. Moderation. You are what you eat, drink and smoke. It’s not rocket science. High sugar and high fat foods in large amounts cause heart disease and diabetes. If you exercise and eat healthfully, you can occasionally eat these tasty but less healthy foods and do fine. But they cannot be your main diet. 

5. Minimize medications. Take a good look at your medications and decide, with your health practitioner, what you could do/change in your life that could enable you not to need your meds. Consider this when you are looking at starting a new medication as well. Changing your lifestyle in order to avoid medications is always an excellent life sustaining choice.

6. Supplements. Food is your best supplement. Sometimes we cannot get the food we need and supplements help. For some folks with certain health concerns, there is an important place for supplements. For most everyone, Vitamin D is necessary at 2000 IU/day. 

7. Compassion. Love yourself as you would have others love you. We are all so hard on ourselves. Self-criticism is very destructive and has no redeeming quality. Reflect on your mistakes and learn and grow from them, then let them go. At times we all struggle with life and believe that other people have it more together than we do. It’s not true! Counseling can be very helpful if you get stuck and keep beating yourself up.

8. Eat well. How? Google The Harvard Food Pyramid and learn about the Healthy Eating Pyramid. Men eating closest to this diet had a 40 percent reduction in heart disease and women had a 30 percent reduction. The USDA pyramid conferred only an 11 percent improvement for men and 3 percent for women. 

9. Dedication. Create a health plan and carry it through. When you mess up, try to figure out why, then modify your plan to help support your goals—and your weaknesses—and do it again. When you mess up, forgive yourself and repeat the process. When you mess up again, refocus, recommit and repeat the process. A support person can be helpful to remind you about your path and help you strategize and stay the course.

10. Faith. Know you can create health in your life. Have faith in your ability to transform and heal yourself. For some, faith in external being helps, and in others, faith in themselves is what works. This is a difficult but very rewarding path and there are many roads that can get you there. Meditation, visualization, prayer and Qi Gong to name a few. Often guidance from a group or a professional is helpful.

Healthy Kids

Tips from Karyn Wolfe, MD, Pediatric Associates of Charlottesville

1. Get and stay active. Children should be physically active every day. Choose physical activities that you can do as a family, such as hiking and biking. Limit screen time. Children should spend less than two hours per day watching television or playing video/computer games. The AAP recommends that children under 2, not watch television. Remove TVs from children’s rooms. Minimize exposure to violence by monitoring the programs they watch, the video games they play and the websites they visit.

 

2. Healthy eating. Children should be taught to enjoy healthy foods from a very early age. Provide plenty of fruits and vegetables. Limit juice and high-fat, low-nutrient foods. Ensure that children are getting the appropriate amount of milk every day. The servings and amounts of food that children should have vary according to age, so talk with your pediatrician about these amounts. Be a good example of healthy eating for your children.

3. Safety. Make sure your children stay safe. This includes wearing helmets every time a child is on a bicycle, scooter, skateboard or skates. As soon as your child is learning to pedal a tricycle, he should wear a helmet. There are new recommendations on carseats and booster seats. Children should remain rear-facing until 2 years old. They should remain in a five-point harness carseat until they reach the weight limit of that carseat and they should remain in a booster seat until they are 4’ 9” tall. Teach your children to swim. Most children love the water, so make sure they are safe in it. Consider starting swimming lessons as early as 3 years old. 

4. Doctor visits. Children should stay up-to-date with their physicals and immunizations. A well-child visit allows the physician to assess your child’s physical health, as well as his development. It provides the physician with an opportunity to review age-appropriate safety issues and the most up-to-date recommendations. Immunizations prevent life-threatening diseases. Children should receive these on time. If you have concerns about particular immunizations discuss these openly with your physician.

5. Sunscreen. Children should wear sunscreen every time they are going to be outside. This includes cool, cloudy days. Children should wear at least 15-30 SPF and this should be reapplied every one to two hours. It is the sun exposure that we endure as children that puts us at risk for skin cancer as adults, so protect them now.

6. Insect repellant. The bugs are here! Lyme disease in Virginia has increased dramatically over the last two years. Children should wear insect repellent when playing outside. Use products with DEET concentrations 15 to 30 percent. Do not use products that are insect repellent/sunscreen combinations, as the sunscreen should be applied much more frequently than the insect repellant.

