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News

Evidence of racial tension, calls for communication in wake of Mall beating

A week after Charlottesville police admitted they’d mishandled an investigation into a pre-Christmas Downtown Mall assault that brought national attention of the wrong sort, details of what sparked the incident are foggier than ever. Surveillance video from a nearby bank has proved useless, and neither victims nor police are making further statements citing the ongoing investigation—the same reason police are withholding a recording of a single 911 call made in response to the violent altercation.

What is clear is that the incident has raised questions about safety on the Downtown Mall as well as stirring racist sentiments sparked especially by photos the white victims claim show their three black assailants in the act of the attack. News of the reported assault first spread on Facebook after the victims posted their accounts and then photos. C-VILLE’s subsequent online report was picked up by the conservative news aggregation website The Drudge Report on Monday, December 30, and quickly went viral, landing on several white supremacy sites. Some of those readers appear to have then bombarded the C-VILLE website with racist vitriol and personal threats, leading the paper to shut down the comments under the story, which was read by more than 400,000 people in less than 24 hours.

Some of those who work in the trenches of Charlottesville race relations aren’t surprised by the simmering racial resentment that poured out online, even before the story went national.

“There’s very little we know about how it started, but the amount of vituperative racial mudslinging screams, that’s a whole ’nother story in itself,” said Walt Heinecke, a member of the city’s Dialogue on Race volunteer task force and one of the original proponents of Charlottesville’s newly formed Human Rights Commission. “The whole thing about race in Charlottesville is nowhere near over,” said Heinecke.

Wes Bellamy—an African American community leader who narrowly lost the Democratic primary for City Council in 2013— echoed Heinecke’s sentiments.

“We need to have honest dialogue,” said Bellamy, the founder of Helping Young People Evolve (H.Y.P.E.), a nonprofit which provides low-income local youth with homework help, mentoring, and boxing instruction aimed at increasing their confidence and self-discipline. “Some of the e-mails I’ve been getting afterwards say, ‘Young, black kids may be this, may be that, they’re making it unsafe, they’re hoodlums.’”

As previously reported, the December 20 incident occurred around 1am as musician Marc Adams and his girlfriend, Jeanne Doucette, were walking from Miller’s restaurant to Rapture and suffered what they say was an unprovoked assault by three black males that resulted in serious injuries to Adams, who lost a tooth and suffered cracked ribs and a fractured ankle. Doucette, who said she was also struck, took photos of the men as other people appeared to be calling 911.

According to Kathy Richardson of the Emergency Communications Center, a single 911 call was placed to that location on December 20. C-VILLE’s FOIA request for that phone call was denied pending completion of the investigation.

Following the attack, Doucette offered a statement to police, but Adams refused to speak with the responding officers or to receive medical assistance, something he attributes to a head injury, noting he’d been briefly knocked unconscious and repeating what he said Doucette has told him, that he was trying to go home. On Saturday, December 21, he called police to add his statement to Doucette’s.

While Doucette and Adams hoped surveillance video from the bank would bolster their claims, police did not formally request the video until a week later. When Doucette called to check on the status of  the investigation on Sunday, December 29, she was told it had been suspended due to a lack of information and had not been assigned to a detective. Frustrated, she posted her photos to Facebook that evening, and the following morning, Charlottesville Police Chief Tim Longo released a statement announcing two detectives had been assigned to the case and promising an internal investigation into the “breakdown” that had prevented that from happening earlier.

Police spokesperson Lieutenant Ronnie Roberts declined to offer any details about the content of surveillance videos or any other evidence collected thus far in the investigation, but according to a Wells Fargo spokesperson, the bank’s surveillance won’t help. The only camera on the building’s exterior is aimed parallel to the Mall, pointing at the ATM in the glass vestibule next to the bank’s main entrance. It does not capture footage of what is taking place feet away on the bricks of the Downtown Mall, which means Doucette’s photos may be the only evidence that corroborates her account of what occurred. Since Adams said he was knocked unconscious and has no memory of the attack and its aftermath, Doucette may also be the only eyewitness.

Doucette said she didn’t hear Adams say anything to provoke the assault, and she describes her boyfriend as “nonconfrontational.” Her recollection of the assailants hugging, high fiving, and laughing during the attack—something she appears to have captured in one of her photos—led both her and Adams to wonder if the assault might have been a form of the so-called “knockout game,” in which assailants attempt to knock victims unconscious with a single punch, then post a video online. However, they said they’d found no evidence online that the assailants had recorded the attack, and they also expressed doubt that the attack was inspired by race.

