Categories
Living

Nice work if you can get it: Six folks who took the path less traveled to fulfilling careers

When we asked you to weigh in on our jobs survey last month, you surprised us. In this era of lingering economic gloom, we figured a lot of you would report dismal job satisfaction, the result of being stuck in less-than-great positions simply for the security of a paycheck. But 72 percent of you said your job satisfaction was either good or great. And it wasn’t because the bulk of you are getting rich. Nearly 50 percent reported making $20,000-$50,000. So what are these jobs that deliver joy, if not fat stacks?

We found six Charlottesville and Albemarle residents who found their own answer. The most recent available data pegs Virginia’s mean salary at $46,000; these folks make within $10,000 of that mark, give or take. Their happiness quotient, though? It’s a lot higher than average.

Their careers could hardly be more diverse: A tradesman, a craftswoman, a writer, a cook, a backstage wrangler, and, yes, a horse masseuse. What they had in common, though, was the guts to turn passion into something that pays the bills.

Money can’t buy happiness, as the saying goes. But these locals found that a little ingenuity, doggedness, and devotion can go a long way toward a hell of a compromise.

Brick by brick
Touching history as a mason at UVA
Dennis Edwards’ first masonry job was really all about one thing: paying for a cool car. Understandable, considering he was 14.

“Most of my family was loggers,” said Edwards, who grew up in upstate New York. When high school summer break came, he was told he had to get a job. “My dad said, ‘You can go to work with my uncle in the woods, or this old mason.’”

He liked working with his hands, he said. He chose bricks. Now 46, he’s still in the same trade, one of a few masons skilled in historic restoration employed by UVA.

Restoration work is a highly competitive field, and in recent years, he had worked a few historic sites in Sarasota Springs, New York. But last winter, on a night when the temperature dipped to 25 below zero, he started Googling jobs in warmer climes.

Last June, he found himself in Charlottesville, the newest addition to a small team devoted to uncovering and preserving UVA’s architectural treasures, one brick at a time. Recently, they’ve been restoring a lot of fireplaces—something of a specialty for Edwards, and a project that often yields strange fruit.

Just weeks ago, they opened up one on the east range of the Academical Village that had been sealed in the 1940s, planning to pull out the base mortars and replace everything with fresh lime and a veneer of old brick pulled from a stockpile of originals UVA hoards. Inside, they found an old iron kettle hanger—clearly a relic from when the fireplace was much more than an attractive add-on. He’s come across other treasures, too: blown glass, ancient wallpaper. UVA meticulously documents all of them, but Edwards gets to hang on to the thrill of being first to the find.

“Opening up a wall that hasn’t seen daylight since maybe 1820—that’s something,” he said. “You think about the last person to touch those bricks. Some of the craftsmanship is unbelievable.”

It’s easy to feel connected to the masons of old, he said, because despite the modern luxury of electrified tools, much is the same now as it was then. “The main things, the trowel shapes, the hammers, the shapes of our tools—besides turning to steel from copper and brass, they’re pretty much the same.”

Even so, he encounters new things all the time. His new colleagues have worked on other World Heritage sites—a feather in the cap of any bricklayer—and they all swap knowledge. That’s part of what makes the job so enjoyable, said Edwards.

“When you get to a certain age, it’s real hard to keep learning when you’re in the same trade so long,” he said. “But this kind of job, you’re constantly learning something different.”

Unfortunately, masonry is a dying craft, he said. “Not a lot of younger kids want to do this type of work. It’s dirty. You have to have brain and brawn to do what we’re doing.”

There are a few out there, though. UVA has an apprenticeship program aimed at people in their 20s, and Edwards and other craftsmen are trying to pass on their knowledge.

Besides requiring a lot of skill and muscle, the job of a historic mason requires a tiring pace, he said—constant work, no rain days. But he wouldn’t switch places with anyone in a hurry. “I’ll stick with it until I can’t do it anymore,” he said.—Graelyn Brashear

Big players: Who has the largest local payroll?
The University of Virginia is the largest employer, with 14,622 employees. Martha Jefferson Hospital is the biggest private employer, with 1,741. State Farm is close behind, with 1,462. Other big bosses: Summit Realty, GE Intelligent Platforms, UVA Medical School, Northrop Grumman, LexisNexis, Aramark.

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News

What will it take for Dominion to bury power lines?

