Categories
Arts

Film review: Side Effects

Drug interactions: Steven Soderbergh’s psycho-thriller Side Effects proves he should not retire

The trailers for Side Effects, director Steven Soderbergh’s new thriller, make it look like an indictment of all things pharmaceutical. It’s not that, though its view of the pharmaceutical industry is pretty grim. Rather, it’s a conventional thriller that has the smart pacing, loose-looking but tightly planned camera work, and excellent performances we’ve come to expect from Soderbergh.

It’s a bummer, then, that he’s done making movies—for now. Who else can direct films as diverse as Contagion, Haywire, Magic Mike, and now, Side Effects, all within the span of two years?

Side Effects is nifty, nimble, and mildly mean-spirited, if you’re given to the bent that we’ve had enough movies about evil women. I’m not given to that bent. A thriller needs an evil character, and there’s a 50 percent chance that character could have ovaries.

Emily Taylor (Rooney Mara) is suffering from severe depression. Her husband, Martin (Channing Tatum), has been in prison for four years after being convicted of insider trading. Now he’s out, and she’s a mess as they readjust.

After a botched suicide attempt, she’s prescribed antidepressants by psychiatrist Dr. Jonathan Banks (Jude Law) at the hospital where she’s treated. They don’t work. Banks puts her on different medications. She sleepwalks. Bad, bad things happen.

I usually don’t care about giving up spoilers, mostly because you can see them coming. But to reveal too much of Side Effects would be to give away too much, and there are many layers to this psychological thriller.

A few of those layers, especially as the movie moves toward its conclusion, are completely eye roll-worthy. In fact, the movie’s big a-ha! moment is so absurd, it actually produced a groan in the theater. Thankfully, the groan-worthiness of that moment—and it’s a doozy—is assuaged by Soderbergh’s characteristic quick-but-not-choppy editing, short scenes, and his fine photography.

The best surprise about Side Effects is Law as Banks, showing the charisma, promise and likeability that some of his earlier performances hinted at, but has been missing since roughly The Talented Mr. Ripley. Here he plays a genuinely caring, nice guy who gets in over his head because he gets too involved with his patients.

Don’t misunderstand. Banks is not a golden boy, but there is something in Law’s performance that makes us want to give him the benefit of the doubt long after our goodwill for his character’s shortcomings should have evaporated.

The weak link is Mara, who’s saddled with playing a damsel in distress and a femme fatale at the same time. Damsel in distress she handles well enough, but the toughness she brought to The Girl with the Dragon Tattoo seems to have faded, even as the plot machinations begin twisting in Side Effects’ final third and her character shifts into overdrive.

Still, Side Effects works, and has moments that are great. It’s worth seeing, and worth hoping for movie fans that Soderbergh’s plan to paint full-time becomes part-time, and the other part-time job is making movies.

