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News

Philanthropist Kluge remembered as "suffering from a disease called generosity"

 

Some 400 people gathered on Tuesday, September 21 to celebrate John Kluge, the self-made billionaire who made a home in Albemarle and died on September 7. In a 85-minute ceremony at Monticello Memorial Gardens, Jon Kabat-Zinn, the world-renowned mindfulness teacher, and poet Jonathan Paul Walton, one of hundreds of beneficiaries of Kluge’s $400 million scholarship gift to Columbia University, offered the benedictions. Kluge, who regularly ranked high on lists of the world’s wealthiest people, “had a quality akin to the Dalai Lama,” said Kabat-Zinn. “The Dalai Lama is the only person aside from John Kluge who I’ve been in the presence of who doesn’t care what your status is in society. He treats everyone of equal importance.” Kluge’s legendary philanthropy included gifts totaling more than $11 million to UVA, as well as the 749-acre Morven Farm, which is not far from his final resting place.

 

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Arts

Mao's Last Dancer; PG, 117 minutes; Vinegar Hill Theatre

Come to think of it, Mao’s Last Dancer is just the movie you’d expect from seeing ballet star Cunxin Li’s memoir adapted for the director of Driving Miss Daisy (Bruce Beresford) by the writer of Shine (Jan Sardi). Not that it would ever occur to you to expect such a movie. But here it is, arty and awkward, convoluted and obvious. 

The reason it seems like a misstep to concentrate less on dance than on the inherent drama

Screenwriter Jan Sardi and director Bruce Beresford play to the simplest emotions.

of Li’s defection from China to the United States, in 1981, is that Beresford’s big-screen machine has an almost automatic way of converting drama into melodrama. You see a sweet little boy recruited from his provincial peasant village into Mao Tse Tung’s vision of dancing as soldiering. You see the strenuous, communist Beijing Dance Academy, where emotion and physical limitations are disregarded. 

And yet young Li determinedly grows into his gifts. He is inspired by a sneak peek at video of Mikhail Baryshnikov, whose most beautiful move, of course, was to defect from Russia to live in Canada. And when Li eventually becomes an honored guest at the Houston Ballet during the last days of disco, well, you see where this is going. Cue the virginal, available blonde (Amanda Schull), the green-card marriage, the international incident.

As the adult Li, Chi Cao inhabits his space very elegantly, mitigating the movie’s tendency to infuse its choreography with disruptive reaction-shot cutaways and slo-mo accents. He also has the advantage of Joan Chen as his suffering mother, Bruce Greenwood as his mincing American teacher and Kyle MacLachlan as his sensible lawyer. They give off great moments of lucidity and connection here and there, but again the lumbering apparatus of the movie seems to intrude, bogging them down with its formidable gravity.

Communists may be relieved to know that the agenda here is not directly political. Or if it is, the commentary on capitalism is just as clunky. It is a mixed blessing that Mao’s Last Dancer is just sensitive enough to maintain, without any irony, that hackneyed effusions transcend all political differences. It amounts to an equal-opportunity reductionism, applied to Texans and provincial Chinese alike. A charitable view would read it as a nice gesture, but even still, the gestures in a movie about ballet should be more than nice.

Sardi and Beresford share the propagandist’s penchant for playing to the simplest emotions. But their commonness of purpose inevitably cancels out to mere commonness. “I dance better here because I feel more free,” Li says of his adoptive home, and it’s easy enough to believe him. What’s harder, unfortunately, is to feel genuinely inspired.

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News

Is urgency to privatize ABC stores necessary?

He took his idea to the people with an eight-city “Exit the Liquor Business” tour. His team unveiled a formal plan, chock-full of financial projections and answers to concerns.

McDonnell’s privatization plan calls for the state to auction 1,000 retail liquor licenses to the highest bidding stores.

Yet even with all that bustle, Governor Bob McDonnell’s push to privatize liquor sales still faces bipartisan scrutiny—and it’s not because the proposal’s premise is outlandish. Philosophically, it’s hard to argue that selling liquor should be a function of government.

However, when eyed through a financial or social lens, the governor’s plan begins to lose its luster. State lawmakers might find the plan more credible with recent endorsements from Liberty University President Jerry Falwell Jr., the Virginia Fraternal Order of Police and the Virginia Wineries Association. But when the stumping ends and the squawking over conflicting studies is pushed aside, one truth remains: The governor and his policy team must convince lawmakers to abandon one of the state’s most profitable assets for an untested private model.

“People don’t like more uncertainty,” says Delegate David Toscano.

McDonnell’s detailed proposal, released September 8, attempts to eliminate that uncertainty. According to projections from the governor’s policy team, privatizing liquor sales would generate $229 million annually, and it would create $458 million in a one-time windfall that would be devoted to sorely underfunded state transportation projects.  

To generate that $229 million revenue stream, the proposal stipulates fees for wholesalers: a $17.50-per-gallon excise tax and a 1 percent tax on gross receipts. It also contains a 2.5 percent “convenience fee” on restaurants and bars that buy liquor directly from wholesalers instead of retailers. Whether those fees would trickle down to Average Joe Mojito Fan remains to be seen.

To boot, the state would auction 1,000 retail liquor licenses to the highest bidding stores, and the licenses would be divided into three unequal categories based on size and location: 600 to major retailers, such as Kroger and Wal-Mart; 250 to pharmacies and convenience stores; and 150 to mom-and-pop package stores. The state would set minimum bids based on the three categories, and winning bidders would hold licenses in perpetuity.

A weak spot within McDonnell’s privatization pitch has been addressing social implications. Critics have asked: Wouldn’t upping the state liquor store tally from 332 to 1,000 increase alcohol consumption, burden local law enforcement and open a Pandora’s box of social ills, such as increased underage access? 

The Virginia Interfaith Center is circulating a petition urging Virginians not to “trade your values for a few pieces of silver.”  According to the petition, privatization “will give our state a short-term financial high with a big long-term hangover.”

