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News

Another name change? Albemarle school board confronts racist past

“White parents would not permit their children to receive instruction from inferior Negro teachers—and they were inferior.”

These recently resurfaced words, which originally appeared in a July 1, 1956, article titled “Virginia’s Creeping Desegregation: Force of the Inevitable” in Commentary Magazine, were said by Dr. Paul Cale, the longest-serving Albemarle County schools superintendent, and the namesake of one of the county’s most diverse elementary schools.

And now that his racist murmurings have been brought to light, some school board members say celebrating the long-gone superintendent doesn’t sit well with them.

“The author writes of Dr. Cale’s agreement that two years after Brown vs. the Board of Education, integration was not practical in Albemarle County and if it were to be enforced, white parents would withdraw their children and stop paying taxes,” said school board chair Kate Acuff October 18 at the board’s most recent meeting. “This was the essential strategy of massive resistance, which was formally born in Virginia only months before this article appeared.”

In a motion that wasn’t on the meeting’s agenda, she called for superintendent Matt Haas to review the current policy on naming school buildings and to review the monikers of all schools in the division, including Cale Elementary School, within six months.

“We should not revere or celebrate these viewpoints nor preserve them in perpetuity in the names of public buildings,” Acuff said. “As this board often has said, in this school division, all should always mean all.”

Local filmmaker Lorenzo Dickerson, who also serves as a web and social media specialist for county schools, says he dug up the Commentary article when creating a presentation for a professional development day for teachers and administrators at his alma mater, Western Albemarle High School. He showed his work to the school board at Acuff’s request.

Dickerson has also directed a film called Albemarle’s Black Classrooms, and focuses his work on telling stories of local African-American history. He’s spent years researching the themes in his name-change prompting presentation.

What surprised me the most was a photo of a black-faced minstrel show that was given at Albemarle High School during the 1962-63 school year,” he says. “I found this photo in the AHS yearbook from that year. It was displayed just as any other typical school play.”

These types of discussions aren’t new to Albemarle. The county school board has recently come under fire by anti-racist activists for its dress code, which allows Confederate imagery. These community members, some with the Anti-Hate Coalition of Albemarle County, considered the most recent meeting a “huge win,” according to the group’s Facebook page.

“I know that the members of this board will continue to struggle with these issues,” said David Oberg, one school board member who has publicly supported the ban on hate symbols in schools. “I hope that as we do, we will engage our entire community on not only the issue of Confederate imagery, but also the issues of systemic discrimination within our schools and within our community.”

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Living

Chip chip hooray: Exploring the Valley’s light, crispy attractions

Believe it or not, there are some things Charlottesville still doesn’t have, which is a great reason to get out of town now and then. Another great reason is that many towns within striking distance of Charlottesville are attractive and thriving. When a friend and I, with our combined five kids, pulled into Harrisonburg on a recent afternoon, we both appreciated having a city within easy reach that clearly offers its own distinct world to explore.

Then again, we knew exactly where we were headed. That would be Ruby’s Arcade, which I discovered with my two girls on a rainy day about a year ago. Tucked into downtown Harrisonburg, it’s a combination restaurant and game room that, at least on weekday afternoons, is deliciously family-friendly. (I suspect that, with its full bar and happy hour specials, it caters to a different crowd in the evening.)

But what a great concept! In we walked and within five minutes, we were embarking on a group game of duckpin bowling, played on an antique apparatus salvaged from an unknown 1950s establishment somewhere in America. The kids worked on refining their granny-stance technique—and, I must say, improved with every frame—while my friend and I pondered Ruby’s large menu.

Soon, the small table at the head of our lane was somehow managing to hold two pizzas, mac ’n’ cheese, chips, fries, and cups and plates for seven people. We munched and bowled against a backdrop of nicely muraled walls. Between turns, the kids explored the variety of games that fill the sprawling space beneath the arcade’s low ceiling.

