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Arts

Sonya Clark marks slavery history at Second Street Gallery

Sonya Clark’s “Bitter, Sweet and Tender,” currently on view at Second Street Gallery, features sculpture, textiles and photography Clark has created, found or had fabricated. These objects limn a potent narrative encompassing Clark’s personal history and the troubled history of the U.S. and Caribbean centered on the use of people as commodities, examined through the lens of sugar production. Clark’s family hails from Jamaica, where sugarcane was, and continues to be, a major crop.

Sugar, along with cotton (in the American South), were the major drivers of the slave trade. “Sugar fed so much of the global economy,” says Clark. “The only way it could feed that global economy to the degree it did was by enslaving people and having them provide free labor.” Though slavery was abolished in 1838 in Jamaica, growing and harvesting sugarcane continues to be a grim reality for those laboring in the fields.

Many of Clark’s objects are painful to look at and consider. Some, like the “Confederate Battle Flag,” are obviously so. Others, like the “The Journey,” a length of gold thread on a spool that measures the distance between Ghana and Virginia (miles scaled to inches), require more attention to parse out.

Clark began unraveling Confederate flags because she was interested in seeing what it would mean to bring this fraught symbol down to its threads. Last year, in response to the sesquicentennial of the end of the Civil War, she did an unraveling using a flag made from cotton (for obvious reasons). That flag could be completely unraveled because of the way a cotton flag is made. But, the aptly named “Unraveled Persistence,” a nylon version, which features a printed image, manages to retain the symbol and the flag’s shape even after all the weft threads have been taken out. So while Clark is doing the same action with both flags, the messages in the two pieces are very different.

“Monumental Cloth (old)” and “Monumental Cloth (new)” present two contemporary versions of the dishrag that was used as the flag of surrender at Appomattox. The original dishcloth was subsequently divvied up; half is in the Smithsonian American History Museum and other portions of it were distributed around the South. “That’s the flag we should be celebrating,” says Clark. “The Confederate Flag of Truce. That’s the piece of cloth and the symbol that brought our nation back together.”

“The Price” forces us to confront the commodification of humans in today’s economic terms. Working with her studio manager and assistant, Clark came up with an amount that she would command as a 48-year-old woman with craft skills. “We decided to take out the fact that I’d probably be someone who would want to try to escape, so as to make me more valuable, but still it’s only the price of a nice car, not even a fancy car,” says Clark. “And I would be owned for life. It was very uncomfortable for them [her manager and assistant] to do. And I told them, ‘It shouldn’t be comfortable.’

“It’s this ironic thing because…having slaves would be like having a luxury item, and having many of them would mean you were quite wealthy, right? Instead of having one Lexus, you’d have 10, or 50, and then the wealth breeds more wealth because of the free labor that the enslaved human beings were providing.”

The showstopper may be the bolt of McHardy tartan made from hand-woven bagasse (sugarcane fiber). It commands attention as a marvelous piece of emotionally charged craftsmanship that alludes to intertwining bloodlines. The tartan is Clark’s family’s; her maternal Jamaican great-grandmother married a man of Scottish descent in the 1870s. The piece weaves together the discarded sugarcane fibers, as well as Clark’s family history. As the bolt of woven cloth brings these ancestral threads together, it also simultaneously succeeds in unraveling certain preconceived racial ideas.

“Obviously, making an heirloom for my family is very, very close to me,” Clark says of the piece. “There’s earth from my family’s homestead in one vessel and there’s another that is holding indigo-dyed, handspun cotton that I’ve had since my very first trip to West Africa in 1989. So that piece means a lot to me.”

For Clark, the seminal piece is “Encrusted,” a $5 bill coated with crystallized sugar. “Bitter, sweet and tender, I feel like they’re all in that piece,” she says. By encrusting the bill with Lincoln’s visage on it, she’s drawing on sugar’s preservative qualities, trying to uphold what he was trying to do, even as there were challenges and complications surrounding it. The money is, of course, tender, but the circumstances surrounding Lincoln—the Civil War, his assassination and the failure of his reconstruction plan—are tender, as well. There’s also bitterness there. “We’re hardwired to believe that something bitter is poison,” says Clark. “But it also might be something medicinal that has healing properties.

“One of the things I wanted to bring to light in the show is the embedding of our past in our present,” she says. “That’s what I was doing with ‘Rebel Yell.’ It’s a roller coaster I rode as a child. …Here are all these brown and black kids going down 95 to get to King’s Dominion to get on this roller coaster and have a good time. It did not occur to any of us, much less our parents, that that roller coaster was named for the Confederate battle cry. I think it’s really interesting to bring to light that embedding. The repercussions of slavery—how much wealth we have in this nation because of the enslavement of people and how much it still replays in our present, in our subconscious. So I’m trying to bring some of those subconscious things into our consciousness so that we can actually dig at the roots of this troubled history and attempt to right the ship.”

Her voice and perspective are critical right now in our national dialogue. “Looking at what’s happening across the country and with this upcoming election, I would say, ‘Maybe we’ve taken some steps forward, but whoa, maybe we’ve taken some steps backwards,’” she says.

Clark’s bitter, sweet and tender work helps us understand where we have been. It is only then, armed with this information, that we can move in that forward and ultimately redemptive direction.

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Arts

ARTS Pick: Mary Chapin Carpenter

Mary Chapin Carpenter’s genuine approach to songwriting allows the multiple Grammy winner to transcend the boundaries of category. Moving easily between classic country and modern Americana, she recently expanded her musicianship with an album of orchestral music and her new record, The Things That We Are Made Of, was produced by hot hand Dave Cobb (producer of Grammy-winning albums for Jason Isbell and Chris Stapleton in 2015), who calls Carpenter an “absolute poet and legend.”

Friday, October 7. $40-100, 5pm. The Festy, Blue Ridge Bowl, 1510 Diggs Mountain Rd., Arrington. thefesty.com.

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Arts

Local bassist joins re-formed Guided By Voices

Just like thousands of small-town music nerds before and after him, Mark Shue spent much of his adolescence in his bedroom in Staunton, cranking Guided By Voices songs on the stereo. He not only listened along, but fantasized about breaking through and earning a devoted following of fans, just like those beloved underground indie rockers in the backwater of Dayton, Ohio. Little did Shue know, one day that fantasy would be fulfilled beyond anything he could imagine: He now serves as bassist for the re-formed Guided By Voices, playing night after night alongside his hero, frontman Robert Pollard.

