Categories
News

In brief: Best of Bellamy tweets, surreptitious sheriff filming and more

Quote of the week

“I really #hate how almost 80% of the black people here talk white…#petpeeve. #itstheniggainme. #dontjudgeme.”—Wes Bellamy tweet, March 30, 2010. Read related story, “Tweetstorm: Bellamy apologizes for ‘inappropriate’ posts.”

Korte in courtwalter korte

Former UVA film studies professor Walter Korte appeared in court November 28 and waived a preliminary hearing on the two possessions of child porn charges he faces. Korte was arrested in August, and after his release from jail September 6, he attempted suicide. His case goes to the grand jury December 5.

Requiem for a music teacher

Western Albemarle’s Eric Betthauser, 43, aka “Mr. B.,” died November 22 when his Mazda was struck by a Camaro on Fifth Street Extended. Aaron A. Johnson, 27, of Richmond is charged with involuntary manslaughter and DUI.

Copping a plea

Former Nelson County sheriff David Brooks, 54, entered Alford pleas November 28 for unlawful dissemination of images and malfeasance for setting up political rival Mac Bridgwater with a woman in a Lynchburg Econo Lodge and filming him. Brooks’ two-year sentence was suspended and he can’t work in law enforcement for five years.

Photo by Jackson SmithBronco’s debut season

UVA’s new head football coach Bronco Mendenhall ended an inglorious 2-10 season November 26 with a 52-10 rout by Virginia Tech.

Drinking age change

In a snafu publicized by the Market Street Wineshop & Grocery on Facebook, the Virginia Alcoholic Beverage Control handed out fliers that said “anyone born on or before today’s date in 1996” may not buy or consume alcohol. “A good editor is worth their weight in gold,” the wineshop posted. We wonder how this would hold up in court.

Leafy substances

Colorful fallen maple leaves on a sidewalk in warm Autumn day. View from ground level.They’re still here. As much as Charlottesville loves its green canopy, disposing of fall foliage can be a major pain. At least the city offers pickup options—in Albemarle County you’re on your own.

So for those of you who can’t just ignore the leaves and let them blow into your neighbor’s yard, or who don’t mow and mulch, here’s some tips when you stuff your free, city-provided plastic bags. And if you’re concerned about how environmentally appropriate it is to use plastic to
dispose of biodegradable materials, city spokesperson Miriam Dickler says the plastic bags are the thinnest that work, and once the leaves are dumped at Panorama Farm, where they’re composted, the bags are recycled.

  • Bagged leaves are collected weekly through January 27, 2017
  • Only clear plastic bags will be picked up
  • Fill them only ¾ full and keep them under 50 pounds
  • No sticks or stones or bones.
  • Loose leaves will be vacuumed twice during the season. The schedule depends on what leaf zone you’re in.

Categories
Arts

Warren Beatty takes on the legend of Howard Hughes

The great Warren Beatty returns after a 15-year hiatus with Rules Don’t Apply, a Howard Hughes-centered passion project that has existed in the Hollywood icon’s mind since the early 1970s. Beatty rarely commits to a project halfway, and his fascination with the subject, setting and era of the film is evident in both his performance as the infamous industrialist-engineer-film producer and his energetic direction that draws terrific performances from a remarkable cast. Beatty’s enthusiasm for the subject is palpable and occasionally infectious, but it is also the film’s greatest weakness—the final result rarely has an opportunity to breathe or develop a life of its own, resulting in a fun movie with a lot to say but lacking much of a point.

Rules Don’t Apply follows the intertwined lives of Hughes (Beatty), his personal assistant, Frank Forbes (Alden Ehrenreich), and aspiring actress Marla Mabrey (Lily Collins). Marla arrives in Hollywood with her mother (Annette Bening) to live the life of a contract star in Hughes’ roster, though almost immediately the arrangement appears less glamorous than originally promised. There is a beautiful house, a guaranteed stipend regardless of work performed and Frank’s services as a personal chauffeur. But face-to-face meetings with Hughes are virtually nonexistent, contracts are lowered out of windows onto the street to be signed and no real film work ever appears to get done. Marla never receives a screen test until she complains, but it is quickly apparent there is no film on the horizon.

