Categories
Arts Culture

Pick: Amanda

Movie night: Ty Cooper’s latest film is deeply personal. The Charlottesville-based award-winning director drew on his and his family’s own experiences with cancer when writing Amanda, a story about love, trauma, relationships, and more. As she prepares to submit her art for curation, Amanda confronts losses that she has avoided since childhood, when the disease claimed her mother’s life. A screening of the film will be followed by a panel discussion with Cooper and the movie’s cast members.

Friday 11/12 & Saturday 11/13. $20, times vary. Vinegar Hill Theatre, 220 Market St. lighthousestudio.org.

Categories
Arts Culture

PICK: Outdoor Film Series

Fresh air perspectives: As cooler temps make our time outside more tolerable, the Outdoor Film Series will enrich our minds with shorts, films, and documentaries by filmmakers of color in collaboration with Light House Studio, Vinegar Hill Theatre, and McGuffey Art Center. The theme of the second installment is Waiting for Answers: Meditations on Existence, Time, & Place. Bring your own blanket and snacks and get level with community artists.

Wednesday 10/7, Free, 7pm. McGuffey Art Center, 201 Second St., NW. lighthousestudio.org

Categories
Arts

Changing the narrative: VAFF’s Light House Shorts to feature original film on black male achievement

By Adriana Wells

arts@c-ville.com

The Virginia Film Festival will screen an original documentary by four local young black men during its Light House Studio Shorts event.

This past summer, Daniel Fairley II, the City of Charlottesville’s youth opportunity coordinator, sought to bring attention to the achievements of a number of black men in the Charlottesville community. Fairley selected four teens, ages 14 to 18, to write, film, produce, and edit a documentary that showcases not only the talent of the subjects, but also the filmmakers. Clarence Green, filmmaker and visual storytelling instructor at Tandem Friends School, offered them guidance.

The documentary is only one step in the ambitious Changing the Narrative project, which, in the wake of the events of August 11 and 12, 2017, aims to keep local students engaged in (and in some cases, leading) conversations about race and racism in Charlottesville. That the VAFF will screen the film is an indication that this advocacy has the potential to reach beyond local bounds.


The Light House Studio Shorts begin at 5:30 pm this Thursday at The Vinegar Hill Theatre, and the event is free and open to the public.

Categories
Arts

Lost and found: Victory Hall Opera explores boundaries in The Forgotten

The story of “Hansel and Gretel” is a familiar one: the hungry children of a poor woodcutter are lost in the woods when they stumble upon a house made of gingerbread and sweets, enticing to their eyes and empty bellies.

The house belongs to a witch who lures the children inside and captures them, intending to fatten them up so she can roast and eat them later. But Hansel and Gretel outwit the witch (who perishes in her own fiery oven), and the children stuff their pockets with the witch’s jewels and treasure before finding their way home.

Like most folklore and fairy tales, “Hansel and Gretel” has been adapted many times, in many languages, each version differing slightly from the next. This week at Light House Studio, the Charlottesville-based Victory Hall Opera adapts Engelbert Humperdinck’s 1893 opera Hänsel und Gretel into an experimental version of the story, one that considers modern anxieties about the self and the other, about innocence lost and awareness found.

Inspired by the Halloween zeitgeist that captures imaginations at this time of year, VHO wanted to stage an opera with “genuinely scary material” for its fall production, says VHO artistic director Miriam Gordon-Stewart. Hänsel und Gretel was one choice. Gian Carlo Menotti’s The Medium is another.

Written and set in the wake of World War II, The Medium is a two-act tragic opera about a fraudulent psychic (Baba) who ropes her daughter (Monica) and a mute servant (Toby) into leading grieving clients through fake séances. During one séance, Baba has an experience she cannot explain; it terrifies her and drives her mad.

Gordon-Stewart and Brenda Patterson, VHO director of music, noticed similarities between the two operas: Both are fairy tales with a boy and a girl as lead characters. “A fairy tale has never really been about ghosts or witches. It’s always been about the ‘other,’” says Gordon-Stewart. Another point of convergence: Both could be set in the woods—in our woods.

Gordon-Stewart and Patterson weave strands of each opera together into a single production called The Forgotten, drawing the first part from Hänsel und Gretel and the second from The Medium. The actors who sing Hansel and Gretel (Patterson, a mezzo-soprano, and Nancy Allen Lundy, a soprano based in New York state) also sing Toby and Monica, respectively, and other actors double up on roles as well.

In The Forgotten, Hansel and Gretel are overprotected, privileged, smartphone-obsessed private school kids living in a luxury housing development on the outskirts of Charlottesville. When they’re sent into the nearby woods, it’s the first time they’re out of their highly-controlled environment: They are “completely mystified” by being in nature and being unsupervised, says Gordon-Stewart.