Ahead of the band’s October 7 gig at the Jefferson Theater, the bassist says he’s thrilled to return to the area where he first honed his musical chops. As a teen he played guitar in a band called The Sad Lives, which performed at house parties and small clubs around Charlottesville and Harrisonburg.

“Because of the university, Charlottesville had more of a robust and diverse kind of scene than other towns in the area,” he recalls. “Jagjaguwar was also based in Charlottesville around that time, and when I was around 14, some older kids in my high school formed a band called The Union of a Man and a Woman and put out a record on that label. That stuff had a big influence on me early on.”

Shue has since moved to New York, but doesn’t forget the yearnings of his youth and his appreciation of Guided By Voices. “As a small-town arty kid I definitely could identify with their beginnings,” he says. “I had never even been to Dayton, but I felt akin to them somehow. I think growing up in a smaller town can force you to be more creative because you don’t have the support around you and the luxury of having everything in your own backyard. You have to build your own kind of world. …So Guided By Voices’ origins were relatable and inspiring in that way.”

GBV’s humble Dayton beginnings prompted Rolling Stone magazine to describe the band’s lo-fi production aesthetic (which was minimalistic due to the lack of slick studios that were in bigger locales) as setting “a new standard for the possibilities of home recording.”

Those accolades sound apt to Pollard. “Well, lo-fi is fine,” he says. “It’s accessible and cheap, and sometimes it even sounds cool. But the main thing is the songs. You gotta have the goods or it doesn’t matter how it’s recorded. I do appreciate Rolling Stone’s assessment though, and I do like the possibilities that home recording opens for other aspiring artists that may have great potential.”

Pollard adds that he was happy to have had such an influence on Shue, whom he met when the younger musician was a member of ESP Ohio, a side project of Guided By Voices’ guitarist Doug Gillard.

“They were playing some dates with us on the East Coast. That was probably four or five years ago, and I instantly liked him,” Pollard says of meeting Shue, adding that he loves the younger bassist’s “playing and his attitude.”

Such compliments have left Shue overjoyed, and he is quick to return Pollard’s praise: “He inspires all of us in the band to consistently elevate our game, and it’s enabled us to be at the point now where we can add new songs constantly on the road,” Shue says. “It makes every night a surprise for longtime fans and newcomers alike. Being onstage together playing over 50 songs a night is a pure joy. When it’s over I just want to go back for more. It’s a total blast.”

The positivity and enthusiasm seems well-earned, considering how tumultuous the band’s journey has been. Through the years, Guided By Voices has repeatedly split up and reunited, while a revolving door of members have come and gone. Pollard remains the group’s sole constant, though even the most dedicated of fans would concede that his output has been anything but stable.

After years of personnel changes, the group officially disbanded in 2004, re-formed in 2010, split up in 2014 and re-emerged this year, releasing an album called Please Be Honest under the band’s moniker even though Pollard played all of the instruments himself, before enlisting the current lineup to accompany him on tour.

Although the album received mixed reviews, Pollard defends his decision to go solo and the songs he chose for Please Be Honest. “I just wanted to see if I could pull it off on my own,” says Pollard. “My thing was, that if I decided it didn’t measure up to the standard of what I think a Guided By Voices record should be, I would put it out under the name Teenage Guitar, which is what I have used in the past when I do everything [solo]. I felt that it did merit the GBV tag and so I recruited this band to go on the road with it and they make it so much more powerful. The songs from Please Be Honest are some of my favorite ones that we do live.”

Regardless of critiques from music reviewers, Pollard is thrilled by his band’s current standing in the indie rock world. He can vividly recall Guided By Voices’ formation in Dayton in the early ’80s. The then newly formed and underappreciated group would play shows at a loss because venues refused to even cover their beer tabs. Now Pollard is thrilled to be past hurdles, play for adoring fans and collaborate with musicians such as Shue who have long looked up to him. “It’s very rewarding to get paid and be able to make a living as something you would actually come out of your own pocket for,” Pollard says. “We have the best job.”

Categories
Living

When dogs and cats have diabetes

I hate diagnosing diabetes. It’s a frustrating disease, made worse by the fear that washes across people’s faces when they hear the news. I see them hoping I won’t say anything about insulin injections, then watch them deflate when I finally do.

Diabetes is a hormonal disorder that comes in a few varieties, but always results in the same basic thing—a reduced ability for insulin to do its job. Most people know insulin as the hormone that regulates blood sugar, which it is. But it does so much more than that. At the risk of oversimplifying, insulin is responsible for announcing when energy is abundant and when it is not. After a big meal, insulin levels go up. This informs the body that there’s plenty of energy to go around, so it can fuel itself with blood sugar and store the excess as fat.

Conversely, low insulin signals that times are tough and that it’s a good time to dip into emergency savings, breaking down fat and muscle for energy. In essence, a diabetic patient exists in a permanent state of starvation.

And this has two main consequences. The first—the one most people are familiar with—is that all that unused blood sugar needs to go somewhere, and it starts to spill into the urine. Because of a phenomenon called osmotic pressure (remember science class?), that sugar drags extra water along with it, accelerating urine production. To replenish that wasted water, affected patients have to drink more. This accounts for the most recognizable symptom of diabetes—a pet that is drinking and peeing all the time.

Fewer people are aware of the second consequence which is, in many ways, the more serious one. When fat is burned, it produces nasty compounds called ketones (which are chemically similar to nail polish remover). Ordinarily, this is no problem. Fat is usually just burned in small amounts when necessary, and the body can handle a trickle of ketones with no trouble. But because diabetics are functionally experiencing starvation, they burn fat way too quickly, flooding the bloodstream with ketones that quickly reach toxic levels. This ultimately results in a life-threatening state called ketoacidosis, and requires emergency medical treatment to correct.

Cats and dogs can both become diabetic, but they tend to develop different forms of the disease. The canine version is akin to Type 1 diabetes in humans, in which specialized cells in the pancreas lose their ability to produce insulin. It is thought to have a strong genetic component, but may also be linked to factors like obesity and other underlying diseases. These patients absolutely need insulin injections to replace the missing hormone, and will need them for the rest of their lives.

Feline diabetes is more like human Type 2 diabetes, and is closely associated with obesity. It begins when cats’ bodies become resistant to the effects of insulin, but eventually progresses to include decreased production as well. They usually require insulin to get the disease under control, but unlike dogs, they stand some chance of eventually being controlled with proper diet and exercise. That sounds promising in writing, but it doesn’t always work, and I’d rather see cats lose weight before they get sick to begin with.

