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News

The 10 percent man: Just how high can Libertarian Robert Sarvis fly?

Here’s an interesting fact for you to chew on (courtesy of Geoffrey Skelley, posting on Larry Sabato’s Crystal Ball blog): The last time an independent candidate came even slightly close to winning Virginia’s governorship was way back 1973, when Henry Howell came within 1.5 percentage points of besting Republican Mills Godwin. The confluence of events that led to that result, however, was sui generis. Both candidates were former Democrats; Godwin had switched parties out of ideological conviction, while Howell almost certainly changed his affiliation to “Independent” in order to avoid the taint of George McGovern’s disastrous 1972 presidential campaign.

Other than that single anomaly, no recent independent gubernatorial candidate has been able to climb out of the single digits. Like it or not, the Republican/Democrat duopoly seems to have a death grip on the Old Dominion, and the chances of a third-party candidate making it into the executive mansion seems very slight indeed.

Still, if it was going to happen, 2013 would seem like a promising year. After all, neither of the major party candidates is winning any popularity contests, and the traditionally low turnout for Virginia’s off-year elections presents a real opportunity for a charismatic outsider.

Unfortunately, Libertarian standard-bearer Robert Sarvis—this year’s “none of the above” candidates—is barely an outsider, and decidedly uncharismatic. A former Republican who lost his last race (against state Senate Democratic Leader Richard Saslaw) by 26 points, Sarvis has a low-key, professorial demeanor that seems more likely to induce mass narcolepsy than mass hysteria.

Still, a large segment of the voting populace is obviously dissatisfied with the mainstream choices, and Sarvis certainly offers an intriguing alternative.

A onetime software engineer, math teacher, and lawyer with a storied academic history (his CV features degrees from Harvard, New York University, George Mason University, and the University of Cambridge, England), Sarvis has the sort of something-for-everyone political philosophy that made Ron Paul such a hit among college stoners and survivalists alike.

A fiscal and pro-gun conservative who wants to reduce both state income and business taxes, Sarvis is also a vocal proponent of same-sex marriage, supports legalizing marijuana (and decriminalizing other drugs), thinks we should be drilling for oil off the Virginia coast, and wants to privatize all state-owned liquor stores. Oh yeah —he also recently revealed that he and his wife decided to get married due to an unplanned pregnancy, and that he would like Virginia’s lawmakers to “take four years off” focusing on abortion because the public is so “radically divided on a metaphysical issue.”

Heady stuff, that. Some would also argue that it’s completely incoherent, as a governing philosophy. But whether it appeals to you or not, there is certainly a constituency for a iconoclastic thinker like Sarvis, as evidenced by his steady rise in the polls.

And while he never quite reached the 10 percent polling average necessary to participate in the official debates, it seems increasingly likely that Sarvis might actually buck the odds and break into the double digits on election day. And if that happens, then Libertarian party candidates will automatically be granted ballot access in all state and local contests through 2021. Sure, it’s not the governor’s chair, but it would be a significant accomplishment nonetheless, and one that would guarantee Sarvis a huge boost should he ever decide to run again.

Odd Dominion is an unabashedly liberal, bi-monthly op-ed column covering Virginia politics.

Categories
Living

Feeling down after a big race? It’s normal.

For 12 weeks my life revolved around training. After-work drinks were out of the question. Friday night bedtime catered to early morning long runs. And my days couldn’t begin without yoga and a foam roller.

The buzz of race day was infectious, and there was an air of camaraderie and understanding among the thousands of fellow spandex-clad athletes who shared my desire to run 13.1 miles before most people rolled out of bed for Sunday pancakes and Bloody Marys. For days I relived the race, recalling the highs and lows, admiring my medal, and sharing the details with anyone who would listen. I was on top of the world—until I wasn’t.

Area marathon runner and sports psychologist Richard Ferguson said the feelings of depression following a long race could be due to a temporary chemical imbalance after a change in the brain’s serotonin, linked to neurotransmitters associated with fatigue.

“It’s something people don’t often mention, because I think many people think it’s unusual,” Ferguson said. “But it’s a more common phenomenon than you would ever realize.”

I knew from coaches, blogs, and common sense that my body needed to recover, so I took it easy and didn’t lace up my running shoes for about a week after my half-marathon. But as a relative newbie to the running world with only a 10-miler and half marathon under my belt, I hadn’t been prepared for the overwhelming letdown I felt in the weeks following my race, and I found myself sluggish and unmotivated.

Turns out, there’s more to recovering after a race than icing your calves and eating a ton of protein.

