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Living

Chef Patrick O’Connell brings his new book to Charlottesville and more local restaurant news

Chef Patrick O’Connell brings his new book to Charlottesville

You may have heard the name Patrick O’Connell, the self-taught chef who’s received international accolades for The Inn at Little Washington, which he opened in an old garage in 1978. O’Connell has been referred to as “the Pope of American Cuisine,” and he and the inn have won several awards from the James Beard Foundation, including restaurant of the year in 1993. So it’s no surprise that the release of his latest book, Magnificent Obsession, is sending him all over the country for events and signings, including Charlottesville.

On Thursday, October 1, O’Connell will make an appearance on the Downtown Mall for a book signing at Caspari beginning at 5pm. We had a chance to chat with O’Connell prior to his arrival to learn a little more about this book that’s already made the New York Times Best Seller list.

“The book is really a retrospective of a life’s work,” O’Connell says. “I tend to say that it’s pretending to be a design book, but it’s really a modern day fairy tale. It’s a dream book.”

The 250-page book, complete with photographs, watercolor renderings, blueprints and recipes, reflects on the process of transforming a space, which O’Connell says is strikingly parallel to cooking. It’s about making something out of nothing, he says, which is exactly what he did with the little garage space in the middle of nowhere that has evolved into a destination inn with a world-class restaurant.

“It’s about listening to a room or a building and intuiting what it wants to be transformed into,” O’Connell says. “It’s very much akin to looking at ingredients, vegetables and creating a dialogue with them.”

The book also features details about the dinner party O’Connell and his team put on for Queen Elizabeth when she was in Virginia for the 400th anniversary of the founding of Jamestown. It was the first and only dinner party held in the Peacock Room at the Freer Gallery of Art in Washington, D.C., and Magnificent Obsession includes the event’s menu so you can recreate the royal meal yourself.

“It stimulates people to get ideas,” O’Connell says. “I’ve received some of the most wonderful letters from people who felt that it inspired them to act on and explore a dream that they had that they were sort of fearful of jumping into. Reading those letters is actually better than reading somebody’s glowing review in the newspaper.”

To reserve your space to meet O’Connell and have a copy of his book signed, contact Caspari’s Adrienne Parker at 817-7880 (x5106).

Decadent developments

It’s been 15 years since Tim Gearhart opened his artisan chocolate shop in the Main Street Market, and he’ll be the first to admit he’s not one for change.

“When you make thousands and thousands of chocolates every single day, change isn’t really something that you do,” Gearhart says.

But it’s time. He recently announced his plan to move Gearharts Fine Chocolates’ production to a new spot (next to Staples in the Vinegar Hill shopping center, across from the Downtown Mall), and he promises it will absolutely be worth the change in venue.

The most frequent feedback he’s received since opening the shop in 2001, Gearhart says, is, “I wish I had somewhere to sit and eat this,” and “Can I see the kitchen?”

Not only will you be able to sit down and enjoy whatever treat you’re indulging in, but you can pair that with a mug of “the most decadent hot chocolate in town,” a glass of wine or a local beer. The new space will feature a private event room with a giant window to the kitchen. His plan is to incorporate hands-on demonstrations, birthday parties, classes and summer camps (for kids and adults) into the business.

As for the menu, expect to see all your old favorites, plus chocolate cake, torte and other pastries that Gearhart has spent the last couple months developing.

He and the team are hoping to have the new space up and running in time for the holidays. Keep an eye on the Gearharts Fine Chocolates Facebook page for updates.

German-inspired

We may be a few thousand miles away from the original Oktoberfest in Munich, but some of our local breweries are doing their best to recreate the multi-day beer-centric folk festival.

Beginning on Thursday, October 1, and running through Sunday, October 11, Blue Mountain Brewery  will offer German food specials every day, plus live music, games and other “special activities.” If you want to feel authentic in your celebration of Oktoberfest, consider popping in on Monday for a free German lesson. Other activities will include a local sausage tasting on Tuesday, cornhole tournament on Wednesday and keg toss competition on Thursday, which, yes, is exactly what it sounds like.

