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News

What’s happening in Charlottesville-Albemarle the week of November 18

Each week, the news team takes a look at upcoming meetings and events in Charlottesville and Albemarle we think you should know about. Consider it a look into our datebook, and be sure to share newsworthy happenings in the comments section.

  • The Charlottesville City Council holds its second regular meeting of the month at 7pm tonight, Monday, November 18 at City Hall. The Council will approve the city’s legislative agenda—its statement of priorities ahead of the coming General Assembly session—will hold the first of two readings on a $43,400 streetscape design for Elliott Avenue, and reports on the Piedmont Council for the Art’s cultural plan for the city and on the planned addition of granular activated charcoal filtration  to the local water system.
  • The city’s Board of Architectural review meets at 5:30pm Tuesday at City Hall. On its agenda are two of the three planned student apartment buildings on West Main Street: Landmark Acquisitions, which is seeking a Certificate of Appropriateness for the project it’s calling The Standard, and Campus Acquisitions Holdings, which is beginning the process of acquiring a Special Use Permit Recommendation from the BAR.
  • Albemarle County Board of Supervisors chair and Crozet rep Ann Mallek will host a town hall meeting from 7:30-9pm in the community room at the new Crozet Library. From Mallek: “One county operation to change in 2014 is the county provision of solid waste services. A convenience center site in the western Albemarle/Crozet area is needed. Review of the comprehensive plan has raised potential changes to the rural area chapter which deserve discussion and feedback.”
  • The Metropolitan Planning Organization meets from 4-6pm Wednesday at the Water Street Center. The MPO will discuss the draft of its Long-Range Transportation Plan for the first time since the sweeping wins by Democrats in Albemarle County, which have brought a leadership change likely to shift the county’s position on funding the controversial Western Bypass.
  • The city will hold a public meeting from 6-7:30pm Thursday at CitySpace on the Downtown Mall to open up the Belmont Bridge design process to the public. Public comment on the bridge design will be collected at the meeting, and until December 6 via www.belmontbridge.com.

 

Categories
Living

Cider Week kicks off with local tastings and pairings

Step aside, pumpkin beer and full-bodied red wines. This week, it’s all about the ultimate fall-inspired beverage: cider. Cider Week Virginia kicks off Friday, November 15, and runs through Sunday, November 14, with events like tastings, classes, and workshops every single day.

The festivities stretch across the Commonwealth, from Roanoke to Virginia Beach to Fairfax. If you’re staying local this week, here’s a sampling of some of the events you should check out:

Friday, November 15

  • Cider tasting at Feast!, beginning at noon and running through 4pm. Browse gourmet cheeses and other local food while sipping on samplings from Foggy Ridge and Castle Hill.
  • Wine Warehouse carries more than just grape varietals, and is offering cider tastings all week.
  • If you’re curious about what dishes to pair with the your fermented apples, head over to Whole Foods at 6pm for a harvest cider and food tasting.

Saturday, November 16

  • If you’re willing to make the hour-long drive, head over the mountain for a pairing dinner at the Massanutten Resort. The meal features a five-course menu paired with five ciders from Old Hill Cider, the first hard cidery in the Shenandoah Valley, and the chefs will give introductions with preparation details before each dish.
  • Michie Tavern is also holding a tasting on Saturday, beginning at noon.

Sunday, November 17

  • Try your hand at making craft cider! Richmond’s Blue Bee Cider is hosting a cider-making workshop beginning at 12:30pm, $45 per person. Space is limited, so register ahead of time here.
  • At Meriwether Vineyards, event company Hill & Holler, along with Pippin Hill chef Amalia Scatena will bring you an array of dim sum-style small plates along with ciders from Foggy Ridge, Albemarle Ciderworks, Castle Hill, Blue Bee, and Potter’s Craft. The event, which includes live music, begins at 6pm, and is $65 per person. Reserve your tickets by e-mailing hill.holler@gmail.com.
  • Ever tried cider with breakfast? Make the trek to Harrisonburg’s Jack Brown’s Beer & Burger Joint for a breakfast tasting featuring Old Hill Cider’s Cidermaker’s Barrel, which includes six beers or ciders for one price and a custom coffee mug to take home.