When faced with diabetes, pet owners are immediately concerned about the difficulty of administering insulin shots to their pets. To be honest, that’s almost always the easy part. Especially with cats, most people find that giving shots is a whole lot easier than trying to wrestle pills into their mouths. But insulin can be expensive, and it can take weeks or months of experimentation and careful blood monitoring before we get the dose right. In cases where that process drags on for too long, I find a lot of owners grow dispirited.

But it’s worth hanging in there. Once controlled, most diabetics do well. Before long, those dreaded shots will be as routine as breakfast.

Dr. Mike Fietz is a small-animal veterinarian at Georgetown Veterinary Hospital. He received his veterinary degree from Cornell University in 2003 and has lived in Charlottesville since.


Pets of the Month

Visit the Charlottesville Albemarle SPCA to meet these pets, as well as other adoptable animals.

Bella So I’m not gonna lie: I’m on the large side for a cat. But please don’t call me Miss Piggy; my kitty curves mean there’s more of me to love! I also have an awesome, sweet personality, and I enjoy a good nuzzle from time to time. I know I might look like a regular old black-and-white feline who can put away her share of groceries, but looks can be deceiving. Take me home, and you’ll discover I’m the jewel in your crown.

Balto I’m a big guy with a lot of love to give. Once I’ve had my fill of adventures, I like to lean in and give you doggy smooches and hugs. I walk pretty well on leash with a harness, but I need someone who is strong enough to handle my size and strength. My person will also have to pamper me in the way I deserve. Is that person you?

Bessy I’m a sweet, curious little girl who is about 3 months old. I was very scared when I first came to the shelter, and I’m still a bit nervous. I just need a little patience and a lot of love. I enjoy being petted and having my neck scratched, but I prefer not to be held.
I also get along great with other cats, and I might even like gentle dogs. I dare you to meet me and not fall in love.

Scooby I know, I know, everyone tells me how handsome I am. And I love it when they speak baby-talk to me. I’m a happy, people-oriented dude, but I’m often unaware of my extra-large size and tail. I’m also well-mannered and I know some cool commands. Someone must have loved me very much, and I’m not sure why my owner didn’t come for me after I arrived here. Could you be my new person?

Categories
Arts

ARTS Pick: CIRCIX

Feast your eyes on some of Charlottesville’s most spectacular performance art when CIRCIX comes to town. There will be carnival games, face painting, balloon animals, food and beverages, plus a freak show and performances from fire breathers, jugglers, clowns and Moonlight Circus’ aerialists and acrobats. The fearless Opal Lechmanski will swallow swords and perform the human blockhead and bed of nails acts.

Sunday, October 9. $5-10, 5pm. IX Art Park, 522 Second St. SE, ixartpark.com.

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Arts

Artist Rosamond Casey explores how technology has touched our lives

The impetus for Rosamond Casey’s latest exhibition, “Tablet and Cloud: Pilgrims in Cyberspace,” was a sight that has become so familiar to us that we often overlook it: the tangle of wires beneath our desks. “The way I usually start is I get fixated on a thing, a material or a form so pervasive in our culture it needs to be unpacked,” says Casey, a local artist who has lived in Charlottesville for more than 30 years.

She began her first painting of the underbelly of workspaces two years ago. As society becomes more and more wireless, she recognized the presence of wires as a moment likely nearing its end and wanted to capture it. For her, the tangle of wires represents “a realm of our imagination, a corner of the mind we don’t want to look at.”

“I painted it with a reverence for what it was and what it might symbolize,” she says. She also thinks of it as analogous to social media. “There’s no map, no system, no sense of a neighborhood,” Casey says. “Just a tangle of chaos.”

From this initial idea she constructed a visual narrative that explores our relationship with technology and its impact on human interaction, conveyed through the expressive hands of her painted figures. In “Madonna and Child,” an infant subtly points one finger toward her mother who is preoccupied with her cell phone while a bear hovers over the child.

In “Tabula Sacra,” one hand threads a wire up through a hole in a table while another hand reaches down to receive it, the table bisecting the potential contact. Casey presents the idea of connection via the wires, while the hands that are close but never touching emphasize the withdrawal of human connection as we become more engaged with our devices. “I drew them with sadness,” Casey says. “There’s an aborted sense of touch.”

The title of the exhibition comes from this idea that we’re moving away from personal computers to a “tablet and cloud” culture as we rely more on virtual storage. The juxtaposition of the two terms intrigues Casey, who says, “‘Tablet’ casts back to something ancient while ‘cloud’ suggests a mysterious future.” Incidentally, the term “the cloud” originated because of graphic representations of it by computer scientists and engineers as they attempted to diagram it for patenting purposes. And while there are physical locations for cloud servers, we tend to think of the cloud as the nebulous thing its name suggests.

“We’re taking a pilgrimage through unseen territory, heretofore unknown,” Casey says. The style of her figures is inspired by art from the Middle Ages, in addition to futuristic influences, as she plays with a distortion of time. “These people are of the past or the future because we’re moving through the present so rapidly there is a less fixed idea of what ‘now’ is.”

The very mutability of this present moment spurred Casey to grapple with the visual changes technology has created in our society and to convey a sense of awe for them. “Phones, computers and our faces in the light of our own devices,” she says.

“It makes me think about something my father said: ‘We’re all chewing through this planet like an apple.’ I have this conviction that in spite of investing everything in this future, it will fail us in a dramatic way. It feels fragile to me,” she says. “The Butterfly Effect” is an example of this fragility as one person jumps from a boat, causing it to rock the three remaining individuals, one of whom drops a cell phone into the water.

The human figures are so haunting and compelling, it is a surprise to learn that in her 40 years as an artist she has never painted figurative work before, only abstract. In fact, she says, her current work is so different from anything she’s done that it will not be recognizable to those familiar with her previous work. “It surprised me just as much, how fascinated I was by faces, illuminated, attentive and yet vacant,” she says. The series not only represents a shift in genre for Casey, but medium as well. “This is the first time I’ve done oil painting in my life,” she says.

Even more surprising are her artistic origins. “What has been the ballast of my art life is calligraphy,” she says. “Every art project has some reference to the alphabet.” In “Tablet and Cloud,” the calligraphic mark can be seen in some of the lines and curves delineated by the seemingly random arrangements of wires. “All these years I’ve been breathing life into that line and seeing where it would take me.”

Categories
Arts

First Fridays: October 7

First Fridays

October 7

“I have immense passion for nature and the well-being of our planet, from the tiniest of creatures and flora to the oceans and forest,” says Scottsville artist Sherrie Hunt. “The beauty and mystery of nature feeds my soul and awakens my creative spirit endlessly. On a daily basis, I’m reminded of its fragility,” she says. “I am an advocate of species in jeopardy.”

