Categories
Arts

ARTS Pick: Sleigh Bells

Brooklyn noise pop act Sleigh Bells melds punchy distortions into slick pop so smoothly that not only have several tracks been placed in commercials and TV series, but the duo recently filed a lawsuit against pop star Demi Lovato and her producers for sampling tracks from their Treats LP without permission. The duo continued their experimental sonic trailblazing in November with a fourth album, Jessica Rabbit, on their own label, Torn Clean.

Wednesday, March 1. $20-23, 8:30pm. The Jefferson Theater, 110 E. Main St., Downtown Mall. 245-4980.

Categories
Arts

ARTS Pick: Arthur C. Greene Rising Star Awards

“Talent is an accident of genes—and a responsibility,” said the late actor Alan Rickman. For the past 20 years, the Piedmont Council for the Arts has identified more than 250 area high school students as bearers of that responsibility through its annual Arthur C. Greene Rising Star Awards. This year, teachers and nonprofit organizations have helped identify yet another group of outstanding artists in a range of genres, including film, visual arts, drama, music and writing, for a showcase featuring student performances, an awards ceremony and a reception.

Friday, March 3. Free, 7pm. The Haven, 112 W. Market St. charlottesvillearts.org.

Categories
Real Estate

Now Is a Great Time to Buy a Farm or Estate

By Celeste M. Smucker –

People love country living for all kinds of reasons, and if you are in the market, now is a great time to buy no matter if you want acreage for farming or are dreaming of living in an historic estate property.  While agents are hopeful about a stronger market this year, at the moment it still favors buyers, which, when combined with continuing low interest rates, means some great deals are available.

Finding a great deal on our local rural properties is only one reason to buy. You can also expect to enjoy privacy, beautiful scenery, rolling hills and the peace and quiet that come from rural living.  And unlike other parts of the country where all of this often comes with long drives to town, in our area country dwellers can enjoy peace and quiet and still have easy access to the many social and cultural amenities of  Charlottesville. 

Farm land is available for those who want to raise crops, cattle or horses, and you will also find both contemporary and historic estates that are attractive to local buyers as well as those coming from great distances. And for people relocating from high priced markets like Northern Virginia or the west coast, a big attraction is our much lower land prices and property taxes.

Buyers moving to rural parts of our community are part of a trend that started when the first colonists planted gardens to raise crops for personal consumption.  This was followed by cash crops such as tobacco, first exported to  England in the 17th century in what may have been the first foreign market for this commodity.

Today Virginia’s agricultural economy provides more than 311,000 jobs and adds over $55 billion annually to our economy. The Virginia Department of Agriculture reports that nationwide we rank 8th in grape production, joined by peanuts for that distinction.  In addition, we rank 5th for tomatoes, 6th for apples, and 15th for cotton. Most of Virginia’s farms are small, and 90 percent of them are owned and operated by individuals and families.

When it comes to livestock, we have always been known for horse farms,  but cattle raising is also popular.  In addition many enjoy planting a large garden to feed themselves or to sell produce to local stores and restaurants or at farmers markets throughout the state. Still others want to be part of the growing market for agri-tourism.

For buyers looking for a farm or estate, now is a good time to shop. And if that is you, one of our fine agents can help you make your dream come true.

The Market for Rural Properties
One gauge of the popularity of rural property is land sales.  A recent year end market summary prepared by Michael Guthrie, CEO and Managing Broker for Roy Wheeler Realty Co., showed land sales increased in 2016, with 394 parcels selling compared to 372 in 2015.  On the flip side, both average and median prices dropped significantly (10 and 12 percent respectively).  These figures are a further indication that now is a good time for buyers to purchase land before prices start to rise again.

Justin Wiley with Wiley Real Estate believes the market for unencumbered land has “started to get better,”  stating that a big factor in determining land’s popularity is its proximity to Charlottesville.  He added that as inflation kicks in, as it is sure to do, “land will become a strong commodity for investment.”

“Farm land is of greater interest than other land,” Wiley said referencing the counties of Orange, Madison and Louisa.  He has enjoyed a couple of large sales of farm land recently, defining it as “land suitable for row crops or cattle.” 

“Estates are still poking along,” Wiley said stating they are often the last segment of the market to recover from a slow-down.  However the good news is that he is currently working with quite a few people looking for estate property.  Most are local individuals and families wanting to move out to the country to enjoy more privacy. 