Meanwhile, in Charlottesville, Three Notch’d Brewing Company is gearing up for a one-day Oktoberfest celebration on Saturday, October 3. Ten bucks at the door will get you a beer and a brat, and for another $10 you get a glass liter mug that you can use all day for $6 refills. And, according to the website, there will be polka music and lederhosen.

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News

ABC records: released—for the wrong reason?

In a change of heart, Governor Terry McAuliffe released the Virginia State Police investigation report of Virginia Department of Alcoholic Beverage Control agents’ March 18 arrest of UVA student Martese Johnson, the bloody image of which went viral. When he initially declined to make the report public, McAuliffe claimed the Freedom of Information Act prohibited release of personnel records.

Not so, says Megan Rhyne, executive director of the Virginia Coalition for Open Government. Rhyne says government officials have a tendency to take exemptions to FOIA that are discretionary and say they can’t divulge records. “There’s nothing in the law that says it can’t be released,” she says.

Another problem? The reason the ABC cited for letting the public know the details of the investigation was that the three agents involved gave permission. “It’s not a condition for release,” says Rhyne. And if state police had found the agents guilty of wrongdoing, would the ABC still insist it needs its employees’ permission?

“I do think it’s a dangerous precedent to state that,” says Rhyne.

The 119-page document revealed little that had not already been made public in June when Charlottesville Commonwealth’s Attorney Dave Chapman detailed why he would not be prosecuting Johnson or the agents, although this is the first time the ABC has named special agents Jared Miller, Thomas Custer and John Cielake.

Virginia State Police Captain Gary Payne says in the report more than 50 people were interviewed about the incident that required Johnson to get 10 stitches. Many of the witness accounts were contradictory.

The ABC agents had targeted a handful of Irish establishments for St. Patrick’s Day, including Trinity Irish Pub, which has had eight written warnings in the past five years, and ABC Special Agent in Charge Joseph Cannon describes its license history as “bad” in the report.

Witnesses gave varying accounts of what Johnson had to drink that evening, including one who said Johnson had a nearly empty bottle of Jack Daniels. Johnson told C-VILLE in August, “I was not drunk that night.”

He’s still weighing whether to sue, according to his attorney, UVA law grad Daniel Watkins with Williams Mullen. Watkins applauded the release of the investigation. “Now, more than ever, transparency is important when reviewing the propriety of any police-citizen encounter,” he says in a statement. And, says Watkins, the broader question still stands: “[H]ow much force should police be permitted to use when investigating regulatory offenses?

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Arts

On (not over) the hill: The McGuffey Art Center looks back at 40

With its stalwart presence atop the hill at the northwest end of downtown, there’s no doubt that the McGuffey Art Center is a defining part of the local arts community. Its sturdy brick exterior commands respect while its large sash windows hint at the building’s original use as a school. Built in 1916, McGuffey was a public elementary school until 1973. After sitting empty for a couple of years, it was reborn as the community art center in 1975. This month, a series of exhibitions, performances and other activities is scheduled to celebrate the center’s 40th anniversary.

Perhaps one of the most remarkable aspects of McGuffey is that it has been artist-run from the beginning. In the early 1970s, a group of visual and performing artists began working together to create a shared space in Charlottesville.

Dancer Anne Megibow was one of them. “Word got out that there was this old abandoned school and we wanted to do something like the Torpedo Factory,” says Megibow. Founded in 1974, the Torpedo Factory Art Center in Alexandria is a repurposed munitions plant that now houses studios and galleries. Using this as a model, the group formed the McGuffey Art Association and went to work trying to secure a home for their dream. “We met for our very first meeting downstairs in what had been the auditorium. A bunch of us were sitting on the concrete floor talking about art,” says Megibow. Forty years later, the creative community at McGuffey is still actively engaging in that conversation.

