Categories
Coronavirus News

In brief: Students test positive, Dem Convention hits downtown, and more

Biden busted

The Democratic Convention won plaudits for its creative all-virtual roll call vote last week, as viewers were taken on a hokey, state-by-state tour of the country. Charlottesville local and Gold Star father Khizr Khan, who made a name for himself by delivering an impassioned speech at the 2016 convention, represented Virginia in the roll call.

Khan delivered his brief remarks in front of the free speech wall downtown. But sharp-eyed Twitter user @fern_cliff noticed that the colorful “Joe Biden” and “Vote 2020” written on the wall behind Khan had been chalked on top of preexisting Black Lives Matter protest art.

In one corner of the wall, the words “systemic racism” poke out from between the “Joe” and the “Biden.”

On the campaign trail, Biden has repeatedly mentioned that the 2017 Unite the Right rally in Charlottesville—and Donald Trump’s ensuing “very fine people on both sides” comments—inspired his presidential run. The first words of Biden’s official campaign announcement in April 2019 were “Charlottesville, Virginia.” The former veep has not visited Charlottesville, however, even before travel was restricted by coronavirus. This latest chalk-job can’t help Biden’s standing among local activists who already feel as though they’ve been used as a campaign prop.

__________________

Quote of the week

The board put me on leave, took away my duties as prez, and that’s not permitted by my contract. And they put me on leave because of pressure from self-righteous people.

Jerry Falwell Jr. on his resignation from Liberty University, shortly after reports emerged that he and his wife had a yearslong sexual relationship with a former pool attendant

__________________

In brief

Passing the test

Students returning to UVA for the fall semester were required to submit a COVID test before arriving in Charlottesville. The school has now received 13,000 tests—three-quarters of the kits they sent out—and just 36 students, or .3 percent of those tested, have come back positive, reports NBC29. In-person classes begin September 8.

Shut it down

A group of UVA employees have formed a union—United Campus Workers of Virginia—demanding that the university move fall classes entirely online, cancel move-in for most undergrads, and provide hazard pay for employees during the pandemic. A press release from the union says the group formed as “a direct result of growing dissatisfaction” with the school’s disregard for student and employee input in pandemic response planning.

Heads off

Not long after being splattered with an arc of red paint, UVA’s George Rogers Clark monument was once again recontextualized last week, as a nighttime visitor attempted to remove the general’s head with a saw, per photos shared by Twitter user @tormaid. The visitor left a good gash in the general’s neck, but wasn’t quite able to finish the job. Maintenance crews have been spotted trying to repair the damage, but the university has not released a statement.

Former VA guv Terry McAuliffe filed paperwork to run again. PC: John Robinson

Governor guesses

Terry McAuliffe’s long, coy flirtation with a governor’s run got a little more serious last week. After raising money through his old PAC for months, the former governor filed official paperwork to run as a Democratic candidate. He still claims he will not make an official decision until after the presidential election.

Categories
Coronavirus News

At what cost?: Bewildering financial aid changes have left UVA students in the lurch

By Sydney Halleman

The University of Virginia is sticking with its plan to allow students back on Grounds September 8, two weeks later than its initial August 25 start day—though many students are facing a virtual fall semester with significantly less financial aid than in previous years.

Sean Dudley, a rising fourth-year, decided to continue college at his parents’  house in Midlothian due to the concerns about the coronavirus pandemic. When Dudley checked his financial aid status on August 15, he found that he had an outstanding balance of around $2,900 that was due less than a month later.

Abby Keats noticed that her aid had been reduced by roughly $4,000, leaving her with an outstanding balance of $817. Her previous financial package had remained unchanged since June, and the most recent change had come without warning.

“My main issue with this is that it was done last minute with no prior knowledge of it happening,” Keats says.

On August 17, some students were greeted with an email from Student Financial Services indicating that their aid package had been modified. Carolyn, a fourth-year, logged on right away and found her financial aid package empty. She called SFS and was put on hold. She was the 54th person in line, and waited for over three hours to speak to a representative. C-VILLE Weekly spoke with 11 students who reported their financial aid packages had been significantly reduced without notice.

