Categories
Arts

ARTS Pick: Birds of Chicago

Country twang that hops and sways, soul that trembles and soars—these descriptors make up two halves of an imaginative whole. Americana duo Birds of Chicago got their start with a leap of faith, when JT Nero and
Allison Russell paused their individual music endeavors to celebrate their 2013 self-titled debut. Home is on the road for this pair and their daughter, Ida Maeve, and every ballad they churn out is a reminder of that.

Friday, September 21. $15-18, 8pm. The Front Porch, 221 E. Water St. 242-7012.

Categories
News

In brief: A booze trail, one new declaration, two new job openings, and more…

‘United by beer’

City boosters and brewmasters have come together to blaze the Charlottesville Ale Trail, a two-mile stretch they’re calling the premier urban and pedestrian beer trail in Virginia.

The six stops along the way are Random Row Brewing Co., Brasserie Saison, South Street Brewery, Champion Brewing Company, Three Notch’d Craft Kitchen & Brewery, and Hardywood Pilot Brewery & Taproom.

After downloading a “passport” at charlottesvillealetrail.org, participants are encouraged to visit each stop for a pint or plate, which will earn them a stamp in their passport. Get a stamp from each spot, and you’ll win a prize.

“Cheers,” said Random Row co-owner Bradley Kipp at a September 3 press conference. He says he’s always amazed by the collaborative nature of local brewers, who pitched in with business advice and tips on how to source ingredients when he opened Random Row two years ago. A press release called this phenomenon “united by beer.”

Chris Engel, the city’s director of economic development, said there was only one brewery in town when he moved here in 2005. Then, in 2012, the General Assembly voted to allow breweries to sell full glasses of beer without restaurants on-site, which “lit a fire under microbreweries,” he said.

Tourism has a $600 million impact on the community annually, according to Engel, and he hopes the ale trail will help drive that.

But to drink half a dozen pints and walk the whole trail in a day? Says Engel, “You gotta be committed.”

Great pay, lousy hours

City Council’s clerk and Chief of Staff Paige Rice is leaving her $98K-a-year job September 21 after eight years. Rice’s job was recently retitled “chief of staff” when it was expanded to include supervision of two new staff positions as well as the assistant clerk, an arrangement that Mike Signer describes as a “parallel government to the city manager.”

Nice raise

Rice’s salary as clerk was $72,842 in 2017, and it was bumped $25K—35 percent—when she became chief of staff.

Suicide support

City councilors  honored Suicide Prevention Month (September) with an official declaration at their September 17 meeting. “Let’s take a moment to check on our friends, even the strong ones. Let’s support each other. Let’s love each other,” urged Councilor Wes Bellamy on Instagram.

Jail board vacancy

Bellamy (center) at the September board meeting. Photo: Eze Amos

Bellamy also announced at the council meeting an opening for a Charlottesville representative on the Albemarle-Charlottesville Regional Jail board, which has recently been at the center of controversy surrounding voluntary calls to federal immigration agents when undocumented immigrants are released from jail. Interested citizens are urged to apply (though you’ll have to wait till the position gets posted).

Appalachian tuition break

UVA’s Board of Visitors voted to expand tuition discounts for out-of-state students who live in the federally defined Appalachia region and attend UVA’s campus at Wise, the Cav Daily reports.

Back to work

After the Federal Energy Regulatory Commission issued a stop work order to builders of the controversial $6 billion Atlantic Coast Pipeline earlier this summer because there was concern that it would interrupt federally protected species near the Blue Ridge Parkway, Dominion Energy spokesperson Aaron Ruby said September 17 that the National Park Service and U.S. Fish & Wildlife Service have concluded the project is safe, and work will resume.

Autopsy results

Charlottesville Police have ruled the death of Thomas Charles “Colonel” Franklin, 65, a suicide, as reported by CBS19. Franklin died June 10 when he left the Cedars Healthcare Center and drowned in a nearby creek.

Sisterly love

While some folks in Charlottesville were still hiding from Hurricane Florence on September 17, the delegation visiting its French sister city, Besançon, was celebrating the two towns’ liaison. Mayors Jean-Louis Fousseret and Nikuyah Walker planted a poplar tree to commemorate the dedication of a traffic circle in the French city, named after our town in central Virginia.

