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Positive outlook for commercial real estate market

Predictions for the 2015 commercial real estate market are encouraging.  A recent report from Deloitte states, “In many ways, the commercial real estate (CRE) industry is on more solid footing than it has been for quite some time. The US economy continues to progress and investors are generally seeing robust performance across most property types and markets.”

Similarly, in his quarterly commercial real estate forecast, Lawrence Yun, Chief Economist for the National Association of Realtors, described a positive outlook for coming months stating that continued job growth would help sustain demand for commercial real estate activity.

Our local market reflects the national trend.  Agents report increased activity and decreasing vacancy rates, with some areas, such as downtown, being extremely tight.  They also hinted at deals in process, in some cases involving national companies, which, if all works as they expect, will soon be moving to our area.

The Charlottesville Commercial market

“The market is most definitely improving, “ said Bill Howard with Real Estate III Commercial Properties. He added that our area is attractive to new businesses coming in from elsewhere, such as a retail building materials company he is working with currently.

“The commercial market is steadily improving fueled by continuing low interest rates,” said The Property Buying Company.  He explained that in addition, investors who were holding on to their cash contributing to a stagnant market, are now much more willing to put their capital into commercial projects.

Downer described commercial activity during the recent down turn as a time when a lot of business owners were in contraction mode moving to smaller spaces.  However “now we are in more of a growth mode as people relocate, open second or better locations or add space at an existing location.  “This market feels better than it has for the last five to six years,” he said.

“The market has definitely picked up,” said Ed Brownfield with Brownfield Real Estate Advisors.  On a scale of one to ten, he puts the current market at 6.5.

“The commercial market has started to come back,” said Sara Schroeder with Real Estate III Commercial Properties, who appreciates that activity is picking up and her phone is ringing again.  She described Stonefield and Seminole Square on Route 29 as two active retail centers, and she echoed the view of many others when she said that “downtown is rocking!”

Where the Action Is

In our area, a big player in the commercial market recovery is the apartment market.  Brownfield said this is due in part to demand for student housing.  “This is attracting some big players from out of town,” he continued explaining that they like the apartment vacancy rates which can be as low as 5 percent and the continued availability of relatively inexpensive money.

Yun and others predict gradual declines in office vacancy rates this year, and we are seeing this trend also in our  area.“We saw robust activity in the downtown area in 2014,” said Bob Kahn with Bob Kahn Realty and Investment.  He added that ground zero for this growth was the downtown mall and radiated out from there.

Kahn described the suburban office market as “stabilizing,” adding that “sellers and buyers are sorting out the correct pricing post haste.”

Demand for office space in a particular area reflects in part the interests and needs of company owners and employees.  For example, Kahn said, “the younger demographic wants to be downtown to enjoy the experience of being in the central business district.”  Kahn described these people as being “allergic to the suburbs,” preferring camaraderie, ready access to restaurants and walking on the mall. On the other hand, suburban locations appeal to business owners who appreciate the easy access to parking and the lack of traffic to and from work.

Mason Graham with CBRE described the current commercial market as improving; definitely better in the last twelve months than in the previous year.  She described both downtown and Pantops as areas which are experiencing very low office vacancy rates, and added that while there is more vacancy on the 29N corridor there has been some progress there as well.

Retail business is also picking up. Kahn described it as “robust with lots of activity.”

Some of the more active areas are downtown, Barracks Road, Stonefield and Hollymead, Graham explained.  However, she and others expressed concern about the impact of the proposed  Rio Road, Route 29 overpass on both retail and office space activity in that area as buyers are nervous about how the construction will affect access to their business.

What’s New

With our active market there is a lot to look forward to as far as new businesses coming to or relocating within our area.

Construction has finally begun at 5th Street Station, which features Wegmans, the upscale, family-owned grocery store based in Rochester New York. Wegmans is known for treating its employees well, for its large selection of gluten free products and for generally providing high quality food at reasonable prices. Recently it was ranked number 1 out of 100 (unseating Amazon) when it was voted the firm with the best corporate reputation in an online Harris Poll that solicited opinions from over 27,000 respondents.

In the first phase of 5th Street Station, Wegmans will be joined by other major tenants that include Field and Stream, Dick’s Sporting Goods, which will be opening a second area location there, PetSmart and Panera Bread.  Not only will this center be a great asset to the south side’s growing population, but it may also help alleviate some of the traffic congestion on Route 29.  Look for a grand opening in the fall of 2016.

