Categories
Living

Local restaurants were on the rise in 2017

We’ll admit it: Last year’s end-of-year restaurant wrap-up was tough to write as we bid farewell to our beloved Spudnuts and to Brookville’s baked egg breakfasts. Little did we know that 2017 would be a boon for eatery openings. This might finally have been the year that convinced us that our eyes are, in fact, bigger than our bellies.

Ones that are new

Melissa Close-Hart’s long-awaited modern Mexican restaurant Junction opened in Belmont and Carpe Café began serving donuts, coffee, breakfast sandwiches and more in the Studio IX café space. Feelin’ Saucy Pizzeria and Corner Juice both opened on the Corner, while Tucker Yoder got back in the traditional restaurant game with Back 40 in the Timbercreek Market spot in the old Coca-Cola building on Preston Avenue (the market now focuses on butchery). Monsoon Siam opened a to-go outpost, aptly named Monsoon Siam Togogo, in the Main Street Market building.

The Coat Room gives off a speakeasy vibe as a restaurant-within-a-restaurant tucked underneath Brasserie Saison. Photo by Stephen Barling

Downtown, Iron Paffles and Coffee brought us pastry waffle sandwiches (we never knew we needed them, but consider us hooked). Turkish, Indian, Nepali and Mediterranean fusion restaurant Kebabish Sizzling and Fire Grille opened up on Water Street, and Urban Bowl started noodling around in the York Place building—but don’t confuse it with Citizen Bowl, a lunchtime-only salads- and grains-focused spot in the new Penny Heart event space. Restaurateur Will Richey and brewer Hunter Smith opened their Franco-Belgian beer and cuisine spot, Brasserie Saison, (complete with underground brewing space and private dining room) on the Downtown Mall.

Plus, former Public West chef Bryan Sewell opened Wayland’s Crossing Tavern in the old Public West spot in Crozet, and the Faulknier family began serving classic comfort food at the Cherry Avenue Diner in Fifeville.

Charlottesville foodies have more specialty shops to peruse, too, with Tilman’s, a cheese, wine and charcuterie-focused shop on the Downtown Mall, and Oliva, a gourmet olive oil and balsamic vinegar shop at Barracks Road Shopping Center.

Satisfying the city’s sweet tooth are The Candy Store on Fourth Street SE, and not one but two bakeries: mad-for-macaron wholesale bakery Bowerbird Bakeshop, and sprouted-grain, gluten-free and vegan bakery Moon Maiden’s Delights in the York Place building on the Downtown Mall.

A few new food trucks started wheeling around town, including El Guero, serving Cuban sandwiches and a Dr. Ho’s truck run by the North Garden pizza-slingers of the same name. And then there’s the highly mobile Sliced. Cake Bar, dishing out cake by the slice, buttercream shots and cake flights (like a beer flight, with cake). And then there’s Mochiko, serving Hawaiian food (including SPAM masubi rolls) at the City Market and other events around town since July.

But however will we wash it down? With beer, bubble tea and other beverages, of course. Richmond’s celebrated Hardywood Park Craft Brewery opened a pilot brewery and taproom on the ground floor of the Uncommon building at 1000 W. Main St., while Reason Beer began brewing and tapping beer on Route 29. Three Notch’d Brewery funked up Charlottesville’s beer scene with a sour house in its Grady Avenue spot.

The aptly named Bitty Bar started zipping around to area celebrations, serving cocktails and mocktails from a repurposed two-horse trailer, while the folks at Feast! had their own conversion, turning a 1974 Citroën H Van into a beverage cart with coffee, tea, mulled cider and other seasonal drinks served from a permanent spot in the Main Street Market. The adventurous tea drinkers among us can get a wide variety of bubble teas (sweetened teas mixed with milk, tapioca balls or fruit jelly) from Kung Fu Tea on West Main.

More chain restaurants opened local franchises this year, too, including Chopt, b. Good, MidiCi, Texas Roadhouse, Uncle Maddio’s Pizza, Fuzzy’s Taco Shop and Pizza Hut.

Plus, the Green Market at Stonefield launched its upscale May through October farmers market, and The Haven began serving community lunches every Wednesday.

Ones that grew

Other local food and drink spots took over a little more real estate this year. Juice Laundry opened its second location in Charlottesville (and third location overall) on the Corner, while Found. Market Co. added a storefront to its wholesale bakery business. Kitchen(ette), an offshoot of Kitchen Catering, began offering sandwiches for purchase a few days a week, and the Bageladies expanded their wholesale Bake’mmm bagel business into hundreds of Kroger stores across the country.

Three Notch’d Brewing Co. grew its brewing operation into an additional spacious restaurant and bar location at IX Art Park.

MarieBette Café & Bakery got a new facility that tripled its baking capacity (vive le gluten, indeed!), and Shenandoah Joe about doubled the size of its roastery/cafe on Preston Avenue. Champion Brewing Company added a kitchen to its Charlottesville taproom and expanded west, opening a taproom in Richmond. Vu Noodles and Pearl Island Catering teamed up to serve lunch at The Jefferson School City Center.