Quote of the week:

“Those in glass houses shouldn’t throw stones.” —U.S. Senate candidate Corey Stewart, who accused senators of having their own “secret ‘creep list,’” and advocated the confirmation of Judge Brett Kavanaugh to the Supreme Court

Categories
Arts

ARTS Pick: Yarn

For some artists, hitting the road is synonymous with coming home. The Brooklyn-based quartet Yarn, which recently planted its bluegrass roots in North Carolina, has notched more than a thousand shows across the country. It even has a Grammy nomination stapled to its name, and has shared the stage with both Alison Krauss and The Lumineers. The freshly revamped Americana band’s most recent release, This Is the Year, oozes optimism and quakes with anticipation for musical and personal triumphs to come. Adam’s Plastic Pond opens.

Friday, September 21. $10-12, 8:30pm. The Southern Café & Music Hall, 103 S. First St. 977-5590.

Categories
Arts

ARTS Pick: The Secret Rain

Casey Horn is growing old, and with age comes a whole lot of trouble—between his mother’s poor taste in men, his younger brother’s out-of-this-world obsession, and the neighbor girl’s frustrating lack of interest, he’s finding that life isn’t exactly grand. The Secret Rain follows Casey as he navigates these obstacles with the help of Audrey Hepburn (yes, the film star). Produced by the Charlottesville Playwrights Collaborative, with a mission to reveal the city’s hidden writing talents, this one was penned by Robert Wray.

Through Saturday, September 29. Pay-what-you-can, 8pm. Belmont Arts Collaborative, 221 Carlton Rd., Ste. 3. cvilleplays.org.

Categories
News

Overflow meeting: ICE calls continue

After months of thousands of community members urging the authority board at the Albemarle-Charlottesville Regional Jail to stop voluntarily reporting the release dates of undocumented immigrants to U.S. Immigration and Customs Enforcement, the board held a special meeting September 13 to take a revote on that policy.

At the local jail, and every jail in the state, staff is required by state law to tell ICE when an undocumented immigrant is taken into custody—but they also voluntarily call the federal immigration agents when that inmate is about to be released, and oftentimes, they’ll be there waiting for a newly released immigrant as he walks out the door.

At a July board meeting, jail Superintendent Martin Kumer said ICE picked up 25 undocumented immigrants from the ACRJ between July 2017 and June 2018, who were charged with crimes such as malicious wounding, domestic assault, abduction, drunk driving, driving without a license, public swearing or intoxication, failure to appear in court, and possessing drugs.

A vote didn’t happen at the September 13 meeting, but further discussion on the practice did, and Kumer introduced new information that could eventually lead to ending those ICE notifications.

VINE, a tool on the jail’s website, could be the game changer. Kumer said anyone—including ICE agents—can sign up to receive notifications on any inmate’s custody status or release date. The system updates every 15 minutes.

While the program currently has some kinks—as noted by Albemarle County Commonwealth’s Attorney Robert Tracci, who uses it often—Kumer said he’s already working to update the system, and would support encouraging ICE to track undocumented immigrants’ status through VINE instead of having staff call the federal immigration agents upon an inmate’s release.

But the absence of a vote didn’t sit well with community members who have long been calling for the jail board to end the process, and who prompted the special September meeting.

“They’re kicking the can down the road, obviously,” said Margot Morshuis-Coleman, a representative with the Charlottesville-Area Immigrant Resource & Advocacy Coalition, outside the jail. She noted that the “heart of the conflict is criminalizing immigration,” because ICE is currently notified of all undocumented immigrants’ release dates, not depending on the seriousness of their crimes.

“The jail should not do ICE’s work,” she said.

During a public comment session, only three of approximately 20 speakers held the same opinion. Most of them asked the jail to continue notifying ICE of the inmates’ release dates, which puzzled another CIRAC member, Priscilla Mendenhall.

“We question the fact that the majority of the public comment was by folks who were for maintaining notifications,” said Mendenhall, who was waiting in line outside the jail by 11:30am for the 12:30 meeting. Only about six of the people in line in front of her could have been in favor of continuing notifications, she reports, and when she signed up to speak, only about six or eight names were in front of hers.

Kumer said speaking time was given on a “first come, first serve” basis, and he allowed folks to enter the meeting room early because it was raining outside. He also noted that in all of the other related meetings, those against ICE notifications have dominated the public comment portion. More than 30 people signed up for public comment at the most recent meeting, and for those who didn’t get their turn, written comments were accepted and added to the meeting minutes.

