Second lining is a tradition that stretches back through centuries, thought to have originated as the outer circle, or second line, of West African circle dances. The tradition evolved from jazz funerals to choreographed, brass band, dance party parades that are inextricably associated with the life and spirit of NOLA, the city that incubated them. Get a taste of it on our own Main Street, as the Rebirth Brass Band schools us on how to lead a proper “Second Line” parade, followed by a concert to benefit the Jefferson School African-American Heritage Center. Parade begins at 3pm, Saturday, September 1 on Hardy Drive and ends at the Jefferson Theater. www.jeffschoolheritagecenter.org.
Month: August 2012
Most of what Americans know about Sicily—mafia, garlic-laden red sauce, and the ba-da-bing wines that go with both—we learned from Godfathers I through III. Which is to say that we know nothing at all. This island, which stood as the Mediterranean port of call for wine as unfathomably early as 500 B.C., is experiencing a wine renaissance by way of progressive winemakers committed to resurrecting indigenous varietals and winemaking traditions on ancient terroir. The new takes are restrained, riveting, and unlikely to have ever filled Michael Corleone’s glass.
Resembling a grape cluster poised for a swift kick off the toe of Italy’s high-heeled boot, Sicily’s the country’s largest region and one of its largest wine-producing regions. Marsala—the fortified dessert wine that tastes of rum-soaked raisins—is to blame for Sicilian wine’s poor reputation prior to this recent revival. Even after the world caught on that Marsala’s better in a mushroom sauce over lightly sautéed veal cutlets, Sicily went about making big and blousy whites with Catarratto (one of the grapes in Marsala) and Chardonnay and banal and baggy reds with Nero d’Avola, Cabernet Sauvignon, and Syrah. All permutations were forgettable, and unfortunately, the only options until about 1990.
By then, the other two white grapes that made Marsala—Grillo and Inzolia—were being vinified dry with successful versions tasting grassy, fresh, and almondy. On the red side, producers began finessing Nero d’Avola’s wallop with Frappato, a fragrant little number from Vittoria. And because vineyards no longer needed to be close to the sea from which they ship, producers began to grow grapes away from the sun-baked coast and on the island’s lusher, hillier terrain. Irrigation, an utter necessity in the western regions where North African winds evaporate any trace of moisture, isn’t needed inland. Cool Apennine breezes help to retain the grapes’ acidity and aromatics—a duo hard come by in hot-climate wines.
The Sicilian terroir that’s perhaps the most interesting of all is along the slopes of Europe’s highest active volcano, Mount Etna. Towering 11,000′ on Sicily’s northeastern coast, Etna’s rich and sandy soils are home to vines that grow up 1,000′ to 6,500′ from its base. They are trained in the albarello manner—like freestanding bushes. And because phylloxera, that pesky louse that annihilated Europe’s vineyards in the late 1800s, can’t move through sand, many of the vines are more than 100 years old, still sporting their original gnarly-looking rootstock. The poverty and general lack of industry that followed both World Wars left these vines, dangerous and laborious to access, untended until just 20 years ago.
It’s a grape called Carricante that comprises the majority of Etna’s white wine production, or Etna Bianco. Taut and exuberant in its youth, Carricante gains an edginess with age that’s reminiscent of an older Riesling’s tendency towards the smoky, the waxy, and the otherworldly. It’s not at all surprising that a wine made from grapes grown beneath a volcano still spewing ash and molten lava would possess an inexplicable trait or two, with no particular fruit asserting itself over the wine’s marked minerality. One palate’s apricot might be another’s green apple, but few would deny the prevalence of wet slate and stone in Etna Bianco. Together two grapes, Nerello Mascalese and the slightly stouter and more revered Nerello Cappuccio, make the region’s red wine, or Etna Rosso. It’s nimble and intense yet eminently likeable, especially with food—like Burgundy on a budget. The grapes, all the happier for their precarious conditions, thrive in soil that’s nutrient-deprived. Indeed, adversity builds character.
