Heritage Harvest Fest: Why you must go

Excuse me, but have you looked at the schedule for the Heritage Harvest Festival? It’s freaking awesome. More about that in a minute. First, let me drop the name of another local-food event: the Meet Yer Eats Farm Tour, September 5, a great chance to snuggle up to some of the wonderful farmers who have been feeding you great stuff all season long. (Or just take a look at their farms. Whatever suits.)

Back to Monticello, where the Heritage Harvest Festival is two days long, September 16-17, and absolutely packed with what looks like fairly serious education for the urban or rural homesteader. There are workshops that are included in the $8-10 ticket price, and more workshops that cost an extra $10-15.

And how is one to choose? At 9am Friday, do I want to be hearing about medicinal herbs from the folks at Sacred Plant Traditions, or do I want to be learning how to grow heirloom garlic and onions from the experts at Southern Exposure Seed Exchange, or do I want to be strolling the woodlands with Monticello‘s curator of plants, Peggy Cornett?

An impossible choice, especially when local permaculture expert Christine Gyovai is lecturing during the same hour.

And it goes on from there. You can learn about home brewing, seed saving, making vinegar…

Count me in. Anyone else going? Got a recommendation about stuff to check out?

Categories
News

Head of the Class

During a press conference last week, UVA President Teresa Sullivan introduced the school’s newest recruits to the public. Of the 3,450 first year students, 67 percent come from Virginia, 91 percent were in the top 10 percent of their high school classes, and they averaged 1,339 on their SATs. 

 
UVA President Teresa Sullivan

“This is the strongest academic class that we have admitted, as measured by their standardized test scores and their class rank,” Sullivan said.

In spite of the fact that the University’s state funding has dropped to around 10 percent of its academic operating budget and is less than one-third of what is provided at nearby flagship UNC-Chapel Hill, UVA is still ranked among the top public universities in the nation by U.S. News and World Report, The Princeton Review, and others.

Sullivan said the school’s adherence to its founder’s vision, which emphasizes the role of student/faculty engagement, is still one of its main attractions.

“I think the academical village is one of the huge attractions for people to the University of Virginia and I take it as, literally, one of the gems that we have to preserve, but I also take it figuratively as a sign of a model of education that Jefferson believed to be best in which faculty and students worked in close proximity to each other,” Sullivan said.

Other reasons for the University’s continued prominence are its $5 billion endowment and its consistent ability to raise money from private donors. The College and Graduate School of Arts and Sciences, UVA’s largest school,  received $41.7 million from alumni, parents, and friends in 2010-11** and the University has raised over $2.4 billion thus far in its most recent capital campaign.

When she took over as president, Sullivan prioritized hiring a new leadership team, a job she finished this past week by naming Duke chemist John Simon as executive vice president for academic affairs and provost. Simon joins brand new Chief Operating Officer Michael Strine, who came from Johns Hopkins University during the summer.

UVA first years at a glance
Total students (projected): 3,450
Avg. SAT total: 1,339
In-state: 2,298 or 67 percent
Out-of-state: 1,152 or 33 percent
Top 10 percent in class: 91 percent
International students: 230
Virginia community college transfers: 325
Students on financial aid: 1,125
Total tuition cost for in-state students: $22,543

During an interview in July, Sullivan talked about the challenges facing her team. First among them is the state’s insistence that the University grow its enrollment to accommodate more students from northern Virginia and to produce more graduates in the STEM (science, technology, engineering, and math) fields.

Sullivan sees the initiative as an unfunded mandate, but the threat of a cap on out-of-state students has driven the University to meet the demand.

“The state will not be able to increase its enrollment of science and engineering students without more science and engineering faculty, and the bottleneck for us is the ability to equip laboratories that those faculty need to conduct their teaching and research,” Sullivan said.

Faculty at UVA has gone three years without raises, and Sullivan said faculty recruitment and retention will be another fundamental challenge in coming years if the school intends to maintain its status as one of the elite public universities in the nation. 

Meredith Woo*, dean of the College of Arts and Sciences, anticipates the need for 63 new professors in her area to meet the enrollment growth targets through 2018-19. 

Sullivan, Simon and Strine all addressed the need to control costs and create efficiencies during their press conference last week, using language that sounded more corporate than Jeffersonian.