Ones that moved

Still other places moved around. Sweethaus also moved into IX, leaving its Tiffany-blue warehouse space on West Main behind. Parallel 38, which closed its Shops at Stonefield location in January, reopened in the former l’etoile location on West Main.

The Bebedero jumped from the Glass Building into a Downtown Mall location (where Brookville Restaurant used to be) and Cactus hopped into the former Aqui es Mexico spot.

Some chefs shuffled around, too. Harrison Keevil is now at his specialty grocery store, Keevil & Keevil Grocery and Kitchen, and served as a consultant on the revamped Commonwealth Restaurant & Skybar menu; Frank Paris moved over to Heirloom at Graduate Charlottesville after closing Miso Sweet; Dylan Allwood left C&O for Tavola; Jeremy Coleman filled the Rapture chef spot vacated by Chris Humphreys, now at Fellini’s; and Andrew Silver left Zocalo for Roots Natural Kitchen. Plus, Jose de Brito returned to town after a stint at the Michelin-starred Inn at Little Washington—he’s now chef de cuisine at Fleurie and a consultant for Petit Pois.

Ones on hold

Much to our dismay, it looks like Blue Moon Diner won’t open in early 2018 as expected—in fact, it could be almost a full year before we have our huevos bluemooños and powdered sugar-covered pancakes in the shadow of that glorious Vegas-era Elvis bust. For now, the occasional Blue Moon pop-ups at Snowing in Space will do, but it’s just not the same.

And that Sugar Shack we said was coming to West Main? It’s still happening, just a little later, and a little bigger: It’ll include a Luther Burger. Burgers served on donut buns? Okay, maybe we can wait a little longer.

Ones that closed

Now let’s take a moment to remember some of the places that closed this year, including the Shark Mountain Cafe at IX (Shark Too at the Darden School’s innovation Lab still stands), Zip Chicken, Downtown Thai, South Fork food truck, Nude Fude, quaint sandwich shop Salt Artisan Market, Flaming Wok, My Chocolate Shoppe, Miso Sweet Ramen + Donut Shop, Public West, Baja Bean North, Thai ’99 on Fontaine Avenue and Flora Artisanal Cheese. We’re still sad about losing Arley Cakes to Richmond, too.

Cho’s Nachos opened in January in the former McGrady’s spot on Preston Avenue, only to close before the 12-month mark. Photo by John Robinson

Ones that opened and were also deposed

As anyone in the business will tell you, the restaurant industry will chew you up and spit you out, even if you’re one of the hardest working folks out there. This year, three different Charlottesville restaurants opened and closed within the calendar year including Hamooda Shami’s Yearbook Taco replacement, 11 Months—but his concept restaurants have done well in Richmond, so go figure. Cho’s Nachos opened in January only to close mid-December, missing the one-year mark by just a couple of weeks.

And then there was Cardamom. After taking a break from restaurants to teach cooking, Lu Mei Chang returned to the scene with the Asian cuisine spot in February. Chang aimed to cook healthy, mostly meatless dishes, which pleased vegans, vegetarians and omnivores alike, but after holding a traditional pho pop-up (pho tends to include meat), some customers lashed out at Chang on social media, boycotted the restaurant and urged others to do so as well. Chang wouldn’t say whether the social media backlash contributed to her choice to close Cardamom just a few months after opening, but we can’t help but wonder.

Ones to cheer in the new year

There’s no telling what’s in store for Charlottesville food in 2018, but a few things seem certain. Aroma’s Cafe, which closed up shop in October after 10 years in Barracks Road Shopping Center (and nine prior years at Fontaine Research Park), will reopen in a new location soon. The Bageladies will (hopefully) have a bagelini bus to bring their pressed bagel sandwiches to the masses on non-City Market days. And, speaking of breakfast, the Villa Diner will move to a new location (we’re not sure where yet) in the summer.

The chains continue to rush in, though, as both a Zaxby’s fast food chicken joint and fast casual Mediterranean eatery CAVA are planned for Emmet Street Station. But there’s still hope for variety: Signs hanging outside two buildings on Fontaine Avenue indicate that Fry’s Spring will get a couple of new restaurants, Tibetan cuisine spot Druknya House and Silk Thai, next year. And don’t forget about Peloton Station, the sandwich joint/bike repair shop from chef Curtis Shaver and the rest of the Hamiltons’ at First & Main crew.

Categories
Arts

Book marks: A year of reading local authors

There’s no denying it: Charlottesville is a wordsmith-rich town. Whether you’re looking for a page-turner for the beach, autumnal meditations in the form of poetry, or a fireside companion for a winter’s night, there are enough local writers publishing books each year to keep your shelves well-stocked. Here are some of the titles published by area authors in 2017.

Fiction

Corban Addison, A Harvest of Thorns

A journalist seeks to expose an American retailer’s culpability in a factory fire in Bangladesh that killed hundreds of workers.

