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Living

Living Picks: To-do this week

Festival      

Charlottesville Dogwood Festival carnival opening 

Bring the whole family to the first night of the carnival at this 67th annual event. Enjoy games, rides and more in honor of spring.

Thursday 4/7. Free, 5:30-10:30pm. McIntire Park. 961-9824.

Nonprofit

The Day Soiree

Celebrate nonprofits in the local community with this event that features food, games, music, art and vendors.

Thursday 4/7. Free, 11am-4pm. Jefferson School African American Heritage Center, 233 Fourth St. NW. 260-8720.

Health & Wellness

Camp Holiday Trails 5K

This road race is open to both runners and walkers. Proceeds benefit Camp Holiday Trails, a local non-profit that provides a camp experience for children with special needs.

Saturday 4/9. $12-25, 9am. Nameless Field, UVA. campholidaytrails5k.com.

Food & Drink

Taste of Monticello Wine Trail   

Enjoy a weekend of wine, starting with the Monticello Cup awards at The Jefferson Theater Thursday. Top off the fun with a wine-tasting event at the nTelos Wireless Pavilion Saturday, feauturing more than 25 local wineries.

Thursday-Saturday 4/7-4/9. $29-80, various times. Downtown Mall. monticello winetrailfestival.com.

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Arts

Album reviews: Britta Phillips, La Sera, The Dandy Warhols

Britta Phillips

Luck or Magic (Double Feature)

Though Luck or Magic is her first album, Britta Phillips has just about done it all. After providing the singing voice of Jem (of the “Jem and the Holograms” cartoon), she appeared alongside Justine Bateman and Julia Roberts in the lightweight girl-band film Satisfaction. Joining alt-rock darlings Luna in their late period, Phillips subsequently released albums with Luna bandleader Dean Wareham as Dean & Britta. Wareham and Phillips married, and scored several movies, including Noah Baumbach’s The Squid & the Whale. To boot, the couple appeared in Baumbach’s Frances Ha. Their label is aptly named Double Feature, and Luck or Magic is nothing if not cinematic, with Phillips’ voice soaring over lush, elegant arrangements. It doesn’t rock at all—the prevailing vibe is indie-for-minivans, and there’s a clutch of covers ranging from inspired (Evie Sands’ “One Fine Summer Morning”) to pointless (Fleetwood Mac’s “Landslide” and The Cars’ “Drive”). But with the dreamy, shambling “Ingrid Superstar,” Luck or Magic closes on a high note; here’s hoping Phillips’ next act provides more of the same.

La Sera

Music for Listening to Music to (Polyvinyl)

With his cover of the 1989 album, Ryan Adams broke through to a few million Taylor Swift fans who had never heard of the scruffy North Carolinian. Adams’ comrade for the stunt was guitarist Todd Wisenbaker, and if the world is just, those fans will check out La Sera, the husband-and-wife band comprising Wisenbaker and singer Katy Goodman.

Goodman first earned notice as Kickball Katy in the wonderful Vivian Girls; their specialty was punky garage, but they could also slow it down—it’s this dreamier side that Goodman emphasizes in La Sera. Produced by Adams, the goofy album title, Music for Listening to Music to, belies a wistfulness better indicated by the song names: “Begins to Rain,” “Take My Heart,” “I Need an Angel” and “Shadow of Your Love.”

Adams could have put a bit more air into the recordings—nothing here glows like “Love That’s Gone” from La Sera’s Sees the Light (2011). But Goodman still sings like a Shangri-La; there’s pleasing twang and jangle aplenty; and it’ll probably sound great when La Sera tours with Titus Andronicus later this spring.

The Dandy Warhols

Distortland (Dine Alone)

In the marvelous rockumentary Dig!, The Dandy Warhols’ main mover Courtney Taylor-Taylor came off as a brazen careerist—and who wouldn’t, with a foil like The Brian Jonestown Massacre’s unhinged Anton Newcombe? Indeed, while BJM crashed and burned, the Dandys broke through in 2001 with the advertising anthem “Bohemian Like You.” But after this blasé hit, they pretty much fell off the radar, despite releasing several albums of dependably slick, catchy-if-disposable indie-pop. So, if nothing else, The Dandy Warhols get points for staying power.

Happily, there’s more to recommend Distortland, a loose-limbed collection of stripped down, melodic jams touring through shoegaze (“Doves”), upbeat stoner rock (“Pope Reverend Jim”) and country- tinged noir (“Give”). Taylor-Taylor almost sounds like he’s trying not to impress, but the result sounds comfortable and assured rather than complacent. Distortland may not be essential, but it’s a solid set of crowd-pleasers that would work well in a busy lunch joint, in your car at 5pm on a Friday or maybe at the 9:30 Club in D.C.—the Dandys will be there on April 17.