In the production, the woods serves as a meeting place for two seemingly disparate worlds. The idea is that if you walk through the woods of Charlottesville, you might end up in the county, and possibly meet someone who has a very different experience of living in Virginia, says Gordon-Stewart. “I think we’re all aware of the fact that Charlottesville is a bubble within a very different culture…and I think there are a lot of fears, from both sides of the border, about that,” she says.

Lundy, who sings Gretel and Monica, appreciates the “very, very creative” approach VHO has taken in exploring this theme that has both immediate and global implications. She relishes the depth the narrative gives to her characters, particularly Monica, who, Lundy says can come off as “trite, girly, and silly.” In The Forgotten, Lundy feels Monica’s devastating arias so deeply she says she barely has to do any acting.

VHO has also incorporated elements of the Charlottesville area’s own (and true) fraudulent psychic story into The Forgotten. For a while, Sandra Stevenson Marks claimed to be a psychic and offered “Readings by Catherine,” including palm, tarot, astrological, and spiritual readings, from a rented house on Route 29. She knowingly stole more than $2 million from five people, pleaded guilty to the charges brought against her, and in November 2016 was sentenced to 30 months in prison.

Gordon-Stewart wanted to add a bit of “genuine magic” and a truly supernatural atmosphere to The Forgotten, and so VHO asked Light House Studio filmmakers—who are about the same age as the Hansel, Gretel, Monica, and Toby characters—to create films about the woods that are part of the production, along with the score from the live chamber orchestra.

Just as The Forgotten explores fears of difference, the unfamiliar and the unknown, so does VHO. The company does not deliver expected opera performances, says Gordon-Stewart, and that’s the point. “In order for audiences to really engage, to really genuinely feel something in the theater, they have to be disarmed,” she says. “They have to experience something unexpected, and if I’m giving them what they expect, then there is part of them that is not awake.”

Categories
Arts

ARTS Pick: Light House Studio Youth Film Festival

Over the course of the past year, Light House Studio has engaged more than 1,700 students to produce 400 films ranging from animation and visual effects to documentary, narrative storytelling, and music video. The 17th Annual Youth Film Festival gives viewers a peek at the latest productions before they are proffered to the festival circuit.

Friday, September 14. $11.50-102.50, 6pm. The Paramount Theater, 215 E. Main St., Downtown Mall. 979-1333.

Categories
Arts

Budding artists learn in the spotlight

When I was a tween writing “X-Files” fan fiction, I never suspected my interest in storytelling would lead to an actual career as a writer. But then I enrolled in the creative writing program at a performing arts high school—and discovered my creative power.

Dozens of local arts organizations offer Charlottesville children and teens opportunities to unlock their potential. From classes to summer camps to year-round workshops, the vast majority also provide financial support in the form of reduced costs, scholarships and free programming. Area arts organization leaders share what motivates kids to get involved in the arts—and why it really matters.

Light House Studio

“Children and teens are not afraid to make mistakes,” says Deanna Gould, executive director of Light House Studio. “They understand the importance of learning from the process. As long as you establish a safe environment for young people to express themselves, they readily share ideas and are not afraid to take creative risks.”

As the only dedicated youth film center in Virginia, Light House Studio teaches approximately 150 workshops to 1,200 students from 70 schools every year. Many student films are accepted to national festivals and even win awards, including a Peabody, a Gold World Medal at the New York Festivals World’s Best TV & Films and a CINE Golden Eagle.

Gould explains that while older students recognize the potential for building their college and professional résumé through Light House, that isn’t the only goal.

“Our objectives [include] encouraging self-expression [and] giving disadvantaged youth an opportunity to express their diverse perspectives,” she says. “By giving young people a voice, we are empowering them to become leaders and influence change.”

Four County Players

“When you have high expectations, kids and teens will excel and often outperform adults,” says Four County Players board of directors member Tres Wells. “Children and teens seem more willing to try and put themselves out there.”

Four County Players offers two summer camps, one that focuses on production of a single youth-focused show, and another that offers multiple classes on topics like singing, dancing and improvisation, as well as a Friday showcase of student work. During the school year, young people participate in regular-season programming. A youth director program has produced two full-scale productions run by teens. And even the board of directors includes a youth director position “to represent the youth voice.”

According to Wells, teens and kids have a natural love of the theater because, he explains, they bond more quickly than adults.

“You just can’t explain the feeling of opening night after months of hard work and rehearsal,” he says. “The sense of pride and accomplishment with the thunderous applause of the opening night crowd is like nothing else.”

Music Resource Center

At the Music Resource Center, students in grades six to 12 stay motivated by a points system that rewards members for accomplishments like taking a lesson or recording an album.