Rules Don’t Apply
PG-13, 126 minutes
Violet Crown Cinema and Regal Stonefield 14 and IMAX

Frank, meanwhile, is an aspiring real estate developer who hopes to use his new position to gain Hughes’ trust and investment in a promising plot of land. The chemistry between Marla and Frank is palpable, but both are under contract to not engage in romantic relationships, as they are often reminded by coworker Levar (Matthew Broderick). It is Marla who writes a song inspired by Frank’s motivational words to her, “You’re an exception. The rules don’t apply to you.”

Hughes, the inspiration for the film and the man who brought these characters together, is largely absent for the first half hour or so of Rules Don’t Apply—fitting not only for his character but for the title, as he is a man who lives his life without the burden of any rules on behavior. A meeting between Hughes and Marla seems promising, but torn alliances and diverging ambitions complicate matters beyond repair. Beatty shows some affinity with the eccentric recluse, even if their biographies could not be more different. Discussions of legacy and immortality appear throughout, and it is only in these moments that the frenetic pace slows down and makes us listen instead of merely observing.

Rules Don’t Apply is an amiable and thoughtful look at the ways social and legal constraints can interfere with our ability to lead a happy, safe life, especially when they exist to do just the opposite. The lack of a central idea becomes apparent when the film veers between fiction and docudrama without committing to either, as whatever message Beatty wants to convey becomes muddled. Though not a full return to form, it is a return nonetheless, and a bad Beatty movie is still better than most. The rules don’t apply to him, either.


Playing this week

Regal Stonefield 14 and IMAX
The Shops at Stonefield, 244-3213
Allied, Almost Christmas, Arrival, Bad Santa 2, Billy Lynn’s Long Halftime Walk, Doctor Strange, The Edge of Seventeen, Fantastic Beasts and Where to Find Them, Hacksaw Ridge, Moana, Trolls

Violet Crown Cinema
200 W. Main St., Downtown Mall, 529-3000
Allied, Arrival, Bad Santa 2, Doctor Strange, Fantastic Beasts and Where to Find Them, Hacksaw Ridge, The Handmaiden, Loving, Moana, Moonlight, White

Categories
Living

Spudnuts closes after close to 50 years

For years, Mike Fitzgerald has arrived at the Spudnut Shop at 309 Avon St. between 1 and 1:30am to get started on the day ahead. He’ll have a cup of coffee, check on the equipment and begin to make the first batch of potato flour donuts—he’ll mix the dough and let it rise, then roll it out, cut the donuts and fry them before glazing. If everything goes smoothly, it takes about three hours to make a single batch.

By the time Spudnuts opens at 6am, the first batch of donuts is ready and warm, and Mike’s wife, Lori, is at the counter, ready to nestle donuts into boxes for large orders, or to serve regulars their usual glazed donut—“the king of ’em all,” Lori says—and a cup of coffee.

The Fitzgeralds have run Spudnuts since 2005, after Lori’s father—Richard Wingfield, who opened the shop in 1969—passed away. Lori’s worked at the shop her entire life, and Mike started helping out shortly after he and Lori met, around 20 years ago. “He didn’t know how lucky he was—getting a wife and a donut shop,” Lori says, laughing.

So it was only after many, many months of careful consideration that the Fitzgeralds have decided to close their beloved Spudnuts at the end of December.

“Sometimes you feel like it’s time to do something else,” Lori says. “If you’ve been in a business [for this long], to carry on something that you take great care of is a lot of work. It keeps you awake for many hours.”

The couple says closing was a difficult decision to make, particularly because the business is doing well and they don’t feel overrun by other donut shops that have opened in town over the past few years. A while ago, they cut back Spudnuts’ hours, just to see how it went, how it felt.

Eventually, closing seemed like the right thing to do. Mike had wanted to spend more time with his father after closing the shop, but his father passed away last August.

The Fitzgeralds have thought a lot about what they’ll do next, and while they don’t have any definite plans (except for adopting a more regular sleep schedule), one thing is certain: The business is not for sale at this time.   

“It’s as much a loss for us as it is for Charlottesville,” Lori says. The Fitzgeralds’ son, G. Michael, grew up at Spudnuts—Lori remembers him sitting in a high chair, eating his lunch with regulars and bouncing between the tables in his walker, a coconut donut in hand. G. Michael, now a senior in high school, began working the register and making change when he was a kid and says he loved sitting on a ladder in the back room to get a bird’s-eye view of donut-making every morning before school.

“We’ve had more fun than heartache,” Lori says. Every morning, a group of 70-to-80-year-old locals sit together with their donuts and coffee at the table furthest from the door, talking. Lori says she’ll miss serving up a bit of sweetness to them first thing in the morning.