The reductions likely stem from an August 5 survey that asked current students about their plans to return to Grounds. The email, sent by Dean of Students Allen Groves, did not indicate that the survey might result in changes to financial aid.

Students choosing not to return to Charlottesville or student dorms were given the option to select between “living at home with financial costs,” and living at home “without cost.” Many students, including Dudley, chose the “without cost” option, because he wasn’t paying rent. But Dudley acknowledges that, even if he didn’t have to pay rent, his family would accrue additional charges, like increased utility bills.

Colleges and universities are required by federal guidelines to factor in housing costs when calculating financial aid allowances. “The cost of attendance for students may change, as required by federal regulations, since they may no longer have housing or travel costs and will have a reduced student fee,” says UVA spokesman Brian Coy. “This reduced cost of attendance will be why some students see a reduced financial aid award.”

Even so, some students were specifically told that they would not have a reduction in financial aid, regardless of their housing situation. Another UVA student, who did not want to disclose their name, sent a message to SFS asking for confirmation that they wouldn’t be charged for on-Grounds housing if they decided to live at home due to COVID-19.

“Financial aid does not change whether you live in UVA housing or not,” the email response from SFS states. “We utilize the estimated amounts in the cost of attendance when calculating financial aid.”

Two months later, the student’s financial aid was reduced by $8,000, then amended to a reduction of $4,000, after they chose to stay at home.

“The entire process has been horrible,” the student says. “I had to wait for about two hours on the phone in order to finally be able to talk to someone. SFS, on the whole, has been very quiet about every-thing and have made few public announcements so I learned much from my friends and other people on Reddit.”

Just the week before, some students had experienced unrelated errors in their financial aid packages, which were then corrected over the weekend of August 15-16. At press time, other students still have not received their financial aid package for the fall semester.

Coy recommends that those affected by the confusion modify their response to the August 5 survey to “living at home with cost,” or email sis-cc@virginia.edu to change their housing status.

Some students, like Dudley, received more financial aid after battling with SFS. “I still wanted to say that it was ridiculous that UVA made me jump through all these hoops and lied to me about certain things,” he says.

Categories
Arts

Returning to class: I Used To Go Here is full of smarts and self-reflection

Kris Rey’s I Used To Go Here examines the many trials and tribulations familiar to any creative person who goes professional, but the film itself is about more than artistic drive or finding inspiration. Our lead character, Kate Conklin (Gillian Jacobs), has pursued a very specific template of success all her life. When she finally achieves it, it brings her neither happiness nor reward. An opportunity to relive past adventures is fun but empty, revealing truths that should have been self-evident much earlier. Her journey is at times embarrassing, but never shaming. She must learn to live with the consequences of her actions, but is not defined only by her mistakes. Recognition of these patterns does not free her from their influence, and though her fate is even more uncertain than before, she no longer requires the validation she previously sought. If you’ve ever realized that something that brought you comfort was holding you back, you will certainly identify with I Used To Go Here.

Kate was once the star of her university’s English department. She created a legacy by establishing an off-campus residence as a writers’ retreat, a character it retained well after she left, even containing some of her original interior decoration. Under the tutelage of professor David Kirkpatrick (Jemaine Clement), she was destined for great things as a creative writer in the real world. Fifteen years later, her first published novel is a commercial and critical flop, and her promotional book tour is canceled. Her friends are all pregnant, while her wedding has just been called off. When David invites her to read at her alma mater and offers a teaching job, Kate has her chance to revisit the place that shaped her, while examining if that shape is worth passing along to others.

With no job, no relationship, and a canceled book tour, Kate’s calendar is wide open, and she becomes involved in the lives of David’s current students and the occupants of her old residence. She parties with Animal (Forrest Goodluck) and Tall Brandon (Brandon Daley), flirts with Hugo (Josh Wiggins), and sits in on David’s classes. (That she has lost the key to her bed and breakfast makes it simpler to spend all her time with them.) It would be easy to make Kate a fish out of water as she reaches mutual respect with initially dismissive hipsters, but Rey is not interested in obvious gimmicks or staid twists. Some aspects of the story are familiar, but the film dissects the ways we live as a projection of who we think we’re supposed to be.