“People of any race can be jerks,” said Adams.

A victim of another high-profile Mall beating agrees.

Back in 1994, Baughan Roemer was assaulted on the Downtown Mall in an incident that bears eerie similarities to the recent attack and also created hysteria about racially motivated violence on the Mall.

Roemer was leaving Miller’s sometime around midnight one night in June of that year when he noticed a group of six young black males standing near the building that now houses Wells Fargo bank, where the recent assault took place.

Two teens in the group called out to him, telling him he owed them a dollar. Then they attacked, punching, kicking, and striking him with a broken bottle as he curled into a fetal position on the Mall, screaming and yelling for help until they fled.

Twenty years ago, cell phones were still a rarity, and Roemer, who lived on the Mall at the time, relates to what Adams has described as a post-assault desire to go home. Roemer, too, first began walking toward his apartment, but fear that he might bleed to death from the wound in his head caused him to turn and stagger back towards Miller’s, where patrons called 911 and he was transported to UVA hospital for treatment.

As with the recent attack, Roemer, then a Downtown business owner who was also a member of the Charlottesville Downtown Foundation, said the investigation into his assault was slow to start, although a witness reported seeing teens fitting the description of his attackers getting into a car nearby that night. Days after the assault, still bearing visible injuries, he appeared before City Council, and he credits subsequent heavy media coverage as critical to the successful apprehension of all six assailants within 10 days.

“A couple of them were on drugs that night,” he said, noting that testimony in his case revealed the teens—all of whom were convicted of assault related charges—had been in other city locations earlier in the evening looking for someone, anyone, to jump. “It was more like a crime of opportunity and anonymity,” he said. “I don’t feel I was targeted because I was white.”

Although the motives and details of the recent assault are still unknown, Roemer feels strongly that lessons from his own attack apply to Charlottesville today.

“We need to tone it down and realize that these types of crimes can happen anywhere, at any time,” he said. “Reckless, mean behavior is color-blind.”

In addition, Roemer hopes another outcome of the recent incident will be increased focus on keeping Downtown safe, including reassessing how the Mall is policed.

That’s a topic that Longo has brought to the attention of City Council several times over the past few years, including in 2012 when he requested additional funding for police kiosks, surveillance cameras, and added foot patrol at a cost of approximately $1 million annually, according to a January 2013 Daily Progress report. His request was denied.

Longo declined C-VILLE’s interview requests, but according to former Charlottesville Mayor Dave Norris, whose City council term ended in December, Downtown crime was down 40 percent in 2013 from 2012. In a Facebook post written on December 30, the day the story of the recent assault went viral, Norris warned against overreaction and expressed concern that the fear drummed up over the latest incident would lead not only to greater alienation between Charlottesville’s white and black residents but also would help create community support for surveillance cameras on the Mall, a move civil libertarians warn comes at another cost.

“I hope none of this comes to pass and that we in Charlottesville avoid the temptation to escalate and overreact,” Norris wrote.

Bellamy and Heinecke both agree that overreaction won’t help, and that finding and prosecuting those responsible for the assault is a priority. But no less important, they both said, is how the community responds.

“I’d like to see Town Hall meetings,” said Bellamy, “where people see each other as people. How powerful would it be if we could have people from Belmont and Friendship Court, talking with each other, building with each other, having honest dialogue. Not all white people are bad; not all black people are bad. Both sides need to begin seeing that, having those conversations, so we can begin to move forward. If you don’t talk to people, how are you going to know?”

Categories
Arts

ARTS Pick: The Whigs

Formed in Athens, Georgia in 2002, The Whigs have grown into a seasoned rock band. While teething, the group played with rock stalwarts Kings of Leon and The Black Keys before maturing a sound that is explosive and heavy, but not without infectious hooks. The Whigs’ newest album, Enjoy the Company, plays around with a bright brass section and showcases a grungy momentum that breeds naïve garage band clamor with a melodious strain of ’80s guitar pop.

Wednesday 1/8. $10-12, 9pm. The Southern, 103 S. First St., 977-5590.

Categories
Living

Overheard on the restaurant scene: This week’s food and drink news

We’re always keeping our eyes and ears out for the latest news on Charlottesville’s food and drink scene, so pick up a paper and check c-ville.com/living each week for the latest Small Bites. Have a scoop for Small Bites? E-mail us at bites@c-ville.com. 