Air hockey proved popular. There are pool tables, plus darts, shuffleboard, foosball, a small selection of video games, and a big selection of board games. Last but not least is ping pong, in which my friend and I soon became so happily engaged that the kids had to drag us out of the arcade. The best part: All the games were free. Ruby’s doesn’t make this super clear on its website, but on a mellow weekday, you pay only for food.

We piled back in the van. Next stop: the Route 11 Potato Chips factory, a few miles up Interstate 81. We hadn’t been here before and weren’t prepared for the enticing smell that hit our noses as soon as we stepped out of the car. Inside the large tasting room, we learned that this particular day at the factory was devoted to producing sweet potato chips. Mmmm.

You can’t actually enter the production area, but you can get a darn good look at how the chips are made by gazing through large interior windows. An employee gave us a brief intro to what we were seeing and spouted off a few impressive figures, including the 14,000 pounds of potatoes that the factory can process in a day.

A fraction of those were, as we watched, undergoing a rapid transformation from peeled raw spuds to freshly bagged chips, all packaged up in boxes. Sliced potatoes poured off the end of a conveyor belt into a steamy vat of hot oil where a snakelike stirring rod trundled back and forth. Inspectors waved at the kids through the window as they plucked out less-than-perfect chips, to be fed, we were told, to local cows.

Upstairs, a fascinating machine portions out the chips just before they plunge through a tube (like something out of a Roald Dahl story), into an even more fascinating machine that folded, filled, and sealed the bags. Personally, I could have watched this all day—there was something so alluringly behind-the-scenes about seeing, for the first time in my life, how a chip bag is engineered.

The kids were impressed, too, but they didn’t forget to make frequent visits to the sample table offering a rainbow of flavors. We bought everybody a small bag of their choice, plus a big clear plastic bag of uber-fresh sweet potato chips.

On the way out, my friend picked up a brochure for nearby Shenandoah Caverns and read me a description of one of the caverns’ ancillary attractions: American Celebration, a museum of parade floats. We agreed that it sounded like fun, and then five minutes later we stumbled across that very museum on our way back to the highway.

Sadly, the museum’s closed for the season, but they’re hosting a haunted house through Halloween. And a friendly employee invited us to check out the Yellow Barn event venue across the road, which houses some antique farm equipment and a working beehive. We opted to sprawl on the manicured lawn instead, gazing at a replica of the Statue of Liberty, while the kids played sardines. Sometimes, it’s those unscheduled, unofficial moments that turn out to be the best parts of a trip. And now we have a few reasons to go back.

If you go:

Ruby’s Arcade is located at 100B 165 S. Main Street in Harrisonburg. Call (540)615-5351 for hours and details on pricing (games are not always free).

The Route 11 Potato Chips factory is located in Mt. Jackson and is open to the public Monday-Saturday 9am-5pm. If you want to catch the frying in action, call ahead: (540) 477-9664.

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Arts

ARTS Pick: moe.

Early to the jam band party, moe. rose quickly on the hippie festival circuit of the ’90s, firing up crowds with its intricate percussion and ripping guitar riffs. Three decades of touring and 24 albums later, the Buffalo, New York, quintet is still playing to massive audiences—in May, its 17th annual Summer Camp drew more than 20,000 people, and the group is currently headlining an East Coast run.

Friday, October 26. $29.99-35. The Jefferson Theater, 110 E. Main St., Downtown Mall. 245-4980.

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Arts

Lost and found: Victory Hall Opera explores boundaries in The Forgotten

The story of “Hansel and Gretel” is a familiar one: the hungry children of a poor woodcutter are lost in the woods when they stumble upon a house made of gingerbread and sweets, enticing to their eyes and empty bellies.

The house belongs to a witch who lures the children inside and captures them, intending to fatten them up so she can roast and eat them later. But Hansel and Gretel outwit the witch (who perishes in her own fiery oven), and the children stuff their pockets with the witch’s jewels and treasure before finding their way home.

