Categories
Arts

Multimedia exhibit brings the forest to Ruffin Gallery

What does it mean to digitally broadcast the ‘experience’ of a tree? Is satire inherent in such an act?” These are just a couple of the questions that Charlottesville-based artist Peter Traub hopes you’ll contemplate while viewing “WoodEar” at UVA’s Ruffin Gallery.

The exhibit is a recent collaboration between composer and multimedia artist Traub; dance artist, choreographer, and lecturer Katie Schetlick; and visual artist Jennifer Lauren Smith, who works in video, photography, and performance. Originally commissioned in 2012, the project received National Endowment for the Arts funding for its premiere at the Pace Digital Gallery and was also exhibited at The Bridge PAI earlier this year. The current installation was funded by the UVA Arts Council, and Traub assured that “this is the largest version of ‘WoodEar’ to date and has been significantly expanded and revised.”

Incorporating video, sound, graphics, and photographs, “WoodEar” centers on real-time influences collected from a single, living tupelo tree. Discussing the project’s origins, Traub notes that “we are surrounded by networked devices, but our default mode is to think of them as a means toward greater productivity, economic advantage, and interconnectedness.” Sensors and an Arduino controller on the tree collect and stream real-time data about environmental changes—including light, temperature, and humidity—to a computer, where it can be combined with a live audio feed from micro-
phones also on the tree.

Traub agreed that this might be slightly intimidating for an art gallery exhibit. “I see one of my jobs as an electronic artist as being able to communicate in such a way that people who are new to it can feel that it is not beyond their capability to appreciate or understand,” he said. “At both Pace and The Bridge I met a number of people who didn’t quite know what to make of it at first, but were very interested and really wanted to know more—how it works, why I did it, where the art or composition is in the piece.”

The result is an immersive gallery installation that evolves in real-time to present multiple perspectives of digital and natural networks, drawing parallels between human and arboreal forms. “I wanted this show to be all about visual and sonic markers of summer. The sound recordings include a lot of birds, lawn mowers, crickets, cicadas, and other summer wildlife,” said Traub. Dance is fused with the project through “spritewood,” a video projection in which Schetlick’s motions are portrayed in a series of still photographs shot from fifteen feet in the air. Projected onto raw wood, Schetlick appears to be engrained in the wood itself. According to Smith, “From the outset, [Schetlick] focused on honest relationships between the human body and that of the tree, for instance, considering the changing shapes of a tree’s shade as stimuli for a dancer’s movement.”

A live dance performance with Schetlick and other dancers will be held during the opening reception for “WoodEar” on August 29 from 5:30-7:30pm in Ruffin Gallery. The opening provides an opportunity to meet the artists, but Traub also recommended that “if you can manage more visits to the piece over the course of the show, you should see it in different states. A warm sunny day will look and sound different from a cold overcast one.” The exhibit is on display through October 3.

Categories
News

Digging in: Inside Nelson residents’ fight to stop Dominion’s pipeline through the Blue Ridge

Dominion’s pipeline faces a tough battle in central Virginia, where the threat of eminent domain has sparked fury among residents.

Categories
Living

Froyo owner preps Korean BBQ spot Zzaam! for September opening

It’s been eight months since Arch’s Frozen Yogurt on Emmet Street closed up shop. Now, the owner of another yogurt company is gearing up to reopen the space, but the cups of ice cream, cookie dough bites, and whipped cream will be replaced with noodle bowls, Chinese broccoli, and kimchi. Owner Derek Cha, founder of SweetFrog frozen yogurt, said Zzaam!, the area’s first authentic Korean restaurant “with a Mexican twist,” will open its doors in early September.

Zzaam! will serve up freshly grilled meats and tofu cooked in traditional Korean marinades, and guests will build their own meals, Chipotle-style. Cha and his team have completely revamped the shop’s interior, replacing the brightly-colored walls and chalkboard menus with softer, more neutral tones and stonework. Leaning against one of the 10 downstairs tables last week was a stack of glass panels still packaged in plastic wrap, which will soon be installed around the serving line and inevitably covered in smudges from customers peering and pointing at the dozens of options.