Monday, November 18 

  • Beverage professionals from chefs and restaurant owners to sommeliers and beer buyers are invited to a a Virginia Cider Salon, hosted by Secretary of Agriculture Todd Haymore. Chat with eight cidermakers, taste artisan ciders from across the Commonwealth, and learn how to bring ciders into your business. RSVP to info@ciderweekva.com
  • Every day starting Monday, the Culpeper Cheese Company will be offering a gourmet menu with a flight of three ciders, so stop by for your apple a day.

Tuesday, November 19

  • Recently opened farm-to-table restaurant Pasture is serving up southern small plates served with Foggy Ridge Cider all evening.
  • Swing by Market Street Wineshop, voted best wine shop for the last 12 years, for a medley of ciders from five different Virginia cideries.

Wednesday, November 20

  • Richmond’s Ellwood Thompson’s Local Market is holding a workshop on cheese and cidermaking, featuring ciders from Albemarle Ciderworks, Blue Bee, Foggy Ridge, and Potter’s Craft Cider. The event begins at 6pm and is $15 per person.
  • Starting at 6pm, Beer Run is hosting a tasting, which includes innovative cider cocktails.
  • Join Kitchen Catering & Events for a cider dinner inspired by Scotland. The $45 ticket covers a Scottish menu, whiskey, wine, cider, and a musical theater production.
  • Tim Edmund’s of Potter’s Craft Cider and Chuck Shelton of Albemarle Ciderworks are sharing their expertise at a free home cidermaking workshop at Fifth SEason Gardening Charlottesville, starting at 6pm.

Thursday, November 21

  • Gail Hobbs of Caromont Farms is leading a demonstration at Albemarle Ciderworks on the practice of washing local cheese in local spirits.

Friday, November 22 

Cider smackdown! Albemarle Ciderworks is hosting a refereed blind cider tasting with cheese on the side to determine how East and West Coast ciders compare. Reserve your $15 tickets by e-mailing fruit@albemarleciderworks.com.

Saturday, November 23

  • To wrap up the second annual Cider Week, Castle Hill is holding an all-day celebration beginning at 11am, with music from Love Cannon, cider tastings, and local food.
  • Bold Rock Cider will be celebrating with live music from Bruno Gastro’s Trunk starting at 1pm.

Sunday, November 24

  • Last chance to try a medley of Virginia craft ciders for this year’s Cider Week! Greenwood Gourmet Grocery in Crozet will be offering one cider from each Virginia cidery starting at 1pm.
Categories
Arts

ARTS Pick: Amos Lee

Amos Lee has come a long way from his start as an open mic night fixture in smoke-filled Philadelphia bars. These days he can be found sharing the stage, and holding his own, alongside songwriting royals like Bob Dylan and Dave Matthews. The second grade teacher turned indie rock chart-topper has been to the mountaintop with five critically praised albums, and he employs a repertoire ranging from heartbreaking honky-tonk to bluesy musings reminiscent of Bill Withers.

Tuesday 11/19. $51-41, 8pm. The Paramount Theater, 215 E. Main St., Downtown Mall. 979-1333.

Categories
Living

Five Finds on Friday: Stuart Madany

On Fridays, we feature five foods finds selected by local chefs and personalities. To mark the first day of Virginia’s Cider Week, today’s picks come from Stuart Madany, cidermaker at Castle Hill Cider. On Saturday November 23, Castle Hill Cider will host Cider Fest 2013, from 11 am to 5 pm, featuring cider tastings, food by area chefs, and music by Love Canon.  Madany’s picks:

1)  Apple Kraut from Farmstead Ferments. “Naturally fermented red and green cabbage, apples and a spice blend including allspice and juniper.  Crunch, tang, and aromatics.  Surprisingly addictive.”