7. Read! Keep your child’s brains healthy too! Children should read or be read to at least 20 minutes daily. Start reading to your children early. Reading to children as early as 4 months of age has been shown to have positive effects on children’s language development.

8. Don’t forget your teeth! Children should brush their teeth at least twice daily, and after meals. They should floss daily. Visit your dentist every six months. 

9. Wash your hands. Children should be taught to wash their hands before they eat and after they use the restroom. They should also wash their hands upon coming home from school or outside play. Washing hands prevents illness.

10. Honesty and family time. Have open discussions with your children as they grow. Discuss high-risk behaviors at appropriate ages. Be open about the dangers of tobacco, alcohol and drugs. Don’t be afraid to talk about sex, STDs and pregnancy. Talk with them about their friends. Be aware of their social groups. Discuss bullying. Enjoy family activities with your children frequently. Model good behaviors, show them respect and affection every day!

Healthy Bones

Tips from Eric W. Carson, MD, UVA Department of Orthopaedic Surgery/Division of Sports Medicine

1.  Treat your muscles right. Keep in mind the importance of stretching and flexibility.

 

2.  Proceed step-by-step. Gradually ramp up your work out.

3. Get support. Novices at working out should consider supervision and guidance from a personal trainer (particularly with weight training).

4.  The work out’s not over until it’s over. Don’t neglect a warm up and cooling down post-work out.

5.  Work smart. The quality of your work out is more important than the quantity.

6.  Know your condition. Consider obtaining a good bill of health from your physician prior to starting workouts.

7.  Gear up. Wear proper fitting running shoes and equipment.

8.  Consider your surfaces. Avoid running too much on the pavement and streets or treadmill.

9.  Drink, drink, and drink some more. As you start working out, your requirements for hydration and water and caloric intake increase significantly.

10.  Don’t look for instant results. Set realistic goals with weight reduction and your work out schedule.

11.  Work out in your diet, too. Improve eating habits with fruits, vegetables and other nutrient-rich foods. Decrease your intake of alcohol and caffeine and eliminate tobacco and fast foods.

Healthy Elders

 

Tips from Mark Williams, MD, Professor of Geriatrics at UVA

1. Know the reality. There’re a lot of myths and misinformation out there for old people, but the point is, there’s reason to be optimistic rather than pessimistic.

2. Challenge your body. Regular exercise is critical.

3. Stimulate your intellect.

4. Manage your emotions. Get negative emotions out so they don’t eat away at you. Also, foster warm and effective relationships.

5. Nurture your spirit.

Healthy Hearts

Tips from Dr. Kwame Akosah, Professor of Internal Medicine, Cardiovascular Division, at UVA

1. Know your cardiovascular risk factors and control them. Fortunately, most of the cardiovascular risk factors are modifiable. You can’t change your gender, you can’t change your age, but the rest we can modify and they tend to be very important. 

 

2. Exercise. A simple way to exercise that is inexpensive is to just walk. Walking to stay healthy is very important. 

3. If you don’t smoke, don’t start. If you do, quit. 

4. Eat healthy. You want to have a good, healthy diet. An easy and inexpensive way to get there is to go to the American Heart Association website where there are a lot of suggestions for healthy eating. 

5. Know your cholesterol and control it. See your doctor to find out if you’re a candidate for medication to reduce it. Cholesterol can be managed by diet and exercise, although for moderate and high cholesterol elevations, people often need medications. But of course, we don’t think you should be taking medication without controlling your diet and exercise. They go hand-in-hand. 

6. Control your blood pressure. Your doctor may give you medication to control it. 

7. Take your medications as prescribed by your doctor. The medications that we prescribe when it comes to your heart are very important. For example, aspirin is prescribed for people who already had a heart attack; we do know that it will likely prolong their lives. 

8. Control your weight. Weight is very important. Obesity is a cause for Type 2 diabetes. People should know their risk for diabetes and manage it. Diabetes is very significant when it comes to heart disease and its complications. Many people who are prone to having diabetes may actually develop heart disease before we know that they have diabetes. 

As a nation, our population is getting larger. We do know that people with diabetes are at a high rate of developing heart disease and a higher rate of complications when they do develop heart disease. Knowing the risk is very important. 