The early period of the McGuffey Art Center was one of experimentation and visible engagement with art. Artists moved into the former classrooms, transforming them into shared studios. At that point, members joined simply by expressing an interest. “If you were breathing and you did something artistic, you were in,” jokes Megibow. Studio doors were decorated with whimsical, even provocative, artwork. Hallways were painted with tri-color stripes of red, orange and yellow that curved over doorways and around corners. This mixed well with the building itself, which still had historic window shades adorned with scribbles and graffiti made by past students. Indeed, dramatic structural changes were slow to come to McGuffey, where the main office and original layout of the school remained fully intact for the first few years.

That changed in August 1981, when a two-alarm fire caused by an electrical malfunction threatened the future of McGuffey. “I was in New York and my studio mate called me and said, ‘McGuffey’s burning,’” says Megibow. The flames gutted the main office and damaged other spaces, but the fire department’s quick response saved a significant amount of work. The destruction even had an unexpected upside: Non- vital renovations that had been postponed for years became necessary, including the addition of a small shop to accompany the downstairs gallery.

Since then, the space has evolved. Hallways became gallery space and formal signs were added to studio doors to identify the work inside. Lunchtime performance art began happening with less frequency, before vanishing entirely. In the early 2000s, “There was a lot of talk about professionalizing,” says Rebekah Wostrel, a ceramics artist who has been a McGuffey member for approximately a decade. “I felt that in those first two or three years there was a funkiness that went away. I felt a loss in that regard…not necessarily in a bad way though, and I think we’ve lived into that change pretty well.”

Mirroring this aesthetic progression, McGuffey membership structure evolved as well, developing and refining a jury process. Though the process isn’t perfect, it enables the submission of a portfolio to be reviewed by the membership of McGuffey and guest jurors from City Council or the local arts community. Once accepted, renting and incubator artists receive studio space; associate members work remotely. Of McGuffey’s roughly 170 members, only about 50 have studios in the building and a handful of them have actually remained in the same studios since 1975. There is turnover though, and efforts continue to be made to open up the space to others, addressing the critical need for space. “My career would not have happened without McGuffey,” says painter Cynthia Burke, who has been working in a McGuffey studio since the late 1990s.

As part of the 40th anniversary, McGuffey will host a collective show titled “Past, Present, Future,” with a First Fridays opening reception on October 2. The exhibitions will include an alumni show as well as a display of center memorabilia and a speculative plan for the building’s future, as imagined by UVA School of Architecture students. In addition, McGuffey artists have created 18″x18″ panels of original artwork to be sold as a fundraiser for the association.

During First Fridays, live performances will accompany the exhibitions and a time capsule will be buried in the front lawn of the building at 6pm. Coordinated by Burke, the time capsule reflects the “State of the Arts—Charlottesville, 2015” through an assortment of items from the local arts community, with plans for it to be unearthed in a century, when its recipients can look back and appreciate our local art through the years.

What item would you add to the arts time capsule?

Tell us in the comments below.

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Knife & Fork Magazines

Fall/winter 2015 Knife & Fork: On stands now!

The latest issue of Knife & Fork is on stands now and here’s what you’ll find inside. (Below, click through a digital copy of the magazine!)

And this month’s food and drink features:

 

One word: bronut. Photo: Amy Jackson
One word: bronut. Photo: Amy Jackson

An ode to bread

Let’s call Gerry Newman the starter to our local bread scene—the owner of Albemarle Baking Company has been churning out loaves since 1995, when a “bread scene” in Charlottesville was all but nonexistent. This issue’s feature takes a look into how he rose to local loaf stardom. Plus, the straight dough on local sammies, buying the right bread and the migration of the toast trend to Charlottesville. Read more here.

Claude Thibaut of Thibaut-Janisson. Photo: John Robinson
Claude Thibaut of Thibaut-Janisson. Photo: John Robinson

Let’s get fizzy

It’s bubbly season! This issue takes a big gulp of the local Champagne scene—from the history of sparkling wine (did you know bubbles in wine were once considered bad?) to Claude Thibaut’s influence on the Charlottesville landscape. A Champagne native, he brought new insight to producing bubbles from Virginia soil and currently produces three varieties from higher end to an everyday option. Read more here.

