Categories
News

New Schock allegations: Federal complaint offers more detail in charges against former Venable teacher

Days before state prosecutors filed a motion to drop three felony child porn charges against former Venable Elementary School teacher Corey R. Schock, federal agents filed a complaint in the U.S. District Court for the Eastern District of Virginia charging Schock with one count of online coercion and solicitation of a minor. An affidavit filed in federal court supporting the complaint offers lurid and disturbing details of the allegations against him that led to his February 10 arrest.

According to the March 7 affidavit, Schock’s online relationship with the 15-year-old Northern Virginia girl referred to in legal documents as Juvenile 1 began on November 10, 2013, as the two communicated using a messaging app known as KIK.

A man using the profile name “Nick Nick” and the username “spiderx99” presented himself as “a 40-year-old schoolteacher residing approximately two hours from the home of Juvenile 1,” according to the 11-page document.

The affidavit asserts that “Nick Nick” is Schock, citing documents that show the KIK account was accessed by an IP address matching an account leased by Schock at an address in Charlottesville. Furthermore, the affidavit alleges that items and rooms in his home and at Venable School match those seen in the pornographic images sent by “Nick Nick” to Juvenile 1.

According to the affidavit, the KIK exchanges made clear that the two had already been communicating elsewhere online when they moved their messaging to KIK, and over the course of the next month—continuing until “a few minutes” before a Fairfax police detective arrived at the girl’s Woodbridge home on December 10—”Nick Nick” and the teen engaged in increasingly graphic exchanges.

“Mmmm show me that perfect body,” “Nick Nick” messaged the teen at 9:38am on Thursday, November 14. Twenty-four minutes later, at 10:02am, the teen responded by sending a pornographic photograph of herself.

“Oh holy fuck yes…” “Nick Nick” responded, suggesting he was in school when he received the message. “Im going to be on Bethesda md area this weekend….”

According to the affidavit, “Nick Nick” sent photos of his own genitals to the teen, and made several references to his excitement over the sexual exchanges occurring while he was at school.

Other messages sent by the teen seem to suggest sexual assertiveness on her part, which included the use of sexual toys and other photos of herself engaged in sexual acts with other men .

“Nick Nick” told Juvenile 1 that he was 40. When she stated that he was “like 25 years older,” “Nick Nick” allegedly responded, “That’s hot.”

In subsequent communications, “Nick Nick” told Juvenile 1 that she appeared to be 13-14 years old and he asked her to send images of herself at age 13.

While a motion filed by the Assistant Charlottesville Commonwealth’s Attorney Joe Platania in Charlottesville Juvenile and Domestic Relations Court states that no evidence suggests Schock had inappropriate contact with local juveniles, the federal affidavit asserts he likely engaged in inappropriate behavior while at Venable.

“The wall tile and floor tile in the men’s restroom closest to Schock’s classroom matched the tiles visible in the image of Schock’s erect penis, which had been sent to Juvenile 1,” the affidavit reads.

“The desk and surrounding area inside Schock’s classroom were compared to the background of the image of Schock’s [clothed] groin,” which had been sent to Juvenile 1. According to the affidavit, Schock denied that he had taken the picture while students were present in the classroom.

While the affidavit does not detail Schock’s interactions with other juveniles, it alleges that since September 27, 2011, he “routinely engaged underage females in sexually explicit online chats and would complement them on their physical appearance.” The underage teens represented themselves as between 14 and 16, the affidavit asserts, and while Schock would sometimes “feign surprise” over their age and apologize, he continued with the communications and, in each case, represented himself as younger than his actual age.

During a February bond hearing, a judge asked that Child Protective Services help determine whether Schock could safely be released on bond. He had been denied bond pending a psychosexual evaluation. Schock is father to two daughters, ages 11 and 14, according to testimony from a mid-February bond hearing in Juvenile and Domestic Court.

On December 3, one week before a detective arrived at the home of Juvenile 1, “Nick Nick” sent Juvenile 1 a message describing using his “stepdaughter’s panties” for a sexual act.

According to the affidavit, during an interview with law enforcement following his arrest, Schock denied he was aware he’d been communicating with a minor. He allegedly told investigators, “I didn’t do it. I didn’t know it was real. I didn’t know it was real.”

Schock has been held without bond at the Albemarle Charlottesville Regional Jail since his arrest. His attorney, Lloyd Snook, has not returned C-VILLE’s call. If convicted on the federal charge, he faces a sentence of 10 years to life in prison.