9. Reduce and manage stress. Obviously we can’t take people out of their environment, but managing your stress is important. 

Healthy Mind

Tips from Susan C. Stone, Ph.D., Co-leader, Insight Meditation Community of Charlottesville 

1. Cultivate a healthy mind as well as a healthy body. Your mind and body are connected and both require your kind and thoughtful attention.

 

2. Wake up and notice when your actions are driven by habitual, unexamined judgments. Become mindful of how judgment creates unnecessary stress and prevents you from experiencing the moment fully.

3. Mindfulness means being present-minded, not absent minded. It means bringing your body and mind together in the same place at the same time rather than allowing your mind to run amok among regrets about the past or worries about the future while you distractedly go through the motions of daily life. 

4. Formally practice mindfulness for at least 20 minutes a day, watching your breath closely, experiencing how it changes moment by moment, and gently and repeatedly dropping thoughts when they arise. As a result of regular periods of formal practice, mindfulness will begin to enrich all areas of your life. 

5. Listen to your body; it is your teacher. Your mind can concoct all sorts of reasons, many of them contradictory, about why you should or should not take a particular action, but your body, when deeply heard, tells the truth.

6. Live from the inside out. Practice kindness toward yourself first; then it will flow naturally to others. This is commonsense, not selfishness. The habit of belittling and criticizing yourself while trying to love others clogs the gears of love. 

7. Forgive yourself; forgive others. Forgiveness doesn’t mean condoning your own or another person’s harmful actions. It means bringing a large-hearted understanding to the being who committed them, recognizing that we all want happiness but sometimes get confused about how to attain it. As long as you carry anger and unforgiveness in your heart, you cannot be happy and your health will likely suffer.

8. Balance and simplify. Too much of a good thing is not a good thing. Try to bring a wholesome balance to all aspects of your life.

9. Do your best and don’t expect perfection. It’s not in the cards for humans to be perfect. We are precious beings who try hard, fail sometimes, and can learn to hold it all with kindness.

10. Relax, laugh often, and enjoy your life now. Even the most difficult circumstances contain joyful aspects, if only you pay attention. 

Categories
Living

The Virginia Museum of Fine Arts breaks its cocoon

 When I-64 dumps Charlottesvillians in the heart of Richmond, and they see the stoplights, the long, flat stretches of pocked roads and chain restaurants they’ve never heard of, one thing usually comes to mind: I should have stayed in Charlottesville. But if there’s any reason to weather the task of getting to Richmond, it’s the new Virginia Museum of Fine Arts.

Highlights at the newly renovated VMFA include one of the finest collections of German expressionism, an impressive assortment of French modern art and nearly a quarter billion dollars worth of American art, donated from the McGlochlin family, for whom the new wing is named.

The museum reopens this week after $150 million in upgrades that began in 2005 and shuttered the facility for 10 months. Seen from the city’s Boulevard, the renovated museum cuts a handsome figure, marrying the original 1936 structure with a design worthy of any New York museum. That’s the new McGlothlin Wing, a colossal and modern concern that adds 53,000-square feet of gallery space—more  space than any other art museum in the state—to the museum’s existing 80,000. The expansion and renovation will put the museum in the top 10 comprehensive art museums nationwide. And what’s more, the glass facade will now welcome visitors seven days a week, for free. 

At a press opening last Thursday, museum director Alex Nyerges took to the makeshift stage in a well-tailored suit, awash in the museum’s natural light, and previewed the facility’s new features. After some some highfalutin yadda yaddas (“We’re going to bring the world to Virginia…”) Nyerges itemized the wealth of new amenities: Special exhibition space has doubled, allowing the museum to attract a higher profile of traveling exhibitions, including what he called the “most important show of Tiffany that’s ever been done.” That will open at the end of May. A sculpture garden and outdoor plaza are also nearing completion.

Alex Nyerges has been director of VMFA since 2006. Now he has to realize an ambitious master plan for the Museum of Fine Arts’ more than 13 acres.

The architect on the case was Rick Mather, an American who operates out of London. It was Mather’s first major American contract, according to his associate Peter Culley, who spoke on his behalf. (Mather was stuck in soggy England beneath a cloud of volcanic dust.) Culley said the architects were hoping that visitors would not suffer from “museum fatigue”—as I understood it, the exhaustion that strikes when you enter huge, artificial environments like shopping malls and museums. Symptoms tend to include shaky knees and general feelings of confusion.