Every Saturday during the month of January, Sticks Kebob Shop will donate 10 percent of its profits to the City Schoolyard Garden at Jackson-Via Elementary School. City Schoolyard Garden is an independent nonprofit that maintains organic educational gardens at six local schools, and the Sticks proceeds will go toward building a new garden shed at Jackson-Via. So if you’re craving a lemon-garlic shrimp flatbread with a side of onion rings, save it for Saturday, knowing that a couple bucks may contribute to a third grader’s newfound appreciation for cultivating bok choy and radishes.

If you happen to adore raptors just as much as you love pappardelle with braised lamb ragu, head on over to Caffe Bocce on Sunday, January 12. The classic Italian restaurant, located at 609 E. Market St., is hosting a three-course dinner to benefit the Wildlife Center of Virginia in Waynesboro. Volunteer Bill Sykes will greet guests with an “avian ambassador,” or a non-releasable rescued bird. Between each course, guests will have the opportunity to meet Grayson, a broad-winged hawk, and Athena, a barred owl. Tickets are $50 per person, which does not include tax, tip, or alcohol. Caffe Bocce will donate 30 percent of the ticket price to the Wildlife Center of Virginia. For reservations call 984-1100.

Out with the old and in with the…older. Beer Run recently updated its rotating beer list, and made room for the Dogfish Head World Wide Imperial Stout, a beer that only gets better as it ages. Debuted in the winter of 1999, World Wide comes in between 15 and 20 percent ABV, and is available in only 20 states. Also on tap on Beer Run’s “cellerman’s selections” list are the Widmer/Cigar City Collaboration Gentlemen’s Club Old Fashioned Style Ale, and the Bruery Rueuze A Blend of Three Different Sour Blonde Ales.

For some snapshots of (almost) local small plates, pick up this month’s issue of Southern Living. The nationally distributed lifestyles magazine published a roundup of “the South’s best cheap eats,” and featured Pasture’s array of happy hour snacks, including housemade pickles, pimento cheese, and black-eyed pea falafel. The photos were taken at the restaurant’s Richmond location, but Charlottesville’s spot in The Shops at Stonefield offer the same specials.

Want to get your favorite Charlottesville spot a little statewide attention? Virginia Living magazine is currently taking votes for its annual Best of Virginia issue, and you have until Friday, January 24 to cast your ballot. The 91 categories include everything from best bakery and burger joint to best chocolatier and vegetarian restaurant. Check out www.virginialiving.com/vote to weigh in with your favorites.

Categories
Arts

The Bridge kicks off the year with a multi-faceted group show

Local artist Victoria Long has curated and participated in art shows all over the world since graduating from UVA in 2006. Long returned to Charlottesville in 2011, and while she’s actively made and shown work since then, this month’s “Surprise” marks the first gallery show she’s assembled here in many years.

“Surprise” opened on January 3 at The Bridge PAI and features work by Long and fellow local artist Julia Sharpe, as well as erstwhile Charlottesville residents Patrick Costello and Roger Williams, Richmond’s Travis Robertson, New York artists Mike Perry and Lief Low-Beer, and Chicagoan Ellen Nielsen.

Each artist is exhibiting a three-dimensional sculptural object, and a corresponding art print in an edition of 50. The prints won’t be on sale at the gallery—instead, a group of bicyclist volunteers from Community Bikes will travel through the city on January 17-19 handing out sets of the prints to unsuspecting passers-by.

The event is similar to “Bike and Bake,” a Valentine’s Day event organized by Community Bikes members for several years (in which Costello has been heavily involved), but the idea is unusual for a gallery-based art show.

According to Long, “The idea for ‘Surprise’ was inspired by projects that I had heard about, taking place in other locations such as Portland, [Oregon], Croatia, or Berlin, where there were similar bicycle-based distribution of prints happening, and the idea behind those projects was to take art out of the gallery and into the streets.”

She emphasized that the goal of this distribution method is to be unpredictable.

“We want it to reach a variety of communities throughout the city,” said Long. “For example we don’t want to just focus on, say, the University or the Downtown Mall area. The hope, of all us behind ‘Surprise,’ is that handing out, distributing the prints in this way will create an unexpected interruption in daily life that leads to an unexpected aesthetic experience for the recipient.”