A hearing on the motion to drop state charges was scheduled for Wednesday, March 12, in Charlottesville Juvenile and Domestic Relations Court.

Read the full affidavit here.

Schock Affidavit

Categories
Arts

While scattered, The Infamous Stringdusters let it fly

Stop me if you’ve heard this one before: The Infamous Stringdusters had a pretty good year last year.

Indeed, it seems almost clichéd to lead with such a statement, despite its truth. After all, the Stringdusters have been on a steady rise for nearly seven years, and the band didn’t hit the lofty critical heights of years past. There was no Grammy nod, as in 2011, or multiple International Bluegrass Music Association wins, like in 2007. But 2013 was perhaps the most critical year for the five-piece string band, in terms of the longview.

Beyond writing and recording Let It Go, the band’s fifth full-length album (and third for its boutique label High Country Recordings), 2013 was the Stringdusters’ first full year of touring as a five-piece. (They used to be a sextet: mandolinist Jesse Cobb left in late 2011.) And it was their first year of doing it with a full production team and full crew on an honest-to-god tour bus.

“It took us a long time to settle into what we are,” said Travis Book (upright bass player). “I don’t even know how to define what we are.”

With Let It Go, the Stringdusters have moved further away from what they aren’t—a traditional bluegrass band.

Since emerging from Nashville in 2007, even after moving to Charlottesville in 2011, the Stringdusters have always resembled a traditional bluegrass band, at least in passing. The lineup boasts fast-picking, Berklee-trained wunderkinds playing fiddle, dobro, banjo, mandolin, guitar and bass, and it peppers its mountain music with the breakneck solos, craggy rhythms, and pleasant close harmonies redolent of Appalachia.

But the Stringdusters have always had bigger ideas about where they wanted to take their music. And they had no interest in purism, which they found limiting.

“If you’re in a bluegrass band, you do the bluegrass thing,” Book said.

And like contemporaries Railroad Earth, the Stringdusters have continually, if gently, pushed the limits of bluegrass, balancing a fluency in old-timey music with indie jamgrass sensibilities. Let It Go is the band’s most stylish and nuanced synthesis to date, working in widescreen country jams (“Colorado”), freewheeling acoustic rock (“Peace of Mind”), and romantic balladry (“Summercamp”) with its trademark fiery newgrass. It’s a consciously loose affair, imbued with a relaxed, insouciance and casual grace that recalls the Dead at its best moments.

“We’re getting closer to the answers to the questions of what we want to sound like,” Book said. “What we want to look like, what we want to look like to our fans.”

Ironically, it took its members being farther away from each other for the Stringdusters to get closer to that goal.

In 2013, banjoist Chris Pandolfi moved to Colorado to be a “ski bum” and “do the mountain thing,” Book said. Dobro player Andy Hall followed him. Fiddler Jeremy Garrett went back to Nashville, where he’s a fervent songwriter and session player. Guitarist Andy Falco returned home to Long Island to be closer to his family. Book stayed in Virginia, in Nelson County at the foot of the Blue Ridge Mountains, to raise his family. “We got some criticism from our friends,” said Book. “‘Oh, I don’t know how you can call yourselves a band if you don’t live in the same city.’ After seven or eight years as a band, I don’t know how we couldn’t live in separate places.”

The separation had a seemingly counterintuitive result: It made the Stringdusters more focused.

“I think it’s had a really positive effect on the band and the work flow, and our ability to get things done,” Book said. “When we were all in the same place, we were all in it all the time. There was always a sense that if we couldn’t get the thing done today, we could get it done tomorrow, because everyone was there, everyone was on call.”

“Now, when we’re together, it’s 100 percent, and when we’re not, it’s just 10 percent,” he continued. “So when we’re together, shit’s on fire. People are excited, people are motivated. This is our three weeks to just do this thing, knock out some music.”

That fire can be heard on Let It Go. Most especially on “The Winds of Change,” which catapults itself into a lengthy progressive jam session that finds all the Stringdusters playing with fierce energy. It builds to several whirling climaxes, Pandolfi and Garrett’s parabolic lead lines working in and out of shared harmony, and the guitars of Falco and Hall work in dissonant chromatic scalar runs as they climb ever higher. Its fever-pitched but laser-focused, the Stringdusters’ preternatural chemistry belying the band’s disjointed geography.