Top producers countrywide are staking claim on Etna’s ancient soil. Of course, with only about 5,000 viable acres, there’s only so much the area can grow. As is, these wines aren’t easy to find. I found no Etna Bianco on our retailers’ shelves and only one example of Etna Rosso (Tenuta Della Terre Nere) on the wine lists at Camino, Fry’s Spring Station, and tavola ($36-$45) and a 2008 at Tastings of Charlottesville ($52.95).
According to the United Nations, Mount Etna is one of 16 volcanoes in the world whose eruption would threaten lives and damage property. I can’t resist imagining that the wine made on its slopes gets its haunting distinctiveness from the recognition of its own mortality—living each day as if it’s its last. Overly poetic perhaps, but when put into mafia terms, it’s not that different to living with the fear of being whacked. Either way, life’s too short to drink boring wine, so ask your retailer for an Etna-grown choice next time you’re shopping.
Drawings of ponies and dragons frolic across the glass of the large picture window that faces the front of 4-year-old Makenzie Lee’s home. The word pony is written in red washable glass marker.
The Fontaine-area duplex is tidy and decorated with brightly colored accents, Makenzie’s mom Chelsea’s sea-creature themed paintings and, now, Kenzie’s window drawings.
In Kenzie’s bedroom, she pointed out each fabric container on the shelves and names their contents.
“Towels!” she shouted excitedly. “What’s in this one?” Chelsea asked.
Kenzie continued, “Socks and underwear! Coloring stuff! Dress up!” And so on.
Knowing that everything has a place makes clean-up time straightforward and manageable. As her mom explained, “She is meticulous about that. When I say, ‘Kenzie, clean your room’ this is it. I did not clean this.”
Kenzie then headed back to the living room to show off her bookshelf. Dozens of illustrated books line the low shelves, from Shel Silverstein to Dr. Seuss. She opened to the first page of Seuss’ Beyond Zebra! and began to carefully sound out the names of made-up letters with minimal help from her mom. “We normally read whenever she needs to calm down because it is definitely something that refocuses her,” Chelsea said. “We have to read before we go to bed. And it’s normally her just-want-to-do-something-special-just-you-and-me [activity].”
On the other side of the room, along the opposite wall, is another set of shelves with one very special section.
“I actually collect children’s books and have for a long time. So she gets to break out the Chris Van Allsburg and pop-up books that are all M.C. Escher and things like that. Anything that’s, like, Caldecott or a little more, you know, advanced. These are the things that are like, ‘O.K., you’ve been really good so now we get to read something off of [the special shelf]. These are mommy’s books.’”
As a single mom, Chelsea feels it is important to make sure that Kenzie’s home environment remains stable, secure and consistent. Rather than Kenzie shuttling back and forth to her dad’s home, he spends a significant amount of time with her here, in her home. Chelsea said, “It’s one thing that we really take pride in: the fact that we have not disrupted any of the flow.”
Working out a healthy living arrangement for children whose parents live in separate homes can often pose a significant challenge, but by orienting their living around her, Kenzie’s parents seemed to have found a way to keep a balanced living environment that is fertile ground for her growing imagination.
At one point during my visit, Kenzie took a break from drawing pictures at the coffee table to open a lidded basket and put on an impromptu puppet show. The first performer was a rock star sock puppet with a neon pink body. The next was a purple lady with crazy curly hair. Finally, out came a fluorescent yellow guy with a pointy hat. “’I’m the Sandman!’” exclaimed Kenzie. Her creativity and exuberance are in evidence all over her vibrant home and, as her window-drawings show, extend to the world beyond.
“I really believe it’s my job to lose, and I’m not going to lose it.”
Consider Michael Rocco 1-for-1 in 2012.
UVA coach Mike London named Rocco starting quarterback Monday, just 24 days after the junior publicly laid claim to the job.
“It became apparent that Michael has the best grasp of the offense right now,” London said. “He’s done nothing to lose his position. He’s improved.”
Rocco will make his 14th consecutive start Saturday when Virginia welcomes Richmond to Scott Stadium. Alabama transfer Phillip Sims, meanwhile, will become one of college football’s most acclaimed understudies – again.
ESPNU and SuperPrep magazine rated Sims the country’s No. 1 high school quarterback in 2009. He rewrote the Virginia High School League record book en route to 48 prep wins in four seasons. At Alabama, however, Sims logged just 28 pass attempts in a reserve role before transferring to UVA this summer. (Starting quarterback A.J. McCarron led the Crimson Tide to the 2011 BCS national championship).
