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Eau de Charlottesville

For most of the year my commute to work is uneventful. I see a bookstore, a hamburger joint, lots of people, a coffee shop, some restaurants, and then my office.

Then summer comes. There’s a wet, dusty blast from Daedalus Bookshop as its owner sets up shop for the day. The choking trek past the three early morning smokers on Fourth Street. Coffee, cold fruit and salad bar in pleasant competition at the Blue Ridge Country Store. The dissonant combination of fresh plastic and yesterday’s filth on the public trash cans. The day’s first batch of burgers and fries cooking in peanut oil at Five Guys. Then the office, which doesn’t smell like much.

Summer is the smelliest time of year. The hot and wet of the summer is when flowers broadcast their scent as they reach for the sky, when people take cooking to their backyard grills, and when the waste from it all decomposes in overdrive—all painting a rich tapestry of smells.

When most of us think about the power of the schnoz, it’s life-or-death stuff. Do I smell fire? Is this meat spoiled? Is the milk turned? But the sense of smell goes beyond the practical. It’s one of the brain’s most poorly kept secrets that smell and memory are processed together; it all happens in the limbic system, the seat of emotion. That’s why, if you just moved back to Charlottesville, the smell of a fresh Spudnut on a hot summer morning can be enough to make you weep.

The actual mechanics of our smelling bears out this intimacy. We smell something when vaporized odor molecules, which are chemicals, from a nearby substance enter the nose. These chemicals make their way to the top of the nostril where they dissolve in the olfactory mucosa. An electrical signal is sent to the brain. More than any other sense, smell starts with a form of physical intercourse: taking in a piece of where you are.

It should be no surprise then that the smell of Charlottesville goes far to establish the unmistakable—and until now, unGoogleable—sense of being in Charlottesville.

Nosing through the city’s center: On and around 10th Street

The smell that anchors the morning experience near 10th and Preston is that of coffee roasting in the back of Shenandoah Joe’s Coffee Roasters. Unlike the gorgeous, complex smells hovering above piles of ground beans or a cup of joe, the smell of green coffee beans browning in the roaster is sort of like the scent of a human-scale gingerbread house burning down in your neighborhood every morning.

That’s where I started my walk through these neighborhoods early one recent morning. The SPCA Rummage Sale was not yet open, but its smell, cemented in my memory by repeat visits, lingered just inside the door: cats, their food and their dandruff. Then came the smell that lovers of used crap grow to love: the animal odor of large volumes of dusty, water-damaged goods stacked in close quarters, sour-smelling books and records, and shirts once owned by smokers.

Soil and mulch lay on palettes outside Martin Hardware, the inviting whiff of what gardens smell like before plants, sawdust cooked in butter and cinnamon. Integral Yoga was still closed, but the scent of Nag Champa and melons crept through the automatic doors. On Charlton Avenue around the corner, aroma from a pair of Topsy-Turvy hanging tomato planters briefly wafted to the sidewalk, very fresh, tart to the point of being nauseating. Tired lifeguards waited for Washington Park Pool to open, as the scent of pool chemicals waltzed across the smellscape. It was more or less clear what each of these odors were.

But strolling down 10th Street, smelling became a kind of super-vision that offered insight into all I couldn’t see. My nose said paint had recently been applied somewhere. It told me that the flowers on the stoop of a yellow house had been recently watered. Up the hill, it told me that someone was cooking a breakfast of eggs and bacon. It told me some kid had taken his dog for a walk and left the pummeling funk of his uncurbed pet for someone else to deal with.

At Main Street, I poked my head in the Hampton Inn. Chain hotels that serve continental breakfast—they all smell the same. Soggy bread, burnt coffee and a pile of too many bananas, all portending how bloated you will later feel.

A brief detour down Main brought me to the Amtrak station, where the smell of fresh pavement (melted hockey pucks served over dirt) aggressively wafted about in the early morning sun. I returned to 10th Street as it became Roosevelt Brown Boulevard and walked past the hospital parking lot to discover the odoriferous delights of the Korner Restaurant, lined with breakfast customers brought there by the rich, fetching scent of eggs on the griddle, plus various cuts of pig exploding with grease —a message much more powerful than the sight of the simple building.

Breakfast stench met that of spilled gasoline at the corner of Ninth and Cherry, in front of the Coastal Gas station. The inside of the Laundry Land laundromat, further down Cherry Avenue, smelled relentlessly faux-natural, as if the smell of Mount Pilatus in The Sound of Music had been bottled and spilled across the floor. I stuck my nose in the Salvation Army across the way, and, minus the animal smell, I could have been back at the SPCA Rummage Sale—or any other thrift store, for that matter.