Hannah Barnaby, Garcia & Collette Go Exploring

Two friends go on separate adventures, one into space, one under the sea.

Rita Mae Brown, A Hiss Before Dying

Set in Crozet, two present-day murders point to a mystery dating from the American Revolution.

John Grisham

Camino Island

Diverging from his legal thrillers, Grisham spins a literary mystery, beginning with the disappearance of some F. Scott Fitzgerald manuscripts.

The Rooster Bar

A return to form, this legal thriller finds three law school friends confronting a moral dilemma as they discover their professional future is in jeopardy.

Jan Karon, To Be Where You Are: A Mitford Novel

Fourteenth in the series, this Mitford novel sees Father Kavanagh into retirement.

BettyJoyce Nash and Deirdra McAfee, Lock & Load: Armed Fiction

This edited anthology centers on the gun in contemporary American short stories.

Anne Marie Pace, Groundhug Day

A groundhog is invited to a Valentine’s Day party but is afraid he’ll see his shadow.

Caroline Preston, The War Bride’s Scrapbook

Through vintage postcards, photographs and historic headlines, Preston weaves a story of love and shifting gender roles during World War II.

Erika Raskin, Best Intentions

This medical thriller, which takes place in Richmond, raises questions about medical practice and social justice.

Sean Rubin, Bolivar

In this beautifully illustrated graphic novel, a dinosaur lives in New York City undetected, mostly.

Shelley Sackier, The Freemason’s Daughter

Told through the eyes of a Scottish lass, this YA historical novel tells the story of the Jacobites.

Non-fiction

Kathryn Erskine, Mama Africa!

This book illustrates the life of a South African singer who challenged apartheid.

Khizr Khan, An American Family

Khizr Khan recounts his life as a Muslim American immigrant, Harvard Law School graduate, and husband and father whose son, Humayun, died in the Iraq War in 2004.

Donna M. Lucey, Sargent’s Women

The author reveals the lives of four women who sat for American portraitist John Singer Sargent.

Stefan Bechtel and Laurence Roy Stains, Through a Glass, Darkly

This work explores Sir Arthur Conan Doyle’s role in spiritualism and his communications with the dead.

Sharon Harrigan, Playing with Dynamite

A daughter seeks answers to questions surrounding her father’s mysterious death.

Elizabeth Meade Howard, Aging Famously

In this collection of short essays, Howard discusses aging with locals and celebrities.

Lisa Jakub, Not Just Me

Through her own experience and interviews with others, Jakub explores treatment for anxiety.

Joe Junod, INK: A Life in Letters

This memoir recounts the author’s career and experiences in journalism.

Jeff Kamen with Leslie Stone-Kamen, Warrior Pups: True Stories of America’s K9 Heroes

With color photographs, this book tells the stories of the humans and canines in the U.S. Military Working Dog Program.

Beatrix Ost, More Than Everything: My Voyage with the Gods of Love

Beginning in Munich at the end of World War II, this memoir follows the author into a marriage inevitably impacted by war.

Lisa Russ Spaar, Orexia

Spaar explores late-middle age desire in this collection of poetry.

Lynn Thorne, Who Am I, If You’re Not You?

This love story chronicles Jennifer and Marika, and Marika’s decision to transition from female to male.

Brendan Wolfe, Mr. Jefferson’s Telescope

An overdue library book from dropout Edgar Allan Poe and a key in the hands of a freed slave are among the objects that tell the history of the University of Virginia.

Categories
Arts

Movie review: The Shape of Water flows around distractions

You can always tell the parts of a film that directors feel personally attached to by what hits the viewer on an emotional level—and what doesn’t make sense on any level. With The Shape of Water, Guillermo del Toro transports us to a world where love between two outcasts—a woman and a misunderstood amphibious man-fish creature—can heal, not only their own suffering and alienation, but the social ills and intolerance around them. The director also delivers a bloated, irrelevant narrative with obvious twists and on-the-nose societal commentary that’ll bore you to hell and make you wonder why you bothered with this movie until the fish-love comes back.

The Shape of Water
R, 132 minutes
Alamo Drafthouse Cinema, Violet Crown Cinema

The former boasts exceptional performances, inspired direction and wholly unique set pieces. The latter, well, boasts the opposite. The Shape of Water is both, and your mileage with it will vary depending on how powerful you find the main plot and how distracting you find everything else.

The Shape of Water takes place in 1960s Baltimore against the backdrop of the Cold War. Sally Hawkins stars as Elisa Esposito, a janitor at a top-secret research facility where everyone shouts about how top secret everything is with the doors wide open, and the custodians have sufficient clearance to spend their lunch breaks among all the top-secret stuff.

Elisa is mute, speaking in signs with her two closest friends: Giles (Richard Jenkins), a closeted man who works as a commercial artist, and her co-worker Zelda (Octavia Spencer). One day, Colonel Richard Strickland (Michael Shannon) arrives with a top-secret specimen (again, while making not such a big secret), which turns out to be our man-fish (Doug Jones). Their experiments border on torture, which angers scientist Robert Hoffstetler (Michael Stuhlbarg).