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Knife & Fork Magazines

Time to toast: Love it or loave it, here’s the straight dough on bread

Gerry Newman can’t construct a building. He can’t set a broken bone, tune up a car or write the Great American Novel. What he can do is make the best baguette this side of Paris. Thousands of them every week, baked around the clock in a large, brick-lined oven, and available at dozens of area restaurants and shops.

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Knife & Fork Magazines

Pop, pop, fizz, fizz: Bubbly wine in Virginia and beyond

When you consider the past 8,000 years or so of wine production history, sparkling wine is relatively new on the scene, becoming popular as late as the 1700s. In the early millennia of wine production, sparkling wines were usually made accidentally when a wine would continue its fermentation after warming up in the spring after harvest.

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Knife & Fork Magazines

Crowd-pleasers: Dreading party season? Take these tips from a pro

Whether you’re hosting or attending, A Pimento Catering owner Gay Beery has a few ideas on making the most of your holiday fanfare.

Drinks

Don’t worry that you don’t have a full or “properly stocked” liquor cabinet. Decide what you’d like to serve and do it well. A single cocktail offering is fine, as long as you have a good second go-to, like beer and wine, available for those who maybe have a poor history with martinis, if that’s your feature.

It’s always nice to have some non-alcoholic beverages on offer, too. Juices and fruited Italian sodas are great and easy, and if you have sparkling water on hand, with a few garnishes like citrus and mint, you’ve done it. Fall and winter give us a good supply of fresh apple ciders, and they make beautiful drink foundations (my favorite is an apple-ginger sparkler with smoked ginger syrup base, lemon juice, cider and sparkling water to top off). Have fun—and if you’ve got something extra lying around, like other herbs or citrus fruits or even fresh figs, play with those, too.

Balance

Whatever you do, think about those guests who won’t go to dinner after your party. This does not mean you need to serve dinner, but it does mean you should think about balancing the offerings (not a bad idea, anyway).

Think of hors d’oeuvres as a meal, in that you might serve some meat-based items, some dairy, some vegetables, some carbs. You’ll all feel better later.

Appetizers

Pick up a few favorite or seasonal cheeses, charcuterie and bread and crackers. Grab a bundle of seasonal fruit, which will be beautiful and delicious with those cheeses.

Look to your cabinets at home for those thoughtful gifts of local jam and honey you tucked away.

Make a couple simple spreads, and ask your best friend who’s begging to help host if she’ll bring along something no-fuss.

Set the table

Keep it simple. Just some beverage napkins and cups, and perhaps little plates to keep things neat for those folks squeezed together on the sofa. Or, get out all those cool little glasses you got from the last few years’ yard sales and enjoy using them!

Remember: It’s about sharing time with your friends, not worrying. Once you open the door, relax.

YOUR NEW GO-TO

Here are two of Beery’s sure bets for holiday party treats.

Savory

Beet borani

“Easily the most beautiful colored dish you’ll ever put on your table (but don’t offer it in a room with white carpeting). This recipe can actually be used as a base and utilize other roasted root veggies you happen to love or have an abun-
dance of, as long as it roasts up sweet and moist enough to purée (i.e. carrots or sweet pota-
toes),” Beery says. Serves four to eight guests

1 pound of beets

3/4 cup thick yogurt

2 or 3 cloves crushed, chopped garlic

2 tbsp. lemon juice

1/4 tsp. (or more) ground cumin (ideally from freshly toasted cumin seeds)

Dash of cayenne (to taste)

Olive oil

Wash the beets, rub all over with a bit of olive oil, wrap in a pocket of foil (or place in covered glass dish—just not too big) and roast at 350 degrees for about 60 to 90 minutes, or until tender when pierced with a fork. Allow the beets to cool a bit until you can handle them. Using a paper towel to shield your hands (this is where it gets messy/beautiful), slip the skins off the beets with a paring knife until the beets are cleaned of any skin (and stems).