However he also gets calls from people desiring to move here from other parts of the country, such as some who want to leave behind the congestion and harsh winters of the northeast.  Others are in-state buyers who enjoy the scenery and are ready to get away from all the development happening elsewhere such as in Northern Virginia.

“The farm and estate market has seen fewer buyers over the last couple of years especially in the surrounding counties that are less centric to Charlottesville,” said John Ince with Nest Realty Group.   He added that this means there is inventory available.  In addition “properties with mountain views, a home with character, a water feature and a good location will still get good traffic and good prices, but ordinary acreage has a lot of competition.”

Murdoch Matheson with Frank Hardy Sotheby’s International Realty is hopeful that the farm and estate market is improving stating that it often lags behind the equity market, which he described as currently “strong.”  He added that the recent uptick in interest rates should also have a positive impact as buyers will recognize the need to purchase before rates increase further.

Another factor impacting the market is what Matheson termed an increase in consumer confidence which should also help push things “in a positive direction.”  Recently he has experienced this vital index as “flat.”  He joined the other agents in stating that there are some “great buys out there, some great offerings that are attractively priced.”

Farm and Estate Buyers
While frequently lumped together, farms and estates are really two separate markets attracting different buyers.

For example, Donna Patton, with BHG Real Estate III, well-known for her love of horses, works with many farm and estate buyers.  She explained that farms could include properties with as few as five acres, and, while raising horses may require a little more land, it can be done with a property as small as 10 to 20 acres.

Other buyers in the farm market are those who raise cattle.  Wiley has had two recent transactions with buyers like this.  One of them was already a farmer and needed to expand his holdings.  For the other, though, owning and raising cattle was what Wiley called “a life-long dream.”  For this individual, the cattle are more of a hobby as they are not his primary source of income.

Unlike farms, estates, are properties that have larger homes and often larger acreage, Patton explained.  Estates can be contemporary or historic. 

According to our most recent market report, the slowest part of our residential real estate market is resale properties in the $1 million plus range. This is in part because buyers in this price range, such as estate buyers, have more options, explained Rives Bailey, Broker with Montague Miller & Co. 

Buyers with more money and want a contemporary home are able to custom build and take advantage of the most current green building practices and technologies as well as open, functional, up-to-date floor plans often with first floor master suites.  For that reason they may be less inclined to purchase an existing estate property.

On the other hand, for some buyers, owning an historic estate is a big part of why they are in the market.  For example, Wiley explained that these are people who like the features of an older house such as established trees, traditional wood work, or heart of pine floors.  Sometimes the attraction is that some kind of historic event happened in the house.

Like any residential real estate, location is an important element of what goes into the decision to buy a country property.  While one of the main advantages of living on a farm or estate is enjoying a country lifestyle with its peace, quiet and privacy, many buyers also want the convenience of easy access to town.  This combination is much harder to come by when purchasing property near larger more developed metropolitan areas so it brings buyers to our area and puts a premium on properties that are closer in.

Location has become even more important recently Ince explains. “Buyers looking for country properties tend to be more focused on being close to town than in years past,” he said.  “I’ve seen a change in attitude in this current generation of near-retirees.  They enjoy the peace and quiet of the countryside, but really appreciate all that Charlottesville has to offer as well.  That makes any country property inside 20 minutes from town, golden.”

Conservation Easements
Large farms and estates lend themselves to conservation easements, legally binding agreements that continue at the sale or inheritance of the property. Their purpose is to conserve the land and protect resources such as migration routes or sources of water. The result is large areas which are guaranteed to remain country properties, assuring the continuation of a rural lifestyle.

People with this interest are what Wiley calls “conservation buyers.”  These buyers want a property that already has a conservation easement on it, or anticipate putting it under such an easement.  “Conservation buyers typically are looking for a property they can use for relaxation,” he said. Often they are retirees, but not always.  For some this is a second home that they use to get away for vacations and weekends. 

Buyers who put their property under conservation easement will gain some significant tax benefits.  For this reason, some of these buyers will only look at properties not currently under easement, Wiley added.

“Conservation easements are a wonderful gift property owners can give to the public.  They are very common in this area, especially among the more expensive properties with considerable acreage,” Ince said.

Matheson works closely with the Piedmont Environmental Council and recommends conservation easements to his clients.  He described putting property in a conservation easement as “altruistic,”  and sees this interest in conservation as one of many reasons our area is a great place to live.  “In Charlottesville lots of  people believe in stewardship of land and we all benefit.”