The small bamboo forest across from Tonsler Park, at the corner of Ridge and Cherry avenues, is said to be a haven for feral cats. The foliage in between the mostly scent-free bamboo stalks smelled vaguely like fresh lettuce, or cannabis. Though my sense of smell had allowed me to see so much in the neighborhood, if there were cats, I couldn’t smell them.

Work hard, smell hard: UVA and the Corner

Not having smelled it before, it’s tough to tell how UVA’s recent growth—which has included a new education building, new band building, new cancer center and a new Lawn—has affected the University’s smellscape. But a walk through central Grounds, starting from JPA and moving towards the Corner, offers evidence of a boring palette: the vaguely antiseptic, almost anti-smell of new buildings.

That said, a walk through the University brings a lot of fragrant treats. There was, of course, the fresh-cut grass. The Magnolia tree that frames the Rotunda also issues a smell when it blooms, of lemon and brown sugar crepe that is worthy of the sight’s visual majesty. The nearby gardens smell of blooming sweet Columbine, Rose of Sharon and Wisteria. Boxwoods have elsewhere been described as the “fragrance of eternity,” which is apparently indistinguishable from the smell of cat urine.

South of Newcomb Hall, there is a big grate, where a fried chicken smell has long been a source of intrigue for residents of nearby Brown College. (Imagine a sauna powered by buffalo wings instead of coal.) The grate provides ventilation for the building’s kitchen. I asked a PR person at UVA whether that scent was part of the network of steam tunnels beneath the University. “The tunnels themselves don’t smell,” she said in an e-mail, making the tunnels an exception in an exceptionally smelly place.

If flowers and new buildings is the smell of higher education, the Corner smells like its detritus. The corner of 14th and Grady hosted a pile of vomit that looked like a pomegranate has been left in the microwave too long, its seeds exploded all over, and smelled that way too.

Back on University Avenue, a UTS bus blasted by, wafting the scent of grass, then fuel, as I walked to the Corner. Some small cities are arranged in a straight line, shocking you with their smallness as you pass through. The Corner might be such a place, if it weren’t for two arteries—14th Street and Elliewood Avenue—that, like the district’s armpits, accumulate a smorgasbord of stank. If it’s your stench, you may well love it. Visitors, not so much.

Past the UVA goods store Mincer’s (musk of plastic, printed labels) and Starbucks (dark-roasted coffee), the first few steps onto Elliewood Avenue are odorless as pure water. The smell of the Ragged Mountain Running Shop is nondescript from the outside, but a step inside brings back childhood: When I was a kid and I got a new pair of shoes, I would spend the first few days with my nose under the tongue, until they’d take on the smell of my feet and I’d lose interest. The smellscape inside the shop reads like an epic battle between those extremes—brand new shoes vs. shoeless athletes—and there the new shoe smell is winning.

Yet the foot smell is winning at Marco and Luca’s, where the reek of dumplings, like shrimp scampi served in a sweaty boot, is borderline unbearable if you’re not eating them. Next door, the Corner’s best sandwich shop, Take It Away, hosts the very fetching smell of freshly-baked bread.

Heartwood Books punches you with a wet, dusty, camphoric scent as I walk past its open door. Nearby, dumpsters in the Corner Parking Lot are where the stuff that produces the neighborhood’s smells accumulate to rot. The dumpsters face the tracks, which in turn guide railcars full of coal to the coal-fired plant just over the 14th Street Bridge. The burning coal itself you can’t really smell.

Tucked in an alley on Elliewood is The Copy Shop, where I worked in college. Worse than the menacing, chemical smell of Xerox toner and endless reams of paper is that of the salon next door. The women who visit to get perms would leave behind traces of burning hair—more horrible than you’d think, like a person who ate exclusively salted pretzels being struck by lightning.

Perhaps the smelliest restaurant on the Corner is the Subway on 14th Street, a short walk across the Corner Parking Lot. Across the nation, Subway sandwich shops emit a putrid stench that is supposed to smell like bread. This one is no exception.

“The smell is bread,” a company spokesman wrote me in an e-mail. The smell is “an unmistakable sign that we are nearby and that you will be having your sandwich made on bread that was baked fresh that day.” I decided on dumplings for lunch.

Into the fart of darkness: The east side of town

Walking down Market Street into Woolen Mills on a quest for smells is a little bit like Charles Marlow traveling down the unnamed river into the heart of darkness. It is a quest destined for an olfactory tango with what is perhaps Charlottesville’s most foul-smelling facility: the Moores Creek Wastewater Treatment Plant.