Rey and those she collaborated with early in her career have evolved beyond the mumblecore label, but they all share the same seed of unflinching emotional honesty in their work as they grow older, even in a film like I Used To Go Here. It’s a lighthearted comedy-drama, but contains a great deal of wisdom and insight from someone with a decade and a half of terrific work. Even the most successful artist will want to evolve, and many of the obstacles blocking that evolution are self-imposed. In one scene, Kate is swimming with her new friends, at ease in what was once her element. In the next, a meeting with a student named April (Hannah Marks) turns adversarial. Kate’s tone with the up-and-comer, like she once was, comes from a position of authority, not advice. Whether out of personal resentment or creative jealousy, Kate is unable to support April, and it is the first indication that her mentor David’s influence might have been an impediment. Every artistic person knows this feeling, when another person’s opinion finds its way into your creation, and it is devastating to view from the outside.

What’s most memorable about I Used To Go Here is the way it packs these themes into such a short and sweet story, and that even the most absurd shenanigans are always motivated either thematically or narratively. Kate’s new friends are a bit naive but they’re not stupid; they’re sexually charged, but they’re not maniacs. The only cartoon characters are Jorma Taccone and Kate Micucci as a wildly inappropriate couple attempting to make small talk, a glimpse of what might have happened to Kate if she’d never left her college town. Even when the gang plans an improbable heist, it feels natural.

The biggest surprise might be seeing Lonely Island in the credits for what isn’t an anarchic, raucous laughfest, though the Lonely Island Classics production credit is a stroke of genius. While most of the film world’s focus is on what might happen with the big studio tent poles and theater chains, lockdown is a great opportunity to level the cinematic playing field. Kris Rey’s I Used To Go Here is a reminder that films can be deeply personal without being autobiographical; funny without setting a joke-per-page quota; and ambitious with a tiny budget.

I Used to Go Here / R, 86 minutes

Streaming (Amazon Prime)

Categories
Arts Culture

Sound Choices: Honoring family and following jazz

Angela Garcia

Cha Cha Palace
(Spacebomb Records)

Angelica Garcia has that “it” factor. Listen across a series of loops, echoes, and howls, and her performances stop you dead in your tracks. They make you feel something. There are times when a solid live performance doesn’t translate in the studio, but that’s not the case on Cha Cha Palace. The album presents a sharp but welcome turn from her 2016 debut, Medicine for Birds.

Garcia grew up in a musical family in east L.A., and relocated to Richmond, Virginia, when she was 17, where she soon missed the cultural touchstones of her daily life. Although Garcia found kinship within RVA’s arts community, she grappled with the feeling of being an outsider. Much of Cha Cha Palace channels this dichotomy—and while the album is a tribute to L.A., it came to fruition with the help of her Virginia cohort.

Standout track “Jicama” is an exploration of duality (it made Barack Obama’s list of favorite songs of 2019). “I see you but you don’t see me,” Garcia sings of her identity as a self-proclaimed “Salva-Mex-American.” Elsewhere, songs like “Guadalupe,” “La Llorona,” and “Agua De Rosa,” are a direct nod to her heritage. Across a vast sonic platform Cha Cha Palace both celebrates Garcia’s Latinx roots and highlights the complexities of biculturalism, and it is a triumph (released 2/28).

John Kelly

In Between (Possible Sky)

It’s been upwards of 20 years since John Kelly’s last full-length release—so he’s making this one count. Before moving to Charlottesville, Kelly spent time in singer-songwriter circles in New York City and his home state of Connecticut, and teamed up with Grammy nominated producer Rob Mathes (Sting, Bruce Springsteen) for his debut album, Brighter Days.

Over the past two decades, he’s honed his skills in central Virginia, making a lot of friends along the way. When it came time to make In Between, these friends showed up. The two-year effort is recorded and mixed by James McLaughlin, produced by Rusty Speidel, and includes Michael Clem (Eddie From Ohio) on bass, Nate Leath (Love Canon) on fiddle, Paul Rosner (Trees on Fire) on drums, and Michael Lille (The Sherpas) on guitar and banjo.