Side Effects/R, 106 minutes/Regal Stonefield 14 and IMAX

Playing this week

Argo
Regal Downtown Mall 6

Bullet to the Head
Regal Stonefield 14 and IMAX

Cirque du Soleil:
World’s Away
Carmike Cinema 6

Django Unchained
Regal Stonefield 14 and IMAX

Finding Nemo 3D
Carmike Cinema 6

Hansel & Gretel:
Witch Hunters
Regal Stonefield 14 and IMAX

Hotel Transylvania
Carmike Cinema 6

The Hobbit:
An Unexpected Journey
Regal Stonefield 14 and IMAX

Hyde Park on Hudson
Regal Downtown Mall 6

Identity Thief
Regal Stonefield 14 and IMAX

The Impossible
Regal Downtown Mall 6

Killing Them Softly
Carmike Cinema 6

Les Miserables
Regal Stonefield 14 and IMAX

Life of Pi
Regal Downtown Mall 6

Lincoln
Regal Stonefield 14 and IMAX

Mama
Regal Stonefield 14 and IMAX

Masquerade
Regal Downtown Mall 6

Parental Guidance
Regal Stonefield 14 and IMAX

Parker
Regal Stonefield 14 and IMAX

Quartet
Vinegar Hill Theatre

Silver Linings Playbook
Regal Downtown Mall 6

Skyfall
Carmike Cinema 6

Stand Up Guys
Regal Downtown Mall 6

Texas Chainsaw
Carmike Cinema 6

Top Gun
Regal Stonefield 14 and IMAX

Warm Bodies
Regal Stonefield 14 and IMAX

Wreck-It Ralph
Regal Stonefield 14 and IMAX/Carmike Cinema 6

Zero Dark Thirty
Regal Stonefield 14 and IMAX

Movie houses

Carmike Cinema 6
973-4294

Regal Downtown Mall
Cinema 6
979-7669

Regal Stonefield 14
and IMAX
244-3213

Vinegar Hill Theatre
977-4911

Categories
Living

Enough is enough: The importance of spaying and neutering

“So, is it really necessary to… you know?” asks the anxious new puppy owner as he unwittingly extends two fingers of his free hand into the form of scissors.

The short answer? Yes. Yes, it really is. And for so many reasons.

Here’s the sad truth: There are literally millions of homeless dogs and cats out there. Shelters are packed beyond capacity. These unwanted animals face living their lives in cages, and more than half are euthanized to relieve the strain on a hopelessly overloaded system. I worry that big statistics like this can be too abstract to really strike home, so I’d ask that you simply imagine your own pet as one of them. If that knot growing in the pit of your stomach isn’t awful enough, magnify it by 5 million. That’s the ASPCA’s lowball estimate of the number of animals that cycle through our shelter system every year. It could be a million or two higher. This is a legitimate tragedy.

I’ll put the finest point I can on this. Unless there is a medical reason to prevent it, you should absolutely spay or neuter your pet. It is, without question or equivocation, the responsible thing to do. It doesn’t matter if your pet is a street mutt found in a parking lot or has AKC papers tracing his lineage back to a distinguished sire owned by King Henry VIII. Each new animal born is another one doomed to remain homeless. Sterilized animals break the cycle. It’s as simple s that.

On occasion, someone will take the opportunity to remind me that I’d be out of a job if there were no animals breeding at all. That’s true, I suppose. But I feel rather confident that veterinarians will happily reconsider their recommendations as soon as America finds itself even remotely threatened by a dog and cat shortage. Until then, the current wisdom on spaying and neutering rests in a pretty wide comfort zone. It’s time to stop making this problem worse.

But let’s, for argument’s sake, pretend that there wasn’t an overpopulation problem. Would there still be a reason to have your pet spayed or neutered? The answer is, again, yes. The health benefits of sterilization are many, and the risks are few.

Neutering is a term typically reserved for male animals, and refers to the removal of the testicles. It’s gross, I know, but bear with me. It’s a very quick procedure, and when dogs wake up, they have absolutely no idea that anything happened. Plus, unbeknownst to them, they are now more likely to live a full and happy life. Sneaky, sneaky. Neutered animals, for obvious reasons, cannot develop testicular cancer. They don’t develop prostate enlargement later in life. They are less prone to roaming and fighting, and less likely to demonstrate aggression and dominance issues (this is particularly important if you have children in the house).

Resistance to neutering frequently comes from men (I’ll give you a moment to express adequate shock). I’ve lost count of how many concerned women have told me that they really want to neuter the dog, but their boyfriend or husband keeps freaking out about the idea. This seems silly to me. I can only assume these poor guys are misunderstanding the procedure. So let me say, on the record: Don’t worry, boys. You get to keep yours.

Spaying is the term used for sterilization of female animals, and most commonly involves the surgical removal of the ovaries and uterus. It is a more involved procedure than neutering, to be sure. But it is performed so frequently that nearly any veterinarian can safely be considered an expert. And the health benefits are overwhelming. The most significant is the prevention of pyometra—a deadly uterine infection which I find myself treating much more often than I should. Ironically, the treatment is basically a spay, except much (much, much) more expensive and risky because the poor thing is almost always in critical condition by the time she comes in.

Animals spayed before their first heat cycle are also considerably less likely to develop mammary gland cancer (their equivalent of breast cancer), which is malignant half the time in dogs, and almost all the time in cats. This bears repeating: It is a common misconception that pets should be allowed to have a heat cycle before being spayed. Once animals complete their first heat cycle, they are at permanently increased risk of mammary cancer for the rest of their lives.