But you can’t smell it yet at the corner of Ninth and Market. Instead, mingling in the air inside the Guadalajara Mexican Restaurant is the unmistakable trio of smells that spell cheap Mexican food: corn tortillas, shredded Mexican cheeses and little lakes of refried beans. Walking past the Inova Building’s parking lot and all the way down the street to Carlton Place, the smell of freshly-cut grass reminded me of baseball.

A team of UVA scientists wrote a paper in 2008 suggesting that air pollution is destroying the scent of flowers, which could possibly explain a decline in bee populations, since they can’t follow scents to flowers (scientists have done a lot of guessing about colony collapse disorder). As a human walking past a flowerbed on a hot summer day on Market Street, I couldn’t tell. The odor of wildflowers popping their heads up from uncut lawns flashed by in a rush of brief episodes. Other smells intruded: an apple so rotten it smells sweet again, roses, musk, cleaning fluid.

Cigarette smoke wafted into my path on my way down Market, but I couldn’t see the smoker. Someone was having a barbeque, the smell conjuring all sorts of memories of high school graduation and suburban living—and then I see it’s coming from Jinx’s Pit’s Top, though it was closed. In an opening between houses, a log splitting machine had quartered a termite-infested tree for firewood (kitty litter, fire, sawdust).

At the corner of Carlton Road there was a pile of wood and plastic detritus labeled “Craft supplies courtesy of your friends at Gropen” that smelled like hamster cage lining in a new Ziploc bag. Beer Run smelled not like beer but more like Guadalajara—burnt cheese. Inside C’ville Market, candies in wax paper mixed with the sweet, wet odor of shrink-wrapped watermelon slices, and in the room where they keep cold produce, rotten lettuce ruined the smell of the rest of the fruit and veggies. Bottles and bottles of wine smelled like nothing but the wood shelves they were stacked on.

From there I turned left at Aqui es Mexico and dipped down Carlton Avenue towards the Hogwaller neighborhood. A motorcycle drove past, briefly masking the molten dirt smell of hot pavement with something that smelled more like a cigarette boat leaking oil. As I walked in this direction I picked up increasing whiffs of an enjoyable combination of hay and dung from what, I didn’t know, until I saw the Charlottesville Livestock Market. Somehow the smell of cows and their output is much more appealing and comforting than the scent of human beings and theirs. (It was coming. The horror…)

A woman wandered by, walking a miniature pinscher. Dogs’ olfactory bulbs are four times larger than those of people. The pinscher used its smell powers to take a whiff of a dead bird (old trash, decomposition) slain against a curb. I pressed on, down Franklin Avenue, past warehouses too far from the road to smell, and descending to Riverview Park.

There it was: one of the worst smells in Charlottesville. It was one of the days when the funk of sewer waste blanketed the easternmost portion of the city—the odor of the Moores Creek Wastewater Treatment Plant, which shares its generous stench with the neighborhood.* It’s a vicious blend of sewage, decomposition and chemicals, a potent counterpoint to the homey smell of Hogwaller’s livestock market. I nosed inside the sun-warmed Porta-John at the entrance to Riverview Park to compare it to what’s outside: Gag. Sure enough, sister smells.

“One of the naturally occurring characteristics of the treatment of human organic wastes is the odor emanating from it,” reads the website for the Rivanna Water and Sewer Authority. The Rivanna Water and Sewer Authority, which operates the facility, is planning an upgrade—cost estimates range from $27 million to $37 million—that could improve the plant’s capacity and improve the smell of the neighborhood by enclosing the stinky facility and employing scrubbers.

Yet some of the plans that would improve the smell would instead blight the neighborhood with an expanded pumping plant next to Riverview Park. In short, residents would exchange a nosesore for an eyesore.

But at least you can avoid an eyesore: Shut the blinds, look away, close your eyes. Close your nose? That’s a different story.

Smelling you later

There can be no authoritative “smell of Charlottesville”; as with much else, it smells like many things to many different smellers.

But the smell tour through Charlottesville, as it turned out, was sort of a tour through the processes of a day in the life of our city. Following your nose, you can discover where the coffee comes from, and where it’s just drunk. You can find out where something’s being built. (Some things literally smell like a rat, and others fishy.) You can smell whether something is asleep, or dead and actively decomposing.

For you, it may be the smell of cow patty, dumpster, cat pee or a dead animal on the street that pulls the little string in your head, and the little “Charlottesville” bulb lights up. But whatever it is, it’s the smell of home.

* Due to a reporting error, an earlier version of this story said that compost at the Moores Creek Wastewater Treatment Plant was partially responsible for the odor in Woolen Mills. In 2008, the RWSA’s sewage plant on Moore’s Creek stopped composting biosolids at the site and started shipping them off to a facility in Richmond, with hopes of lessening the foul odors in the air.