“We are constantly looking for opportunities to control costs, increase savings, and improve efficiency. Our areas of focus so far have included streamlining processes, consolidating units and positions, automating functions, creating shared services and resources, conserving energy, and studying best practices in other industries and our higher education peers. This year we will come through the University once again to look for additional savings opportunities,” Sullivan said.

As a new first year class arrived on Grounds, Simon urged it to help redefine the way learning happens in the information age.

“I think technology has democratized knowledge, and in universities today the opportunity that exists is almost redefining or rethinking the student/faculty relationship and how we work together to create knowledge. How you learn,” he said.

 *An earlier version of this story included an incorrect spelling [Wu] of Meredith Woo’s name.

**An earlier version of this story said the University raised $41.7 million in new commitments in 2010-11; that number properly refers to commitments to the College and Graduate School of Arts & Sciences.

Categories
Arts

Checking in with Tate Pray

What were you doing when we called?

I was getting off the phone with someone else. Before that I was mixing slurry. It’s a mixture of cement and water that I use to make a paste for filling holes.

Tate Pray most recently showed his work in town at Chroma Projects. He writes that his work explores “the unease within beauty, embracing classicism elementally and with a free-play twist.”

What are you working on right now?

I just started a series of paintings. They’re shape paintings based on the negative space shapes of Sol LeWitt’s sculptures—they’re just shapes. Conceptually, I think I started cutting them out and putting them in my notebook maybe about a year ago. I’m basically just living with it to see if I want to move forward. I think it’s in keeping with what I’ve been doing, basically trying to find an avenue into painting through sculpture.

How do you prepare to work on something?

I just start making stuff. I just came off my major show, which was at Chroma Projects in January, and for that I made a very large sculpture out of 3,000 pounds of concrete. It took a while to convince myself to make that, because it was comprised of 178 6" cubes of all different values. It took about two years from conception to completion, and a lot of that time was just convincing myself to do it, because it takes up a whole lot of time and there’s a lot of material involved, and it’s expensive. And of course, what do you do with a 3,000 pound sculpture? Because it won’t sell, and in the end it didn’t sell. Now it’s disassembled in my studio space.

Tell us about your day job.

I do concrete work, things like sinks and countertops and planters. And I’m also a carpenter. When the market fell apart and I was navigating that, I picked up anything I could get for work. So I diversified, and I’m still in that state where I’m sort of doing everything at once.

What is your first artistic memory from childhood?

I don’t know if it’s a fabricated memory, but I want to say I remember seeing a billboard with the banana that Andy Warhol did for The Velvet Underground in Milwaukee. The image is really distinct, just driving down the highway in Milwaukee and seeing that banana. 

Which of your works are you most proud of?

Nothing really stands out as far as one piece. I think it would be my show at Chroma Projects. As a whole I think it worked really well for me, conceptually, and it was both physically and mentally challenging. It was a pretty fun show to do, and I like all of the work that was in it.

Tell us about a recent concert, exhibit or show that has inspired you.

LOOK3, man—it was amazing! I loved Massimo Vitali’s work, and his class was enlightening, the perspective of an older artist. For someone who’s been in it as long as he has to find success at an international level at the age of 50 is pretty cool. A lot of artists think that if you haven’t found success by 20, it’s over, what’s the point. But it was cool that he found success, and he’s doing it really well. 

Who is your favorite artist outside your medium?

What would be my medium? I’m not a photographer. If I can just say my favorite artist, it’s Martin Puryear, no question, but actually he works in wood, which would be outside my medium. He makes primitive looking sculptures out of wood and wire and tar, and does it on a very large scale, and they become kind of playful and whimsical. I think he’s one of the great living American sculptors.

Do you have any superstitions about your art?

No. But I think every artist should own an incinerator, and if a piece is bad, just get rid of it.

Categories
Arts

The DNA of Blues

Martin Scorsese once said that the Malian guitarist Ali Farka Touré’s music constituted “the DNA of blues.” That puts Vieux Farka Touré next in line, not only as Ali’s son, but as the heir to a musical tradition that reintroduced the American blues to its West African origins. 

