Categories
News

Day 1: Jurors selected in Eramo v. Rolling Stone defamation trial

Nearly two years after Rolling Stone put UVA in the national spotlight with an article called “A Rape on Campus,” 100 potential jurors crammed into U.S. District Court October 17 for the start of a 12-day trial to determine whether the magazine, reporter Sabrina Rubin Erdely and Wenner Media LLC defamed former UVA associate dean Nicole Eramo.

_MG_0886
Defendant Sabrina Rubin Erdely, second from left, and a phalanx of lawyers head into court. Photo Eze Amos

 

The story of first-year Jackie’s brutal gang rape in 2012 at Phi Kappa Psi roiled the university community with angry protests, vandalism and a suspension of fraternity social events—until Jackie’s story unraveled. Charlottesville police investigated and could find no evidence the attack took place, an investigation with which Jackie refused to cooperate. Rolling Stone asked the Columbia School of Journalism to investigate, and its scathing 13,000-word assessment called it “a journalistic failure that was avoidable.” Rolling Stone retracted the story.

In May 2015, Eramo filed suit seeking $7.85 million. Phi Kappa Psi and three of its members have also sued. The members’ suit was thrown out, but the fraternity’s case is scheduled to be heard next year.

Widespread publicity was a concern with seating a jury, hence the 100 citizens called in to make up a jury of 10, including three alternates. However, when the jurors were asked, nine had heard nothing at all about the article that became a national sensation.

Even last week, Rolling Stone filed hasty motions for sanctions against Eramo when it learned her lawyers had provided ABC’s “20/20″ with deposition videos that ABC aired October 14—three days before the trial was scheduled to begin.

The show featured Eramo, who described her fear of being fired after the story came out, and Erdely, who said she had believed Jackie.

“I have a feeling the judge is not happy they leaked it before trial,” says legal expert David Heilberg, who is not connected with the case. “That’s really bad form because it prejudices the jury pool.”

Judge Glen Conrad ruled that any depositions turned over to “20/20” could not be used in the trial. But, as Heilberg pointed out, Erdely is going to have to testify anyway because a civil trial does not offer Fifth Amendment protections against self-incrimination.

During the lengthy voir dire, potential jurors were questioned about their connections to UVA. Not surprisingly, 61 of them worked at or had attended the school, or had a family member who did. They were also asked if they’d ever been plaintiffs in a civil case—and whether they thought there’s too much litigation. They were asked if they had been victims of sexual assault, or if members of fraternities were more likely to commit sexual assault, the latter a question asked by Rolling Stone’s attorney Scott Sexton that Judge Conrad called argumentative and did not allow.

It was after 1pm when 34 jurors were dismissed, and Conrad plowed on through the lunch hour with more questioning.

The inquiry that had more than half the remaining jurors raising their hands: Who just doesn’t trust the media?

It was after 2pm when Conrad reminded the hungry jurors that jury duty was “one of the most important functions citizens can perform.” He also mentioned the trial was scheduled to last 12 days and that could include Saturdays.

He asked whether anyone had compelling reasons why they couldn’t serve, and more than a dozen lined up. “At $40 a day, I don’t feel very important,” said one male, who explained he was shorthanded at work.

“I can assure you that’s not a good enough reason,” said Conrad—although that juror was not on the final list of eight women and two men, who were named around 3:30pm.

At that point, the judge fed the jurors a snack and told them to decide how long they wanted to be in court each day. They agreed to a 10-hour day starting at 8am through 6pm.

At 4:30pm, the judge’s clerk read for an hour the 9,000-word article in question, “A Rape on Campus.”

The jury also heard Erdely in an interview she did on WNYC radio a few days after the article came out. What was shocking to her, she said on the show: “[Jackie] was brushed off by her friends and the administration.”

She also mentioned the administration’s “level of indifference,” which Eramo contends in her suit was Erdely’s purpose in publishing the article—to portray UVA as indifferent to rape and more interested in protecting its reputation than assisting victims of sexual assault.

First thing October 18, jurors heard a podcast of a November 27, 2014, Slate interview with Erdely, in which host Hanna Rosin calls the gang rape scenario “unbelievably extreme” and asked Erdely whether she contacted the alleged rapists, a question Erdely doesn’t answer.