Michael Del Rosso, chairman of the Charlottesville Republican Committee, was the first to speak.

“They are illegal aliens. They have no reason to be here anyway,” he said, and encouraged the jail board to continue its practice to help “get them off the streets.”

Many claimed notifying ICE of their release from jail makes the community safer, but opponents say it does quite the opposite.

In a September 12 letter to Charlottesville Sheriff James Brown—who abstained from voting on the matter in January—more than two dozen community groups and individuals encouraged him to vote to end the policy.

“While Tracci and ICE have repeatedly attempted to paint everyone who is taken into ICE custody from the ACRJ as rapists, murderers, and members of organized crime, the reality is that they are our neighbors, coworkers, classmates, parents—beloved members of the community you represent,” the letter said. “The portrayal of these inmates as violent criminals is untrue and a danger to the community in and of itself, as it stigmatizes, isolates, and persecutes an already marginalized population.”

Albemarle Sheriff Chip Harding, who encouraged the board to learn more about the VINE system before voting, was prepared to vote against ending the notifications.

“It bothers me greatly that the current ICE practice is to place detainers on almost everyone coming into our jail that is here illegally,” Harding wrote in a September 2 letter to the board.

He noted that ICE only takes a percentage of undocumented immigrants into custody after they leave the jail, and after review, some are released back into the community.

“Reportedly/understandably, the time this practice requires has a detrimental impact on the family,” he wrote, but he cites his oath of office, and said he feels compelled to comply with ICE, which has been charged by Congress to enforce 400 federal statutes.

Tracci shares Harding’s opinion of compliance, and in a letter that Tracci addressed to the Albemarle Board of Supervisors September 12, he said the ACRJ becoming the first Virginia jail to discontinue ICE notifications for inmates subject to federal detainers would have “safety and legal consequences,” partially because they’d all be released back into Albemarle where the jail is located, rather than the jurisdictions where they committed their offenses. The ACRJ houses inmates who were charged in Albemarle and Nelson counties, and Charlottesville.

But the man who holds Tracci’s job in the city, Joe Platania, wrote an August 10 letter of stark contrast.

The jail board’s position of voluntarily reporting and the media coverage surrounding it has left many community members “legitimately feeling angry, scared, and isolated,” according to the city’s commonwealth’s attorney.

“In some cases, primary caretakers or breadwinners are removed and are no longer able to care for their children, who are oftentimes citizens,” wrote Platania. “I am also concerned about witnesses and victims looking at voluntary notification as a reason to be uncooperative with local law enforcement and not report crimes or participate with prosecutions because they fear the deportation of charged individuals.”

He noted the “significant concern” of two of the immigrants deported between July 2017 and June 2018—one charged with DUI and the other with assault and battery—whom a judge had released on bond prior to their trials.

“They are currently considered fugitives from justice,” Platania said. “One problem presented by this scenario is that individuals who may not be guilty of the crime they have been charged with have no ability to assert their innocence and stand trial.”

And, he added, if they were tried and convicted before their deportation, they would have been held accountable for their actions, and Platania’s office could use those convictions as evidence in the event of a second offense. Each prosecutor is also able to reach out to ICE and request assistance in cases where they believe removal is the best option, he said.

When undocumented immigrants are charged with a crime and held without bond, Platania said his office determines whether they present a flight risk, are a danger to themselves, or a danger to the community. If prosecutors can’t establish any of those factors, they recommend release back into the community with terms and conditions, and if they do establish one or more of those factors, they ask that the immigrants be held until their trial.

Platania also said he “concurs wholeheartedly” with a July 1 letter from the jail board—signed by Kumer and board chair Diantha McKeel—in which they said undocumented immigrants don’t pose an inherent danger based solely on their citizenship status.

“If the board agrees with the letter it wrote, it may be useful to have ICE articulate with specificity how the voluntary notification policy furthers legitimate local public safety needs,” Platania said. And after examining available data on city cases, “I am unable to see the positive impact the current policy has on family stability or public safety.”

Echoing the local activists’ position, he said, “If community safety is one of our guiding principles, and it must be, it seems unwise to have a policy that perhaps unintentionally (albeit foreseeably) undermines it.”