Another new project is a mixed use development at 10th and Market downtown.  Originally scheduled to be completed this year it was put on hold, but, according to Graham, is ready to start up again.  Plans call for a 7 story, 60,000 square foot building with 18,000 square feet devoted to Class A office space.

If you are facing outpatient surgery and want to know just how much your procedure will cost ahead of time, you might consider the new Monticello Community Surgery Center off of 29N on Seminole Lane. Prices for the different surgeries they perform are all posted on their website.

Located in what was once an antique mall, this 17,000 square foot facility has four operating suites (with the potential for expansion to as many as 11 more)  and a procedure room.  The plan is to have the entire Seminole Lane strip devoted to medical services, Howard explained. The remaining current tenants will be moving out as their leases were not renewed.

Another company, new to our immediate area, is Perrigo Nutritionals, a Dublin based company that makes infant formulas. After five years of doing business in Gordonsville, Perrigo recently moved from there to Peter Jefferson Place in Albemarle where company officials cited room for expansion and proximity to the Charlottesville Airport as some of the reasons for the relocation.

Government contractors continue to come to the Charlottesville area thanks to NGIC/DIA.  Downer described several transactions with these kinds of tenants in the last year who need a presence in the local market when they win a two to three year contract.

Research, biotechnology and IT are increasingly important in Charlottesville’s commercial market.  A good example is Hemoshear, which in 2014 moved into the former Cardwell Building on the site of the old Martha Jefferson Hospital.  Hemoshear describes itself as the “leading developer of human relevant systems for drug development and discovery.”  In January they announced a new multi-year collaboration with Pfizer to  “develop a predictive model for preclinical drug-induced vascular injury.”

Often technology and medical startups require light industrial space, as do many other types of businesses and these are somewhat limited, Downer explained.  He is working now with a retailer of exterior housing products such as siding, roofing and windows which requires 16,000 square feet and is looking at Avon extended.  Other active areas for this type of business include River Road and some near the airport.

Where Commercial Clients Come From

In the last several years we have seen a number of national companies open a new store or regional office in our area.  Some of these include Gander Mountain, Lane Bryant and Steinmart, while Wegmans and Costco are still under construction.

National companies like our area because of the convenient location and the natural beauty which makes it appealing to employees.  “It’s a great place to live and there is a lot going on,” Howard said.

Our area is also attractive to large employers because of the strong economy, thanks to the University and the many other large employers such as the hospitals, NGIC, GE and State Farm already located and operating here.

The positive outlook for the current market reflects continued interest from national companies as well as local concerns moving and expanding.  “I’m seeing an even mix of local companies and those coming from outside,” Downer said.  He added that while there is no demand at the moment for new construction in the suburban office market, he credits new companies moving into the area with putting a dent in the existing supply.

Graham is also working with a national franchise looking to come to Charlottesville, as well as with a local company that wants to relocate.

Commercial Finance

Money for commercial projects was very tight for some time during the recent financial crisis.  Also, economic uncertainty made investors wary about moving forward with new projects or expanding existing ones.

Today much of that has changed.  Money is more readily available, and interest rates continue at an all time low, but  the financial markets are different from what they were before the recession.  “The lenders got burned and so they made a course adjustment,” Downer said.  The attitude shifted from “how quickly can you do the deal to is it a good deal for the bank?”  He explained that in the old days he did not normally get involved with his clients’ financial background.  Now he does because part of protecting his clients is knowing up front if the deal will work.  “It’s not difficult, but it is different,” he continued.

“Today there is no problem with financing,” Howard said.  “There is lots of money and it is cheap.”  Clients deal with their banks, or if they are a smaller company they may get help from the Small Business Association, he explained.

Commercial real estate is one of the bigger drivers of our local economy. More businesses mean more opportunities for people to earn the income they need to support their lifestyle, their home and their schools. In other words, good news for investors in commercial real estate is good news for all of us.

Celeste Smucker is a writer, blogger and author who lives near Charlottesville.

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Magazines Real Estate

Built-ins add value

Built-ins—permanent installations of anything from shelving to bunk beds—can be space savers or space makers, adding convenience, value, and personality to a home. “Today’s buyers want homes that are open and uncluttered,” declares Kelly Ceppa, a REALTOR® associate with Charlottesville’s Nest Realty Group. “Built-ins can make a home look ‘finished’ or custom built.”