As Erdely continued to talk in the podcast about how “doing nothing” about sexual assault at UVA “is perfectly fine” and survivors can go “unburden themselves to the dean, Eramo wiped tears from her eyes at the plaintiff’s table.

 

Backstory

September 28, 2012—Jackie goes on alleged date to Phi Kappa Psi, where she claims she’s gang raped.

May 2013—Jackie tells Nicole Eramo she’s been forced to perform oral sex on five men, but isn’t willing to say on whom or where it happened.

November 19, 2014—Rolling Stone publishes “A Rape on Campus: A Brutal Assault and Struggle for Justice at UVA.”

December 5, 2014—”Our worst nightmare,” Erdely writes in an e-mail. We have to issue a retraction.” Instead, Rolling Stone adds editor’s note saying the magazine’s trust in Jackie was misplaced.

March 23, 2015—Charlottesville Police announce finding no evidence of the gang rape Jackie described.

April 5, 2015—Columbia School of Journalism publishes “What Went Wrong?”, an indictment of the Rolling Stone story.

May 12, 2015—Eramo files suit against Rolling Stone et. al., seeking $7.5 million in damages and $350,000 in punitive damages.

Updated 11:25am October 18 with early morning trial coverage and timeline.

Correction October 21: The date of Jackie’s alleged assault was September 28, 2012.

C-VILLE’s coverage of the trial continues tomorrow. 

Categories
News

Activist calls for boycott of City Council

JoAnn Robertson has had enough. She was appalled at conditions facing elderly and disabled residents at Crescent Halls who spent the summer without air conditioning. Now she’s calling for a boycott of City Council in protest of its new public comment rules that went into effect in February—and that already have drawn a lawsuit.

At a press conference in front of City Hall October 14, Robertson called Mayor Mike Signer “a privileged white man,” who put a “higher value on efficiency and decorum” than on First Amendment rights. She blasted council for ignoring its own human rights commission and the citizens who objected to the implementation of a lottery for people signing up to speak at meetings.

“We the people demand that no [city] cameras be shut off,” she said, about an option now allowed. Nor does she like the mayor determining what is appropriate content, councilors no longer responding to citizens who speak, time limits on discussion of issues and the at-times increased police presence in council chambers.

Robertson has started an online petition to go back to public comment procedures before the new ones were implemented this year, and so far it has 79 signatures. She wants those who object to the new rules to join her at the Free Speech Monument in a boycott of the October 17 City Council meeting.

And she turned again to Signer and his concern about the dilapidated Landmark Hotel on the Downtown Mall. “I want to know how many times he’s been to Crescent Halls,” she said.

“Kristin Szakos and I were there the next morning after this came up at City Council for an hour and a half,” says Signer, “talking to property managers, looking at apartments and meeting with residents.”

Updated 5:30pm with comment from Mike Signer.

Categories
Real Estate

Historic Homes: Central Virginia Treasures

The most historic place around is not on the market. A red brick neoclassical dream house constructed from 1769 to 1784, remodeled from 1796 through 1808, and today valued at “priceless and inestimable,” Thomas Jefferson’s Monticello is on the National Registry of Historic Places and on every history buff and architecture lover’s bucket list to visit. But though strictly speaking it remains uninhabited, it is definitely Not For Sale.

The bedrooms are small for modern taste, anyhow. Not to worry, though—historic, attractive and affordable homes are abundant in Central Virginia, and increasingly popular with discerning homebuyers. Everyone knows they have character. Many are located where the action is, in and around revitalized city downtowns. But what some people don’t know is that an old home can be a real bargain.

“Everyone I have ever talked to who owns an historic home is happy they bought it,” says Sonja Ingram of Preservation Virginia, a non-profit organization dating all the way back to 1889 and dedicated to perpetuating and revitalizing the Commonwealth’s cultural, architectural and historic heritage. “People just love these houses.”

A “passion” for history, says Ingram, draws many homebuyers to older homes. So does an urge to be where history is being made. “Sometimes a newer house doesn’t have the same feel or character about it that people are interested in, and it’s not located in the areas people want to move to.  Millennials and retirees are moving back downtown. Downtowns have a huge stock of historic homes.”