But the son of an iconic Christian leader doesn’t think so.

“Virginia’s private sector, its families, churches and businesses will be better served and protected by eliminating government-sanctioned monopolies,” Falwell Jr. said recently in support of the plan.

The proposal also drew backing from the state’s 8,000-member Fraternal Order of Police, which chose to focus on the projected $458 million that the plan would create for transportation projects, rather than on the potential social ills that would affect policing.

“The problem for the governor is that as more people examine the proposal in greater detail, they are becoming increasingly concerned about it,” said Toscano, who told C-VILLE he would not support privatization if the vote were today. “Originally, the thought was that the problem in getting this passed would be in the Senate, which is controlled by Democrats. But it now appears that a number of conservative members of his own party in the House also have concerns, and it is not clear how many votes he has in the House for the proposal.”

For a lawmaker such as Toscano, however, seeking a factual foundation from which to root a stance on the issue, conflicting studies are adding to the uncertainty. McDonnell & Co. cite a study from the Virginia Institute for Public Policy that shows little difference between rates of teen drinking, binge drinking and alcohol-related deaths among states that manage liquor sales versus states that have a privatized system.  

However, a recently released report from the VCU Institute for Drug and Alcohol Studies found that alcohol consumption does indeed increase with wider availability and marketing, as do rates of alcohol-related accidents and chronic disease.

Despite the lingering question marks, McDonnell and his team seem set on resolving the issue before the ball drops on 2011.

They have dismissed the idea of holding a voter referendum to give Virginians the final say. McDonnell’s 59 percent slice of the gubernatorial vote last year was privatization’s referendum, the governor’s point man on privatization, Eric Finkbeiner, said recently at a forum in Richmond.

The administration aims to call a special session of the General Assembly in November to send privatization to a vote. According to Toscano, the governor “would really like to convene a special session to pass this prior to January so he can move into the next General Assembly session with some momentum.”

According to a level-headed Roanoke Times editorial: “The Commonwealth has gotten along with a publicly controlled monopoly in liquor sales for 75 years. If it takes a year or two to undo it properly, so be it.”

 

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
News

Martha Jefferson Downtown location sold to local developer

 Martha Jefferson Hospital (MJH)’s Locust Avenue campus has been sold to Octagon Partners, which will manage the redevelopment of the site after the hospital moves to its new location on Pantops in August of 2011.

While the hospital has been looking for a developer for its downtown campus for years, Octagon Partners, which bought the property for $6.5 million, submitted a proposal in April and won against other bidders.

“They are already here, they know the expectations of neighborhood, they know the expectations of City Hall and those were some of the ingredients that went into pursuing the opportunity with Octagon,” says Ron Cottrell, MJH vice president of planning. 

“It is very exciting because now we have direction on what’s going to happen with someone making a substantial investment in the hospital and therefore a substantial investment in the community.”

Ellen Wagner, president of the Martha Jefferson Neighborhood Association, told C-VILLE that both the hospital and the new owners have done a good job of keeping the neighbors apprised on the developments of the deal. 

“We definitely think that the sale to Octagon Partners is a great match,” she says via e-mail. “They have done some terrific adaptive re-use projects and I think that the main hospital site will be in good hands.” 

In addition, Wagner says the neighborhood hopes that “Octagon can take advantage of the federal and state preservation tax credits that are available for the rehab of historic contributing structures.” 

“Our firm focuses on adaptive reuse developments, so the MJH is a natural fit,” J. P. Williamson of Octagon Partners tells C-VILLE via e-mail. And while it is early to envision the future of the site, Williamson says there are “no definite plans at this point, but our focus is primarily on commercial tenants, versus residential.”

MJH will completely vacate the site by January 1, 2012. Plans call for the new facility on Pantops to open next August.

Cottrell says that for the hospital to “decommission” the building and turn it over to Octagon, it may take a couple of months. “I am thinking it’s going to be sometime in late fall of 2011 that Martha Jefferson will have fully decommissioned the building, and that Octagon will then come take over.”

Octagon recently completed the Gleason project just south of Downtown. Previous projects include the redevelopment of the Hardware Store building on the Mall.

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News

Breaking his silence after a staffer's suicide, Ted Genoways depicts pressures at VQR and answers the charge that he bullied Kevin Morrissey to death

 Among the questions unanswered in the wake of the suicide of Kevin Morrissey, the managing editor of the University of Virginia’s critically acclaimed Virginia Quarterly Review, is this one: What is it like to share an office with Ted Genoways?

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Within days of Morrissey’s July 30 death from a self-inflicted gunshot wound, anonymous critics denounced Genoways, VQR’s editor and a rising star in the literary world, as a “workplace bully,” someone whose management style had driven his longtime colleague to a desperate final act. Maria Morrissey, sister of the deceased who had been estranged from her brother in recent years, nonetheless wrote on a website within days following her brother’s death that Kevin “had been the target of a workplace bully for several years.”

“‘Bullies are always cowards at heart and may be credited with a pretty safe instinct in scenting their prey,’” she wrote on cvillenews.com, quoting the writer Anna Julia Cooper. “Yes, from what I’ve been reading, Ted chose his prey well.”

With trigger speed, Genoways had gone from being the darling of the literary world to its worst nightmare—a guy no one would want to work with. While VQR contributors and others who know Genoways stepped forth to defend him, Genoways himself remained silent. His lawyer made a few comments to the press, but Genoways stayed away from his colleague’s funeral and away from reporters. 

Less than two weeks ago, Genoways finally agreed to talk, to give an account of the kind of changes within VQR and at UVA that put pressure on him and all of the magazine’s small staff. No one can ever know what led Morrissey to his final tragic act, but there is certainly more to understand about the atmosphere at VQR than the flat term “workplace bully” can convey.