There’s no such thing as too much storage space, yet it’s easy to overlook clever places to add it. For instance, shelving as little as six inches deep can be installed going up a staircase wall or along one side of a long hallway to store books, artwork, and other items. A shelf running around a room about a foot below the ceiling can display collectibles or other seldom-used objects. Framing a doorway with shelves provides an interesting architectural feature and framing a window with shelves12-18 inches deep gives space for a window seat with storage space beneath.

Fireplaces offer another opportunity, since the hearth usually extends a foot or more into a room. Adding shelving or media installations to the same distance from the wall can be very effective.

The most common built-ins are shelving and cabinets. “Custom cabinetry is always a positive asset for a home because it allows more storage with less clutter,” Ceppa observes. “For example, walk-in closets with built-in cabinetry can eliminate the need for dressers in the bedroom.” In any room, but especially in kitchens or laundries, deep corner cabinets can be made more efficient with lazy susans.

Today’s well-balanced pull-down beds can also save space. They are easy to use and when closed can present plain wall panels or well-mounted artwork. Bunk beds are another bedroom space saver. Layouts could include generous drawers under the lower bunk or have the parts of the bunks overlap to provide floor-level space for desks or toy storage.

A home entertainment center is another great place for built-ins. Big screens and related equipment can be concealed behind doors or panels which, when closed, hold artwork such as paintings, posters, or prints. Some panels can even be motorized.

A dining room classic is a corner cupboard. Unfinished corner cupboards—ready to paint or stain—are available in a wide range of open shelves, glass-doored shelving and cupboards. In the kitchen or dining area, built-in banquettes eliminate the need for chairs. The area beneath the seating is perfect for large, infrequently used items that can be reached under a hinged seat or from the end of the banquette through a small door.

Entryway built-ins are wonderful. Ideally, each family member can have a floor-to-ceiling “cubbie” with space below for boots and shoes, hooks for jackets and packs, shelves for hats and other items, and perhaps a small compartment for mustn’t-forget items like car keys, school permission slips, or books due at the library. Open storage is best here, to give contents good air circulation.

Instead of using a crate, pet owners may create a built-in sleeping area for a dog in a laundry or family room, perhaps under a table, window seat or cupboard. On the other hand, many cats prefer the security of a high perch. Carpeted climbing shelves can give access a nice resting place atop bookshelves or in a specially installed cat chalet.

Check your home for overlooked spots. The space under a stairway is a great place for shelves or drawers. Wherever there is an unused 4- to 6-inch space, install narrow rollout shelving with inch-high edges to keep things from slipping off. Depending on the room, it can be used for toiletries, canned goods, or hobby items.

Space between wall studs can also be used to create recessed storage. This is best done on interior walls, so you don’t interfere with insulation. If this is a DIY project (and there are ample online primers) be careful of wiring, heating, or plumbing installations behind the wall surface.

While cabinetry and shelving is often built to order, a surprising variety of ready-to-install items is available at home supply stores—in fine woods or unfinished. A less expensive tactic is to purchase second-hand shelves or chests and secure them with attractive moldings for a built-in appearance.

The Habitat for Humanity store in Charlottesville has an ever-changing inventory of shelves and furniture which can be viewed on their website. Regional Thrift Shops and Antique Malls also have treasures to be found. With some TLC, they can become a distinctive addition to any home and often can be installed with a built-in appearance.

One thing to be aware of is that unusual built-ins may lessen the marketability of your home. Whatever your plan, built-ins can lessen clutter and add value to a home.

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Marilyn Pribus and her husband live in Albemarle County near Charlottesville.  They added tile to top the built-in window seats on the south side of the house to give their houseplants a sunny winter home.

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Arts

ARTS Pick: ArcAttack

The creators of the original singing Tesla coils are ready to blind you with science at ArcAttack. Backed by a robotic drummer, the group of high-tech rock wizards creates a musical spectacle by generating electrical arcs—each reaching up to 12 feet long—that act as instruments, creating synthesizer-like sounds. It’s part rock concert, part science experiment as the group invites the audience to explore such concepts as electricity, magnetism, robotics and lightning in an educational night of interactive awesomeness.

Sunday 2/22. $15.50-19.50, 2pm. 10-plus. The Paramount Theater, 215 E. Main St., Downtown Mall. 979-1333.