2)  Esmontonian from Caromont Farm.  “An aged raw goat’s milk tomme cheese. Wonderfully nutty and complex.  Artisanal comfort food.”

3)  Red Curry at Lime Leaf. “I find Thai food to pair wonderfully with cider, and this is one of my local favorites.”

4)  Homemade Salad with Roasted Beets and Arugula from Bellair Farm and vinaigrette made with cider vinegar from Virginia Vinegar Works.

5) Elderflower Sunrise kombucha from Barefoot Bucha.  “Great balance, delicious, sustainable.”

Categories
Arts

Album reviews: Anna Gilbert, Cage the Elephant, The Devil Makes Three

Anna Gilbert

The Able Heart/Self-released

As far as under the radar releases go, singer-songwriter Anna Gilbert’s is one of 2013’s best. The Able Heart is full of delightfully organic songs guided by Gilbert’s rich vocals telling a series of engaging tales. The minimalist opener “O, Freedom” sets the narrative tone for the album with a reflective lament about youthful faith and exuberance being crushed by outside influences, and the acoustic pop number “Lose My Love” captures the enduring power of love. And while the album generally takes a gentle, more contemplative tone, songs like “White Noise” stand out for their skyscraping, otherworldly atmospherics, shoegaze guitar solos, and lyrics about the small voice of God in the midst of life’s storms. Gilbert navigates her way through the album with the confidence of a seasoned veteran.

Cage the Elephant

Melophobia/RCA

Alternative rockers Cage the Elephant appear to be headed down the right path with a new album, Melophobia. Known for its energetic performances and raucous songs, the band has switched gears a bit. You won’t hear anything like the hit singles “Ain’t No Rest for the Wicked” or “Back Against the Wall,” but you will hear a band willing to boldly go in a new direction. Whether it is a glam rock track (“Black Widow”), Motown-meets-fuzzy guitars (“Spiderhead”), deeply introspective soul (“Telescope”), or a kooky rock stomper (“It’s Just Forever”), variety is the name of the game. When singer Matthew Shultz goes on a spoken-word rant about fighting for his creative soul (“Teeth”), you have to pay attention because it is so unexpected. Off-kilter saxophone solos and a guest vocal appearance by The Kill’s Alison Mosshart add to the album’s ambiance, and Shultz’s lyrical abilities have never been as strong as they are here.

The Devil Makes Three

I’m a Stranger Here/New West Records

The new record from The Devil Makes Three, I’m a Stranger Here, is a delight for fans of acoustic, roots-based Americana. The bluegrass-meets-country stomper “Stranger” is an energetic opening to the album, while “Dead Body Moving” is fiddle-driven and dance-friendly. Toss in a dash of down-tempo ragtime (“Forty Days”), a sarcastic riff on the classic Southern spiritual (“Hallelu”), and a slightly sinister folk/blues hybrid (“Hand Back Down”), and you get a sense of the band’s multi-dimensional skill.

The album flows lyrically across tracks about the plight of the poor (“Worse or Better”), finding respite where you can (“A Moment’s Rest”), and living on the edge while seemingly going at the speed of light (“Spinning Like a Top”). The drummerless trio does a good job of making the songs sound full and raucous, and as a result, I’m a Stranger Here is an interesting release.

http://www.youtube.com/watch?v=0vHdcC9Ji8Y

Categories
News

TEDx Charlottesville hosts local innovators to speak their minds

The question of the day is “The Difference that Makes a Difference.” The answers are many.

So believe organizers of Charlottesville’s first-ever TEDx event at the Paramount Theater. The event, a local version of the global TED educational conferences, will host 18 speakers from the Charlottesville area who will offer short talks on everything from Shakespearean theater to medical research.

Watch the Charlottesville TEDx talks live here.

“The core concept we all wanted was that the smallest things have the most significant impact,” said Richard Averitt, one of the organizers of the event. “All of these speakers are remarkable individuals, who have done incredible things. The work that they’re doing has a larger, more global compounding effect. More than you might expect.”