“I think it’s more difficult to recover mentally than physically,” said local runner Sophie Speidel.

Speidel, a life-long athlete and ultra-marathon racer, experienced the post-race blues in 2005 following her first 100-miler. After losing her stomach at mile 80 and crashing—against the advisement of her husband and pacer—at an aid station for a three-hour nap, she said the final push was about as dramatic and emotional as they come. Much like a wedding day, crossing the finish line elicited an outpouring of love and congratulations from her support system. But, just like the race itself, that feeling afterward couldn’t last forever.

“I was really kind of sad the whole week after the race,” Speidel said, which she chalks up to the sudden lack of everyday training with running pals who get it. Friends and family who don’t run can only hear about fueling methods, 5K splits, and the latest Inov-8 model for so long.

“The race is over, and nobody wants to hear about your running anymore,” Speidel said. “That’s what makes those social connections so great and important.”

Speidel said she’s fallen into a yearly running routine that seems to stave off both burnout and post-race depression.

“I don’t race at all from March to September,” she said. “When it’s done I’m ready to be done, but I’m really itching to race once it starts again.”

If you’re battling the post-race blues, and want to get back in the game, Ferguson suggests switching up your routine.

“Give your mind a rest by getting out of any training rut you may have developed before your big race,” Ferguson wrote in an article for Runner’s World Magazine.

For local marathoner-turned-cyclist Christopher Crawford, the thrill is all in the journey, and the crash comes with finally attaining a long-term goal.

“I always tell people that running the marathon itself is not the big game; the big game was the 700 miles it took to get to that day,” Crawford said. “But once the marathon is no longer in the distance, you don’t have anything you’re running toward.”

Immediately after his first marathon in 2012, he signed up for another one. Then another one and another one, until he’d run six marathons in a year and covered more than 2,000 miles on foot.

“For me it’s not necessarily an addiction to running; it’s an addiction to achieving this goal,” he said. “So I either set up another appointment to do it again, or it’s over.”

The continuous cycle of training and racing prevented the immediate onset of the doldrums, but Crawford said once the ultimate goal of 2,000 miles in a year was behind him and he realized he’d lost the thrill of racing, motivation plummeted.

“After a while it starts to run your life, and when you step away, there’s this void,” Crawford said. “If you have something to replace it with, that’s great; but if you don’t, I imagine the person you were prior to marathoning is what you go back to. But the reason you started marathoning in the first place is you wanted to be better than what you were.”

It’s been about six weeks since my half-marathon, and I’m starting to crave that sense of purpose that comes with intense training. I don’t see a 100-mile race in my future, nor do I feel compelled to rack up 2,000 miles in the next 12 months. But I did take Ferguson’s advice and am working on cobbling together a new routine and support system. Last Sunday I was up before the sun for a nine-mile group jaunt in the woods, and I’m on the lookout for pals with goals similar to mine. So if you happen to know any half-marathoners who will drag me out of bed before work and circle the city at a 10-minute pace, let me know.

Categories
Arts

ARTS Pick: Steel Magnolia

Country-rock duo Steel Magnolia cut its teeth on the national stage with an audition for CMT’s reality show “Can You Duet?” Initially skeptical that the judges would understand its unique twist on country, Joshua Scott Jones and Meghan Linsey walked away with the show’s grand prize, and received further confirmation in 2012 when awarded an Academy of Country Music’s Vocal Duo of the Year statue. Many kudos later, the strong-willed pair is burning up the charts and headlining a major tour. Singer/songwriter Ashley McMillen opens.

Friday 11/1. 7:30pm, $27.50-75. The Paramount Theater, 215 E. Main St., Downtown Mall. 979-1333.

Categories
Living

Spirited away: An amateur’s foray into ghost hunting yields spooky results

Rain pattered against windows of the Court Square apartment where I sat in near-darkness, listening for ghosts. Two friends and I watched our lone light source, a candle, cast wavering gold on the ceiling.

We were alone in the living room, but we asked our questions out loud.

“Do you remember this kind of candlelight?” George said. “It’s just like it used to be, right?”

Outside a motorcycle roared past.

“Do you like playing with the flame?” He paused. “Can you make it brighter if you do?”

The flame appeared to shiver, to hiccup on the candle’s wick.

“I think we can see what you’re trying to do,” he said. “Do you like it when we talk to you? If so, can you do that again?”

We watched as the flame moved back and forth.

“I just got a chill,” George said under his breath.

“So did I,” Laura murmured. “Not like goose bumps, either. Like cold on the back of my neck…”

“Can you make it flicker really quickly?” I asked, leaning toward the light. “Make it move really fast back and forth?”