Place the beets in a food processor and purée. Then add garlic, yogurt, lemon juice, cumin and just a pinch of cayenne (if desired), and purée until smooth. Add a bit of olive oil if you like.

To garnish, add a handful of toasted walnuts, drizzle with olive oil or add fresh dill. Serve with toasted pita or flatbread.

Photo: Rammelkamp Foto
Photo: Rammelkamp Foto

Sweet

“When it comes to sweet spreads, I think chocolate, fruit, nuts and combinations thereof. However much I may adore gianduia and its easily accessible cousin, Nutella, I still tend to love fruit and simple cream- and cheese-based spreads best.

“Because this is winter, I like the idea of things like caramel to serve with apples and pears, or with pound cake, ice cream or with my mom’s sourmilk pancakes,” she says.

Warm Brown Sugar-Bourbon Sauce

1/3 cup unsalted butter

1 cup light brown sugar

1/3 cup white sugar

2/3 cup cream

3 tbsp. bourbon

Bit of fleur de sel or Maldon salt (to taste)

Over medium to low heat, melt butter with sugars, stirring gently. As sugar melts, raise heat a bit and bring to a boil, stirring constantly. Continue stirring and boiling for three to five minutes, or until the sugar has completely melted and become syrupy. Add  the cream and stir to combine. Stir over medium to high heat until it’s bubbly (the mixture will reduce a bit). Pull the pan off the heat and stir in the bourbon (it will sputter a bit, so be careful), then return it to the heat for about a minute. Add salt and serve.

If you should have any left over (!), leave at room temperature and use within a couple of days, reheating gently if you like.

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Knife & Fork Magazines

Noodle on this: Seven pasta dishes to send you straight back to Italy

Whether you’re craving a delicate ravioli with sautéed local vegetables or hearty, homestyle spaghetti and meatballs just like mom used to make, our city offers plenty of ways to enjoy the ultimate Italian comfort food. Here are seven of our favorites.

Linguine alla carbonara

Tavola, 826 Hinton Ave., 972-9463

Tavola’s chefs have the restaurant’s most popular dish (ordered 30-40 times a night on weekends) “down to a science,” says chef/owner Michael Keaveny. “If you do anything that much you’re gonna get good at it,” he laughs. The dish is made with imported Italian linguine, one whole egg, Olli pancetta, pecorino Romano, black pepper and—different from other renditions—housemade sausage with locally sourced pork, a nod to the carbonara Keaveny experienced in his early days as a dishwasher at a popular Italian restaurant named Carbone’s in his Connecticut hometown. “It was made with sausage and prosciutto, and it was addicting,” he recalls. “I fell in love with it.” Obviously, his own version has plenty of us swooning as well.

Rigatoni al forno

Bella’s, 707 W. Main St., 327-4833

This best-selling dish is straight from owner Valeria Bisenti’s childhood home in Rome. It was created by her mother, who “would make me this dish since I’m a big meat-lover,” says Bisenti’s husband, Douglas Muir, who co-owns the restaurant. “She would add all the meat she had in the kitchen—usually pork and veal—and smother it in cheese.” It is no different at Bella’s, which is named after Bisenti, who is affectionately called “Bella” by her husband. Here, the rigatoni al forno is blended with the house pomodoro sauce, ground veal, ground beef and Italian sausage, then covered with shredded mozzarella and pecorino Romano and baked to homestyle perfection.