At VMFA, relief from museum fatigue comes in the form of five catwalks that intersect the heart of the glimmering Cochrane Atrium. The design allows viewers to take a deep breath and to admire the bright, open space before plunging into the next exhibit. Featured there is Sol LeWitt’s final sculpture, “Splotch #22,” a mash of jagged spires that look like candy stalagmites from a forgotten corner of Mr. Wonka’s factory. LeWitt’s sculpture would pop on its own, but it does even more so in a place that holds few artworks. 

Go to the Feedback blog to see some photos of the revamped museum’s inside.

Man or mausoleum?

A special shout out to my new best friend Taj Mahal! O.K., I may not be the blues legend’s top amigo. But I’ll be damned if I didn’t interview him before his show this Friday at the Paramount Theater. Mahal was generous with his conversation and warmed up quickly. We touched on everything from music that’s recently blown his mind, to his recent work at the Dave Matthews Band’s studio, to what it was like to be in an interracial roots group with Ry Cooder in 1960’s Los Angeles. Read more after the break.


Taj Mahal was born in Harlem, raised in New England, and was first exposed to world music through his family’s short-wave radio.

I got an 11th hour e-mail from Taj Mahal’s publicist last week, asking if I’d like to interview the blues giant before his show at the Paramount Theater on April 30. It was short notice, but the opportunity was too great to pass up. “Taj”—which is how everybody refers to the man born Henry St. Clair Fredericks—was in Hawaii, where he played the Kokua Festival, the yearly event organized by Jack Johnson. It was a fitting place to speak to the globetrotter, who made his name incorporating world music into what he knew best: the blues.
When I thanked Taj Mahal after our talk, he asked for one thing in return: “Make sure you put my website up there in big letters.” That’s WWW.TAJBLUES.COM.
 
I heard through the grapevine that you’ve recently been in the Charlottesville area recording with Vusi Mahlasela, the South African musician.
Yeah, I’m working on Vusi’s record. I was producing on that one. It’s great. I haven’t heard the final mixes or anything yet, but we were finishing up the last of the stuff.
 
You were at Haunted Hollow studio, which is the Dave Matthews Band’s studio.
Yeah, but I didn’t see him at all. I saw his mom, and his sister and his cousin.
 
Your guitar playing is dense with influences. There are elements of Delta blues, palm wine, high life and slack key, elements of reggae. You play like a lot of people, but nobody plays like you. Who are some of your favorite guitarists?
I listened to John Hurt, sure, as a guitar player. Oscar Moore, also Django Reinhardt, “Reverend” Robert Wilkins, you know. There are a lot of different obscure finger pickers. There’s Franco, and a lot of the guys over from Africa play, guys from South America. Caetano Veloso, who’s from South America. Franco’s from the Congo. And of course there’s Muddy Waters, Lightnin’ Hopkins, and those guys who really play the American side of the guitar. And other players who play from other traditions of music, really—I like a lot of good players.
 
How do you seek out new music? Do you learn by traveling?
I’m just curious about the world, I’m curious about how humans do stuff that can relate from one place to the next.
 
Where does that curiosity come from?
I heard the music of the world when I was a kid, because I was already multicultural when I came into this world. My mother was an African-American woman from the South and my father was an Afro-Caribbean man from the Caribbean…There’s not just what you see on the “Ted Mack Original Amateur Hour” or Ed Sullivan. They’re good, but they were never the ones doing what’s happening.
 
I read an interview with you from about a decade ago where you said that Americans look to Europe for culture and credibility, when there’s so much here going on.
Yeah, it’s true. It’s tremendous what’s happening here, but people don’t listen to what’s at home. They just don’t look at what’s going on.
 
Is there anything you’re paying attention to in American music?
Yeah, but it’s not going to be on the radar. It just isn’t. There’s a lot of people here playing music in the United States but they don’t get any recognition because this is a popularity contest kind of deal. And that’s just what really kind of ruins it, ultimately. You don’t really have to have any value culturally, or spiritually, or of any other kind to be all over the place. They [popular musicians] don’t spend half a second as they should looking at the culture. You can make all the money you want, but why make all of the money you want at the expense of great culture?