“I’ve always been fascinated by Chipotle’s business model. It’s been working great, and Korean food lends itself really well to that model,” Cha said. “Charlottesville is into new, fresh concepts, and quick-serve healthy food with a lot of taste. It’s the perfect market to start this.” 

The menu and the concept are pretty simple. Choose either a rice bowl, a noodle bowl, a platter, a lettuce wrap, three tacos, or the “zzaamburger.” Pick either local chicken, local pork, pork belly, beef, or tofu, then move on down the line to start piling on the toppings. For the $7.95 cost of a meal you get up to seven toppings ($0.50 each for any extras), which include sauteed mushrooms, green peppers, bell peppers, carrots, strips of cooked egg, zucchini, peanuts, crispy onions, kale, potatoes, bean sprouts, and fermented daikon, a southeast Asian root vegetable. Once your bowl or tortillas are loaded up with all the vegetables you can handle, top it all off with one of eight sauces, including classic ginger dressing, spicy teriyaki, sriracha mayo, and a tangy Korean taco sauce.

“People want to make their own creation,” Cha said. “They don’t want just the same hamburger anymore. They want to customize it, and be able to pick and choose.”

For little appetites, a kids’ menu will feature the same bowls in smaller portions for $5, which includes a drink. If the build-your-own Korean creation concept doesn’t strike your fancy, head on upstairs for a plate of Korean wings, edamame, or grilled chicken skewers, with a tall local brew. The second floor room, with two accessible patios and plenty of wall space for giant TVs, is the perfect spot for a bar, Cha said.

The bar will feature 20 beers on tap, bottled imports, and local wines. You won’t find any whiskey or vodka on the menu, but if you have a hankering for a mixed drink with your Korean grub, the barkeeps will have sake on hand to serve hot, cold, and in specialty cocktails. When the weather allows, chefs will also set up shop on the upstairs patios, grilling marinated meats and veggies on skewers in traditional Korean barbecue fashion. For those of you staying inside, expect local sports and “K-pop” (Korean pop music) as the entertainment of choice.

Cha spent the first 12 years of his life in Korea, and moved to the U.S. with his family in 1977. After moving around for several years, he ended up in Virginia in 2008. When the economy took a dive, he said he took note of the growing popularity of serve-yourself frozen yogurt shops, and in 2009 he launched SweetFrog. The Richmond-based froyo empire with the name that stands for “Fully Rely On God” has grown to more than 300 locations, and according to a report by Inc. 500, is the 22nd fastest-growing private company in the country this year. Cha and his business partner Sam Gang—who’s also a chef at Zzaam! and a Korea native—opened Sushi Box, a small Japanese restaurant in Richmond, in 2012, and sold it a few weeks ago. 

Cha didn’t mention franchising Zzaam! any time soon, but he’s already brainstorming other ways to expose Charlottesville to authentic Korean food, like a street food festival. Noodle bowls and skewers don’t even scratch the surface when it comes to his native cuisine, Cha said, and street fare like japchae, a traditional stir-fried dish with sweet potato noodles and vegetables, is a quintessential piece of Korean culture that you can’t find anywhere around here.

If you don’t want to brave the mobs of UVA students on Emmet Street, keep an eye out for the Zzaam! food truck. It serves up a pared-down version of the restaurant’s menu (bowls, tacos, and sliders), and has been making its way back and forth between Charlottes-ville and Richmond since April. 

Categories
Arts

ARTS Pick: Sensations’ Fix

For more than three decades, the obscure Italian band Sensations’ Fix has been pleasing audiences with its energetic brand of progressive electronic rock. Success lies in the group’s original mix of genres, blending shrill electric chords with a psychedelic rhythm in a unique sound entirely its own. Not only does SF stand the test of time, it still comes off as futuristic.

Thursday 8/28. $10, 8pm. Main Street Annex, 219 Water St. 817-2400.

Categories
News

Of goggles and guns: Discrepancies found in feds’ records of locally acquired combat gear

What kind of combat weapons do my local cops have?

That’s what people around the country have been asking as images and videos of a heavily armed police force responding to protests and riots over the shooting of unarmed teen Michael Brown in Ferguson, Missouri over the last two weeks sparked criticism of the militarization of law enforcement agencies. 