“My father used to say, ‘Brighten the corner where you are,’” Lori says. “Hopefully that’s what set us apart for all these years.”

A new saison

Restaurateur Wilson Richey thinks there’s a lot of great beer being brewed in and around Charlottesville. And while there’s plenty of good beer, he says there’s not a lot of high-quality, beer-inspired food being made to pair with it. Pizza and wings just don’t cut it, he says.

“Everyone loves beer, so why not present a cuisine that’s just as interesting and has a very long history?” Richey says about the inspiration for his newest restaurant, Brasserie Saison, set to open this February on the Downtown Mall in the former Jean Theory spot.

Brasserie Saison, a collaboration between Richey and Champion Brewing Co. owner Hunter Smith, will offer Benelux cuisine (food of the Low Countries: Belgium, Luxembourg and The Netherlands, with some Polish, Austrian and German influence) and exclusive specialty beers brewed on-site by Smith and the Champion team.

Richey, the man behind Revolutionary Soup, The Whiskey Jar, The Pie Chest, The Alley Light and The Bebedero, says the Brasserie Saison kitchen and brewing operations will go hand in hand; the menus will be planned far in advance to give brewers the time to brew complementary beers.

Tyler Teass, most recently executive sous chef at D.C.’s Rose’s Luxury restaurant, will lead the kitchen. Before landing in D.C., Teass worked as sous chef at the Clifton Inn and at L’etoile.

The Brasserie Saison menu will change with some regularity, but Richey says it’ll be heavy on vegetable-based and vegetarian dishes, like marinated beets and grilled endive, with a focus on local produce and proteins. They’ll also have smoked meat, duck sausage, carbonnade (beef braised in strong ale and served with egg noodles) and a mussels dish that Richey says is “not a precious little bit, but a big bowl with French fries and sauces.”

The beers will be “really unlike other beers we’ve done at Champion,” Smith says, such as lambics, saisons and Belgian wheat beers, brewed and kegged in a space underneath the restaurant, then hooked up to a draft system in the upstairs bar. All the beer brewed at Brasserie Saison will be sold there—nowhere else. They’ll probably fill growlers, Smith says, but they’ll likely cost more than normal, because of the specialty beer. 

Leah Peeks, beverage and events director for The Whiskey Jar, will have the same role at the Brasserie, running the bar program that, in addition to beer, will include cocktails and a wine list; she’ll bring over Reid Dougherty from The Whiskey Jar to manage day-to-day bar operations.

Brasserie Saison will seat 45 diners inside and another 30 on the patio. It’ll be open daily from 11am to 2:30pm for lunch and from 5 to 10pm for dinner, with late-night hours on the weekends.

Richey says they’ll have specials on both the food and bar menus—such as a curated list of Richey and Smith’s favorite bottled Belgian and Dutch beers—to keep customers intrigued.

Categories
News

Police K9s attack again

In early November, an Albemarle County police K9 bit and injured a colt owned by an Augusta County farm owner—just a year and a half after a dog with the Charlottesville Police Department attacked a child. Is it time for man’s best friend to be laid off?

While on a jog with its handler November 7, the off-duty and off-leash K9 attacked a 1-month-old horse named Thomas Jefferson, despite being zapped by its shock collar, according to the Daily Progress.

Albemarle County Police Department spokesperson Madeline Curott says the department is conducting an internal administrative investigation to determine if policies and procedures were followed.

“We are not releasing names of those involved so it does not compromise the integrity of the investigation,” she says. However, she did offer that the ACPD has four K9 officers on staff and the commander of the unit is Lieutenant Miller Stoddard, who was not available for comment because of his involvement in the investigation.

C-VILLE was unable to reach Jerry Hatton, owner of Deep Meadow Farm and the colt that was attacked, but county spokesperson Jody Saunders says he has been advised to make a formal complaint to the county’s risk management and attorney’s offices, though he has not yet done so.

When Ringo, a Dutch Shepherd working for the CPD, was accidentally released from the back of his handler’s patrol vehicle in June 2015 and immediately sunk his teeth into a 13-year-old girl standing nearby, Captain Gary Pleasants said he believed the dog reacted to a quick movement she made.

A neighbor who witnessed the dog’s aggression called him vicious. The department put both Ringo and his unnamed handler on administrative leave while the K9 underwent evaluation.