Elisa quickly bonds with the creature. It is kind to her and she to it. She teaches it occasional signs and brings extra hard boiled eggs for it during lunch. Gradually, their affection becomes unambiguously romantic; this ain’t Beauty and the Beast—the creature is not secretly a man and has no conflict about its appearance. That del Toro crafts such a fairy tale without sidestepping is to his credit; he does not avoid the sexual component of this relationship. The creature is not beastly, and though the initial stages of the romance are rushed (as is most of the plot), once it has been established, their love is completely believable, thanks to del Toro’s clear interest in how movie monsters reflect the truth of ourselves back at us.

All told, this portion of the movie takes up about one-third of the too-long runtime. The rest is filled with inspired but directionless sideplots (Giles’ flirtation with the waiter at a nearby diner), baffling Cold War commentary (the totally extraneous presence of Soviet spies, featuring the worst spoken Russian in a movie since The Boondock Saints), and insultingly thin supporting characters. Spencer and Shannon are both committed performers who have proven themselves time and time again—why are they constantly relegated to being the sassy friend or the authoritarian Bible thumper?

Everyone does their best with the script—Stuhlbarg and Jenkins in particular breathe life into their roles—but the star of the show is Hawkins, who shines at every single moment in a completely dialogue-free performance. Not a single glance or movement is wasted, and is performed without a trace of overacting, even in the elevated reality of the film’s universe.

It is clearly the film del Toro set out to make without an ounce of compromise, and for that it should be applauded. But whether or not you enjoy The Shape of Water will depend on how you balance the essential with the disposable.


Playing this week

Alamo Drafthouse Cinema
377 Merchant Walk Sq., 326-5056

Ferdinand, The Greatest Showman,Pitch Perfect 3, Star Wars: The Last Jedi

Regal Stonefield 14 and IMAX
The Shops at Stonefield, 244-3213

All The Money In The World, Coco, Darkest Hour, Downsizing, Father Figures, Ferdinand, The Greatest Showman, Jumanji: Welcome to the Jungle, Pitch Perfect 3, Star Wars: The Last Jedi

Violet Crown Cinema
200 W. Main St., Downtown Mall, 529-3000

All The Money In The World, Darkest Hour, Downsizing, Father Figures, The Greatest Showman, Jumanji: Welcome to the Jungle, Star Wars: The Last Jedi

Categories
Arts

ARTS Pick: New Year’s Eve bashes

Sunday, December 31

C-VILLE’s Big Night with casino, dance floor, food, drink and a midnight toast

$75, 8pm. 21-plus. Carver Rec Center, 233 Fourth St. NW. c-villetickets.com.

First Night Virginia’s 36th annual festival of the arts with family-friendly activities on and around the Downtown Mall

$6-38, times and venues vary. Schedule at firstnightva.org.

Nelson County New Year’s Eve with Chamomile & Whiskey, Lord Nelson and DJ Phil Free

$20-25, 6:30pm. The Southern Café and Music Hall, 103 S. First St. 977-5590.

New Year’s Eve in Dublin followed by Das Homage Beatles Tribute

No cover, 7pm. Tin Whistle Irish Pub, 609 E Market St. 202-8387.

NYE ICE Night hosted by Fut, Bug and VA Doe. Music by DJ SoFly and Special Guest DJs

$20, 10pm. 21-plus. The Ante Room, 219 W. Water St. 284-8561.

DJ Groovematic

No cover, 10pm. 21-plus. Rapture, 303 E. Main St., Downtown Mall. 293-9526.

Cashless Society

No cover, 10:30pm. 21-plus. The Whiskey Jar, 227 W. Main St., Downtown Mall. 202-1549.

Categories
Arts

ARTS Pick: Taming of the Shrew

Shakespeare’s Taming of the Shrew is a play within a play that centers on a dysfunctional courtship (defined as misogynistic by modern standards), where subordinate female behavior from leading lady Katherina outsmarts psychological torture by her male suitor, Petruchio, all in the name of comedic farce.

Friday, December 29 & Sunday, December 31. $29-54, times vary. American Shakespeare Center, 10 S. Market St., Staunton. 540-885-5588.

Categories
Arts

ARTS Pick: Hansel and Gretel

The well-known Brothers Grimm fairy tale Hansel and Gretel becomes an absurd opera in the hands of producer Richard Jones. In a special English-language Met Live In HD presentation, the doomed siblings wander from their home into the dark forest and end up at the Witch’s gingerbread house. With food at its dramatic center, each act of the opera is set in a different kind of kitchen and informed by a different theatrical style.

Saturday, December 30. $10.50-14.50, 2pm. The Paramount Theater, 215 E. Main St., Downtown Mall. 979-1333.