His sister Dawn Averitt is one. A local activist for HIV and AIDS research and awareness and survivor of HIV since age 19, she’s also the founder of the Well Project, an organization dedicated to providing accessible information to women living with HIV as well as advocacy for treatment research, Averitt hopes to educate her audience on the next steps in these efforts and how they can help.

“It’s ironic,” she said, “because the U.S. is the global leader in HIV and AIDS treatment, and has an enormous amount to be proud of, but very few people know what’s happening here. There’s an old saying that goes ‘the cobbler’s children have no shoes.’ We can end this epidemic, but we have not done that yet.”

“There is a lot of really good news,” she said. “We know how to prevent it, we know how to treat it, and people living with it are living long healthy lives. We can do better today if people will choose to get off the bleachers and get onto the field, and if we embrace possibility.”

Richard Averitt, Averitt’s brother, and an organizer of the TEDX event, said his sister’s experience and efforts, since her diagnosis have had a worldwide influence.

“Her journey has gone from a place of total fear to now being on Obama’s PACHA (Presidential Advisory Council on HIV and AIDS). The end result is she went on to make a global difference.

“We’ve been going for ten years now,” he said, “We’re helping 30 million people a year. In every single country in the world we’re helping at least one person.”

Hawa Ahmed, a third-year Quest Scholar at the University of Virginia, will speak about the importance of investing in low-income students, an issue that has become particularly relevant with the recent cuts to AccessUVA, the University’s financial aid program.

“I saw that UVa was ranked 30 on the list [of low-income schools],” she said. It’s really alarming that we are at the bottom in terms of socioeconomic diversity. You’d think more prestigious schools would be more welcoming. There’s something about our image that’s not appealing.”

“I didn’t think I was going to go to college,” she explained. “There are a lot of people who work really hard in high school who can’t go to college for purely monetary reasons. My friends go on to be resident advisors and presidents of their organizations, or they write for the school newspaper. We’re just happy to be here.”—Matthew Fay

Categories
News

Education beat: Albemarle leaders seek details on Pre-K expansion

Our education coverage appears thanks to a partnership with Charlottesville Tomorrow.

As Albemarle County heads into budget season, the Board of Supervisors and school board are trying to figure out which body will lead the conversation about a possible expansion of Bright Stars, the County’s pre-K program for at-risk 4-year-olds.

“The real issue here is a question about whose job it is,” Albemarle School Board Chair Steve Koleszar told the Board of Supervisors at a joint meeting last week. “From my perspective, it’s a county decision about whether you want to go ahead with it or not.”

“If you decide that you want to do it,” Koleszar added, “we’ll make it work.”

But Supervisor Ann Mallek said the body can’t make that decision until the school board provides more information about projected program costs and school capacities.

“I think I need to know how many zeros we’re talking about, and then we might know how much we might be able to accomplish,” she said.

Bright Stars, which served 155 4-year-olds at eight elementary schools last year, provides comprehensive social services for preschoolers and their families until children complete fifth grade.

In addition to the preschool program, Bright Stars provides family coordinators who address a family’s employment and financial issues. They also involve family members in the school community and teach parents how to support child learning.

The prospect of expansion arose from steady increases of waitlisted families, which recently was as high as 86.

Koleszar said that the school board supports Bright Stars, but has yet to take a position on whether or not it wants to spend more from its own budget.

“We, of course, have really embraced having those students there, and so there’s all of these in-kind kinds of things that don’t get counted in the cost of the program,” Koleszar added, citing art and music teachers, transportation, and principals. “But the actual funding for the expansion of adding the classroom teachers…has come from a different stream.”

Currently the Bright Stars program is funded by money from the schools, county government, and the Virginia Preschool Initiative.

Supervisor Dennis S. Rooker expressed concern that the school division wouldn’t have the extra space to house the students, but Koleszar said that while the division has a few capacity-constrained schools, they could handle the additional students.

“If the decision is made that we want to find seats and have classes for those 85 kids, we can work those facilities out,” Koleszar said. “It may mean that we have to put a trailer or two there.”

