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Rooted wisdom

If Kat Maier were a plant, you could say she has released her seeds all around Charlottesville. She’s been here since 2005, teaching and practicing herbalism, so at this point she has many former students and clients in and around town. Her Belmont home, also the site of her apothecary, classroom, and garden, is a node where all these people—and many plants, from the weedy to the endangered—have gathered. The place itself, you might say, is a kind of tincture, or concentration, of our area.

On a visit in late spring, the garden is bursting with fragrant azaleas, plus the foliage of low-growing plants like goldenseal, trillium, and bloodroot. Maier is warm and welcoming, with intense blue eyes and a ready laugh. She sits in a shady backyard spot and explains that her new book, Energetic Herbalism, distills wisdom gleaned not only from her years of work in Charlottesville, but the two previous decades she spent in Rappahannock County. It’s a guide to several world traditions of herbalism and 25 of the most essential medicinal plants. She’ll give a book talk at New Dominion on May 13.

“I never went to herb school,” she says, summarizing a life history that she details more fully in the book’s introduction. “I really apprenticed to the plants. I taught myself by spending incredible amounts of time in Shenandoah National Park.”

She also trained as a physician’s assistant—a grounding in Western medicine that shows, for example, in her requirement that students bone up on anatomy, physiology, and the Latin names of the plants they use. But one senses that herbalism, for Maier, is really a matter of the spirit. “For me, the foundation is that relationship with the plant,” she says.

“I feel like she has been studying it and living it constantly for all these years,” says Katherine Herman, who completed the three-year herbalism course at Maier’s school, Sacred Plant Traditions, in 2013 and went on to found Gathered Threads, an herb farm in Nelson County. “It’s not just book knowledge. It’s just amazing the amount of wisdom that she has.”

A quick dip into Energetic Herbalism hints at the breadth of that wisdom; you might be looking for basic information on the uses of calendula, say, and find yourself reading about how the history of colonialism relates to our sense of disconnectedness from nature. Maier advocates for a lifelong practice of curiosity and humility toward plants. “Often when I lead a plant walk, people ask me whether this plant or that one is ‘good for anything,’” she writes. “Imagine if someone introduced me to you and, after greeting you, I wondered aloud whether you were good for anything, or how I could use you.”

Besides running Sacred Plant Traditions, Maier has also been deeply involved with United Plant Savers, a group that aims to protect native medicinal plants. A growing market for medicinals has threatened certain wild species, like black cohosh and ginseng. Maier’s city garden is, she says, a sanctuary for some of these plants and, she hopes, a model for others. “People are talking about how to rewild the urban areas,” she says. “We have to have many different people planting the plants. The time is now.”

She grows delicate natives—on this day, a colleague is transplanting wild yam along the side of the house—but that doesn’t mean shunning the plants that Europeans brought to North America and that usually get labeled as weeds. “Our major medicines are chickweed, dandelion, cleavers—all the plants on the Roundup label,” she says, adding that dandelion’s genus name, Taraxacum, means “remedy of all disorders.” “They were brought over as a primary food and medicine,” she says. In the age of climate change, she advocates for an inclusive view of the plants we find ourselves living with now, rather than a strict division between native and invasive.

At an earlier point in her career, she enthusiastically gathered medicinals from around the world, but she’s settled into a belief in bioregionalism—in her definition, “trying to have your food and medicine from the region where you live.” That’s why the book lists the characteristics and uses of just 25 plants. Choosing these, Maier says, was “one of the most agonizing parts of the book,” since she has knowledge of so many others. But working with a small number of plants, she says, is a mark of folk herbalists the world over. The book presents three different energetic systems—vitalism, ayurveda, and Chinese medicine—based on the idea of elements that make up the universe and the body. During her training, Herman says, this approach “gave us a well-rounded approach to the human body and how to look at herbs.”

Along with the publication of Energetic Herbalism, Maier has closed her clinical practice in order to travel and teach, as well as redesigning her clinical training. Her former students are carrying on her work in various ways—a local ecosystem of seeds she sowed, now blossoming.