A product of Chesapeake’s Oscar Smith High School, Sims was granted immediate eligibility by the NCAA but could not unseat Rocco during Virginia’s month-long training camp. London said Monday it would have been unfair to expect him to have learned the entire offense in such a short time. Rocco, conversely, executed the system to the tune of eight wins in 2011. His 2,671 passing yards rank fourth all-time at UVA in a single season.
Virginia is 26-2-2 all-time against Richmond, including a 34-13 win in 2010 — Mike London’s Virginia debut. Richmond, which lost its final eight games a year ago, last topped UVA in 1946.
Greetings! Cartoonist and occasional political blogger Jen Sorensen here. Some of you C-VILLE faithful may recall my coverage of the 2008 Democratic National Convention in Denver. Well, I had so much fun last time that I’m doing it again.
On Saturday I leave for Charlotte, where I’ll spend the better part of next week immersing myself in the hoopla surrounding the renomination of Barack Obama. I’ll be blogging, tweeting, posting cellphone photos, and hopefully drawing some cartoons as I have time.
While it’s true that the outcome of the convention is a foregone conclusion, I’m fascinated by the details surrounding it. It’s a Big Spectacle bordering on the surreal, with plenty of behind-the-scenes wackiness. One moment, you’re brushing past Jimmy Carter; the next, you’re photographing a midwestern delegate in a giant corncob hat. Some real drama is sure to unfold too, as protesters of various stripes collide with extremely robust security forces. So, watch this space!
George Huguely faces 23 years in prison
After hearing three hours’ worth of testimony from family, friends, teammates, even a Catholic priest, Judge Edward L. Hogshire made his final decision and sentenced convicted murderer George Huguely to 23 years in prison, reduced from the jury recommended sentence of 25 years for second degree murder and one year for grand larceny.
Several of Huguely’s peers testified prior to the sentencing, including Claire Bordley and Gavin Gill, both of whom experienced Huguely’s drunken violent rage first-hand. In 2008, Bordley shared her observations of Huguely as a heavy drinker with her father, who was also Huguely’s high school lacrosse coach. She testified that after that summer, Huguely approached her in a bar, clearly angry at her for confiding in her father.
“His emotions were running high,” she said. “He was upset, and grabbed me with both hands around my neck.”
Gill was a lacrosse teammate and friend—“never best friends, but friends”—of Huguely at UVA. During his testimony he admitted to sharing “some intimate contact” with Yeardley love, Huguely’s on-and-off girlfriend.
“George was on top of me in my bedroom,” he said. “I have a snapshot of seeing him over me, and I don’t remember much after that.”
Gill’s injuries included swollen eyes and a bruised face, but he said both he and Huguely reached out to one another to reconcile.
“I overstepped my boundaries,” he said. “I didn’t want George to be punished for it.”
Testimonies also included those from Huguely’s aunt, who described him as a leader among a large family, and the Catholic priest who has visited him in jail every Monday for the past two years, who said he had “very touching and sensitive” discussions with Huguely about everything from faith to football.
Following the testimonies, Huguely stood up and addressed the Love family directly.
“I’m so sorry for your loss,” he said, voice quavering. “I hope and pray that you may find peace.” He then bowed his head, seemingly overcome with emotion, and slowly lowered himself back into his chair to await the judge’s final decision.
Commonwealth attorney Dave Chapman addressed a slew of reporters on the courthouse steps after the sentencing.
“We believe that the jurors here in Charlottesville got it right,” he said.
When a reporter questioned whether or not Yeardley Love got justice, Chapman responded simply: “All I see is loss.”
Close behind Chapman were defense attorneys Rhonda Quagliana and Fran Lawrence, who earlier requested a maximum sentence of 14 years.
“We fundamentally believe in the jury system and in our courts,” Quagliana said. “But we fundamentally disagree that the conviction in this case for second degree murder was at all appropriate, and we basically disagree with the sentence that was imposed today.”
She went on to say that her client was convicted of a crime “inconsistent with the facts,” and assured the press that he will in fact appeal the convictions and his sentence.