“Somebody who is dedicated to urban living, which is a very sustainable lifestyle, can buy a building in the heart of downtown, or surrounding the downtown—and it’s walkable,” says Frank Strassler, Executive Director of Historic Staunton Foundation, a non-profit promoting the preservation and revitalization of historic buildings in one of the region’s most charming cities. Strassler grew up in a turn-of-the-century home, earned an undergraduate degree in historic preservation, and currently lives in an 1844 home with a 1926 addition on the back. “We see lots of young couples and college professors—a whole variety of people who are living in neighborhoods like New Town and Gospel Hill, who have purchased a turn of the century home. They love taking their kids in strollers downtown, going to the farmer’s market, and having that accessibility to the arts and all that’s happening downtown.”

Hip though they may be, “there are a lot of myths about historic buildings,” Ingram says. “One of those is that it’s more expensive to repair or renovate an historic house than it is to build a new one. And that’s not always the case. Oftentimes it’s less. Older homes that need repair are often very reasonable. People from New York and New Jersey and places where taxes are much higher have moved to Virginia and been able to purchase an historic home for relatively little compared to where they live; and since the taxes are much lower, they’re able to completely renovate those houses.”

That’s because most older houses were built well, with excellent craftsmanship, and with quality materials like old growth hardwoods and solid layers of brick rather than today’s more common brick veneers. In fact, says Virginia Estates REALTOR® Richard Walden, who resides in an 1890s stone house in Afton in Nelson County, one definition of “historic” would be anything before 1940, “just before the war. Because after the war construction techniques changed dramatically.” The advent of mass building and huge subdivisions, Walden says, produced “changes in quality and durability,” and probably skill levels as well. “I think they took a lot more care putting things together in old historic homes than they do now. Back then people were using wood that had grown slowly in the forest and had tight grains. I was talking to a builder yesterday about when they would put pine siding on houses because it had such a tight grain and high resin content. If you took a current pine tree that’s grown ultra-fast, with loose grain, it wouldn’t last five years as siding, no matter what you did to it.”

Similar changes took place “throughout the whole system,” Walden believes. “Cinder blocks began to be used around 1910. Before that it was hand-formed concrete foundations, and then stone before that and brick in between. It’s changed quite a lot, in every possible way. The last historic home I sold was Seven Oaks out in Greenwood. It was on a hundred acres and was built like a bomb shelter.” Dating to 1850, with “really thick walls, super solid material, and really nice trim and finishes, it looks like the day it was built.”

Purchasing an historic home that’s a fixer-upper can make good financial sense, Strassler agrees. “Someone who is new to buying a home can buy a smaller home with quality materials, slowly rehab that building in an affordable manner, and end up creating, through careful selection of materials and planning, a very sustainable and energy-efficient home. All historic architecture is adaptable for the 21st century. While the high style homes”—like the Queen Anne, Italianate, French Second Empire, Colonial Revival structures that abound in Staunton—“grab a lot of attention, we encourage people to rehab the vernacular architecture as well.”

Tax credits are another financial incentive when the home in question has received official designation. “If you have an historic house and it’s in an historic district, or it’s listed on the national or state register (the National Historic Register and Virginia State Historic Register), you may be qualified for state tax credits,” Ingram says. “Contact the Department of Historic Resources; you might be able to get tax credits for rehab work.” Not all work will qualify, however. Official designations don’t prohibit owners from adding contemporary touches, but those additions might change the status of the building.

“If you are designated on the National Historic Registry, it doesn’t necessarily prohibit you from making changes that are not in the same language as the history of the building,” says REALTOR® Murdoch Matheson, who specializes in estate homes, equestrian and working farms, and large country properties. “You can put a big modern addition on an historic building, but you might lose the designation.” It’s the owner’s choice—renovate freely, or stick to official guidelines. In fact, many property owners seek official designation for the sake of tax credits that offset the price of the architect or general contractor.

“If you’re on the Historic Register, you have to meet certain criteria to renovate it and to add onto it,” Walden says. “Any additions have to be in keeping with what the original appearance was. That goes for materials and colors and everything.” On the other hand, “you’re pretty much allowed to do what you want inside. There is an historic home in western Albemarle County off of Garth Road that looks perfectly traditional outside, but the inside was done up in a southwestern motif just totally out of touch with the exterior.”