The flame suddenly whisked from side to side, throwing itself toward the rim of the jar. George grabbed my knee and we looked at each other, eyes wide.

Accidental tourist

The journey began several weeks earlier, when I’d met Rob Craighurst in Marco & Luca on the Downtown Mall. He looked exactly like the flag-bearing, bespectacled tour guide I’d seen on his business cards around town. He wasn’t wearing the top hat, but his thin face and thick mustache made me want to huddle up by a campfire and roast s’mores.

“I like telling stories,” Craighurst said. “About a decade ago, I went to Savannah to visit my daughter and took an excellent ghost tour there. That’s when it occurred to me that I could do one here.”

Craighurst recently rebranded his tour, which runs every Thursday, Friday, and Saturday from May until October. He changed the name from “Ghosts and Mysteries” to “CSI: Cville 1904-style,” hoping that a modern whodunit approach would have more appeal than the spooked-out version. It may also be a more accurate title for the material his tour actually covers. “My tour isn’t scary,” Craighurst explained. “I talk a lot about the mayor and his wife.”

He related the story of the 1904 murder of Fannie McCue in her home, allegedly by her husband and former mayor, Samuel, who was the last man to be hanged in the courtyard of the Charlottesville jail.

“It raises questions about our criminal justice system, about the influence of the media on trial outcomes, about the death penalty and testimony witness,” he said. “If you’ve got a pulse, you’re thinking about it: What exactly is the truth?”

As Craighurst discussed America’s flawed justice system, my mind started to whisper: What about ghosts? Is criminal justice “haunting”? Could I justify a platter of dumplings?

Later, Craighurst told me that he’s never definitively experienced a ghost.

“I immediately assume there is a physical explanation,” he said. “But there are things that have happened that I cannot explain. Was it a ghost? I can’t say it wasn’t.”

I was surprised, a little disappointed, that someone who’d led 400-plus tours Downtown sounded ambivalent about spirits. I’m scared of dark basements, let alone former prisons, but when my editor pitched the idea of a ghost hunting story, I jumped at the chance to write it. I wanted to see the unseen world.

“Have the people on your tour ever seen ghosts?” I asked him.

“At least twice I’ve had people say they experienced a ghost,” he said. “One person said he saw it. Another said she felt the ghost. Both people saw it in the same place: the hospice house.”

I wrote it down. The site hadn’t been mentioned in the only book I found to detail local lore, The Ghosts of Charlottesville and Lynchburg and Nearby Environs by L.B. Taylor (Progress Printing Co., 1992). Of its 50 cases of psychic phenomena, only 10 were located in Charlottesville and Albemarle County.

“Do you know other places that might be haunted?” I asked.

Craighurst glanced at a cross-legged Buddha statue sitting on the counter, then pulled up a list on his laptop.

“People on tours share their stories with me,” he said.

I recognized several sites from my reading. Taylor told the story of mysterious humming at Monticello and the sound of spectral merrymaking at Michie Tavern. An antique rocking chair at Ash Lawn-Highland, no longer on display, was rumored to rock of its own accord. In the historic manor homes of Castle Hill and Castalia, wraith-like figures of women in period dress sent visitors fleeing their bedrooms. Other unexplained phenomena included latched doors opening, clothes and dishes scattering, mysterious footsteps, strange breezes, even a phantom horseback rider.

“Two people confirmed the story about Ash Lawn,” Craighurst said. “A night guard told me about Monticello. I’ve heard about things at the Inn at Court Square, even the old Woolworth’s building.”

When I looked back through my notes, I realized most of these sites were haunted by second- and third-hand rumors. How would I know which stories were true and which were warped like a game of telephone? Even Comyn Hall, Samuel McCue’s former home, could be confirmed by record only as the site of an unsolved murder. Not as a haunted house.

My mind swirled with questions as I bid Craighurst farewell and got in line for dumplings. What was I looking for? How could I find it? And even if I managed to get inside somewhere, to tear down the veil of the spirit world, what did I hope to prove?

As I chewed a fried pocket of pork, I decided to call the experts.

Ghost hunters

“Excuse me. Are you Team Twisted?”

A quiet girl with a lip ring and nervous fingers approached our table at Starbucks, glancing past me to the two men in dress shirts.

Lyle Lotts and Dickie Rexrode nodded proudly. The president and lead investigator, respectively, of Fishersville’s Twisted Paranormal Society, they offered gentle, seasoned advice to the girl,  who recounted strange occurrences in her dorm. I felt like I was hobnobbing with pop stars when the ghost hunters told her to burn a blessed peace candle, say Saint Michael’s prayer every day, and place Saint Michael’s coins in areas where she felt troubled.