County executive Tom Foley said that he will meet with school officials to generate a report containing the requested information.

County schools consider $5 million Agnor-Hurt addition

Albemarle County Public Schools has awarded a contract for an addition at Agnor-Hurt Elementary School to Charlottesville-based SHW Architects. On Thursday, SHW representatives will present a design to the Albemarle School Board.

The proposed addition, which covers nearly 12,000 square feet, will add 132 seats to the school in northern Albemarle—an area of the county experiencing significant enrollment increases. Construction is slated to begin in June 2014, and be completed by the start of the 2015-16 school year.

The project also includes the renovation of another 5,000 square feet of existing art and music classrooms, and security enhancements to the school’s entrance that will resemble the entrance to Greer Elementary. As Albemarle looks at capital projects, schools spokesman Phil Giaramita said the division is focusing on both security and enhancing learning spaces.

Jill Dahl. Photo: Charlottesville Schools.

MEET YOUR EDUCATOR: Jill Dahl, Principal, Charlottesville High School

What has been the most challenging aspect of becoming an administrator? 

Time, by far, is the most challenging aspect. There is always someone who wants to meet and share their ideas or concerns. It is important to hear what people have to say, especially being new to the school. However, it takes a lot of time out of the day to meet with everyone that wants to meet.

In what new ways do you support student learning?

While it is not new, I embrace the idea of technology in the classroom to engage students in learning. While our students “know” technology and it is a part of their everyday life, we need to redirect the purpose of what it can be used for and teach them that there is more than Twitter, Vine, and YouTube.

What are you doing to engage the community at your school?

We are partnering with various community resources like The City of Promise. They will come into the school to talk with teachers and parents to share their goals, and in return we will work with them to reach out to the community to share our goals. This year I want to begin to take the school to the community. I want to host more events at various community centers, such as parent teacher conferences and curriculum fairs.

How will you respect your school’s history and culture while making the decisions necessary to educate young people for their future?

This year it will be about observing and listening. There are many great things going on at CHS and I want to ensure they continue successfully. Decisions made will always be made with what is best for student learning.

 

Categories
Arts

Millicent Young seeks a new mythology through primordial totems

I was completely captivated by Millicent Young’s radiant show at Chroma Projects. Composed of horsehair and found wood, Young’s work thrums with nature and speaks to ancient mysteries that our modern selves can only dimly grasp.

“The known, the unknown, and the unknowable is a trinity that has been with me a very long time,” Young said. “What is folded into this work, the mystery is also the unknowable. I am interested in contributing to the vocabulary that will tell a new collective story: a new mythology that redefines mystery, sensuality, beauty, stillness, and imagination as crucial to our earthly co-existence.”

For Young, the mythology we’ve had in place for thousands of years is failing us. “We are now on this precipice of destruction,” said Young. “Something is wrong here and so in thinking about a new mythology, I thought to myself ‘we can’t possibly know what that is,’ but we have to go into that place of not knowing, that place of uncertainty, that place that every artist goes into, and every mystic goes into.”

Young began clipping chunks of hair from horses of hers that had died as commemorative relics. She continued this practice in the remote part of the Piedmont where she used to live, snipping off parts of the tail of a deer she’d come across that had been slaughtered in a wanton, rapacious, and illegal way (out of hunting season), as a means of honoring these wild beings, later incorporating the fur into brushes and rope.

One day, after the hanks of horsehair had been hanging around her studio for quite some time, she decided to incorporate some of the horsehair into a wooden sculpture she was working on. At first, it was an ancillary material used like string to bind the work together. Gradually it moved to the forefront as she began to see the potential of the material, the process of gathering it, the way it behaved, how it responded to light, and the rituals around washing, preparing, and finally using it.

Perhaps because we’re accustomed to it—seeing it in violin and cello bows and such—horsehair has none of the creepy overtones we get from human hair woven into Victorian funerary jewelry or hung in great clumps in installations by contemporary artist, Sheela Gowda. Horsehair is clean, pure, and quite simply beautiful, with a peculiar evanescent quality that makes the strands almost seem lit from within.