Nick Rubin

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Knife & Fork Magazines

Spring is here! And so is the new issue of Knife & Fork…

The spring issue of Knife & Fork is on stands now! Here’s what you’ll find inside (and below, find a digital copy of the issue).

Photo: Tom McGovern
Photo: Tom McGovern

Green giants

The arrival of spring means bikini season is just around the corner, patio seating returns to the Downtown Mall and it’s time to start looking for fresh produce. This issue hones in on leafy greens—from restaurant salads to storing lettuces at home. Trust us, it’s easy going green. READ MORE HERE.

File photo.
File photo.

Bourdeaux and beyond

As ground zero for some of the globe’s most widely grown grape varieties, France’s Bordeaux region is as valuable as its far-reaching and varied diasporas, like Virginia. A handful of local wineries are taking the Bordeaux-style blend and tweaking it according to soil and taste. READ MORE HERE.

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Go greens! This spring, we’re loving leaves with everything

If we could assign a color to each season, it’d go something like this: orange for summer, red for fall, blue for winter. And for spring? Green. It’s the color that symbolizes growth and, for a season in which everything, er, springs back to life, we couldn’t think of a better topic than nutrient-rich leafy greens. This issue celebrates the lush veggies found in everything from salads to spreads. We’ve talked to folks who grow them, cut them, prepare them and have opinions on which ones might have the power to outlast their 15 minutes of fame (we’re looking at you, kale). We’re going green this season. Don’t lettuce be the only ones.

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Knife & Fork Magazines

Working with the land: Virginia’s Bordeaux-style blends take cues from the past, but look to the future

Over the course of a dozen centuries, wines from France’s Bordeaux region have revolutionized today’s world of wine. As ground zero for some of the globe’s most widely grown grape varieties, Bordeaux itself is as valuable as its far-reaching and varied diasporas. Virginia embodies pieces of a Bordeaux diaspora, so to truly understand Virginia wine, we must first explore the long ago and faraway vines that stood sentinel along Bordeaux’s Gironde River Estuary.

Thanks to Roman soldiers who spread the vine throughout the Roman empire, wine arrived in Bordeaux about 2,000 years ago. Bordeaux wine enjoyed local popularity until the marriage of Aliénor d’Aquitaine and Henry Plantagenet opened up trade routes to Britain. The Bordeaux region transformed into a wine export economy, with the Gironde River as a prime conduit to ocean trade routes during the height of the sea navigation age. The Bordeaux wine region of this era was much smaller, with substantial vines in the Graves area, and some plantings on the Right Bank. The now-famous vineyards of Château Lafite, Mouton, Margaux and Latour? They were…under water.

About four centuries ago, when Dutch merchants waded across the wetlands along the Gironde’s Left Bank, they built a series of canals and drainage ditches that successfully drained the area. Little did they know that they exposed some of the great vineyards of the future. When the water drained away, an interesting melange of soils remained, left behind by a glacier’s retreat at the end of the last Ice Age.

Soils and grapes

These soils birthed some of the most important grape varieties of all time: Cabernet Sauvignon and Merlot. Sauvignon Blanc and Cabernet Franc were born close by, but made their home in Bordeaux. From this great incubator of genetic vine material, cuttings traveled by ship, air and land to new places. Even if you’re not a fan of the varieties, it’s impossible to deny their far-reaching impact on the global economy. Imagine a world without New Zealand Sauvignon Blanc, without California Cabernet Sauvignon or Merlot, no Chilean Carménère and no Virginia Cabernet Franc. Without the Bordeaux diaspora, the vinous landscape would be barely recognizable.

But the soils. Deep gravels in some areas, with hints of clay in others—the many soils of Bordeaux became a place where multiple grapes worked in tandem. Merlot loves the moisture-rich clays and Cabernet likes the moisture- regulating gravels that also soak up heat and slowly release it at night, keeping vine temperatures in a sweet spot for ripening. Apply this thinking to the diaspora, and throughout the world you’ll find plenty of Merlot on clay and cabernet on gravels.

Left Bank (gravel) blends are based mostly on Cabernet Sauvignon, then Merlot and Cabernet Franc in smaller amounts, and many wines incorporate a tiny amount (1 to 2 percent) of Petit Verdot as “spice.” Right Bank (clay) blends are based mostly on Merlot, with Cabernet Franc following behind.