“I will suggest one thing,” Rexrode said. “Don’t buy any equipment to communicate on your own.”

Equipment? Now we were getting somewhere. I imagined myself as a tall Nancy Drew, armed with a camera, a notebook, and whatever paranormal gauge Fox Mulder always pulled out of his trenchcoat on “The X-Files.”

“You’ve got to be trained,” Rexrode said. “Even with an audio recorder like she’s using with us. This isn’t like a little kid you can slap in the face—he could slap you right back. Don’t try it, I’m telling you. It’s for your own good.”

Wait, was this going to be dangerous? Classical music filled the silence as the girl walked away.

“They have some Wiccan practices going on there,” Lotts said. “Students practicing stuff they shouldn’t be. She feels that maybe they opened some stuff.”

“Some things feed off negative energy,” Rexrode told me. “There are good people and mean as hell people, and it’s the same with spirits. Mostly, though, they’re just like us. They don’t like to be upset.”

Lotts and Rexrode have the uncanny ability to put folks’ minds at ease. Out of every 100 people, they guessed, 85 admit to experiencing something unexplainable. I was surprised, though I shouldn’t have been, since paranormal investigators are so common in Virginia that my first Google search found seven teams in Augusta, Albemarle, and Orange counties.

The prevalence of paranormal investigators in our area mirrors a booming national industry. The networking site MeetUp lists 173 ghost-hunting groups worldwide, with a total of 21,309 members to date. According to a CNN interview with Bill Wilkens, creator of ghost-hunter database paranormalsocieties.com, over 4,600 teams exist across the United States.

“We’re skeptics but we’ve got to be,” Lotts said. “We wouldn’t be good investigators if we weren’t.”

When someone contacts Team Twisted for help, he leads a small team walk-through to get a feel for the house and its history as well as the people in it.

“I’d say old wiring causes 90 percent of false alarms,” he told me. “Older homes have no grounding circuit, which gives off a lot of radiated frequency—electrical energy. People are real sensitive to electrical changes, the way static electricity makes your arm hair stand up.”

Rexrode nodded, adding, “We try to debunk most things, but there are a lot of things we can’t debunk.”

Every investigation has two goals: to monitor and locate spirits and to communicate with them. Success requires fine-tuned intuition as well as high-tech equipment. Rexrode and Lotts’ shortlist of tools includes digital voice recorders, which pick up the frequencies beyond human hearing in which ghosts can most often be heard; electromagnetic frequency meters, because ghosts are just bundles of electricity; special cameras to see in the dark; and REM Pods, which look like giant hockey pucks with glow sticks protruding from the tops.

A former Russian voice intercept with the U.S. Army, Lotts’ specialty is audio analysis. “But our favorite piece of equipment is the MII Flashcam,” Rexrode grinned. Used by U.S. Marshalls for night monitoring, the combination photo and video camera, audio recorder, and flashlight “has the best IR I’ve ever seen.”

Team Twisted built professional experience travelling up and down the East Coast. From private homes to national landmarks, every site allows team members to hone their technical, psychic, and communication skills—and take a break from their lives as doctors, nurses, and Toyota dealership managers.

Lotts acknowledged that despite long hours at hunts, having a day job is part of the deal. “We don’t charge for anything we do,” Rexrode said. “We joined to help people and that’s what we’re doing.”

If a home is troubled by mischievous spirits—ones that “aren’t really bad, just looking for attention”—the team performs a cleanse.

The peace process, designed to calm turbulent spirits and set homeowners’ minds at ease, is a mishmash of Christian and Native American rituals and can include burning sage (Albanian works best), burying blessed Saint Michael’s coins on the four corners of the property, using salt as a cleansing agent, and burning a blessed convent candle for seven days. They also pray—Psalm 23—and encourage homeowners to say Saint Michael’s prayer daily.

Under his fringe of blonde hair, Lotts’ brow creased. “We’re not psychiatrists or psychologists,” he said. “If you think you’re
dealing with demons, we’re not specialized in that either.”

“We’re very religious people,” Rexrode said. “Faith protects our butts.”

Wait a minute—did he say demons? I felt my skin crawl. How could a not-particularly-religious girl like me safely lead her own ghost hunt?

Both men agreed that I should pray before I started an investigation. They told me to record everything, to take lots of pictures in mirrors and up stairwells. I should talk to the ghosts, listen a lot, and never go alone. “Visit The Exchange Hotel in Gordonsville,” they said. “Take the tour, and ask for Angel.”