One local community features a combination of conservation easements and estate-style properties as part of its appeal.  Bundoran Farms, at North Garden in Albemarle County, is a conservation-based community with 99 home sites of 20+ acres each designed to preserve views and minimize light pollution. A century-old working farm with 260 head of cattle is part of the community that also features an orchard with 25,000 apple trees.  Residents can enjoy hiking and bridle trails that wind through the property as well as two private lakes for kayaking and fishing.  If you live here, expect to continue to enjoy this special lifestyle since conservation easements are in place to protect the property from further development. 

If you have always dreamed of a country lifestyle with lots of privacy and your own scenic views, talk to your agent now about the property that would best meet your needs.  This is a great time to take advantage of today’s very low interest rates and reasonable prices on these very special properties.


Celeste Smucker is a writer, blogger and author who lives near Charlottesville.

Categories
Real Estate

Open Houses Can Be a Valuable Selling Strategy

By Marilyn Pribus-

“An open house can be a valuable tool,” declares Debi Dotson, a REALTOR® with BHG  Real Estate III. “A lot of people are pre-viewing 30-50 days before they really start looking for a property or getting a REALTOR®.”

Why Do People Visit an Open House?
While the majority of properties for sale can be “visited” on the Internet these days, most people realize the pictures only show what the picture taker wants you to see, so house hunters want to see places in person. Some visit for entertainment, some want to see ideas for décor, some are thinking of buying in the fairly distant future, and some are actively looking although they may not yet be using the services of a REALTOR®.

Serious lookers won’t settle for a video tour. Instead, they want to “experience” the houses they are considering. They may prefer to shop on their own and take their time. Or they want to “get a feel” for the neighborhood.

In fact, open houses are likely to attract people who live nearby. “Neighbors usually just want to take a peek and are probably not looking to buy,” observes REALTOR® Janet Matthews, with Front Gate Holdings, Inc. “On the other hand, you never know who they know who might be moving to the area from out of town. Or they could have friends or family who could be potential buyers. The word can get around.”

In fact, she continues, some neighbors may really love the neighborhood and be thinking of downsizing or moving to a larger house so they are also potential buyers. This is exactly why some real estate brokers and agents make it a point to specifically invite neighbors to an open house with post cards or flyers.

Preparing For An Open House
“I used to show horses,” says Dotson. “Out in the field they can look pretty muddy or messy, but come show time, every hair is in place. The same thing should be true with a house.”

She puts a lot of emphasis on the first impression. “This is show day. This is getting ready for the prom. This is the day to put your best foot forward and be as perfect as absolutely possible.” 

You’re not likely to have an Open House unless your house is already on the market, so you’ve probably staged it to present an up-to-date image with neutral colors and plenty of space. Remember, you want potential buyers to visualize themselves in the house rather than feeling they are in someone else’s personal space. Be sure you’ve cleared away clutter, that your windows sparkle, and that every room is tidy. If you have pets, make them invisible by hiding litter boxes, feeding bowls, pet beds, and toys and be extra careful there is no pet odor.

Before people even enter the house, make it inviting. “Don’t put off what buyers are going to see,” recommends Dotson. “Paint the front door right now. You want to make an impression of good maintenance for the entire house.”

Your lawn should be freshly mowed, your shrubbery trimmed, and your garden weeded. If you don’t have flowers blooming in the yard, have several pots of bright plantings at your entryway. A nice new welcome mat is a nice touch for a very modest investment and a seasonal wreath on the door is also cheerful.

Inside, consider setting the table with a few place settings and a pretty centerpiece. Fresh flowers—but not strongly scented ones—are also inviting. Open all the curtains and window blinds (unless you have a really bad view) to let in the light and turn on interior lights.

Remember that potential buyers and looky-loos alike will open closets, drawers, and even medicine chests, so be sure they’re tidy and anything you want kept secure or private, such as jewelry or prescription medications, is removed. Ideally, you or your REALTOR® will accompany visitors through the property, but if several people arrive at the same time, some may be wandering around alone.

The bottom line is that you want visitors to be able to pictures themselves living in this wonderful, welcoming, well-maintained house. A small platter of fresh-baked cookies with a bowl of seasonal fresh fruit and cheerful napkins can be that final inviting touch to make open-house visitors feel at home.


When Marilyn Pribus and her husband sold their California house before moving to Charlottesville, the eventual buyer became interested in the property (which wasn’t at all what he thought he was looking for) during an Open House. 