At Barboursville Vineyards, winemaker Luca Paschina has experimented with adding one of his favorite grapes, Nebbiolo, to the winery’s Bourdeaux-style blend. Photo: Amy Jackson
At Barboursville Vineyards, winemaker Luca Paschina has experimented with adding one of his favorite grapes, Nebbiolo, to the winery’s Bordeaux-style blend. Photo: Amy Jackson

Why blend?

In the United States, we’re accustomed to seeing bottles of this or that grape variety. Why blend varieties together? Bordeaux vintages differ vastly from one another, and with many grapes to choose from, each ripening at a slightly different time, different grape varieties can make or break your crop. A rain at the beginning of the harvest might not affect your late ripeners, and a storm at the very end of the harvest may only affect the last of the fruit. Planting many different blending grapes, some that come in to the winery earlier than others, allows you to hedge your bets a little, without fear of losing your entire crop if bad weather erupts.

Like Bordeaux, Virginia experiences drastic vintage variations. Around Charlottesville, harvest time can be interrupted by hail, rain, droughts and hurricanes. Rachel Stinson Vrooman, of Stinson Vineyards, observes that Bordeaux-style Meritage blends provide an insurance policy in a difficult vintage.

“Ripening Cabernet Sauvignon is a challenge in Virginia due to late-season rain and humidity,” she says. “Petit Verdot can provide the tannic structure that is often missing in our Cab Sauvs. Cabernet Franc does the best in our soil at Stinson, which is a red clay loam. It provides finesse and adds perfume. Merlot makes a softer, more accessible wine—and is also the first to ripen in most years. A sturdy Merlot can make up for a lot of shortcomings in other varietals.”

And then there are the aesthetics—a blend can allow you to capture Merlot’s soft fruit center, the powerful tannins of Cabernet Sauvignon, the savoriness of Cabernet Franc and the dense spiciness of Petit Verdot all in the same wine. Like an orchestra performance as opposed to a solo, multiple varieties blended together can round out the wine and hit more pleasure points—acid, tannin, structure, fruit, minerality—without committing to just one characteristic profile.

Bordeaux-style in Virginia

Virginia’s wine industry looks promising through the lens of Bordeaux’s history. Bordeaux-style blends account for many of the great wines in this state.

The benchmark producer of Bordeaux-style Virginia red is Jim Law at Linden Vineyards. Law has something on his side that only a handful of other Virginia winemakers have: time. Three decades in, he’s had the time a new winery needs to learn and reflect, act on mistakes and grow to embody a particular vision.

“The relationship between grape variety and soil is super important,” Law says. “I always knew it was important, but about 20 years ago, I began to understand how important it really is. I went to Bordeaux, and it became quickly apparent what that [vine-soil] relationship was, and what I needed to focus on. When I planted in ’85, it was hit and miss. Well, I missed with the reds.” To compensate, 15 years ago he began replanting the vineyards in a more soil-appropriate way, which made a noticeable difference. “The wines are much better now.”

Law has granite and greenstone soils at his home vineyard, which make for powerful reds chock-full of minerality. Closer to Charlottesville, we have red clay, and the wines express themselves a bit differently than those at Linden Vineyards. One blend that stands out as an ambassador of Virginia’s wine industry is Barboursville Vineyards’ Octagon blend. Winemaker Luca Paschina makes the wine in great years with a core of Merlot and Cabernet Franc, blending in Petit Verdot and Cabernet Sauvignon when possible.

In making his Bourdeaux-style blend at King Family Vineyards, winemaker Matthieu Finot focuses on a Right Bank Merlot-based blend. Photo: Rammelkamp Foto
In making his Bordeaux-style blend at King Family Vineyards, winemaker Matthieu Finot focuses on a Right Bank Merlot-based blend. Photo: Rammelkamp Foto

Beyond Bordeaux

A few Virginia winemakers are taking the Bordeaux-style blend and tweaking it for their soils and tastes. Matthieu Finot, winemaker at King Family Vineyards, doesn’t plant Cabernet Sauvignon, finding it unsuited for his soils. He focuses on a Right Bank Bordeaux-style, Merlot-based blend. Instead of following Bordeaux’s trend of using 1 or 2 percent of Petit Verdot to add spice to the wine, Finot adds closer to 25 percent. “The Petit Verdot brings some structure, volume and tannin, without losing the finesse and subtlety of the Merlot,” he says.

Paschina has experimented at Barboursville by integrating one of his favorite grapes, Nebbiolo, into a classic Bordeaux-style. He wonders if there could be a unique grape blend different than European models that makes sense for Virginia.