At the meeting, City Councilor and jail board member Wes Bellamy suggested that if the ICE notifications must continue, the board should be open to compromise. He suggested leniency for undocumented immigrants charged with nonviolent crimes such as public intoxication, loitering, or civil matters related to paying child support.

The board will meet again in November to further discuss their policy and hear an update on any VINE system upgrades that have been initiated.

“The decisions that we make, they have consequences on people’s lives,” Bellamy said. “This is something we have to get right.”

Categories
Living

Into the cavern: At Luray, there are so many reasons to stay

Tourist trap: It’s such an ugly term. Of course there’s reason to beware of over-hyped destinations. But—especially with kids in tow—there’s also a certain enjoyment in surrendering, now and then, to the spectacle. I don’t know of anyplace in Virginia where that’s a truer statement than at Luray Caverns. The Caverns, as our guide on a recent tour explained, were discovered by three locals who deliberately set out to hunt for a cavern they could develop as a tourist attraction. That was back in 1878, and given that those discoverers didn’t manage to wrest a profit from their find, they’d probably be even more astonished to see what Luray looks like now.

My two girls and I made the drive up Route 340 to Luray with clear eyes. We knew this was not going to be a brush with an unspoiled wonder; the billboards alone (“Mother Nature’s Finest Interior Decorating”) make that obvious. Still, one look at the complex sprawling around the caverns parking lot told me that the good folks at Luray were going to do their best to keep our attention—and keep me spending cash—all the livelong day. Luray includes a garden maze, a ropes course, a collection of museums, and even an on-site gas station. Oh yeah, and a cavern. We rolled with it. After we bought our tickets—it felt a little like booking air travel—the girls, ages 5 and 8, asked to start in the garden maze.

I’d somehow made it this far in life without entering a maze of any kind, and assumed we’d soon become hopelessly lost, thirsty, and panicked. It didn’t happen, though: As I should have realized, the owners of tourist attractions don’t actually want the tourists to have a terrifying time. They’d sprinkled enough clues throughout the tall passageways to ensure that we could make it out—and they sprinkled us too, with cooling mist. We found our way to all four “goals” and then to the exit with only minor, enjoyable confusion.

On to the ropes course. Employees buckled us into harnesses and showed us how to maneuver them through a system of overhead rails as we tiptoed along narrow beams, rungs, and ropes about a gazillion feet in the air. Well, maybe not that high, but high enough to make me seriously nervous on my first couple of passes, as I gripped the sweaty hand of my wobbly 5-year-old. I admit it was a pretty cool moment when we both grew comfortable enough to let go of each other and she took off on her own. Her older sister, meanwhile, gallivanted fearlessly all over the course. We all felt elated when we finally descended.

After a picnic on the lawn, we got in line for a cavern tour. On a day of jarring juxtapositions, none is stranger than this: You’re inside a building, and then you go down some concrete steps and you’re standing in a cavern. The ceiling soars overhead, dripping with stalactites, and an enormous calcite formation, named for George Washington, stands on the floor before you.

Now, let me say that the tour itself at Luray, a mile and a quarter long, is not super-inspired. Our baby-faced, bored-sounding guide recited his script and little else. And I’m glad I wasn’t expecting a geology lesson for my kids, because they didn’t get one. Have I mentioned that Luray Caverns is geared toward tourists? We trudged along brick and concrete paths, obeyed the command not to touch the cave formations, and absorbed a steady stream of quasi-historical lore, all in a pack of 35 or so people.

But it’s hard to ruin a place like this. Luray is a large and astonishing feature of the earth, festooned with every kind of underground formation you could hope to see: stalactites, stalagmites, delicate drapery formations, still-as-glass pools, columns, and flowstone. Even if you ignore the official information, this is the kind of place that makes an impression: It’s a feast for the eyes and a different visual language than we’re used to above ground. The absorption and wonder of kids in such a setting is a good model for the rest of us.


It’s a feast for the eyes and a different visual language than we’re used to above ground.


After exiting the cavern, as you might guess, we were a bit spent. But still there was more—so much more to see! We made a weary attempt to appreciate the Toy Town Junction Museum, home of model trains and historical toys, skipped the Car and Carriage Caravan Museum, and briefly checked out the Luray Valley Museum, which is all about Shenandoah Valley history. All of it was worthwhile enough, but there’s only so much stimulation a family can take in one day.