Most of Hunt’s oil paintings, photography and photographic montage pieces are laced with metaphor—some obvious, some less so—for humankind’s connection with nature. The floating flora and fauna remind the viewer that without attention and care, nothing is secure. By not fully finishing some of the forms, Hunt paints a frightening ghost of extinction into view. In one oil painting, “The Seer,” an intelligent hawk—Hunt’s harbinger for endangerment and extinction—looks into the distance as his form dissolves into the space behind him.

Find Hunt’s work in the new Chroma Projects Gallery space, nestled up against the west side of the Paramount Theater—ascend the short set of exterior stairs and continue to the second floor, then follow a long corridor. Keep an eye out for letterpress artist quotes to show you the way.

Art on the Trax 5784 Three Notch’d Rd., Crozet. “Reoccurring Images,” featuring collage by Rhonda Roebuck.

FF The Bridge Progressive Arts Initiative 209 Monticello Rd. “Looking Forward While Looking Back,” a 10th anniversary retrospective of the Bridge PAI. 5:30-9pm.

FF Chroma Projects Gallery 201 E. Main St. “Floating Worlds,” featuring paintings, photographs and installation pieces by Sherrie Hunt. 5-7pm.

FF City Clay 700 Harris St. #4. An exhibit featuring paintings and Mishima ceramics by Jane Angelhart. 5:30-7:30pm.

FF CitySpace 100 Fifth St. NE “@tribute,” featuring collaborative self-portraits of 17 Computers4Kids youth, made with photographer Eze Amos. 5-7pm.

FF C’ville Arts Cooperative Gallery 118 E. Main St. “Creations from my Head and Heart,” featuring knitted sweaters and innovative collage by Diane Goodbar. 6-8pm.

C’ville Coffee 1301 Harris St. An exhibit featuring acrylic paintings of landscapes, food and local subjects by Caroll Mallin. Through October 30.

Crozet Artisan Depot 5791 Three Notch’d Rd., Crozet. “Reclaiming Independence, Inspiring Craftsmanship,” featuring wood furniture and decorative items by Jacob Strong of StrongWood Designs.

FF Fellini’s #9 200 Market St. “Digital Art,” featuring digital prints by Perry Fitzhugh. 5:30-7pm.

The Fralin Museum at UVA 155 Rugby Rd. “The Great War: Printmakers of World War I,” featuring prints depicting combat scenes in France and the Near East; “New Acquisitions: Photography,” featuring work from Danny Lyon, Shirin Neshat and Eadweard Muybridge; “Oriforme” by Jean Arp; and “On the Fly,” featuring sculpture by Patrick Dougherty.

FF GallerIX 522 Second St. SE. “Inspiring Connections,” featuring paintings of local artists, photographers, musicians and other performers by Aimee McDavitt. 5-7pm.

FF The Garage 250 First St. N. “Garage Sale,” featuring oil and watercolor paintings of second-hand items by Sharon Shapiro. 5-7pm.

FF Graves International Art 306 E. Jefferson St. “Masters of Contemporary Art,” featuring limited-edition original prints, exhibition posters, stone lithography, drypoint etching and more by Ellsworth Kelly, Salvador Dalí, Georges Braque, Damien Hirst, David Hockney, Keith Haring, Roy Lichtenstein, Sam Francis, Philip Pearlstein, John Chamberlain, Andy Warhol, Gerald Laing, Joan Miró, Josef Albers and more. 5-8pm.

FF Kluge-Ruhe Collection 400 Worrell Dr. “On the Fabric of the Ngarrindjeri Body,” drawings, prints and photography by Australian aboriginal artist Damien Shen. 5:30-7:30pm.

FF Les Yeux du Monde 841 Wolf Trap Rd. “Annie Harris Massie: Lightness” featuring landscape paintings that explore the qualities of light that reveal and obscure form. 1-5pm.

Loving Cup Winery 3340 Sutherland Rd., North Garden. An exhibit of photography, pottery and paintings by the BozArt Fine Art Collective. Through October 30.

Martha Jefferson Hospital 500 Martha Jeffer-son Dr. “River,” featuring paintings by Linda Staiger of the natural landscapes of the James and Rivanna rivers on the First Floor Gallery. Bold and texture landscape paintings by Carroll Mallin hang in the main lobby floor.

FF McGuffey Art Center 201 Second St. NW. “Tablet & Cloud: Pilgrims in Cyberspace,” featuring work by Rosamond Casey in the Sarah B. Smith Gallery; “Flight,” featuring McGuffey member artists in the Lower North and South Hall galleries; “Fiber Transformed,” featuring work by contemporary Virginia fiber artists in the Upper North and South Hall galleries.

Mudhouse Coffee 213 W. Main St. “Water Like Memory,” featuring paintings that explore the patterns of surface water as reflections of states of mind and memory by Susan Willis Brodie. Through November 1.

FF Neal Guma Fine Art 105 Third St. NE. Fall show featuring work by Holly Andres, Julie Blackmon, Markus Brunetti, Julie Cockburn and Lois Conner. 5:30-7:30pm.

FF New Dominion Bookshop 404 E. Main St. An exhibit of oil paintings by Warren Boeschenstein. 5:30-7pm.

Scottsville Center for Arts and Nature 401 Valley St., Scottsville. “Another Day at the Office,” featuring Billy Morris’ photographs of the bucolic daily grind.

FF Second Street Gallery 115 Second St. SE. “Bitter, Sweet and Tender,” featuring photography, currency, sculpture and textile by Richmond-based artist Sonya Clark. 5:30-7:30pm.

Shenandoah Valley Art Center 26 S. Wayne Ave., Waynesboro. An exhibit featuring the artwork of the BozArt Fine Art Collective.

FF Spring Street Boutique 107 W. Main St. “Landscapes Near and Far,” featuring water-colors by Phyllis Koch-Sheras. 6-8pm.

FF Studio IX 969 Second St. SE. “Post Medium,” featuring work by UVA Aunspaugh Fifth Year Fellow Sandy William IV that challenges traditional art practices. 5-7pm.

Thomas Jefferson Memorial Church 717 Rugby Rd. An exhibit featuring the work of painter Deborah Rose Guterbock and painter and comics artist A.I. Miller.

FF Welcome Gallery at New City Arts 114 Third St. NE. “Look, Make & Do,” an exhibit featuring drawings, paintings, collages and collaborative installations by Emma Crockatt and Ryan Trott. 5-7:30pm.