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News

Documentary screening aims to get people talking about race

How do you get teens to talk about race in a way that prompts action and meaningful change? That’s a central question posed in the 2013 documentary “I’m Not Racist…Am I?,” which follows 12 New York City teenagers from diverse racial and socioeconomic backgrounds as they go through a series of workshops and conversations on the subject over the course of one year. The organizer of an upcoming free screening of the film at the Paramount theater on February 26 is hoping its impact will spread well beyond the audience in attendance that night, and with cooperation from area schools, congregations and the Charlottesville Office of Human Rights, it appears she’s making headway on that goal after being influenced by it herself.

“It raised my consciousness about institutionalized racism and white privilege,” said Elizabeth Shillue, a lifelong Quaker and mother of two children at Tandem Friends School, who watched the film at a Quaker conference last summer and was inspired to bring it to Charlottesville.

“I was struck by the students, the level of dialogue that they were able to have with one another,” she said. Although they tackle heated and controversial issues, including use of the N-word, “They were able to speak from their hearts and listen to each other,” said Shillue.

Initially, she said, she planned to simply have the film show at Tandem, but as the police shootings in Ferguson and elsewhere across the country sparked riots and protests in other cities throughout the fall, Shillue said her sense of urgency around the issue of race grew. With funding from Tandem and from private donors, she was able to schedule the event at the larger venue and bring the director and producer to speak. She reached out to other community members, including Charlene Green, community outreach specialist for Charlottesville’s Office of Human Rights and the organizer of the Dialogue on Race initiative, who agreed to help plan discussion events after the screening.

“We are asking folks to bring teams of people from their organizations, schools, offices, faith based congregations, book clubs, any gathering of people who feel they might be interested in creating an ongoing conversation about race with people they know, and then expanding that out to people they don’t know,” said Green of the free screening.

The film’s director, Catherine Wigginton Greene, said the most frequent question people ask following screenings is, “What am I supposed to do now?” The answer, she said, is different for everybody. Employers may be more aware of racial issues in their hiring practices; students may recognize that the groups to which they belong lack diversity.

“Once you start to educate yourself, opportunities start to present themselves all the time,” she said.

Some opportunities for ongoing conversation have already been planned, said Green. In addition to a discussion between Tandem and Charlottesville High School students the day after the screening, groups of students from all area schools will convene at City Space on March 14.

A planned group discussion for adults will take place on March 21, location TBD. Green said anyone interested in participating should contact the Office of Human Rights at 970-3023.

I’m Not Racist…Am I? screens at the Paramount on Thursday, February 26, at 7pm. The event is free with suggested $5 donation.

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Arts

Five-cent ambitions: Nickel Creek’s Sean Watkins focuses on solo career

Nickel Creek, a band synonymous with progressive string music for more than 25 years, is no more—for real this time—and founding member Sean Watkins doesn’t seem to give a hoot.

Co-founded by Chris Thile, Watkins and his sister Sara, the trio disbanded after a highly successful year. The band released a new album last spring, A Dotted Line, for the first time since going on hiatus in 2007. They went on tour in support of the album and collected accolade after accolade, from their hard-won fan base and critics alike. Their success was acknowledged earlier this year when A Dotted Line was nominated for two Grammy’s: one for Best Americana Album, and the second track on the record, “Destination,” won the band a nomination for Best American Roots Performance.

But for any Nickel Creek fans who thought this might signal more to come, Watkins is here to dispel your hopes.

“It was just a one time thing,” he said without remorse in a recent phone interview. “We knew we had things coming, so it was a limited time we had.”

The things that were coming were two. Nickel Creek co-founder, lead singer and widely acknowledged mandolin master Chris Thile is looking to focus on his progressive bluegrass band Punch Brothers, not to mention countless side projects, guest appearances and sit-ins. Watkins is now focusing on his solo career and has launched a tour, that will bring him to the Southern Café and Music Hall on February 24.

According to Watkins’ official statement, his latest move is due to his “drive to step out of supportive roles in bands.” Just how long is Thile’s shadow? Look again at this year’s Grammy’s. While Nickel Creek failed to nail down a win in either of the categories for which it was nominated, Thile collected three other nominations with collaborator Edgar Meyer and took home a shiny trophy for Best Contemporary Instrumental Album.

So perhaps there was some unrest all along in Nickel Creek. Perhaps Watkins always suffered from the feeling that the band he started in when he was 12 years old was really Thile’s band.

“No,” he said. “It was always our band. We had been doing it for almost 20 years, and we wanted to do other things, so we quit [in 2007] before it got old.”

On to other things, then.