Charlottesville Police spokesperson Lieutenant Steve Upman now says Lieutenant Victor Mitchell, a master trainer with the National Association of Professional Canine Handlers working for the CPD, evaluated Ringo by conducting several tests that concentrated on aggression control and obedience.

Though the handler called for Ringo when he was released from the trunk and the dog did not respond, CPD now deems the dog fit for service. Upman produced an internal report from the evaluation, which said, “Lieutenant Mitchell found the handler had control of the K9 at all times and did not observe any behaviors from the K9 team that caused him concern.”

Ringo and his handler, whom the CPD still chooses not to name, are both still employed. And just four months before the attacking of the girl, the two were recognized for their work during two traffic stops in which Ringo sniffed out 283 grams—or more than 10 ounces—of marijuana, half a gram of crack and a High Point 45-caliber handgun.

Categories
Living

Sultan Kebab offers a feast for all of the senses

When I asked Lampo’s Ian Redshaw to name the best restaurant in Charlottesville, his answer surprised me.

Don’t get me wrong, I love Sultan Kebab. Even when it was hidden in a nondescript location off U.S. 29 North, I named it to The Charlottesville 29, my list of Charlottesville’s essential restaurants. Now that it has moved to a gleaming new building downtown (333 Second St. SE) and expanded its menu, it is even more worthy of praise. What was once a homey strip mall denizen is now an immaculate, airy restaurant with an entire wall covered by a spectacular mural of Turkish landmarks.

But, still. A chef like Redshaw? At 28, the Culinary Institute of America graduate who once ran L’etoile’s kitchen and now co-owns Lampo is one of Charlottesville’s brightest young talents. His passion for cooking runs deep, as he spends his free time conceiving and executing elaborate 14-course private dinners. Sultan Kebab is wonderful, but, for all its glory, it is not a mecca of culinary experimentation. It’s traditional Turkish cuisine.

To learn what makes Sultan Kebab Redshaw’s favorite, I joined him for a feast there. And, while Redshaw was eloquent, he need not have uttered a word. The food said it all. Dish after beautiful dish made the case, dazzling our palates, and our eyes, too.

Ian Redshaw, co-owner of Lampo, says the crust on Sultan Kebab’s lahmacun appetizer is “so light and crispy it reminds me of pizza on the South Side of Chicago.” Photo: Tom McGovern
Ian Redshaw, co-owner of Lampo, says the crust on Sultan Kebab’s lahmacun appetizer is “so light and crispy it reminds me of pizza on the South Side of Chicago.” Photo: Tom McGovern

A silver bowl of baba ghanoush would not be out of place at a museum of modern art—milky white, studded with purple hues, and strewn with specks and smears of scarlet. It’s delicious, too. Smoky eggplant, roasted over an open flame, is chopped finely and mixed with tahini, olive oil, lemon juice, garlic and homemade yogurt, topped with paprika. A common Turkish ingredient, eggplant also stars in Redshaw’s favorite dish, koz patlican. Thin medallions of chilled, roasted eggplant flesh sit in olive oil, lemon juice and garlic, each piece topped artfully with a rectangle of roasted red pepper. “Perfect,” said Redshaw. “Super balanced.”

Another appetizer, lahmacun, is a thin round piece of dough, the size of a dinner plate, topped with minced beef, onions, tomatoes and parsley, baked, and served with shredded lettuce and lemon. “As a pizza enthusiast I love this,” said Redshaw, who slings world-class Neapolitan pies at Lampo. “The crust is so light and crispy it reminds me of pizza on the South Side of Chicago.”

Behind all of this great food are Deniz Dikmen and Serhat Peker, Turkish natives with backgrounds in hotels and hospitality, who first came to the U.S. in 2006, and met while working at the Clifton Inn. In 2012, they opened Sultan Kebab to showcase family recipes from Peker’s hometown of Adana and Dikmen’s Izmir.

Their favorite dishes are the signature platters, available either vegetarian or with a choice of grilled Turkish meats, and I challenge anyone to keep his mouth dry while gazing at one. Each is a large white oval plate crammed with goodness—long-kernel basmati rice, slowly cooked in butter, canola oil and chicken stock (no stock is used for the vegetarian platter’s rice); creamy homemade hummus; and a refreshing salad in a light dressing of 25 percent olive oil, 25 percent fresh lemon juice and 50 percent pomegranate molasses. Platters also include pita bread made by a Turkish woman who has been with the restaurant since it opened. Among all of the wonderful things at Sultan Kebab, this fluffy bread is the one thing I must eat on every visit.