Agencies in Charlottesville and Albemarle have quite a few hand-me-downs from the Department of Defense: a total of 146 military assault rifles, a number of military pistols and shotguns, 40 sets of night vision goggles, and an armored truck. But despite the fact that local officials say the items are carefully counted in regular audits, the federal agency that disbursed the equipment was unable to explain discrepancies in their records when it came to where the combat gear ended up.

In Virginia, local law enforcement agencies can apply for free surplus military equipment through an arm of the DOD called the Defense Logistics Agency (DLA). The 1033 Program, as it’s known, is administered by the Virginia State Police and gives local departments access to “vehicles, weapons, computer equipment, body armor, fingerprint equipment, night vision equipment, radios and televisions, tents and sleeping bags, photographic equipment, various clothing items, and more.”

A document released late last week by the DLA in response to a flurry of Freedom of Information Act requests by reporters across the Commonwealth shows all the equipment disbursed in Virginia by municipality since 2006. Aggregating the data by city and county and not listing individual agencies was “a matter of security,” according to DLA spokeswoman Mimi Schirmacher.

But the DLA’s numbers don’t square with local law enforcement reports.

The DLA’s records show agencies in the city of Charlottesville have acquired 40 sets of night vision equipment, 134 5.56 millimeter automatic rifles, 12 7.6 millimeter automatic rifles, nine pistols, 11 shotguns, and an armored truck. 

But Charlottesville Police Captain Gary Pleasants, who administers the 1033 program for the city police, said those numbers are wrong. His department does have 26 rifles—14 of them 5.56 millimeter, another dozen 7.6 millimeter—all of them modified to be semi-automatic. They also have all the reported pistols and shotguns. They gave the armored truck to Albemarle “years ago,” Pleasants said. 

Albemarle is listed in the DLA document as having just two assault rifles. In fact, said Albemarle Police spokeswoman Carter Johnson, the department there has 103 of them—and they ended up with the night vision goggles, too. Scottsville Police Chief Robert Layman said his tiny department has two rifles. Albemarle Sheriff Chip Harding said his office has five, and another 12 are in the hands of the UVA Police Department, according to Lt. Melissa Fielding there. 

Schirmacher said the DLA was looking into why guns and other equipment it says went to Charlottesville were sent to four other agencies in another municipality.

Local officials said that the DLA requires them to conduct meticulous and regular audits of all surplus military equipment they’ve received, including taking photos of the serial numbers of guns. But agencies approach the use of the weapons differently.

Pleasants said city police have never fired the guns acquired from the feds outside of training. 

“These are items we hopefully never need to use,” Pleasants said of the 46 military weapons the department owns, “but if we need them, they’re invaluable.” He said the use of automatic weapons in bank robberies and school shootings led to a sense that police needed to have access to the same kind of firepower. A standard-issue handgun is “not very good in a long hall of a school, if need be,” he said.

“We have tight controls on them,” Pleasants said of the military weapons. “They’re not everyday equipment that someone carries around with them. They have special purposes, and there are policies and procedures for them.” 

UVA’s Lieutenant Fielding said each of her department’s weapons is assigned to a specific officer who gets a pre-screening and is provided with ongoing training and performance reviews.

Albemarle County Sheriff Chip Harding keeps his office’s five fully automatic assault rifles locked in a safe, and his deputies have never trained with them.

“I haven’t even taken them out and shot them,” he said. “I got them because I thought they’d be a good thing to have if the grid goes down and chaos ensues.” 

Harding said he’s actually considering giving them back to the government because regularly documenting them for the DLA has become a hassle. “They wear us out,” he said.

 

 

Categories
Arts

ARTS Pick: Justin Moore

It’s no surprise that the die-hard fans of classic country crave the music of Justin Moore. He gives them exactly what they want—a heavy dose of guitar twangin’, buckle shinin’, boot hitchin’ good ol’ boy culture. By refusing to water down his sound, Moore holds steadfast to tradition, focusing his lyrics on the themes and the instrumentation that built the genre.

Thursday 8/28. $36-56, 6pm. nTelos Pavilion, 700 E. Main St. Downtown Mall. 877-CPAV-TIX.