For a lot of locals, Barack Obama’s arrival in Charlottesville Wednesday overshadowed another significant appearance the President made: his half-hour “Ask Me Anything” interview on the crowd-sourced news and information site Reddit.
Reddit, which bills itself as “the front page of the Internet,” is a powerful force on the web, a meme factory where news stories, design concepts, and, yes, funny cat pictures are born, shared, and then bounced around the Internet. If that sounds trivial, consider this: According to the site, it passed 3 billion monthly pageviews this summer.
The “Ask Me Anything” subfeature, which allows Redditors to pose real-time questions to an interviewee, has become increasingly popular. It’s a remarkable coincidence, then, that the most prominent AMA host ever logged on just a few miles from where the idea for Reddit was conceived.
“I was in Alderman Library when we came up with the name Reddit,” a mashup of “read it” and “edit,” said co-founder Alexis Ohanian, a 2005 graduate of UVA. The former pre-law student had recently walked out of an LSAT prep course after realizing he wanted to go after bigger things. (Or maybe he was just craving waffles, but that’s another story.)
Ohanian said he was thrilled that Obama agreed to talk directly to the Reddit community, and marveled at strange fact that he conducted the interview in Downtown Charlottesville, backstage before his Pavilion appearance. It was a wildly successful half-hour in terms of site traffic. Still, some have pointed out that it was a reasonably safe appearance for the President. Slate ran an article entitled “The Ten Reddit Questions That Obama Should Have Answered,” saying that “the queries he fielded—on Internet freedom, the space program, beer, and basketball—were a lot less interesting than the questions he dodged.”
But Ohanian said crowd-sourcing interviews is a good way to gather up the questions that people really want asked, so that people can put the screws to public figures further down the line.
“I’d assume the debates we’re going to see in October are going to be very similar in the sense that we aren’t really going to get the questions answered that we would like,” he said, and most interviews with politicians these days remain pretty unsatisfactory. “But the good news is when you have a format like Reddit that can source the diverse opinions of a lot of people and see what’s most important among them, then we at least have the questions to ask. But let’s use these questions as our ammunition for when we have a camera on an official, or when we have a more traditional interview format. And then let’s actually ask them when we have the opportunity to do it and hold them accountable. The crowd source model isn’t the end-all solution, but let’s use what it’s best at.”
ARTS Pick: Final Fridays
Friday 8/31
Finals begin
According to the UVA art scene, a final during your first week is the ideal way to ease back in to college life. The Final Fridays series kicks off with four special exhibitions at the Fralin Museum of Art. “Ancient Masters in Modern Styles,” “The Valley of the Shadow,” “Jean Hélion,” and “Making Science Visible” will all be on display at this on-Grounds answer to our Downtown Mall’s First Fridays. $3 for non-members, 5:30pm. UVA’s Fralin Museum of Art, 155 Rugby Rd. 924-3592.
It’s clear that Emili Hays has a natural ability to envision a house’s potential, as she walks through her Locust Avenue home, explaining every detail of what she’s changed since buying it in 2009. “Honestly, we walked in and I wanted to walk right back out, but I just knew it had potential. So we went for it,” says Hays, whose husband, Ben, is a partner in crime when it comes to renovating. “We love to dream together.”
Ben is a structural engineer by trade, and is currently working on a Ph.D. in architectural history. The stay-at-home mom has three young kids under the age of 6; making a purely kid-friendly space devoted to them was vital.
Case in point: the massive sunroom they added to the back of the house, where the family spends most of its time together. The room boasts 13′ ceilings, seven windows, two modern fans, a durable rubber floor, trunks of toys, and a comfortable upholstered sectional: the ultimate playroom. The space is painted the lightest robin’s egg blue, which makes it feel light and airy; the wall of windows overlooks the Blue Ridge Mountains.
“Everything costs so much that we had to be intentional about where we invested our money. When it came time to appoint the space, we kept it simple and I used my secret resources!” Translation: thrift stores, local yard sales, and Craigslist. A Charlottesville native, she attributes her knack for thrifting to her mom, who used to volunteer for the SPCA rummage sale and would find amazing things for Hays’ childhood home, located a mere two blocks away from her current residence.