The vegetarian platter includes samples of the restaurant’s great vegetable dishes, like baba ghanoush, bulgur pilavi and kisir—a tabbouleh dish that rivals any I have had anywhere. Among the meats, the Adana and Izmir kebabs are both stellar, each offering ground beef blended with different seasonings—red-pepper paste for the Adana, and cumin and onions for the Izmir. But, Peker, who runs the kitchen, is partial to the lamb kebab—grilled cubes of leg of lamb, marinated in red-pepper paste, paprika, homemade yogurt and olive oil. It pairs perfectly with a red blend called Doluca Karma, says Dikmen. And, he should know. The certified sommelier once oversaw Clifton Inn’s wine, and Sultan Kebab’s list of beers and wines, drawing largely on Turkey, is so well-chosen that Redshaw calls it an “amazing discovery.” The Doluca Karma blends cabernet sauvignon and a Turkish grape called okuzgozu, with “hints of the sea air and beautiful fruit.” Redshaw said it was an ideal complement to the lamb.

Dessert was doubly delicious. Ice-cold rice pudding is “nostalgia in a bowl,” said Redshaw, achieving something he strives to do with his own cooking: take a diner to a memorable time in his life. Even better was künefe, Redshaw’s favorite dessert in town. Fresh mozzarella is encased in tiny shreds of phyllo dough, baked and drizzled with a sugar-syrup with a hint of lemon. “Totally blew my mind,” said Redshaw.

As a chef, when Redshaw dines out, what he seeks most is food grounded in others’ experiences that he cannot replicate at home. Sultan Kebab nails it. “I have had almost all of the entrées as platters or sandwiches,” says Redshaw. “And, they are all awesome.”

Categories
News

UPDATED: Local inventors help you rotate your closet

Tired of tucking tags into your new party dress so you can return it after you wear it to a big event? You’re in luck—two local innovators have solved that problem for you. And it’s completely legal.

Introducing Rohvi, a technology platform that allows subscribers to buy full-price items at local boutiques, wear them and return them within three months and receive 30 percent of the original price in store credit.

Three local boutiques—Duo, Verdigris and Honey Ryder Boutique—currently offer the service to subscribers for *$40 during the six-month pilot program, in which you can make up to three returns at each location.

“I see this as a high-tech way to bring the benefits of the online economy to local boutiques,” says co-founder Sara Whiffen, noting the rise of Internet businesses such as ModCloth, which allows customers to try out their clothes before deciding whether to keep them.

She says she was also inspired by The Tiny Closet movement, started by fashionista Natalie Live, who pledged to build outfits for all seasons without buying anything new, and using the clothes already present in her wardrobe.

Whiffen also hopes to find a way to ward off the environmental destruction caused by “fast fashion,” or clothiers making cheap clothing items that can only be worn a few times before they’re tossed.

Rohvi’s return policy is “no questions asked,” says Greer Johnson, a co-founder of the new company and owner of Duo. So even if a product has stains or visible wear, they’ll still take it back and issue store credit. Returned items are then recycled, resold to another clothier in a different town or donated to Dress For Success, an international nonprofit that provides women with professional attire.

On an unseasonably warm day, Johnson sits at a patio table outside of her shop, wearing a sweater she says is perfect for fall, but a tad too light for winter. She says she’ll likely return it when the seasons change and pick out something heavier.

“It feels weird to clip the tag and use it and know you intend to bring it back,” she says, laughing. Though the platform’s soft launch was a month ago, the business partners say they already have about 40 subscribers in town.

Emily Lesmes, a fourth-year student at UVA, is one of them. She says she hasn’t made her first purchase yet since subscribing a few weeks ago, but she thanks Rohvi for introducing her to Honey Ryder, a boutique she hadn’t been to yet.

Calling it “guilt-free shopping” because she’ll get a return on her investment and she knows some clothes are donated to a good cause, Lesmes says she first wants to get rid of old sweaters and jackets that are no longer in style and use Rohvi to shop for new ones.

Would she recommend Rohvi to her friends? She laughs and says, “Oh, I already have,” and adds that she would like to see it expanded to the D.C. area, where she’s from.

Whiffen says she hopes to expand the business in the future, but says for now they’re collecting customer feedback through their website, rohvi.com. “We really want to make sure we get it right before moving,” she says.

*Corrected November 30 at 12:00pm to show that Rohvi’s six-month pilot program costs $40 total for subscribers, not $40 per month.