Much of Preservation Virginia’s work is with homeowners, helping to answer technical questions, and making referrals to builders and contractors when need be. While historic homeowners in Central Virginia have a large pool of experienced contractors to choose from, many repair jobs are easier than they might appear—and there might be fewer such projects than expected. “Sometimes I think people come in with the assumption that they have to replace a lot,” Strassler says, “and generally you shouldn’t be replacing a lot of things. Many of the building materials – windows, doors and plaster work – are all reparable. So  learning the techniques to  repair those items rather than throwing them out and replacing them surprises people. They really can do those things; it certainly is within their skill set to learn how to do them.”

But pay attention to water. Strassler cautions: “People forget when they buy a home that water is their greatest enemy. You’ve got to have a sound roof. You’ve got to have gutters that carry the water away from the building, and you need to carefully look at the landscape and ensure that the ground surface is not leading water to your foundation but away. That’s where we see the biggest deterioration in buildings.”

While Staunton and other cities have preserved many historic homes, they can be found throughout the region. “If someone from another state wants to move to Charlottesville and wants to renovate an older house and doesn’t know where they are,” Ingram says, “oftentimes we recommend that they contact the local historical society.”

“There are magnificent homes throughout Virginia,” Walden says. “Scores of them, mostly brick. Clay is a native material on your farm; you can dig it up, bake it, and have your materials right there.” Also, of course “there was plenty of wood in the forest, so you didn’t have to go very far for it.” Then there was the Buckingham slate quarry for roofing. “Everything was not imported from China.” Central Virginia also has a stock of late 18th century stone homes, built by the former German mercenaries (Hessians) who had fought for England in the Revolutionary War. Many stayed and built homes in the Shenandoah Valley.

Starting from Charlottesville, “every direction you go has its own topography and story,” Walden says. “If you go northeast on route 231 you’ll be in Jefferson territory. There are a lot of large plantation estates up that way, dating as far back as the 1730s.” Castle Hill (1764), for example. Legend has it that in 1781 Dr. Thomas Walker delayed Lieutenant Colonel Banastre Tarleton’s troops there to allow Jefferson, Patrick Henry and other legislators to escape. Originally 15,000 acres, it was gradually broken up into large parcels. Today the original mansion sits on 175 acres including a horse barn, gardens and pool, and estate buildings, and is again for sale.

Out in Free Union, the Federal-style home on Hidden Springs Farm was built in Brookneal circa 1800 for Patrick Henry’s daughter, then disassembled, reconstructed and enlarged in 1991. The 157-acre country estate with rolling hills, creeks, and pastoral and mountain views has a two-bedroom guest cottage, a log cabin and a three-story garage and barn.

Regardless of size, regardless of location, history adds much to a home’s value and appeal. “There is a very consistent trend in Staunton,” Strassler says. “Homes located in historic districts have increased in their property value faster than any other real estate in town. We see that once a neighborhood is declared an historic district, people start renovating homes and start taking care of them, and their property appraisals and property values start going up at a higher rate, and they get more equity out of their home.”

Quality materials, quality construction, and an invaluable connection to the past, on each of these scores, older homes deliver. Today’s historic homebuyers do want modern conveniences, says Licensed Broker Natt Hall. “They aren’t going to be like Jefferson trotting out to the outdoor privy.” It’s just that “they have an appreciation of architectural history and history in general. They want to get the feel of what it’s like to step back in time.”

“New houses today pale in comparison,” Ingram argues. “There is a lot of value in historic houses.” Walden agrees: “Houses that were built in the 50s do not compare in any possible way. To get an historic home and bring it back to life is an honor and a privilege.”


By Ken Wilson

Categories
Real Estate

Add a Touch of History to Your Home

Antique features lend character and individuality to the newest of homes and may harken back to our region’s history. Often a particular historical element, such as a salvaged door or window, lends an extra dash of personality to the home as well.

“Very true,” declares Virginia Gardner, a REALTOR® with Roy Wheeler Realty Co. in Charlottesville. “One of the things that I have found in my real estate business is there were a lot of these subdivisions that are basically so similar. Now we are seeing more of the Arts and Crafts look. What this tells us is that people want character.”

She points out that people can add that character to their homes by seeking out salvaged older items, for example, a handsome old door. “They can replace their plain door with something that has that real character.”