The result is a well-rounded mix of Americana, folk, and straight-ahead rock ‘n’ roll with something to say. “Freedom’s Song” recounts the Charlottesville tragedy on August 12, 2017, when the violent Unite the Right rally resulted in many injuries and the death of Heather Heyer. (Heyer’s mom, Susan Bro, greenlit the track.) “Bronze and Stone” can be heard as a companion piece, centering on Charlottesville’s Robert E. Lee statue. “Let the Children Sing” is a dedication to the students of Marjory Stoneman Douglas High School in Parkland, Florida, whose activism in the wake of a school shooting in 2018 was an inspiration.

Kelly’s wife and children contribute backing vocals to “Let the Children Sing,” and their presence is felt throughout. The album’s namesake, “Beginning, End and In Between,” is an ode to his wife, Angela, while “Good One There” honors his father, who passed away in 2013. In Between is a celebration of friendship, family, and social justice, that focuses on what we can accomplish when we work together, instead of in opposition (released 6/26).

Choose Your Own Adventure

Roos In Space
(self-released)

Multi-instrumentalist Gina Sobel’s musical lineage is rooted in jazz. Inspired by her father, a guitarist in a jazz trio, the first instrument she picked up was the flute—and she’s dabbled in experimentation ever since. Sobel harnessed these instincts to form Choose Your Own Adventure. Consisting of Sobel (vocals, flute, electric guitar), Andrew Hollifield (bass), Pat Hayes (drums), and Ryan Lee (electric guitar), the jazz-funk collective utilizes improvisation and a create-as-you-go mentality. After forming in 2014, the group released two EPs in 2018, and are back with another: Roos In Space. Lead track “Hooloo” is an instrumental pick-me-up, while the single “Matches” provides a much-needed spark for today’s landscape (release date 8/14).
—Desiré Moses

Categories
Culture Living

Turning the tables: Supper at the Superette, Bashir’s Taverna closing

When Brasserie Saison reopened for dinner service in late July, it did so with a new general manager: Stephen Kelly, who came to Charlottesville from the highly acclaimed New York City restaurant Eleven Madison Park (see the August 12 C-VILLE issue for more on Kelly).

Along with the reopening news, Champion Hospitality Group and partner Reid Dougherty, the original bar director at Brasserie, announced that takeaway market Superette Saison is set to open next door in the former Verdigris retail space. CHG principal and Brasserie owner Hunter Smith says, “The time is perfect for the Superette, which will allow customers to get a nice bottle of wine and a sandwich to go, while takeout is the order of the day, and beyond.”

Survival mode

Since mid-March, local restaurants have felt the staggering effects of the COVID-19 pandemic, and the fallout continues to reverberate throughout our community.

The latest casualty is Mediterranean favorite Bashir’s Taverna, which will close its Downtown Mall doors in September, after being in operation since 1996.

In July, the owner’s of Littlejohn’s Delicatessen on the UVA Corner launched a GoFundMe, noting that the sandwich shop may not return without raising the necessary funds to keep weathering the storm.

Now, more than ever, it’s important to support local restaurants: dine outside, order takeout, or buy a gift card. It may be the thing that keeps them going.

In the spirits

Earlier this month, Lovingston-based Virginia Distillery Company released its fourth annual Charity Cask Virginia-Highland Whisky, with this year’s batch benefiting the Nelson County Community Fund, Inc. The coffee-finished whisky is a collab with cold brew coffee company Snowing in Space, and  fewer than 300 bottles were produced. The distillery is still closed to visitors, but the Charity Cask is available exclusively to Virginia residents for shipping or curbside pickup. For more details, go to vadistillery.com.

Greenberry’s Coffee Roastery is also getting into the hard-coffee-drink market. The local chain recently launched a new line of products, Nitro Cold Brew with Spirits. Six different canned varieties are available with flavor notes like honey vanilla, salted caramel, and coconut chocolate. Find ’em at Whole Foods or email roasters@greenberrys.com to place an order for pick up.

Pair up with Chef Antwon

While you’re socially distancing at home, why not learn a new skill? Local chef Antwon Brinson is offering a variety of cooking classes to suit your taste buds. Options range from group and private classes to a cooking and wine pairing with a guest sommelier. Recipes, grocery lists, and instructions are all part of the package. For more details and the current menu, visit culinaryconceptsab.com.