Like most folklore and fairy tales, “Hansel and Gretel” has been adapted many times, in many languages, each version differing slightly from the next. This week at Light House Studio, the Charlottesville-based Victory Hall Opera adapts Engelbert Humperdinck’s 1893 opera Hänsel und Gretel into an experimental version of the story, one that considers modern anxieties about the self and the other, about innocence lost and awareness found.

Inspired by the Halloween zeitgeist that captures imaginations at this time of year, VHO wanted to stage an opera with “genuinely scary material” for its fall production, says VHO artistic director Miriam Gordon-Stewart. Hänsel und Gretel was one choice. Gian Carlo Menotti’s The Medium is another.

Written and set in the wake of World War II, The Medium is a two-act tragic opera about a fraudulent psychic (Baba) who ropes her daughter (Monica) and a mute servant (Toby) into leading grieving clients through fake séances. During one séance, Baba has an experience she cannot explain; it terrifies her and drives her mad.

Gordon-Stewart and Brenda Patterson, VHO director of music, noticed similarities between the two operas: Both are fairy tales with a boy and a girl as lead characters. “A fairy tale has never really been about ghosts or witches. It’s always been about the ‘other,’” says Gordon-Stewart. Another point of convergence: Both could be set in the woods—in our woods.

Gordon-Stewart and Patterson weave strands of each opera together into a single production called The Forgotten, drawing the first part from Hänsel und Gretel and the second from The Medium. The actors who sing Hansel and Gretel (Patterson, a mezzo-soprano, and Nancy Allen Lundy, a soprano based in New York state) also sing Toby and Monica, respectively, and other actors double up on roles as well.

In The Forgotten, Hansel and Gretel are overprotected, privileged, smartphone-obsessed private school kids living in a luxury housing development on the outskirts of Charlottesville. When they’re sent into the nearby woods, it’s the first time they’re out of their highly-controlled environment: They are “completely mystified” by being in nature and being unsupervised, says Gordon-Stewart.

In the production, the woods serves as a meeting place for two seemingly disparate worlds. The idea is that if you walk through the woods of Charlottesville, you might end up in the county, and possibly meet someone who has a very different experience of living in Virginia, says Gordon-Stewart. “I think we’re all aware of the fact that Charlottesville is a bubble within a very different culture…and I think there are a lot of fears, from both sides of the border, about that,” she says.

Lundy, who sings Gretel and Monica, appreciates the “very, very creative” approach VHO has taken in exploring this theme that has both immediate and global implications. She relishes the depth the narrative gives to her characters, particularly Monica, who, Lundy says can come off as “trite, girly, and silly.” In The Forgotten, Lundy feels Monica’s devastating arias so deeply she says she barely has to do any acting.

VHO has also incorporated elements of the Charlottesville area’s own (and true) fraudulent psychic story into The Forgotten. For a while, Sandra Stevenson Marks claimed to be a psychic and offered “Readings by Catherine,” including palm, tarot, astrological, and spiritual readings, from a rented house on Route 29. She knowingly stole more than $2 million from five people, pleaded guilty to the charges brought against her, and in November 2016 was sentenced to 30 months in prison.

Gordon-Stewart wanted to add a bit of “genuine magic” and a truly supernatural atmosphere to The Forgotten, and so VHO asked Light House Studio filmmakers—who are about the same age as the Hansel, Gretel, Monica, and Toby characters—to create films about the woods that are part of the production, along with the score from the live chamber orchestra.

Just as The Forgotten explores fears of difference, the unfamiliar and the unknown, so does VHO. The company does not deliver expected opera performances, says Gordon-Stewart, and that’s the point. “In order for audiences to really engage, to really genuinely feel something in the theater, they have to be disarmed,” she says. “They have to experience something unexpected, and if I’m giving them what they expect, then there is part of them that is not awake.”