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Arts Culture

Pick: Jennifer Niesslein

Don’t look back in anger: What does it mean to be nostalgic for the American past? To be sentimental for your own family history? Jennifer Niesslein tackles these questions and more with humor and charisma in her new collection of essays, Dreadful Sorry, from the perspective of a liberal white woman. She reflects on her hand-to-mouth childhood, her Polish immigrant ancestors, and her working-class upbringing, while tackling topics like class, whiteness, and her family’s own racism.

Saturday 3/5. Free, 7pm. New Dominion Bookshop, 404 E. Main St., Downtown Mall. ndbookshop.com

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Arts Culture

Pick: Immigrant: Courage Required


Longing for home: As a 21-year-old, Golara Haghtalab immigrated to the United States from Iran after her family was randomly selected to receive diversity visas. They settled in Charlottesville, and Haghtalab went on to receive a bachelor’s degree in chemistry and studio arts from the University of Virginia. Inspired by social justice movements and the need for all voices to be heard, Haghtalab shares her journey in the new memoir, Immigrant: Courage Required. The moving story of change and adaptation follows Haghtalab, now 30, as her day is broken up with vivid thoughts and flashbacks that examine immigration, identity, race, gender, and death.

Saturday 1/22. Free, 4pm. New Dominion Bookshop, 404 E. Main St., Downtown Mall. ndbookshop.com

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Arts Culture

Pick: Sticker


Stickered past: For author Henry Hoke, stickers do more than just stick—they have the power to recall a variety of emotions and memories. In his memoir, Sticker, Hoke uses several styles (including pink, glittery Lisa Frank, Mr. Yuk, and the bumper favorite “coexist”) to explore queer boyhood, parental disability, ancestral violence, and Charlottesville’s history with neo-facism. Hoke will be joined in conversation by Jocelyn Nicole Johnson, with live music from Diane Cluck.

EVENT CANCELLED. Friday 1/14. Free, 7pm. New Dominion Bookshop, 404 E. Main St., Downtown Mall. ndbookshop.com

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Arts Culture

Pick: Little Pharma

Healing words: Doctor and medical ethicist Laura Kolbe’s debut poetry collection Little Pharma is an intimate journey through the cold and impersonal side of medicine, but one that ultimately crescendos to a celebration of ongoing life, human connection, and the body. During a release party and audience Q&A, Kolbe will read from her book, in which the character Little Pharma maneuvers hospitals and clinics, life and death, and the journey from novice to healer.

Friday 11/5. Free, 7pm. New Dominion Bookshop, 404 E. Main St., Downtown Mall. ndbookshop.com

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Arts Culture

Pick: Poe for Your Problems

Poe knows: Darkly funny with a dash of the macabre, Catherine Baab-Muguira’s debut book, Poe for Your Problems, depicts Edgar Allan Poe as a self-help guru. Baab-Muguira walks readers through Poe’s life, in tandem with self-reflection that allows you to say “nevermore” to your problems, and discover the difference between positive and poe-sitive thinking.

Saturday 10/30. Free, 7pm. New Dominion Bookshop, 404 E. Main St., Downtown Mall. ndbookshop.com

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Arts Culture

PICK: Liza Nash Taylor reading

Family business: In her debut novel, Etiquette for Runaways, local resident Liza Nash Taylor sets the action in her own backyard. Inspired by true events, Taylor’s Jazz-Age story follows the fate of May Marshall who, after being expelled from Mary Baldwin College, settles at her father’s Keswick farm and stumbles upon a moonshine enterprise. Taylor will discuss her work virtually with Stephanie Barron, who also writes as Francine Mathews.

Thursday 8/20. 6:30pm. Zoom required. ndbookshop.com.

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Coronavirus News

Closing chapter: Book festival cancellation reverberates throughout the area

In the past few days, outbreaks of COVID-19 have led to mass cancellations and postponements of events around the country, from the N.C.A.A. basketball tournament to Coachella. Though Charlottesville’s first presumptive positive case was just announced on March 16, efforts to contain the virus spread as much as possible led organizers to call off one of the city’s largest events of the year, the Virginia Festival of the Book.