Ben Jordan, winemaker at Early Mountain Vineyards, has the same hunch. He senses that, as a new wine region, Virginia still has much to learn. He wants to make Virginia blends viable for Virginia soils and climates, rather than blindly following Bordelaise tradition. “It’s great that we are making Bordeaux- style blends, and they can be very good,” Jordan says, “but I think it is important for us to be open to veering from the Bordeaux model, because we can. An example is using Tannat in blends that have a good amount of Cabernet Franc. We are not Bordeaux, we are Virginia, and we’re not done yet.”—Erin Scala

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Knife & Fork Magazines

Carrot gold: Oakhurst Inn’s bangin’ brunch cocktail

With just the right balance of sweetness and spice, Oakhurst Inn’s Bloody Mary is an inventive take on the classic: vodka, fresh-pressed carrot-ginger juice and a splash of Tabasco topped with garlic-stuffed green olives and pickled green beans. Call it orange juice and you won’t feel so guilty ordering a second.

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Knife & Fork Magazines

The art of tart: Arley Arrington shares a few baking secrets

Whether Arley Arrington is frying donuts at Brookville or whipping up macarons in her home kitchen, we just can’t get enough of her sweets. We asked the owner of local baking company Arley Cakes a few questions—from her guilty pleasure food to how to make her strawberry tart at home.

Arley Arrington, owner of Arley Cakes, fills custom orders for weddings and events and also invents new recipes in her home kitchen in the Prospect Avenue area of Fifeville. Photo: Amy Jackson
Arley Arrington, owner of Arley Cakes, fills custom orders for weddings and events and also invents new recipes in her home kitchen in the Prospect Avenue area of Fifeville. Photo: Amy Jackson

Knife & Fork: What’s your favorite kitchen utensil or tool?

Arrington: A good friend of mine loaned me her KitchenAid mixer on a long-term basis, since she never used it. I’ve had it for about a year and a half now. Sometimes, I try to imagine my life before the mixer was in it, and it just doesn’t make sense.

Do you have any guilty pleasures when it comes to food?

Utz Cheezballs. My 2016 New Year’s resolution is “eat more food,” which mostly means “Stop eating a giant bowlful of Cheezballs and calling it a meal.”

What advice would you give someone who wants to be a professional baker?

Go for it! You might have to put in a lot of hours being paid not a lot of money (or no money at all), doing some less-than-glorious work (or volunteering), but it’s attainable. I’ve been baking my butt off and working in the food industry here for five years, but it’s only been in the most recent one that I’ve actually been able to make money off of baking. You have to stick to it. Also, get good shoes. And by good, I mean very ugly, but very supportive.

STRAWBERRY MINT AND CREAM CHEESE TART

Tart crust

1 1/4 cup flour

1/4 cup sugar

1/2 tsp. salt

1/2 cup butter, cut into 1/4″ cubes

1 egg

Combine the first three ingredients. Add the cubed butter, cutting it into the flour until it resembles coarse sand. (You can use a pastry cutter, or two knives if you don’t have one.) Beat the egg, and mix it into the dough until it just starts to come together. Quickly knead the dough by hand to finish combining all ingredients. Shape it into a disc, wrap it in plastic wrap and chill it for about an hour. Roll the dough out on a well-floured surface to about a 10″ diameter (for a 9″ tart pan). Press it into the tart pan. Poke it with a fork in several places. Cover it in foil and chill for 30 more minutes. Fill tart pan with pie weights or dried beans. Bake at 375 degrees for 15 minutes. Remove the foil and weights and bake for 10 minutes longer or until the crust is golden. Allow the crust to cool.

Cream cheese filling

8 oz. cream cheese

1/4 cup heavy cream

2 tbs. butter

1/4 cup super fine sugar

1 tsp. vanilla

1 tsp. lemon juice

1/2 tsp. lemon zest

2 cups strawberries,
hulled and sliced

2 tbs. fresh mint

Beat first four ingredients together until stiff and completely smooth —there should be no sugar grains remaining. Add the vanilla, lemon juice and zest. Beat well, making sure all ingredients are combined. Pour filling into cooled crust. Arrange strawberries on top of filling. Sprinkle with mint. Tart is best served the day it has been made.

Berry good times

Want to pick your own? Strawberries have a short season (mid-May to June), but you can find them at Chesterfield Berry Farm, Chiles Peach Orchard, Critzer Family Farm, Middle Fork Farm and Silver Creek & Seamans’ Orchard.

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Knife & Fork Magazines

Dinner for two: Firefly chef Diana Sbaitri shares meals with her overseas husband

It’s dinnertime at chef Diana Sbaitri’s house. She’s put two plates on the table, one for her and one for her husband, Morad. There’s just one thing missing: Morad. A chef based in Berkane, Morocco, he’s in the process of getting a visa to live in America with his wife. To cope with the distance between them—an 18-hour plane ride—Sbaitri has a nightly ritual.