Categories
Living

Farmers prepare for Meet Yer Eats Farm Tour, and other food and drink news

Farm fun

Charlottesville City Market is a Saturday morning tradition as throngs of locals flood the Water Street parking lot downtown to peruse meats, fruits, veggies and more. On Labor Day, Monday, September 1, those crowds have the chance to see where those yummy local treats come from and meet the folks who grow them. The annual Meet Yer Eats Farm Tour opens 12 local farms to visitors for a $15 day pass. The variety of participating farms means a wide range of products, according to event organizer Nan Janney, program director of Market Central, the organization that supports City Market. In addition to more traditional meat and veggie fare, there will be mushrooms and medicinal herbs, beekeeping, weaving and spinning demos and several workshops. For tickets and a map of participating farms, visit meetyereats.wordpress.com or pick up info and tickets at City Market before the event.

Lettuce celebrate 

Festivals and public events can be tough for a vegetarian, what with the plethora of sliders, corn dogs, and chicken tenders, without a fresh vegetable or hunk of tofu anywhere in the vicinity. But on Saturday, September 27, veggie lovers will unite for the annual Charlottesville Vegetarian Festival. Located in Lee Park, the event will be supported by the Tofurky company and will include tons of food, live music, and cooking demos from local food enthusiasts. As of last week, organizers were still searching for volunteers to lead 45-minute demos, so if you’re interested in sharing your favorite meat-free dish with your fellow vegetarians, mark your calendar and visit the Charlottesville Vegetarian Festival’s Facebook page for more information. 

Food for thought 

Has everything we’ve ever learned about food and exercise been completely wrong? The makers of Fed Up, the “film the food industry doesn’t want you to see,” think so. UVA alum Katie Couric executive produced the documentary along with Laurie David, the producer of An Inconvenient Truth, and she’ll return to Charlottesville this fall to present a special screening of the film at the annual Virginia Film Festival. 

Fed Up, which premiered at the Sundance Film Festival in January of this year, addresses the epidemic of obesity in the U.S. through a combination of interviews with food and nutrition experts and firsthand accounts from overweight young people. The film focuses on sugar, calling it an addictive substance that’s present in more than 80 percent of American food products. It claims that “the government is subsidizing the obesity epidemic” by putting private profit over public health, which is at the root of “one of the great public health epidemics of our time.” It predicts that 95 percent of all Americans will be overweight or obese in two decades, and that one in three people will have diabetes by the year 2050.

The film festival will take place November 6-9, and a schedule will be announced on Tuesday, October 7. For more information about Fed Up visit www.fedupmovie.com.

We’re always keeping an eye out for the latest news on Charlottesville’s food and drink scene, so pick up a paper and check c-ville.com/living each week for the latest Small Bites. Have a scoop for Small Bites? E-mail us at bites@c-ville.com.

 

Categories
Arts

Teacher and artist Ryan Trott loosens up the creative process

The day after Labor Day, Ryan Trott will return to the classrooms and hallways where he teaches art to local elementary school students. Under his guidance, they’ll learn about masterworks and fine art techniques; he’ll lead them in exercises to spur imagination and develop creativity. And when asked how he spent his summer vacation, Trott will give them a glimpse into what it means to live life as an artist.

Whether snapping shots of colorful, abstract patterns to post to Instagram, recording a song and editing a music video, or making a drawing over a cup of coffee, Trott is an artist. He structures life to allow him to keep one foot in the creation of aesthetically engaging work and the other foot in the cultivation of artistic experimentation and playfulness. Which is to say, he makes great art and inspires other people to want to make great art.

With an undergraduate background in visual art and music production, Trott lived as a working artist and musician in New York City before pursuing his Master’s in Art Education at the City College of New York. “I realized I was really looking for a creatively fulfilling (semi-traditional) career,” he said. “I really connect to the young creative spirit and love working with children.” 

Landing in central Virginia post-graduation, Trott took a job at The Bridge Progressive Arts Initiative. Reflecting on the time spent working with executive director Matthew Slaats, Trott said, “He has so much faith in making realistic positive change in a community and using the arts in an open way.” Trott is also skilled at this type of inclusivity, encouraging others to participate in art, whether they’re his students, friends, or complete strangers.