Watkins’ latest effort, All I Do Is Lie, isn’t his first outside of Nickel Creek. He formed an indie-folk duo, Fiction Family, in 2005 with Switchfoot front man Jon Foreman and does a monthly live show with his sister called the “Watkins Family Hour.” During Nickel Creek’s time off, he’s toured with songwriters like Jackson Browne and Lyle Lovett.

But this is the first time he’s gone all out with a solo project, and the first time he’s gone on the road in support of songs he wrote for himself. “My goal for songwriting with Nickel Creek was different,” he said.

The result, All I Do Is Lie, is a collection of more country-western tunes than Watkins had previously penned, with the guitar player strumming behind his Southern drawl and steel guitars filling out the sound.

“I just wanted to make a record that was as much me as possible, and I didn’t want to do things that weren’t my forte,” Watkins said. “I tend to stay in my wheelhouse, and a big part of where I came from is bluegrass, folk and country.”

It’s a record full of warbly laments. On “Made for TV Movie,” Watkins wails, “You and I both know just what we are/We are never going to make it too far/There’ll be no nominations, there’s never going to be a prize/Unless there’s one for losing and never tryin’.” Mostly, it’s songs that would be far more at home alongside traditional country tracks than the more experimental stuff that had been coming out of Nickel Creek in recent years.

And while All I Do Is Lie isn’t on the level of most Nickel Creek releases, it certainly has highlights. It consistently shows off Watkins’ formidable guitar chops and songwriting skill, and most endearingly, it’s bare and vulnerable.

“I don’t know, I just hope people like it,” Watkins said. “It is very personal. A lot of it is autobiographical. I was very proud of it.”

Watkins grew up in San Diego, not exactly a hotbed of Americana and country music. But that didn’t stop him from following what he figured was his calling. He found pockets of bluegrass and fell in love with it. It loved him back: Forming a band with the likes of Thile before he was even a teenager was nothing short of a miracle.

Only now are we finding out that it was perhaps also a curse. When Watkins takes the stage with vocalist/guitarist Dominique Arciero and bassist Tyler Chester, he’ll just be getting started on the road to breaking that curse.

Sean Watkins plays at The Southern Café and Music Hall on February 24

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News

The giving spree: The General Assembly swallows a bitter pill

Let us set the scene for you. As the Virginia General Assembly heads into the home stretch of its winter session, it has one currently incarcerated delegate legislating while on work release, another recent delegate serving a nine-and-a-half-year prison sentence for bribery and extortion and a former governor headed to the federal pen on multiple counts of corruption.

So you would think that, among the myriad issues facing Virginia’s august deliberative body, ethics reform would be high on the list. And indeed it is, but not necessarily because the Old Dominion’s elected officials want it there. In fact, as both chambers begrudgingly advanced a slightly-more-stringent version of last year’s watered-down regulations (which capped “tangible” gifts to lawmakers at $250, but did nothing to regulate “intangible” gifts such as travel, meals and entertainment), the levels of annoyance and disdain on display have been astounding to behold.

It’s not surprising that Virginia’s lawmakers—who have become accustomed to a never-ending gravy train of gifts and exotic junkets—would resent having to reign in their seemingly inexhaustible appetite for freebies. But the tone struck by many Assembly members while debating the new rules resembled that of a petulant child being forced to consume a giant bowl of brussel sprouts.

Even the sponsor of the Senate package, Majority Leader Tommy Norment, publicly groused that the only reason the Assembly was advancing this “bastardized piece of legislation” was “because the media is on our backs.” His sentiments were echoed by many of his Republican colleagues, including Spotsylvania’s Senator Bryce Reeves, who readily admitted that he and his fellow senators were only voting for the package “because we have the press that’s going to beat us over the head if we don’t.”

What made this tone-deaf display all the more baffling was the fact that the rules aren’t nearly as strict as they should be. Yes, the legislation reduces the cap on gifts to $100, and erases the idiotic distinction between “tangible” and “intangible” goodies, but the proposed enforcement mechanism is weak soup indeed. Whereas Governor Terry McAuliffe proposed that an independent ethics commission be set up to enforce the new rules, the bills passed by both chambers merely create an “advisory council” that will have neither investigative nor subpoena powers.

At the same time, Republicans voted down a transparency bill championed by Loudoun-area Democratic Senator Jennifer Wexton—a bill the Senate passed unanimously just last year. Wexton’s common-sense legislation simply disallows any taxpayer funds to be used by lawmakers for conferences or meetings that don’t make all agendas and conference materials available to the public.