Categories
News

Developer Dewberry fires back over city’s demands to secure former Landmark site

Seven stories above the “Coming summer 2009” sign that’s still plastered above a boarded-up ground floor entryway of what was to be the Landmark Hotel, a splash of colorful graffiti blooms across a bare concrete ceiling. It’s not the only street art to grace the unfinished building that looms over Charlottesville’s Downtown Mall. Somebody’s tagged the inside of the ground floor, and one daredevil spray-painted a mural across exposed AC units on the roof.

The graffiti is at the heart of the latest sticking point in the ongoing saga of the site at the corner of Second Street SE and Main. Atlanta developer John Dewberry, a Lynchburg native and former star quarterback at Georgia Tech, bought the property for $6.25 million at a bankruptcy auction last June, and said he planned to start construction within the year.

The skeleton of the promised Hotel Dewberry remains untouched, and the developer has now missed another deadline: October 15, the day he was supposed to deliver a plan to the city to fix what Director of Neighborhood Development Services Jim Tolbert has called a blight situation.

“By reason of the building’s dilapidation and deleterious land use, the property has become detrimental to the safety, health and welfare of the community,” Tolbert wrote in a September letter to the developer.

But Dewberry, who has stayed off the radar in Charlottesville since buying the property, has finally spoken up. On October 21, he sent a cranky letter to the City Council and staff, insisting that he’s done enough to secure the site and reiterating his promise to move forward on the hotel only after he’s started another delayed project in Charleston.

“I am certain, if one is desirous, one can scale the wooden wall and climb onto the property,” Dewberry wrote. “Just as I am certain, if one is desirous, one can enter each of your homes,” or drape a house and trees with toilet paper. “I can no more control a graffiti artist from climbing the fence at my property than you can a bunch of teenagers head strong to ‘roll’ your home, trees, and yard.”

Read Dewberry’s full letter here:

Letter from John Dewberry.pdf by cvilleweekly

 

Dewberry even said a city police officer backed him up, claiming “one of Charlottesville’s finest” told him during a recent visit to the site that he’s done his job.

His letter contained only one suggestion toward the “plan of action” demanded by Tolbert: stretching pigeon wire along the top of the plywood fence as a deterrent. But Dewberry himself acknowledged that likely wouldn’t stop trespassers.

Tolbert said he hasn’t had a chance to study the letter in detail or talk it over with the city attorney. “But I don’t think it satisfies our concerns,” he said.

That means Tolbert will still ask the Charlottesville Planning Commission to take up the blight issue in December and make a recommendation about a remedy to the City Council. According to the city code, Council can order a lien on the property to cover the cost of improvements on the site.

While Tolbert said his concern is the blight and not the fact that the project is behind schedule, his September 10 letter insisted Dewberry provide, besides a security plan and a report on the building’s structural integrity, “a detailed plan and time frame in which construction of the building will be completed.”

And if they’re going on the developer’s recent track record, city officials have reason to be worried about the project’s timeline. Fortune magazine profiled Dewberry in early 2008, when the country was poised on the edge of what would become a massive recession. Dewberry was talking a big game at the time, saying he planned to sell off a vacant strip mall outside Richmond he’d sat on for years to help finance a buying spree.

Now, more than five years later, the razed 48-acre Azalea Mall in Henrico County is still a weedy asphalt park, and the county’s director of planning, R. Joseph Emerson, said he hasn’t heard from Dewberry in more than two years. And while the developer has snapped up several properties in recent years, his vision of a boutique hotel chain has stalled. The bank foreclosed on his first hotel purchase, an Atlanta Wyndham, in 2011, and Dewberry said in his letter to Charlottesville officials that the financing for his planned Charleston hotel “has not come through yet.”

But while he’s frustrated at the delays—“much more frustrated than you,” he wrote to the city—he’s hopeful enough to put yet another date on the calendar for locals to look forward to: February 1, when he says he plans to start construction in Charleston.

“Once we do,” he wrote, “we will begin design on Charlottesville.”

Categories
Living

Forging ahead: Chef Tucker Yoder pushes Clifton Inn forward

Only about 50 restaurants in the country belong to Relais & Chateaux, the global group of luxury hotels and restaurants famous for its strict standards of admission. One of them is right here in Charlottesville, the Clifton Inn, which has been a member since 2006, alongside culinary giants like The French Laundry and The Inn at Little Washington.