And despite its scattered roster, Charlottesville is still where the band comes to focus.

“We still really feel like this is our spiritual center,” Book said.

To wit, the Stringdusters’ management team is in Charlottesville. When they convene, they meet in Charlottesville. They filmed the video for “Let It Go” in an old church in town. And there’s still The Festy, the annual music festival that the band founded in 2009 at the Devils Backbone brewery.

“We’re all spread out,” says Book, “but this [Charlottesville] is still the place that I think, of all the places in the world, this place has the most gravity for us, and the most history.”

Thursday 3/13 The Jefferson Theater, 8pm

Categories
Living

Overheard on the restaurant scene: This week’s foodie news

For one day next week, tavola will abandon its rustic Italian cuisine. The Belmont restaurant is taking a leap across the continent to land squarely on the Emerald Isle and turn into a pop-up Irish pub in honor of St. Patrick’s day. On Monday, March 17, Pub Tavola’s menu will offer traditional Irish fare beginning at noon, and will continue through the evening, with takeout available. All proceeds will benefit the care of Wes Chang, Ten chef Pei Chang’s 15-month-old son who was recently diagnosed with stage IV neuroblastoma. To donate directly, visit www.weschang.myevent.com.

March is Virginia Wine and Dine Month, and to help you celebrate, Virginia Wine in my Pocket is offering its iOS app for free in the iTunes store through the end of the month. Created by Virginia travelers and wine connoisseurs Rick Collier and Nancy Bauer, the smartphone and tablet app includes winery listings with interactive maps, information on wine trails, dining, and lodging, and a “my stuff” menu that allows members to track personal notes, wineries visited, and places yet to visit. For more information visit www.vawinein mypocket.com.

It’s never too early for Wahoos to start celebrating St. Patrick’s Day. Beginning on Friday, March 14, the Cavalier Diner will offer a holiday-themed menu to get you in the green spirit. The menu will feature classics like corned beef and cabbage, homemade Shepherd’s pie, Irish soda bread, and shamrock cookies, and will be available through 9pm on Monday, March 17.

The construction at Barracks Road Shopping Center has been drawing attention for months, and now that it’s finally coming to a close, a new burger joint is about to open its doors. Zinburger Wine & Burger Bar, a chain with locations in six East Coast states, is opening its Charlottesville store on Tuesday, March 18. The menu features gourmet burgers like the Zinburger with manchego cheese and zinfandel braised onions and the Kobe burger with Vermont cheddar and wild mushrooms, sides like sweet potato fries and zucchini fries, and nine different hand-dipped milkshakes. The drink menu includes 18 wines, eight beers on tap, and specialty cocktails like the Red Zingria, with Red Zinfandel, triple sec, lime, and raspberry.

Right next door to the new burger spot is what The Huffington Post describes as the “Hooters of frozen yogurt.” CUPS is a self-serve yogurt chain with locations in four other states that features loud music with dance club-esque lighting and elaborate murals. The company’s logo is two identical cups of frozen yogurt, with the slogan “Frozen yogurt—that’s hot.” A “now hiring” flyer features young women wearing snug, hot pink tank tops, and a menu suggests things like “Size matters…fill your cup” and “Don’t go topless…sprinkle on your favorite toppings.” The store is now open for business, after its grand opening on Tuesday, March 11.

We’re always keeping our eyes and ears out for the latest news on Charlottesville’s food and drink scene, so pick up a paper and check c-ville.com/living each week for the latest Small Bites. Have a scoop for Small Bites? E-mail us at bites@c-ville.com. 

Categories
News

Venue change: State seeks to drop child porn charges against Venable teacher, hand case to feds

One month after Venable Elementary School teacher Corey Schock was arrested on child pornography charges, federal prosecutors are taking over the case.

According to a motion filed March 10 in Charlottesville Juvenile and Domestic Relations Court, the state is seeking to drop the current charges against Schock—two for possession of child pornography and one for use of a communications system to solicit child pornography—to make way for a federal prosecution on a single charge, online coercion and solicitation of a minor.

The section of code under which Schock is charged federally is known as the Mann Act, an early 20th century law written to help combat interstate prostitution and human trafficking. It provides for harsher punishment for crimes against minors and encompasses production of child pornography, according to local defense attorney David Heilberg.