None of this is to say that spaying and neutering are completely without risk. It would be disingenuous to suggest otherwise. But those risks are completely insignificant compared to the risks of not doing anything. In recent years, there has been an increased push to postpone spaying and neutering until a later age, or to avoid it altogether. Much of this push comes from people who are well-intentioned but ultimately misinformed. Internet forums have created echo-chambers in which minor worries and rare events can be magnified into dire concerns which occur all the time. Blogs are passed off as literature, and repetition turns hearsay into fact. There is a lot of good information online, but it can be tough to separate the wheat from the chaff. If you have any questions about the safety or wisdom of spaying or neutering your pet, please speak to your veterinarian about it.

Spaying and neutering are important parts of responsible pet ownership. Not only do they help stem the tragic pet overpopulation problem, but they give your own dog or cat a better chance of living a full and healthy life. The choice really couldn’t be any simpler.

Categories
News

The threatened three: Local sites on SELC list of endangered places

Editor’s note: Guest columnist Cale Jaffe was recently named director of the Southern Environmental Law Center’s (SELC) Charlottesville office.

Maybe it’s just the buzz of Valentine’s Day in the air, but I can’t help reflecting on how easy it is to fall in love with Charlottesville. Whether it is camping in Shenandoah National Park, canoeing on the James, swimming at Sugar Hollow, or hiking along the Rivanna—we all have our favorite, local getaways. Of course, a lot of diligent work is needed to protect these and other special places throughout the Southeast.

Last week, the Southern Environmental Law Center released its fifth annual list of the Top 10 Endangered Places in the region. Unfortunately, three of the most endangered spots are right here in the Old Dominion.

The first, Southside Virginia, is home to the Roanoke River, which flows from the Blue Ridge Mountains all the way to North Carolina’s Outer Banks. The river supports a community reliant on tourism, agriculture, and high-tech companies drawn to the area because of a great quality of life. But all of that is in jeopardy due to one company’s proposal to mine uranium and store the radioactive waste in the watershed. State law currently prohibits uranium mining, but a controversial push is underway to repeal the ban. A National Academy of Sciences study validated our core concerns about managing all of that waste in an area susceptible to hurricanes and close to major population centers. Responding to that study, the General Assembly rejected this year’s effort to lift the ban. But the mining company is now lobbying the governor to push forward outside of the legislative process.

Next on the list are the rugged mountains of Southwest Virginia, where mountaintop removal coal mining is already destroying forests, streams, wildlife habitat, scenic beauty, and threatening Appalachian communities. One new mining project would be particularly destructive —the so-called Coalfields Expressway. Two coal companies are proposing to blast away mountaintops to extract coal along a 26-mile route. So far, the state’s analysis has not even mentioned the devastating impacts from coal mining. Instead, the Virginia Department of Transportation is treating this as a road, and planning to build a new highway on top of the flattened mine sites. But this is no simple highway project. This is strip mining on steroids. While the Department of Transportation is trying to fast-track the process, we are fighting for a comprehensive environmental analysis that looks at what the project would do to Virginia’s mountain landscapes.

Last, but never least, is Charlottesville, where our community is threatened by the proposed Western Bypass. Despite more cost-effective, less damaging alternatives, and strong public opposition, a $244 million bypass would leave a permanent scar on our local landscape. The Bypass—with all of its noise, asphalt, and air pollution —would run adjacent to six K-12 schools and a senior living facility. It would come close to the South Fork Rivanna Reservoir, bringing new threats to our drinking water. The northern terminus would dump traffic right at the entrance to the Forest Lakes South neighborhood, while the sprawling southern end would forever mar the scenic western approach to Charlottesville. Nothing could be more out of character for a community that takes pride in being one of the most beautiful places to live in the country.

So this Valentine’s Day, take your sweetheart someplace special. Visit the Virginia locales on our Top 10 list, which remain beautifully pristine. Then join us in working to keep them that way. —Cale Jaffe

Categories
Living

To the trade: Furniture restorer Michael Keith is into details

Do you respect wood? Michael Keith does. A master of old-world craftsmanship, Keith is a furniture maker and restorer of the highest mark. Passionate about the details and intent on preserving the original integrity of antiques, his is an art based upon labored hours in his workshop/studio.