Since opening its doors in 1992, Clifton’s restaurant has gone through a number of incarnations. The Barbecue Exchange’s Craig Hartman, Maya’s Christian Kelly, and the C&O’s Dean Maupin all donned the head chef’s hat in the kitchen, and under each of them, the restaurant took on a different personality, while always remaining one of the area’s premier fine dining destinations.

Current top dog Tucker Yoder is unlike any before him—what sets him apart is his eagerness to take risks in the kitchen. Thanks to Yoder, who this month celebrates his third anniversary as Clifton’s head chef, the food there is as innovative as ever.

Yoder’s ingenuity was impossible not to notice at a recent guest chef dinner held at the inn, when he was joined by three top area chefs: Kelly, Brookville’s Harrison Keevil, and Ivy Inn’s Angelo Vangelopoulos. Both Kelly and Keevil have spent time in Clifton’s kitchen, and Kelly was in Yoder’s shoes back in 2005 when Yoder arrived as a sous chef.

All eight courses, two from each chef, were stellar, but Yoder’s surely were the most progressive. His first was an appetizer of silken house-made smoked tofu, served with sweet potato, Autumn Olive gastrique, mustard greens, and sprouted grains. His second dish was a dessert, a dark chocolate flan with red wine poached pear, mascarpone ice cream, and fresh green peanuts glazed with sorghum.

Yoder’s hors d’oeuvres were also conversation-stoppers—the type of food that makes you pause to appreciate. A slice of smoked sea scallop sat inside the pod of a musica bean, dressed with preserved lemon and a bean blossom from Clifton’s garden. Dollops of duck liver mousse rested on a plate covered with bits of brown butter that had been solidified with milk powder. Each dollop was topped with a nasturtium leaf, which guests used to scoop up the mousse and brown butter.

Yoder first came to Charlottesville in 1997 during a drive to North Carolina for an internship interview. A student at New England Culinary Institute at the time, he stopped to see a classmate who was working at a restaurant called Metropolitain. Yoder was so impressed by his dinner and Charlottesville that he abandoned the rest of his trip and instead found an internship at The Boar’s Head Inn. After culinary school, he eventually returned to the Boar’s Head, followed by stints at Oxo and The X Lounge, both now closed. After helping launch Lexington’s farm-to-table restaurant The Red Hen in 2008, Yoder returned to Charlottesville in 2010 to run Clifton’s kitchen. As the father of four young children, Yoder expects he is now here for good.

So, where does the drive to innovate come from?

“I don’t like to be bored,” he said. Even when not at work, Yoder is immersed in food, reading as many as 20 new cook books each year, along with food blogs and every magazine he can get his hands on. Different chefs get their kicks in different ways, and while many area chefs prefer simple preparations to complex manipulation, Yoder’s passion has always been innovation, in whatever form it may take. While he enjoys farm-to-table cooking as much as the next chef, he also likes to experiment with new techniques. The much-maligned term “molecular gastronomy,” he said, has given experimental cuisine a bad name.

“All gastronomy is molecular,” Yoder said. And, in cooking “everything is manipulated in some way.”

Yoder’s imagination is on display every night of the week at Clifton, where the menu is divided into five sections—delicate, light, full-bodied, robust, and dessert—from which guests can construct their own multicourse menu. Four courses for $62, five for $76. Or, if you really want to see Yoder let loose, reserve a spot at the chef’s counter, and enjoy a parade of tastes of his latest creations.

Of course, innovation is not for everyone here in Charlottesville, where some palates can veer towards the conservative. Mindful of this, Yoder makes sure there is always something for all tastes, including at least one dish in each menu section with broad appeal, such as roasted dry aged rib eye with roma beans and onions.

In a town where straightforward, accessible cuisine has become the norm, Yoder fills an important role. He keeps pushing ahead, always exposing us to something new.

Categories
Arts

ARTS Pick: The Mock Stars Ball

Six local bands go big on Halloween with slick impersonations of popular rock bands at The Mock Stars Ball. The heavy metal-esque Corsair will play all the “hits” by Iron Maiden, and fast-paced Dwight Howard Johnson takes on the Pixies catalog, while Moby and the Dicks (Joe Cocker and Friends), Megaphor (Rage Against the Machine), Sharkopath (The Foo Fighters), and From Here on Blue (Stone Temple Pilots) all beef up their respective, once-removed, fist-in-the-air cover tunes.

Thursday 10/31. $10, 9pm. The Southern Café and Music Hall, 103 S. First St. 977-5590.

Categories
News

Traffic tragedy, a grant for a transparency guru, and they county’s new bike: News briefs

Check c-ville.com daily and pick up a copy of the paper Wednesday for the latest Charlottesville and Albemarle news.