Before the end of the winter storm that dumped more than a foot of snow in central Virginia and put the Commonwealth into a state of emergency last week, 233,000 Dominion Power customers around the state were without electricity in freezing temperatures, including tens of thousands in Charlottesville and Albemarle. 

At 10am Wednesday—the morning after the worst of the weather—about two dozen of them were crammed into Atlas Coffee on Fontaine Avenue, one of the few beacons of warmth and light in a mostly cold, dark city.

“Unfortunately, natural disasters are really good for the coffee business,” said Lori Craddock, who owns the shop with her husband Michael Manto and spent the morning handing out hot drinks to customers charging iPhones and laptops. When they walked in the door at 6:40am that day, after trudging up JPA Extended with their kids in tow, Craddock and Manto’s phone was already ringing off the hook with people wanting to know if they had three things: Power, wifi, and java—often in that order.

“People come here for coffee, they come here to plug in and catch up,” Craddock said.

And to grouse in the good-natured way people do when weather delivers us a blow. Along with chatter at the espresso bar about plows and passable streets came an increasingly common complaint since last June’s derecho wiped out power to more than a million in the Commonwealth: Why doesn’t Dominion bury lines to prevent massive outages?

“That’s a great question without a simple answer,” said Dominion Power spokesman Carl Baab. “We’re constantly looking at storm-hardening our system, and undergrounding is one option we evaluate continuously,” he said.

The problem is that it’s expensive—prohibitively so, when you’re talking about trying to bury a network of more than 35,000 miles of overhead lines, he said. A 2005 study Dominion commissioned put the statewide pricetag at $80 billion, which translated to $27,000 per customer.

Some communities might want to shoulder the extra cost, Baab said, but a lot of rural Virginians don’t. Even so, when the company installs new lines in Virginia, “they’re almost exclusively put in underground today.” Maybe that’s because Dominion has started feeling the pain. According to a report in The Washington Post last summer, Dominion’s year-over-year second-quarter net income fell 23 percent after the derecho, from $336 million in 2011 to $258 million in 2012.

The grid relit bit by flickering bit last week, with more than 95 percent of Dominion customers back online by Saturday, the company said—the result of the round-the-clock work of 4,700 crews, including 500 from out of state.

But even a few days in the dark were enough to make some of those customers question the wisdom of the status quo. Just ask the folks at Atlas, who groaned as one when they were finally plunged into powerlessness shortly before noon Wednesday.

“Oh well,” said Craddock, with a shrug as people reached for hats and scarves. “We’ve still got what’s in the pots.”

Categories
News

Budget, Bypass, and a supe in jail: Charlottesville and Albemarle news briefs

Check c-ville.com daily and pick up a copy of the paper Tuesday to for the latest Charlottesville and Albemarle news. Here’s a quick look at some of the stories we’ve had an eye on for the past week.

Dumler goes to jail

Albemarle County Supervisor Chris Dumler spent last weekend in the Albemarle-Charlottesville Regional Jail, serving the first two days of his 30-day sentence for misdemeanor sexual battery after defying widespread calls for his resignation.

Dumler pleaded guilty to the charge in January after being arrested last October for forcible sodomy, and a county spokesperson says he’s the first to serve jail time while holding elected office. The Scottsville representative has said he won’t step down, despite the fact that his own local party leadership last week added their voices to the calls for him to do so.

While only a felony charge could force Dumler out of office, a petition to get a judge to remove him is still circulating. Meanwhile, his fellow Supervisors will meet in a closed session Wednesday to discuss removing him from the county boards and commissions on which he serves.

Bypass interchange scrutinized

The design for the southern terminus of the Western Bypass proposed by the project’s lowest bidder may run into problems when it’s reviewed by Federal Highway Administration (FHWA) officials, according to a Charlottesville Tomorrow report.

An “interchange justification report” filed by VDOT says based on the design put forward by winning contractor Skanska-Branch, getting onto the Bypass at its southern intersection with Leonard Sandridge Road would take a truck traveling 45 mph nearly three minutes—three times as long as if construction followed a 1997 design that proposed an elevated ramp called a flyover.

Two other alternative designs were estimated to deliver shorter travel times than the Skanska-Branch proposal, according to a consulting engineering firm.

Others noticed the comparatively inefficient design, too. According to Charlottesville Tomorrow, another low bidder on the Bypass project, Pennsylvania-based American Infrastructure, filed a protest with VDOT last year over its choice of Skanska-Branch, saying the winning bid didn’t meet the state’s requirements to address traffic backup at the planned interchange.