We’d spent the day as lemmings, true, and the cynical grownup in me sneered a little at the manufactured hokiness of it all. But my kids saw no reason to turn up their noses. They were two very happy tourists.


If You Go

Luray Caverns is open daily 9am-6pm through October; winter hours are 9am-4pm. Tickets for the cavern and museums are $28 for adults and $15 for kids 6-12. The garden maze costs $9 for adults and $7 for kids 6-12. The ropes course is $11 if you’re 48 inches tall or more, $7 if you’re not. For more information, go to luraycaverns.com.

Categories
Arts

Due diligence: The Wife is an intelligent look at love and conflict

There may be no better time for The Wife than this moment, in which the role of the male genius whose achievements came at the expense of unrecognized or exploited women is under scrutiny. (A few months in the doghouse, it seems, is plenty of time for celebrated entertainers to atone for sexually assaulting or intimidating women.) But the enforcing of male dominance at home or in the workplace need not only be specific acts of violence to be monstrous; denying a woman’s voice and right to be recognized for her achievements, then patronizingly claiming to love and value her, is not only maddeningly unjust but manipulative, whether malice is intended or not.

With that as its underlying theme, The Wife goes deeper than a bad man doing bad things to a good woman—it is just as interested in the society that made this situation permissible to begin with. The man in this case, is celebrated author Joseph Castleman (Jonathan Price), who has just won the Nobel Prize in Literature. His wife, Joan (Glenn Close), is excited, supportive, and protective of Joseph’s body of work. He frequently praises her and publicly declares gratitude for her love and support, while always including a bit of devaluation, along the lines of he wouldn’t be a great man without her love and support. Joan, on the other hand, has specifically said she does not like the spotlight, so all of this seems like a typical relationship between two slightly quirky and intelligent people from a previous generation who love one another in spite of their insecurities.

Where The Wife expands is by looking into the past, when Joan and Joseph first started their relationship—he was her writing teacher, praising her work with little moments of vague negative criticisms to assert his dominance. It is in this period that she both learned of her talent and grew cynical about the likelihood of succeeding as a woman in a male-dominated world of publishing. Without giving anything away, decisions made at that time were norms of the 1950s, but doing so locked in layers of resentment that went unaddressed for decades, until the Nobel Prize and the trip to Stockholm shined a light on problems and emotions that always existed.

190sFeaturing excellent performances and terrific direction by Björn Runge, The Wife tells an engaging story about a relationship, but makes a broader statement about power imbalance at home, in the workplace, and in society. To the world, Joan is “the wife,” and though many claim to love and recognize her, she is trapped in a gilded cage of being only the wife of a supposed genius, squashing her talent and individual voice, yet she actively resists being painted as a victim no matter how many affairs or indignities she endures. There is what could be called a twist that sheds more light on her character, but it is neither artificial nor cheap, growing naturally out of the emotions simmering beneath the surface. The Wife is an intelligent, tense, terrific movie whose narrow narrative scope allows it to deeply explore issues critical to society through excellently crafted characters, without cheapening the story or its message.


The Wife

R, 100 minutes; Regal Stonefield 14 and IMAX

Playing this week:

Alamo Drafthouse Cinema 377 Merchant Walk Sq., 326-5056

A Simple Favor, Crazy Rich Asians, Mandy, The Nun, Peppermint, The Predator, White Boy Rick

Regal Stonefield 14 and IMAX The Shops at Stonefield, 244-3213

A Simple Favor, Alpha, Assassination Nation, Christopher Robin, Crazy Rich Asians, Fahrenheit 11/9, God Bless the Broken Road, The House With A Clock In Its Walls, Life Itself, Pope Francis—A Man of His Word, The Meg , Mission Impossible: Fallout, The Nun, Peppermint, The Predator, Searching, White Boy Rick, The Wife

Violet Crown Cinema 200 W. Main St., Downtown Mall, 529-3000

A Simple Favor, BlacKkKlansman, Christopher Robin, Crazy Rich Asians, Fahrenheit 11/9, Juliet, Naked, The Nun, Peppermint, The Predator, Searching, White Boy Rick, Whitney

 

Categories
Arts

ARTS Pick: Father John Misty

Any artist that opts to start off a track with the words, “Pour me another drink and punch me in the face” certainly has no shortage of spunk. Josh Tillman, who famously deemed himself Father John Misty, has taken to the road in celebration of his recent LP, God’s Favorite Customer. Misty delivers hypnotizing indie rock to eager fans—so eager, in fact, that they had a hand in a venue swap after swiftly buying out his original
slot at the Jefferson Theater. Come expecting jarring lyrics, FJM’s characteristic slicked-back locks, and myriad mic stand dips and tricks.