Categories
Arts

ARTS Pick: The Steel Wheels

Are you ready for it? The addition of percussion and keyboards to The Steel Wheels’ signature acoustic sound? The Harrisonburg-formed group steers into new territory by beefing up its traditional folk style on the new album, Wild As We Came Here. “I’m excited to see what happens,” says Trent Wagler (guitar, banjo and songwriter). “There are fans out there who are ready for this, and who have been waiting for us to do this.”

Saturday December 30 & Sunday December 31 $32-60, times vary. The Jefferson Theater, 110 E. Main St., Downtown Mall. 245-4980.

Categories
Living

Restaurants open on Christmas Day

By Sam Padgett

Contrary to popular belief, for the holidays, you can beat home sweet home. While the world seems to shut down on Christmas Day for family bagel breakfasts and traditional roast beef dinners, there are still a few places to eat for those who either don’t celebrate Christmas or want a temporary respite from their wrapping paper-covered floors (and washing pots and pans). Here’s what’ll be open in Charlottesville on December 25:

Peter Chang’s China Grill

2162 Barracks Road

Open 11am to 10pm

We don’t know about you, but the dry fried eggplant dish from this Chinese with a Sichuan spin spot was on our Christmas list.

 

TJ’s Tavern

Double Tree Hotel

990 Hilton Heights Rd.

Buffet from noon to 5pm, reservations required

 

Sheetz

1519 University Ave.

This 24 hour gas station/ fast food joint will be stocked with snacks and sandwiches as usual.

 

IHop and Waffle House

Whether your allegiance lies with pancakes or waffles, both IHOP (1740 Rio Hill Center) and Waffle House (1162 Fifth St. SW and 495 Premier Circle) will be open on Christmas Day.

Categories
Living

At the Table: Revamped restaurant shows off Virginia’s riches

Is there such a thing as “Virginia cuisine”? It’s an old question, and one I found myself revisiting after learning that Commonwealth Restaurant & Skybar has a new motto: “modern Virginia cuisine.” What is Virginia cuisine—modern or otherwise? And, is Commonwealth’s any good?

To help answer these questions, I called Dr. Leni Sorensen, who may know as much about Virginia food history as anyone alive. The retired African-American research historian for the Thomas Jefferson Foundation at Monticello is a Virginia food historian who has cooked her way through much of Mary Randolph’s definitive 1824 cookbook, The Virginia House-Wife.

Commonwealth’s renewed focus on modern Virginia cuisine comes via Will Richey’s company, Ten Course Hospitality, which the restaurant’s owners hired this fall to revamp and manage the Downtown Mall eatery. For the menu that Richey envisioned, he could think of no better consultant than Harrison Keevil, an area chef well-versed in Virginia food. Now the co-owner of Keevil & Keevil Grocery and Kitchen, Keevil sourced almost every ingredient from Virginia at Brookville, his former restaurant. Together, Keevil and Commonwealth chef Reggie Calhoun developed a new Virginia menu.

Over a dinner of the fruits of their labor, Sorensen and I dove deep into the question of Virginia cuisine, starting from a premise that, at first glance, might seem tautological: Virginia cuisine is whatever people in Virginia typically cook and eat. But, to follow the logical consequences that flow from the premise is to reach several key insights. First, while history matters, it is not the only thing that matters. Yes, culinary tradition is worth preserving and informs what we eat today. But, to the moniker “true” Virginia cuisine, no period of time—not the 1700s nor the 2000s—can lay sole claim.   

Relatedly, there is no concept of “pure” Virginia cuisine unadulterated by outside influences. From its earliest days, our commonwealth’s food has been a melting pot of other cultural influences, applied to Virginia produce. “What we are really looking at,” Sorensen said, “is a tradition, at any given time, of including what’s available.” In early days, influences came from Europe and, through slavery, West Africa. More recently, our state has seen a burst of immigration of people from El Salvador, India and Mexico, among other places.

Commonwealth’s new menu reflects these concepts well. Keevil’s favorite menu item, for example, pork rinds with spicy pork dip, puts a modern twist on a classic Virginia ingredient. Traditionally prepared rinds, fried until puffy and crisp, are vessels to scoop ground Autumn Olive Farms pork, spiked with punchy flavors from Virginia’s more recent Asian cultural influences: fish sauce, cilantro, chili peppers and ginger. “Brilliant,” says Sorensen, who confesses to being “gobsmacked” by the dish.

Calhoun’s favorite dish, ham hock meatballs, “screams Virginia,” he says. After boiling hocks in chicken broth for four hours, Calhoun binds the picked meat with ground Autumn Olive pork, Timbercreek Farm beef, egg, panko, Parmesan, oregano, parsley, fennel seed and some of the broth. The delicious, plump meatballs were served atop blistered field peas, a classic Virginia crop, says Sorensen.

So too are cabbage and Brussels sprouts, which joined forces in a wintry cruciferous salad. A slaw of raw cabbage leaves and sprouts adorned charred slices of heart of cabbage, in a rich but balanced butter walnut vinaigrette, with crumbles of bacon and more walnuts. “Delicious and complex,” praises Sorensen.