On the plus side, the House of Delegates did advance a bill that would prohibit any lawmaker who is currently serving a criminal sentence from attending legislative sessions. (We’re looking at you, Delegate Joe Morrissey!) And the Senate, in a surprise move, also voted overwhelmingly to ban pet monkeys.

Unless, of course, said monkey is valued at less than $100 and is gifted to a member of the Assembly by the head of a large corporation. In that case, it will be officially designated an “honorary legislator,” and will be allowed to sit in Delegate Morrissey’s seat as soon as he leaves to spend the night in jail.

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Arts

ARTS Pick: NMO

Featuring acoustic and electric sets, the NMO tour spotlights two giant Southern rock acts in collaboration for an unforgettable evening of guitar-driven madness. North Mississippi AllstarsDickinson brothers join Anders Osborne for a showcase of songs from both acts’ catalogs, offering fans an intimate evening with rock ‘n’ roll powerhouses that, until now, has only been available at festivals. In addition, the tour is offering a rare opportunity to attend the pre-show soundcheck where you can hang with some of these musical greats.

Saturday 2/21. $20-25, 8pm. The Jefferson Theater, 110 E. Main St., Downtown Mall. 245-4980.

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Arts

Character building: The interdependence of comic book artistry

Confession: I’ve never read a comic book.

Sure, I housed volumes of Calvin & Hobbes as a child, but I always took the snooty literary view of comics. They were fine for teenage boys and any woman inexplicably drawn to gratuitous violence and triple-D boobs, but I reserved my highbrow tastes for Roald Dahl and Michael Crichton, thank-you-very-much.

To the uninitiated, the Slate & Ashe comic created by local artist Ethan Murphy seems to fulfill such stereotypes. But the four book series, which begins when a big mouth cop partners with an Oxford-educated zombie to save a young girl from a hoard of undead monsters, is as much art as entertainment, and its production requires a cast of characters as varied as the medium itself.

“You spend hours upon hours of brainstorming ideas before you do an outline,” said Murphy. “Then I’ll draft the script and send it to Susan [Holland, Murphy’s writing partner] for edits, just so it’s presentable. Then we send it off to a penciler, the guy who puts the penciled sketches down, does the layout and storyboarding, and gets started on character design.”

The series follows Marion Ashe, a smack-talking zombie-slaying cop, and Vickrum Slate, his dry-witted, unlikely-yet-undead partner, as they fight the world, try to save a little girl from zombies and try not to kill each other. “So often in comics the main characters are outsiders or less worthy, which is easy to relate to if you are a struggling teenager,” said Murphy, who started reading comics after seeing the 1989 Batman movie but has been attracted to the underdog trope since he was a child.

Once the writers confirm that the visuals make sense, the draft traditionally goes to the inker. “Then it goes to a colorist [who use dyes or watercolors to fill in the black-and-white sketches], and then it comes back to me,” Murphy said. He acts as the letterer as well as the writer, composing and hand drawing all the prose.

He described the divergent roles of writer and artist as a way to tell stories more effectively. “The writer determines what people see and the artist determines how they see it,” he said. “You’re trying to express and convey so much emotion and action through a still image, you have to find an artist who is capable of bringing all that together.”

From concept to completion, a single comic book takes Murphy’s team between six months and a year to complete. It’s a process of creative collaboration familiar to almost everyone in the industry, though smaller operations in indie circles do include one-man bands.

If the production of sounds pro, that’s because it is. Murphy, who worked with a comic book industry mentor for a few years after college, explained that both Marvel and DC Comics have multi-person teams work on every project.

Murphy cut his writing teeth with a film degree from James Madison University. He wrote screenplays, short stories and eventually comics, connecting with a global network of peers at his first comic book convention. He did take a break from book writing, but not before someone at Marvel suggested he work on a comic about a cop and a zombie.

The idea simmered for several years, but “it wasn’t until I met up with Susan that I got back into comics,” he said. “At [Martha Jefferson Hospital, where they both worked], she was known for being meticulous, so I asked her to edit a short story I was submitting to an NPR contest. She turned it from a D- to B- in minutes.”

It didn’t take long for their collaboration to turn to comics. “Ethan introduced me to the whole background of storytelling,” Holland said. “I grew up reading, especially science fiction, but I didn’t read comics. My mom was a school teacher, so sometimes she’d confiscate comics from her students, and that’s how I’d get them.”