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Arts

Fresh blood: An all-new Halloween sheds the plague of sequels

We’ve had Halloween sequels for decades. What’s different this time? The same thing that’s different in found footage, possession movies, even the Amityville franchise: fresh blood, literally and figuratively. For many of the slasher sequels and remakes of the ’80s and ’90s, it was difficult to tell what the filmmaker disliked more, the audience or horror movies themselves. Some mainstays are campy fun and October traditions. (Freddy and Jason will always be a welcome sight), but the reflexive greenlighting of all horror sequels has led to great characters and premises being stretched beyond their appeal. This also killed the fun of the half-ironic, self-aware crop of films that followed Scream.

Few icons have had their legacies sullied as much as Michael Myers, the silent, hulking force of nature who first squared off with Laurie Strode (Jamie Lee Curtis) in 1978. His featureless mask, plain clothes, and unknowable motives made him terrifying. His movements were slow but portentous, with the inevitability of an approaching glacier; any safety you feel is an illusion. Laurie, as depicted by Curtis, was an effective audience surrogate, but more than that we watched her discover a will to survive she did not know she had.

And then there are the sequels; turns out Myers is Laurie’s brother; he’s a reincarnated Druid something or other; then a wounded little boy in the misguided Rob Zombie remakes. These explanations make the monster both less scary and less interesting. Backstories like these are not useful for a character as menacing as Myers. Thinking about his origin is like watching an oncoming tsunami when you should be fucking running.

Enter David Gordon Green, once heir to Terrence Malick’s throne (see George Washington, All the Real Girls), who began making stoner comedies (Pineapple Express, Your Highness) before splitting the difference in recent years (Prince Avalanche, Manglehorn). In other words, not the first person you’d expect to pivot into slasher territory.

With co-writers Danny McBride and Jeff Fradley, he is very much on a mission to rehabilitate this series while undoing the wrongs of the past. The focus here is on the legacy of tragedy from generation to generation, as well as the danger of mythologizing that which does not operate by human understanding. Laurie, now living in near isolation, has been estranged from her family after subjecting her daughter (Judy Greer) to a lifetime of survivalist preparation viewed as abuse. Her granddaughter (Andi Matichak) makes efforts to involve Laurie in their life, but it is apparent that she is not free of the trauma from 40 years ago. Meanwhile, a pair of podcasters from the UK set off a chain of events that unleashes Myers on an unsuspecting and unprepared public.

Some may find the irony and self-awareness of the first half off-putting, but Green’s theme of understanding the past has an eye toward undoing the damage done by the awful sequels (which are totally ignored). Green captures some of John Carpenter’s magic in depicting the power Myers has over any space he occupies. Curtis is also in top form, and even if you have no investment in the franchise, she is the reason to see this.


Halloween R, 116 minutes; Alamo Drafthouse Cinema, Regal Stonefield 14 and IMAX, Violet Crown Cinema

Playing this week  

Alamo Drafthouse Cinema 377 Merchant Walk Sq., 326-5056 

A Star is Born, Bad Times at the El Royale, First Man, Goosebumps 2: Haunted Halloween, Venom

Regal Stonefield 14 and IMAX The Shops at Stonefield, 244-3213  

A Star is Born, Bad Times at the El Royale, First Man, Goosebumps 2: Haunted Halloween, The Hate U Give, The House with a Clock in Its Walls, Night School, The Oath, Venom

Violet Crown Cinema 200 W. Main St., Downtown Mall, 529-3000

A Star is Born, Bad Times at the El Royale, Blaze, Colette, The Devil’s Backbone, First Man, Goosebumps 2: Haunted Halloween, The Guilty, The Hate U Give, The Oath, The Old Man & The Gun, The Sisters Brothers, Venom

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News

New vacancy: Downtown bookstore shuts its doors, and neighbors wonder what’s next

As the Hallmark greeting card and gift store morphs into a Bank of America, and the lights have gone dark over Read It Again, Sam’s shelves of used books, some are asking what types of businesses now prosper on the Downtown Mall—and who can afford to try.