Child struck, killed by vehicle

A 6-year-old city girl died after being struck by a vehicle on Nelson Drive in North Downtown near McIntire Road, according to Charlottesville Police spokesperson Lieutenant Ronnie Roberts. The child, a student at a city school who was visiting a friend, stepped out from between two vehicles at around 12:30pm on Monday, October 28, when schools were closed for a teacher work day.

She was struck by a four-wheel drive pick-up truck traveling away from McIntire and was transported to UVA Medical Center, where she died of her injuries. Roberts said speed did not appear to be a factor in the accident, and the driver of the pick-up remained at the scene.

The incident is being reviewed by the Commonwealth’s Attorney to determine whether charges will be filed.

Data dude

Open data guru and local blogger Waldo Jaquith is at it again. The founder of government transparency sites Richmondsunlight.org and statedecoded.com has jumped the pond to pick up some tips from the Brits—and he’s won a $250,000 grant from the John S. and James L. Knight Foundation to bring some of those ideas back to the U.S.

Still in London hammering out details of a partnership with the U.K.-based Open Data Institute on October 29, Jaquith could not immediately be reached for comment. But a press release from the Knight Foundation reveals that he’ll have some impressive support in the form of an advisory committee made up of Aneesh Chopra, former U.S. chief technology officer under President Obama; Daniel X. O’Neil, executive director of the Smart Chicago Collaborative; and open data developer Max Ogden, formerly of Code for America.

According to the release, Jaquith’s team “will connect government agencies, businesses and nonprofits with experts and vendors who can help them be more transparent. The effort will also help these organizations overcome the barriers preventing them from sharing their data, by hosting convenings and creating open source projects that can fill the gaps.”

County cops win patriotic Harley

After years of serving as motorcade escorts for the 911 Commemorative Motorcycle Ride, an annual multi-state civilian ride that takes place the third weekend of August and stops at each of the 9/11 crash sites, the Albemarle County Police Department is being rewarded for its service.

Each year, the 911 Foundation enters the names of participating officers into a drawing  to win a Harley for their department; this year, the county was picked. The 2014 police motorcycle was delivered on Monday, October 28, and will be part of the county’s traffic unit.

Horton hears a siren

The owner of Horton Vineyards has found himself in a vat of hot water following an October 25 incident in which he allegedly backed his car into two other cars, injuring a woman in the process.

The Friday afternoon crash occurred at around 2:45pm in the parking lot of the Orange County winery, known for its glorious mountain views and tasty viognier and cabernet. According to the Daily Progress, 67-year-old Dennis Horton, recipient of a 2011 lifetime achievement award from the Virginia Wineries Association, was driving his 2004 Kia van in reverse when he struck a Nissan Sentra and a Chrysler van. A woman standing next to the Sentra was injured and transported to the hospital but is expected to recover. Horton has been charged with reckless driving.

Categories
Living

Overheard on the restaurant scene…This week’s food and drink news

We’re always keeping our eyes and ears out for the latest news in Charlottesville’s food and drink scene, so pick up a paper and check c-ville.com/living each week for the latest Small Bites. Have a scoop for Small Bites? E-mail us at bites@c-ville.com.

Some restaurants hold a party to commemorate its first year in business. Champion Brewing Company, after 12 months of operation in Charlottesville, is celebrating with a tenfold expansion. Owner Hunter Smith announced last week that the brewery’s flagship beers will soon be produced and distributed statewide, and a brand-new 930-gallon brewhouse makes Champion home to the largest brewhouse in Charlottesville, and one of the top five largest in Virginia. The three-barrel brewhouse and popular tap room in Belmont will continue to operate, brewing and serving a rotation of experimental beers.

Where can you sit back and enjoy a plate of nachos and a beer, while also feeling confident that you’re doing something good for the environment? Charlottesville foodies say the answer is simple: Beer Run. Local foodies and greenies alike have spoken, and after two rounds of online and mobile voting, named the popular Belmont spot the Nature Conservancy’s 2013 People’s choice Nature’s Plate Award. Owned by step-brothers Josh Hunt and John Woodriff, the restaurant/bar/beer shop beat out four other local eateries with its commitment to sustainable green practices by using local, all-natural, organic ingredients. Beer Run’s popular bratwurst served in a pretzel roll, for example, comes from The Rock Barn, an Arrington-based butcher that processes and distributes locally raised meats.

The Great American Beer Festival has been bringing U.S. brewers and beer connoisseurs together in Denver, Colorado for more than 30 years. This year, our own Devils Backbone Brewing Company was named the Small Brewing company of the Year. The brewing team also brought home five medals for individual beers, including first-place prizes for the Azrael in the Belgian- and French-style ale category, and Old Virginia Dark in the American-style dark lager category.