Housemade ravioli with braised greens

Orzo, 416 W. Main St., 975-6796

Chef Adam Spaar’s popular homemade ravioli entrée is a showcase of local produce. “We work with a variety of farms,” says Spaar, who lists Down Branch Farm, Sharondale Farm, Pleasant Pasture Farm in Virginia Beach and Michie Market, which features produce grown by area refugees, among his suppliers. The ravioli, handmade and cut in-house almost every day, is made with duck egg yolks to give the pasta a richer flavor. Ricotta is mixed with kale and other greens for the creamy filling, and the ravioli is cooked in a “quick, simple” pan sauce of Spanish olive oil and cream, says Spaar. It’s then topped with heirloom tomatoes and Sharondale’s oyster and shiitake mushrooms and finished with a medley of oregano, lemon, black pepper and Grana Padano cheese.

Vivace's clams oreganata. Photo: Rammelkamp Foto
Vivace’s clams oreganata. Photo: Rammelkamp Foto

Clams oreganata

Vivace, 2244 Ivy Rd., 979-0994

Opened in 1995, Vivace is a Charlottesville classic—as is chef/co- owner Landon Saul’s spicy Clams Oreganata: steamed Virginia clams with housemade sausage, white wine, plum tomatoes and Sicilian oregano over spaghetti. “It’s one of my favorite dishes,” says Saul, who created the dish with inspiration from his time at the Italian Culinary Institute in Calabria, which is known for its spicy fare. “Calabrian chile is the star of our housemade sausage,” he says. The real secret to the dish though, Saul says, is finishing the pasta in the clam sauce, “so the pasta gets all the brine, all that flavor, from the clams,” he explains. “It’s how the Italians do it.”

Gnocchi bolognese

The Local, 824 Hinton Ave., 984-9749

“Little clouds,” is how Melissa Close-Hart describes The Local’s gnocchi recipe. And she should know—she created it. This dish is a family collaboration between her husband, The Local’s chef Matthew Hart, who developed the bolognese recipe, and Close-Hart, who perfected the gnocchi after multiple cooking trips to Italy (Close-Hart was formerly chef at Barboursville Vineyard’s Palladio and is opening her own restaurant next year). The gnocchi is lighter than most, “almost like a dumpling,” Hart says, and tossed gently with his traditional bolognese, made “in a long, slow process” with local Buffalo Creek beef and Double H pork, tomato paste, dry white wine and milk. “It’s here to stay,” Close-Hart says. “If Matty took it off the menu people would revolt a little bit.”

Pear and cheese

Basil Mediterranean Bistro, 109 14th St., 977-5700

Who says pasta can’t be adorable? These beggars purses—little bundles of ravioli—are almost too cute to eat. But topped with cremini mushrooms, poached pears, walnuts and basil in a rich Gorgonzola cream sauce, it’s pretty much impossible not to dig in.

Spaghetti with meatballs

Fellini’s #9, 200 Market St., 979-4279

This classic dish is all about “taking the time to do it right,” says Fellini’s chef Tess Vandenburg, who has adjusted both the marinara and meatball recipe in recent years. Her marinara is a little sweeter, she says, and “not too chunky, but not too watery.” The magic is in the meatballs, which are “just a little smaller than a tennis ball,” Vandenburg says, and are made with pork and beef (5 lbs. pork to 10 lbs. beef), as well as Parmesan, oregano, onion, garlic, egg and breadcrumbs. First cooked in a convection oven “to get them nice and brown on the outside,” says Vandenburg, they are finished at a lower temperature in a standard oven, then placed atop a nest of al dente spaghetti and covered with marinara.

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Knife & Fork Magazines

Like grandma made: Want fresh pasta at home? Here’s how

Making pasta is not a hard thing to do,” says Jim Winecoff, owner of Mona Lisa Pasta. “It’s messy, it takes some time, but it’s just flour and eggs and water—that’s it.”

Although pasta at the 13-year-old shop is made using an extruder, which makes 75 pounds of pasta at once, Winecoff still enjoys cranking out noodles by hand with his Italian-made Atlas pasta machine. He offers these tips for making your own pasta at home.

Choose your flour

All-purpose flour works fine, he says, but Mona Lisa pastas are made with durum and semolina flours, which are higher in gluten, giving the dough more elasticity. “It stretches easier when you roll it out and doesn’t break and crumble to pieces,” says Winecoff.