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Uncategorized

Self-published and small-press authors connect for book signing event

For many artists, the act of promoting their own work can feel counterintuitive, a business that necessitates turning outward to the public after so much time spent turned inward in order to create. For this reason, local author Carolyn O’Neal says with some surprise, “I’ve become, oddly, a marketing guru.” Her firsthand experience with marketing began last year when she launched a Kickstarter campaign to fund the publication of her novel, Kingsley, a work of eco-fiction about the last boy on Earth. “It’s a lot of work to market the book, more than to write it,” she says.

But once she started building relationships with local and regional bookstores she reached a point where she’d booked herself almost every weekend. She pondered what to do next and came up with the idea of cross-marketing with other self-published and small-press authors for a one-day book signing event, which takes place on Sunday at WriterHouse.

While Charlottesville has no shortage of big-name authors who sign with large publishing houses, O’Neal says, “I specifically wanted authors who didn’t have a thousand other avenues to publicize their work to be included in this. …And two of them are launching their books on this date, so it’s a celebration.” Those two authors are Pamela Evans and AM Carley.

Evans, a preschool teacher, will be signing and selling her book, The Preschool Parent Primer, alongside picture e-book authors Marc Boston and Amy Lee-Tai in a room designated for young readers and their parents. Evans’ book grew out of the classroom notes she has accumulated over the last 14 years at Chancellor Street Preschool Co-operative regarding challenges and solutions. Each chapter begins with a list of key factors on which she elaborates with examples and anecdotes. “It’s not so much telling you what to do but sharing best practices, examples and resources,” Evans says. She also details what to look for in a preschool and what kinds of behaviors are appropriate for children of this age.

Evans decided to self-publish after receiving what writers affectionately call a “positive rejection.” A small press told her they liked the book, it just wasn’t in their wheelhouse. Rather than changing the concept of the book to tailor it to a publisher, she decided to move forward with that bit of encouragement and publish her original concept according to a timeline that worked for her.

Meanwhile, professional writing coach Carley is debuting her book, FLOAT: Becoming Unstuck for Writers. Similar to Evans, Carley’s book grew out of the notes she kept for her profession, helping writers develop their books. “It’s different for each writer,” she says, “but I noticed patterns that kept coming up for different authors and thought, ‘People could want to know this stuff.’”

The title is an acronym that stands for Focus, Listen, Open, Analyze and Tool. It is a craft book with exercises to stimulate the writing process, and each is independent of the other so the reader is free to pick and choose. It’s a practice in “having a conversation with yourself or asking for help from the cosmos, or however you want to frame it,” Carley says. “The point is that there are ways to pull in inspiration…that work for each writer. They often find that they can solve their own problem. This is to jump-start it.”

Perhaps what sets this apart from other writing craft and prompt books is that she keys the exercises based on their impact and how connected the reader is feeling. “We’re all living with a tension between our hardwiring to want to connect with others and our primate need to distrust everyone,” she says. “They’re both in there so how do we negotiate that?” Her answer regarding the creative process is to start with a tool based on how connected you’re feeling on a given day.

A total of 12 authors will be signing their books. “We had more people who wanted to join us,” O’Neal says, “but we’re limited by the space.” The range of books by participating authors includes a coffee table book on Wintergreen, a travel memoir about Italy, mysteries and political fiction.

“Carolyn is our curator,” Carley says with a smile.

Categories
Arts

ARTS Pick: ‘A Charlie Brown Christmas’

A sparse Christmas tree, a roundheaded kid who questions holiday spirit, a jazz soundtrack and a stirring read of the nativity story combined to make history when “A Charlie Brown Christmas” premiered in 1965. To the dismay of its creators, Charles M. Schulz and Bill Melendez, the animated TV show (ironically commissioned by the Coca-Cola Company and taking aim at the commercialization of Christmas) became an instant classic that’s been shown every year since. In 2013, the stage adaptation became available in a version that closely follows the beloved original. $14-16, times vary.

Through December 11. Four County Players, 5256 Barbour St., Barboursville. (540) 832-5355.

Categories
Arts

Jay Hunter Morris’ search for vocal perfection

The first thing to know about Jay Hunter Morris, one of the world’s leading opera singers, is that he hails from Paris—not the City of Light, but the small town in Eastern Texas. His roots have been an integral part of his musical development from his upbringing in gospel to his current status as a renowned operatic tenor. They even provided fodder for his autobiography, Diary of a Redneck Opera Zinger, which revolves around self-proclaimed potty humor. But according to Morris, his story is not unique.