Rockfish is another Virginia staple, and Calhoun gives it the royal treatment. Together with several mussels, a flaky, white filet of fish is bathed in a fumet made by reducing a broth of rockfish bones, onion, fennel, carrot and rosemary. “This is marvelous. Absolutely marvelous,” Sorensen says afer one bite.

And, finally, there was more pork, of course. This is Virginia, after all. The cut of the day was a grilled Timbercreek Farm pork chop that was so full of flavor that Sorensen and I were both astounded to learn it had not been brined. Instead, it had been simply grilled with salt and pepper. “We want the flavor of the pork to really shine,” Keevil says.

So, what to make of Commonwealth’s new take on Virginia cuisine? “If this is what they mean by it, I am impressed,” Sorensen says. “I expected it to be good, but this is better than good. It’s excellent.”

Categories
Living

Restoration effort: The rebirth of the American chestnut

Nestled in Nelson County’s Lovingston hill country lie the orchards of one of the East Coast’s newest nut-growing operations, Virginia Chestnuts. Spanning 45 acres, the farmstead rests at the end of an isolated stretch of unpaved backroads that culminate in a steeply winding mile-long gravel driveway. Overlooking a series of knolls carved into the mountainside stands David and Kim Bryant’s Dutch Colonial-style farmhouse. Gazing out from its wraparound porch, the wind-blustered tops of more than 1,500 adolescent chestnut trees give way to a hollow brimming with oaks, walnuts, sycamores, maples and poplars. Like a foreshortened highway, the canopy corridors westward toward a horizon of Blue Ridge Mountains.

“It’s beautiful, isn’t it?” says Kim, a 54-year-old New Jersey native, almost shouting as I follow her down the driveway into the upper orchard. “We visited this property a little over 15 years ago and fell head over heels in love. We knew right away this was where we were going spend our retirement.”

It’s mid-October, and the chestnut harvest is in full swing—hence the noise. Patiently steering his John Deere tractor through row after row of trees, David, also 54, tows a harvester under the limbs and surrounding grass, gathering bushels of nuts. About as wide as the tractor and low to the ground, the implement looks like something you’d spot scooping up golf balls at a driving range, and operates basically the same way.

“The thing about chestnuts is, they aren’t ripe until they’ve fallen from the tree,” says Kim. “And once they’re on the ground, to ensure maximum freshness, you want to get them up immediately.” Harvest season runs from late September through October.

Wielding a red five-gallon bucket and a handheld picker reminiscent of a rolling cylindrical cooking wisp affixed to a broom handle, Kim joins her 12-year-old son, Houston. Shuffling along behind the tractor, they gather the hard-to-reach nuts manually. “The harvester grabs most of them, but some get kind of buried, and you have to dig those out by hand,” says Houston. “When it’s quiet, it can drive you a little crazy, ’cause you’ll be walking along and hear more of them falling right behind you. You just have to be patient and keep going.”

David (above) and Kim Bryant bought their 45-acre Nelson County farmstead in 2002, with the hopes of nurturing a viable chestnut-growing operation. Photo by Stephen Barling

From the orchard, the nuts are brought into a large packing and processing shed and run through the peeler, an automated, industrial-sized device that removes their leathery dark-brown shells. “After that, we package them in little burlap bags and store them in special humidity-controlled refrigeration units to ensure freshness,” says David. From there, orders are taken online, and the nuts are shipped to restaurants, individuals and retailers ranging from down the street to Maine and the coasts of Florida.

After the harvest, around the first of November, the Bryants had gathered more than 4,000 pounds of chestnuts. By December 17, aside from a small cache saved for personal consumption and developing value-added products like flour and chestnut butter, the nuts had all been sold.

“It’s a pretty grueling couple of months,” David admits. “But I wouldn’t trade it for anything.”

Wipeout

What makes the success of the Bryants and other orchardists so remarkable is the fact that, prior to 1984, the trees they’re growing didn’t exist—at least not properly. In fact, just under 70 years ago, the American chestnut tree had very nearly been wiped from the face of the Earth.

“What happened was, American orchard growers started importing Chinese chestnut trees around the turn of the 20th century and, in doing so, accidentally introduced a virulent pathogenic fungus to the native population,” says Tom Saielli, science coordinator for the American Chestnut Foundation’s Mid-Atlantic region. Headquartered in Charlottesville, Saielli is responsible for overseeing ACF research orchards and planting teams in Virginia, Maryland, West Virginia and Kentucky.   

While the Asiatic varieties had developed a natural resistance to the fungus, American trees were highly susceptible. Known as the chestnut blight, it enters a tree through a wound in the bark. Killing vascular tissues, the blight chokes off nutrient supplies above the point of infection, causing rot and ultimately toppling the tree. First detected in the Bronx Zoo in 1904, by 1950 the fungus had decimated the U.S. population.

“We went from having, like, 4 billion mature chestnut trees to zero in less than half a century,” says Saielli, his voice thick with grief. What he means by mature is, while the vast majority of American chestnuts were killed outright, an estimated 400,000 survived.