Your first exposure to old-world craftsmanship occurred when you were a young boy and your mom got you a summer job. Exactly how did this happen and what did you learn that summer that got you hooked on the trade?
My grandfather collected antiques and so did my mum. During one summer holiday, my younger brother broke an arm chair and I helped carry it into the local restorer’s. That’s when my mum asked whether it could be repaired, and also if there was a summer job available for her son. To my surprise, she was referring to me. As any British apprentice will know, the first thing I learned that summer was how to make a strong cup of tea in a mug, known in the trade as a “mug o’ splosh.” I learned an appreciation for the physical work of restoration and also the detail to it; the skill level and the attention to detail as well as appreciating the actual pieces for the workmanship that went into creating them.

What is your favorite era in furniture and why? What kinds of pieces do you surround yourself with at home?
I don’t have a specific favorite era. I would say I have an overall appreciation of wood, craftsmanship, and the design element in furniture. When I first started working I was taken with some fancy, exotic rosewood pieces, including a Chippendale library breakfront bookcase, which filled the entire restoration shop that I apprenticed in, and a Regency breakfast table with lion paw feet that my grandfather had; amazing veneer and great carving. Then I moved onto more country-style oak pieces with a little mahogany cross banding for decorative detail and contrast. At home today, we have that rosewood breakfast table of my grandfather’s, and my mum’s French elm armoire, mixed in with a few tables I designed and built.

Your motto sites a “painstaking attention to detail” when restoring old pieces or recreating historically accurate replicates. Would you call yourself a perfectionist? How does this play itself out within your process?
Yeah, I suppose so. What I have learned over the years is that all the small details worked into a piece, if done well, take time and thought and although they are not often seen, you do pick up on them. I know this from restoring pieces. You get to see what works and what doesn’t work. You get to see it evolve. One of the pieces I worked on was a secretary that had been veneered and book-matched in flame mahogany so it had a very distinctive grain pattern that had been applied to the whole piece; like wallpapering even the switch plates on a wall. So to match the missing and broken pieces takes painstaking patience and attention to detail. You need to be somewhat of a perfectionist to get that right otherwise you see the repair from two miles away. With pieces like that I like to use historically accurate materials, too. It’s another detail that really makes a difference in the overall value and integrity of the piece.

How would you describe your overall design aesthetic in a few words?
I like to design furniture that showcases the raw material and the joinery. My designs are influenced by antiques, but are focused more on clean lines and functionality. In the execution of the piece, when I look back at it, I can see a simplified version of an antique. My intention is that they’ll fit in well in a home with primarily antiques, as well as in a more modern setting.

What’s your least favorite type of furniture design?
There’s a look to some pieces that I just don’t like, and it can be found in any era; a clunkyness that feels unbalanced is my least favorite quality in furniture design.

Categories
Arts

ARTS Pick: SIN: An Exploration of Eroticism Through Art

Mother necessity

Great art is a representation of what really drives human beings. So what bigger motivator for human endeavors than sex? To further examine this quality of human nature, FIREFISH Gallery presents “SIN: An Exploration of Eroticism Through Art.The show aims not only to arouse the senses, but also to interpret and celebrate human sexuality in the physical form through sculpture, paintings, drawings, and photography, examining sexuality as not only an indulgence but a necessity.

Through 3/6 Free, FIREFISH Gallery, 108 Second St. NW. 984-1777.

Categories
Living

Standing corrected: The wines of Groote Post make pride easy to swallow

I’ve always been proud to be an equal opportunity lover of wine. Sure, I’m not wild about anything too buttery or beastly, but as long as it’s a well-made, balanced wine, there’s a happy home for it in my glass. So imagine my surprise, amidst all this open-mindedness, when years of field research revealed a verifiable dislike of the wines from an entire wine-producing region. Time and time again, if it was from South Africa, I no likey.

The fact that I didn’t seem to be alone assuaged my guilt in part (Pinotage, South Africa’s signature red that’s a cross between Pinot Noir and Cinsault, is known for splitting a crowd as quickly as Norton), yet my dislike wasn’t limited to that particular divisive wine. Even my favorite white grape, Chenin Blanc, turned me off when it bore South Africa’s name of Steen. The wines always had a redeemable quality or two, mind you, but I couldn’t get past the taste of acetone (or was it latex?) in every sample I tried.