FF WVTF & Radio IQ Studio Gallery 218 W. Water St. “Peace Doves,” featuring oil paintings and photography by Zuhal Feraidon. 5-7pm.

Categories
Arts

ARTS Pick: Latin Ballet of Virginia

It may take two to tango, but this time around, the Latin Ballet of Virginia dance company
puts classical forms, flamenco and tango to the writings of Edgar Allan Poe, Alfonsina Storni, Pablo Neruda and Federico García Lorca. Poemas melds words with a showcase of contemporary and traditional Latin American and Spanish dance to give the well-known poets a new form of voice.

Saturday, October 8. $12-15, 7:30pm. PVCC Dickinson Theater, 501 College Dr. 961-5376.

Categories
News

Let it ride: Majority of meeting goers want bikes at Ragged Mountain

The city of Charlottesville has so far held nine public meetings on the long-discussed topic of whether Ragged Mountain should remain a natural area or be opened for other uses, such as mountain biking or dog walking. Though a final decision looms, some say public opinion is cut and dried.

A year-old poll taken by Charlottesville Tomorrow showed that 83 percent of voters would prefer to see some shared-use trails on the property. Updated tallies, presented by the Charlottesville Area Mountain Bike Club and Rivanna Trails Foundation member Jon Ciambotti, show that while 84 people at public meetings since November 2014 have spoken out against bicycle usage at Ragged Mountain, 220 have asked the city to let the people ride.

Those numbers, according to the city, include some of the same people who are counted multiple times.

Rachel Thielmann, a mother of three girls on a local mountain biking team, is one of those advocates for shared usage.

“It would be awesome if my kids and I had the opportunity to get over to Ragged Mountain for a quick ride and be home in time to get dinner ready,” she says. “The reality is that nothing exists that fills that need.”

Opponents of shared trails at Ragged Mountain often cite Preddy Creek as a better place to ride, she says, but its Albemarle County location up Route 29 is nearly in Greene County and a 40-minute drive.

“Charlottesville is our community,” she says. “We live and work here, send our kids to school here, pay taxes, shop here and eat here. We are constantly encouraged to think local in our choices and this is an awesome mentality that we support. So why not be able to ride local, too?”

City spokesperson Miriam Dickler says biking is currently allowed in all city parks except for Ragged Mountain and the Ivy Creek Natural Area. But on a map of city parks, Ciambotti points to the three largest green areas: Pen, Darden Towe and McIntire parks, which are dedicated to other uses. At the first, he says a golf course spans across a large chunk of what would be a riding area, sports courts cover the second, and the third will soon be a botanical garden designated as a natural area. So shared-use trails at Ragged Mountain, he and Thielmann agree, are the perfect fix.

Thielmann calls shared-use opponents a “relatively small, but extremely vocal group” who often cite the ecological benefit of only allowing walkers and hikers on the trails. That’s a claim that has “absolutely no scientific support,” she says, because multiple studies have shown that bike tires on trail systems are no more impactful than hiking shoes or boots.

Though former city councilor Dede Smith, who has long advocated for keeping the area around the reservoir natural, did not respond directly to those studies, she says protecting Ragged Mountain is a matter of public health.

“To deliberately remove those protections at a time in our history when this original water supply has again become our only clean water reserve for the future, and when contaminated drinking water is in the news on a daily basis, is simply absurd,” she says. “To do that is comparable to denying climate change.”

As for the public opinion polls, she says the biking community brought large families of bikers to the first few public hearings, while those advocating for maintaining one of only two natural areas in the community “dominated” most of them.

“We’ve been amazed at how this process has not been based on facts,” Ciambotti says. “And how it’s mostly been based on hyperbole, fear and emotions.”

Mountain bikers often get a bad rap, he continues—they’re not all ripping Red Bulls in between backflips on their bicycles. In fact, many have the same overall goal as those who hope to keep the ban on bikes: preservation.

Members of CAMBC—the mountain biking club—are stewards dedicated to building sustainable trails in the city and county, he says. In fact, he estimates that they have already built about three miles of trail at Ragged Mountain in conjunction with the city.

Most of the mileage mountain bikers are proposing to make shared use is on the backside of Ragged Mountain—about an hour-and-a-half hike from the parking lot—leaving a good deal of the most convenient trails to be designated for hikers only. Some trails would remain for walkers only, his group proposes.

And when detailing damage to the environment, Ciambotti says the real factor of human impact is the level of use.

To be considered a natural area, Virginia state parks guidelines require 5 percent or less of the acreage be used for trails. Ragged Mountain, which has 980 acres and about eight miles of trail, is at 1.9 percent, according to Brian Daly, the director of the city’s parks and recreation department.

CAMBC has also offered to enter a memorandum of understanding with the city that would make the group liable for any accidents and require it to maintain the trails—to keep them clean and alert staff of any fallen trees across the path.

At the end of the day, Ciambotti says the argument is about exclusivity and who should be able to enjoy the great outdoors.

“I don’t want to bike on the road next to a garbage truck,” he says. “I want to bike in nature.”

Parks and Recreation Advisory Board members have indicated that they would like to make a recommendation to the Planning Commission and City Council, which will ultimately vote on the matter, at their October 19 meeting.

Updated October 7 at 9:25am with a more accurate headline and to reflect that nine public meetings, instead of nine public hearings, have been held on the potential shared use of Ragged Mountain. 

Updated October 11 to note that the numbers of those for and against biking include some of the same people who commented multiple times.

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Toss up? Down ticket in the 5th District

In a normal election year, the incumbent Republican 5th District congressman would run for re-election and win. That’s how it works. Incumbents are always favored, and in a gerrymandered district, they’ve already picked their voters.

Turns out 2016 is anything but a normal election year.

At the top of the ticket are two of the least-liked candidates ever to run for president. And one of them is Donald Trump, a wild card like none seen before.

The 5th District, which stretches from the North Carolina border to Northern Virginia, with Charlottesville plop in the middle, has gone red for most of this century, except for Dem Tom Perriello’s unexpected win in 2008 over Virgil Goode that carried him for exactly one term.

Into this topsy-turvy landscape, enter Democrat Jane Dittmar and Republican Tom Garrett.

Dittmar, a mediator, has been methodically running for more than a year. She’s raised more than three times what Garrett has, reporting $557,000 in June 30 filings to Garrett’s $152,000, according to Virginia Public Access Project, and on September 23, the Democratic Congressional Campaign Committee dubbed the 5th District a “Red to Blue” race.