“I make him a plate every night and send him photos, descriptions and sometimes recipes that he can try,” Sbaitri says. “It’s for us. It’s setting aside the time every day to say, ‘This is what I would be cooking you tonight if you were here.’”

The couple met through social media: Sbaitri, who runs a home-based catering business and cooks part-time at Firefly, showed up on Facebook as a friend suggestion for Morad via a group for international chefs. He sent her a request right away (“He said he liked my ‘shy smile like the Mona Lisa,’” Sbaitri says).

“I didn’t respond immediately and he started sweating it a little, hoping I would,” says Sbaitri. Once she did, they discussed their shared love of food and, eventually, their shared goals and values. They wed in Morocco in July 2015.

“People from all over the world, especially fellow chefs, followed our love story on social media and were really inspired by the fact that we are both chefs in love making this huge leap together from halfway around the world because it can be brutal in this profession trying to find the person you’re looking for in life.”

Sbaitri will ask Morad to pick a protein or a type of cuisine and she’ll make what he chooses (“unless it’s my turn to pick”). She says it’s their way of creating normalcy in an abnormal situation. And Morad makes food for her, too. Often she’ll receive photos of him cooking at the restaurant where he works or of a plate he’s created for her, with “Diana” or “Honey” written in a sauce on the plate’s edge.

“It means a lot to him,” Sbaitri says. “I cook something different every night and he gets exposed to different food cultures, learns more about the spices we readily use here, plating styles. …I’m currently trying to teach Morad more Peruvian food and he’s teaching me Tajine. We continue to educate each other and grow more as a couple because of it.” (And the couple’s dog grows, too: Their 125-pound Newfoundland, Ursa Major, gets the leftovers Sbaitri prepares.)

“We sort of see our own story as being special and unique in that way because it’s both food and love conquering all.”

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Knife & Fork Magazines

Living history: Charlottesville restaurants we miss (and those we’ll go on loving forever)

The scene of a movie, the site of a mooning, an old inn reassembled from parts: Here are six local restaurants that have set the bar when it comes to keeping things interesting (and standing the test of time).—Laura Ingles, Dan Testa, Lynn Thorne and Caite White

1890

Timberlake’s (322 E. Main St., Downtown Mall)

Some things never change. When it comes to Timberlake’s, the beloved Downtown Mall drug store with a lunch counter in the back past the pharmacy counter, that’s a good thing. Though it’s been remodeled since it opened in the late 19th century, the back room still looks much like it did in the 1960s: cherry red bar stools, a checkered tile floor and a big fireplace that provides a warm lunch spot in the winter.

Framed photos of the shop (and friends of the shop) over the years help paint a picture of its history, and put diners in the mood for an egg cream. Go ahead and treat yourself to a Coke float with a giant scoop of chocolate ice cream.—L.I.

1923

The Virginian (1521 University Ave.)

The Virginian is to Charlottesville dining what the Rotunda is to academia here: the foundation for much of what flourishes today. Opened in 1923, the “V” persevered through Prohibition in the 1930s and louche affairs downstairs in the 1970s.

UVA students and alumni still fill it seven days a week. One of them, Andy McClure, bought the restaurant in 2001. He cites the Stumble Down Mac N’ Cheese, named for the former downstairs pool hall, as an enduring favorite. “It’s the perfect blend of crunchy and creamy, and it can cure what ails ya,” he says.

Among McClure’s favorite trivia is that the V served as a backdrop for scenes in the 1991 John Cusack and James Spader drama True Colors. McClure calls those scenes, “a perfect representation of what people love about the place. It’s where friends meet, and what’s better than that?”—D.T.

1928

Michie Tavern (683 Thomas Jefferson Pkwy.)

When Corporal William Michie returned home to Virginia following his father’s passing in the late 1700s, he was bequeathed a tract of land. He built a home, then, in 1784, he received a license to operate an inn. It remained a hub of local activity—dances, church services and performances—until 1910, when the tavern was sold at a state auction to a family that kept it as a private residence for nearly the next two decades.

In 1927, local businesswoman Josephine Henderson bought the property to display her large collection of antiques. But its location on Buck Mountain was all but inaccessible. To capitalize on booming tourism, Henderson had it disassembled and moved 17 miles to where it stands today, at the base of Carter Mountain, a half-mile from Monticello. Currently a restaurant and museum, Michie Tavern is the largest grouping of reassembled buildings in Albemarle County—and the only place in town to get fried chicken delivered to your table by servers in period dress.—C.W.

1935

Riverside Lunch (1429 Hazel St.)

1944

Jak-N-Jil (1404 E. High St.)