“I’m not the only country boy that is an opera singer,” he says. “There are a lot of us. Some of our most famous American singers are from Texas.”

The common denominator between most singers from small towns, he says, is church.

“Many of us grew up singing in church and in choir and it makes you want to study voice,” he says. “Once you get exposed to [singing], it’s easy to catch the fever.”

Morris came to the church choir by way of his dad, who was a Southern Baptist minister. By the age of 14, Morris set his sights on becoming a country or gospel singer. He studied music at Baylor University and moved to Nashville, but he wasn’t catching that big break. At the age of 25, he attended a performance of Verdi’s La Traviata at the Dallas Opera while he was visiting Texas, and he was captivated.

“I was so perplexed and puzzled and fascinated by the fact that these people can project their voices into, you know, sometimes a 4,000-seat house with no microphone,” he says. “I marvel that we are able to sing over a 100-piece orchestra with them all playing as loud as they can and there’s one person with their voice singing and you can hear them.”

From that point forward, he began a pursuit for the perfect vocal performance.

“It’s a crazy thing that opera singers do, that classical singers do. It is not natural; it is very much a technique that was borne of necessity,” he says. “Hundreds of years ago…opera was probably the most popular art form in the world. It’s hard to imagine but that’s not what only the elite of society but the common man, that’s where they went on Saturday nights. They didn’t go to the movies; they went to the opera, they went to the theater. So singers had to learn to project their voice into these big auditoriums.”

He was so inspired that he enrolled in Southern Methodist University’s graduate program in music to try his hand at the craft.

“It was certainly not in the cards,” he says. “No one saw it coming, least of all me. But I love this art form and I am such a fan of opera and theater.”

Post-graduation, he was invited to study at Juilliard, which led to a slew of supporting roles in operas.

“You’ve got to get some really good breaks and I have gotten some of the biggest breaks that any singer could ever hope for and so I’m very grateful for those,” Morris says. “I know very well that I could be doing something else.”

One of the big breaks included being cast in Terrence McNally’s Master Class, a Tony Award-winning play presented as a master class by famous opera diva Maria Callas. Since then, Morris has received numerous prestigious parts through the San Francisco Opera, the Dallas Opera, Sydney Opera House and the Metropolitan Opera. Perhaps his biggest break came in 2011, when he was the understudy for Wagner’s Ring Cycle at The Met.

“I was the understudy and sort of at the 11th hour I got to take over the role and it was a new production that was broadcast into cinemas all over the world,” he recalls. “And I played Siegfried in an opera called Siegfried and that was sort of like the kid at the end of the bench getting to step up to bat in the bottom of the ninth with the bases loaded.”

Throughout his 28-year study, he’s sung in Russian, Czech, Italian, French and German.

“I’m constantly learning new parts and some of the hardest roles in the repertoire have been entrusted to me,” he says. “I’ve gotten to do most of the really big, demanding tenor parts over the course of my career.”

Most recently, Morris has received acclaim for his signature portrayal of Captain Ahab in Moby-Dick.

“I sort of made the majority of my career, you know, as sort of a bit of a blue-collar guy,” he says. “I came in and did a lot of the hard parts and a lot of supporting roles and sprinkled in with some of the really good meaty stuff, but to blink and all of a sudden go from the cover to being the main guy, that was just good fortune. And luckily I was ready. You’ve gotta be ready. You can’t just stumble in off the streets.”

To kick off Ash Lawn Opera’s 40th season, Morris will perform at the Paramount Theater.

“Ash Lawn Opera is thrilled to welcome Jay Hunter Morris, who has generously agreed to come to Charlottesville to help us launch the celebration of our 40th season with a benefit concert,” says Kevin O’Halloran, Ash Lawn Opera’s executive director. “Jay is a remarkable artist, in demand across the globe, and we are excited that he will help us celebrate the growth of Charlottesville’s opera company.”

Morris promises a night of jazz, opera and country standards—and perhaps some “redneck” storytelling.

“There’s a little bit of the raconteur in me,” he says.

Categories
Arts

Rugged Arts nurtures a thriving underground scene

When R.U.N.T.215th was growing up in Philadelphia in the mid-1980s, he routinely stayed up late and recorded Lady B’s “ Street Beat” Power 99 FM radio show, taping it on his boom box. He’d listen to the tapes over and over—the sets were packed full of Public Enemy, MC Lyte, Audio Two and Melle Mel tracks, plus in-studio rap battles and the music of the Bridge Wars—a track-for-track rivalry between the South Bronx’s Boogie Down Productions and Queensbridge’s Juice Crew over the birthplace of hip-hop music.