“That suggests the national Democrats think she has a good enough chance of winning,” says Geoffrey Skelley at UVA’s Center for Politics. “It could be an indication they might be willing to spend money on her, but it’s not guaranteed.”

Garrett, a state senator, secured the GOP nomination in May after a bruising convention and beating out three other candidates on the third ballot. He’s an unabashed Trump supporter, and while other Republican candidates in Virginia are trying to distance themselves from Trump, pundits expect him to do well in Southside.

“There are two 5th Districts,” says conservative blog Bearing Drift’s Shaun Kenney: north of the James, which includes Charlottesville, and Danville as capital of south of the river. “In Southside, with its tremendous job losses, Trump is an asset,” says Kenney.

Initially Dittmar tried to link Garrett to Trump, says Kenney. “Now she’s trying to make a case for herself rather than against Garrett.” Her public image is genuine and one of kindness, he says. “I haven’t seen anything terribly radical that would scare independents.”

The 5th, says Kenney, “is designed to be a lock for a Republican candidate. But it can be a surprise. Ask Virgil Goode.”

He notes problems with Garrett’s campaign—three staffers to Dittmar’s 10, Dittmar amassing a much larger war chest and two times the cash on hand. Route 360 in the south of the James sector “has more Dittmar signs,” he says. “That’s not a place you’d expect to find them.”

Both candidates have had minor campaign finance snafus. Dittmar misread a federal document and reported assets of more than $50 million.

Garrett used $1,495 out of his state senate war chest to pay for a congressional race website, another no-no.

But Skelley doesn’t see that playing a role in the election. “Unless it’s particularly egregious, unless it’s large sums, it’s not going to make much difference. I don’t see voters getting worked up about it.”

What has worked Garrett up is a Dittmar ad portraying him as a supporter of uranium mining, a touchy subject in Southside. Angry about the ad and insisting the 2013 bill he carried was in support of nuclear energy, not uranium mining, Garrett demanded an apology.

However, Kenney pointed out in Bearing Drift that Garrett had supported uranium mining, has taken donations from Virginia Uranium in Chatham and was now backing away. “It’s curious to me why the backtrack,” says Kenney. “Was it on principle or on polls?”

“The fact Garrett responded that way may suggest he feels vulnerable,” says Skelley.

At press time, the Center for Politics’ Crystal Ball had the 5th District race in the Likely Republican column. But November 8 is still a month away. And Dittmar was running ads well before Garrett unveiled his first on September 28, noted Skelley.

While Clinton is expected to carry the state, says Skelley, “For Dittmar to win, she has to run ahead of Clinton, and she needs [Clinton] to run better than Obama.”

Background

Jane Dittmar, 60, is a mediator who owns Positive Solutions Group, former president of the Charlottesville Regional Chamber of Commerce and former owner of Enterprise Travel. She served two years as chair of the Albemarle Board of Supervisors representing the Scottsville District through 2015. Dittmar moved to Virginia when she was 6 years old and is a UVA grad in economics.

Her mother, a former vice president of the national League of Women Voters and president of the Virginia League, worked as a special assistant for Illinois Senator Paul Douglas. There’s an ethics award established in his honor, and that’s who Dittmar lists as her political hero.

Buckingham resident Tom Garrett, 44, is serving his second term as state senator representing the 22nd District to the east of Charlottesville. The Louisa native, an attorney who studied at the University of Richmond, spent six years in the Army, and made his first foray into elected office in 2007 as Louisa commonwealth’s attorney. A newlywed, Garrett tied the knot after winning the GOP convention in May, and is campaigning with bride Flanna at his side.

Garrett lists Harry Truman, John F. Kennedy and Ronald Reagan as his political inspirations. Truman “viewed himself a citizen” and he was “a straight talker,” says Garrett, while JFK was “very much outside the box in spurring the economy” and “ahead of his time in recognizing there were socio-economic and race problems in America that had to be addressed.”

Here’s how the candidates stand on the issues.

Why run?

The chances of being born in the U.S. are one in 26, according to Garrett. “I think the fundamental entitlement of every American is an equality of opportunity,” and government either perpetuates or stymies that. “To me it’s a duty to give back when I recognize how darn fortunate I’ve been,” he says. “I didn’t do anything to earn these gifts.”

Dittmar says there are two reasons she’s running. “I’m an infrastructure person. We have a digital deficit—a big one.” Albemarle has the best connectivity in the district, but whole counties like Rappahannock say Internet connectivity is its biggest problem, followed by cell phone coverage, she says. And a “broader, more idealistic” reason for running: “My dad worked for the Kennedy administration. In that era, people sent their best and brightest to Washington. I can’t believe the anger, disgust and, at best, disappointment toward Washington.”

Presidential race blowback?

“I wish I knew,” says Dittmar. She says Democrats and Republicans who are voting for Trump are supporting her. “Donald Trump and Bernie Sanders were lightning rods for anger that people feel,” she says. And despite the current Republican congressman, the 5th District “is moderate,” according a 2015 Pew study, she says.

The presidential race will affect the 5th District “however it does,” says Garrett. He believes Trump’s populism will resonate in Southside. “I’m supporting Mr. Trump and I hope he wins, but I’m not him.” Dittmar, he says, “is not Hillary Clinton. I hope people will evaluate our campaigns individually.”

Biggest issue in the 5th

Jobs and the economy, says Garrett. “There’s not a close second.” He, too, notes the “zones” of the 5th District, with Charlottesville “blessed” with the university and national security infrastructure from Sperry and the National Ground Intelligence Center. The Lynchburg metro area in the 6th District also has done well in creating jobs for those who live in the 5th, he says, whereas Henry County around Martinsville is “a proud, successful economic leader for [the] better part of a century” with jobs that are long gone. The northern end of the district is “beautiful and bucolic” and borders the Northern Virginia growth boom. “The commonality by and large in the 5th is hardworking people who say ‘please and thank you’ and ‘sir and ma’am,’ and hold the door,” he says.

Dittmar says outside of Charlottesville-Albemarle area, it’s jobs in the south and the environment in the north. The common thread throughout the district, except for Charlottesville, is Internet service—or the lack of. “You cannot grow a job base without it,” she says.

map

Biggest difference between you and your opponent

“White, male attorney,” says Dittmar. “Seriously, where we fall on the political spectrum, I’m a mediator. I look at both sides of the political coin. I’m always working in the center of the room. I think Tom Garrett by reputation and by the way he speaks of himself is far right. His original campaign letter brags about never compromising with moderates.” She points out Garrett said he’d join the Freedom Caucus in Congress, the unruly conservative group that vexed John Boehner when he was speaker. “We’d be sending someone there who’d be doing much of the same,” she says.