Gwen Berthy, who’s been selling records at Melody Supreme on Fourth Street since 2010, ponders what may—or may not—be successful in taking Read It Again, Sam’s place.

“Not a bookstore, for sure,” he says. “I can’t imagine the rent.”

Joan Fenton, who owns the building and several shops on the Downtown Mall, declined to comment on how much she’s charging for rent, or what Dave Taylor, the bookstore’s founder, had been paying for the spot he’d occupied for more than two decades. (Taylor passed away in March, 2017).

Fenton did say she’s received many calls about the space, and will make a decision about a potential, undisclosed renter this week. The storefront isn’t up for grabs until January, and in the meantime, Fenton says she’ll host her own pop-up shop during the holiday season.

Former owner Dennis Kocik, who was a longtime patron who purchased the shop with the intent of saving it from going out of business when Taylor passed away, said he made the decision to close after facing an immediate rent increase (to $4,800 per month), followed by an additional rent increase in May 2019 to $5,275 per month, plus the landlord’s requirement that he sign a one-year lease (though the space had been leased month-to-month for 20 years).

The average rent on the Downtown Mall is approximately $21 per square foot, though actual rent varies widely, according to Chris Engel, the city’s director of economic development. Berthy suggests prime real estate like the former site of the used bookstore probably costs $4,000 or $5,000 a month. Since 1997, the building’s total value has increased from approximately $300,000 to nearly a million dollars.

Another downtown bookstore co-owner, Kate DeNeveu, says, “We are very fortunate that our space is very small.”

But she also declined to comment on what she’s paying to rent the space that houses her Telegraph Art & Comics, and said she was surprised when Read It Again, Sam suddenly closed.

“I’m going to miss that place,” she says. “I don’t think you can have too many bookstores.”

DeNeveu attributes a lot of her sales of comics, posters, T-shirts, and collectibles to downtown tourists.

“Being close to the Omni is a blessing,” she says. “I am totally 100 percent pro hotel.”

Sitting at the bar at Citizen Bowl Shop, DeNeveu points through the glass in the eatery’s front door and across the mall, where construction on a tech incubator called CODE will start later this year. She says it’ll be interesting to see if the mall’s offerings change to cater to tech professionals when almost an acre of their office and accompanying retail space opens. Berthy wonders the same, and says the business mix has changed over the years to accommodate young professionals who move to Charlottesville for jobs.

Engel says a healthy downtown should have a mix of retail, residential, and office spaces. “Since we have not had any new office space delivered in the past decade, the planned projects will be a welcome addition,” he says.

Berthy’s been here long enough to know what types of businesses do best.

“Burgers. Drinks. Ice cream,” he says. And then, while simultaneously making a thumbs down and blowing a raspberry, he says, “Culture.”

Adds the man who makes his money off of music—in a spot where people often drop by and ask him for restaurant recommendations instead of buying records—“If you want to do a private business here, first you think about the bellies of people.”

And the mini Bank of America that’s inhabiting Hallmark’s old home?

“No comment,” says Berthy, “I mean, what could I say? It’s terrible.”

 

Corrected October 25 at 10am. This story will be updated with comments from Read It Again, Sam owner Dennis Kocik.

Updated October 31 at 11:30am with comments from Dennis Kocik.

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News

In brief: Pesticide problems, a POWF at the Pavilion, and a poll procession

Pesticide dangers with Pete Myers

As a local biologist and founder of the nonprofit Environmental Health Sciences, Pete Myers clearly knows a thing or two about environmental health. On Thursday, October 25, from 9am to noon, he’ll join three other experts at the Paramount to give us “The Real Dirt on Pesticides” (spoiler: it’s worse than you think).