During new construction or remodeling, incorporating antique architectural elements can punctuate the finished product with a unique flair. Gardner cites the example of an addition being built on an old home. “The owner went out and found salvaged windows that duplicated the gorgeous long windows in the original construction. This maintained the architectural integrity of the addition that feels like it could have been built when the house was built.”

Such historical echoes bring the atmosphere of a much less complicated time into the home like an anchor to the past.
This idea of tying to the past was important to Judy Johnson—former manager of Charlottesville’s City Market—when she built a “cottage” in Woolen Mills.

“I’d always envisioned building a house,” says Johnson who had an uncle who worked on houses. “He would bring things home from places being renovated and they would re-appear in the house he was developing.”

She wanted to similarly “rebirth” items as a way to tie the cottage to the past and collected used interior doors and cabinetry from various sources to create a brand-new “old” cottage with beautifully framed salvaged windows, a claw-foot bathtub, and an old one-piece porcelain drain board and kitchen sink among other repurposed items.

“I wonder about the people who washed dishes in this sink and looked out these windows,” she says.

Finding the right things takes time, cautions Johnson who spent months trolling for what she wanted. “You can’t just walk into a place and expect to find exactly what you want in one day.”

Where can I Find Historical Features?
Johnson is a Habitat for Humanity volunteer, so she naturally headed for the Habitat Store in Charlottesville and similar stores in Richmond, Staunton, and Lynchburg. These stores are retail outlets selling quality used and surplus building materials ranging from old cabinetry to new flooring. Materials are usually donated by building supply stores, contractors, demolition crews, and individuals who wish to support their local Habitat.

Johnson frequently ranged beyond Charlottesville as well. In Richmond, she often browsed at S. B. Cox Demolition which has salvage items including significant architectural details such as old doors and windows, mantles, iron work, and more. Also in Richmond, Caravati’s Architectural Salvage has a diverse collection of items such as old hardware, cabinets, old brick and stone, doors, stained glass, and plumbing fixtures. In fact, Caravati’s is where Johnson found her cottage’s sink and claw-foot bathtub.

Mechanicsville, east of Richmond, is home to Governor’s Antiques and Architectural Salvage, which boasts 45,000 square feet of display space with items from columns to doors, reclaimed lumber and flooring, statuary, wrought iron features, tubs, lighting fixtures and more.

In Orange, Salvagewrights, Ltd. specializes in “architectural antiquities” and the dismantling, moving, and reconstruction of pre-Civil War structures. Their inventory includes a variety of hardware, timber, hand-hewn beams, light fixtures and more.

Black Dog Salvage in Roanoke stocks its 40,000 square feet with an eclectic collection of Old World iron, works by local and regional artisans, garden statuary, vintage doors, staircases, windows and much more. In fact, they even have an eBay store.

Maggie’s Farm in Front Royal is another place to find architectural punctuation for the home with doors, shutters, tin, staircases, and plumbing items. Most items in stock can be viewed on the website which is a bonus feature.

All these places have websites with location, hours, and a general listing of available stock. All items may not be pictured, but you can get a good sense of the items offered.

There can be a wide range of prices for similar items, and salvaged articles are not necessarily inexpensive, but the charm and individuality they bring into the home can be just about priceless.


Marilyn Pribus and her husband once replaced an undistinguished mantle with a large weathered driftwood beam (complete with barnacles) they towed home behind their boat when they lived on the Poquoson River in Virginia’s tidewater region.

Categories
Arts

ARTS Pick: ‘Bullet for Unaccompanied Heart’

Blues guitarist Dugan McBane is taken hostage by his former lover, Anya Magnifico—a crossword puzzle-obsessed, punk rock princess—and her henchman, Milo. McBane’s release hinges on one thing: a sincere apology. Written by local playwright Robert Wray and featuring original music from Devon Sproule and Paul Curreri, Bullet for Unaccompanied Heart was recently staged at the New York City Fringe Festival.

Through October 23$15, times vary. The Cellar at Four County Players, 5256 Governor Barbour St., Barboursville. (540) 832-5355.