Though The Bridge job came to an end when he was offered his current teaching position, Trott remains an active presence at the local arts nonprofit and recently started a new program there, titled Free Draw. Consider it a monthly invitation to let your creative quirks hang out while chatting with other doodlers, emerging artists, and folks who just like the smell of colored pencils.

“Free Draw came about as a way to keep an instructional art idea going in a more loose, open environment, with adult artists,” said Trott. “It connects to the idea that anyone can create art; the activities that we do are open and creatively encouraging and supportive.” The next Free Draw takes place on Thursday, August 28 at 7pm.

At the first Free Draw in July, the space was filled with tables, scrap paper and sketchbooks, and an array of crayons, markers, and pencils. A group of curious participants filled the room and took part in Trott’s creative ice breakers and collaborative drawing projects. “As an artist, I am very interested in supporting and encouraging the art of others as well as my own work,” said Trott. “I love setting up projects and seeing what people come up with. It is really just as much fun for me to write projects as it is to draw or paint right now.” Artistic talent an afterthought, the focus of Free Draw is on the creation of a welcoming and supportive environment for people to make art. 

Trott is also part of the second annual Community Supported Art (CSA) program through The Bridge. Modeled on farm-to-table CSAs (Community Supported Agriculture), the program provides subscribers with limited-edition works from each of the selected artists—six works of art in total—plus a chance to meet the artists.

For his part, Trott will design a limited-edition activity book with creative projects for adults or children to make with easy-to-find materials. One of Trott’s drawings will accompany each activity and he hopes the book will inspire others to create art. “The project connects to my belief that anyone can make art (and be an artist) in their daily life, and that the creative spirit is something that everyone should make an effort to exercise.”

In addition to Trott, the featured artists in this year’s CSA are Zoe Cohen, Warren Craghead, Lily Erb, Joy Meyer, and Michael Powell. Subscriptions include handmade mugs crafted by Cohen, among other works. Craghead is a mixed media artist who will assemble a book of drawings related to Charlottesville walking paths and The Bridge’s upcoming Walk the City project. Drawing on her experience as a printmaker and sculptor, Erb will produce steel sculptures exploring natural forms. An abstract painter, Meyer will produce paper-based paintings with embroidered accents. Powell is a digital artist and sculptor who will incorporate these skills in the creation of figurative models from digitally manipulated images.

Thirty CSA subscriptions will be available beginning September 1 at $400 each. The fee supports The Bridge and provides participating artists with a stipend to cover time and materials and provides a rare opportunity for the micro-financing of limited-edition artwork by local artists.

As the CSA launches and his Free Draw program takes off, Ryan Trott remains dedicated to his goal for the new school year, saying that “I want to keep pushing things further into interesting territory, showing the students that art is really all around us and can affect every part of life.”

What was the last art project you made? Tell us about it in the comments section below.

Categories
Living

New nanobrewery C’ville-ian holding the line at ideal Main Street location

The clock is ticking for C’Ville-ian Brewing Company. Business has been slower than expected during the summer months, and if things don’t turn around by the end of the year, owner Steve Gibbs said he’ll have to think hard about changing his model, looking for a buyer, or shutting down altogether.

According to Gibbs (no relation to this writer), Charlottesville’s newest brewery, located on the hottest part of West Main Street, has served about 4,500 customers in its first three months. Gibbs would like to do nearly that much business in a month. At the rate he’s going, he’s breaking even. He’s got big plans for when—or if—C’Ville-ian (pronounced like “civilian”) starts turning a profit.

“I wanted to build the beers, listen to feedback, fine-tune everything, and then go from there to distribution,” Gibbs said. “I didn’t want to distribute 500 gallons of mediocre beer. I want to distribute a fantastic 500 gallons of beer.”

Distribution seems a long way off at this point. Gibbs, who’s moved into beer making after 10-plus years in the U.S. Army, is mainly striving for drinkability. He launched his 42-gallon microbrewhouse in late April with a co-owner who he’s now in the process of buying out. According to Gibbs, the partners didn’t “see eye-to-eye,” and he’s been left financing the place with cash on hand from his deployments to Iraq.