If you can’t make the forum, where attendees will also learn alternative and sustainable methods of dealing with garden pests and weeds, here are three things Myers says you ought to know about the substances created to kill:

  1. Because of wind, drift, water runoff from pesticide- sprayed fields, and the way that the sun’s heat evaporates the pesticide off the surfaces where they are sprayed, it is virtually impossible to limit their application to the pest they are being used to kill. This harms beneficial organisms, including people.
  2. Almost no square inch on the planet is without measurable amounts of pesticides, and every human has measurable levels of pesticides in them.
  3. The methods used by regulatory agencies to test for pesticide safety have deep and fatal flaws, so our understanding of what is safe, and what is not, is very limited. Among them:
  • Pesticide manufacturers submit test results, not regulatory agencies, and results are often withheld from independent scrutiny with claims of confidential business interests.
  • The tests are carried out on the ‘active ingredient,’ the one chemical thought to do the killing. But a pesticide is a mixture with  many other chemicals specifically added to the product to make it more powerful. The product as sold is never tested in the process of determining its safety.

Nikuyah Walker. Photo by Eze Amos

Quote of the week: “How civil and orderly were the community members who auctioned off black bodies in Court Square?” Mayor Nikuyah Walker responds to a Daily Progress op-ed on bullying at City Council meetings


Mayor takes aim at Galvin… and Baggby’s?

In a Facebook response to the Progress editorial on heckling at City Council meetings, Mayor Walker accused Councilor Kathy Galvin of “white (civil) rage,” and described the “tyranny” that has ruled the city under the guise of civility: “I’m cruel and oppressive and unreasonable, but I do it in a suit and tie or a dress, while I eat Baggby’s. And I don’t yell…I slyly smirk.”

Big bucks from Bronco

Bronco Mendenhall. Photo by Jackson Smith

Bronco Mendenhall’s family ponied up $500K for new football operations center. UVA says it’s the largest gift made to the university by a head coach, but Mendenhall is also the university’s highest paid coach ever, pulling down around $3.5 million annually.

Free UVA tuition

Jim Ryan seems to be pretty popular among the students he now officially presides over, and he racked up even more brownie points at his October 19 inauguration, where he said in-state students with families earning less than $80,000 a year will be able to attend the university tuition-free.

Big tent replaced

A portable off-grid washing facility. Click to enlarge.

The bad news is that construction to replace the original fabric roof of the Sprint Pavilion will cut off all pedestrian access through the venue (and the tunnel under Ninth Street) until March. The good news is that the fabric will get a new life as a “portable off-grid washing facility,” which creates a reusable and environmentally friendly way to do laundry in refugee camps, according to Pavilion manager Kirby Hutto.

Deeds settles

State Senator Creigh Deeds settled a wrongful death lawsuit against former mental health evaluator Michael Gentry for $950,000 for allowing his son, Gus, to leave the hospital after determining he was a danger to himself and others. Gus stabbed his father multiple times before killing himself on November 18, 2013.

Need a ride to vote?

Don’t let a lack of transportation keep you from voting in the November 6 midterms.

An all-volunteer group called CAR2Vote, founded by Gail Hyder Wiley in 2013, provides free rides for voters to get an ID, submit an absentee ballot, or vote on election day. Approximately 75 drivers are on call this year.

Says Hyder Wiley about the upcoming election, “There’s a lot of pent-up frustration and polarization, and one of the best ways to make your voice heard is to vote.”

Sign up for a ride to vote at car2vote.weebly.com or call 260-1547.

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News

Failing grade: Community responds to ProPublica/NYT piece on racial inequities in city schools

Last week, ProPublica and the New York Times published a scathing indictment of Charlottesville City Schools, pointing out persistent and widening achievement gaps between white and black students. The article also highlighted the overrepresentation of white students in the city schools’ gifted program, and made a general case that the needs of black students and families are not being met.