I was so embarrassed by my own prejudice that when I noticed that Bill Curtis was devoting one of his Wine Club evenings to the wines from Groote Post in Darling, South Africa, I signed up immediately. I predicted that Bill would seat me next to the estate owner, Nicholas Pentz, and that I would be forced to hold my tongue, keep an open mind, and learn something. And, if all the wines tasted like a cheap balloon? Well, I could spit in the name of professionalism.

Groote Post, 44 miles north of Cape Town, is one of the estates Curtis visited on his trip two years ago. He returned charmed by the Pentz family’s wines and within one sniff, so was I. It didn’t hurt that Pentz, burly and tanned from the 95 degree South African summer, warmed our arctic air and frosty hearts with a presentation that was as entertaining as it was informative.

Though wine in South Africa dates back to 1659 (the first vintage grown by Dutch East Indian Company as a scurvy preventative for sailors stopping at Cape Town), slow growth followed by an 1866 phylloxera wipeout necessitated a complete do-over. In the early 1900s, more than 80 million vines were planted and a wine glut was born. In 1918, a growers’ cooperative formed, imposing a strict price-fixing quota system. Quantity became valued over quality. Overcropping meant underripe grapes and underripe grapes meant latex wine. Add in the illegal exportation as a result of the Apartheid regime, and South Africa didn’t have much incentive to make great wine.

Winemaking improvements came fast and furious when Apartheid ended in 1994 and five years later, the four-generation, dairy-farming Pentz family started bottling a new beverage. Now, they grow 10 different varietals on 250 acres of their 7,400 acres (where Angus cattle and antelopes still roam), producing 30,000 cases a year. Exporting still isn’t a huge business (80 percent of Groote Post’s sales are domestic), which explains why Pentz would leave the winery three weeks prior to harvest to come to the U.S. in the dead of winter.

With 600 wineries countrywide, tourism generates a lot of revenue. Groote Post sells about 18 percent of its wine to the 9,000 visitors they attract each year. Pentz doesn’t take these sales at face value though. “Every bottle sold from the winery is like a TV show that plays back memories of the visit,” said Pentz. And with a four-mile approach, Dutch-inspired buildings dating back to 1708, and slopes rising 4,600 meters above sea level, it’s bound to be a memorable one. There’s even a school on the property where Groote Post laborers (many of which were retained from the dairy farming days of Apartheid) can take evening classes.

Sauvignon Blanc is Darling’s darling, with a terroir so perfectly suited to growing ideal grapes that the wine is usually bottled within two months of harvest, maintaining all the same fig, gooseberry, and kiwi qualities it exhibits in the vineyard. Amongst the reds, the Pinot Noir won my heart with its assertive black currant fruit tempered with a centering acidity. Curtis aptly called it a Côtes de Nuit on steroids.

By the end of the evening, not only had I licked my plate and drained the majority of my glasses without reaching for the spittoon once, but I also had added traveling to South Africa to my (wine) bucket list.

Seven reasons to love South African wines
Available at Tastings of Charlottesville

Groote Post Old Man Sparkle NV. $27.95
Groote Post Sauvignon Blanc 2011. $25.95
Groote Post Riesling 2010. $22.95
Groote Post Reserve Chardonnay 2009. $31.95
Groote Post Reserve Pinot Noir 2009. $41.95
Groote Post Merlot 2010. $30.95
Groote Post Shiraz. $25.95

Miracle grower
Len Thompson, an independent grape grower in Central Virginia, received the 2012 Grower of the Year award presented by Virginia Secretary of Agriculture Todd Haymore at the Virginia Vineyards Association’s (VVA) Annual Technical Meeting and Trade Show at the Omni on February 1. Thompson, who also works at Rockbridge Vineyards, grows Chardonnay and Chambourcin grapes on six acres in Amherst County.

Categories
News

What’s in a comprehensive plan?