Gibbs hopes his own passion for beer and dream of giving Charlottesville’s craft enthusiasts another great place to hang out will eventually win the war for profitability. C’Ville-ian’s atmosphere and space, with exposed bulb lighting hanging over a sleek bar and cozy couch, is likely its greatest asset, but the current battle against pricey real estate in the middle of town, the learning curve for a short-time homebrewer turning pro, and a handful of negative online reviews have begun to claim casualties.

The most embattled of C’Ville-ian’s brews has been its India pale ale (IPA). The first iteration of the ale, craft beer’s fastest growing style but one of Gibbs’ least favorite, took a lot of heat on Yelp and beer forums like Untappd. Some called it undrinkable. Others suggested there might be a contamination problem. Gibbs blames the beer’s failure on an error in scope.

“I was trying to meet other people’s expectations instead of my own,” he said. “The new IPA is malty and incredibly well balanced. It is not over-the-top hoppy. I’m not a hoppy type of guy.”

The new version of the JPA IPA, a big, 10.2% ABV double IPA, shows Gibbs is more or less on the right track. While it too has an off flavor that might be described as soapy, it’s indeed better than the first attempt. The brewery’s flagship beer, the Rugby Red, highlights another challenge Gibbs is working hard to overcome: carbonation.

“This is a nanobrewery, essentially a home brewery on steroids, and I’m still fooling around with different methods of carbonation,” Gibbs said. “Honestly, that has been one of the most difficult parts of it.”

The challenge, an “enormous” one that Gibbs said is far more important than he figured going in, is in part due to the temperature in C’Ville-ian’s fermentation tanks. Gibbs said he’s had trouble dialing it in, specifically keeping the temp at the outside of his tanks consistent with the inside, but he’s close to leaving the concern behind him.

The bright spot on the C’Ville-ian docket at the moment is the Cavalier Chocolate Stout. The carbonation level is more on par with what you’d expect from the style, and any off flavors are replaced by a subtle mix of chocolate and coffee notes. Brewed with oatmeal added to the malt bill, the beer is bigger than traditional dry stouts but lighter in weight than most American and imperial stouts.

The true test of Gibbs’ brewhouse will come this fall, when activity on West Main ticks up. And while Gibbs expects his location, C’Ville-ian’s laid back game-room feel, and Charlottesville’s taste for artisanal food and drink to drive sales, true growth will no doubt start with continued improvement of the booze. Those bad online reviews and negative buzz among the beer geek community have become landmines. Gibbs will have to sidestep them if he intends to make it through to 2015.

“I really listen to customer feedback,” he said. “If people don’t appreciate the particulars of a beer, why am I making it? If I like it and no one else does, it means it’s no good.”

Gibbs said he’s willing to look for help with his beer. If the financials would allow it, he’d hire a schooled brewmaster to take over the helm. He’s already enlisted assistance from fellow homebrewer John Jones, whose primary gig is at Fifth Season Gardening, Charlottesville’s leading homebrew supply store.

Whatever the changes to the existing or future beer list (expect a pumpkin porter and Belgian tripel to roll out soon), Gibbs thinks word of mouth will be his best defense against negative reviews. Facebook fans have been far more supportive than Yelpers, he said, and the “17-foot giants when they go home to their computers” aren’t representative of the crowds he talks to in his taproom.

“Ninety-eight percent of my customers come in and leave happy,” Gibbs said. “I’m not sure what’s going on with the Yelp thing, but I’m standing here day after day and people are having a good time.”

Categories
Living

Local barkeeps share their favorite classic cocktail recipes

A wise man once wrote: “What has been is what will be, and what has been done is what will be done, and there is nothing new under the sun.”

And that’s not a bad thing, especially when it comes to drinks. The classic mixed drinks,  concocted in the American Golden Age of Cocktails (roughly 1830-1865, FYI), continue popping up again and again, mostly un-retouched, in serious bars. There is a reason for this: a classic cocktail, in the hands of a skilled barman, can be a transcendent experience. 

For me, a well-made Sazerac trumps any modern, foam-laden, or liquid nitrogen-enhanced beverage. As time changes and as the world turns, barmankind pendulously returns to the classics: the old fashioned, the Manhattan, the martini, the julep, et al.