“I really like Jane,” Garrett says for the second time during an interview. “In 2015 I happened to be in the governor’s mansion when Deschutes came. I was only a member of the Senate there and it was by complete happenstance. They really wanted to come to Albemarle County.” Deschutes offered millions in economic benefits and jobs, says Garrett, but the Albemarle Board of Supervisors wouldn’t rezone 80 acres and the brewery didn’t feel welcome. “Jane said Albemarle County was not ready for those jobs,” says Garrett. “We need to find a way to get to yes versus finding a reason to say no. Those opportunities you just can’t miss.”

Congressional gridlock

Garrett says he’s already working across the aisle in Richmond, working with Democrat Dave Marsden on a medical marijuana bill and Barbara Favola on one to “eliminate the seclusion and restraint of little boys in school,” he says. “I’m as ADHD as they come,” and he says he was secluded for half a year. “My heart goes out to the teachers who have to deal with little hellions like me.” Garrett says while he has a “100 percent pro-life rating,” he was the only patron of the bill that got rid of Virginia’s “draconian” sodomy law. “Government shouldn’t dictate what adults above the age of consent in privacy do with one another,” he says. And he quotes Democratic Senator Don McEachin in a Richmond Times-Dispatch profile, who says, “I don’t agree with Garrett very often, but you know he’s speaking from the heart and telling the truth.”

“First of all, a lot of work is done at the committee level,” says Dittmar. “That size group I can work with. I feel like my skills will be very beneficial at that size. Parties control what bills come forward and apparently freshmen are like freshmen in high school.”  She says she’s concerned about the process, and that representatives need to have time to talk to constituents and to govern.

Gerrymandering

Gerrymandering and Citizens United—or “dark money,” says Dittmar—are considered the two biggest threats to democracy. “This district is the poster child for gerrymandering,” she says, lumping different regions of interest together. If she were just representing Albemarle and the northern part of the district, being on environmental committees in Congress would be a natural. But with Southside’s focus on jobs, she’d want to be on committees looking at economic development. States could do something about how the 700,000-population congressional districts are drawn, using a nonpartisan format to make them more compact, she says. And to those who say nonpartisan commissions are not possible, Dittmar says, “You’re talking to a mediator. We want a nonpartisan outcome. So you might get people in the room who fall into certain parties, but you get everyone together and you negotiate the outcome. You can strive for a bipartisan or nonpartisan outcome. Instead, it’s the party in power” that draws the lines.

“This is a tough one,” says Garrett, “because every nonpartisan commission is partisan.” He suggests that to get communities of interest, Democrats and Republicans should agree on the criteria. “Let the computer draw the district,” he says.

What’s next for the Affordable Care Act?

“I’m really disappointed so little effort was put into health savings accounts,” says Garrett, because it rewards those who make healthy lifestyle decisions. He says there’s been a 67 percent increase in health care premiums, and that his cousin and his family lost their health plan. “The word ‘mandate’ should be a dirty word,” says Garrett. “We need to empower people to make decisions for themselves, while recognizing in the most prosperous nation on earth, we’re not willing to let people die in the gutter.”

The ACA needs “a lot of work,” says Dittmar, because of its unintended consequences. She also notes the “wasted energy with repeal and replace when there’s no offer of replacement” in Congress. The overall objective to insure more people, allow young people to stay on their parents’ insurance until 26 and insurance portability have been accomplished, but, she says, “We need to work together” on each of the unintended consequences.

Gun violence

Dittmar favors universal background checks so people who should not have guns can’t buy them, which is what Virginia does, although it’s “squishy” because the background checks at gun shows are voluntary, she says. “I do not know why we have to fight as partisans on the no-fly list,” she says. “Fix the list. If the majority on there are bad hombres” that we don’t want on airplanes, why would we sell them guns? she asks.

“We have a violence problem beyond guns,” says Garrett. “You’re probably seven times more likely to be killed with a knife, with hands and feet or a blunt instrument than by an assault weapon.” He says there’s been more loss of lives from black-on-black murders each year than the total number of those in the military killed in Afghanistan since 2001. He’s a staunch believer in the Second Amendment right to defend himself, and says the vast majority of gun murders are committed with cheap handguns. “There’s no panacea,” observes Garrett, who points to the need for better schools, including charter schools, to provide the opportunity to succeed. As for gun law reform, “I don’t see the need,” he says, pointing to Nice, France, where a terrorist used a truck to kill dozens. “Is the proper response truck reform?” 

Immigration reform

“We need to control our borders,” says Garrett. He says he doesn’t blame immigrants coming here looking for work. “I’m not anti-immigrant,” he says. “I’m against the federal government not enforcing its own laws.” And his pet peeve is laws on the books that aren’t enforced equally, such as pot laws.

Dittmar likes the comprehensive reform bill the 2013 bipartisan Gang of Eight passed in the Senate, only to have it not reach the House floor, thanks to the objections of Republicans there. “It addressed borders, quotas, it addresses what to do with people already here, what path to citizenship,” she says.

Refugees fleeing Syria and ISIS

For those coming into this country from areas where terrorists and the Islamic State are a concern, Dittmar says, “The amount of vigilance we have is extraordinary.” Some of those who want to come here have acted as interpreters or provided intelligence, leaving them and their families vulnerable, she says. “We need to get them out of there or basically we’re sentencing them to death. We don’t want a black and white situation in which we say, if you’re from this country, you can’t come in.”

“We shouldn’t take refugees from any nation with ongoing Islamist bloodshed until our FBI director tells us they can be vetted,” says Garrett. And he quotes FBI director James Comey, who says there’s no way to adequately vet them. “We don’t have a duty to take people in until we know our citizens can be safe.”

Atlantic Coast Pipeline

Garrett says he tends to be pro-pipeline, but not for this one because there are alternate routes that already exist. With 1,400 pipelines already here, he wants a better grasp of how the people of the localities most affected feel before he can support the ACP.

Dittmar doesn’t support the pipeline, but she isn’t going to say don’t build it. Along with vocal opposition in Nelson County, there are groups there that want the pathway changed but don’t oppose the pipeline. In Buckingham County, its board of supervisors has passed a resolution in favor of the pipeline because it will be good for economic development, she says. She points out that the decision will be made by the state, not at the federal level. And she stresses that Dominion Virginia Power tries to influence legislators with money, and she’s not accepting donations from them. Garrett has taken a $5,000 donation, according to VPAP.