Categories
Living

July 2011: Rental Rescue

 In first grade, I grew a bean sprout the size of my hand using nothing but a dry bean, a wet paper towel and a plastic cup. Needless to say, when a renter says “I can’t garden in my apartment,” I don’t buy it.

Whether because of space restrictions, a landlord with two brown thumbs and an ironclad lease, or a complete lack of any green space to begin with, it can be all too easy for renters to feel excluded from the garden club. But you can find a way to play in the dirt in any space, from a bungalow with a big backyard to a downtown apartment with a windowsill.

For myriad reasons, container gardening is one of the most practical and affordable approaches for green-thumb renters. Container gardening allows you to bring the outdoors in, as well as investing in your own project and not in someone else’s rental property. Who wants to dig up flowers when they move? The options for containers are endless, ranging from pots to boxes to bags. Browse the shelves of Fifth Season Gardening Co. (Preston Avenue) for an array of pottery, planters, and containers. If you’re feeling more creative and looking to save money to buy seeds, hit a consignment or thrift store for the perfect container—how about an old boot, tea pot, or watering can? While shopping, keep in mind a few self-contained rules:

Size matters. Your container should be 1-2" larger than the rootball/pot the plant came in, allowing room for the plant to grow in the new soil. Larger pots require less watering.
Color matters. Pay attention to the color/material of the pot, as it can affect plant growth and survival. Similar to selecting clothing, a dark colored pot or container will absorb more heat, helping many plants grow in the warmer months.

Drainage matters. A container should have a proper hole at the bottom for drainage of excess water. You can easily convert a container by drilling a few drainage holes in the bottom—just be sure to place it on a tray or plate to catch the excess water so as not to damage your floor or surface.

As with most design projects, you want to plan for the specifics of your home and lifestyle. I recently went to a local nursery hoping to purchase some blue hydrangeas to plant in my front yard. Armed with a cell phone photo of my yard and a sandwich baggie sample of the soil, I quickly learned from a specialist that the plants would not thrive in my desired location. The fact that blue is my favorite color would not prevent the sun and dry soil from baking my hydrangeas. Talk to a local horticulturalist to get a good feel for which plants will thrive in your indoor and outdoor spaces.

As for potted decorative plants, even a brown thumb will find it difficult to kill certain species, like Christmas cactus, spider plant, philodendron, or jade plant (and no, that’s not a challenge). Pay attention to your plants. If your newly potted ficus tree is turning yellow and dropping all of its leaves in your living room, it’s probably not in the most optimal spot. Don’t choose form over function. A dead ficus in the corner won’t look nice, anyway.

It goes without saying to follow the care instructions for your new plants; you might save yourself extra heartache by planting species that require similar sunlight, water, and care in your container garden. Pay attention to the quality of the plant when you bring it home—you never know when they were last watered at the nursery.

With container gardening, not only can you enjoy the beauty of plant life in your current abode, but you can easily take your plants with you when you decide to pull up your roots and move on.—Ed Warwick

Before joining the ABODE team, Ed Warwick was the author of “Simply Cville,” a blog about D.I.Y. design, entertaining, and home improvement projects. A UVA grad, Ed currently works as the Coordinator of LGBT Student Services under the University’s Dean of Students.

Look, Ma, no hands!

When it comes to clamps used in woodworking and the like, there is a veritable treasure trove of options. From the alphabetical C and F clamps, to the just-fun-to-say wooden cam clamp, each one is ready to lend you the extra hand that your project requires.

Even if you aren’t constructing a masterpiece in maple, it is often helpful to have a clamp or two in your toolbox for smaller, ’round the house projects such as wobbly chairs, detached book spines and even broken jewelry.

For smaller projects, spring clamps will hold objects tightly and securely. You may be familiar with the spring clamps’ shape as they are close cousins of the clips at the end of jumper cables. Instead of teeth, the ends of the spring clamp are smooth, flat metal and are usually covered in rubber to protect the items being secured. To use the clamp, simply squeeze the handles and place the rubber-coated ends around the object to be held. Release the handles gently and you’re free to walk away.

For larger projects you may want to upgrade to my personal favorite, the one-handed bar clamp. This clamp is similar to an F-clamp in shape with the added feature of being able to adjust, clamp and release using—you guessed it—only one hand. To use the “Quick Clamp,” as it’s often called, you rest the middle line of the F (the bottom arm of the clamp) on the items to be held. Then you squeeze repeat-edly until the top part of the clamp de-scends and hugs the items securely. When no longer needed you simply depress the trigger-like lever above the squeeze handle and the pressure is released.—Christy Baker

Christy Baker is a local Jane-of-all-trades. Whether it’s fixing furniture, building a chicken coop or maintaining her roller skates, this creative mom of two always keeps a toolbox (or at least some duct tape) handy.