An opinion on the interchange from the FHWA might be a long way off. The agency must first weigh in on VDOT’s latest environmental assessment of the long-planned road, and it’s not yet clear when that will happen.

City budget to see slight increase

The city has released a proposed $148 million budget for the 2013-14 fiscal year, which would deliver the same tax rate, 95 cents per $100 of assessed value, as last year’s.

The relatively small increase in the budget—bigger than last year’s by less than 2 percent—will feed a 2 percent salary increase for city employees. While real estate values have remained stagnant, commercial development is expected to pump $226,000 in new business license revenues into the budget, and more is expected to flow into city coffers through increases in sales and other taxes. Bigger fines for parking violations are also on the way—$20 for staying over your alloted time instead of $15, and $180 instead of $100 for parking illegally in a handicapped space.

The budget will likely be on the City Council’s agenda for several weeks before a vote takes place.

Parkway interchange build begins

Construction of the Meadowcreek Parkway interchange at the Route 250 Bypass is in its first stages.

The long-awaited, much-litigated $20 million project, awarded to Earlysville-based General Excavation, Inc., will link McIntire Road and the Parkway, creating a new gateway into McIntire Park and a route under the 250 Bypass for cars, bikes, and pedestrians.

Construction likely won’t be completed until 2015, according to a city press release, and until then, there will be shifts in traffic patterns on both McIntire and the Bypass. The city is holding a community information session from 5-7pm Thursday, March 14 at Charlottesville High School to share information on the project.—C-VILLE writers

Categories
Living

Family-style eats, oyster cheer, and a passport to good taste(s): This week’s restaurant news

Join Early Mountain and Chatham vineyards as they team up to present their first Oyster Festival, which takes place at Early Mountain on Saturday, March 23. A $55 ticket gets you an endless supply of Eastern Shore oysters, clams, and chowder with all the fixins’. To wash it down, the ticket includes two glasses of Church Creek Chardonnay. Guests can nosh while enjoying music by Chamomile & Whiskey and Green Boy. A limited number of VIP tickets are available for $65, which include a seat in the studio audience for the live recording of D.C.-based hosts, Nycci and David Nellis, also known as Foodie and the Beast. The show covers all topics related to food gossip and the best restaurants, bistros, ingredients, and tipples on the scene. VIP entry is at 10am, and regular entry is from noon-5pm. More information can be found at earlymountainvineyard.com/events/oyster-festival.

Chef Harrison Keevil of Brookville Restaurant is a proud new father and is already stretching his daddy legs with “family meals” at the restaurant he owns with his wife, Jennifer. Dinner for larger groups is now available for dining in, taking out, or even delivery (for an extra fee). Tables of four to 18 may dine in the restaurant with family-style platters, with a choice of protein and four sides for between $40-75 per person. Larger parties of four to 100 may opt instead for the intimacy of a party at home without the hassle of cooking. All meals come with Brookville’s signature bacon chocolate chip cookies for dessert. Choose from fried or roasted chicken, pot pie, prime rib, pork belly or loin, and a selection of four seasonal accompanying sides. Call 202-2791 with 24 hours notice.

In further foodie and winery news, Blenheim Vineyards is starting the second leg of its Artisan Series with a focus on the Art & Craft of Fermentation. The interactive series of speakers will begin with Hunter Smith of Champion Brewing Company, who will discuss the art of brewing. He will bring samples and discuss what it takes to be a brewmaster, including the challenges he faces owning a nanobrewery in a drinking town. Join in at 6pm on Thursday, March 14. Other speakers include L’étoile chef Ian Redshaw, who will explain dry-aging beef and the science behind meat curing, and Gerry Newman of Albemarle Baking Company, who will discuss fermenting dough and making bread. Other topics include kombucha, pickled vegetables, cheesemaking, and vinegar. The series will run selected Thursday evenings through June, and the cost is $10. Wine is available by the glass, to prove that learning really can be fun. RSVP to greg@blenheimvineyards.com or call 293-5366 to snag your seat.

Pick up your Winter Wonderland passport for access to tasting privileges at Castle Hill Cider, Jefferson Vineyards, Glass House Winery, and Keswick Vineyards. The four spots have teamed up to spread the word with an affordable $15 price tag. This package is available now through the end of March. Pick up your passport at any of the four participating locations.