Categories
Arts

ARTS Pick: ‘The Price is Right’

For many generations, “The Price is Right” is a cultural touchstone. Maybe you remember
all the way back to Bob Barker? But no matter who’s currently holding the microphone, the participants in zany getups still come screaming out of the audience, thrill-seeking a new fridge, exotic vacation or brand-new car. “Come on down” to try your luck at the touring version of America’s longest-running game show, complete with the big wheel, Cliffhanger and Plinko.

Tuesday, October 18. $31-61, 7:30pm. John Paul Jones Arena, 295 Massie Rd. 243-4960.

Categories
Arts

ARTS Pick: ‘Electric Baby’

In Stefanie Zadravec’s Electric Baby, a mysterious moon floats over six characters who navigate through three stories that connect after a car accident. Cast members dig into the depths of sorrow, proffer folk remedies and search for peace throughout the dark comedy.

Through November 5. $20-25, times vary. Live Arts, 123 E. Water St. 977-4177. 

Categories
Arts

ARTS Pick: Philip Gibbs

In the folk troubadour tradition, Austin, Texas-born Philip Gibbs has traveled the country, singing about the current state of affairs and the working man’s plight, channeling the anthems of songsmiths before him. Following a respite in the Rocky Mountains, Gibbs’ recent move to Richmond found the singer-songwriter settling down for the first time in years. With comparisons to Dylan, Guthrie and Townes, let’s hope he stays local.

Friday, October 14. No cover, 8pm. Blue Moon Diner, 512 W. Main St. 980-6666.

Categories
News

I spy: Changes in local police surveillance

When photos of Danville police popping the hoods of their patrol cars spread on social media last month, so did speculation that it was being done to shield dash cams from filming officers’ interactions with civilians. While that city’s department explained that their cars have had a continual issue with overheating and it has vowed to stop the hood popping, a look at hyper-local police camera usage shows that surveillance is more than meets the eye.

Every uniformed officer and security guard in the University of Virginia Police Department has worn a body camera since July 2015.

“When we started putting these out, there was no pushback,” says Officer Ben Rexrode, the department’s crime prevention coordinator. “The cameras can work both ways because they hold officers accountable, but they also protect us if something is being alleged.”

Highly criticized police shootings, such as the killing of unarmed 18-year-old Michael Brown by a police officer in Ferguson, Missouri, have pressured law enforcement agencies all over the nation to adopt this new body-worn technology. But Rexrode says that wasn’t what encouraged his department to try it out.

“Why wouldn’t we?” he says. “It’s a good thing to have.”

Cameras are clipped on an officer’s uniform over his heart. They stay on standby mode until a button in the unit’s center is double clicked. Then, the camera begins recording with audio and recalls the previous 30 seconds of soundless film.

It is the UVA Police Department’s policy that officers use the cameras during any enforcement action, such as a traffic stop, disturbance or suspicious incident, Rexrode says. Every recording is stored for 90 days and if it is being used in an investigation or court case, it will be saved longer.

While researching different camera models, drafting a policy and training officers to use the cameras takes a good deal of time, Rexrode says the toughest part for most departments is the financial commitment.

For 150 cameras and on-site training, UVA paid $363,000. A five-year contract for camera maintenance, licenses and storage costs an extra $150,000 per year.

At the Charlottesville Police Department, Lieutenant Tom McKean says officers are currently testing 40 body cameras before a full deployment, though that date is not set.

The transition to body cameras began under former Police Chief Timothy Longo, and the first cameras were deployed at the beginning of this year.

And CPD’s Lieutenant Steve Upman says there are no dashboard cameras currently in operation—their old system is no longer supported, and they are starting to spec out new systems.

Over at the Albemarle County Police Department, each patrol car is equipped with a dash cam that is always rolling, according to spokesperson Madeline Curott. At any time, officers can choose to record with audio, and both video and audio will automatically record when an officer activates the car’s lights and sirens or the car hits 85 mph.

The video is archived and entered into evidence if it’s part of an investigation. If not, it’s thrown out after 60 days. Video is reviewed quarterly and periodically by the department’s Office of Professional standards and patrol shift supervisors.

While those at the ACPD have been working on implementing body cameras for well over a year, Curott also notes the expense of the equipment and says they’re working on a policy pertaining to juveniles, schools and privacy issues. Next, patrol officers will start training on them.

But, from experience, Rexrode notes that the training can often take longer than one would expect, and a “grace period,” he says, is necessary for police to get used to wearing them.