Categories
Arts Culture

PICK: Shakespeare Under the Stars

Identity issues: William Shakespeare’s Twelfth Night is beloved for its dizzily complicated plot, lively characters, witty banter, and riotous humor. And American Shakespeare Center takes advantage of the lovely evening weather in it’s Under the Stars series to offer a new, outdoor iteration of this classic tale of romance and mistaken identity. Paced like a rocket, with no intermission, this summer sizzler delights as you socially distance on the lawn.

Through 9/26. $40, 7pm. The Blackburn Inn, 301 Greenville Ave., Staunton. (Indoor and virtual venues available on different dates.) (540) 712-0601.

Categories
Arts Culture

PICK: Liza Nash Taylor reading

Family business: In her debut novel, Etiquette for Runaways, local resident Liza Nash Taylor sets the action in her own backyard. Inspired by true events, Taylor’s Jazz-Age story follows the fate of May Marshall who, after being expelled from Mary Baldwin College, settles at her father’s Keswick farm and stumbles upon a moonshine enterprise. Taylor will discuss her work virtually with Stephanie Barron, who also writes as Francine Mathews.

Thursday 8/20. 6:30pm. Zoom required. ndbookshop.com.

Categories
Coronavirus News

Desperate: Drug overdoses increase locally since onset of the pandemic

By Claudia Gohn

From April 1 to July 31 of this year, emergency teams responded to 27 opioid overdoses in Charlottesville—a 200 percent increase in cases compared to the same time frame in 2019, reports the Charlottesville Fire Department. Health professionals believe the stress of the pandemic is one factor responsible for the increase.

Other areas in the state are struggling with similar problems. Arlington County police issued a warning last week after five people died from drug overdoses in August. In Roanoke, police responded to twice as many fatal drug overdose calls this spring as they did in all of 2019, reports The Washington Post. And NPR reports that nationwide, overdoses are up 18 percent since the pandemic began.

The local increase in opioid overdose calls comes despite an overall decrease in the amount of emergency calls this year, says Lucas Lyons, the Charlottesville Fire Department’s systems performance analyst. Total emergency calls in the city were down 23 percent in the period from April to July 2020, compared to the same months in 2019.

“In general, 9-1-1 calls are down because of people’s fear of the pandemic and not entering the medical system,” says the Community Mental Health and Wellness Coalition’s Rebecca Kendall. “But there is an increase in Charlottesville in calls for overdose despite that.”

Virginia Leavell, chief of the Charlottesville-Albemarle Rescue Squad’s board of directors and director of Addiction Allies, a treatment center for people with opioid use disorder, attributes this increase to the isolation and decreased access to in-person recovery services many have experienced during the pandemic. “I think when we are looking at why there is some increase, it’s somewhat predictable, right?” Leavell says. “We’ve taken away the support structure and we’ve added a whole lot of stress.”

Leslie Fitzgerald, care coordinator for Region Ten’s office-based opioid treatment program, echoes Leavell. “The isolation, the increased depression and anxiety has led to increased use,” she says.

As a result, treatment and recovery services for people with substance use disorder remain vital. In March, C-VILLE covered how recovery groups, such as Alcoholics Anonymous and Narcotics Anonymous, have transitioned online during the pandemic. Similarly, some treatment and recovery services for those with opioid use disorder have shifted online.

“It’s not the same level of support that you would have if somebody was coming into the office, honestly,” Leavell says of the virtual options. “And it makes things like urine drug screening more difficult, as well.”

But Leavell also says that telehealth services have made it possible to see new patients. This spring, enrollment in Addiction Allies’ intensive outpatient program has tripled. “Which I think speaks to both the increased stress and the increased use [of substances] during this time, but also the importance of the telehealth service delivery in order to reach people who are having transportation issues [and] childcare issues,” she says. “Everything is easier if you can access treatment from your home.”

The OBOT program has retained almost all the individuals under its care during the pandemic, says Fitzgerald. A central component of the program is medication-assisted treatment, where drugs such as methadone, buprenorphine, and naltrexone may be used to reduce dependency.