When I met with him on a recent Friday afternoon, the editor of VQR was sitting at a long, “J”-shaped desk in the basement of his one-story brick rancher in Albemarle County. He was surrounded by several stuffed bookshelves. Among their contents: hardcovers by Larry McMurtry, a copy of The Things They Carried, Civil War books like The Devil’s Own Work and Team of Rivals, about members of Abraham Lincoln’s cabinet, who ran against the 16th U.S. President in the 1860 Republican National Convention. 

Genoways’ wife, Mary Anne, came in and out a few times joined by Pepper, the couple’s dog—a Labrador mix who was born deaf. On one occasion, roughly three hours into the interview, Mary Anne put her arms around Genoways’ shoulders.

“I want you back,” she said.

Later on, she told him that the fall issue of VQR, completed following Morrissey’s suicide on July 30, had arrived at their home. 

The issue has an abbreviated masthead, absent the names of VQR staff members Molly Minturn and Sheila McMillen and former staffer Waldo Jaquith, who all worked to complete the issue—albeit, not in the same office as Genoways. The names of Morrissey and Genoways remain, as does that of development manager and assistant editor Alana Levinson-LaBrosse, who tells C-VILLE that she no longer works for the journal.

Ted Genoways remains on leave from UVA following the suicide of managing editor Kevin Morrissey. In response to reports that VQR staff filed complaints against him prior to his Guggenheim Fellowship leave, he says “I wouldn’t have taken the leave if I knew that there were complaints that severe and that pressing. But I didn’t know.”

Following Morrissey’s suicide, when UVA announced the cancellation of VQR’s upcoming winter issue, it halted the operation of a journal that has published without interruption for more than 85 years. It also suspended the fate of a divided staff for what UVA spokesperson Carol Wood called a “much-needed break”—which has likely been less restful than the phrase suggests. 

In recent weeks, staff members met with consultants hired by UVA to evaluate management of the journal. With headlines like “‘Bossed’ to Suicide” (New York Post) and “Did Depression or an Alleged Bully Boss Prompt Editor’s Suicide?” (ABC) now tied to VQR, a review of workplace dynamics seems the least that UVA can do, especially in light of published but unconfirmed reports that suggest despairing staff had turned to University administration with complaints about Genoways and concerns about Morrissey that went unheeded.

While Morrissey’s death occurred at the height of VQR’s editorial powers, it exposed workplace anxieties about the magazine’s finances and fate. National Magazine Awards and nominations proclaimed VQR’s vitality, but a transition in university leadership threatened the journal’s ambitions and, perhaps, its existence. And just when staff relations seemed most organizationally confused and personally strained, Genoways opted not to lead directly but to manage from afar, taking leave for a prestigious literary fellowship, and leaving day-to-day relations to deteriorate.

Crisis and hard choices

In a May 2009 “manifesto” on the VQR website, Genoways wrote that schools that looked to cut literary journals from their expenses “would be diminished by their loss.”

“No one denies that we are in a period of crisis and hard choices,” he wrote, “but in such times doesn’t it make sense to start by ensuring the future of what you do best?” Was it a moment of prescience or a hint to those around VQR about what the magazine itself would face within a year?

VQR’s operating budget, according to Genoways, is roughly $482,000. One-third comes from endowment funds; one-third comes from income generated by the journal through subscriptions, advertising and licensing; and one-third comes from “a University allocation.” 

As the Great Recession hit in 2008, two of those three sources were in trouble. Between July 1 and December 31 of that year, the endowment pool managed by the University of Virginia Investment Management Company lost a total of $1.3 billion. Genoways says losses on investments between the fourth quarter of 2007 and the first quarter of 2009 amounted to a loss of roughly $75,000 for the magazine. Genoways further states that a separate $800,000 fund established by his predecessor, Staige Blackford, dropped from $250,000 to $130,000 during this same period, thanks in part to a nearly $50,000 loss in interest.

“At the same time that the endowments are freefalling, subscriptions are slumping,” says Genoways. “The first thing that happens with a recession is people start getting rid of any expense they can eliminate.” An annual VQR subscription is $32.

The VQR’s decline in income overlaps with an increase in expenditures. UVA spokeswoman Carol Wood provided C-VILLE with a spreadsheet showing VQR’s total expenses for FY2009-10 at $795,670, up from $347,243 for FY2003-04 (Genoways started at the magazine in 2003). Of the $795,670 total, the sheet lists $648,074 for salaries, fringe benefits and “other expenses,” and $147,596 from endowment investments classified solely as “other expenses.” Genoways says the spreadsheet doesn’t tell the whole story of VQR’s finances. For instance, money from endowments “is not a University contribution, in the true sense of the term.”

Genoways says that in October 2006 University President John Casteen committed to increasing VQR allocations by $50,000 per year for three consecutive years, in response to Genoways’ concerns about the diminishing Blackford account. VQR had long been a part of the Office of the President, speaking in terms of the organizational chart.

“The president upped our allocation and committed to helping us raise $3 million in endowment funds to cover those costs permanently,” says Genoways. “And that’s what we’ve been doing.”

A redesign at the end of 2008 helped with VQR belt-tightening, increasing the number of words on the page to 750 from approximately 450.

Genoways attributes a good deal of the cost-cutting successes, from finding cheaper paper to new printers, to his managing editor Morrissey, who managed VQR’s accounts. “In total, he managed to take our issue costs for printing and shipping down from about $35,000 for each issue to about $25,000,” he says.

On the hunt for funds, in early 2009, Genoways got approval from UVA Vice President for Research Tom Skalak for VQR to apply for a grant from the National Endowment for the Arts. But a faculty member at the University had also applied, and with two applications in conflict, Genoways says, VQR’s did not move ahead.

Following that disappointment, Genoways says he met with Skalak to discuss other funding opportunities for VQR and mentioned an idea for a magazine writing and photojournalism program. He thought VQR could raise the money necessary for the program and “to stabilize the operations for VQR and LOOK3”—the organization that runs the annual Festival of the Photograph in Charlottesville and has been unaffiliated with UVA to date. 