Inspired by the Paris Uprising of 1968 in which artists made screen prints for political protest, Long said that, “While ‘Surprise’ isn’t political, in an overt sense, I think that the act of taking art out of a commercial context, and bringing it to the streets, is in some way a political gesture.”

“Another inspiration is the work of the Bread and Puppet Theater in Vermont,” said Long. Costello apprenticed there in 2009. “Part of their manifesto is ‘cheap art,’” Long explained. “Art that everyone can have, making prints simply, using woodblock technique.”

As for the work itself, Long’s taste as a curator is evident. She favors colorful, simple, and accessible art, that is also conceptually thoughtful and well-crafted.

“Mike Perry is an artist and graphic designer out of Brooklyn,” said Long. “He plays a lot with color and flat, repeated shapes. This assemblage is a series of wooden shingles that are painted in a variety of colors.”

Robertson’s work also features flat, screenprinted woodcuts in a friendly, loose, cartoonish style.

Nielsen’s piece configures a giant pile of colorful yarn, entitled “Mammoth.” According to the artist, “‘Mammoth’ was about making a cute and benign craft object into something grotesque and monumental.”

Long’s piece is also made of yarn, wrapped around her trademark sculptural mountain shapes. “It’s a way of exploring the intersection of craft and fine art,” Long said. “Picking up the thread dropped by feminist artists in the 1970s.”

Costello’s sculpture is a phallic pedestal made out of plastic flowers. “I made it from flowers that I got out of the trash cans at Holly Memorial Gardens,” he said. “They have all those fake flowers on all the graves. I was really interested in how people use flowers to become this more permanent marker of someone who’s passed away; and then those flowers too, have a kind of life, so I was interested in taking them and bringing them back and repurposing them and giving them another life.”

“The work kind of draws inspiration from a number of things, it’s not just about the flowers,” said Costello.

Low-Beer’s work, according to Costello, is “playful, and about form, but it’s also really rigorous. It’s the best work, I love his work.”

As I interviewed the artists, Williams was drilling a hole in a marbled book cover that he had bound, in preparation for the show. He explained, “I’m studying book conservation in school right now [at West Dean College in West Sussex, UK], and so I’m always thinking of these codex objects and their narrative, and their protection.”

Sharpe, one of the best artists currently working in Charlottesville, works in wax and paper, layering thick encaustic wax and ink illustration. Her dark themes and muted color palette may seem like a strange fit for the otherwise colorful show, but the attention to texture and detail make her work at home among her fellow contributors.

Long hopes that the unusual method of distribution via bicycle will help this artwork reach “people who might not feel comfortable walking into an art gallery, or who might not find themselves at The Bridge.”

“I think that’s important,” said Long. “Because I’d like to think that everyone can enjoy something unexpected.”

The “Surprise” sculptures will be on display at The Bridge PAI’s gallery space through January 31, and maps of the distribution routes will be made available at the gallery and through the show’s website at surpriseshow.tumblr.com.

Categories
Living

Vietnamese please: Can Charlottesville produce a decent banh mi?

The only thing that could make the banh mi sandwich better is if there were some obscure, obnoxious way to pronounce it. Then all the people who call pho “fuh” could lord their culinary superiority over everyone else in yet another way.

“It’s not a ‘bon-me,’” they’d say. “It’s a ‘boon-mh.’”

I take that back. There is one other way the banh mi could be better. There could be a couple decent options in Charlottesville. As it is, there’s really only one. Simple as the sandwich is, but one local purveyor puts all the requisite ingredients together at the same time in the same place: meat, paté, pickled veggies, jalapeños, cilantro, and mayo on a crusty French baguette. That purveyor is, not surprisingly, Moto Pho Co., the closest thing this town has to a proper Vietnamese restaurant.

“The banh mi wasn’t originally on the menu as I had only wanted to focus on the noodles, but after repeated requests from customers, we gave it a shot,” said Vu Nguyen, the restaurant’s owner and chef.

That’s not to say you can’t get a little banh mi flavor in places other than Moto. If you’re savvy with the Facebooks and Twitters, you can catch Beer Run’s “banh mi style” sandwich every now and then. Of course, not even Beer Run knows when or where the special’s ever going to strike, making it the 1.21 gigawatts of Charlottesville banh mi.