One night, Lady B played KRS-One’s “Criminal Minded,” and R.U.N.T. was hooked. Captivated by the wordplay, the sense of individuality and social consciousness expressed in song, he recalls thinking, “I’ve gotta do this.” He started rapping at home and in school, in the upstairs room of a neighborhood Episcopal church. He filled rhyme books and stacked them in his closet; sometimes, he says, his mom’s abusive boyfriend would tear up his rhyme books, but R.U.N.T. kept writing and rapping. He emceed, performed at block parties and the local Boys & Girls Club. He got into graffiti art, which, in addition to emceeing, DJing and breaking, is one of the four original elements of hip-hop culture.

R.U.N.T. began planning his future around hip-hop, but then his mom finished nursing school and they moved from Philadelphia to Charlottesville, a small city with an even smaller scene.

He’s been working on growing that scene ever since. After participating in a few different projects in town, including Burnt Bush Productions, R.U.N.T. formed his own hip-hop collective, Spititout Inc., in 2005, with the intention of cultivating an underground hip-hop circuit.

R.U.N.T. and his current Spititout Inc. collaborators—Rose Hill native MC Remy St. Clair and NOVA-raised producer and poet FellowMan—have organized Rugged Arts hip-hop showcases since summer 2013, first at Eunoia and now at Twisted Branch Tea Bazaar. Rugged Arts is a unifying, artistic outlet for underground artists from Charlottesville and the surrounding areas, and Spititout Inc. emphasizes that it’s a safe and welcoming space for hip-hop culture. It’s the place to go to be exactly who you are.

St. Clair says Spititout—made up of a second-generation Philadelphia hip-hop head, a white man and an openly gay black man—is “a blueprint for unity within the hip-hop community.”

Every Rugged Arts event tells “the story of a struggling city that never really gave our art form a chance,” says St. Clair, who hosts the showcases. When certain venues would host hip-hop, the organizers would have to jump through hoops—hiring extra security guards, purchasing extra insurance on the building— and that makes holding a show fairly difficult, financially and otherwise, St. Clair says. (Other venues currently hosting local hip-hop shows include The Ante Room, Milli Coffee Roasters booked by Camp Ugly and Magnolia House.)

Spititout Inc. feels that the stigma against hip-hop, especially underground hip-hop, is unwarranted. It’s all about peace, love, unity and having fun—those are the core values, R.U.N.T. says; it’s not about violence and hatred.

That’s not to say that the showcases are soft. “Rugged Arts is a place where you can talk about social issues and plan events to confront certain social issues,” R.U.N.T. says. The music addresses poverty, oppression, racism, sexism, politics and so much more, but there’s a social activism component to it as well: There’s always a donation box on the merch table, raising money for causes such as the bail fund for those arrested during the protests in Charlotte, North Carolina in September.

“What we stand for [at Rugged Arts] is what hip-hop stands for and has always stood for,” FellowMan says, and that’s for equality and voice and against exploitation and oppression. “It’s important that we continue to make politicized art because…art is maybe the only tool we have [against suppression], so it’s vital that we encourage it.”

Spititout Inc. looks for genuine, individual and entertaining artists with a social conscience who are pounding the pavement in search of a platform. They book around five artists per showcase; each shares his music with Rugged Arts’ DJ Double-U, who fires the beats at the right time in each artist’s set.

The promoters have plenty of goals for the future of Charlottesville underground hip-hop. R.U.N.T. hopes the scene diversifies while continuing to offer socially-conscious entertainment; he wants local artists to tour and touring artists to stop in Charlottesville. St. Clair wants area hip-hop acts to play Fridays After Five, and FellowMan wants to see hip-hop at the Tom Tom Founders Festival. “I would like to see a ‘community event’ actually accept us fully and not just tolerate us,” St. Clair says.

Every Rugged Arts event ends with a cypher, a group freestyle where anyone in the house can grab the mic and spit it out. DJ Double-U plays the beats—often made by local producers—and the mic is passed around. Everyone knows when an MC is ready to talk—you can see it on his or her face, St. Clair says—and when the hand touches the mic and the words start to flow, it’s an audible emotional exhale. It’s relief, the remedy for whatever ails them that day.