Genoways says Skalak encouraged contact with LOOK3 and efforts to raise the funds for such a program. He also says Skalak promised VQR $50,000 from the Office of the Vice President of Research during the 2010 fiscal year.

Writing the future of VQR

In August 2009, Genoways attended the Bread Loaf Writers Conference at Vermont’s Middlebury College, which hosts hundreds of writers, editors and publishers each summer. During his time at the conference, Genoways says, he had dinner with VQR contributor Tom Sleigh, Ted Conover (a writer-in-residence at New York University’s literary reportage program) and Alana Levinson-LaBrosse, who graduated with a Master’s Degree in education from UVA’s Curry School in 2008. Over dinner, the four discussed how a magazine writing program at UVA might take shape. 

“It was a really productive conversation—to have Ted, on the one hand, talking about how they got things started organizationally at NYU, and Alana applying that to her knowledge of UVA and how it worked in terms of how it seeks donors,” says Genoways. 

Kevin Morrissey, the managing editor of VQR who committed suicide on July 30, questioned a fellow staffer about “redundancies” as plans unfolded to keep the 85-year-old journal going under a new administration.

Levinson-LaBrosse, who attended Bread Loaf as a student and had previously given $1.5 million to UVA’s Young Writers Workshop to endow a director’s position, says she and Genoways “reconnected at Bread Loaf.” (The pair met previously when Levinson-LaBrosse worked on a speaker series for UVA’s Jefferson Literary and Debating Society.)

After she received an e-mail from Genoways asking her to consider working as a fundraiser, Levinson-LaBrosse says she visited to interview with each VQR staff member. She says she made her editorial interest clear to Genoways, who “assured me that my value as an employee was greater than a check.” 

“He was honest that my experience as a donor was part of my value as a fundraiser, but he made sure that his priorities regarding my hiring were clear,” says Levinson-LaBrosse. She agreed to start work on a volunteer basis on Monday, November 2. 

At the time, says Genoways, he did not grasp “the rather sizable hurdles for someone being able to fundraise for UVA”—from access to donor databases and travel liability to representing the school in an official capacity. For Levinson-LaBrosse to do those things, he says, required an actual position.

“Because Ted and Kevin were working on obtaining an exemption from [UVA’s] hiring freeze and an exemption from the legal search, we all knew it would take a while for me to become official,” says Levinson-LaBrosse.

Levinson-LaBrosse says that the VQR office “had its own tensions when I arrived.” But according to Genoways, “All of that business with Alana’s status seems to have created uncertainty and unrest among the staff.” And in an e-mail sent to friends after Morrissey’s suicide, and leaked to multiple media sources, Genoways wrote that tensions between the editor and his staff “grew poisonous.”

“In the last six months, my attempts to conceal the inner conflicts of the office were unsuccessful, Genoways wrote in that e-mail. “And many of you saw—or sensed—the unfortunate rift that grew up between [me and Kevin].”

Much has been made in other reports of the fact that Levinson-LaBrosse’s desk was in Genoways’ office, as if to exemplify the boss’s shifting interest away from the publication’s details per se and instead towards fundraising and reimagining VQR’s role at UVA. In fact, says Levinson-LaBrosse, when she first came on board, she was situated in Morrissey’s office. 

“Initially, the only open desk was in Kevin’s office so that is where I sat,” says Levinson-LaBrosse. “It was the intern’s desk and not a permanent working area for me.”

Levinson-LaBrosse’s position became official in June, seven months after she’d started helping out at VQR. Genoways seems to have moved quickly in those months when she was still a volunteer to shore up his efforts to increase the journal’s financial stability. 

During that interval, Genoways was awarded a Guggenheim Fellowship in the amount of $35,000 to work on a project about American poet Walt Whitman and the Civil War. He decided to begin a leave of absence in June of 2010, a timeline he might wish now he had re-evaluated. He appointed Morrissey to serve as interim editor for one year in his absence.

University in transition

On May 21, as his leave time approached, Genoways says, he received a call from Joan Fry, special assistant to the president. According to Genoways, Fry told him that President Casteen had met with incoming president Teresa Sullivan, “and that they had decided that VQR should relocate to another part of the University within the reporting structure.”

The same day, in an e-mail to Casteen, Genoways shared several of VQR’s goals, including a plan to raise a $3 million endowment to replace the $150,000 allocation from the president’s office, and the hope to create a magazine writing program with LOOK3. He also expressed concerns over the future home of the magazine.

“I fear those champions [of VQR], with you at the head of the list, will soon be gone, and that VQR’s 85-year history may end with it,” wrote Genoways. In response, Casteen wrote that a “quiet and orderly transfer simply makes better sense to me.” He added that Sullivan, scheduled to start her job on August 1, “expects me to leave a blank desk for her, and I think that her expectation is reasonable.” 

Staff was made aware of the move by June, when Genoways went on leave for his Guggenheim Fellowship. According to UVA spokeswoman Carol Wood, via e-mail, “discussions were under way for a new reporting line, and the Office of the Vice President for Research was one office being considered, but no final decisions had been made.” 

Molly Minturn, associate editor of VQR, says staff knew the journal’s move to the Office of the Vice President for Research was “a strong possibility, but nothing had been finalized.” 

“We knew that Casteen had given Ted a number of options to choose from, and Ted’s choice was the VPR,” she says. She describes the planned move as “slightly confusing to the rest of staff, because none of us were really consulted about it. But we were made aware of it.”

Once staff was made aware of plans, however, Genoways was out of the office on leave, with no clear vision of what the future of VQR meant for the individuals involved. 

“In terms of whatever Ted’s long-term vision for the magazine was, we wanted more information,” says Minturn. “And we were hopeful that we would be a part of his long-term vision.”