Tuesday, September 25. $35, 7:30pm. Sprint Pavilion, 700 E Main St., Downtown Mall. 245-4910.

Categories
Arts

Letting it flow: Kyle Dargan fights futility with poetry

As a child, Kyle Dargan began writing rhymes largely as a matter of convenience.

“If you wanted to make music, especially back in the ’90s, you needed somebody with a studio and recording equipment,” he says. “But you could write [hip-hop lyrics] at home, on the bus, in a notebook, and share with people and workshop and take their feedback and try to get better at it.”

Now a highly awarded poet and writing teacher at American University, Dargan became interested in poetry just shy of high school. “One of the things I really push back against as a teacher at the college level is that by the time I get my students, most of them have probably experienced some poetry trauma,” he says. Whereas children are born with a basic element of creative freedom, he says he must “deprogram [his students] from the feeling that unless you are able to interpret a poem a certain way, you’re wrong or you’re wasting your time in reading it.”

Growing up in Newark, New Jersey, Dargan went to Saint Benedict’s Prep and then to the University of Virginia, where he was a graduate of the first-ever area program in poetry writing. He went on to Indiana University, where he received his MFA in creative writing, and then moved to Washington, D.C., to study art management and teach at American.

“I couldn’t have ever imagined it, but being here during the Obama administration I got to do some great work with the President’s Committee on the Arts and Humanities and [produce poetry programming] at the White House,” he says. “As much as D.C. is maligned, I really try to appreciate all the unusually marvelous things that can only happen here.”

Given Dargan’s penchant for exploring themes like contemporary masculinity and “America as a concept—not so much a place but an idea,” it’s easy to understand the relevance of his poems.


“As much as D.C. is maligned, I really try to appreciate all the unusually marvelous things that can only happen here.”


In his forthcoming collection, Anagnorisis, he explores the moment he understood his American fate in the same way a Greek tragic hero experiences crystalline self-awareness. “With all of the police shootings of citizens…I felt like, you know, ‘I have a feeling the country’s kinda going in a direction that I’m not quite sure of yet,’” he says. “And then the 2016 election happened. I was like, ‘Ah, okay, this is it. And I know what side of it I am on.’”

Still, he says, “when I think about America now, I’m one of the few who still believes America is heading in a post-racial direction. But I say that with a caveat that the hours, the years right before the change becomes real are often the most violent.”

After traveling to China twice in the last 10 years and examining why it continues to buy American debt, Dargan says he’s realized America’s biggest export is promise.

“I don’t want to look at it as hope,” he adds, “because I don’t think those ideologies are going to roll away easily. But I do think that America, more than anything, is a place of reckoning. It’s a difficult reckoning, and we are gradually becoming mature enough to handle that reckoning, but we’re not there yet.”

By helping heal the trauma inflicted on students’ creative self-expression, Dargan hopes to support that maturation process. “A big part of what makes creative communication work is being able to be present as yourself on the page, right? If you’re not open and vulnerable and honestly dealing with who you are and how you write, you’re limiting the potential of whatever communication you’re making with someone else,” he says. “I believe that the ability to communicate, first and foremost with yourself and then transferring that to others, definitely saves us all.”

Categories
Living

Garden of eatin’: Local entrepreneurs develop a new way of growing greens

Soon, you might not need a green thumb to farm continually fresh greens at home. For that matter, you might not need a garden, at least not in the traditional sense.

For that, you can thank Alexander Olesen and Graham Smith, two recent UVA graduates who have developed a series of hydroponic micro-farms that are already in use commercially here in Charlottesville.

Babylon Micro-Farms sprung from a challenge UVA professor Bevin Etienne posed in his social entrepreneurship class, in which students were asked to develop a product to help refugees, something with high impact and a low price tag. Something that people would be able to download an open-source design for and make on their own.

In the research process, Olesen says he got “very hooked” on the idea of hydroponics—a method of growing plants without soil—and how it has the potential to use significantly less water than conventional agriculture and grow crops twice as fast.