You’d have to be an octogenarian to remember when Jak-N-Jil started slinging dogs on High Street. Established in the 1940s by the Vam Vakaris family, the greasy spoon is now operated by its third owner, John Vam Vakaris, and specializes in foot-long hot dogs with homemade chili. Burgers, fries, milkshakes and hangover-annihilating breakfast grub round out the menu.

Jak-N-Jil makes itself at home among the other blue collar spots on High Street, within a stone’s throw of Riverside Lunch, sandwich spot Tubby’s, Fabio’s New York Pizza and taco shop extraordinaire La Michoacana. And while it doesn’t get talked about as much as some of the others, its fans are no less ravenous.

“It’s one of those rare places where the food still tastes exactly like it did when I was a kid,” says Charlottesville transplant Beth Angell on Facebook. “And that’s a good thing!”—S.G.

1950

Korner Restaurant (415 Ninth St. SW)

1951

The Nook (415 E. Main St. NE, Downtown Mall)

1955

Foods of All Nations (2121 Ivy Rd.)

1963

Wayside Chicken (2203 Jefferson Park Ave.)

1964

The Colleen Drive-In (4105 Thomas Nelson Hwy., Arrington)

1965

Aberdeen Barn (2018 Holiday Dr.)

George Spathos opened the Aberdeen Barn in 1965 after falling in love with the storied “big time” steakhouses of New York City. According to daughter Angela Spathos, who now runs the place with her brother, Terry, George made his way to Charlottesville and met their mother, Maria, whose father co-owned a pool hall and bar on the Downtown Mall. He helped George start “the Barn.”

“The restaurant business is definitely in our genes,” Angela Spathos says. “We have gotten to know many families over the years and many have become like family to us.”

More than 50 years later, generations still gather in the warm, wood-paneled Aberdeen Barn for a classic steakhouse experience, including the renowned, slow-roasted prime rib. On a recent Friday night, diners in the bar gathered around basketball on flatscreens, while at the other end of the room, an older couple swayed to the jazz piano playing.—D.T.

50+ years

The White Spot (1407 University Ave.)

1969

Spudnuts (309 Avon St.)

How do you make a donut that delights a town for nearly 50 years? Make “friendliness part of the recipe,” according to Spudnuts founder Richard Wingfield. Wingfield passed away in 2005 but his daughter Lori and her husband, Mike Fitzgerald, continue the tradition today with same delicious results.

Fitzgerald says they serve “the best people in the world,” who comprise a diverse group from high school seniors to senior citizens (some of who have been “meeting there every day for 40 years to discuss life and politics”). Customers nosh on the best-selling glazed and the blueberry, along with a few newer additions.

“It’s a hard business with long hours” (he comes in between 12:30 and 1am each day) but “it’s almost like you put a smile on their face and that makes it worth it.”—L.T.

1970

Lord Hardwicke’s (1248 Emmet St. N)

1975

Integral Yoga (923 Preston Ave.)

1976

Littlejohns’ New York Delicatessen (1427 University Ave.)

When they say open 24/7, they mean it, which might be why Littlejohns’ has been around for 40 years. The Corner deli has literally been open every day since it opened, regardless of weather or holidays. In the case of snow, management has been known to arrange carpools with whoever has access to four-wheel drive, and put employees up in a nearby hotel so they can make it in to work.

As for the menu, owner Colleen Strong says it doesn’t change very often, but occasionally the team behind the counter will come up with a new combination, or someone will come in with suggestions. The most recent one came a few years ago, when members of the 21 Society at UVA showed up outside the restaurant with cloaks covering their faces and sampled several sandwiches until choosing the sub with ham, bacon, cheddar and blue cheeses, onion, lettuce and tomato as the society’s namesake.—L.I.

1976

C&O Restaurant (515 E. Water St.)

1977

Crozet Pizza (5752 Three Notch’d Rd., Crozet)

Bob Crum wasn’t trying to be trendy when he started making pizzas with fresh, local ingredients in 1977. He just wanted to make good pies. He never would have called the pies “bespoke”—or any other hipster nonsense—but that’s exactly what they were.

“We’ve gotten bigger, but I still remind the kitchen not to rush things,” says Crum’s daughter Colleen Alexander, who now runs both the original Crozet location and a newer spot on the Corner with her husband. “We’re making each pizza individually for the customer. We’re putting that special love and care in.”

That means sourcing their basil from a family friend, coming up with inventive topping combinations and sticking to the original dough recipe (developed by Alexander’s mom) and spice mixture (developed by Crum).

“We’ve grown because word got out. My dad never really advertised,” Alexander says. “It just became popular because of the product.”—S.G.

1979

Fellini’s #9 (200 Market St.)