In a July 12 e-mail from Genoways to Assistant VP for Research Jeffrey Plank, obtained by C-VILLE and confirmed by Genoways as his, the VQR editor wrote that the journal received “an appropriation for $146,457 for FY10-11 from the president’s office” and had “$305,000 in cash on hand and in investments.” In the chance that the journal received no funds through the president’s office, Genoways wrote, “that is the money that will make up for the president’s appropriation for two fiscal years.”

In the same e-mail, Genoways writes that he would “hope to continue to have a say in the staffing and location of VQR, even as our operation comes into cooperation with other organizations and parts of the University.”

“I understand and support the desire to eliminate redundancies at staff levels and to create coherence within the new center as it develops,” he writes. “I would ask only that I continue to have a role in how those decisions are made.” Vice President for Research Tom Skalak was unavailable for comment, and Plank referred questions to Carol Wood.

Minturn recalls a VQR staff meeting during which Levinson-LaBrosse mentioned the possibility of jobs being restructured, and describes the feeling in the office as “worrisome.” While it is impossible to know how such a meeting affected Morrissey, the managing editor has been repeatedly described by colleagues and family as a man both doggedly devoted to his work and extremely sensitive. Additionally, in a leaked e-mail from Genoways, the editor called Morrissey, whom he’d known for 10 years, since they worked together in Minnesota, “prickly, mercurial, often brooding.” “Kevin in particular had a history of disagreeing with his bosses,” he wrote.

“Everything seemed to be moving a bit fast, without very much information,” says Minturn.

Further divisions among the staff

With Genoways on leave and Sullivan’s August 1 start-date approaching, Levinson-LaBrosse says Plank asked her to assemble documents to give the Vice President of Research “a picture of VQR as a department.” 

Among these documents was financial information for FY2010. Levinson-LaBrosse says that in April she had spoken with Morrissey about assembling an annual report for 2009-2010, and the managing editor confirmed he could complete financials for such a report “by mid-August.” But as summer waned on, something changed in Morrissey’s ability to complete that task.

“Three weeks before August 1, I asked Kevin if he could have that report done early, in time to turn in for the VPR,” says Levinson-LaBrosse. “He told me he could not do that.” With the magazine’s future seeming precarious, this news must have come as something of a surprise.

Trying to recalibrate expectations, Levinson-LaBrosse says she requested nine months of financial information for the fiscal year, then six, then three. “At that point, the gesture of compliance was more important than complete information,” says Levinson-LaBrosse. “He said he could not do any of it. That the books were all over the place.” She ultimately told Genoways she would assemble the materials. However, with VQR’s planned transition nearing its deadline, the job fell to an employee who was the focal point of office unrest.

While Genoways says Morrissey “was responsible for the day-to-day operations” of the VQR budget, Minturn says the managing editor took it upon himself to be the bookkeeper at VQR, and financial responsibilities ultimately lie with Genoways.

“Kevin did everything in his power to give as much financial information as possible to Ted and Alana,” says Minturn. “The request was to have the current fiscal year’s books up to date by July 30, which normally is kind of an unheard-of request.”

Also while Genoways was on leave, Levinson-LaBrosse says Morrissey approached her with an e-mail “that had a sentence highlighted about staff redundancies.”

“Kevin asked me what I thought the sentence meant,” she said via e-mail. She responded that Genoways, “by speaking to staff redundancies, was expressing readiness to work with the VPR and its offered resources.” In an uneasy office atmosphere, did Morrissey—facing questions about his work, reported to be anxious about other employment prospects —feel his job was threatened?

Tensions came to a boiling point in the office. According to published reports, Genoways e-mailed Morrissey on July 19 and asked him not to report to the VQR office for one week. When asked, Levinson-LaBrosse says both web editor Jaquith and Morrissey “were asked to work from home because their pattern of unprofessional and, at times, explicitly rude behavior toward me in the office was preventing us, as a staff, from getting the transition materials together.” Jaquith refused to comment about this claim.

Ultimately, Levinson-LaBrosse says that she compiled the necessary financial data with help from Minturn and submitted it to VPR. Minturn confirms that she helped assemble the data, and called Morrissey at home for assistance with the work.

“After Kevin returned to the office the week of July 26, I told him about the various financial things Alana had asked for help with,” says Minturn. “Kevin seemed surprised, and said he had provided her with all of that information already, and had shown her where on the VQR server to find the things she needed.”

Additional reports mention that Genoways and Casteen’s chief of staff, Nancy Rivers, attended separate July 26 meetings with Jaquith and Morrissey. (Jaquith, who now works for UVA’s Miller Center of Public Affairs, quit on that day, but agreed to help finish the fall issue of VQR.*) Questions to Rivers about the meetings and why they were called were not returned by press time. However, news sources report that Morrissey placed upwards of a dozen calls to University human resources and the Office of the President in the two weeks prior to his death.

Within four days of Morrissey’s meeting with President Casteen’s chief of staff and one day before the new president moved in, Morrissey took his own life at the Coal Tower. By August 3, his sister made her first public allegation that Morrissey was the target of a workplace bully, a phrase that still hangs over the situation at VQR.

“I think workplace bully is a real catchphrase and it stirs up a lot of emotions. I think many people feel bullied,” says Minturn. “I would never say that Ted was a tyrant. But I would say that from my perspective, the way he treated Kevin—and I’m talking about Kevin’s banning from the office—there was absolutely no reason for it.”

Workplace bullies and media debates

When Teresa Sullivan succeeded John Casteen as UVA president, the VQR moved under the supervision of UVA’s Office of Public Affairs—not exactly the place Genoways hoped to see it land. The deadline for the fall issue was pressing, and staff and Genoways worked in separate locations to meet it. Sullivan called for a financial audit of the journal and then expanded that “to include the management of VQR.”

The Chronicle of Higher Education asked “What Killed Kevin Morrissey?” followed within two weeks by a report on “The Today Show.” Genoways became a whipping boy for anyone who ever disliked a boss or those who make money speaking to the issue. VQR contributor Tom Bissell defended Genoways in the New York Observer, questioning the comments of workplace bullying experts who had never met Genoways or Morrissey and “who have a vested interest in stepping to the forefront to display their expertise and thereby control the narrative.” 