“That number surprises people,” he says. “They’ll say, ‘Hey, that means the trees didn’t die out after all.’ And that’s true. But those trees are really just shoots growing from the stumps of living root systems, which will never mature, because they’re still susceptible to the blight. There are no sexually mature pure American chestnut trees in the wild.”

And thus, no chestnuts.   

Food chain

Spanning north to south from Maine to lower Mississippi, and east to west from the Atlantic coastline to the Appalachian Mountains and Ohio Valley, the American chestnut tree was once the keystone species of East Coast forests. Reaching nearly 10 feet in diameter and standing upward of 100 feet tall with canopies equally as wide, the trees were impressive and more abundant than oaks.

“In some areas, the American chestnut comprised as much as 30 percent of the forest,” says Saielli. “In terms of historical importance, the trees were the quintessential American species. They held an unparalleled position in our culture.”

In wild forests, American chestnuts were the single most important source of food for wildlife along the East Coast. Meanwhile, the trees were lauded by gastronomists and restaurateurs as producers of the finest chestnuts in the world, celebrated by farmers for their capacity to nourish livestock (both as raw nuts and as milled feeds) and cherished by lumberjacks, carpenters and furniture-makers for their strong, straight-grained wood.

“On one hand, it was a particularly valuable tree commercially, because it grew faster than oak,” says Troy Coppage, president of 187-year-old Madison-based furniture company, E.A. Clore Sons, Inc. Specializing in fine handmade furniture, Coppage says his forebearers worked with the wood often. “It was rich in tannins, which made it extremely resistant to decay. It didn’t have the radial grain pattern of other hardwoods. And it was abundant.” All of which made the American chestnut incredibly popular.

“At this point, the only way you’ll get the wood is by salvaging it from old homes or buildings,” says Coppage.

And by about the time Nat King Cole turned 30, roasting American chestnuts on an open fire was an impossibility.

Then something miraculous happened. In 1983, inspired by the discoveries of various horticultural geneticists, the American Chestnut Foundation formed with the intention of restoring the iconic tree to the forest.

Photo by Stephen Barling

One such figure was Florida-based botanist Robert T. Dunstan. Fueled by his success using backcross breeding to save French grapevines from a bacterial pathogen known as Pierce’s Disease in the 1930s, by the early 1960s, Dunstan had developed a similar program for chestnuts. The discovery came about after a friend sent him clippings from one of the last standing American chestnut trees, which he then grafted to root-stock and crossed with Chinese trees hoping the latter would pass on their genes for blight resistance, and thereby create a blight-resistant hybrid with American characteristics.

Five years later, when the hybrids reached sexual maturity, Dunstan backcrossed his best specimens with their American parents. Inoculating the resultant saplings with blight, he culled the group, selecting only those with the highest blight-resistant characteristics for additional backcross breeding.

By the early ’80s, Dunstan had achieved his goal: His Florida orchard was chock-full of nut-bearing, blight-resistant chestnut trees exhibiting mostly American traits. And it is this tree—known as the Dunstan chestnut—that is now being grown by most commercial chestnut orchardists in America, including the Bryants.

“They have the sweet, hardy flavor of an American nut but aren’t as big as the Chinese varieties,” says David Bryant. “And they don’t yield as much as the Chinese trees either. But it’s that true American taste we’re after. That’s what’s important.”

Culinary reintroductions aside, with its focus on restoring true American chestnut trees to the wild, the ACF took the backcross breeding methods even further. “In our orchards, we continued the backcrossing process for another seven generations, until we got a tree retaining no Chinese characteristics whatsoever beyond blight resistance,” says Saielli. Aside from the resistance, the genes of these trees are in every way identical to what you’d find in a sample gleaned from the 1700s. This, Saielli says, “should enable the trees to compete and re-establish themselves in their natural setting.” (Whereas the Dunstan chestnut, which still exhibits some Chinese characteristics, would inevitably be outcompeted in the wild.)

While the first such location was established in Meadowview, Virginia, southwest of Roanoke, there are now three backcross orchards within a half-hour drive of Charlottesville, and another half-dozen within an hour. The orchards are located on private property and, due to the associated costs of maintenance, typically that of an estate.

With each generation of trees taking between five to 10 years to reach sexual maturity, the backcrossing process has been painstakingly slow. Now, 30 years later, the first blight-resistant pure American chestnut trees are finally being reintroduced to the forest. To date, the ACF has established more than 680 planting locations on a total of 1,883 acres of public and private land. And according to Saielli, that’s just the beginning.

“Our oldest orchards are now producing trees that are ready for the wild and, as the newer ones catch up, we’ll be scaling up planting operations accordingly,” he says. “Ten years from now, that will be our primary focus. In 30 years, we’ll have planted tens of thousands of acres.”

Growing up

“We bought this land in 2002 knowing we wanted to use it for agricultural production, but had no set specific idea about what that would entail,” says David Bryant, a former software entrepreneur. “Then I stumbled upon an article about growing chestnut trees. When I showed it to Kim, she got really excited. We did some additional research and realized this was it. We were going to grow chestnuts.”