Speaking of that, you’ve made a name for yourself by mining world cultures and making them fit in with what you do—the blues. As more people turn on the TV and get on the Internet, popular music everywhere sounds more and more the same, to some ears. How are traditional forms of music faring in that environment?
They’re intact! But they’re under attack. There’s no way that some modern person, no matter how much they sell…if what you need is 100 percent to give what you need to do some spirit and culture, and all of that kind of stuff, and you’re only giving 2 percent, that’s nowhere near 100 percent. Then who loses? The people that buy the stuff. The people who are making the money—that’s all they’re looking at [in the industry]. I’m not mad at them for dealing that way, but I am upset that there are these people thinking that’s the full extent of what’s available, and that’s never true.
 
So what’s valuable now? What’s the most recent thing that you’ve heard that blew your mind?
Oumou Sangaré, one singer from West Africa who was nurtured in Mali. Or Aster Aweke, from West Africa. Unbelievable, I mean just unbelievable. One is Ethiopian [Aweke], the other is from West Africa [Sangaré]. It’s unbelievable. To hear the latest album by [Congolese guitarist] Franco—killer. The last album of Ali Farka Touré, with Toumani Diabaté, and Vusi Mahasehla’s new album. Now that’s music.
 
Man, how do you keep up?
You could live 10 consecutive lifetimes and never hear all of the music that’s here on this planet. There’s no way. Even if you did it everyday for eight hours a day. Wouldn’t happen. There’s just so much music out there. So I just stay out of the popular play, whoever it is, whatever is going around—it’s the latest virus, the latest disease going around, and it’s all about the sales. It’s not about the people. Music is part of culture. It’s what helps people make it from one place to the next. It’s part of ceremony, and people are still doing it that way in the rest of the world.
 
On top of having your finger in so many pots worldwide, some say your work with the Rising Sons was as important as any in growing American interest in roots music.
Oh yeah, it was a very important band, but you got to realize, like I say, America is about popularity. For all intents and purposes, you want to put four white guys and a black guy up in front of the ’60’s audience—in the 1960’s America was not ready for it, and frankly, they’ll never be ready for it.
 
Even today?
They all seem that they’re ready for it, but they’re not ready. It’s always the same thing. The people were—I’m just talking about the established American side, wondering how’s this gonna play out? They just didn’t think they weren’t ready for that. They were ready for the music, as long as the black music had a white face to it, but for black music with a black face? They weren’t ready for that. And they still aren’t. The people are, but the industry is trying to think about trying to make a lot of money. You can make more money with this guy playing it rather than that guy.
 
The only reason Hendrix got to make is that he came in on the English channels, because he recorded and the people he was working with were English, and a separate channel to the main stage. Coming from outside the industry. Who—except for Michael Jackson—who has risen to that kind of status in the United States? Nobody. You can sell a lot of records, but you can’t get that kind of sustained top hand.
 
Do you see any hope in someone like Ben Harper who has enjoyed your patronage for a few years now?
Ben’s really great, Ben’s really great. He’s done really well, he’s carved a good niche for himself, but he hasn’t carved a niche in blues. If he tried to carve a niche in blues, they would just swarm him, you know. Because somehow or another they don’t want to market it unless they can market this other kind of thing. Ben’s done really well. And he’s smart. But the blues market is saturated by posers, and there’s just nothing you can do about it but play the real stuff and hear the real people.
 
Who out there is the real people?
The Music Maker Foundation in Hillsboro, North Carolina, has got probably the most amazing—I’ll tell you who else is out there that I like, this group called the Carolina Chocolate Drops. Pure. Check them out. Find them, get them on there. Another band, Homemade Jamz Blues Band. They’re youngsters, only 17. Their youngest sister is playing drums, brother is playing bass, other brother is playing guitar, dad steps in on harmonica every once in a while. They’re killer. This is what’s coming up. And why aren’t the cameras all on them like they are on some other people?
 
And speaking of that kind of relationship you’ve had with people like Ben. You’ve had the opportunity to be on the other end, where you worked with some of the masters, like when you got to work with Howlin’ Wolf and Muddy Waters. How does it feel to be on the other end?
If you wait, your time will come. That’s all it is, I’m not trying to do anything. I’m just saying to young musicians, “You don’t have to do it by the book, you can do it by your own book. You can make your own story.” And that’s what people want to hear, they want to hear the story, and that’s what these guys have going on, and that’s what they’ll hear from me is you should do your own story. And that’s what they did.
 