 

Categories
Living

July 2011: Real Estate

 Falling in love makes people do foolish things. Falling out of love, however, can be a calculated business transaction—at least in real estate. What happens to a homeowning couple’s largest asset when they file for divorce?

“It will always depend on the couple’s financial situation,” says Tanja Milanovic, local real estate agent with Roy Wheeler Realty Company.

In the current housing market, under the shadow of recession, divorcing couples have resorted to creative strategies in order to survive both financially and emotionally. One such tactic is to wait it out until the economy improves. According to the National Marriage Project, many couples who may have thought of divorcing before the housing bubble burst ultimately decided to stick together. In fact, the recession seems to have helped decrease the overall divorce rate.

But with matters of the heart, nothing is ever certain. And many couples still find themselves entering divorce proceedings and starting down the difficult road of splitting their assets.

If the couple wants to keep their home, one option is for one spouse to move out, while the other stays put. More often than not, says Milanovic, the woman remains in the house with the children, “so there is not going to be any change to the kids involved, so that they don’t have to go to a new school.”

With one spouse in the home, “the other would pay [the house] off, and the mortgage would be transferred if the bank decided that one partner was able to financially carry the loan,” she says.

Alternatively, the partner who chose to remain in the home has the option to refinance, thus using the acquired equity to buy out the other spouse. The lower interest rates for refinancing can work in favor of the spouse who takes over the mortgage. For example, if the couples owes $100,000 on the mortgage and both spouses have agreed to split distribution of equity—$50,000 each—one spouse would have to borrow $150,000 to pay off the existing loan and buy out the other.

However, says Milanovic, that is not always possible.

“The cleaner and less complicated way is for a couple to sell the house even before the divorce,” she says. Milanovic knows couples who have sold their home in the middle of divorce proceedings, “which is more stressful.”

For those couples who can neither afford to keep the house, nor sell it, a short sale (where the amount the couple owes the bank exceeds what the house is worth) is a plausible solution.

“It’s a lengthy process, because the short sale first needs to be approved by the bank,” says Milanovic.

To speed up the process, some homeowners choose to advertise the short sale even before it has been approved by the bank. “At times, the advertised price is not always the one the banks approves,” thus endangering the couple’s financial lifeline, she says.

Some divorcing couples end up renting out their former love nests.

“For a job transfer or for a divorce or any family situation, it’s becoming a more popular option because of the lack of funds and lack of ability to qualify to get a mortgage,” says Denise Ramey, a local agent.

Some homeowners even rent one bedroom at a time. “In one case I know, [the couple] decided not to do anything with the house, but one partner who stayed in the house has found a roommate, who shares the financial responsibility,” says Milanovic.

It is also not unusual to hear of one spouse moving into the basement of the couple’s home. For cash-strapped divorcees, even that awkward situation might be preferable to moving in with relatives. Breaking up is tough business—and it’s rough on the finances, too.

Categories
Living

July 2011: Your kids

 Corinna Coffin’s high school diploma sits in a place of prominence on the fireplace mantle in one corner of her tidy, bright room. Various athletic awards and team photos surround this new addition to her display of accomplishments during her time at St. Anne’s-Belfield School. Framed family photos, mostly of Corinna and her brothers as children, are hung on the walls. One photo features her, at age 2, sitting on a child-size jeep with her brothers, and everyone is smiling broadly.

From comfortable quarters at home, Corinna Coffin will soon navigate the leap to dorm life and a host of new memories.

Corinna, 18, is preparing to start her freshman year at Virginia Tech in a few short months. She has been organizing with her new roommate, via Facebook, about how to make their shared space a welcoming home away from home. “Besides color scheme, my roommate and I are coordinating which appliances to bring, like microwave, fridge, [possibly a] TV,” explains Corinna. “Mainly, just the big stuff for now.” She does specifically list towels, bedsheets, under-bed storage container and the all-important laundry hamper as key items to bring to her new living space.

By visiting her older brother, who just completed his freshmen year, Corinna’s been able to preview a bit of dorm life. “I have gathered from visiting his dorm many times the importance of doing laundry. Dirty clothes thrown around the room definitely take up space and make the room look pretty trashed, not to mention, smelly.”

Despite growing up in her family’s farmhouse with three brothers (including her twin brother, Jack, who is also headed to college in the fall), she’s always had her own room as a place of retreat. Currently, she splits her time (and her stuff) between her mother’s home off of Rugby Road and her father’s farm north of town.

Her Rugby room is spacious with light, terra cotta-colored walls, classically styled furniture and a private bathroom (an amenity that surely will be missed while living in Tech’s dorms). And her pink and green farmhouse bedroom is filled with memories in the form of childhood books, concert ticket stubs and lots and lots of photos.