The three-for-one trade-off isn’t good news for Schock, since that single federal charge—filed against Schock on March 7 in the Eastern District of Virginia, where his alleged 15-year-old victim lives—carries a minimum sentence of 10 years and a maximum of life in prison. The state charges carried a maximum sentence of 15 years, and federal prosecutions are notoriously aggressive, said Heilberg.

“Typically, when you’re charged federally, it’s because they believe they can get a conviction,” said Heilberg, who is not involved with Schock’s case but has handled numerous child pornography cases in federal and state courts.

The recent motion reveals that the FBI has completed its preliminary forensic examination of Schock’s electronic devices, which were seized in the February 10 raid on his Charlottesville home that coincided with his arrest. He is alleged to have “possessed child pornography and to have had explicit contact of a sexual nature with a 15-year-old female through means of a computer webcam,” the motion reads, noting that there is no evidence at this time to suggest that Schock has had inappropriate contact with a minor in the City of Charlottesville.

Schock’s attorney, J. Lloyd Snook, acknowledged in a mid-February hearing that the there is evidence that “if connected up, would tend to establish Mr. Schock’s guilt” on the state charges. Snook did not return C-VILLE’s call for comment on the new charge. Assistant Commonwealth’s Attorney Joe Platania, who filed the motion, declined specific comment, calling the “entire situation so sad for so many in this community.”

Heilberg said the change in venue means Schock will likely be transferred from the Albemarle Charlottesville Regional Jail, where he has been held without bond since his arrest, to a jail closer to the Eastern District courthouse in Alexandria. His trial will likely be scheduled rapidly, said Heilberg, noting the Eastern District is often referred to as the “rocket docket” and has a reputation as the fastest federal court in the country.

The motion to drop state charges will be heard in Juvenile and Domestic Court on Wednesday, March 12.

 

Categories
Arts

Charlottesville cinematographer Todd Free’s near miss with the Oscars

Charlottesville was closer to being represented at last Sunday’s Academy Awards than a lot of people realize.

While Darlene Love of 20 Feet From Stardom sang during the acceptance speech for the Best Documentary Feature Oscar, local cinematographer Todd Free watched from his couch on Belmont Avenue and thought, “I could have been there.”

Free was cinematographer, film editor, and co-producer of Murph: The Protector, a documentary about Navy Seal Lieutenant Michael Murphy who was killed in action in Afghanistan in 2005 and given the Medal of Honor posthumously in 2007. The film, written and directed by one-time Charlottesville resident Scott Mactavish and now available in select stores, was considered by the Academy for four Oscar nominations: Best Documentary Feature, Best Film Editing, Best Original Score, and Best Original Song.

To get on the list for Oscar consideration, a movie has to be released and advertised in certain key markets, particularly New York and Los Angeles, and recommended by an Academy member. Murph was Free’s first film to enjoy a national release—it appeared in 180 Regal cinemas across the country. Two notable reviews—one rather indifferent by The New York Times, another very positive from the Washington Post—also gave the movie some momentum. By the time the doc became available to the masses on DVD and digital download, it had enough notoriety to earn the top spot on iTunes’ download list of documentaries for more than three weeks. It spent several days in the top 10 most downloaded movies for any genre and settled into the top 20 for a full week.

“It’s hard to tell how close it actually was to being nominated for an Oscar,” Free said. “But it is unheard of for a documentary to be in the top 20 films on iTunes, including blockbuster films, for an entire week.”

Free said his eventual association with Murph was set in motion in 2003 when Mactavish was part of the Charlottesville film scene, a scene that “had about seven people in it,” Free said. The two filmmakers worked together on a documentary about breast cancer, became friends, and stayed in touch. After Mactavish moved to Virginia Beach in 2011, he contacted Free about collaborating again, this time on the movie he wanted to make about Murphy. Mactavish, a veteran of the U.S. Navy himself, said he wanted to celebrate the life of someone he considered an American hero.

Murph is my third ‘fallen hero’ film,” Mactavish said. “The first was God and Country, about fallen Marine Brad Arms from Charlottesville. If it were up to me, I’d produce a film on every fallen man and woman that gave their lives for our freedom.”

The instinct to do a movie about Murphy was a good one. The popularity of Murph has largely come from the strong support military movies get in certain parts of the country, Free said, as well as people’s respect for the Naval officer himself. As the WAPO reviewer put it, “by celebrating an actual American hero, Murph reminds audiences that bells and whistles, budgets and effects aren’t necessary so long as filmmakers have human stories of bravery and valor to tell.”