Categories
Living

Chardonnay and petit verdot lead the 2016 vintage report

This is a good time to catch up with winemakers about the 2016 vintage, a year marked by frost events early in the season, and rain near the red grape harvest. By now, ferments have finished and some wines are in barrel or bottle. Wineries have a good idea about how their 2016s are tasting.

“Each vintage in Virginia presents its own unique set of challenges and opportunities,” says Rachel Stinson Vrooman of Stinson Vineyards. “As growers and winemakers we love to hate this unpredictability, but it’s a key piece of Virginia wine’s identity—it keeps things interesting and makes us feel like we’re all in it together, for better or worse. The 2016 season was just as action-packed as we’ve come to expect. A hard frost in April meant lower yields on pretty much everything. Early budding varietals like chardonnay and merlot were hit especially hard.”

Joy Ting, production manager and enologist at Michael Shaps Wineworks, also reports early-frost damage. “Yields were down in some varieties due to spring frost and rain during bloom,” Ting says. “The chardonnays were particularly hard hit by frost early in the season, with 30 to 50 percent reduction in crop load in most of the vineyards that come through our winery. Some sites fared better than others. The quality was good, there was just a lot less of it.”

Matthieu Finot, winemaker at King Family Vineyards, is happy with his chardonnay. “Because of this weather,” in summer, he says, “we were able to harvest the white grapes when we wanted, and despite limited quantities due to frost damage, they have good balance with the freshness and the acid that I am looking for.”

So, for white wines, we can expect lower quantities than usual, with high quality and concentration due to low yields forced by frost.

Red grapes had a better early season, but inclement autumn weather pushed into a few harvests. “Much like last year’s Joaquin,” Vrooman says, “Hurricane Matthew forced our hand a bit when it came to ripening the reds. Rains hit at the very end of September and set off the inevitable mad rush to bring in fruit. While we would have preferred higher sugar levels on the reds, the wines have good concentration at this early stage—and most importantly do not taste underripe.”

Ting notes that during harvest, “intermittent rain posed challenges throughout, but especially when it was time to pick reds. Heavy rains threatened vineyards on the eastern side of the state a few times, while central Virginia and the Shenandoah Valley saw less heavy rain. When rain threatens, winemakers sometimes have to decide to either pick early or take the risk of letting grapes hang through the rain. Good vineyard management practices were key to producing healthy grapes that could hang through rain and dry out before picking.”

Which 2016 red wines show promise at this point?

“Petit verdot was the star for us this vintage,” says Vrooman. “It escaped most of the spring damage and the tiny berries ripened leisurely while maintaining good acid.”

Ting also points to petit verdot. “The wines that are most exciting in the winery right now are the petit verdots and tannats. These are showing concentrated fruit upfront with a lot of structure backing them up. With so much tannin they still need time to age in barrel, then in bottle, in order to show their full complexity. But, at this stage, they are promising,” Ting says.

Finot is pleased with his cabernet franc. “Overall, I think the cab franc performed the best. I’m very happy with the way it tastes.”

Finot is also enjoying one of King Family Vineyards’ flagship wines: the 2016 Meritage, a Bordeaux-style blend based on merlot, cabernet franc and petit verdot. “I was surprised how much structure the Meritage was showing.” After tasting the 2016 Meritage, he says he likes the way the grape varieties complement each other. “It shows how blending can help consistency in the variable weather we get here in Virginia.”

Erin Scala is the sommelier at Fleurie and Petit Pois. She holds the Diploma of Wines & Spirits, is a Certified Sake Specialist and writes about beverages on her blog, thinking-drinking.com.

Categories
Living

LIVING Picks: Week of March 1-7

NONPROFIT

GenR: Charlottesville launch party
Thursday, March 2

This organization’s inaugural fundraiser supports the International Rescue Committee’s work in helping refugees resettle here and rebuild their lives. $35-75; 6:30-9pm. Old Metropolitan Hall, 101 E. Main St., Downtown Mall. rescue.org/event/genr-charlottesville-launch-party

FAMILY

ArtFest in the West
Friday, March 3

This “magical medieval” fundraiser for arts education showcases Western Albemarle High and Henley Middle schools’ jazz bands, student art, WAHS orchestra and more. Includes silent and live auction. 6-9pm. Western Albemarle High School cafeteria, 5941 Rockfish Gap Tpke., Crozet. artsinwesterned.org/artFest.html