Jim Winecoff. Photo: Amy Jackson
Jim Winecoff. Photo: Amy Jackson

Decide between whole eggs or egg yolks

“We use whole eggs because the whites give the pasta a firmer texture, but using only egg yolks gives a richer flavor,” Winecoff explains. “If you want it really rich, use duck eggs, which have bigger yolks.” If desired, he suggests adding flavoring to pasta at this point—tomato paste, garlic, black pepper or finely chopped herbs. Just be careful adding anything that might add more liquid to your mix, like spinach, he says.

Choose your mixing method

Although pasta can be made in an electric mixer or food processor, Winecoff prefers mixing it by hand: “The easiest, most traditional way is to make a pile of flour on your cutting board or counter,” he says. “Make a well in the middle of your flour, crack your eggs into it and take a fork and slowly scramble your eggs into your flour until you get a mass of dough.”

Let the gluten relax

The dough should rest for about 20 minutes before kneading it. Winecoff lets his pasta machine do most of the kneading for him, by feeding small amounts of dough (“not quite as big as your fist”) into the machine one by one, running each through 15 to 20 times until it’s smooth.

Cut your noodles

The wider noodles, like fettuccine or linguine, are easiest, Winecoff says. Or use the pasta sheets for filled pastas such as ravioli (which should be cut in squares rather than circles to avoid wasting pasta, he advises).

But beware: “Fresh pasta is really wet, and if you start stacking it, it will all meld together,” Winecoff says. “When I first started making pasta at home, I’d have noodles hanging everywhere—over cabinet doors, all over the place—just trying to dry it out a bit so it wouldn’t stick together.” If you’re not cooking the pasta immediately, Winecoff suggests twirling it into portion-sized “nests” and freezing them on a tray. “Just drop a nest in boiling water and cook it when you want it,” he says.

Winecoff recommends cooking pasta in an 8-quart stock pot for 90 seconds after the water returns to a roaring boil. To give the pasta flavor, the water should be “generously salted—like 2 to 3 tablespoons,” he says. And sauce it quickly, he advises—“even any pasta you have leftover. Otherwise you’ll have a giant clump of noodle.”

MONA LISA BY THE MILE

18 miles

Amount of pasta made every week

73 miles

Amount of pasta made every month

303 miles

Amount of pasta made every year

3,652 miles

Amount of linguine made since opening in 2002

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Knife & Fork Magazines

Happy as a…tomato? ‘Mater lady Liz James believes in the value of a good marinara

Growing up as one of 10 kids in a Sicilian family, Liz James learned early on about the value of a good marinara sauce. “We had to really stretch the food budget, and marinara was a quick way of creating an easy, wonderful dinner—we put it on everything!” she says.

But what stuck with her most about what she calls her “idyllic childhood” was how having that go-to sauce made it easier for her family to share meals together. When James’ husband died when her children were young, family dinners became especially important to her. “We got together whether it was over peanut butter and jelly or a bowl of pasta,” she recalls. “In spite of going through a terrible loss, we were able to come together as a family.”

And so, four years ago, to help more families “create happiness” by sharing a meal together, the Charlottesville resident bottled her marinara, derived from her family’s recipe, and founded The Happy Tomato.

“It’s pronounced ‘tom-ah-to’ because that’s how my mother always said it,” James explains. And, just like her mother, she wants to streamline dinner with a one-pot meal that can be prepared quickly for everyone in the family—even those with health concerns, she says. James takes pride in the fact that her handmade sauces, which include her marinara, a pizza sauce and pesto (available through Relay Foods, Whole Foods, Rebecca’s Natural Food and other specialty stores), are low in sodium and fat and without added sugar.

James, who often demonstrates recipes at grocery stores using her sauces, is so passionate about her product that she has been known to leave the demo table to help a customer shop. Says James, “I’ll walk the grocery store aisles to help them create a meal, so they have something yummy to put on the table.”