Vieux Farka Touré’s latest album,
The Secret, features the songwriter’s
final collaboration with his father,
the Malian blues god Ali Farka Touré.
Photo by Zeb Goodell.

The elder Touré was legendary for merging the melody of Malian folk with the rambling guitar phrasing of blues greats like John Lee Hooker and Lightnin’ Hopkins. When Vieux began experimenting with this sound—after secretly taking up the guitar when his father discouraged him from it—it gained an urgent, harder edge, and truly crystalized into what is now called “Desert Blues.” 

Since his debut release in 2007, Touré’s albums have risen to the top of the World Music charts, and his growing recognition earned him a spot at the Opening Celebration of the 2010 FIFA World Cup. With The Secret, released in May, Vieux digs deeper into his own roots while moving forward. Perhaps it is fitting that the album contains Vieux’s final collaboration with his late father, on which the younger man’s expanded, self-consciously electric playing riffs poignantly with the elder’s. (The record also includes Derek Trucks, John Scofield, and a vocal duet with Dave Matthews.) 

We caught up with Vieux Farka Touré via e-mail before his Wednesday, August 31, gig at the Jefferson. Catch him there with Corey Harris—the local bluesman whose 2003 album Mississippi to Mali included collaborations with Ali—before the next wave in blues innovation passes you by.

Your father, guitar legend Ali Farka Touré, was reluctant to have you fol-lowing in his footsteps. Why do you think he encouraged you to join the mil-itary rather than become a musician?

My father did not like the music business and the immoral, dishonest things that happen in it. He wanted to protect me from certain types of people, and I think he also wanted me to have a more stable life and income. It is true that dishonest people exist in the music industry, and it is a very difficult life. But I surround myself with people that I trust and I am always involved in all the aspects of my career. I am careful.

In 2005, Eric Herman got permission from your teachers and other community elders to get your first album produced in Brooklyn, but you still continued to do most of your recording in Mali. Is recording music a different experience there?

Yes, there is a difference between recording in Mali and in the U.S. I prefer to record in Mali, where my soul feels at peace and where we have more time to take everything in. They are both great, but very different experiences. For The Secret, the majority of the recording needed to be done in Mali.

Some would say that your innovation comes from your fresh perspective on blues and rock. In your mind, are the genres very different?

No. To me, rock music is just a little more upbeat, but in terms of the construction of the music I see them as basically the same thing.

Ever since your debut album was remixed for the album UFOs Over Bamako, you’ve been a big supporter of remixes of your work. Do you have a favorite remixed version of one of your songs?

I really love the Yossi Fine “Ma Hine Cocore” remix and the Nickodemus “Sangaré” remix. I think those must be my favorites.

You were initially trained as a percussionist. Does that come out in your guitar playing?

Yes, definitely. My style of playing guitar is very percussive. It is a direct evolution of my drumming.

If you could collaborate with anyone you haven’t worked with yet, who would it be?

That is a tough question. There are so many! I love Phil Collins. I love Jay-Z. One of those two, I guess.

Do you like being on the road?

I would not say that I enjoy always being on the road, but I am quite comfortable with it. It is now very routine for me, and normal to always be waking up in a new place. I do love to meet people from everywhere. It is this cultural learning that keeps me sane and happy on the road.

Have you felt inspired by any recent records?

I love Watch the Throne, the new collaboration between Kanye West and Jay-Z. Jay-Z is the master of rap. I would like to invite him to play in Bamako. I’ll arrange everything —he just needs to say, “O.K., I’ll do it,” and I’ll take care of the rest. Tell him that.

Vieux Farka Touré
with Corey Harris and the
Rasta Blues Experience
Wednesday, August 31
The Jefferson Theater
(800) 594-TIXX
Categories
Living

Small Bites

 Know your farm, know your food

The third annual “Meet Yer Eats” Farm Tour is Labor Day Monday, September 5 from 10am-4pm. This is your chance to visit three to five (that’s about all you’ll be likely to manage in a day, figuring in travel times) of 19 participating area farms. Buy a car pass for $15 (it’s $25 if you dilly-dally until after September 1) from the Market Central booth at Saturday’s City Market, or online at www.marketcentralonline.org. Pack a picnic, stop by the ATM for cash, strap on some muck-resistant shoes, and go meet your pigs, chickens, goats, honey bees and farmers! 