Categories
News

What’s coming up in Charlottesville and Albemarle the week of 3/11

Each week, the news team takes a look at upcoming meetings and events in Charlottesville and Albemarle we think you should know about. Consider it a look into our datebook, and be sure to share newsworthy happenings in the comments section.

  • The Albemarle County Board of Supervisors holds a work session on the school budget from 9-11am today at the County Office Building on McIntire Road.
  • The Charlottesville Planning Commission meets at 5:30pm Tuesday, March 12 at City Hall, preceded by an hourlong gathering in the Neighborhood Development Services conference room. Check out the agenda here.
  • The Albemarle County Board of Supervisors will meet all day Wednesday. The regular meeting from 9am-3:30pm includes a closed session during which Board members will discuss removing Supervisor Chris Dumler, who started his weekend jail time for sexual battery Friday, from all boards and commissions. From 4 to 5:30pm, they’ll hold a joint meeting with the school board, and then will reconvene at 6pm for several public hearings. Charlottesville Tomorrow has detailed agendas here.
  • The city will hold a Strategic Investment Area community meeting from 3-9pm Thursday at the Ix Warehouse to discuss how best to invest resources and attract businesses and growth to the urban area around the Ix Complex. Check out the event flyer for more information.
  • City Council holds a budget work session from 5-7pm Thursday in the basement conference room at City Hall.
Categories
Arts

ARTS Pick: Into the Woods

Tall tales
Broadway has a knack for re-telling classic children’s stories, and one of the early big ones was Into the Woods. Four County Players is mounting Stephen Sondheim and James Lapine’s multiple Tony Award-winning show in the continued celebration of its 40 seasons. Spinning new angles on fairy tales, the show combines the stories of Cinderella, Rapunzel, Jack and the Beanstalk, Little Red Riding Hood, and others, as they face the dangers in the woods—be that witches, giants, or themselves. The staging showcases Sondheim’s beautiful score, including the songs “Giants in the Sky” and “Children Will Listen.”

Through 3/24 $12-16, 8pm. Four County Players, 5256 Governor Barbour St., Barboursville. (540) 832-5355.

Categories
Arts

ARTS Pick: Girl Rising

Girl empowered
In honor of International Women’s Day, founders of Teen Tech Girls and Feast! have teamed up using Gathr to host a screening of Academy Award-nominated director Richard E. Robbins’ highly-acclaimed new film, Girl Rising. The innovative documentary tells the stories of nine girls from around the world who, through access to education and mentoring, have risen from poverty to productivity and a promising future. Meryl Streep, Anne Hathaway, Liam Neeson, Cate Blanchett, Selena Gomez, and other Hollywood luminaries provide narration. Tickets must be purchased in advance at http://gathr.us/screening/770.

Monday 3/11 $10, 7:30pm. Vinegar Hill Theatre 220 W. Market St. 977-4911.

Categories
Arts

Good buzz: In The Next Room (or The Vibrator Play)

Onstage, a fine-featured woman removes her skirt, collapses her bustle, and adjusts the corset nipping her waist. Her hands are pale and flighty as she sits on the doctor’s bench and pulls a medical drape up to her chin. Diagnosed with hysteria, a Victorian umbrella term for ailments including headaches, light sensitivity, and predisposition to tears, Mrs. Sabrina Daldry reclines only when the nurse pushes her shoulders backward.

Flush with the thrill of domestic electricity, Dr. Givings reveals a mechanical wand with which he will administer “pelvic massage via mechanical manipulation.” A flipped switch, a high-pitched buzz, a fumbling, jerky prod beneath sheets—and we, silent voyeurs, watch Sabrina grimace, flinch and exclaim to God with the strength of her medically-induced orgasm.

Almost immediately, she begins to cry. The concerned doctor reanimates his vibrator. “Please,” she weeps, “don’t do it again. It—hurts.”

In an instant, we’re ambushed. Even as the scene gets funnier, as Sabrina redefines pain as pleasure and agrees to return for daily treatments, we linger on the familiarity of her reaction—our fear of desire and its sterile handling, the vulnerability that comes with letting go. Check your vapors at the door, because Live Arts’s production of In the Next Room (or the Vibrator Play) is not for the faint of heart.