Then there’s the question of whether the Beer Run swipe is worth your trouble. I’d give it a reluctant yes. It’s a tasty sandwich, but calling it “banh mi style” is a bit of a stretch. For me, banh mi are all about the bread. If you don’t have the baguette, you have something other than a banh mi. Beer Run serves its house-smoked pork and pickled veggies on its (admittedly delicious) house focaccia. The Vietnamese didn’t suffer a half-century* of French rule only to have their signature sandwich served on an Italian-style bread. Plus, the dispersion of the ingredients on the Beer Run sandwich wasn’t quite right for me; some bites were good, but midway through the second half, I kind of wanted it to end.

Michael’s Bistro on the Corner offers a sandwich that skews the other way. It’s closer to authentic but not out-of-this-world flavorful. Lacking the depth and earthiness provided by paté and subbing a straight coleslaw for pickled carrots and daikon (an Asian radish), one of my dining mates called it “an accessible take” on a banh mi. The sandwich did feature flavorful roast pork and came on a proper French baguette. Unfortunately, the bread wasn’t the freshest loaf in the bag, and the sandwich could have used more mayo to bring it all together. For me, the worst part about the Michael’s banh mi came from my own expectations—the bistro does so many things well (their savory pies, the artichoke soup, the spinach salad, the beer list), it was a shock to get a mediocre sandwich out of the kitchen.

The Box off the Downtown Mall offers a nice short sandwich menu focused on a banh mi motif. On each slider-style sandwich, daikon, carrots, cucumber, jalapeños, cilantro, and mayo garnish your choice of meat. Unfortunately, the first time I went to the Box, I almost didn’t stick around to try the food. The wet, dirty menu hanging behind plexiglass on the patio, a glimpse of the chef’s soiled whites when he briefly stepped out of the kitchen, and sub-par service nearly sent me for the door before I could put my order in. It’s a good thing I powered through. The pork belly version of the sandwich is legit. The belly does a nice job on its own of replacing roast pork and paté, giving you the chew of the muscle in the belly and a “pork mayonnaise” effect from the threads of fat.

Still, Moto’s pork banh mi is by far the cream of the crop. At first glance, the bread looks softer than it should be, but it’s crunchy on the outside and pillowy on the inside. Tucked into the bread are refreshing pickled radish and carrots that contrast well with thinly sliced roast pork and earthy, rich paté. For me, the jalapeños give the sandwich just the right amount of spice, but I could see how some might find it too spicy. At any rate, the day I visited, there were a half dozen people in the restaurant, some of whom were speaking Asian languages, most of whom were crunching on banh mi rolls.

“I’d love to be able to tell you there was some magic behind the banh mi we serve and that we use locally sourced organic ingredients,” Nguyen said. “But the truth is it’s just regular commodity ingredients, which contribute to keeping the price at an affordable value.”

That means Duke’s mayo has stepped in for the house-made spread Nguyen was making when the sandwich first hit the menu, but the veggies are still pickled in house, and the chicken liver and pork paté is a homemade creation, as well. For two additional banh mi options, Nguyen marinates chicken and crafts a vegetarian paté.

“The appeal of the banh mi is the fact that it hits all the right notes in a familiar package,” Nguyen said. “You get sweet, savory, sour, spicy, and cool all in a portable vessel that isn’t so exotic as to be unapproachable.”

*An earlier version of this story said “a half-decade of French rule.” Vietnam was part of French Indochina, a colonial protectorate from 1887-1954.

Categories
News

What’s happening in Charlottesville-Albemarle the week of January 6?

Each week, the news team takes a look at upcoming meetings and events in Charlottesville and Albemarle we think you should know about. Consider it a look into our datebook, and be sure to share newsworthy happenings in the comments section.

  • The Charlottesville City Council‘s first meeting of 2014 takes place at 7pm tonight, Monday, 6 in council chambers at City Hall. Councilors will consider a long list of appropriations for various grants, agencies and initiatives, will hear a quarterly report on PVCC, and will elect a new mayor from among their members.
  • The Albemarle County Board of Supervisors will elect its chair and vice-chair at the start of its first meeting, which runs all day Wednesday at the county office building. Also on the agenda: the latest on the regional firearms training center, work sessions on water resources planning and a biannual comprehensive plan update, and a discussion on proposed transit changes. At the end of the meeting, beginning at 6pm, there will be a public hearing on where to put one of several planned new “convenience centers” for residential solid waste—either on Mill Creek Drive near the Monticello Fire Station, or on Esmont Road near the Keene Post Office.
  • The Charlottesville and Albemarle school boards both meet Thursday, the city from 5-7:20pm at CHS and the county from 6:30-9:30pm at the county office building.
  • The Charlottesville School Board also holds a budget session workshop from 8:30-11:30am Saturday, January 11.