Say, ‘Cheese classes’

One of the stops on the tour, Caromont Farm, whose owner Gail Hobbs-Page is responsible for raising happy goats and making happy, creamy cheese from their milk, is teaching a series of cheese classes at Blenheim Vineyards on four Thursday evenings in September, October and November. Students will taste the best cheeses from Virginia, Vermont and the South as well as get tips on which cheeses to feature on their holiday tables. Classes run from 6-8pm and cost $30 per person. Visit www.blenheim vineyards.com for more information.

Categories
News

That'll teach you

When I entered elementary school in Tampa, Florida, I flunked my first gifted enrollment test, and had to take it again. Nerves? Socioeconomic status? It wasn’t the most embarrassing moment of my scholastic career; that was likely the day I fell down a hill during cross country practice. But I was invested in my education before I knew what sort of shape it would take, and I remember feeling that my first test didn’t bode well for the future.

This year’s back to school issue, in five lessons:

Sullivan calls UVA first years "strongest" ever.

What free lunch numbers mean for gifted access.

Latino students pack county classrooms.

Cognitive Science Professor Daniel Willingham knows you hate school. He also knows why.

This year’s most exciting courses at Jefferson’s university.

 

Now, I know that every element of my personal experience contributed to how I learned. I needed to be invested in my classes, which means they needed to engage me (page 16). If they didn’t, then I could tune them out like bad music. Fortunately, I thought calculus was pretty cool.

When I moved to Virginia, I left a city where Hispanics were roughly 20 percent of the population for a county where they represented less than 5 percent. I had good language classes, but fewer opportunities to use the skills I’d learned. Now, Albemarle County’s Cale Elementary is one-quarter Latino (page 18), and the county is increasingly bilingual, which gives me a great chance to brush up on my vocabulary.

At UVA (see below), I found traditions I liked and a few I could do without (the small crowd that shouted “not gay” during the football games, for instance). After graduation, I had to get to know Charlottesville as a resident, rather than a student—an act that felt like an education, but took place outside of a classroom, which I hadn’t been without for 17 years.

Fail or pass, no test is as complex as any single student. Last week, thousands of city and county students returned to school, while UVA students reinhabited their dorms, apartments, classrooms and favorite Corner bars. And for the rest of us, life got a little faster.

 

 

 

Categories
News

Trying our patients

Beginning with a 5am meetup, and the first patient on the move roughly two hours later, Martha Jefferson Hospital started the transition to its nearly $300 million new home on Pantops Mountain. Construction of the 176-bed hospital began in June 2008 and concluded roughly three years later. Hazel Jones (pictured), 90, was the last patient to move into the new facility. According to reports, all patients were relocated before noon to the hospital, which is larger than its predecessor by half.

 

Categories
News

A class of one's own

UVA’s founder believed it was never too late to learn. With enrollment deadlines passed and classes underway, that may not necessarily feel true. However, we can’t help but stare longingly at this year’s course offerings and plot ways to infiltrate a few compelling classes. Here are some that piqued our curiosity.
 
Peter Onuf’s lecture course paints a complex, not-so-beatific, picture of Thomas Jefferson. 
ARCH 5590: reCOVER Research & Development
Instructor: Anselmo Canfora
Witness firsthand what the Architecture School can do with a $2.5 million grant intended for re-designing housing opportunities in Southside Virginia. The Virginia Tobacco Commission Indemnification & Community Revitalization awarded the grant, which was created to promote new jobs in former tobacco communities.
 
ARTS 2810: Introduction to Sculpture 
Instructor: William Bennett
Bennett’s recent collaboration with students and community members, called “Byron’s Telescope,” received local and national attention, and promises to help viewers “witness the beauty, terror, death and resurrection of life.” A good reason to get your hands dirty.
 
BIOL 4911: Independent Research
Instructor: Deborah Roach
Roach’s interest in researching human aging leads to two questions. “First, how universal is aging?” asks Roach on her website. “Secondly, if a species is identified that can escape aging, what unique biological features allow it to do so?” Have the answers? If not, this could be a good way to find ’em.
 