Turns out that no one (yours truly included) is above inaccurate stereotypes. In the case of the creation of Slate & Ashe, literary tradition plays to comic creation a bit like the good cop/bad cop dynamic between the characters themselves.

“Ethan and I are opposites in a lot of ways,” Holland said. “He’s the idea man and comes to me with questions. We’ll have disagreements with plot points, but he’s always able to tell me why.”

“I see things visually and Susan prefers to do them physically,” Murphy said. “She’s also a woman, so sometimes she’ll say, ‘This seems a bit misogynistic.’ I’m not deliberately obtuse, I just won’t recognize it because I’m used to comic books objectifying women and men. But I trust that she’ll notice them and have a frank discussion with me.”

That’s the truth behind the art of comic books like Slate & Ashe: Blood and gore actually punctuate emotional and social intelligence. “This is really about two unlikely allies that work together to try to redeem themselves in extreme circumstances,” Murphy said. “You hope anyone with angst who reads it will think, ‘If these two can look past themselves to work together, then hopefully I can do the same thing.’”

To explore Murphy’s work a free app offers issue No.1 as a free download, and print copies are available at local outlets and on IndyPlanet.com.

Categories
Living

Jack Brown’s makes its debut on the Downtown Mall and other local restaurant news

Burgers, beers and bras

There’s nothing better than sneaking a few potato chips on a sandwich for that perfect crunch, elementary school cafeteria style, and the guys in the kitchen at Jack Brown’s Beer & Burger Joint will take care of that for you when you order a hamburger. They’ll also throw some macaroni and cheese on there—or, depending on the day, spinach and artichoke dip, nacho fixin’s or a caprese salad.

On Monday, February 9, owners Aaron Ludwig and Mike Sabin opened the fifth iteration of Jack Brown’s on Second Street SE, in the former space of The Box. The restaurant and bar, which originated in Harrisonburg, is known for its extensive beer list (more than 100 bottles and a constantly rotating draught selection), burgers, fries and fried Oreos. The menu is simple, and that was no accident.

“We mimic it off those old ’50s-style diners, and everything’s cooked on a flat-top griddle,” Ludwig said. “No lettuce, no tomato; it’s simple.”

The menu features “everyday burgers” like the jalapeño popper, topped with pickled jalapeños and cream cheese, and daily specials like the chili verde, with roasted poblano chilis and pepper jack cheese.

As for what to drink with your burger, beer snobs may consider joining the 100 Notch Club. Once you’ve tried 100 beers, you get your photo and a plaque on the wall, plus a personalized club shirt. Ludwig said members also get access to special events and tastings.

Now let’s talk about the decor. Yes, that deer head on the wall is wearing a helmet, and yes, those are bras draped over the spokes of that wagon wheel mounted from the ceiling. The undergarment-clad wheel tends to elicit some raised eyebrows, Ludwig said, but it’s a fixture and a favorite at each location. Last week an 80-year-old grandmother tossed her own bra onto the one at the Harrisonburg store, he said.

“It’s just about always trying to do something different and creative,” Ludwig said. “That’s where all the fun lies.”

The stein runneth over

You’ve got to drive as many as three or four minutes to get from one small brewery to another in this town. Ain’t nobody got time for that.

Brian Martin will look to ease the craft brew commute by landing his new nano-brewery, St Fuad Brewing, somewhere near the downtown end of Preston Avenue by the end of the year. An ex-military man turned brewdog, Martin said he’s set his sights on recreating some of the Belgian and German-style brews he sampled while stationed overseas. He’s already worked with three local breweries, including most recently boiling up a weizenbock with Three Notch’d, and he said he’d be striking out on his own as soon as he can get the feds to cooperate and wrap up the paperwork.

“End of the year is the conservative guess, but we’re hoping for September or October,” he said.

Martin said he’s already purchased his brewing equipment, a two-barrel system capable of pumping out just north of 62 gallons per batch.

“Belgians are my big thing, but I have a soft spot for German styles as well,” he said. “I’m not a big hop head, so I won’t be doing a bunch of big IPAs.”

Three Notch’d is likely to be St Fuad’s neighbor when it opens its doors, and Martin expects that to be a good thing. He envisions the downtown corridor turning into its own sort of craft beer trail, with his spot joining the mix along with Beer Run’s new project, Kardinal Beer Hall & Garden, slated to go into the renovated Coca Cola bottling plant this spring. Once he has his location set, hopefully in the next month and a half, Martin plans to launch a crowdfunding campaign to help kickstart the business.