According to Membership Coordinator Ike Anderson, the MRC gives tweens and teens access to musical instruments, studio equipment, artist support and lessons on topics like digital music composition, audio engineering, radio, songwriting and dance, regardless of their musical experience.

“Everything done here can start at a beginner’s level,” says Anderson. “We’ve had a bunch of students graduate and join performing arts colleges.” Others go on to become recording artists, radio DJs, directors, instructors and choreographers.

“Students aren’t just getting guitar lessons and a bag of chips,” Anderson says. “It is the vision of Music Resource Center to create a vibrant community through vibrant teens. When you walk through our facility, you can feel that excitement and electricity.”

Live Arts

“We create a lot of performances that involve young performers and crew members,” says Mike Long, director of education at Live Arts. “When they are given the chance and the training, they are every bit as capable of making great theater as adults.”

In addition to casting school-age actors, Live Arts offers a mentor/apprentice program as well as a chance for teens to write, devise and perform their own original plays every fall. In the summer, students ages 4 to 20 participate in theater camps and productions, including Broadway musicals and Shakespeare plays.

He sees kids and teens who are drawn to theater as a way to make friends become part of a theater community. “Many young people have been doing shows and camps at Live Arts for years, and when they get older it is common for previous campers to become Live Arts theater camp counselors and adult volunteers.”

The Paramount Theater

Thanks to youth education programming at the Paramount, more than 158,000 students and teachers have taken field trips downtown to experience live theatrical and musical work as audience members since 2004.

While the Paramount provides study guides, Standards of Learning connections and lectures, Education and Outreach Manager Cathy von Storch says feedback from local teachers reveals an impact beyond academics to include social and cultural enrichment.

“It’s the overall experience of getting outside their comfort zone, learning manners and theater etiquette, being in public in a historic space with kids from all districts,” she says.

“You bring an entire grade level together, from students whose parents bring them to shows all the time to those who only watch TV together as a family,” von Storch says. “But on that day, during that one hour at the Paramount, everyone shares the experience.”

For students who want to have informed conversations, she says, “it levels the playing field.” Much like the arts themselves.

Choose your role

Four County Players
fourcp.org/education

Light House Studio
lighthousestudio.org; lighthouse studio.org/summer-film-academy- 2018

Live Arts
livearts.org; summeratlivearts.org

Music Resource Center
musicresourcecenter.org or drop by the studio for a tour

The Paramount

theparamount.net/education

Categories
Arts

VFF films with Virginia ties

VFF films with Virginia ties

The Ruination of Lovell Coleman

Director Ross McDermott met Lovell Coleman in Charlottesville 10 years ago when he saw the then octogenarian putting a new roof on his house by himself. Coleman, now on the cusp of 94, has been playing the fiddle since at least age 14, when he joined a popular band called The Virginia Vagabonds in 1937. McDermott says, “He comes from a self-made generation where even owning an instrument was a privilege.” The documentary’s title comes from something Coleman’s father said when his son would stay out all night playing with the band: “That fiddle’s going to be the ruination of Lovell.” Lovell responds in the film, “I’m so glad I was able to be ruined.”

Another musical component in the film, McDermott says, is that for the last 15 years Coleman has been playing his fiddle at nursing homes, often for people younger than himself. “He’s just so youthful, so a lot of what the film touches on is the importance of healthy aging,” McDermott says. “But also the impact that music can have, especially for senior citizens and those with dementia.” McDermott, who worked for the Charlottesville Mural Project for six years before becoming a filmmaker, says, “This guy is so unique. Besides the life he’s lived, he’s just a good human. I try to make things that are of a positive nature, showing the good of humans. …I think we need to be reminded of people who have lived simple lives but also good lives.”—Raennah Lorne

The Twinning Reaction. Courtesy Virginia Film Festival

The Twinning Reaction

Local filmmaker Lori Shinseki has spent the last six years making a film about the aftereffects of a psychological study that purposefully separated multiple sets of twins in the 1960s and tracked their development as they were adopted, then reared in separate homes.

The secret study took place in New York and it’s difficult to know, Shinseki says, whether all of the twins were orphaned or their mothers were young and unwed, and perhaps manipulated into giving up their children. One reason there are so many questions is that the files are locked at Columbia University until 2021 and at Yale University until 2066. The lead researchers were psychiatrists Viola Bernard, then director of Columbia University’s Division of Community and Social Psychiatry, and Peter Neubauer, a child psychiatrist. The adoptive parents were never told they were adopting a separated twin, believing they were participating in an adoption study, not a twin study. The documentary tells “the story through [the twins’] eyes,” says Shinseki. “Because they were never given a voice. This film is an opportunity for them to speak and be heard in a way that they never were before.” ABC’s “20/20” intends to air a segment on the film by the end of this year.—Raennah Lorne

Afrikana Film Festival Showcase. Courtesy Virginia Film Festival

Afrikana Film Festival Showcase

Enjoli Moon, founder and director of Richmond’s Afrikana Independent Film Festival, says she founded the event to “create a platform that shows cinematic works of people of color with a special focus on the global black experience.”