ECON 4430: Environmental Economics
Instructor: William Shobe
Shobe, co-designer of the U.S.’s first carbon auction, and an EPA grant recipient, teaches this course on “the origins of environmental problems,” as well as how we currently quantify and regulate them. Topics include “air and water pollution, climate change, the transition from fossil fuels to renewable energy sources, and sustainable development,” according to UVA’s Economics Department.
 
William Bennett worked with students and community members to create the fanciful sculpture “Byron’s Telescope.”
ENPW 4820: Poetry Program Poetics: The Poetics of Ecstasy
Instructor: Lisa Russ Spaar
The Guggenheim fellow’s seminar on ecstatic poetry is solely for “serious makers and readers of poems,” according to the English Department’s website. The course “will explore the poetics and poetry of fervor—erotic, visionary, psychosomatic, negative, religious, mystical,” and features work by authors from Sappho and Dickinson to Whitman and Ginsberg.
 
HIUS 3051: The Age of Jefferson and Jackson, 1789-1845
Instructor: Peter Onuf
A host of the award-winning show “BackStory with the American History Guys” takes on Charlottesville’s patron saint. The course description promises to delve into titillating information about “various controversies surrounding Jefferson, including his relationships with women, and his attitudes and actions toward blacks, slavery and Native Americans.
 
HIST 4501: Major Seminar: “Genocide and Forced Migration in the Twentieth Century”
Instructor: Alon Confino
Confino, recipient of a Guggenheim Fellowship for his Holocaust studies, teaches this course on “a historical problem of history and of memory.” The seminar promises to analyze its two namesake issues “as well as their diverse causes, transnational aspects, and links to human rights history.” 
 
MAE 4501: Special Topics in Mechanical Engineering: Jet Engine Design
Instructor: David Sheffler
Ever wanted to use a three-dimension printer to create some pretty heavy machinery? Take Sheffler’s course on jet engine design. Popular Mechanics Online took note of the unique hands-on experience offered by both the class and its technology; so should you.
Categories
News

Escuela moderna

 The line that formed outside the Southwood Community Center stretched out of sight. Moms, dads, students, teachers and administrators gathered on August 16 to get a piece of the fun at the second annual Back-to-School Festival, an event designed to help Southwood families celebrate and prepare for the start of the school year. This year, the event’s attendance ballooned to an estimated 350 people. 

Much of Albemarle County’s rapidly growing Latino population is based in Southwood Mobile Home Park, which houses more than 270 Albemarle County Public School students. According to census numbers, Albemarle’s Latino population increased more than 200 percent to 5,417 in 2010, up from just over 2,000 in 2000. Statewide, Latinos now account for 8 percent of the population. 

Bernard Hairston, executive director of Community Engagement and Strategic Planning for county schools, says the event’s purpose is to connect “with families who may not be so inclined to visit our schools.” According to data from Hairston’s office, the number of Latino students in 26 county schools has nearly doubled over the past five years, from 575 in 2005 to 1,070 in the recently ended academic year. 

Gloria Rockhold, Community Engagement Manager with county schools and a native Spanish speaker, works as a liaison between Latino families and the school system. In 2009, however, a tight budget endangered Rockhold’s position as the sole connection to the Latino community. The School Board has since made her job full-time, a decision Hairston says was guided by the enrollment projections of Latino students. “We have seen a tremendous growth year to year,” he says. 

Cale Elementary has the highest number of Latino students in the county, with 148 for the 2010-2011 academic year, or 26.8 percent of its total student population. Rockhold says the school had to increase its classes, “because all of a sudden, its enrollment is much more than it had projected,” she says. The largest jump in Latino student population was recorded at Woodbrook Elementary with 20.8 percent this past year, up from 6.7 percent in 2005. 

County school officials say that, due to new federal race and ethnicity reporting standards, the number of Latino students may be a bit skewed. New regulations allow students to select their ethnicity as Latino and their race as white, potentially increasing the number of reported Latinos. 

Hairston says that the resources the county puts into the engagement of Latino families will pay off in the long run. “The greater the parental involvement, the greater the student achievement,” he says. 

Those resources extend into the community, as well. Rockhold works with local agencies that serve Southwood, such as Habitat for Humanity and Children Youth and Family Services. 