More than two dozen VQR contributors (including Bissell) signed their names to letters sent to multiple news sources. The letters describe Genoways as “professional, tactful, and respectful,” and call for a “full and impartial investigation.” Others questioned the vested interests of contributors, and whether they spent enough time in the VQR office to accurately assess Genoways’ behavior.

Sources from within the VQR office largely remained anonymous or silent. When Jaquith appeared on “The Today Show” in late August and called Genoways’ treatment of Morrissey during the final weeks of his life “egregious,” he later commented via his website that the show “skipped all of my nuanced remarks and just used the simpler ones.”

“It was awfully one-sided, which I guess I should be happy about…but the story’s not that simple,” wrote Jaquith.

Due to the confidential nature of personnel matters, UVA has refrained from responding on behalf of VQR employees who, bound by the same confidentiality, may feel defenseless. Asked to characterize the treatment of Genoways and herself by UVA, Levinson-LaBrosse uses the word: “Negligent.”

“Ted has worked exhaustively and in good faith at VQR for UVA,” she writes. “He does not deserve for misinformation to propagate.” Levinson-LaBrosse adds that she is no longer an employee of VQR and is unable to confirm “exactly when [her] employment ended.” She was told through her lawyer that her position with VQR was “no longer available.”

“I was given no justification or rationale for this being the case,” adds Levinson-LaBrosse. “I was told I could work in central development or I could resign. Given the fact that the University had stood by while I had been accused of buying my job as a donor at the institution, I did not accept this offer. I resigned.”

Fragmentary narratives

Maria Morrissey says her last conversation with UVA officials took place in mid-August.

“Nancy Rivers e-mailed me to say that Sullivan had expanded her audit to include operational and managerial issues,” says Morrissey, referring to Sullivan’s August 19 statement.

Morrissey says that no “hidden, financial worry” prompted her brother’s death and, to her knowledge, he had never attempted suicide before. “And I think we would know if he had attempted,” she says.

Asked about the response of UVA human resources, Morrissey says, “I feel that the humans involved wanted to help. But without a clear policy, they didn’t know how to help.” 

Genoways, who had not been a regular presence in the VQR office since June and was largely absent as the race towards transition from the President’s office heated up, expresses a similar sentiment.

“There have been multiple reports of the staff individually and collectively going to people in the president’s office in the month before my [Guggenheim] leave to complain about me,” says Genoways. “I wouldn’t have taken the leave if I knew that there were complaints that severe and that pressing. But I didn’t know.”

Asked about the bullying charge that is now indelibly associated with his name and VQR, Genoways denies it.

“No one would be able to conceal this about themselves in this way if there was any substance to what has been said,” says Genoways. “I don’t have one face with authors and another with my staff. I don’t have one with family and friends and another with my staff. It’s just not who I am.”

Since the completion of the fall issue of VQR, Genoways says he has composed a narrative of his history at VQR. “As exceptionally long as it is, it’s also still sort of fragmentary in its current state,” he says. Genoways remains on administrative leave from the University, as do Minturn and McMillen, while UVA works to complete its internal review by a September 30 deadline, a timetable that President Sullivan has said “will be subject to change if unanticipated complexities are discovered.”

A few weeks ago, UVA announced the cancellation of VQR’s winter issue, which was to be guest-edited by Andrew Owen and Michael “Nick” Nichols of LOOK3. VQR’s future home within the University remains unclear.

Asked about UVA’s decision to cancel the winter issue of VQR, Genoways says: “My hope remains that the investigation will conclude at the end of September and I’ll be reinstated.

“And if that happens by October 1, there will still be more than adequate time to complete the winter issue and publish it on schedule,” says Genoways. “That remains my hope and my wish.”

*Correction: C-VILLE previously published that Waldo Jaquith "offered his resignation" on July 26. Rather, Jaquith quit on that date. C-VILLE regrets the error.

Categories
The Editor's Desk

Readers respond to previous issues

Abortion is risky

I am glad that Ms. Daugherty and the women she interviewed were unharmed by their abortions [“Cuccinelli versus women’s health?” Opinion, Sept. 21]. Sadly, not all women share that experience.

Like all surgeries, abortion poses serious risks. These include excessive bleeding, puncture of the uterus, infection, and (rarely) maternal death. Abortion facilities which are ill-equipped to handle the complications signif-
icantly increase the danger to women’s health. 

Earlier this month, Dr. Rapin Osathanondh plead guilty to manslaughter in the botched abortion death of 22-year-old Laura Smith. His abortion office lacked resuscitation equipment, and Osathanondh failed to monitor Smith’s vital signs. The Virginia Board of Health has not only the right, but the duty, to ensure that this type of incident does not happen in our state.

Abortion proponents would sacrifice women like Laura Smith at the altar of “access.” For this, they should be stripped of any feminist credentials.

If you are facing an unplanned pregnancy, abortion is not your only choice. Call 1-800-395-HELP (x4357) for a local referral to an ob/gyn who complies with commonsense safety measures.

Kelsey Hazzard

Charlottesville

 

In the joint

In response to “Roll with it” [March 9], I thought it would be relevant to inform you that I am writing this letter as a 21-year-old inmate at the Albemarle-Charlottesville Regional Jail.

On April 27, I was sentenced to five years and six months for possession of marijuana with intent to distribute, even though the manner that my three ounces was packaged did not imply distribution. Five years of my sentence was suspended on the terms I serve six months, complete three years probation and behave myself for five years after my release.

Distribution charges are classified by weight and the category I fall into covers weights between a half ounce and five pounds. For reference, a half ounce of Mexican origin pot has a street value of $75 in Charlottesville. Five pounds of high quality, British Columbia origin pot is worth at least $20,000. That’s a heck of a category.