After two years of prepping and planning, the couple planted a five-acre experimental crop of 100 chestnut trees in spring 2004. At first, the endeavor was pretty rocky—within a couple of seasons, the deer had basically killed off the plantings.

“It was a blow, but we decided to stay the course,” says Kim. “We did some more research and followed up by planting another thousand trees in 2007.”

Aided by protective sheathing and other improvements, the Bryants’ saplings survived. A year later, inspired by their success, another 400 plantings were added, increasing the orchard to 23 acres. Looking ahead, the couple invested in $25,000 worth of harvesting and storage equipment. By 2013, the trees were set to produce their first sellable nuts.

However, Mother Nature intervened again when cicadas ravaged everything. “The damage was extensive and led to the loss of both 2013’s and 2014’s crop,” says David. “For a while, we were holding our breath. We didn’t know if the trees were going to pull through. But in 2015, they bounced back, which was a tremendous relief.”

That year, the Bryants harvested 8,000 pounds of chestnuts. In 2016, despite heavy May rains that left many of their blossoms unpollinated, the trees performed similarly. This year, a late frost that damaged early spring blossoms, combined with a summer drought, more than halved production.

“The weather can be a finicky ally,” shrugs Kim. “But at this point, the trees are well-established and will start regularizing and producing more as they mature and grow tougher.”

The Bryants’ farm. Photo by Stephen Barling

In about 10 years, the Bryants’ trees will be fully mature. In addition to being hardier and less susceptible to weather and pests, they each should produce 50 to 100 pounds of nuts a year. By then, the orchard will have been thinned to around 1,000 trees. Low-balling the estimate, that’s 50,000 pounds of chestnuts a year. Considering the nuts sell for a retail price of $8 per pound, the economics are attractive, to say the least.

“Those numbers certainly have us excited,” says Laura Brown, director of the Local Food Hub, which serves as Virginia Chestnut’s exclusive Charlottesville distributor. Primarily selling to chefs and retail markets, this year, LFH has filled orders for Red Pump Kitchen, Threepenny Café, The Clifton Inn, Cavalier Produce, Feast!, Timbercreek Market and restaurants in Richmond and the Washington, D.C., area.

“As people continue to realize these nuts are making a return, demand stands to rise, which will in turn fuel more production,” says Brown. That means more farmers and, yes, more chestnut trees.

Taste makers

In the kitchen of Charlottesville’s Timbercreek Market, chef Tucker Yoder is busy preparing a sorghum and chestnut panna cotta with puffed sorghum, roasted pumpkin seeds and candied squash. The dessert is sweet and savory, with a hardiness that brings to mind firelit winter celebrations in an Old World lodge.   

“Cooking with local farm-raised ingredients is always special, but this is particularly true for chestnuts,” says Yoder, adding that it’s not often you get the chance to cook with something that, at the time of your birth, was believed to be essentially lost. Ten or 15 years ago, the nuts would likely have been purchased from orchards in California. Before that, from distributors importing from French orchards specializing in growing Asian varieties. “Buying chestnuts locally is great, because you know the product will be incredibly fresh and the flavor is considerably better than any frozen or jarred product.”

The chestnut panna cotta at Timbercreek Market. Cramer Photo

Describing the chestnut’s flavor profile as “creamy, mildly nutty and slightly earthy,” Yoder says the nuts pair well with squab, pork, duck, chicken, cream and pretty much any type of squash.

Meanwhile, just outside of town, at North Garden’s Pippin Hill Farm & Vineyards, executive chef Ian Rynecki is also cooking with nuts sourced from Virginia Chestnuts. “For entrées, I like to pair them with either fresh pasta or earthy mushrooms, and typically serve them roasted, pureed and folded into additional components,” he says. One example is the hen-of-the-wood agnolotti with roasted chestnut cream, Anjou pear and Parmesan cheese dish that currently graces his menu. “But they also blend fantastically into crèmes or pureed for dessert dishes, as French pastry chefs love to do,” he says.

Rynecki recently moved to Charlottesville from New York City, where you can still buy roasted chestnuts from street vendors. “It’s such an amazing thing to be able to do,” he says. “You’d think the chestnuts would be really nutty, but they’re actually a little on the sweet side. If roasted correctly, they have these amazing earthy notes, reminiscent of a sweet potato. It’s a really special flavor. You taste them and realize these nuts were beloved for a reason.”

The Bryants saw that reverence first-hand this year when they roasted chestnuts at Dickie Brothers Orchard. Most guests were testing chestnuts for the first time.

“People told us the stories their grandparents told them about eating chestnuts,” Kim Bryant says, “which kind of naturally led to us all talking about Christmas and traditions in general.”

Specifically, how they can change, fade, get lost, be rediscovered and made anew.

This story was changed at 9:55am January 12 to reflect the differences in the Dunstan chestnut and American chestnut.