Young stresses that her fascination with horsehair didn’t stem from her being a horsewoman, although she has ridden all her life—that was kind of irrelevant. She is drawn to it because of its physical quality and she uses it in her work as a potent stand-in for nature.

“We live now in the wake of a Cartesian paradigm,” Young said. “The loss of stillness, imagination, critical thinking, and sensuality are collateral damage in the epidemic of global destruction we have wrought. Collectively, we continue to behave in our destructive ways in spite of the facts. Art and Earth define us as human beings. The rupture of connection with either renders us senseless and therefore only brutal.”

For Young, art is the answer to this “narcosis that numbs us.” Transformative, art—both the making of it and the experiencing of it—gets us back in touch with our inner selves. Young has turned her back on technology, embracing a natural rhythm and approach. Her work is labor intensive and in toiling on it hour after hour, drilling holes, threading hair, pulling knots, she produces work that “forms itself” and “contains the precise moment, emotion, thought, and gesture of its making.”

Looking at the ethereal “Not Known (continuum)” and ravishing “Not Known [(un)furl],” I’m not quite sure what it is, but there’s a “thereness” there. A poet friend of Young’s calls it “the large,” the thing that is greater than the self. I hesitate to use loaded terms, but I will venture to say that it’s something quite holy: the presence of the absence of the horse—and as Young would hope—of nature itself. I was reminded of an article I read in The New York Times (“Where Heaven and Earth Come Closer,” Eric Weiner, March 9, 2012) about the Celtic concept of “thin places” where the distance between heaven and earth is particularly narrow, affording a glimpse of the divine.

“Sit in this extremely uncomfortable place of what’s going to happen next,” said Young. Staring at the blank page if you’re a writer, at the blank canvas if you’re a painter, or for a sculptor basically you’re sitting in an empty space without even materials and that’s the space of not knowing.”

Aside from the elegiac feeling we get looking at these pieces knowing what we know about the state of our fragile planet, perhaps their inherent holiness has something to do with the fact that Young was working on them as her father was dying. Having been through that journey, ushering a beloved parent (actually two) from this world into the next, I can tell you it is a sacred task that brings you right up against the thin membrane separating our existence from that unknown other.

Categories
Arts

ARTS Pick: Darlingside

What does a string band composed of indie rock, bluegrass, barbershop, and classical sensibilities sound like?  Massachusetts quartet Darlingside wants you to know.

In addition to combining virtuoso mandolin, cello and bass guitar performances with percussion and the more traditional guitar and bass, the band adds a whole other layer to its songs by including pitch-perfect four-part harmonies throughout.

Whether it is an impassioned track from their first release, EP1, about the search for an honest person (“Good Man”), a pop rock gem from the full-length debut, Pilot Machines, lamenting a person’s own faults (“Terrible Things”), or the perfect Sunday morning acoustic serenade (“In the Morning”), the band is never short on surprises.

In its video work, the ethereal, fast-paced rock track “The Woods” is accompanied by dazzling animation featuring characters running through various fantastical settings thatbleed into one another, and the band displays its humorous side on the bouncy rock track “Still” by using hand puppets to lip-sync the song.

With humor and dexterity, the band charms and entertains, while lead singer David Senft keeps things edgy by injecting curve ball phrases like “arrogant son of a bitch” into a smoky jazz set with all the casualness of somebody talking about the weather.

Saturday 11/16. $10, 8pm. BON, 100 W. South St. 244-3786.

Categories
Arts

Film review: Thor: The Dark World lacks the superhero glow

Mere mortals, just who is Thor? Norse god? Superhero created by Stan Lee, Larry Lieber and Jack Kirby? Bastard stepchild of the Marvel Avengers series?

At this point, it’s not clear that anyone knows, least of all the filmmakers behind Thor: The Dark World. Is Thor a funny guy? Fear not, he’ll be beating someone to death in a matter of moments.