Olesen quickly realized that there was nothing available to the average consumer interested in trying this game-changing way of growing food. Hydroponics systems are largely limited to massive consumer operations, and worse still, inaccessible to people in developing countries and communities who could benefit greatly from such a product.

The initial micro-farm prototype—for which Olesen and Smith teamed up with Hack Cville—turned out to be low-tech and the size of a small car, and the entrepreneurs realized that if a community doesn’t have access to food, it’s not likely to have access to pH monitors, nutrients, and everything necessary to make the hydroponics system work, either. “Everything we’ve done since is figure out a way that we can make a platform that allows anyone to engage in hydroponic farming regardless of their background or expertise,” says Will Graham, Babylon Micro-Farms’ director of marketing and sales.

Olesen, who graduated this past spring, spent the summer with Darden School of Business’ iLab, refining the product and securing grants from the iLab and UVA Student Council’s Green Initiatives Funding Tomorrow program, as well as $600,000 from angel investors in order to grow the company from its two founding members to an eight-person operation with a Downtown Mall office. To better serve the customers the company has in mind, it has developed the technology to make the mini farms run themselves. “It’s plug-and-play,” says Graham—at least for the consumer.


“The farm grows crops from seed-to-harvest with no need for maintenance, bringing produce closer to…the consumer. Most of what you buy from grocery stores has been picked days ago and is leaching [nutrients], so you’re getting a more nutritious end-product this way.” – Will Graham


Babylon Micro-Farms provides pre-seeded trays to be placed into the farms, which are big, clear cabinets with four levels of shelving. Each shelf holds beds for seed trays, and each bed is lit from above with special bulbs that give crops a continually perfect sunny day. Once the pre-seeded trays are in the cabinet-farm, technology does the rest of the work.

“In this controlled environment, you’re giving [the crops] the concentrated nutrient profile they’d be taking from the ground, but in a solution form, and with optimized lighting” and more, says Graham. The conditions inside the cabinet are all monitored and regulated by the system, which assesses, among other things, the pH (acidity) of the water/nutrient solution, carbon dioxide levels, air temperature, and humidity, and adjusts accordingly, depending on what’s growing—micro-greens, leafy greens, herbs, edible flowers, fruits, or vegetables. The system will even stagger harvests so the crops ripen in waves, ensuring dozens of heads of lettuce won’t ripen at once, but a few at a time, just as they’d be eaten.

“The farm grows crops from seed-to-harvest with no need for maintenance,” says Graham, “bringing produce closer to the end goal, the consumer. Most of what you buy from grocery stores has been picked days ago and is leaching [nutrients], so you’re getting a more nutritious end-product this way.” Currently, there are a few Babylon Micro-Farms apparatuses installed in kitchens around town. There’s one at UVA’s O-Hill dining hall, and another at Three Notch’d brewery, where Executive Chef Patrick Carroll has been impressed with its output. “We love our micro farm from Babylon,” says Carroll of the unit, which is visible from most spots in the restaurant and brewery. “It always excites us to harvest creativity by truly growing local greens. It adds an extra wow factor as guests walk into the restaurant.”

Babylon Micro-Farms is also working on a self-sufficient hydroponic farm at Boar’s Head’s Trout House, one that will provide salad greens, herbs, peppers, and tomatoes, all “exclusive heirloom varieties from the Thomas Jefferson Center for Historic Plants” at Monticello, to help provide food for the resort, says Graham. They’ll be installing a micro farm in the new Cava location on Emmet Street in October as well.

All of this condensed growth in three short years is as impressive as the accelerated growth seen in Babylon Micro-Farms’ machines, says Olesen. But the company hasn’t forgotten its roots. Babylon Micro-Farms has teamed with Etienne’s climate resilience lab at UVA, working to develop concepts for low-cost and portable systems, such as a fold-out farm that collapses to the size of a rain barrel and can be sent to areas of food scarcity for disaster relief; places ravaged by increasingly disastrous hurricanes, for instance. They’ll test the system with UVA’s Morven Kitchen Garden as they work on pilot projects on Caribbean islands devastated by last year’s Hurricane Irma. And for the eager at-home farmer here in Charlottesville? Those systems could be available for order as soon as the end of this year, with a spring delivery, for an estimated cost of $3,500.