“We’re not robots,” he says.

“When we started putting these out, there was no pushback,” says Officer Ben Rexrode, the UVA Police Department’s crime prevention coordinator. “The cameras can work both ways because they hold officers accountable, but they also protect us if something is being alleged.”

Categories
News

House calls: Finding shelter for local homeless vets

It’s been almost one year since Governor Terry McAuliffe announced that Virginia was the first state in the U.S. to functionally end homelessness among veterans—and while it may not seem that way when residents drive through Charlottesville and see people begging, evolving housing programs are having positive effects on the city and surrounding counties.

Partnerships between Veterans Affairs medical centers, programs that support veterans families and local homeless organizations such as The Haven continue to piece together a complex, and often sensitive, puzzle.

Functionally ending homelessness does not mean it is eradicated. It means programs are in place to ensure a veteran’s experience with homelessness now—or in the future—will be “rare, brief and non-recurring,” according to McAuliffe. Rapid Re-Housing and Homelessness Prevention are two examples of programs available.

The Haven is often considered the homeless point of entry in Charlottesville and its five surrounding counties: Greene, Nelson, Fluvanna, Louisa and Albemarle.

Situated in a former multi-story church donated by Evan Almighty director and UVA alum Tom Shadyac on the corner of East Market and First Street North, The Haven has been addressing the needs of the area’s homeless community since opening its doors in 2010.

Caleb Fox, veterans case manager for The Haven, says the change towards housing programs has been monumental.

“The Rapid Re-Housing program is based on this notion of housing first,” says Fox. “In the last three years the approach to homelessness has really shifted on its head. It used to be getting folks into a shelter, addressing their physical and mental health, substance abuse, income issues and then getting them into a house. Now it’s get them into housing and then working on the other things through individual case management.”

Former Charlottesville mayor Dave Norris is another influential figure in the fight against chronic homelessness. During his time in office from 2008 to 2011, he was instrumental in getting The Crossings—a permanent supportive housing community for formerly homeless people—funded, developed and officially launched. He’s witnessed firsthand the changes to the system.

“There’s been this real focus nationally of addressing homelessness,” Norris says. “The consensus was that we were doing a decent job of putting a Band-Aid on homelessness, but not doing a very good job of actually ending it.”

He attributes a lot of the progress in reducing veteran homelessness to the Rapid Re-Housing thrust. “We saw a considerable increase in both state and federal resources that funneled through organizations such as The Haven and others,” says Norris.

The increased funding for these programs is based on statistical data, says Fox. Evidence suggests that getting someone off the street and into a stable situation generates better outcomes—and there are only slight differences between the programs for vets and non-vets.

The VA-funded Rapid Re-Housing program is more time-limited, providing a maximum of nine months of rental assistance, compared with two years for non-veterans, says Fox.

Since 2015, Fox says 54 veterans from the Charlottesville area have been enrolled in vet programs. He estimates the local homeless population at 185 to 220 people, which means about a quarter of them are veterans. Of the 54 veterans, 13 were enrolled in the Supportive Service for Veterans Families Homeless Prevention Program, which is intended for people who are not homeless but are imminently at risk, and the remaining 41 vets were enrolled in the SSVF Rapid Re-Housing program.

Fox says the support service programs spent approximately $79,000 to assist 24 veterans in these two programs with security deposits, rental assistance, utilities and deposits, transportation costs and moving expenses.

For the 30 remaining veterans, some decided to leave the area. Others declined services. Fox says he continues to work with the veterans who have not yet been housed to address any barriers they might have, including criminal background or credit issues.

“The goal the VA has set is that it’s a handup, and not a handout,” Fox says. “We send veterans on their way once they are in a stabilized situation, and ready to pay their own housing costs.”

While the need and desire for more funding are ever-present worries, he credits the increased focus on veterans over the past several years for some of the positive changes across the nation.

“Officials have spent a lot of money since the start of the Obama administration to address veteran homelessness, and it’s working,” says Fox.

Norris concurs that the cooperation across party lines really propelled the fight into the national spotlight. Getting vets into homes was a rallying point in Washington, and beyond.

“The least we can do is make sure our men and women who served this country in uniform never find themselves out on the streets,” Norris says. “In a city like this, in a state like this… we are showing that we can honor that commitment.”