1981

Miller’s (109 W. Main St., Downtown Mall)

1983

Duner’s (4372 Ivy Rd.)

Bob Caldwell was a cook when Duner’s opened in 1983, serving what he described as a “diner-y” menu seven days a week. He bought the restaurant in 1988, presiding over its evolution into an Ivy fixture offering casual fine dining with seasonal ingredients. In that time he’s witnessed the renaissance of locally sourced ingredients.

“When we first opened we actually got local eggs, local chickens and local rabbits from local farmers back then,” Caldwell says. “It’s come back, which is great.” Among changing specials, menu mainstays include sweetbreads and crab cakes. “I have people calling me weeks ahead of time to see when softshell crabs show up,” he adds.

Historical highlights include Muhammad Ali signing tablecloths at Duner’s in the ’80s, dishwashers who robbed a bank and hid the cash in a storage room and the infamous “Duner’s mooning” incident following an argument between customers.—D.T.

1984

Mel’s Cafe (719 W. Main St.)

While the West Main neighborhood surrounding Mel’s Cafe has changed dramatically over the more than three decades since owner and operator Melvin Walker opened, his approach has not: Southern comfort food served in a warm, casual atmosphere.

That attitude, with help from Walker’s wife, Tia, has made Mel’s Cafe a Charlottesville institution. “We treat people very friendly, make them feel at home. Especially my wife, she talks a lot,” Walker says. “People ain’t never been here before, she acts like she’s known them for years. That attracts a lot of people back to us.”

Born and raised in Vinegar Hill, Walker has been working in restaurants since age 11. He recalls cooking nights at The Virginian after school at age 13. That experience comes through in dishes that attract locals and tourists alike. “Most people come in holler about the fried chicken and the barbecue ribs and fresh made ground burgers,” he says.—D.T.

1985

Chaps Ice Cream (223 E. Main St., Downtown Mall)

1986

HotCakes (Barracks Road Shopping Center)

Sal’s Caffe Italia (221 E. Main St., Downtown Mall)

St. Maarten Cafe (1400 Wertland St.)

Photo: Ed Roseberry/C'ville Images

Memory palaces

We took to Facebook to ask readers what restaurant they missed the most. Of over 100 responses, these are our favorites.—C.W.

“I grew up in the Gaslight, which was founded by my stepfather, John Tuck, and have a wealth of memories of the restaurant at all three of its locations—the original spot in the old Albemarle Hotel at 615 W. Main St.; its second location in Barracks Road Shopping Center, at the old fountain, where it became The Gaslight Fountain Restaurant (currently Five Guys); and its final location back on West Main next door to its original location (now an empty storefront but most recently The Horse & Hound). John was a very colorful character, and very well-known around town. By the way, the waiter in the photo is Norman Goins, who was also probably known to everyone in Charlottesville. The kitchen was very ably presided over by William Morse, who probably cooked more meals for me than my own mother. William cooked a New York strip to perfection, and made a mean London broil. He also prepared delicious lobster, which were shipped in fresh from Maine on a railways bus, from the live tank in the dining room.

I used to go down to the bus station with John to pick them up in their huge styrofoam box, and it was my job to unpack them and place them in the freezing cold saltwater tank (or throw them away if they hadn’t survived the trip). The Gaslight opened in 1961, and for quite some time was regarded as the only real restaurant in town. At the opening, John offered a free dinner to anyone who donated an interesting piece of décor, and that’s how the restaurant ended up with its amazing collection of diverse decorations, including a giant stuffed walrus head that surveyed the dining room while wearing an old silk top hat.

Other pieces that stick out in my memory are an oil painting of the four horsemen of the apocalypse that
used to scare the bejesus out of me when I was a child, and an electric kaleidoscope projector hanging from the ceiling that played a psychedelic color show across the dining room every night until the restaurant moved to Barracks Road in the mid-’70s. Pretty much every act that came to give a concert at UVA during the ’60s and every personality who came to speak at the university had dinner at the Gaslight, ranging from Bob Dylan to Alexander Solzhenitsyn. I remember one of the old menus on which the entire back of the page was covered in the names of famous people who had dined at The Gaslight.”—C.B. Stevens, Keswick

“Espresso Corner in the location which became Orbitz, now Boylan Heights. I was a barista there from ’98-’99. Became addicted to iced mochas there, and spent countless hours when not working, studying and talking to all the regulars. A lot of grad school students studied there, and some even held their office hours there. We had a tab system on 3×5 cards where the regulars could pay their bill just once a month.”—Amanda Schwab Maglione, Charlottesville