Every barkeep worth his salt can craft these drinks with a trusted recipe and probably has an opinion about them to boot. I asked some of my municipal colleagues of the craft to share a little about the drinks that inspire their work, and their preferred method of building them.

Christian Johnston, Blue Light Grill

Favorite classic: Corpse Reviver #2

When I was working for Chef Justin Hershey at Zinc, he banged an ideology into my head that has stuck with me since: simplicity is beauty. Anytime I put a cocktail together in my head with more than four or five ingredients, nine times out of 10, I’m overthinking it. To me that’s the beauty of the Corpse Reviver #2; it’s an extremely simple cocktail that is easy to make and even easier to mess up. It falls under a class of hair of the dog cocktails: a wonderful blend of booze, citrus and botanicals can be enjoyed at any time of the day. 

Recipe:
 1oz Plymouth gin
 1oz Lillet Blanc
 1oz Cointreau
 5oz fresh lemon juice
 Absinthe rinse

My go-to gin is Plymouth, and for absinthe I like Kubler. Combine all ingredients, except absinthe, in a cocktail shaker, add ice, and shake well for about 10 seconds. Rinse a martini glass with absinthe. Strain the cocktail through a tea strainer to remove fruit pulp and ice shards into the rinsed glass, serve with a twist of lemon and enjoy.

Leah Peeks, The Whiskey Jar

Favorite classic: The old fashioned

The old fashioned is the oldest of the old-school cocktails. The first published definition of a “cocktail” recipe in the early 1800’s called for a “stimulating” drink made of a base spirit with sugar, water, and bitters. Drink-makers took that general idea for a cocktail and got weird with it, adding any delicious ingredient they could get their hands on. It got so weird that a Chicago Tribune article in 1882 discussed the virtues of the “old fashioned” cocktails of just spirit, sugar, water, and bitters, because by that time cocktail making had expanded to such a degree that adhering to the original definition of the drink was decidedly “old fashioned”. 

I make my old fashioned in the spirit of the original cocktail, with the addition of orange peel. Orange oil and bourbon were made for each other, and the orange fills out the drink in such a nice way that I can only imagine the earliest cocktail makers would have also insisted upon it if citrus fruits hadn’t been a luxury item in the 1800s. 

Recipe:
 orange peel
 2 oz good bourbon, like Buffalo Trace
 1/2 oz simple syrup
 2 dashes Regan’s Orange Bitters #6
 2 dashes Woodford Reserve Bourbon
 barrel-aged spiced cherry bitters
(Angostura works in a pinch for both)

Gently muddle about two inches of orange peel (with as little white pith as possible) into the bottom of a rocks glass. Add the rest of the ingredients, ice, and stir with a bar spoon. Enjoy.

Matt Pawlina, Commonwealth Restaurant/Skybar

Favorite classic: The Vieux Carre

New Orleans has given the world amazing art, music, culture, cuisine, and most importantly, good cocktails. During the early, French years of the Crescent City, Cognac was the prevalent spirit, and later came rye whiskey. In true New Orleans fashion, all things are combined and blended together to make a new, bold, fun, powerful, smooth creation. In this case, Cognac and rye birthed the Vieux Carre. The essence and meaning of this cocktail completely changed for me after I was privileged enough to enjoy a Vieux Carre at the bar where it was created. I was in New Orleans for Tales of the Cocktail in 2013, and found myself in majestic lobby of The Hotel Monteleone. I took a right, and there it was….The Carousel Bar and Lounge. As soon as I sat down, I was greeted with hospitality you must experience for yourself to truly understand. The bartender took one look at me and said “I got just the thing for you hunny.” There it was, without having to ask, The Vieux Carre. As the bar slowly rotated, I understood that this cocktail was truly a representation of all that is good in the world. 

Recipe:
 .75 oz rye whiskey
 .75 oz cognac
 .75 oz sweet vermouth
 1 bar spoon Bénédictine
 2 dashes Peychaud’s bitters
 2 dashes Angostura bitters

Combine all ingredients in a mixing glass with ice. Stir 20-30 times. Strain into an Old Fashioned glass filled with fresh ice. Garnish with lemon peel and a wink.