Free, to a certain extent, downplays his work on the movie. He spent several years in Los Angeles working on his craft from 2007 to 2010, and he has multiple shooting credits on his resume. He’s done notable camera work on the horror films House Hunting and The Watermen with Jason Mewes. Where those films involve dynamic camera angles and quick cuts, according to Free, Murph consists of testimony from Murphy’s friends and family along with footage of Navy Seal exploits. Free said the shooting and editing for the film was simpler than what he does on more action-intensive movies.

“It’s not really what I would point to as the best example of my work as a cinematographer, but we did do something riskier with the editing,” Free said. “We really just let our subjects talk, and through their testimony, we get to know them, and through them, we get to know the life of a man who would be awarded the Medal of Honor. They don’t give those medals out to just anyone.”

Free doesn’t downplay the effect Murph had on him personally. He became engrossed in the storyline—regular guy from the block devotes his life to helping people and makes the ultimate sacrifice on the battlefield—and was inspired to create something of his own that might help others. The result was Free’s latest project, The Interactive Pixel Company, which looks to help non-profits and small businesses push their message out through advertising and web development. He draws on his background in film to create engaging videos for his clients where he can.

“I wanted to use my talents to sell something other than T.V.s and cars,” Free said. “I wanted to work with companies that are dedicated to helping other people.” So far, those companies have included Charlottesville’s Loaves and Fishes Food Pantry, the Music Resource Center, and Camp Holiday Trails, a camp for children with special health needs.

Looking back on the start of his career as a filmmaker, Free considers how much he’s changed over the years. When he was living in Rhode Island and studying documentary filmmaking in 2002, he remembers thinking that being able to attend the Oscars someday would be a kind of validation for getting into the field. It would be a symbol, a benchmark. And it also looked like a pretty cool event.

“It kind of goes against my idea of wanting to help others with film,” he said. “Maybe I have evolved a little bit. But to me, it is a celebration of people that have worked at the highest levels of filmmaking.”

There’s always next year.

Categories
News

Education Beat: City to take input on school start times and other local school news

Our Education Beat coverage appears thanks to a partnership with Charlottesville Tomorrow.

The Charlottesville School Board last week considered changing school start times for the 2014-15 school year so the elementary school day would begin before the middle school day. Under the proposal, students in grades pre-K through four would start school at 7:50am, rather than at 8:30am, and fifth through eighth grades would start at 8:20am instead of 7:40am.

The thinking behind the switch, Assistant Superintendent James Henderson said, stems from community feedback, increased traffic in the city, and research that shows that adolescents benefit from the additional sleep that a later school start time allows. In Albemarle County, grades six through 12 have long started classes around 9am, the time that Charlottesville High School begins each day.

Adjusting start times, however, would also shift bus pick-up times, which worried some. Board member Leah Puryear questioned the division’s youngest students standing at bus stops for what could be a 7:05am pick-up.

Board member Colette Blount said the change could create financial hardship for parents who might have to leave work early to be home with younger children. “We should do nothing in our decision making that would then go outside of our boundaries and change a household’s finances that way,” Blount said.

The board will take additional input at the March 24 town hall meeting at Charlottesville High School.

Charlottesville considers weighted electives

At the request of Charlottesville High School Principal Jill Dahl, the Charlottesville School Board last week considered weighting eight courses that currently do not provide students with the opportunity to earn honors-level credit. In addition to parent, student, and teacher feedback, the rationale for the proposal, Dahl said, was that the courses’ difficulty exceeded the current level of credit the division’s point system assigns them. “Some of our elective classes are quite rigorous and require time outside of school, and some they have to audition for, so it’s not easy,” Dahl said.

The courses under consideration include: orchestra string ensemble, wind ensemble, C-Ville Players III, technical theater III, Charlottesville Singers, commercial photography II, studio art, and economics and personal finance.

Additionally, Dahl said, many gifted students “shy away” from unweighted electives because they don’t contribute as much to grade point averages. A grade of ‘A’ in an unweighted course earns four quality points under the current system. If adopted, the same grade in a weighted course would earn 4.5 quality points.

“This is absolutely the right thing to do,” Board member Ned Michie said, echoing Dahl’s message that the lack of weighting has discouraged some students from taking arts classes.  “We think the fine arts are very important in our city and school system, and I think it makes great sense.”

The board requested more information about how the state-mandated economics and personal finance course could be made challenging enough to warrant honors-level credit. A decision on all of the courses will be made at a future meeting.