Are you working on a follow-up to your last album, Maestro?
No, not at the moment. I mean, there’s always music. If someone came up to me tomorrow and said, ‘You want to make an album,’ and then, ‘we’ll make sure you get paid until it’s done,’ I’d do it. I could do it.

 

Categories
News

City responds to W. Main Street death of UVA bicyclist

 In each of the last three years, the City of Charlottesville has seen at least one fatality stemming from a collision involving some combination of cars, bicyclists and pedestrians. Last week, a UVA graduate student became the first fatality of 2010.

On the morning of Monday, April 19, Matthew Steven King was riding his bike on West Main Street when he collided with a City of Charlottesville utility truck at the intersection of Fourth Street NE. King, who had been wearing a helmet, was transported to the UVA Emergency Room after the collision, and pronounced dead at around 9:31am from injuries sustained in the accident.

That night, another bicyclist, Sherwood Richers, was reportedly struck by a taxi at the intersection of Emmet Street and University Avenue—less than two miles from the intersection where King was hit. Richers was wearing dark clothes and did not have a light on his bike. 

According to statistics provided by Kristin O’Connell, crime analyst with the city police, 57 pedestrians and 10 bicyclists were involved in accidents in 2008, with one fatality recorded in a vehicle collision. In 2009, the number of collisions involving pedestrians decreased to 26, but one pedestrian was killed; 12 bicyclists were also involved in collisions that year. In the first months of 2010, so far 11 pedestrian and five bicycle collisions have been reported.

Although the police report on April 19’s fatal accident has not yet been released, this much is confirmed: Both King and the truck were traveling west on West Main Street, in front of West Main Restaurant. When the truck made a right turn, King and the truck collided.

The vehicle involved is both a vacuum and flusher truck. “It’s a large piece of maintenance equipment that’s used to clear sewer lines,” says Judy Mueller, director of Public Works, who added that at the time of the accident, the driver was returning to the yard located on Fourth Street. According to city spokesman Ric Barrick, the driver is on administrative leave with pay and “should return this week, but that is by his choice.” 

The loss of a promising young scholar has led bicycle advocates to think, and rethink in some cases, of ways to improve the city’s bike network. 

The intersection of Fourth and West Main streets, where Matthew Steven King collided with a city utility truck while on his bicycle. Last year, the City of Charlottesville spent $700,000 on pedestrian safety improvements.

“Fragmented bicycle lanes make it really difficult, especially for inexperienced cyclists, to understand exactly what they need to do, and it makes it difficult for drivers to understand as well,” says Vince Caristo, executive director of Alliance for Community Choice in Transportation (ACCT).

Mayor Dave Norris says that one reason for the fragmentation is that “the city has not been willing to take away on-street parking in order to make room for bikes. 

“It’s bound to be a controversial decision if we decide to remove on-street parking spaces, but it’s something that we are going to work at,” says Norris.

After local artist Gerry Mitchell was hit by an Albemarle County police car and thrown from his wheelchair at the same intersection where King was hit, the city created a pedestrian safety committee and later added bike safety to its mission. In 2009, the city spent about $700,000 for improvements relating mostly to pedestrian safety, including new sidewalk ramps, pedestrian signals and signalized intersections. 

While West Main Street is problematic, Roger Friend of Blue Wheel Bicycles says that it’s people’s responsibility to be aware of their surroundings.

“People operate motor vehicles and they don’t take it very seriously,” he says. “If you want to change one thing, that’s it: put away your cell phone, put down the Big Mac, restrain your kids…when a person sits behind a wheel of an automobile, then that should be all they are doing. Same thing for the bike riders.”

City Councilor David Brown agrees. Himself an avid biker, Brown says the city has been working on bicycling issues for a while, but the harder decisions are still ahead. 

“For example, a policy decision would be to remove a lane of traffic on West Main Street, so that the road would be wider and better, and better bike lanes without the risk of someone opening the car door right in the path,” he says. Money is also a concern. Brown says that one inexpensive step is to convert stoplights so that they can be operated by bicyclists. 

“Having said all that,” says Brown, “I feel safe as a cyclist in Charlottesville and I use my bike several days a week. Part of that is being an alert and defensive cyclist.” 