 

Categories
Arts

Film review: Ben Stiller’s Walter Mitty is a meandering mess

The Secret Life of Walter Mitty is terrible. Just terrible. It’s wrongheaded, silly, and worse, confused. The story—about Walter (Ben Stiller), who works as a negative asset manager at Life magazine—is pretty straightforward. Walter doesn’t have much of a life, so he fantasizes. But then something happens to a 35mm film negative that’s going to grace the cover of the magazine’s final issue and he has to spring into action to find it, letting Walter become the adventurer he’s always daydreamed of being.

Sounds harmless, but this is where the wrongheadedness comes in. First, forget what you know about Life’s real history. Here it’s been acquired by a heartless corporation that wants to make it digital only. But there’s so much product placement in the movie (by giant, presumably heartless corporations) that it becomes distracting. Watch Walter talk about how Papa John’s killed his dreams (which is some serious irony considering how much Papa John’s flashes its corporate logo). Watch Walter and some guy (Patton Oswalt) who works at eHarmony (which is great with customer service!) eat at a Cinnabon and talk about how great it is.

But, the giant corporation is getting ready to kill Life. So, Mr. Stiller, do we love the corporations, or are they killing us? Or does it not matter when you have a movie to make? If the story were captivating enough, there wouldn’t be a question.

The story, however, is for the birds. The original piece, James Thurber’s “The Secret Life of Walter Mitty,” which ran in the New Yorker in 1939, manages to be more captivating in a shade more than 2,000 words than Stiller’s movie is in one hour and 54 minutes. I’ve written before about how source material doesn’t matter, but I’ll amend that rule: If you’re going to bastardize something, don’t lionize the person doing the bastardization.

In other words, The Secret Life of Walter Mitty turns into the ain’t-Ben-Stiller-grand show. Maybe it means to, maybe it doesn’t. But jumping into icy waters from a helicopter in order to get aboard a boat seems like grandstanding when 30 minutes earlier Walter was afraid of everything. It’s as if the power of being portrayed by Ben Stiller infused Walter Mitty with a heretofore unused spine.

I’m getting ahead of myself. Walter has given up on life, see. His favorite photographer (Sean Penn) has taken the cover photo for Life’s last issue. The negative has gone missing. Walter, who until this point has spent a boring life daydreaming about excitement, springs into action to find it.

He goes to Greenland, then Iceland. It would all be kind of charming if it didn’t seem so smug. Alfred Hitchcock plunged normal people into extraordinary circumstances and let them rise to the occasion (see: North by Northwest, The 39 Steps). Here, Walter is simultaneously saving the magazine’s final issue, getting the girl, and reaching toward life, but it’s mundane because this is the same character Stiller always plays: A loser who looks like Ben Stiller who isn’t a loser. It doesn’t help that the comedy isn’t funny and the action sequences look antiseptic. Maybe Stiller and company should have left this one in the daydream stage.

Playing this week

12 Years a Slave
Regal Downtown Mall Cinema 6

47 Ronin 3D
Regal Stonefield 14 and IMAX

American Hustle
Regal Stonefield 14 and IMAX

The Book Thief
Regal Downtown Mall Cinema 6

Dallas Buyer’s Club
Regal Downtown Mall Cinema 6

Dhoom 3
Regal Downtown Mall Cinema 6

Frozen 3D
Regal Stonefield 14 and IMAX

Gravity
Regal Downtown Mall Cinema 6

Grudge Match
Regal Stonefield 14 and IMAX

The Hobbit: The Desolation of Smaug
Regal Stonefield 14 and IMAX

The Hunger Games: Catching Fire
Regal Stonefield 14 and IMAX

Nebraska
Regal Downtown Mall Cinema 6

Philomena
Regal Downtown Mall Cinema 6

Saving Mr. Banks
Regal Stonefield 14 and IMAX

Walking With Dinosaurs
Regal Stonefield 14 and IMAX

The Wolf of Wall Street
Regal Stonefield 14 and IMAX

Movie houses

Regal Downtown Mall
Cinema 6
979-7669

Regal Stonefield 14 and IMAX
244-3213

Categories
News

What’s Happening at the Jefferson School City Center?