Few local government topics are as mired in planning jargon—or more likely to cause eyes to glaze over at public meetings—than the revision of a comprehensive plan, the massive guidance document that lays out broad ground rules for a municipality’s growth and development.

“It’s sort of this giant cloud that hangs over the community for a couple of years, and then everyone forgets about it,” said Steve Williams, director of the Thomas Jefferson Planning District Commission.

But plan updates—required every five years and now in the home stretch in both Charlottesville and Albemarle—are important, because they’re intended as a check on the government’s power to regulate land use, Williams said. Municipalities get to create zoning laws; citizens get to watch and weigh in while they write policy guidelines.

After more than a year of public input and discussion, city and county staff are now preparing draft versions of their updated plans, which will come before planning commissions and elected bodies in the coming months. We asked Williams and two other local officials involved in the process to tell us about the most important changes coming down the pipe.

Rethinking rural

The architects of the Albemarle County Comprehensive Plan are putting special emphasis on rural areas, said Elaine Echols, principal planner for the county.

The economic downturn made it harder for cash-poor rural landowners to justify hanging onto their acreage, so there’s been a lot of discussion about loosening land use rules to help them retain their land and not subdivide it. Restaurants, lodging, special events at farms, breweries and distilleries could all become by-right uses in the rural areas, meaning a property owner wouldn’t have to get special permission for them from the Planning Commission and Board of Supervisors.

“There’s a need for uses which help people to make some money in the area in nontraditional ways, but still relate to the rural land,” Echols said.

The current plan overhaul is also important for its scope. Albemarle has typically updated its plan on a rolling basis. This time, staff are pulling all the binders off the shelf and creating a single document meant to outline the county’s overall approach to growth and development.

“The last time that was done—that kind of overall approach—was 1996,” Echols said.

A better build-out

Charlottesville City Councilor Kathleen Galvin said new language in the city’s Comprehensive Plan will focus on filling in development gaps that are highly visible as you move along major transportation routes. That’s where carefully planned growth has a big impact, she said, and there’s plenty of room for it—Charlottesville is only about 40 percent developed along those major roadways.

“When anybody drives along our corridors, it’s obvious that there are a lot of missing teeth,” she said. The Downtown Mall thrives, but five minutes away by foot, former industrial sites stand unused.

The goal is to create useful, appealing places with identities of their own, said Galvin. Consider Court Square: Walk through those brick-and-statue filled blocks, and you know you’re in a distinct spot, separate from and yet connected to the rest of the city.

Purpose-driven places don’t materialize on their own, Galvin said. You have to be deliberate about it, and that’s where the Comprehensive Plan comes in. This time around, there’s an emphasis on laying the groundwork for the creation of “small area plans” that will in turn guide the thoughtful development of some of Charlottesville’s gap spots.

“The corridors are still ripe for that kind of redevelopment,” she said. “It’s exciting, but we’ve got to find a way to make it happen, not just talk about it. And the plan is your road map. When the community is involved in doing it, there’s buy-in.”

Tying it all together

Steve Williams’ TJPDC has acted as a kind of governmental emcee throughout the comprehensive planning process, regularly putting staff from city and county together to talk about joint goals.

He’s seen some promising things emerge from those meetings, he said, including a new approach to the Rivanna River, itself a perfect example of a tangible tie binding city and county together.

“Historically, the river has just kind of been there,” Williams said. “Any attention paid to it was to focus on it as a source of drinking water, or to be concerned about meeting water quality standards.”

Now there’s a new attitude, one that approaches the river as a potential community asset, he said. “Obviously, it’s a water source for the region, but we’re also looking at it for human recreation. We’re looking at it as an economic development area.”

If both municipalities’ plans can codify that kind of philosophical shift, “it’s going to lead to a much better approach, and the creation of a real amenity for the community at a lot of different levels,” Williams said.

Similar talks have helped the two municipalities find common ground on where to create more housing and how to combat urban sprawl, he said, and when drafts of the revamped comprehensive plans make their way online and before planning officials in the coming weeks, they’ll reflect the fact that this time around, people were asking an important question: Where do our futures intersect?

“It seems like a fairly theoretical discussion, but it’s a critical one,” said Williams.