For Norris, Brown and Caristo, educating the public on the rights and responsibilities of bicyclists is a top priority. 

King, a 23-year-old graduate student in UVA’s math department, was injured at the same intersection where wheelchair-bound resident Gerry Mitchell was hit in 2007.

“We as bicyclists need to become more predictable as a group, which involves all having the same behavior about stopping at street signs, stoplights, using lights at nighttime,” says Brown. 

King, 23, was a UVA doctoral student in the math department and an avid sportsman, blogger and photographer. He graduated from Clemson University in 2009 where he majored in Mathematical Sciences and Russian. Before his fatal accident, King was working at The Haven, a Downtown homeless shelter, where his church, All Souls, provides volunteers to cook in the shelter’s kitchen every Monday.

“He was always gracious, smiling…the kind of volunteer who loves being here,” says Kaki Dimock, the executive director for the Thomas Jefferson Area Coalition for the Homeless. Lena Zentgraf, manager of the Haven’s kitchen, says anything King was asked, “he did it and was excited to do it.”

A visibly fit man, King joined CrossFit gym in Charlottesville in January. The day after the accident the gym posted a workout in honor of King. 

“I did not know him outside the gym, but I can tell you inside the gym he was an extremely impressive athlete,” says Kyle Redinger, co-owner of CrossFit Charlottesville. “He pushed himself to the limits every single workout.”

Fellow first-year graduate students in mathematics remember King as an outgoing and inspiring human being. 

“He really was one of those people who when he was around, you felt his presence,” says Ashley Rall. “Monday morning we all noticed. Matt has never been absent from algebra.”

King’s professors noticed his affinity for the material. “His most distinct feature is that he was very original,” says Mikhail Ershov, assistant professor of mathematics. “I think he really had a chance to become an original researcher.” 

A large crowd gathered Friday evening at the intersection of West Main and Fourth streets to pay tribute to King and plan for a more unified future for pedestrians, bikers and drivers alike. Norris told the crowd of King’s friends, bicyclists, UVA professors, elected officials, and city and county residents that the “tragic” accident is a reminder of “what more can we be doing” to make the streets of Charlottesville safer.

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

 

Will Obama nominate a UVA graduate to Supreme Court?

While Emory University may be quick to claim Leah Ward Sears as their own, the former chief justice of the Georgia Supreme Court is also a Cavalier—a 1995 graduate of the UVA Law School. Recent reports also place Sears among more exclusive company: President Barack Obama’s short-list of nominees to replace Justice John Paul Stevens.

The New York Times offers a list of candidates here; several additional sources name Sears as a contender. The Atlanta Journal-Constitution wrote in 2009 that Sears was discussed as a potential replacement for Justice David Souter. (That seat ultimately went to Justice Sonia Sotomayor.)

On a related note, the Washington Post recently printed a few interesting comments about the nomination process from the Miller Center of Public Affairs’ Presidential Oral History Program at UVA. Frank Moore, congressional liaison to former President Jimmy Carter, described the clearance process for nominees as such: "The FBI comes to town and starts asking around, and it ruins their law practice."

Categories
Arts

“The Hills,” “Law & Order: SVU,” “Happy Town”

“The Hills” 

Tuesday 10pm, MTV

Since ratings have plummeted and its original star has left the series, MTV is pulling the plug on this once hugely influential “reality” show at the end of this sixth season, which begins tonight. The cast has been doing its damnedest to ratchet up drama. Dim Audrina has been nabbing tabloid shots by dating has-been rocker Ryan Cabrera. New lead Kristen Cavallari has been making everyone think she has a drug problem. And series “villain” Heidi Montag, who underwent a battery of plastic surgeries to transform herself into a walking sex doll, has dropped rumors that she’s looking to divorce her psychotic husband, Spencer, and most interestingly, a few weeks ago slapped the show’s producer with a sexual-harassment lawsuit. Here’s hoping that it ends with every one of them being rocketed into outer space, never to return.