Carver Recreation Center Participates in First Night Virginia

On New Year’s Eve, First Night Virginia held several of its family-friendly events at Carver Recreation Center.  The Amazing Marco (a.k.a. Zephyr the Magician) wowed guests in the multipurpose room with magic, music, comedy, and audience participation. In the gym, Virginia Acrobatics dazzled with acts of strength, skill, and spectacle. Virginia Acrobatics also featured “Cirque du Soleil”-style acrobatics with suspended mid-air with aerial silks, sling, lyra, and more.

Carver Rec will be encouraging community members to get in shape after the holidays by offering a deal on memberships through February 16. During this promotion, guests can buy a two-month access pass to Carver Recreation Center and Smith Aquatic and Fitness Center and get one month free. Carver Recreation Center features over 33,000 sq. ft. of recreational space including: a gymnasium; fitness center with cardiovascular and strength training equipment; drop-in fitness classes with offerings such as spinning and zumba; recreational studios for arts & crafts, gymnastics, and dance; plus a free hi-tech teen center. Carver is also home to a variety of special events like roller skating, dances, concerts, and birthday parties.

PVCC Hosts Information Session at Jefferson School on January 9

On Thursday, January 9 from 4:00-7:00pm prospective students can stop by PVCC’s office at the Jefferson School City Center to learn more about applying to the College, selecting a program of study, and enrolling in spring classes. No appointment necessary. Credit classes start Monday, Jan. 13. Online registration is available on PVCC’s Website. For more information, call 434-961-5255.

Common Ground Offers Donation-Based Yoga for January

Common Ground Healing Arts recognizes that the start of a new year is often a time of reflection for many people. Common Ground wants to encourage community members to make yoga part of their wellness plan this year by offering all of its weekly yoga classes on a donation basis for the month of January. Common Ground encourages guests to give the amount that feels appropriate in exchange for the service of the yoga instructor and studio. Half of every donation will go to the yoga instructor and the other half supports the services and mission of Common Ground, which is a nonprofit organization dedicated to bringing yoga and other healing services to everyone, regardless of income.

Additionally, Common Ground will be hosting an Adjustments Workshop for Yoga Instructors this Saturday, January 4 from 2:00-5:00pm. Experienced yoga teachers Jen Fleisher and Kate Zuckerman will lead  this continuing education workshop for yoga teachers that is intended to hone instructors’ skills in physical adjustments. It will focus on learning new adjustments as well as fine tuning familiar ones. There will also be an opportunity to workshop adjustments in specific postures that attendees would like to address. As Co-Directors of Charlottesville Yoga School, Fleisher and Zuckerman taught teachers for more than 1,000 hours and graduated over 80 yoga teachers. They have each been teaching yoga and giving physical adjustments to students for over 10 years. Register here for this workshop.

JSCC logoJefferson School City Center is a voice of the nine nonprofits located at Charlottesville’s intergenerational community center, the restored Jefferson School. We are a legacy preserved . . . a soul reborn . . . in the heart of Cville!

 

Categories
Arts

ARTS Pick: Falstaff

Brilliant orchestration and dastardly deception punctuate Verdi’s Falstaff, the seminal composer’s final opera. The action streams live in HD and stars Ambrogio Maestri as the fabulous fat knight Sir John Falstaff from Shakespeare’s Henry IV and The Merry Wives of Windsor in the Met’s first new production of the piece in nearly 50 years. Wealthy married women and servants alike swear revenge on the Bard’s beloved bad boy in a fresh mid-20th century setting.

Saturday 1/4. $18-24, 1pm. The Paramount Theater, 215 E. Main St., Downtown Mall. 979-1333.

Categories
Arts

ARTS Pick: Blacko Da Rappa

Dig into your closet for your best throwback attire, and rehearse your Fresh Prince rap. Magnus Music and Wild Boyz Entertainment kick off 2014 with a hip-hop and go-go celebration of local musician Blacko Da Rappa’s 32nd birthday. A cash prize will be awarded to the best retro look, so don’t be afraid to get cheesy with it. WNRN DJ Flatline will host the bash with DJ Footloose providing the jams. All Capricorns get in for only $5 before 11:30pm—a perfect reason to break out the old cliche´, “What’s your sign?”

Friday 1/3. $10, 10pm. Main Street Annex, 219 Water St. 817-2400.