Supes’ tax rate could lessen schools’ budget gap

The Albemarle County Board of Supervisors last week voted to advertise a tax rate of 80.8 cents per $100 of assessed real estate value. This is 2.5 cents more than County Executive Tom Foley originally proposed, and is 4.2 cents higher than the current rate of 76.6 cents. If adopted, revenues from the tax hike would deliver as much as $3.4 million to the schools, which are currently facing a $5.8 million funding gap. The schools would then face a $2.4 million shortfall.

Within the 2.5 cents, 1.8 cents is dedicated to the schools, and 0.7 cents is set to be split using the county’s funding formula that divides revenue between the schools, local government, and the capital improvement budget.

With the rate advertised, the supervisors can lower the tax rate before adopting the budget, but cannot increase it. On Tuesday, April 8, the supervisors will hold a public hearing on the proposed tax rate and the proposed budget. Additionally, the supervisors will be hosting numerous town hall meetings before they adopt a final budget on April 15. The next budget work session is on March 12.

Lisa King.

MEET YOUR EDUCATOR

Lisa King, 5th Grade Teacher, Hollymead Elementary School

What’s the most common misconception about your job?

I am not just a teacher to my students, they become my children. Our class community becomes a family.

Where do you see the teaching field in five years?

I see education moving away from multiple choice, standardized testing and engaging students in more authentic learning. We are already using project-based learning to prepare them for the real world. I also see computer programing becoming a mainstay of education curriculum.

What outside experience prepared you best to become a teacher?

I realized at an early age that I wanted to be a lifelong learner and knew I wanted to instill that in others.

Categories
Living

The scene: Mardi Gras at Fellini’s

See and be seen! We’re sending a photographer to the hottest scenes in Charlottesville for an up-close-and-personal look at what—and who—is going on around town. Know of a photo-worthy event coming up? E-mail writer@c-ville.com.  Despite the chilly weather on Fat Tuesday, there was a fun and festive crowd at Fellini’s #9 celebrating Mardi Gras. The atmosphere inside was lively with bar goers decked head to toe in feathers, beads, and masks, and a lively Zydeco band kept the crowd going all night.

1 Ken and Lauri

Ken and Lauri

Ken played trumpet in the first band of the evening, Jazz Rascals, a dixieland jazz band who plays 1920s style jazz music.

 

2 Katie

Katie

Katie has recently moved up to Charlottesville from Louisiana where Mardi Gras obviously has a huge celebration. She was excited to find the only bar downtown celebrating the holiday. 
3 Jerry

Jerry

Jerry comes to Fellini’s every year for Mardi Gras. He loves Jolie Fille because it reminds him of the Cajun music on Frenchman Street in New Orleans.
4 Lauren and Fredo

Lauren and Fredo

Lauren and Fredo had their first date three years ago at the Mardi Gras party at Fellini’s. They come back every year to celebrate the occasion.
5 Jackie

Jackie

Jackie (left) owns Fellini’s. Along with Saint Patrick’s Day, Mardi Gras is one of their biggest themed party of the year.
Categories
Uncategorized

What’s happening in Charlottesville and Albemarle the week of March 10?

Each week, the news team compiles upcoming meetings and events in Charlottesville and Albemarle we think you should know about. Consider it a look into our datebook, and be sure to share newsworthy happenings in the comments section.

  • The Charlottesville Planning Commission meets from 5:30-11pm Tuesday, March 11 in Council Chambers at City Hall. The meeting will be preceded by a gathering 4:30-5:30pm in the Neighborhood Development Services conference room. The meeting agenda includes a joint public hearing on plans for pending Community Development Block Grant and HOME funds from the Department of Housing and Urban Development. City of Charlottesville will receive about $400,000 for Housing and Community Development needs and $66,000 in HOME funds for affordable housing from HUD.
  • Two Albemarle County Board of Supervisors members will hold community meetings Tuesday to discuss the budget. Board Chair and Scottsville rep Jane Dittmar hosts one from 6:30-8:30pm at Stone-Robinson Elementary, and Diantha McKeel, who represents Jouett, holds hers from 7:30-8:30pm at Jack Jouett Middle School.
  • The Albemarle County Board of Supervisors holds a budget work session from 3-5:30pm  and a meeting from 6-8pm Wednesday in Lane Auditorium at the County Office Building on McIntire Road. The agenda for the meeting includes two zoning and signage proposals and a Comprehensive Plan update.
  • The PLACE Design Task Force meets at noon Thursday in the Neighborhood Development Services conference room at City Hall.
  • The Charlottesville City Council holds a budget work session from 5-7pm Thursday at CitySpace on the Downtown Mall.