 

“Law & Order: SVU” 

Wednesday 10pm, NBC

I have always had a soft spot for Sharon Stone. Before she was famous she was great even in bit parts, like in Total Recall. Then Basic Instinct happened and she became huge and went on to be awesome/crazy, and made a string of terrible movies that have basically destroyed her career. Tonight she starts her four-episode guest stint on “Law & Order: SVU,” which should be subtitled “Where Formerly Hot Actors Go to Die.” Stone will play an assistant district attorney who used to be a cop, and who coincidentally taught Stabler (god among men Christopher Meloni) the ropes. Look for Stone to have a prickly relationship with her former charge and his current partner, played by the indispensable Mariska Hargitay.

 

“Happy Town” 

Wednesday 10pm, ABC

I always support when networks take a chance on a different kind of show. So while last year’s murder-mystery “Harper’s Island” wasn’t a smash, maybe this new dark thriller will find an audience. “Happy Town” follows the residents of Haplin, Minnesota, a sleepy hamlet recovering from a series of unsolved kidnappings. After a mysterious newcomer arrives, stuff starts to go horribly wrong again. It’s one of those shows where everybody has a motive, and the actual killer will be the person you least suspect. So I’m going with Peggy (Frances Conroy, “Six Feet Under”), creepy matriarch of one of the town’s founding families. But watch, she’ll probably end up dead/missing first. Also stars Steve Weber (“Wings”), the awesome Amy Acker (“Angel,” “Dollhouse”) and Sam Neill (“The Tudors”). 

Number of Foxfield arrests continues to decline since 2007

The final number of arrests made during the annual Foxfield Spring Races is in, says NBC29. And the total has continued to drop since 2007, when the event nabbed 85 offenders. That number decreased to 56 arrests in 2008, and dipped further during this year’s event to 45 arrests, for reasons including disorderly conduct, public intoxication, underage possession of alcohol and more.

Below, a safety video created for this year’s Foxfield races.

Categories
News

Setting the stage for UVA drama expansion

During the last year, the theme of UVA’s Arts Grounds seems to be “scaling back for the sake of moving forward.” In 2007, the Board of Visitors approved a $118 million Arts Gateway plan that included a new art museum on Emmet Street and a $26 million expansion and renovation of the drama building on Culbreth Road. When UVA opted instead, in 2009, to renovate the art museum’s current home, museum director Bruce Boucher told C-VILLE that, “in the present economic climate, a very ambitious scheme like [the Arts Gateway] would take a long time.”

UVA’s Thrust Theatre will be tucked into the hill adjacent to the current drama building. Vice Provost for the Arts Elizabeth Hutton Turner says the energy produced from adjacencies at the Casteen Arts Grounds are “just going to be so amazing.”

Now, plans for the drama building are ready to follow suit. The university recently issued a call for construction managers for UVA’s Thrust Theatre, a 20,500 square-foot addition to current drama facilities, and the first phase of renovations to the drama building. The name stems from the design of the stage, which seats audience members along three sides of the space.

“Hope deferred makes you heartsick,” says Vice Provost of the Arts Elizabeth Hutton Turner. “You need to see hope fulfilled to gather energy, to see what this means for the future.” The theater, according to Turner, is the “baking soda of the Arts Grounds.”

Not to say the addition will bring about an explosive change. Rather, the 300-seat performance space will “be set back into the hillside at the southeast corner of the Drama Building,” according to the project description. It will fit audiences that fall between the range of Helms Theatre (200 seats) and the Culbreth Theatre (600). The current lobby for the drama building will also be expanded, and the largely below-grade theater will include an at-grade rooftop terrace.

Plans for the theater began with a $4 million donation from alumnus Mortimer Caplin and his wife, Ruth, in 2006—years before the Arts Grounds project was renamed for retiring university president John Casteen and his wife, Betsy. Tom Jennings, the Assistant Vice President for Student Programs in the Office of University Development, says the project also got a boost from a $1.5 million anonymous donation and a $1 million matching grant from the Arts Grounds Challenge Fund.

“We were in the midst of trying to raise the full $12.5 million when the notion of honoring [the Casteens] became part of it,” says Jennings. “So the goal became raising the last $6 million to make that addition possible.” Funding opportunities for the project are still available, from $2,500 seat campaign contributions to $2 million for the theater lobby.

Turner says that the second phase of drama renovations will provide more office and rehearsal space, and is “absolutely needed.

“And that element will come, I’m certain of it. But the Thrust itself, and the donation, was for this public performance area,” says Turner. “And we definitely need more performance space.”

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.