Is Thor a romantic? There’s no way to tell from the total lack of chemistry that Thor (Chris Hemsworth) shares with Dr. Jane Foster (Natalie Portman).

Is he even the star of Thor: The Dark World? Aside from a brief appearance in an early battle, Thor stays off screen for most of the first 30 minutes.

And what’s with Loki? Forget the mythology. The character, cobbled together by five credited writers (two of them worked as a team), is at least consistent, and likably played again by Tom Hiddleston. But is he really a threat? No one this pale could be dangerous.

Here’s some good news. Anyone with an inkling to see Thor: The Dark World without having seen either Thor or The Avengers has nothing to fear story-wise. A plot at once this complex (worlds colliding or something) and this infantile (Thor smash! —where’s the Hulk when you need him?) means nothing in the grand scheme of anything, not even the Marvel universe.

Sure, there are recurring characters and references to the climactic events of The Avengers, and we’re supposed to understand that Thor and Foster have some kind of relationship, but whatever. Seriously. Thor: The Dark World doesn’t have a purpose to exist beyond making money.

But more good news! As is the case in many Marvel movies, the supporting cast is wonderful. Rene Russo pops up briefly as Thor’s no-nonsense mother. Anthony Hopkins overdoes it as Odin, god-of-something-king-of-pain, Thor’s father. And Idris Elba brightens up every scene he’s in, and not just because of the bizarre contacts he’s tasked with wearing.

This time, Thor comes to Earth because Jane accidentally transports to a spot where the Aether—a thing that can destroy the nine realms, natch—is hidden. And the Aether is a big red floating thing that looks like a cross between the ominous cloud in Star Trek: The Motion Picture and the fake blood in Machete Kills. And Jane accidentally lets it take over her body until she resembles Gwyneth Paltrow in Iron Man 3. And now the bad guys, led by Malekith (Christopher Eccleston, sadly underused), need Jane to destroy the nine realms and turn the world into the land of darkness.

And. And. And nothing happens while everything happens. It’s hard to remember a big, dumb action movie with so little going on while everything is going on. And is it predictable? Why, yes. Yes, it is.

Here’s the real question, though. Do the Avengers even need Thor? They have the Hulk, who, if you recall, also smashes, and he does it without blathering silly dialogue meant to entertain. Stay through the credits if you care.

Playing this week

About Time
Regal Stonefield 14 and IMAX

Austenland
Carmike Cinema 6

Bad Grandpa
Regal Stonefield 14 and IMAX

The Best Man Holiday
Regal Stonefield 14 and IMAX

Blue Jasmine
Regal Downtown Mall Cinema 6

Captain Phillips
Regal Stonefield 14 and IMAX

Carrie
Regal Stonefield 14 and IMAX

Cloudy With a Chance
of Meatballs 2
Regal Stonefield 14 and IMAX

The Counselor
Regal Stonefield 14 and IMAX

Despicable Me 2
Carmike Cinema 6

Elysium
Carmike Cinema 6

Ender’s Game
Regal Stonefield 14 and IMAX

Enough Said
Regal Downtown Mall Cinema 6

Escape Plan
Regal Stonefield 14 and IMAX

Free Birds
Regal Stonefield 14 and IMAX

Gravity
Regal Stonefield 14 and IMAX

Inequality for All
Regal Downtown Mall Cinema 6

Last Vegas
Regal Stonefield 14 and IMAX

Machete Kills
Carmike Cinema 6

Monster’s University
Carmike Cinema 6

The Mortal Instruments: City of Bones
Carmike Cinema 6

Planes
Carmike Cinema 6

Romeo and Juliet
Regal Downtown Mall Cinema 6

Runner Runner
Carmike Cinema 6

Twelve Years a Slave
Regal Downtown Mall Cinema 6

Wadjda
Regal Downtown Mall Cinema 6

The Wolverine
Carmike Cinema 6

Movie houses

Carmike Cinema 6
973-4294

Regal Downtown Mall Cinema 6
979-7669

Regal Stonefield 14 and IMAX
244-3213