FOOD & DRINK

Spring Oyster Fest
Saturday, March 4, and Sunday, March 5

Enjoy oysters from Rappahannock Oyster Company, live music, Virginia wine and food including fried chicken and chowder, along with a seasonal menu from executive chef Ryan Collins. $5-15, noon-4pm. Early Mountain Vineyards, 6109 Wolftown-Hood Rd., Madison. early mountain.com/events

HEALTH & WELLNESS

Sixth annual Haven 8K
Saturday, March 4

Part of the C-VILLE-athon Race Series, this 8K run/4K walk starts and finishes on the Downtown Mall and winds through scenic neighborhoods. Proceeds benefit The Haven, a shelter that serves 85 homeless and poor people each day. $25-40. 8am. Start at the Sprint Pavilion, Downtown Mall. thehaven.org/haven8k

Categories
Arts

First Fridays: March 3

First Fridays: March 3

In “Drawings, Old and New,” at the downtown Mudhouse through the month of March, Mae Read exhibits a series of nudes, mostly women, drawn either from life, or from photographs. When Read draws, she connects deeply to her subject and herself.

“Spending that many hours staring at almost any person will create that, and it’s something we need more of. Or I do, anyway,” she says. Many of her drawings are so exquisitely executed that upon first glance they look like photographs, and they remind the viewer that we are all vulnerable, we are all flawed, we are all incomplete, and we all need to reconsider our notions of beauty.

Art on the Trax 5784 Three Notch’d Rd., Crozet. “En Plein Air,” featuring Karyn Gunter Smith’s landscapes of the barrier islands and Virginia’s Eastern Shore. Opens Saturday, March 4.

FF The Bridge Progressive Arts Initiative 209 Monticello Rd. “World Art Exhibition,” a collection of 33 drawings created by refugees living in Charlottesville. Light House Studio’s short film The Things They Carried will play during the opening. 5:30pm.

FF C’ville Arts Cooperative Gallery 118 E. Main St. “Mending Souls One Stitch at a Time,” featuring functional and decorative quilts by Sally Mann. 6-8pm.

FF Chroma Projects Gallery 112 W. Main St., Ste. 10. “Deep Sea Calculations,” featuring drawings by Carolyn Capps that explore the relationship between chaos and order through the depiction of flotsam in the ocean. 5-7pm.

Crozet Library 2020 Library Ave., Crozet. “Botanical in Nature,” featuring landscapes, still lifes and florals by Jane Fellows.

Deese Hall 4133 Earlysville Rd., Earlysville. An exhibit featuring paintings inspired by nature from Deborah Rose Guterbock along with figurative paintings and comics illustrations from Aaron Arthur Irvine Miller.

FF Fellini’s #9 200 Market St. “Paintings of Italy,” featuring plein air oil paintings by Karyn Gunther Smith. 5:30-7pm.

The Fralin Museum at UVA 155 Rugby Rd. “Rough and Unequal,” a commissioned work by Kevin Everson that documents, among other things, the waxing and waning of the moon; and “Oriforme” by Jean Arp.

FF Graves International Art 306 E. Jefferson St. “Roy Lichtenstein & Company: Post War and Contemporary Art,” featuring handmade limited edition prints and exhibition posters by notable artists such as Lichtenstein, Gerhard Richter, David Hockney, Keith Haring, Ellsworth Kelly and others. 5-8pm.

FF Jefferson-Madison Regional Library Central Library 201 E. Market St. “#BlackOwnedCville,” an exhibit of photography by documentary filmmaker and photographer Lorenzo Dickerson about African-American business owners in Charlottesville and Albemarle County. 5pm.

Kluge-Ruhe Collection 400 Worrell Dr. “Body Ornaments,” objects by indigenous Australian ceramic artist Janet Fieldhouse, whose residency at the collection begins March 10.

Les Yeux du Monde 841 Wolf Trap Rd. “Big Heads and Small Giants,” an exhibit that pairs Megan Marlatt’s paintings and papier-mâché “Big Heads” with Margaret McCann’s paintings that explore wild scale dislocation and “headworks” portraits.