 

Categories
Arts

ARTS Pick: The Winter’s Tale

Just as we round out Valentine’s Day, PVCC Drama is teaming up the Hamner Theater to offer up one of the greatest classic, muddled-up love stories in history. Numbered among Shakespeare’s so-called “problem plays,” The Winter’s Tale is an absolute whirlwind of a story, which is an adjective difficult to earn in a classic, five-act structure. Leaping nimbly from intense psychological anguish to giddy, fool-inspired revelry across a plot that covers more than 16 years and two disparate countries, Shakespeare blows the game wide open with a complex examination of jealousy and regret , and farcical comedy resulting in a plethora of marriages. Not to mention the best stage direction: Exit, pursued by a bear.

The production is directed by John Holdren and designed by Kerry Moran, the team responsible for numerous other successful Shakespearean endeavors around Charlottesville.  This particular production also marks the first of what promises to be many collaborations between the Hamner Theater and PVCC’s drama department. The cast itself is filled out by PVCC students and community members.

The plot is complex and multiply layered, but basically boils down to the long-lasting effects of a powerful man in a jealous rage. King Leontes of Sicilia suspects his pregnant wife, Hermione, of infidelity with the visiting King Polixenes of Bohemia. After a failed assassination attempt on Polixenes and a daring, secret escape with the loyal Camillo, Leontes’ fury drives him to overtly and publicly accuse his wife and bring her to trial. Despite a contradictory prophesy from the Oracle of Delphi, he surmises that his newly born daughter must be illegitimate and orders her to be abandoned in the wilderness, only to be found and raised by a kind shepherd on the coasts of Bohemia. The humiliation and strain of all the accusations causes the deaths of both Hermione and Leontes’ son, Mamillius. Finally repentant, Leontes mourns the loss and vows to spend the rest of his days atoning for the loss of his queen and his son, not to mention his young daughter.

Sixteen years pass and, of course, now Polixenes’ son, Prince Florizel, is now in love with Perdita, who is, in fact, Leontes’ lost daughter, though no one knows except her surrogate father, the old shepherd. Since she is apparently a common shepherd’s daughter, Polixenes ardently opposes their love and forbids them from seeing each other. Through much deception and disguise, Florizel and Perdita escape the fury of Polixenes and return to Sicilia. The rest is classic Shakespeare, and I won’t give any of it away to anyone who hasn’t seen it before. 

This particular play is categorized largely by historians and academics as one of Shakespeare’s “problem plays,” in that it does not easily conform to comedy, tragedy, or history. The first three acts are rife with dark, psychological turmoil, whereas the last two are textbook comedy, and the whole play ends with an almost hilariously fantastical deus ex machine. It’s one of Shakespeare’s later plays, and it serves as a noteworthy example of his whims and experimentation in later life.

Through 2/17  Piedmont Virginia Community College Dickinson Building Maxwell Theatre

**Correction: The original post mistakenly credited John Holdren and Kerry Moran as the creative team behind the Hamner’s A Midsummer Night’s Dream.  The creative team for that production was Carol Pedersen, Boomie Pedersen and J. Taylor.

Categories
Arts

The fabulous, freaky Flying Karamazov Brothers land at the Paramount

Even by typical 21st century Vaudeville-style comedy act standards, the Flying Karamazov Brothers are unexpected and uncontrollable. A quick click-through of their website’s trivia page has the words “Bull’s Testicles” and a question about angels who count in Hebrew flashing across your monitor. As far as anyone can tell, this is only the beginning.

While the group has built an impressive theatrical résumé since 1973’s inception at the University of California, Santa Cruz, putting on loose Shakespearean adaptations, performing in countless widely renowned venues, and sharing the stage with individuals ranging from the Beat Generation’s Allen Ginsberg to McDreamy, these guys are also known for playing amped-up versions of themselves on shows like Seinfeld. They even had a major role in the Michael Douglas action vehicle/disaster The Jewel of the Nile, which says quite a bit about the group’s propensity for variety.
http://youtu.be/_nPpDBqXq5k

None of this implies that familiarity with the Flying Karamazov Brothers leads to fulfilled expectations. Classic acts such as their Terror Trick, which curiously involves dry ice, champagne, and a torch all at once, are sure to make recurring appearances, but nothing about this group of faux siblings is designed for predictability. With these guys, everything boils down to insane levels of comedy growing naturally out of such zaniness and audacity. Their typical wardrobe of kilts and tutus only serves to underscore their inherent eccentricity.