This AIFF will showcase five short films from their second annual festival in September. The Tale of Four, directed by Gabourey Sidibe of Precious fame, tells the story of four women in one day, inspired by Nina Simone’s “Four Women.” #donttouchmyhairRVA, directed by Chaz Barracks, explores “what it means to establish your autonomy as a black person who identifies as a woman in this world,” Curiosity, directed by Brittney Sankofa, is an experimental film about a woman and her journey with love. The Colored Hospital, directed by Terrance Daye, “gives us a look into the spectrum of emotions of black male experience,” Moon says. And Quiet Girl, directed by Evita Castine, is an experimental “peek into the mind” of one black woman. “Each of [the films] tells their own distinct story,” Moon says, “but there is a connective tissue that makes them relevant to each other and relevant to the people who watch it, whether they’re people of color or otherwise.”—Raennah Lorne

Charlottesville: Our Streets

In the aftermath of the weekend of August 12 in Charlottesville, dozens of filmmakers, photographers and journalists collaborated on Charlottesville: Our Streets. “Our mission was to stay objective,” says director Brian Wimer. “As documentarians we listened…what we heard became the narrative—one which was in many ways unexpected. Someone with the clergy told us about singing in the street and seeing one of the militia members mouth the words, ‘thank you.’ When we interviewed the militia, one of its members told us the exact same story, unsolicited. That kind of personalized corroboration of the nuances and paradoxes revealed many of the unspoken truths of the day.”

The filmmakers interviewed people on the streets of Charlottesville during the Unite the Right rally. “Not everyone agrees in the film,” says Wimer. “Nor will everyone in the audience. But I hope people can watch the film with an open mind and use it to spur dialogue across the aisle on multiple issues…”—Raennah Lorne

Light House Studio provides youth filmmaking workshops year-round, and during the film festival, the nonprofit is screening a program of students’ shorts. Courtesy Virginia Film Festival

Light House Studio

Light House Studio provides youth filmmaking workshops year-round, and during the film festival, the nonprofit is screening a program of students’ shorts.

The documentary Hijab, was made by Charlottesville High School students during an after-school program, Keep It Reel. Deanna Gould, executive director of LHS, describes it as “powerful.”

Gould says that most of the works were written, cast, produced and filmed during a one-to-two-week period. The participants have some assistance from mentors who are knowledgeable in filmmaking, but largely they work independently.

Another film by students, Black Girlhood: Access & Assets, screens on Friday at Newcomb Hall. This film was selected to showcase before the evening’s feature film, Tell Them We Are Rising.

Two films from the Adrenaline Project, a 72-hour film festival in Charlottesville that took place prior to VFF, will screen on Sunday. A musical called Out of Stock, which picked up an Audience Award, and Surf & Turf, a romantic comedy that picked up a Juror’s Award.—Anita Overcash

Categories
Living

LIVING Picks: Week of November 8-14

NONPROFIT
Veterans Day ceremony
Friday, November 10

The UVA Army ROTC cadets, the Buford Middle School band and Retired Colonel James O’Kelley will participate in a ceremony to salute our veterans, followed by a living timeline of veterans. Active duty military and veterans get in free; $8-$14 admission includes historic house tour, 1pm. James Monroe’s Highland, 2050 James Monroe Pkwy. highland.org

HEALTH & WELLNESS
A path of awakening workshop
Saturday, November 11

Janine Russell, a holistic medicine practitioner, leads a six-hour workshop to help you heal from past wounds and create a path for the life you want. $95, 10am-4:30pm. Polarity Barn, 6428 Dick Woods Rd. violetpath.us/workshops

FAMILY
Light House Studio shorts
Thursday, November 9

This compilation of Light House Studio students’ work includes narrative, animation and documentary films. A discussion with the young filmmakers follows. Arrive 15 to 30 minutes early to find a seat. Free, 5:30pm. Violet Crown Cinema, 200 W. Main St., Downtown Mall. virginiafilmfestival.org

FOOD & DRINK
Annual truffle dinner
Saturday, November 11

After enjoying Brut and canapés in the Octagon Cellar, move into the Piedmont Arcades for a four-course truffle dinner and wine pairing. The dinner is prepared in conjunction with Dr. Jeff Long and his truffle dog, Este. $170, 7pm. Barboursville Vineyards, 17655 Winery Rd., Barboursville. RSVP required. (540) 832-7848.