What changes will be made to her room while she’s away? “My parents aren’t planning on doing anything drastic to it, as far as I know,” she says. “I think it would almost be harder on my parents to change up me and my brothers’ rooms, because then it would really mean that we were on our own and truly independent. I don’t think either of us are ready for that.” She does suspect that her Rugby room will most likely become a guest room, as needed. But she has a hard time imagining her farmhouse bedroom used for anything except a place of personal retreat for when she’s not at school.

Even though a packed photo album is number one on her list of what to pack, Corinna is still leaving some pages (and walls) empty, awaiting snapshots of whatever the future holds.
“I’m looking forward to creating new friendships and new memories [at college],” she says. “Then filling in those blanks and spaces with people I meet and the new experiences that I have.”—Christy Baker

 

A real face book

Social networking sites and digital media aren’t always the best source for revisiting cherished memories. This stylish photo album from Caspari ($45) provides a place to keep nostalgia organized and accessible. Perfect for a recent grad preparing for her next chapter in life.—C.B.

Categories
Living

July 2011: Your Kitchen

 No vegetable has a perfect reputation, and zucchini—the summer’s most abundant cucurbit —is no exception. From the moment the weather warms in June to the moment nighttime temperatures plunge in October, the zucchini is omnipresent for the farmer, the shopper, and the eater.

Is a zucchini a squash? Yes—the immature fruit of a squash plant, that is. The word zucchini must come from the Italian word zucca, the general term for the savory, rind-forming members of the cucurbit family that we call winter squash. Take the feminine word zucca, and make it diminutive (to denote immaturity) and masculine (perhaps for productivity?), and then just go ahead and make it plural because they come on like a ton of bricks. If a Tuscan can’t name a vegetable according to its human characteristics, who can?

Zucchini plants need tending and harvesting every day to maintain vigor; undetected pests or mildew can kill a plant in a matter of hours. However, if water and sunshine are abundant, the fruit can triple in size, going from teeny-weenie to OMIGOD! in just one warm summer night. Keeping in fashion with other summertime vegetables and fruits, if you turn your back on your zucchini for a minute, he’s gotten away from you—and the only remedy is to pluck him and chuck him to the chickens, or chop him up for zucchini bread to freeze for the winter.

Is a summer squash a zucchini? It is. Yellow summer squash was developed from green zucchini, and (as happens in breeding for color alone) the yellow ones tend to be a little less hearty in the garden and a bit less succulent on the plate. But in terms of recipes they are interchangeable, or so close in flavor and texture that the only significant distinction becomes color.

Using the zuke

The best summer squash are the least mature—tender skin, microscopic seeds, plenty of sugar and no starchy bitterness. These little beauties can be grated and dressed raw with vinaigrette, and mixed with carrots, cabbage, cucumber, red onion, and herbs, then chilled overnight. They can also be quick-pickled and kept in the refrigerator for a few weeks—and the pickling liquid can be used over and over again, which certainly increases your chances of eating the whole harvest.

But what if you don’t (can’t!) eat the whole harvest? Zucchini can certainly be frozen, but the high water content will make the defrosted product a limp imitation of its summertime glory. If you insist upon freezing it, choose immature fruit, cut small pieces, and freeze them as quickly as possible (don’t tell the food safety people, but don’t blanch them—that would just introduce more water!).

If you have favorite recipes that involve zucchini, try taking them midway and then freezing them. For instance, make ratatouille up to the point where all the ingredients (except fresh herbs) are introduced, then freeze it into single-meal servings. When wintertime comes, you can defrost, pour off some liquid, simmer out the rest, and then season with herbs, salt, pepper, and olive oil.—Lisa Reeder

Our kitchen columnist, Lisa Reeder, is an educator and advocate for local and regional food production in Central Virginia. She received chef’s training in New York and currently works in Farm Services and Distribution at the Local Food Hub.

The squash to watch

Sure, yellow and green are pretty, but look for these other distinctive summer squash as you stroll the farmer’s market. To store, wrap them in a thin towel and keep them in a humid part of the refrigerator.

Zephyr
Gracefully tapered and sometimes twisted, with a light green ‘dipped’ marking on the bulbous end. Slit each squash in half lengthwise (to preserve the delicate yellow/green division), wrap in thinly sliced bacon or Surryano ham, and broil for 5 to 10 minutes. Or stuff with chopped fish, crab or shrimp (anything that will cook quickly!), broil, and garnish with aioli.