“I manage my programs with community partners,” she says. “If I did not have community partners and volunteers to help me, I think it would be difficult for me to do all the things that I do.” But Rockhold says there is never a time when the community has not come through for her. 

“I feel like the community really backs me up,” she says.—Chiara Canzi 

With more than 270 county students living in Southwood, the Back-to-School Festival there gave neighborhood families the chance to meet schools’ administrators and teachers. Many Southwood students attend Cale Elementary, the school with the highest number of Latinos enrolled. 

Cale Elementary has the highest number of Latino students in the county with 148 for the 2010-2011 academic year, or 26.8 percent of its total student population.

Categories
News

Feed your head

Do students that meet federal poverty guidelines have less access to advanced studies? The nonprofit news website ProPublica recently released what it calls the “Civil Rights Data Set,” gathered from 2009-2010 school year reports. The data includes numbers on gifted enrollment, free and reduced lunches, and race for every school district with more than 3,000 students. ProPublica offered the data as “The Opportunity Gap,” a free tool for evaluating access to advanced courses of study across racial and economic lines. In Virginia, 32 percent of students qualify for free or reduced lunch, but just 13 percent of students are enrolled in a gifted program. [See C-VILLE’s map: Opportunity and Access in Charlottesville/Albemarle Elementary Schools]

Jennifer LaFleur, ProPublica’s Director of Computer Assisted Reporting, writes that her team found the strongest correlation between gifted access and free and reduced lunch numbers, “a variable often used in education research to estimate poverty at schools.” She tells C-VILLE that ProPublica received no corrections for Virginia data.

Charlottesville’s six elementary schools feed into Charlottesville High School, where their stats are mixed then averaged. Forty-five percent of Charlottesville High School’s roughly 1,200 students qualify for free or reduced lunch—a number well above the Virginia average. Those same students have access to a veritable buffet of 26 Advanced Placement classes, and enroll more frequently than their peers across the state. 

Looking at the elementary schools, however, the numbers tell a different story. 

In Charlottesville City Schools, Clark, Jackson Via and Johnson elementaries have the highest percentage of students on free and reduced lunch, between 71 percent and 85 percent. The same three schools have the lowest enrollment in gifted programs, between 6 percent and 9 percent. Clark Elementary has both the highest rate of free and reduced lunch and the lowest gifted enrollment percentages; its district also includes the Sixth Street and Crescent Hall housing projects and Friendship Court, one of the city’s largest recipients of Section 8 housing assistance vouchers.

In Albemarle County, where the area median income is nearly twice that of Charlottesville, a mix of school sizes and locations yields more varied results. However, at schools where 40 percent of students qualify for free or reduced lunch (Scottsville, Greer, Yancey, Red Hill and Woodbrook), gifted enrollment totals 8 percent or below.

The upside? Area schools are adapting to meet varied student needs. Since Charlottesville City Schools started its Quest Gifted and Talented program, Director Beverly Catlin says resources have been devoted equally across schools and among students of all backgrounds. Every elementary school has a half-time talent development teacher for kindergarten and first grade students, and a full-time gifted education specialist at every school for grades two through four. 

“That’s a pretty unusual thing to have, if you look at schools across the Commonwealth,” says Catlin. En route to high school, both Walker Upper Elementary and Buford Middle have three gifted education specialists. Catlin also says that gifted instructors do not have their own classrooms.

“Our program is a lot of collaboration with classroom teachers, from kindergarten up,” says Catlin. “We do a lot of planning with teachers, a lot of co-teaching. We want everyone to be an expert at teaching every student in our school division.”

Billy Haun, Albemarle’s Assistant Superintendent for Student Learning, says the smaller size of county elementaries like Red Hill and Scottsville make for more drastic percentages. He also notes that Albemarle’s gifted resource teachers must spend at least half their time working with every classroom.

“They’re going to be teaching all students, not just the students that are identified,” says Haun. He adds that Albemarle sends additional staff to those schools that show greater numbers of students on free and reduced lunch, and that the school board is “ready to move beyond simple Standards of Learning (SOL).

“We’re developing more project-based learning assessments, rather than simple SOL tests,” says Haun.

 


View Opportunity and Access in Charlottesville/Albemarle Elementary Schools in a larger map