This medication-assisted treatment can be done via telehealth, Fitzgerald says, and prescriptions are sent to the patient’s pharmacy of choice or delivered by Region Ten if necessary.

Leavell says that medication-assisted treatment through telehealth, though not ideal, is safe. “When we’re talking about opioid use disorder, it is a very, very uncomfortable withdrawal,” she says. “However, it is unlikely to be lethal and the transition from using opioids to moving into medication-assisted treatment, such as the use of buprenorphine is typically fairly smooth.”

Other services combating the opioid crisis have also been impacted by the pandemic, and Region Ten offers free opioid reversal training classes, which have been moved online, and participants now receive Narcan through the mail.

Leavell emphasizes that, given the emotional and financial strain of the pandemic, it’s especially important to be aware of the causes of opioid addiction. “There’s a misconception that addiction couldn’t happen to someone like me or my family. And the reality is that it can absolutely affect anyone. It is just a matter of being prescribed an opioid and becoming physically dependent,” she says. “And if we’ve been fortunate enough not to experience that, I think we have responsibility to help those who have through no fault of their own, through making those resources accessible and being willing to talk about it.”

 

Correction, 8/19/20: Virginia Leavell is the chief of CARS, not the president, and buprenorphine, not Narcan, is used for medication-assisted treatment.

Categories
News

Bridging the gaps: New Burley principal has big plans

Kasaundra Blount felt stagnant. She had worked at Armstrong High School in her hometown of Richmond—first as a social studies teacher, then an assistant principal—for several years, and was ready for a new challenge.

So she accepted an assistant principal position at Albemarle High School. “There was a lot of conversation going on around makerspaces and project-based learning, and that really piqued my interest,” she says, as well as “up-and-coming work in cultural responsiveness.” Soon she became the school’s equity and diversity administrator. And now, five years later, she’s landed her biggest gig yet: Burley Middle School’s principal.

Despite the uncertainty of the upcoming school year, Blount has big aspirations for Burley, with a strong focus on culturally responsive teaching, which puts students’ cultural backgrounds and experiences at the center of every aspect of learning. Burley, with around 50 percent non-white students, is among the most diverse schools in the county.

“I want to make sure we are keeping our data in front of us at all times,” says Blount, who is a member of the division’s anti-racism steering committee. “We can easily get assessment data from students based on [their] performance, but there’s so many other data points that I want us to begin collecting and using, in order to inform where our gaps are in achievement and relationships—that’s going to provide that level of connectivity to allow cultural responsiveness to bridge those gaps.”

Blount also wants to give students more opportunities to delve into their interests and passions by creating after-school (or Saturday) exploratory academies in partnership with community organizations.

“I want [the academies] set up by interest, so students can jump in and start exploring what’s down the road,” she says. “While some of them may already know that they want to be pediatricians or teachers, they may not know that their love for social studies could lead them to archaeology. …By the time they get to high school, they’ll already have a path that they’re interested in.”

Blount, a graduate of Hampton University, entered the education field 21 years ago and has worked as a teacher and administrator in multiple schools around Virginia and North Carolina.

“All three schools where I served as an assistant principal were very different,” says Blount, who also holds a master’s degree in teaching secondary education from Hampton, a certification in administration and supervision from Virginia Commonwealth University, and is currently pursuing a doctorate in educational management at Hampton. “That in itself really, really [helped] cultivate my leadership [skills], and prepare me for this position now.”

As a Black woman, Blount says she feels honored to be principal at Burley, which was an all-Black high school for city and county students from 1951 to 1967.

“The legacy and the history behind Burley Middle School has enthralled me for so long,” she says. “Because of the efforts of those students who attended Burley High School, and other schools that were set up like that similarly throughout the South… I have [the opportunity] to be able to sit at the helm of Burley right now. That is tremendously humbling.”

“It’s such a revered legacy that I want to make sure it continues to be deeply cemented throughout this community,” she says, pointing to Burley varsity club and alumni as important community networks. “I am supportive of everything they want to do to ensure that the legacy of Burley is one that will live on—way beyond my years.”