The decision was weeks in the making, according to Jane Kulow, director of Virginia Center for the Book. Festival staff began monitoring the coronavirus situation in late February, and started receiving cancellations from authors as early as March 2, including one from Washington who told them, “You don’t want me to come.” 

On March 4, staff released a statement announcing that the festival would proceed as planned. But by March 9, they had “received many more cancellations and queries from people,” especially those who are immunocompromised, Kulow says. It became clear that it was best to cancel the festival. 

“This festival has a 25-year legacy, bringing 20,000 to 30,000 people into the community,” Kulow says. “We know the community is disappointed, [and] that it’ll have a huge economic impact…but the bottom line is we have to consider the health of the community.” 

“This has been a very emotional process for the festival’s staff, but it’s been made easier by the warm, sympathetic responses we’ve received,” she adds. 

Since announcing the festival’s cancellation last Wednesday, its three staff members have been busy sending individual messages to attendees, authors, publishers, venues, and volunteers, as well as “answering questions about refunds, and undoing all the program logistics that we’ve spent a year planning,” says Sarah Lawson, assistant director of Virginia Center for the Book. 

Because most of the festival’s programs are free to the public, staff plan a select amount of ticketed events, such as lunches and banquets, and other sponsored programs to help offset costs. But now that the festival’s missed out on these major fundraisers for the year, its staff is asking ticket holders to donate part (or all of) their refund to the festival, and is inviting the public to make donations. 

Authors who planned to attend the festival have also lost out on book sales, Kulow adds. “We encourage everyone to buy their books at local bookstores,”­—to help both the authors and the stores that depend on the influx in sales the festival brings in. 

“We had a wonderful command center for the book festival in our basement, where we had all the books organized by day and by event,”  says New Dominion Bookshop owner Julia Kudravetz. “We’d still love to sell them to people, so they can have those books during this unusual time. We count on that as a significant part of our income for the year, how we pay our staff, and continue to bring literature to the community.” 

New Dominion will be closed to the public until at least March 31, but—with just a call or email ahead—customers in Charlottesville and Albemarle can get books delivered to their doorstep for free. (Those outside of the area can get books shipped.) Anyone willing to venture to the Downtown Mall can get their books in person through the shop’s curbside pickup service. 

And with the thousands of visitors the festival brings in every year, the city’s hotels, restaurants, vendors, and other attractions will certainly take a hit from its cancellation, says Courtney Cacatian, executive director of the Charlottesville Albemarle Convention & Visitors Bureau. The Omni Charlottesville, for example, was set to host several events during the festival. The hotel says it’s reimbursing reservations from both authors and attendees who were coming to town specifically for the festival. 

While book lovers will have to wait until next year for a full-fledged festival, its staff is currently in conversation with other book festivals around the country about putting on a virtual event, which would include programming and conversations from an array of authors. 

“We’re [also] exploring additional year-round programming for the local community,” adds Lawson. “Stay tuned!”

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Arts

Literary guidance: Musician Chris Campanelli communes with poetic greats in new song cycle

While rehearsing songs for this Saturday’s show at New Dominion Bookshop, Chris Campanelli’s been thinking about his audience.

But he says he hasn’t envisioned playing for the people who might fill the seats, or the passersby who may wander in from the December evening chill. He’s been thinking instead about performing for the books, for the tens of thousands of tales both true and invented held between their covers, all part of a persistent, perpetual conversation that transcends both time and space.

It’s a fitting setting for Campanelli’s return to the Charlottesville music scene, and for the debut of songs that mark a new chapter in his own songwriting story.

For a number of years in the early 2010s, Campanelli’s life centered around music. He played in local folk acts The Hill & Wood and Nettles, and, along with members of those bands, had his own project, Camp Christopher. It was “a kind of rotating circus,” he says with a quiet laugh.

In 2012, Camp Christopher released a record, Beyond the Word, and not long after that, Campanelli’s focus shifted away from music and toward other things. He got married and moved to Vancouver, British Columbia, with his wife. The couple had a child, moved back to Charlottesville (where Campanelli teaches high school English), and soon after had a second child.