Patty pan
Use the flower-like silhouette to accessorize a summertime pizza! To slice, hold the squash on its side and cut 1/4" florettes (little flowers) from stern to stem, then toss them in olive oil, salt and pepper. What else for the pizza? Try just a smear of sweet tomato sauce (or even thin slices of heirlooms instead), plus a dollop of fresh chevre or mozzarella and a sprinkling of basil as it cools. Thinly sliced spicy salami would make the sweet squash sing.

Magda
This light-green, freckled beauty is so sweet that she stands out in a spicy, salty crowd. Try making a grilled vege-table salsa starting with a seasoned base of fresh local tomatoes, finely chopped onion, and cilantro. Then grill, cool and chop Magda squash, onions, and spicy peppers (Anaheim, poblano, and banana would make an interesting color combi-nation, but you really can’t go wrong). It’s O.K. to put beer in salsa if it’s too spicy.

Black beauty
Dark and sleek with an exceptionally regular shape, this squash would hold its color even in a pickle! Cut this one into rounds, into cubes, into half-moons—its sides are so straight that the shapes will be perfect, with a dramatic contrast between skin and flesh colors. The dark color looks great amid tomatoes, like in ratatouille or in a light summertime baked pasta with plenty of olive oil and parmigiano-reggiano.

 

Categories
News

My Fair Lady; Heritage Theater Festival; Culbreth Theatre at UVA

 There are times when a reviewer is taken down a peg. Admittedly, the outstanding quality of the Heritage Theatre Festival’s season opener, My Fair Lady, was one of those moments for this critic. As Henry Higgins transformed Eliza Dolittle from a screeching Cockney “guttersnipe” to softspoken lady, my “citified” theater snobbery—I hail from New York, D.C. and Richmond—was converted to adoration for Charlottesville’s thespians.

The Heritage Theatre Festival opened July 1 with My Fair Lady, starring Emelie Faith Thompson and Allen Fitzpatrick. For more information on the Heritage Theatre Festival, which runs through the first week of August at UVA, visit www.uvahtf.org or call the box office at (434) 924-3376.

Fitzpatrick’s blunderbuss Higgins finds a perfect foil in Emelie Faith Thompson’s Eliza. Thompson’s wonderful combination of singing and acting talent embodies the best Eliza this critic has yet seen. She demonstrates the versatility to pull off both the rough and refined versions of the character with aplomb. She also is able to pay homage to the well-known songs while managing to tweak them into her personal style, pleasing both die-hard fans and providing something original for the jaded. Her rendition of “Wouldn’t It Be Loverly” is as sweet as one of Eliza’s violet nosegays and her “Just You Wait” is deliciously vengeful.

Allen Fitzpatrick brings a fresh, if gruff, slant to Henry Higgins. He uses a great deal of yelling, however, to get his edginess across—something surprising in an actor of his caliber and experience. However, he proves to be a meaningful interpreter of song, with “Why Can’t the English” and “I’ve Grown Accustomed to Her Face.”

Almost everything about this production is “loverly,” beginning with Bill Clarke’s stunning stylized set. Clarke creates a black and white shadow box of sorts, depicting industrial London as a constant reminder of the play’s context. His minimal yet gorgeous set pieces allow the book, lyrics and outstanding performances to evenly share the attention in a show that usually focuses on scenery and costumes.

Other notable performances include Kenneth H. Waller as Alfred P. Doolittle and Daniel Berryman as Freddy Eynsford-Hill. Waller holds the audience in the palm of his hand whenever onstage, eliciting laughs at every turn. Berryman sings “On the Street Where You Live” with such heartfelt conviction that when he appears for the reprise in Act II the audience laughs out of the absurd belief that Berryman’s Freddy might have actually waited outside the house for days on end for Eliza to emerge.

My Fair Lady runs through July 9, and the troupe is slated to perform several other shows through early August. And if this production is indeed a marker for the quality of the remainder of the Heritage season, then we’re in for some high caliber theater. In other words, I think they’ve got it.—Mary Burruss

Categories
Living

July 2011: Top of the Heap

 Once upon a time there was a person with lots of cool drinks to share with guests. We’re talking everything from mint juleps to acai smoothies to fresh-squeezed orangeade. Only problem was, this person had nothing in which to serve these refreshing libations. Luckily, a bunch of local shops came to the rescue with a fine selection of pitchers. And they all sipped happily ever after.