FF McGuffey Art Center 201 Second St. NW. “Transformations,” featuring  work from Robin Braun, Roberto Kamide and Charlene Cross, three artists from different backgrounds who came together to transform and repurpose various materials into something new, in the Sarah B. Smith Gallery; “Horizons,” featuring mixed-media watercolor collage by Judy McLeod in the Lower Hall North; “At Play in the Fields of the Goddess,” featuring recent paintings and musings about the natural world on furniture, board and canvas by Dominique Anderson in the Lower Hall South; “Remote Sensing,” featuring mixed-media work by Christopher Headings in the Upper Hall North; and “Passport,” featuring colored pencil drawings on paper from Sophia Wideman’s forthcoming autobiographical graphic novel in the Upper Hall South. 5:30-7:30pm.

Mudhouse Coffee Roasters 213 W. Main St. “Drawings, Old and New” featuring a range from quick figure studies to intricately detailed charcoal on paper drawings by Mae Read.

FF Second Street Gallery 115 Second St. SE. “Memoria y Creencias Culturales/Memory and Cultural Beliefs,” featuring the work of José Bedia, a contemporary Cuban painter who explores cultural preservation through the research and collection of indigenous and African art, and adapts those forms in the visual language of his paintings and large-scale installations. 5:30-7:30pm.

Shenandoah Valley Fine Art Center 26 S. Wayne Ave., Waynesboro. “40Under40,” an annual juried exhibit featuring the work of Virginia artists age 40 and under.

FF Spring Street Boutique 107 W. Main St. “Denali: The Jagged Side of Alaska,” featuring photography by Pete McCutchen. 6-8pm.

FF Studio IX 969 Second St. SE. “The Painted Violin Project,” featuring otherwise unusable instruments made into works of art to be auctioned off to support the Charlottesville High School orchestra string ensemble’s trip to Ireland in June. 5-7pm.

Thomas Jefferson Memorial Church Unitarian-Universalist 717 Rugby Rd. An exhibit of Frank Simari’s digitally enhanced photos. Opens March 5.

FF University of Virginia Medical Center 1335 Lee St. “Spring on the Horizon,” featuring oil paintings by Randy Baskerville. 3:30-5pm.

FF VMDO Architects 200 E. Market St. “A thousand Wishes,” featuring Silvi Stefi’s acrylic paintings on canvas that incorporate recycled shredded paper, glass, metal, glitter and rocks. 5:30pm.

FF Welcome Gallery at New City Arts 114 Third St. NE. “Charcoal and Steel,” featuring paintings by Cate West Zahl and sculpture by Nick Watson. 5-7:30pm.

FF WVTF & Radio IQ Studio Gallery 218 W. Water St. “Papillon,” featuring abstract paintings by April Sanders and watercolors by Gina Langford. 5-7pm.

FF First Fridays is a monthly art event featuring exhibit openings at many downtown art galleries and additional exhibition venues. Several spaces offer receptions. Send gallery listings to arts@c-ville.com.

Categories
Arts

The Front Porch celebrates inclusivity at new location

The Front Porch’s Emily Morrison wants artists of all backgrounds to find peace at the roots music school she founded in 2015. With help from friends, Morrison began the school in a back room in her home and soon moved into a space at Mountaintop Montessori. Last June the nonprofit moved into the old Michie Theater space on Water Street East. Morrison says the school offers a service she couldn’t find locally as a burgeoning banjo player—a space to host jams, performances and lessons in genres ranging from bluegrass to African dance.

“The essence of what we’re trying to do at The Front Porch is encourage people to sit together and share inspiration, stories from their background and what moves them—to bring the songs they want to learn to the table and play with other people,” she says.

Since childhood, Morrison has felt drawn to the Appalachian sound and language of roots music. That’s not what excites her most about music-making, though—it’s the merging and blending of genres that happens over time as cultural pasts converge.

“There’s a source of music here that’s worth exploring,” Morrison says. “But, there are many other cultural groups with musical histories that are valid, important and should be celebrated.”

Upcoming at The Front Porch

Friday 3/3

An Evening with the Darrell Rose Power Trio

Saturday 3/4

Cathy Fink and Marcy Marxer concert and workshops

Monday 3/6

Songwriting class with Jesse Harper of Love Canon

Thursday 3/9

West African dance class

Friday 3/10

Starry Mountain Singers

Saturday 3/11

Sunny Mountain Serenaders

Morrison sees an increasing need for artists to have a peaceful place to communicate through the language of art, especially since words in today’s world can be so divisive, she says. Devon Sproule, a guitar and songwriting teacher who recently joined The Front Porch, describes her methodology as “musical mentoring.” Sproule sees music as therapeutic, and says she helps students process life’s joys and pains through creative writing.