Written by Broadway darling Sarah Ruhl and nominated for three Tony Awards, the show explores sexuality and satisfaction, motherhood and marriage, the limitations of science and the limits of love. Live Arts’s version is funny and sharp, featuring several well-articulated orgasms and a vibrator shaped like a drill. It’s an edgy choice for local theater, and C’ville should count its blessings—this production is one of the best I’ve seen in a very long time.

Set in two adjacent suites of a prosperous Victorian household, In the Next Room follows the parallel lives of Dr. and Mrs. Catherine Givings. As the doctor treats patients with his office door closed, Catherine watches a wet nurse feed her newborn, grappling with mother guilt as strange sounds leak through the wall. Eventually she begs Sabrina to show her the electric device—to demonstrate how to treat the hysteria her husband refuses to diagnose in his wife. But, as both women quickly discover, pelvic massage via mechanical manipulation cannot cure an absence of emotional intimacy.

As Dr. Givings, Bill LeSueur  (C-VILLE Weekly Art Director) is sincere and unapologetic, a man of science whose preoccupation with “paroxysm” is both earnest and refreshingly innocent. As his free-spirited wife, Catherine (Melissa Charles) is a fast-talking foil to his scientific deliberations. She’s enthusiastic, anxious, and consistently vulnerable, tantalizing the sympathy-starved Mr. Daldry (Kurt Vogelsang) and overwhelming artist Leo Irving (William Smith), a dandy who serves as comic relief and prefers the torture of exotic love to its homestead counterpart.

Despite multiple on-stage orgasms, Sarah Elizabeth Edwards plays Sabrina with dark-hued restraint, a picture of Victorian decorum whose passion reveals itself in flickers, brief looks and gestures. Katelyn Sack’s Annie is likewise dedicated to decorum; she seems resigned to heartache even as she makes bold moves against it. As Elizabeth, the wet nurse grieving the loss of her own child, Sharon Millner is firm and truthful, offering reactions that sometimes speak for the audience.

Double entendre and puns abound—this is a comedy, after all—but the show’s director (and Live Arts’ artistic director) Julie Hamberg understands that the show hangs on the strength of its fourth wall. She nurtures dramatic irony, a spirit of restrained authenticity, and this allows the story to come to life. Actors do not acknowledge the script’s puns, do not aggravate the awkward silences. No one indulges in a wink-wink-nudge—and wisely, because doing so would make the script cheap and uncomfortable. Avoiding the shallows of schtick and easy laughs, Hamberg leads us to deeper currents.

Ultimately, the success of In the Next Room leans on emotional truths that transcend the 1880s. While no single theme is explored in great detail—the script takes on too many ideas to delve very deeply—I guarantee you’ll be moved by one of them. Mark the clever metaphors of candles versus lightbulbs, precipitation versus preparation. Wonder if technology can replace human touch.

If you approach the show with a Freudian eye, you’ll no doubt find what you’re looking for. But may I suggest you relax your analysis, your text- or tweet-length commentary. Mrs. Daldry isn’t the only one squirming beneath the sheets, struggling to name what she truly desires. Go to the show and silence your cell phone—you might see yourself on the stage.

Through March 23/In the Next Room or The Vibrator Play/ Live Arts

Categories
News

Some Assembly required: Looking back on a tumultuous session

While it’s an imperfect metaphor, we tend to think of the typical General Assembly legislative session as a poorly plotted television series. It may be filled with interesting characters and over-the-top drama, but there are way too many subplots, and it never ends up exactly where you think it should. It’s like, one moment you’re absolutely certain that the show is going wrap everything up in a tidy, satisfying package, and the next you’re fuming because it actually ends with all of the characters sitting in a church mumbling some stupid crap about the afterlife.

And so it went with Richmond’s most recent legislative rodeo. The just-completed 2013 session started out as a wan sequel to last year’s epic “Transvaginal Wonderland” session, which proposed so many pieces of ludicrously extreme legislation that we sometimes suspected that members of Stephen Colbert’s writing staff had somehow infiltrated the capital.

Sure, there were a number of laughable bills floated this year (including a proposal to study the feasibility of Virginia minting its own currency, and a conspiracy-minded bill that would “oppose United Nations Agenda 21 due to its radical plan of purported ‘sustainable development’”), but the level of crazy seemed sadly lower than in years past. And even the expected Republican-backed measures to further limit abortion rights, loosen gun laws, and increase punitive voter ID requirements weren’t quite as terrible as one might expect, given the extremely conservative makeup of the House of Delegates.