Though he hasn’t released music since 2012, he’s been writing all the while. Music has “been something that has continued to gestate in some ways, on a deeper level, while tending to other things,” he says. “Different songs come out of that, when music is not squarely center in your life.”

The songs that have come out of that seven-year stretch have a certain “internal coherence to them” for Campanelli, who refers to this set of songs as a song cycle. A number of themes course through the compositions, including humankind’s dialogue with the four seasons, and the question, “How do you move toward someone?” But if there’s a thread that ties it all into a bow, it’s one of affirmation.

“My tendency [is] to see a massive shadow from a little cloud,” says Campanelli, who, upon receiving an increase in his fourth grade homework had a bit of an existential crisis. He remembers telling his mother that “life is difficult, because homework continually takes away your time, and then you go to college, and then you work, and then you die.”

For Campanelli, “affirmations have been a learned way of countering that tendency.” It’s something he got from 20th-century Irish poet Seamus Heaney.

In his December 1995 Nobel lecture “Crediting Poetry,” Heaney said, “I began a few years ago to try to make space in my reckoning and imagining for the marvelous as well as for the murderous.”

“Crediting the marvelous” is what Campanelli seeks to do in song form. He meditates on a tree (how long it’s been there, who planted it, who else has looked at it) in one song; in another he ruminates on the Vancouver clouds, how the sun hits them just so. Campanelli describes it as “wanting to freeze that moment and harvest it in a song,” so that it can act as an anchor, one of those “stable, irreducible things in the world to return to” when everything you see on the news feels dark, or unstable.

“High above the ancient plain / Where man first found his tongue confused / The tumbled clouds and sun composed / A city made of finest substance / That memory can never follow,” Campanelli sings about the clouds as he invokes the 13th-century Italian poet Dante. In Paradiso, Dante talks about how, at times, he’s been so absorbed and present in his experiences that his memory cannot follow. “I’ve always been fascinated by that notion, that we can experience something, know something, and yet not retain it,” says Campanelli, whether it’s the childlike desire to live amongst some spectacular clouds, or something else.

Another song, “Seven Years,” explores Campanelli’s experience of “reaching for something to say and not having it.” It’s “a song from the distance of exile, the distance of alienation, searching for an affirmation, knowing one’s there but not having a name for it yet.” As he points out, seven years is the amount of time Aeneas is away in Virgil’s Aeneid, and the amount of time that Odysseus spends on the cliffs in Homer’s The Odyssey.

Throughout the song cycle, which Campanelli hasn’t yet titled, he searches for affirmations, reaches them, and then falls away from them before locating them once again. In this motion, and in his evocation of classic literary themes, Campanelli says he’s “trying to draw out the grandeur of what can feel really mundane and petty.” And he’s found that some songs have stuck for a reason: “They were teaching me when I first wrote them. They say things that are better than what I say.”

“I’ve increasingly seen that as something I want to do in my songs, affirm something that other people can also have access to,” says Campanelli. “To state the obvious in such a way that you realize it wasn’t obvious.” He wants his listeners to credit the marvelous, too. It’s a gift he hopes to present to the people who fill the seats at New Dominion on Saturday.

So perhaps it’s not just the books he’s been rehearsing for, after all.


Chris Campanelli has played in The Hill & Wood and Nettles, and led his own band, Camp Christopher. He debuts his untitled song cycle at New Dominion Bookshop on Saturday at 7pm.

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Arts

ARTS Pick: Lawrence Jackson

Magnetic moments: “Eight years in the White House went by so fast,” says Barack Obama in the forward to Yes We Did, the new book by former official White House photographer Lawrence Jackson. (We feel you, Mr. President.) Jackson will tell stories about his work behind the scenes, snapping photos of Obama’s meetings with world leaders, tender moments with his family, and connections with people in everyday life.

Friday, November 8. Free, 7pm. New Dominion Bookshop, 404 E. Main St., Downtown Mall. 295-2552.