With this sort of a diverse background, it’s tempting to describe the target audience of the Flying Karamazov Brothers as eclectic. This, however, would be to miss the point altogether, for these men simply strive to appeal to everyone from prison inmates to the most refined theatregoer. It’s all about laughter and sheer absurdity. Target audience be damned.

The Flying Karamazov Brothers/February 17/The Paramount Theater

 

 

Categories
News

Law school enrollment dropping nationwide, and UVA Law is no exception

Law school applications and enrollment numbers are dropping at UVA, and tuition, in response, continues to rise. Faced with the prospect of paying off a six figure loan tab in a brutal job market, students are re-evaluating whether or not a law degree is still a worthy investment, and experts expect nearly a dozen schools around the country to close over the next decade.

The University of Virginia School of Law, still ranked among the top 10 law schools in the country, is responding to the pressure by shrinking class sizes and offering its students more practical experience outside the classroom. While top tier schools are faring the best in the inhospitable environment, annual tuition at schools like UVA is over $50,000 per year for out-of-state students.

According to a January 30 article in The New York Times, only four of some 200 law schools nationwide saw increases in applications this year. UVA Law’s enrollment has dropped steadily since 2007, and at 1,078 this year, is the lowest it’s been in a decade.

UVA Law spokesperson Mary Wood issued the following statement:

“Although the number of applicants to UVA Law has declined over the past couple of years, we still have more applications than we did a decade ago. As of today, just a few months into the application cycle, we have received 5,000 applications for admission to a class of about 350 students. By comparison, we received a total of 4,400 applications for admission for the class that entered in the fall of 2002. So, applications are down somewhat in the short run, but they are still up in the long run — and admission to UVA Law has continued to grow more competitive.

While the economy has affected the number of applications and the number of legal jobs nationwide, we have stepped up the level of our career counseling services to better support students, and our students likewise are stepping up to meet the challenges of a tighter market. When we surveyed online information in March 2012, we had graduates working in each of the top 100 firms in the country. Surveys of law firm hiring partners and recruiters consistently rank UVA among the leading schools for recruitment. Many of our students also choose to work in public service or clerk for judges after law school, including at the Supreme Court. Only Harvard, Yale and Stanford law schools have had more alumni clerk at the Supreme Court from 2005 to today.”

Officials say the University is doing everything it can to compete and combat the economic downturn, starting with its approach to job placement.

Senior Assistant Dean for Career Services Kevin Donovan said the students he works with face a whole new set of challenges than when he was in law school 25 years ago.

Then, he said, universities offered few classes that featured face-to-face interaction with real clients. Now that large firms dominate the legal market and expect new employees to have practical, hands-on experience and hit the ground running, more and more professors are trying to expose their students to both the intellectual and practical sides of law. Students start feeling pressure to pick a career path as early as their second semester, and most spend their summers working as legal interns for firms they hope will hire them full-time after graduation.

“Employers tell us over and over again that the candidates with work experience have an advantage,” Donovan said.

Third year law student Austin Raynor already has a job lined up clerking for a federal judge after graduation. He said he’s in better shape than some in other graduate programs, who face even tougher job markets if they don’t want a career in academia.

“Law school is, comparatively, still a good investment,” he said. “I’m learning a trade skill.”

Professor Thomas Hafemeister said the changes in the economics of the profession are forcing changes in pedagogy as well. For instance, he caps most of his classes at 18 students now.

“If we are going to be more practice oriented, we need smaller classes,” he said. “So we need more faculty, and tuition’s going to go up.”

In the past, Hafemeister said, students could rest assured they would quickly pay off their debt after graduation. Now, many of them have reached a tipping point. A $1,000 increase in tuition can break the bank, he said, and students are even asking to “borrow” casebooks in order to save $100 here and there, a level of frugality he’s not seen before.

Hafemeister said he understands why costs are rising, but he hates to see students make tough decisions based on money.

“Law school should be about opening up doors, not closing them,” he said.