But then, like a bizarre mid-season plot twist engineered by a desperate network, Virginia’s Senate Republicans tried to ram through an audacious mid-decade redistricting plan, and all hell broke loose.

That plan was eventually shelved, but the furor it provoked fundamentally changed the tone of the session, and seemed to set the stage for some surprising bipartisan compromises over the last few weeks.

The largest, and perhaps most surprising, piece of legislation to emerge during this final flurry of deal-making was a $3.5 billion transportation bill, spearheaded by Governor Bob McDonnell, and helped across the finish line by Senate Democratic Leader Dick Saslaw, who finally dropped his opposition to the measure after securing a written promise from McDonnell that he wouldn’t block a planned expansion of Medicaid set to take effect under the terms of President Obama’s Affordable Care Act.

This promise, along with the fact that the transportation deal involves significant new taxes, infuriated many on the right (including Attorney General Ken Cuccinelli, who tried and failed to scuttle the Medicaid deal). But McDonnell has obviously decided that he no longer needs to kowtow to his party’s most conservative elements, and is more than willing to sacrifice a little Tea Party love for a signal legislative accomplishment at the end of his gubernatorial term.

Now, there’s still a real question if the transportation bill, as currently written, will pass constitutional muster. But regardless of the eventual outcome, McDonnell got to showcase his pragmatic and effective side, which—given his transparent national ambitions—is all he really wanted.

Cuccinelli, on the other hand, simply marginalized himself even further by opposing the plan, and made it ever more likely that either Democrat Terry McAuliffe or possible independent Bill Bolling (who both supported the bill) will be overseeing Virginia’s Assembly asylum in 2014.

Categories
Arts

Album reviews: On An On, Late Night Alumni, and The Lone Bellow

On An On

Give In/Roll Call Records

Three members of the former indie pop band Scattered Trees formed the mysterious indie dream pop band On An On last year, and its debut Give In is an intriguing, experimental mix of electro beats, synth pop and rock. Tracks like “Cops” combine Nate Eiseland’s and Alissa Ricci’s respectively Chris Martinesque and heavenly vocals, and “Panic” sounds like garage rock mashed with the echoing guitars and upbeat rhythms of an ’80s era pop song. The band has a thing for moody aesthetics (check out the plodding, eight-minute-long ambient closer “I Wanted to Say More”) and contemplative content (first single “Ghosts”), but this isn’t a boring or depressing album. Give In is full of dips and bends as the album deftly navigates the emotional landscape of life. On An On’s debut is a splendid surprise, much like as it’s sudden appearance on the musical map was last year.

Late Night Alumni

The Beat Becomes a Sound/Ultra Records

The latest release from Late Night Alumni, The Beat Becomes a Sound follows precedent in combining a variety of elements that make its songs stand out. Although there are some nice surprises, the newest release captures the steadily expanding, hypnotic rhythms L.N.A. is known for. Check out the propulsive disco-style dance beats on “Ring a Bell” or the gorgeous combination of synth waves, keys, and subtle beats on “Every Breath is Like a Heartbeat.” The breathy, ethereal vocals of Becky Jean Williams are as entrancing as ever, but the fun doesn’t stop there. “Summer Lies” has a decidedly hip-hop flavor with dashes of funk and jazz for good measure, while “Sun Space” is a down-tempo piano ballad featuring beautiful, uncharacteristically somber, vocals from Williams. Toss in some tribal percussion on “Days” and you have some nice additions to the band’s sound on this release. The Beat Becomes a Sound isn’t the sort of epic that house music fans are accustomed to, but it is no less captivating.
https://www.youtube.com/watch?v=0CKGvfhOUIc

The Lone Bellow

The Lone Bellow/Descendant Records

Brooklyn-based country rock trio The Lone Bellow’s self-titled debut album is making waves because it alternately soothes your soul and assists in drowning your sorrows. “The One You Should’ve Let Go” captures the scope and tone of the album’s content with its loping country rock and spine-tingling three-part harmonies lamenting a relationship that has passed its prime. “Green Eyes and a Heart of Gold” takes a positive approach in a dire situation with rousing vocals and an uplifting refrain about counting your blessings. And by the time the ballad “Tree to Follow” blasts into a rocking finale its vocals are sailing to the sky. The talented trio’s songs start to sound a bit familiar by the end of the record, but on the whole it’s a solid debut from a band on the rise.