 

 

Categories
Abode Magazines

Same old one-story?: How to bring a 1950s rancher into this century

We asked Weston Construction’s Todd Buck to choose a home currently for sale and make some recommendations on the best way to update it. He found one off Rio Road worthy of a second look.

2317 Greenbrier Dr.

$268,900

MLS# 517391

There’s a lot of potential in this 1950s brick rancher. A well cared for home in the city, it has a level backyard, a sunroom that leads to a paved driveway, and it’s within walking distance of Greenbrier Elementary. But it’s had one owner since it was built in 1959, necessitating some updates to bring it from “Leave it to Beaver” to “Modern Family.”

Typical of many homes this age, the rooms are small and choppy, the kitchen and baths need updating, and there is a dry, unfinished room in the basement that could become a family room.

First, I would open the kitchen to that living room area at the right side of the fireplace and open the entry hall to the living room. This will open the flow to a more modern style of living. This would require removing some walls and putting in some beams, which should run $8,000-12,000.

17Greenbrier-
Buck would modernize the space by opening the kitchen to the living room at the right side of the fireplace. Photo: Christian Hommel

Next up is the kitchen, a big space with original cabinets and appliances and vinyl composite tile flooring. Now that it is open to the living room, I would install hardwood floors throughout, custom cabinetry, and new appliances. This could be done modestly for around $37,000-45,000. The kitchen will also have to be repainted and have wallpaper removed, which should run about $8,000-10,000.

8Greenbrier-
Photo: Christian Hommel

The home’s two bathrooms are fairly small and also in need of an update. I would re-tile the floors, upgrade to low-flow toilets, and put in small vanities instead of wall-hung sinks for $12,000-16,000.

If it’s in the budget, a new shower in the master bathroom and a new tiled tub shower in the hall bath would be nice, putting the total project cost at $73,000-93,000.

The basement, sunroom, landscaping, and other exterior improvements would continue to up the value of the home, but this is a good start to bring the Cleavers into 2014.

Categories
Abode Magazines

Mix and match: An all-new kitchen (with the same old cabinets)

Usually, when tackling a kitchen renovation, homeowners and contractors assume that the first step is to gut the old kitchen. But not always. Last year, Todd Buck and his team at Weston Construction completed a kitchen redo that left nearly all the existing cabinetry in place—and yet completely updated the space.

The house, built in 2005 in a then-new Albemarle development, is traditional in its detailing and owned by a local interior designer who had been heavily involved in choosing all its original finishes. Yet she wasn’t satisfied with the kitchen. Budget constraints had dictated ho-hum laminate countertops, and the layout on one side seemed choppy. A pantry on the corner was a closed-off space with standard wire shelves—functional but uninspired.

unnamed-1
BEFORE

Buck and his team, working closely with the client, devised a plan that ups the kitchen’s elegance factor by a mile. And it wasn’t even necessary to change out the original cherry cabinetry—though some of it did get replaced with open white shelving, all the better to display ceramics, rustic cutting boards and other beautiful objects. “The idea was (to stay within the budget) we’d mix and match,” said Buck.

The laminates gave way to black soapstone, offset by grey-white marble backsplashes and a white granite countertop on the center island. The desktop now extends around the corner and becomes a shallow countertop inside the pantry—which lost its door and gained custom shelving built by Bill Marks of Marks Construction. Potatoes nestle in their own basket and the spice rack is custom-sized.

Over the stovetop, a new white vent hood is clean and bright, yet rather monumental, and echoes the fireplace on the opposite end of the great room. A farmhouse sink completes the look.

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Open shelving above the desk area displays the homeowner’s collection of vintage wares. Photo: Andrea Hubbell

The project also included a total redo of the laundry room, which Buck calls his favorite part of the job. “It’s like a ship,” he said—many functional parts cleverly squeezed into a small space. A utility sink, stacked washer and dryer, fold-down drying rack, and a surprising amount of shelving all find their places here.

Buck said his team accomplished the renovation with very few specs and an ever-evolving plan as his client homed in on the look she wanted. “That’s not something I do very frequently,” he said, “but I knew there was enough of a vision that we could figure it out.”