“The Mousetrap on the Corner was unique because when you entered, you received a red ticket and all of your beverage and food orders would be written on it by the waitress. Then, when you were ready to go, you took that red card to the cashier to pay. You could not leave without turning in that card and paying. Many tried.”—Terry Gebs Burton, Crozet

“Loved the Bluebird when it started out in McIntire Plaza—even spotted Bill Murray in there once!”—Colleen Church, Charlottesville

“Well, the best restaurant to dance to live music at (other than the C&O) was the Mouse Trap in the ’70s. Many wonderful evenings, although illegal (who was checking?) because I was not yet 18. I recall being dazzled by Muddy Waters at the Mineshaft as a wee teen, but normally that hole-in-the-ground was way too crowded and smoky.”—Ginny Daugherty, Charlottesville

“Worked through UVA at Main Street Grill (now Roots Natural Kitchen), Northern Exposure (now El Jaripeo) and Mingles Karaoke Bar (now Lost Saint). Memories of busy nights in the kitchen and lots of late nights at the bar. Also can’t forget the cheese sticks from Chanellos Pizza!”—Kate Collier, Charlottesville

“Oh, I loved the Cotton Exchange. And I used to work at the Bluebird Cafe. So many stories. Circa 1990 a couple of gray-haired, martinis-for-lunch suits who were on their way out mistook owner Margaret Granger for a waitress and asked her, ‘Who runs this place?’ She smiled and said, ‘I am the owner.’ They were drunkenly flabbergasted. ‘You run this whole place all by your little self?’ As a naive graduate student, I had never seen such flagrant sexism right in my face before. I had also never seen Margaret so beet-red angry.”—Kristin Wenger, Charlottesville

“Eastern Standard met the challenge of opening on the Downtown Mall and included the original Escafé, where the same kitchen produced less expensive food of the same amazing quality. It had an LGBTQ openness with Mulroney’s, where you could hold hands with your sweetie without side eye from anybody!”—Roberta Williamson, Charlottesville

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Home sweet home: Bigger is better at Gearharts Fine Chocolates 

Tim Gearhart outgrew his space in the Main Street Market five years ago, but it wasn’t until late last fall that he opened his new store in the Vinegar Hill Shopping Center next door to Staples. Gearhart’s business had grown enormously since it opened in 2001, back when he used two forks to hand-dip every piece of chocolate, and “it got to the point where we had to make a change,” he says. “We loved the Main Street Market, it’s a great part of our DNA, but it was time to leave, and it came down to how important it was to produce where we sell.” 

Photo: Tom McGovern
Photo: Tom McGovern

“We could have made [our products] somewhere else much cheaper and trucked them to the [West Main Street] store, but in the end, we decided not only to make the move, but to take the opportunity to enhance our footprint in Charlottesville,” he says, adding that his goal is to make the city a destination for chocolate in the same way it is for wine and beer.

Photo: Tom McGovern
Photo: Tom McGovern

Gearharts’ small, dark, former location “wasn’t exactly a place to bring family when they were in town,” he says, but he has room enough in his new eat-in café for plenty of customers to enjoy his wares, which, in addition to the 12,000 pieces of chocolate made daily (“when we’re going full-tilt,” he says), now include chocolate- centric desserts, such as cakes, tortes, cookies, brownies and cupcakes. And you can’t beat the view: A large window on one side of the cafe allows guests to watch the magic happen in the “chocolate room” of the new kitchen. It’s here where Mayas (cocoa-dusted bittersweet chocolate ganache balls that are part of Gearharts’ signature line of 16 chocolates) are hand-rolled (as many as 600 a day during the Christmas rush), and fillings, such as nuts, fruit and caramel, are coated in chocolate by an enrobing machine that can cover 2,000 pieces an hour and has allowed Gearhart to retire his dipping forks. Two hundred chocolate bars are also hand-wrapped every day in this space.

But Gearhart, a Marine Corps cook, Culinary Institute of America grad and former pastry chef at Hamiltons’ at First & Main, says he hasn’t created “an endless factory.”

Photo: Tom McGovern
Photo: Tom McGovern

“We’re not doing anything different from what we did on day one,” he says. “We’re just doing more of it,” including serving custom chocolates to French President François Hollande during a State Department luncheon, says Gearhart, who uses a blend of Valrhona chocolate made exclusively for him in France. When pressed, he says the Peanut Butter Pups (milk chocolate and peanut butter puppies with dark-chocolate faces and almond ears) are among his best sellers. Gearhart’s products can be found in 300 stores around Virginia, everywhere from mom-and-pop wine shops to Whole Foods.

“I love making people happy, and what better way to do it than with chocolate?” he says. “I tell my employees how lucky we are to get to do something like this every day. It’s not a bad gig.”