Categories
News

Reopening rage: Orange County’s plan for in-person class draws fear, anger, resignations from teachers

“Morale is at the lowest level it’s ever been,” says one Orange County public school teacher. “You walk down the hallway and everybody is banging their heads against the wall because we’re just so frustrated.” 

“The most appalling part of this,” says another teacher, “is that there’s so many things that they haven’t thought about.”

In rural Orange County, about an hour northeast of Charlottesville, students are slated to return to classrooms in person in late August. High schoolers will be allowed to return once a week, based on their last names, while pre-K through eighth grade will go in twice a week.

The plan for in-person learning has infuriated Orange County teachers, who are afraid for the health of their students, their families, and themselves. C-VILLE Weekly spoke with three teachers in the Orange County public school system, and all requested anonymity out of concern that their employment status might be affected by speaking up. 

In mid-July, more than 70 teachers and staff in the district signed an open letter to the school board, asking that the year begin entirely virtually. 

“I haven’t even heard it be mentioned,” one teacher says of the letter. “I don’t think that was even taken seriously.”

Multiple members of the Orange County schools’ pandemic response team, including the district’s human resources director, did not respond to a request to be interviewed for this story. 

Teachers point out major holes in the district’s health plan, which was approved by the school board in early August.

Students are required to wear masks in the hallways, but teachers are not allowed to make them wear masks in classrooms, as long as the students are sitting at their desks.

“They’re still going to be in a classroom for an hour and a half with [other] students. How is that safe? It’s a closed environment,” one teacher says. “We have all these other restrictions of things they can’t wear. No hoodies and things like that. But we can’t tell them that they have to keep the mask on.”

Orange County High School was built in 1952. “The ventilation—I don’t even know the last time it’s been checked,” the teacher continues. “The ventilation in my classroom has always been poor. As soon as I walk in, I’m congested.”

“It’s just the most absurd thing we’ve ever heard,” says another teacher.

The hallways are full of hand sanitizer dispensers that have been empty for the last two weeks, one teacher reports.

Additionally, teachers are being asked to take each student’s temperature in first period every day with a contactless thermometer. “It’s putting us more at risk, because we’re going to be face to face with them,” a teacher says.

Because each school only has one nurse, the district has attempted to limit the number of students who go to the nurse’s office. The recently approved health plan says, “First aid situations, to the degree possible, will be handled in the classroom by the student with teacher guidance to prevent office congregation and possible cross exposure.” And then, underlined, “Students should be triaged before they are sent to the clinic.”

“We’re not health care providers,” says one teacher. 

While students have an option to attend class completely virtually, teachers are being told they must come in. Teachers who have tried to obtain a waiver excusing them from in-person class based on pre-existing health conditions have been rebuffed.

Multiple teachers mentioned that they have a colleague currently fighting cancer who has not been granted a waiver to work virtually.

“I know one teacher who had health issues. He resigned,” says another teacher. “He was concerned about coming in, and essentially he was told he could resign.”

Multiple teachers emphasized that the school board is driving the push to return. “I think the administration themselves, the principals, have put in an effort to make this thing work,” one teacher says. “My issue comes from all the way at the top.”

“The superintendent is pandering to a lot of people in the community,” says another teacher, in an effort to explain the district’s insistence on in-person learning. “It’s a really rural community, and a lot of people here are of the thought that it’s not a real pandemic, that it’s a hoax.”

While Charlottesville has elected to begin the year completely virtually, more rural areas like Greene and Orange counties plan to bring students back in a hybrid format beginning in late August or early September. Louisa County students are already back in school.

“In the community as a whole, there was an underlying resentment when teachers were sent home to teach virtually,” says another teacher, citing social media posts made by neighbors and parents. “That we were getting paid to do nothing. Which was far from the truth—we’re doing more work, I think.”

“This time of year is usually really exciting,” the teacher continues. “This year, it’s not uncommon to hear a teacher say, I think I’m done. I’m going to quit. Which you normally would never hear at our school.”

“A lot of people are just like, ‘this is it.’ They can’t do it anymore, they want to quit. I’ve been looking for other jobs,” says a teacher with more than a decade of experience in the school system.