Categories
Arts

Universal Studios set the tone for the icons of horror

In the 1930s and 40s, Universal Studios produced a series of horror films which remain some of the best and most popular examples of the genre. Tod Browning’s Dracula and James Whale’s Frankenstein became the iconic depictions of those characters in the popular imagination, from Dracula’s Hungarian accent, widow’s peak haircut, and cape to the neck-bolts, squared forehead, and lumbering gait of Frankenstein (who assumed his creator’s name in the popular consciousness due to the success of the film). All remakes, adaptations, and re-imaginings of those stories today are inevitably compared to Universal’s definitive and indelible masterpieces.

Emboldened by these successes, Universal produced dozens more horror films over the next 25 years, including The Mummy, The Black Cat, The Island of Lost Souls, and The Creature from the Black Lagoon, along with sequels to all of its successful properties. Characters began crossing over into stories in each others’ increasingly comedic and ridiculous films, culminating in the infamous Abbott and Costello Meet… series of the 1950s. Those parodies earned Universal’s monsters a poor reputation in later decades, and while some of the studio’s horror films are indeed dull or awful—it’s tough to maintain quality control at such a high rate of production—Universal’s highlights include some of the most unsettling and atmospheric horror films—and some of the most sublimely ridiculous comedies—ever produced (1939’s excellent Son of Frankenstein impressively manages both).

On Wednesday, October 30th, the Library of Congress will screen two of Universal’s classic horror films in Culpeper. For several years the library has been offering free weekly screenings at their Packard Campus Theater, a beautiful movie house which shows newly restored, pristine 35mm prints from the U.S. Government’s ever-growing collection. The theater offers creative programming, informative introductions and short programs, and some of the best-looking film prints available.

In recent months, the LOC has begun curating auxiliary screenings at the nearby State Theatre in downtown Culpeper. The films are shown via digital projection rather than 35mm film, and the theater, with an admission charge, provides an opportunity to watch classic films in a newly-restored 500-seat art deco movie house, originally constructed in the 1930s.

On Wednesday, October 30th, the State Theatre is screening a double-bill of The Invisible Man and The Wolf Man. The Invisible Man was directed by James Whale, who’d had success with the original Frankenstein, and had not yet made The Bride of Frankenstein. Incidentally, Whale, his life, and his films are the subject of the award-winning 1998 biopic Gods and Monsters. While Invisible Man lacks the expressionist lighting and lush sets that characterized the Frankenstein films, it’s still a well-crafted and highly enjoyable thriller.

Based on the 19th century novel by H.G. Wells (who lived long enough to see the film, and hesitantly praised it), the plot concerns a scientist whose experiments transform him into an invisible psychotic killer. It stars Claude Rains, who is best remembered as Captain Renault from Casablanca. Rains was making his American film debut (replacing the producer’s first choice, Boris Karloff), and though he spends much of the film wrapped in bandages (often utilizing a double; Rains was claustrophobic), his genteel accent and sinister tone are incredibly effective as the title character’s seemingly disembodied voice. The film was a huge success, in part because of its groundbreaking special effects, which pioneered a primitive version of the “blue screen” process used in later decades (or the “green screen” used in contemporary CGI films).

The Wolf Man (1941) is one of the few Universal films based on an original screenplay, rather than a pre-existing novel or stage play. While it drew on centuries of myths and superstitions, it also helped to establish and popularize the werewolf concept used in contemporary films and fiction. It was actually Universal’s second attempt at the werewolf idea, after the unsuccessful Werewolves of London, remembered today only because its title inspired a Warren Zevon song and a John Landis film.

The Wolf Man stars Lon Chaney, Jr., and though it made him a star, it’s also true that he quite clearly lacks the skill and genius of his famous father, the “Man of a Thousand Faces” who had starred in Universal’s very first horror films, as The Hunchback of Notre Dame and The Phantom of the Opera in the silent era. As an actor, the younger Chaney was dopey and dull, lacking in subtlety or grace, but his loutish football player physique served him well when covered in wolf makeup.

The visual effects are comparatively unimpressive when held up against Invisible Man, or later werewolf films—Chaney, Jr.’s “transformation” is depicted via the use of a fade. The film does have a strong supporting cast, including Rains again, and Dracula’s Béla Lugosi as the traveling gypsy who bites Chaney and gives him the werewolf curse.

Tell us about your favorite classic horror film in the comments section below.