A lot of inmates are here for pot, and it’s not helping the overcrowding problem. It’s so crowded that it took two days of repeatedly asking before the guards could find me a blanket. An inmate who was burned working in the kitchen had to sit in a waiting room for half an hour with me before the nurse could see him.

Needless to say, legalizing pot would save a lot of problems in the Commonwealth’s justice and custodial systems. Personally, I think our rights were violated when pot, alcohol and other psychoactives became punishable by jail.

Although I think attitudes in Virginia, and especially Albemarle/Charlottesville, are changing, I don’t think the county would be “ready” to legalize if it were put to a vote today.

Jordan McNeish

Charlottesville

Categories
Arts

Checking in with Avery Lawrence

 Tell us about your day job. 

My day job is my studio called The POMP, located in Random Row Books. I call it a studio and print shop. I will have screen printing equipment and hopefully other stuff soon, but right now there’s a screen print station, a computer, lots of drawing and painting materials, and lots of other material with which I can make other objects. 

What are you working on right now? 

Avery Lawrence, an illustrator, printer and performance artist, is pictured at Lower Sherwood Farm, which provides the llama dung he uses to make some of the paper he incorporates in his projects at The POMP.

I’ve been working on masks for performance pieces. I just did an “endurance performance” piece on the Downtown Mall, entited “Grrr vol. 2.0.” I created a large, animal-like mask—some called it a pinecone, others thought it was an owl’s head—and I went shirtless with a mask and had a rowing machine that I retrofitted, so that it functioned as a fan. I set up a chair across from the fan and rowed for two hours on the Downtown Mall to provide some relief from the heat for pedestrians walking by.

I’m also preparing for a trip to New York, to meet with some more clients for my studio. I’m meeting with people from Penguin Books and also some independent book and arts consultant people. One is a woman from the Onassis Foundation, a cultural foundation that connects Greeks and Americans, sharing information for Americans interested in Greece, and Greeks interested in the United States. She’s interested in the prints I did for a book of The Iliad and The Odyssey, published by Chester River Press. I did 50 large illustrations for that.  

What’s your favorite building? 

Jeanne-Claude just passed away, but Christo is still around. He’s got a plan to make this massive pyramid of oil barrels. I just saw a plan of that recently, and if that were to exist, it would be my favorite building/structure. I’m pretty sure it’s supposed to go up in the United Arab Emirates.

What’s your first artistic memory? 

My dad would do these basic outlines of military vehicles and have me color them in, which guided the rest of my drawing in my early youth. I tended to create fantastical, military hovercrafts, snow machines and things like that. My dad is not in the military—he’s a lawyer in town—so I don’t know why he did that. 

Tell us about a piece of art that you wish was in your private collection.

I would really like a Chuck Close portrait, those monumental portraits, but really any of his work from any medium, to hang in my studio’s foyer. I saw him speak when I was in school at UPenn, and I was very impressed with how he described his art and carried himself. He had specific ideas and a system that drove his work and I was impressed when I was in college to see a professional artist and his reasons and love for production.

Locally, who would you like to collaborate with? 

Patrick Costello. He’s a community activist, he’s involved with C’ville Foodscapes, and he’s a puppet maker. We have been making plans to collaborate based around mask-making and interaction of characters we make. We talked about doing a garden installation with performances to go along with it. It’s going to be in Charlottesville, definitely.

Item you’d splurge on? 

Well, I just did. I bought a 20′ long, 1989, former USPS mail truck from a guy in Syracuse, New York. I’m going to use it for a mobile print studio. There’s a national printmaking conference every year, and next year it’s in St. Louis. A friend and I proposed to do a demonstration, and our proposal was accepted. We’re going to set up the retro-fitted mail truck in front of an art museum in St. Louis, create a station from which we’ll make prints and then receive telephone calls to take and deliver orders around town using the mail truck.

What would you do if you knew you couldn’t fail? 

I would be in a band and be up on stage. It would definitely involve costumes. I don’t know if it would fall in the vein of Lady Gaga but it would be a Lady Gaga, Blue Man Group and David Bowie hybrid.

Categories
Living

Food and wine for Indian Summer

With summer’s swelter behind us and autumn’s nip still to come, we are in that sweet spot where flip flop-wearing days rest between sweater-donning mornings and nights. This bridge between seasons begs for fleshy white wines paired with the last of summer’s culinary splendors and the first of fall’s bountiful harvest. 

Late summer tomatoes are rich and succulent and there is no better match for them than a wine from the Italian region that grows the most famous tomatoes. Campania’s San Marzano tomatoes and its ancient, indigenous grape varietal, Falanghina, are a match made in, well, Italy. Nicknamed the “Garden of Eden,” Campania is blessed with copious sunshine, marine breezes, and soils rich with volcanic ash (Mount Vesuvius did some good). It all culminates in a wine with tantalizing acidity and lemony lusciousness. Grill a pizza crust and top it with a scattering of tomatoes in all different sizes, shapes, and colors, chunks of burrata (imagine a ball of fresh mozzarella injected with cream), the last fragrant leaves of basil, sea salt and a generous glug of good olive oil. Eat, drink, moan, repeat.

When fresh figs arrive at the City Market, I buy obscene amounts and then gorge myself with reckless abandon. For the few weeks that follow, my life revolves around figs and how I can improve on their already exquisite beauty. My winner this fig season? Swaddle them in prosciutto, lightly sauté them until the prosciutto crisps and the figs warm, nestle them on a bed of peppery baby arugula, and add nothing but a drizzle of good olive oil, sea salt, freshly ground pepper, and a glass of Keswick Vineyard’s Verdejo. Exotic and seductive, this local take on one of Spain’s most aromatic varietals brings out the figs’ musky sweetness and delicate acidity. 