“The Front Porch’s path is the same as that: It’s about connecting people and people enjoying music for the experience, not for competition,” Sproule says.

Pete Vigour has taught music for 30 years, tours internationally and teaches clawhammer banjo, fiddle, mandolin and guitar at The Front Porch.

“The philosophy to be inclusive of people of different backgrounds, ages and socio-economic background is quite exciting,” Vigour says.

To make The Front Porch more inclusive and accessible, executive director Morrison and board chair Angel Gunn plan to increase funding for student scholarships and strengthen partnerships with organizations like Big Brothers Big Sisters and International Neighbors, a nonprofit providing support for refugees and immigrants.

A number of “champions,” Gunn says, have been instrumental in the move to the downtown location. They began full-scale renovations by creating a large multi-purpose room that connects to classrooms and installed new dance floors, though Gunn says there’s still much to be done.

“We were given a raw space and we’re so grateful for it, but it was a puppet theater,” Gunn says. “There was a little stage and miniature bench seats for 4-year-olds. …We said, ‘Okay, we can fit 10 people in this space.’” Gunn says acoustic improvements and other renovations will continue in order to match the caliber of The Front Porch’s performers and teachers.

Fitting the bill for that quality are Cathy Fink and Marcy Marxer, who perform and host ukulele and guitar workshops. After meeting in 1980 at a Toronto folk festival, and receiving mentorship from musicians such as Pete Seeger and Tom Paxton, Fink and Marxer went on to play at hundreds of festivals and garnered two Grammys for their style of music that they call “well-rounded Americana.” The duo married in 2012, “pretty much as soon as we could,” Fink says. At their wedding, Fink, Marxer and Paxton performed Paxton’s “You Are Love” together, and Marxer says there was not one dry eye in the room.

“Roots music and activism have always gone hand in hand,” Fink says. “What we do as artists is distill the world’s complication and make it feel like we can do something positive with it—to make good music that inspires people.”

Their new album, Get Up and Do Right, aligns with The Front Porch’s mission to celebrate cultural exchange and tradition. They look forward to performing and teaching in Charlottesville, where Marxer says she sees a tremendous amount of talent and musicality.

“The list is long in how we’ve received support,” says Morrison. “It’s really been a beautiful experience.”

Categories
Arts

Kevin Everson looks to the night sky for comment on history

It’s a busy, blustery Tuesday on Grounds. Outside The Fralin Museum of Art, UVA students rush by in droves, pulling overcoats tight against the wind. Inside, I stand in darkness staring at craters on the moon. The air is hot and loud, filled by the whir and clank of unsteady projectors shining on gallery walls. Two films, shot on 16mm, broadcast two different sides of the moon.

In one, darkness moves slowly across lumps and pockmarks on a surface the color of aged newspaper. Shadows appear as the moon rotates slowly; when the craters vanish, I feel lost in space. In another, the moon looks like black-and-white fuzz, a dim shadowscape making slow, creeping passage. I’d believe you if you told me the inarticulate surface was a tree trunk or dimpled thigh. Like slow-moving paintings, these films manage to simultaneously abstract the meaning of a simple subject while bridging a gap of 238,900 miles.

That’s the magic of celebrated filmmaker and UVA professor Kevin Everson. He’s known for making experimental films, many of which are shot on single rolls of 16mm film, and most of which depict working-class African-Americans in everyday situations.

As the artist’s website explains, “The subject matter is the gestures or tasks caused by certain conditions in the lives of working-class African-Americans and other people of African descent.” Those inciting conditions, the website continues, are “usually physical, social-economic circumstances or weather.”

Everson captures real life—unsung, unvarnished, mostly unscripted—and extrapolates it through the tactile trappings of film.

“You know, I’m a trained photographer, sculptor, printmaker and all that kind of stuff,” Everson says. “I like the materialities of art-making.” He explains that his average point of departure is “something that will last 11 minutes”—the length of a 400′ magazine of 16mm film. Then he abstracts his subjects. “It’s the whole idea of these things becoming two dimensional, like paintings, and changing every second the way films change—slowly.”

With eight feature-length films and more than 120 shorts to his name, Everson’s award-winning work has earned him Guggenheim and NEA fellowships, a place at the Whitney Museum of American Art, the Museum of Modern Art, Sundance Film Festival, the International Film Festival Rotterdam and elsewhere. Everson rarely exhibits his work in Charlottesville outside the annual Virginia Film Festival. But in the fall of 2015, The Fralin commissioned Everson to create something new.