(From left): $194, The Happy Cook, Barracks Road Shopping Center, 977-2665; $42, Artifacts, 111 Fourth St. NE, 295-9500; $78, Anthropologie, Barracks Road Shopping Center, 295-1749

(From left): $59, Creme de la Creme, Barracks Road Shopping Center, 296-7018; $19.95, The Seasonal Cook, 416 W. Main St., 295-9355; $145, And George, 3465 Ivy Rd., 244-2800

(From left): $125, Caspari, 100 W. Main St., 817-7880; $150, And George; $38, O’Suzannah, 114 Fourth St. NE, 979-7467

NEW C-VILLE COVER STORY: Eau de Charlottesville

As an undergraduate, I was taught in a neuroscience class that the brain habituates within 30 seconds to new smells. That is, within 30 seconds, the smell largely goes unnoticed. This is useful—it keeps your nose sensing out new pleasures or dangers while ignoring those already known, whether fragrant or noisome. In this week’s cover story, Andrew Cedermark takes us on a smell tour of Charlottesville. He re-awakens our noses to the city, describing odors to which we have become so habituated that they no longer register, reminding us how integral they are to the fabric of the city. His tour is very personalized, and no doubt each of us reacts differently to the many smells he catalogues (I’m apparently the only one in the office with a soft spot for the smell of Subway bread). But it’s an invigorating reminder of all the surrounding beauty and decay we usually take for granted. Read the cover story here, and don’t forget to leave comments.

Places #2: Patrick Costello

"Places" is a new feature by where local artists show us the places around town that inspire them.

Guest post by Anna Caritj

“My muse is everyone’s grandma,” says Patrick Costello, scraping his foot along the sidewalk in front of his “huge, beautiful, double porch Charlottesville mansion” at 712 Nalle St. We’ve just rounded the block, the neighborhood speckled with lush back gardens, long wraparound porches and bits of broken glass. The walk is familiar to Costello; a circumambulation of sorts, in which the young artist consciously moves around the sacred object of his inspiration: the home.

In this way, his affinity for grandmas makes sense. He works with materials of the home, using tools of comfort and closeness by stitching soft fabrics, jamming handpicked wine berries, and reaching out to his housemates—his “family unit,”—for collaboration and inspiration.

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Does this place remind you of anything?

My grandparents’ house in Idaho Falls. When we’re there, my grandma is cooking, my mom is cooking, her sister is cooking and there are a million kids and a million people everywhere in this really small little space. [As kids,] we were always putting on plays and playing music in the living room and there was always noise everywhere. This house has that same energy. I don’t need it to be quiet; the presence of other people helps my work. I’m a verbal processor and if there are people to talk to and things going on, ideas happen.

Does nostalgia come into play when dealing with the home?

When you’re dealing with the domestic sphere as a point of inspiration, it can very quickly become too precious or too dark. It’s something I’ve always struggled with in my work. Often times I look back at it later and I’m like, “Ughh! This is so…benign, so precious.” That’s where I tend to lean more than the dark side of nostalgia: I tend to over-romanticize. I don’t want to make art that’s nostalgic and precious, but I don’t want to make art that’s not tied to place and memory. I’m sitting between so many of those ideas, but that’s why I make art: I want to be part of the process.

Many of Costello’s pieces reflect this focus on relationships, closeness, and home. They often feature an enclosed center or core, filled with shooting stars or endless, oceanic waves of earthen mounds (“I spent a whole Spring drawing the compost heap over and over and over,” he says.) Surrounding these spaces of cosmic and agrarian infinitude are pastel geometric patterns, reminiscent both of thick woven afghans and the beams and bricks that construct a sturdy home.

In a piece called “Gimmiedat!”, two hands—swarming with streaking comets and celestial dazzle—cradle a quilted space in efforts to grasp the core: a foamy, green, seemingly sacred triangle. However, the fingertips never quite reach around that site of warmth, implying a piece always missing, always incomprehensible, when it comes to the meaning of home, of place, and of comfort. This unreachable space also suggests an open and infinitely flexible expanse rather than one of stagnancy and entrapment. Here, "place" is not static, but ever changing, teeming with creation, destruction and an endless spectrum in between.

  

 

 

Just visiting: McDonnell appoints new UVA board members

Governor Bob McDonnell recently announced appointees to the UVA Board of Visitors (and, as you’ll recall from our coverage of everything from school architecture to tuition increases, the board wields some serious power). The most familiar name on the list? Tim Robertson, son of televangelist Pat Robertson, who previously served on the BOV and also helped launch UVA’s Media Studies program with a $1.2 million donation for an endowed chair and a new media center.

Robertson’s family has supported McDonnell over the years, and McDonnell, a graduate of Pat Robertson’s Christian Broadcasting Network University, served for eight years on that school’s Board of Trustees. So, what goes around…

The appointees also include McGuire Woods partner George Keith Martin (a colleague of McDonnell’s former senior policy advisor, Eric Finkbeiner) and UVA alum John Nau, the Houston-based beer baron whose $8.5 million donation for the development of the South Lawn nabbed him a building in his name.

As we mentioned above, the BOV has quite a bit of clout. Track its influence in our Power Issue.