African-American voter disenfranchisement

She hasn’t seen it in the “Charlottesville-Albemarle bubble,” says Dittmar, “but there truly is voter suppression in the commonwealth.” She participated in a reenactment march in Lunenburg County, where the place to register to vote used to be only open two days a month from 2-4pm and citizens had to take time off from work to register. African-American voters are disproportionately challenged with income, health and transportation issues, she says, and while she has no problem with photo ID at the polls, it is harder for those who don’t drive to get an ID. Virginia’s lack of early voting and its requirements to get an absentee ballot also make it harder to vote, as does the state’s constitution that doesn’t automatically restore felon voting rights.

On the other hand, Garrett says he doesn’t believe African-American voters are disproportionately disenfranchised because there are so many checks and balances. And to those who say the photo ID requirement is disenfranchising, says Garrett, “I find that racist in itself.” He acknowledges that in the past efforts were made to keep blacks from voting, but says he doesn’t think that’s the case in 2016, and that black voter turnout was higher than white in 2012. The Brookings Institute reports 66.2 percent of eligible black voters went to the polls compared with 64.1 percent of eligible white voters.

Marijuana legalization

For a law and order guy, Garrett objects to the federal government’s continued classification of pot as a Schedule I drug with no medical use, while cocaine and heroin are at a lower Schedule 2 category. “What I would do is remove it from federal categorization and let the states decide,” he says. Virginia could be producing industrial hemp in Southside, he says. “We’re still sending kids to prison in Virginia for marijuana,” while the same kid in Colorado goes on his way.

Dittmar isn’t ready for legalization, but she’s eager to look at the data from states that have. “I’d like to see those outcomes after a few years to see if the harms were real or overstated before I ever venture into looking at legalization.” She does favor decriminalization because “far too many people are incarcerated in this country.”

Economic development

Economic resilience depends on the values of the community,” says Dittmar. For example, Nelson doesn’t want light manufacturing, she says, but does want tourism and agri-business growth. She advocates assessing the values and assets of a community and making sure the infrastructure—Internet, workforce training and paved roads—are in place for economic development. There is an issue with overregulation, which is the fault of the legislative branch, she says. “Legislators need to write better laws,” she says, with specific goals on what they want to accomplish, more study and more talking to the people being legislated.

According to Garrett, every employer he’s talked with says regulatory compliance needs to be changed. Lane Furniture in Altavista, after five generations, was “literally regulated out of business,” he asserts. And he wants localities to determine how to spend federal funds, citing the town that got $600,000 for crosswalks and a farmers market, but has crumbling water and sewer infrastructure. With $19 trillion in debt, he objects to federal funds being used to build dog parks. “State and federal government should shrink and local governments should grow, because that’s where we know how to get things done,” he says.

Environment

Garrett acknowledges climate change, but says there’s a debate about whether it’s caused by man. He advocates stewardship, recognizing that decisions do have impacts and to leave the environment in better shape than we found it.

“Climate change is here and it’s a huge threat to the whole planet,” says Dittmar. Mathews County no longer issues building permits because of rising sea levels, she says, and oyster beds are threatened because of warming seas, there’s a potable water threat in the eastern part of the state and Langley Air Force Base has runways underwater at high tide, all of which pose economic threats to Virginia. Climate change is exacerbated by emissions from cars and power plants. “We must move ourselves to cleaner fuels,” she says.

National debt

Reform the tax code and make spending bills that are just about spending, rather than adding political amendments that guaranteed to kill the legislation, advises Dittmar.

Move responsibility away from the federal government while empowering localities, says Garrett. Government must keep its promises about programs like Social Security, he says, and  proposes allowing students to postpone benefits in exchange for college debt forgiveness.

American polarization

It’s the media’s fault, says Garrett, because it focuses on if-it-bleeds-it-leads stories rather than those of politicians working across the aisle.

“I don’t think Americans are polarized,” says Dittmar. “I think the parties are polarized.”


The gentleman from Chatham has left the field

In office since he ran for town council in 2000, Robert Hurt at 47 seemed way too young to be walking away from elected office after serving in both houses of the General Assembly and winning election to Congress in 2010. Yet the 5th District congressman announced in January he would not seek a fourth term.

He says he “never envisioned making service in elective office a career,” and was looking forward to private life and finding other ways to serve.

2839_QA_Bill Clark-CQ Roll Call
Photo by Bill Clark/CQ Roll Call

That, of course, did not stop speculation. And everyone prefaces their comments by saying how much they like Hurt.

“He wasn’t able to accomplish much,” says Jane Dittmar. “He didn’t find it an environment he could flourish in.”

Tom Garrett appreciates the fact that Hurt always took his calls. “I think he’s Trumanesque,” says Garrett. “I’ve seen that in his decision to retire at such a young age. He’s just a guy who felt compelled to serve. Robert has always been approachable and humble, and has the heart of a servant.”

“There are rumors he was going to face a challenger in the primary,” says Delegate David Toscano, who stresses that Hurt is a friend. “He became more ideological over the years.”

Toscano recalls that Hurt supported then-governor Mark Warner’s tax increase in 2004 when the state was left with a crippling shortfall after Jim Gilmore cut the car tax. “Robert stood up and said, ‘I’m going to do this because it’s needed and it’s the right thing to do,’” says Toscano.

That vote was lobbed back at him by his Tea Party opponents when he ran for Congress, and when he was elected, he embraced “a more conservative wing of the party,” says Toscano. “His stands were more strident over the years.”

As for Hurt’s accomplishments in Congress, Toscano says he can’t recall any besides constituent service, but adds, “It’s not easy for one member out of 435 to accomplish much.”

Hurt declined to be interviewed before the election, but in a statement, says that in the current Congress, seven of the eight bills he introduced were bipartisan.


The write-in

Brunswick County resident Kimberly Lowe, 40, is running for Congress—in the 5th and 9th districts. “You can do that as long as you’re a write-in candidate,” she says. “As long as it’s a federal race, you can run for a district you don’t live in.”

The homeschooling mother of three hails from Roanoke but has lived in Brunswick for fewer than two years. “I spent the first year here crying because people are living in poverty and despair,” she says. “When you don’t live in the rural area, you don’t know. I’ve never seen anything like this.”

Courtesy subject

An educator, Lowe says the problems she sees can’t be fixed on the local level, and that’s why she’s running for Congress. She believes industrial hemp is a natural option for farmers, and says that’s stalled on the federal level.

Lowe’s grassroots campaign is a long shot, she concedes, and she’s busy making coalitions. “Everything will set me up for 2018.”