The piece set off a storm of reactions on social media, with one teacher on Facebook blaming a lack of “support or discipline at home,” while others brought up issues like frequent leadership turnover in city schools, disempowered teachers, and the role of affluent white parents in preventing real change.

The city school system has responded forcefully. In a press conference and a letter to parents, Superintendent Dr. Rosa Atkins, who has been in her position for nearly 13 years, highlighted what she says are the district’s efforts to address these issues, but also acknowledged responsibility. “Our primary response should be to listen and learn from the central truth of this article,” she wrote. “We have not made consistent or satisfactory progress for all our students.”

The city followed up with a survey to parents, and is holding a community forum on Tuesday, October 23.

For many, the issues raised in the story were not a surprise.

Gaye Carey, 34, says she’s been concerned about the achievement gap since her daughter, Lamira, was in first grade at Johnson Elementary and a teacher recommended her for QUEST, the city’s gifted program. Carey, who is African American, says she remembers Lamira being one of only two black students pulled out of class for QUEST. “And I just know [there’s]  plenty of smart black kids,” she says, “so I’m just not understanding.”

‘The same thing is still going on’

Lamira is currently in fifth grade at Walker Upper Elementary, and she’s in accelerated math classes, where, again, most of her classmates are white. It’s an experience that seems unchanged from when Carey herself was a student in Charlottesville’s schools.

“When I was in high school, I was in advanced classes and I was one of three black kids out of 27 kids,” she says. “And now it’s going on with my daughter. The same thing is still going on.”

Darnell Walker, who attended city schools from elementary through high school, agrees. “I thought these issues for Black students in Charlottesville would have died a few years after I left CHS, in 2000, but I see it’s still alive, strong, and shows no signs of letting up,” he says in an email.

Like Zyahna Bryant, who was featured prominently in the ProPublica/NYT story, Walker recalls that he was one of the rare black students pushed toward gifted programs.

“I was one of those students who teachers would call ‘different,’ knowing they meant I was nothing like my Black friends,” he writes. “But I definitely was just like them. They were all smart.”

The article noted that white students make up more than 70 percent of students in QUEST (in a district that is 42 percent white). And the percentage of white students who are identified as gifted has shot up from 11 percent in 1984 to roughly 33 percent today.

School administrators say what the piece left out were the active steps they are taking to make the QUEST program more inclusive: Changes in the way students are identified as gifted have resulted in an increase in referrals to the program over the last decade. Still, the overall ratio of white to black students hasn’t changed much.

Bev Catlin, a district coordinator for the program, says the ratios are beginning to shift, but it will take time. In the meantime, the city’s gifted specialists are increasingly “pushing in” to classrooms, collaborating with teachers to offer lessons to students who are not identified for the program—both so everyone can benefit from higher-level lessons and so specialists can identify strengths in students who might have been overlooked.

‘All children have gifts’

The city gives all students a formal assessment for its gifted program in first grade, rather than in second like Albemarle County, because national data suggests that kids from disadvantaged backgrounds benefit from being tested sooner. Being behind “really does compound year to year,” says Christine Esposito, a gifted specialist at Johnson Elementary. “Kids who don’t feel successful in school will start to shut down.”

Esposito says she and her colleagues are always thinking about ways to make the program more inclusive. “If we had the answer, we would have fixed it by now. We come to work and we try our best to do our best for every kid that we see.”

On the high school level, Charlottesville High has instituted an honors-option program, in which students can pursue standard or honors-level credits in the same classroom, instead of being tracked into separate classes. The district says this program has led to a significant increase in enrollment in honors and AP level courses for African American students.

Margaret Thornton, who taught English at CHS when the program was introduced, says it gave her a much more racially heterogeneous class. Students used different texts to tackle the same big questions, and they learned from each other, improving both test scores and engagement, she says. “It’s a completely different way of teaching, when you’re organizing around these big ideas and then exposing students to all sorts of diverse viewpoints,” she says.