“I didn’t want to put African-Americans up on the wall,” he says. “I wanted to use what the university had to make a film with. So the film could only be made with an object that was on campus. And thinking about the history of [this place], I basically wanted to turn my back on the university. And just look up.”

Inspired by a former student, Everson decided to use UVA’s McCormick Observatory telescope and film the moon. He built a specific camera for the task, spending many long nights staring at the stars. The process itself took more than a year, accounting for weather, humidity and the fact that he only shot during quarter- and half-moon phases. The title of the resulting exhibition, “Rough and Unequal,” comes from Galileo’s description of the moon, he says, “which is probably the description of the university’s relationship to people of color since its inception.”

As a formalist, he says, he keeps his film concepts simple, emphasizing instead how art is made. Because “I like taking a view of things we don’t see,” Everson says. “Seeing the moon is amazing. Seeing it up close is an experience I want people to have. Like, we are not alone.” He laughs. “As Americans we are very self-centered,” he says. “And there are tons of hierarchies: culture, race, religion and class.”

“Rough and Unequal” reminds us that we are just individual blips in the universe. “We see the moon every night, but once you get close to it, you’re like, ‘Man, that’s the real deal,” he says.

Categories
Living

On the record: Baggby’s and Miso Sweet enjoy banner days

Temperatures topped 70 degrees on Saturday, February 18, and eager eaters descended on the Downtown Mall to enjoy a meal in the sun. And at least two downtown eateries—Miso Sweet and Baggby’s Gourmet Sandwiches—had record business days.

Miso Sweet owner Frank Paris reports that his restaurant sold more than 450 donuts (all of which were made by hand), 184 bowls of ramen and 79 rice bowls (that’s almost 20 gallons of broth) to 276 guests.

Just a few doors down, Baggby’s sold more sandwiches that day than on any other Saturday in its 22-year history. It sold more cookies, too—every Baggby’s sandwich comes with a chocolate chip cookie, and owner Jon LaPanta says they went through more than 50 pounds of cookie dough that day.

LaPanta chalks it up to the mild winter weather and the Discovery Museum’s Kid-Vention event that took place that day, but he’s being humble—we’re pretty sure the delicious food at both spots had something to do with it, too.

Ah, sugar sugar

The heavenly scent of handmade donuts, fritters and cinnamon rolls will soon waft up and down West Main Street: Charlottesville is getting a Sugar Shack Donuts, across the street from the Uncommon Building, this summer. Sugar Shack owner and self-proclaimed “donut nostalgia nerd” Ian Kelley opened his first shop in a small building in Richmond’s Carver neighborhood in 2013 and has been searching for the right place to open a Charlottesville spot for a while. This will be Sugar Shack’s 11th location.

“Charlottesville is the town we always wished we were part of, and now finally get the opportunity to join. The people, businesses and university have created an incredible environment for community-driven businesses like ours and we are proud to bring our handmade donuts to a new home,” Kelley says in a press release.

Per Sugar Shack tradition, customers can earn a free house donut if they participate in the almost-daily quirky challenge posted on the store’s Facebook page. So, Charlottes-ville: What will you do for a free donut? Break out the air guitar and riff along to the chorus of Warrant’s “Cherry Pie”? Wear your clothes backwards (à la ’90s hip-hop duo Kris Kross)? Do the “Single Ladies” dance? Oh, this is gonna be good.

Stick a fork in it

Goodbye grilled pimento cheese sandwiches. On February 18, a drawing of a tombstone reading “R.I.P. South Fork, September 2013–January 2017” was posted to South Fork Food Truck’s Instagram account. The caption read, “After 3+ years of the grind, South Fork is hanging up its hat and journeying to the realm of spirits and rad memories. Infinite thanx to everyone who supported us and showed us love. We love you.”

Pouring on the accolades

The winners of the 2017 Virginia Wine Virginia Governor’s Cup were announced last week. Of the 490 Virginia wines that 40 world-class judges sampled from 102 Virginia wineries, just 24 wines—the 12 highest-ranking reds and the 12 highest-ranking whites—make up the Governor’s Case. Local wines—from Barboursville Vineyards, Cardinal Point Vineyard & Winery, Horton Vineyards, Jefferson Vineyards, King Family Vineyards, Michael Shaps Wineworks, Pollak Vineyards, Veritas Vineyards and Winery and Valley Road Vineyards—hold 15 of those 24 spots.