Four ways to celebrate the Indian Summer:

Alain Gautheron Chablis Premier Cru Les Fourneaux 2008. Tastings of Charlottesville. $26.95

Keswick Verdejo 2009. Keswick Vineyards. $17.95

Grotta del Sole Falanghina 2009. Whole Foods Market. $14.99

Cono Sur Viognier 2009. Wine Warehouse. $10.99

Oysters, love them or hate them, are juicy and plump come October and so perfectly paired with the wines from Chablis that many proffer you haven’t lived until you try this combination. (I relished this pairing once and then four hours later wished myself dead when I discovered that I was, most unfortunately, allergic to the bivalves.) Made from 100 percent Chardonnay grapes in the northernmost reaches of Burgundy, France, Chablis differs from Chardonnay grown in other regions because of its unique terroir on the Kimmeridgian chain—a huge Jurassic deposit of chalky marl and limestone covered with fossilized seashells. Chablis undergoes no malolactic fermentation (the process that converts sharp-tasting malic acid into buttery-tasting lactic acid) and touches no oak in its aging process, so these marine elements come through crystal clear—hence the natural pairing with oysters. 

Feeling like a Top Chef? Mash roasted butternut squash and apples with salt, pepper, and some mascarpone until smooth and spoon it onto sheets of fresh pasta (or use wonton wrappers!) for ravioli. Boil just until tender and toss them in browned butter with some wilted chard and toasted hazelnuts. A dish that unites sweet, salty, earthy, bitter and nutty needs a wine brimming with ripe tropical fruits like Viognier, which grants you density and structure alongside persistent acidity. 

We’ll be cozying up with our fuzzy slippers and red wine before we know it, so until then, enjoy these autumn days with the warmth of the summer sun on your plate and in your glass.

City Goat League to offer goat-keeping workshop

Now that the Charlottesville City Council voted to allow miniature goats in the city’s backyards, Meghan Keith-Hynes, founder of the Charlottesville Goat Justice League is organizing the first Charlottesville Urban Goat-Keeping Workshop.

The event is geared toward educating residents on what it takes to keep a miniature goat in an urban setting. The workshop includes door prizes, an expert panel, handouts and samples of miniature-goat cheese. For $20, with pre-registration or $25 the day of the event, you can learn the goat-keeping basics.

It’s happening on Saturday, October 9 from 2-4:30pm at Dragon Hill Farm in Scottsville. For more information, contact Keith-Hynes at 434-293-2145 or meghankh@gmail.com.

 

Meghan Keith-Hynes with her favorite miniature goat.

Categories
News

Living Wagers hopeful new administration means fair wages

Greg Casar used to run on autopilot: classes, homework, activities, and back at it again the next day. Not anymore. “When I first visited UVA, I was taken aback by the beauty of this place, but I never thought about how much work it must take to build and maintain such a beautiful space,” he told a large audience in a mid-sized room in Newcomb Hall.

Greg Casar wants UVA students to wake up and care about the people who manage the day-to-day activities of the University. “What I want to do today is challenge myself and challenge everyone in this room—and my student peers in particular—to get off of autopilot,” Casar told a large audience of students, faculty and staff at a UVA public forum on living wage. 

“I never thought about people coming in at 5 in the morning to get those overtime hours just to make ends meet.” 

Casar was one of five panelists who chronicled early and recent efforts of students, faculty and staff to get University administration to pay all of its workers what they call a fair wage.  

“What I want to do today is challenge myself and challenge everyone in this room—and my student peers in particular—to get off of autopilot,” said Casar. 

As UVA English Professor Susan Fraiman told the audience, the living wage campaign at UVA is not a new concept. In fact, it dates back to the 1960s and 1970s. But it was not until 1998 with the creation of the Labor Action Group (LAG), formed by students, faculty and staff, that the movement resurfaced on UVA Grounds. And since then—when, according to Fraiman, UVA paid its employees about $6.50 an hour for an approximate annual salary of $12,000—every year or so, students rally to move the campaign forward. 

This year, Casar and other members of Students and Workers United for a Living Wage are hopeful that a change at the helm of the University may mean a change for its employees. “It’s a new administration and I think the time to act is now,” Grace Hale, a history professor who moderated the forum, told the audience. 

Students got ready for the possible shift. Back in March, Students and Workers United for a Living Wage sent a letter with about 60 signatures to then UVA President-elect Teresa Sullivan to solicit her help in the matter. “We hope to meet with President Sullivan very soon, but we have not heard back from her since we sent our last petition last semester,” Casar tells C-VILLE. “I really believe that this is something that can happen. We have heard from administrators who really support this, lots of faculty and students who think that a living wage is a right thing for this University to do.” 

Although Fraiman says it is too early to tell where the new president stands on the issue, she says Sullivan’s background could be an asset to the movement. “It’s good that President Sullivan’s area of expertise is labor and she is quite aware of problems of unemployment and underemployment,” she tells C-VILLE. “I would love to think that she may even take the lead on this issue.” 

Ultimately, members of the campaign are asking UVA to start paying its employees, contracted or not, $11.44 an hour, the same wage the City of Charlottesville pays its workers. 

“If the University institutes a living wage for its lowest-paid employees, wages will also positively affect the rest of the community, because the University has so much power within the market,” Casar tells C-VILLE. 

Currently, UVA’s rate is $10.14 an hour, $2.89 more per hour than the federal mandated minimum wage. According to UVA, an employee who makes $10.14 an hour with no dependents for health insurance benefits, receives additional benefits worth $7.08 an hour, totaling $17.22 an hour. There are currently 282 employees in the UVA Academic Division who earn less than $11.44 an hour. 

According to the Thomas Jefferson Partnership for Economic Development, the cost of living in the Charlottesville is 4 percent above the national average. Most interesting, housing costs are 20 percent above the national average. A UVA employee who works 40 hours per week for $10.14 an hour makes about $20,000 per year. 

Although UVA employees will receive a 3 percent bonus this year, Casar says it is important to keep the focus on a long-term goal. 

“A lot of people are excited about the 3 percent bonus, but it’s a one-time bonus, and what’s important about the living wage is that people are guaranteed stability in their wages, that their wages won’t go down because of inflation,” says Casar.