While the honors-option program is expanding, eliminating tracking altogether would be a difficult lift. Even among white students, school systems were traditionally designed to categorize and separate students by ability levels, says Thornton, who is now a doctoral student studying detracking at UVA’s Curry School of Education. “We never righted those structures to make them more inclusive and to make school about enriching experiences,” she says.

“Every child should be getting these enriching experiences,” she adds. “All children have gifts that we can be uncovering.  I don’t think school as we currently have it is designed to do that.”

What will it take?

Indeed, the one thing almost everyone involved can agree on is that the racial achievement gap is a problem that goes beyond Charlottesville, and that no one has effectively solved it.

“What’s happening in Charlottesville is not at all unique to Charlottesville; this is a nationwide trend that schools are failing our black students,” says a city elementary school teacher who asked not to be identified by name. “My questions are, who is doing this better than us, with a similar population? What do we need to do differently?”

A 2016 Stanford University study of standardized test scores found that Charlottesville ranks with other college towns in the 10 percent of districts with the widest racial achievement gaps, but that these gaps exist nationwide. And it’s difficult to separate the school system’s problems from those of the community itself: Charlottesville is a rapidly gentrifying city with a long history of racial and economic segregation.

Grappling with that legacy, several educators say, will require some deep, long-term work, like rethinking teaching to be culturally relevant, and hiring and retaining more African American teachers.

Justin Malone, who started as principal of Jackson-Via Elementary last year and led Charlottesville High School for four years before that, says he recognizes the problems identified in the story, but that in his experience, Charlottesville City Schools are committed to trying to improve.

“Even before the events of Aug 11 and 12, it’s hard not to just ask yourself, are you doing it right, are you doing it well?” he says. “That’s been the work.”

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News

‘Middle ground’: Murphy pleads guilty to girlfriend slaying

 

Trina Murphy has already sat through a long murder trial—that for the death of her niece, 17-year-old Alexis Murphy, in 2014. She did not want to do the same for her son. Xavier Murphy, 24, was charged with second-degree murder in the June 22 shooting of his girlfriend Tatiana Wells.

Wells’ family also didn’t want a trial, and they wanted Murphy, who had a child with Wells, to be accountable for her death. That’s why on October 22, Murphy pleaded guilty to voluntary manslaughter and firing a gun in an occupied building. The plea agreement strikes “a reasonable middle ground,” said Assistant Commonwealth’s Attorney Andrew Wilder.

One of Wells’ family members wept as Wilder read a statement of facts about the incident in room 335 in the Days Inn in Charlottesville. Murphy and Wells had argued, but he told police he did not intend to shoot her in the head with his 9mm semi-automatic gun. Police also said he wanted to kill himself.

The defendant, slight with a goatee wearing black-and-white prison garb, mouthed “I’m sorry” to Wells’ family as he left the courtroom, and he gave a wave to his mother and supporters.

Penalties for voluntary manslaughter range from a minimum of one year to a maximum of 10 years in prison. Murphy will be sentenced February 26.

 

 

 

 

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Arts Pick: Old School honors black educators everywhere

With Caruso Brown’s Old School, The Jefferson School African American Heritage Center gives a nod to Charlottesville’s black leaders, educators, and students. The play reflects Brown’s deep interest in Charlottesville’s black narrative and the lasting impact that these people, past and present, have had on the city.

In the first act, an English teacher attempts to dissolve classroom antics with little success: One boy’s behavior earns him a trip to the principal’s office, and the in-school suspension space becomes a portal called the “Pillars of Wisdom.” It launches  a humorous, heartwarming journey that leads to this young black man’s discovery of his future.

Brown says this of the production’s goal: “Old School seeks to honor…the amazing spirit of both the teachers and the students for history’s sake, but also to sound the trumpet to teachers and students today.”

Through 10/20. $10-15, times vary. Jefferson African American Heritage Center, 233 Fourth St. NW. 260-8720.