Her aesthetic is genuinely eclectic; there are touches of midcentury modern décor (like an Eames chair) mixed with a collection of vintage mirrors and traditional porcelain lamps. Hays’ ultimate dream is to buy and renovate houses with her husband. But for now, they’re going to continue to improve the space they live in. “I can’t help myself, I’m always starting new projects!”
“I went back and forth when it came to painting the room blue, because usually I stick with really muted colors. But my husband kept on saying ‘we should go with a color’ and I think he was right in the end. I can do a little color, I just can’t do a lot. I knew that the kids were going to spend most of their time in here, so giving them a cheery color to play in was important.
“I have always been into art. I do remember as a kid, just really paying attention to the surroundings and having that feeling of ‘wow, I really love being here.’ When you’re a child, you don’t really know why you love a space, but I have a clear memory of appreciating properly laid out, uncluttered spaces. They made me feel at home.
“I learned so much about décor from my grandmother, who I actually never met because she died before I was born, but whose house we ended up living in. She had a very traditional, classic aesthetic. I remember staring at the beautiful window dressings that were really simple, elegant long panels. Lots of antiques. Just a classy space, through and through.
“My mom is an avid yard sale visitor and thrift store shopper, and I’ve gotten that from her. I frequent the Habitat store, and my secret resource is Twice is Nice. I’ve found amazing things there at great price points. It’s like treasure hunting, and it can be hit or miss, which is all part of the fun.”
Friday’s opening of “Picasso, Lydia and Friends,” features the work of Anne Chesnut, Dean Dass, David Summers, Rosemarie Fiore, Russ Warren, Sanda Iliescu, Lydia Gasman and last but not least, Picasso. The exhibition heralds the advent of the Lydia Csato Gasman Archives for Picasso and Modernist Studies under the leadership of Lyn Bolen Warren and Victoria Beck Newman. Gasman was a beloved professor, teaching first at Vassar College and the University of Haifa before coming to UVA where she taught art history for two decades. Upon her death, Gasman left her papers to Warren and Newman who had been doctoral students of hers.
In addition to caring for and organizing Gasman’s work (160 boxes in all), the archives intend to publish Gasman’s seminal dissertation, “Magic, Mystery, and Love in Picasso, 1928-1938: Picasso and the Surrealist Poets,” which though influential and oft-quoted by every prominent Picasso scholar, has never been published. A densely packed examination of what Picasso read, his writings and his psyche, the dissertation, which was reviewed in “The New York Review of Books” by none other than John Richardson (Picasso’s preeminent biographer) and given a contract by Yale University Press, the work transformed Picasso scholarship. The archives also want to re-publish Gasman’s second book: “War and the Cosmos in Picasso’s Texts, 1936-40.” They also plan to offer fellowships to Picasso scholars as well as lectures and symposia.
Recently incorporated as a non-profit foundation (the archives’ board of directors includes, in addition to Warren and Newman, Richardson, David Summers–William R. Kenan, Jr. Professor of Art History at UVA and Gasman’s former husband and lifelong friend, Daniel Gasman. Last spring, the archives assisted curators at the prestigious Gagosian Gallery in New York with sourcing materials among the Gasman papers pertaining to a Picasso exhibit. An essay about Gasman’s invaluable contribution to the field of Picasso scholarship written by Richardson and illustrated with examples of her notes and drawings was included in the exhibition catalogue.
Romanian by birth, Gasman was a highly acclaimed social realist painter, with degrees from the University of Bucharest and the Academy of Fine Arts in Bucharest. She arrived in America from Israel in 1961. Although she would continue to paint throughout her life, she switched her focus to art history, attending Columbia University in the late ’60s. After years of exhaustive research, she finally received her doctorate in 1981.
Rejecting the Clement Greenberg style formalistic approach, Gasman was after a deeper exploration of underlying meanings and looked beyond Picasso’s formal expression to his language of symbolism, the decoding of which became her life’s work. It’s clear she was on the right track. Picasso himself said of painting: “It is not an aesthetic process; it’s a form of magic that interposes itself between us and the hostile universe, a means of seizing power by imposing a form on our terrors as well as on our desires.”