Pumped up

Red Pump Kitchen is looking to fuel its young love affair with Charlottesville’s Italo-philes by launching two new featured wine nights. On Tuesday, February 3, the Tuscan kitchen began offering select bottles of wine for half off. On Sundays, the new Don of the Downtown Mall is serving up small pizzas and a bottle of wine for $35.

The first Tuesday wine night featured bottles ranging from $18-24 after the 50 percent discount, including a 2009 Boroli Madonna Como. A spokesperson for Red Pump said the selections would rotate from week to week, with mid-price wines coming in at $18-32 and higher quality, rarer wines ranging between $35 and $70 after the discount. The Sunday night special likewise will feature rotating wines, paired with either a margherita, arugula, fennel sausage or chef’s choice pizzette. The chef’s choice pie will change weekly and show off hand-picked local ingredients intended to highlight wines like the 2011 Tachino Barbera, which was uncorked for the inaugural Sunday night special.

Categories
Arts

Over easy: Fifty Shades of Grey is beautiful to look at

I don’t know who or what director Sam Taylor-Johnson sacrificed to the god of false bondage, but it worked: Fifty Shades of Grey is the best film it could have possibly been given the circumstances.

This is quite a different thing from saying it’s good. It’s not. At its core, this adaptation of E.L. James’ notoriously sloppy stab at smut is still the same rotten perpetuation of disturbed individuals in an abusive relationship masquerading as an entry point into the world of BDSM relationships. The behavior of billionaire Christian Grey (Jamie Dornan) is still closer to that of a psychopathic stalker than a dominant who values the pleasure of his partner, and the conversations between him and budding submissive Anastasia Steele (Dakota Johnson) are alternately repetitive, uneventful and preposterous. Every literary and social criticism of the novel applies to this adaptation, and you might want to look up the impressive #50Dollars Not50Shades campaign against abuse of women that has been mounted in response.

That said, any failure to mention the efforts of actress Johnson and director Taylor-Johnson (no relation) is to ignore two of the most valiant attempts to find artistic depth where none exists in recent memory. Anastasia’s dialogue remains laughable, but Johnson’s portrayal of her is playful and curious. E.L. James’ Anastasia was simply enacting half-baked fantasies of being dominated, while Johnson’s Anastasia is on a real journey. The lousy dialogue works when it’s played as though it was always supposed to be funny, like she’s putting on a performance as she flirts with a lifestyle she never anticipated.

Director Taylor-Johnson’s background in fine arts is her biggest asset, and the film looks gorgeous and tasteful throughout, even when the subject matter is not. Her treatment of even the most explicit sex scenes is surprisingly understated. The initial pace is brisk and the screen is almost always filled with something gorgeous to appreciate, so much so that for the first hour, you may even be fooled into thinking you’re watching a good movie that’ll go someplace worthwhile.

Yet despite their best efforts, the combined talents of director and star do not give Fifty Shades of Grey enough thrust to break free of the black hole of its source material and awful leading man, and the promising start begins to unravel in the second half. Anastasia and Christian constantly play out the same scenario and conversation: he appears cryptic and controlling, she withdraws, he makes a supposedly lavish (but actually creepy and overbearing) gesture, they have romantic sex, repeat. It takes forever to get to the supposedly kinky stuff that fueled the book’s success, but even that is boilerplate ties and restraints (until the awful conclusion). Dornan finds no such weight in his role as Johnson found in hers, and his presence weighs down every scene in which she soars. And not that anybody needs to see him naked, but Johnson’s total willingness to expose herself while Dornan apparently finds the time between sessions to throw on a pair of designer jeans is perplexing and distracting, two qualities that tend not to work in erotica.

As a cultural phenomenon, Fifty Shades of Grey is a harmful, contemptible, appalling reconfirmation of the stereotype that practitioners of alternative lifestyles are inherently damaged, and the film never manages to overcome this, even with its strengths. A movie worth seeing this ain’t, but if there’s any justice in this world, Dakota Johnson and Sam Taylor-Johnson will be propelled to superstardom and we’ll forget any of this ever happened.

Playing this week

American Sniper

Birdman

Hot Tub Time Machine 2

The Imitation Game

Jupiter Ascending

Kingsmen: The Secret Service

McFarland, USA

Paddington

Project Almanac

Seventh Son

The SpongeBob Movie: Sponge Out of Water

Regal Stonefield 14 and IMAX
244-3213