Categories
Culture Living

Dough-ing home: A renowned pastry chef hopes to taste success where it all starter’d

Rachel De Jong has traveled the world and rubbed elbows with its best chefs. She earned her diplôme de pâtisserie from Le Cordon Bleu École de Cuisine in Paris. She learned hospitality from The Inn at Little Washington’s Patrick O’Connell. And she traded dessert ideas with Ludo Lefebvre at Petit Trois in L.A. But De Jong’s roots are in Charlottesville, and it’s here she’s returned to bake her own way. We recently chatted with De Jong about her new gig as pastry chef at The Workshop in The Wool Factory, the bakery she’s opening, and her illustrious young career.

C-VILLE: What brings you back to Charlottesville after eight years away?

RDJ: I was at Petit Trois, and I loved it—loved the work, loved my co-workers. But L.A. is expensive, and I found my work-life balance was out of whack. And there is a unique interest in food here. I found out about The Wool Factory, and I asked Brad [Uhl, of Grit Coffee] if he was interested in a pastry aspect.

What was it like working with a brash personality like Ludo Lefebvre?

Food is very much his passion. He loves developing the menu and the savory side, but he also has an extensive background in pastry. We collaborated well and had a lot of fun. Often he would come to me and say something like, “I love fraisier, can we do it?” Or I would bring him something, and we would tweak it. Everything we did there was so classically French.

He must have been a change of pace from Patrick O’Connell.

Patrick is just an incredible human. What I learned most from him was about true hospitality and how to take care of guests. He knew how to take something very simple and mundane to another place.

How did you get into pastry?

It started super early on. I come from a large family of five kids, and my mom is an excellent cook, but she doesn’t have a knack for baking. I had a sweet tooth, so I started making cakes and enjoyed it. When it came time to think about a career, I knew it would be in some creative realm. I think it was my dad who finally said, “Pastry can be a career.”

And your first job was at the Baker’s Palette right here in C’ville?

I started college at James Madison University but decided I wanted to get my hands dirty. That’s when Sheila [Cervelloni] took me on with no experience. She taught me all she knew. It was a huge help and eye-opening.

Then after a stint at Gearharts Fine Chocolates, you left.

I think everybody goes through a growth period where their hometown feels small. I was ready to be away from Charlottesville. But working at the Inn, I still had connections and kept in touch with those folks. I would come home for holidays and hear what was going on from family and friends.

Now that you’re back, what can people expect from you?

Technique-wise, I’m a  traditionalist. I have always loved French pastry, and all of my work is grounded in that. When I was growing up, my mother and grandmother always had a natural and organic world—wild flowers and growing their own stuff. I like finding ways to bring those two worlds together and elevate classic French pastry, bringing to it a natural, organic, tangible, free style.

Categories
Culture Food & Drink Living

Spirit guidance: The catch is in the rye for Square One vodka’s Allison Evanow

It was the middle of the night in 2004 when Square One organic vodka founder Allison Evanow saw her future. Evanow’s career, marketing fine beverages had taken the Waynesboro native to Spain, Mexico, and California, working for the Jose Cuervo family before entering the wine industry in Napa.

Maybe it was insomnia, maybe it was the over-exhaustion that stems from new parenthood—or maybe it was a spirit guide. But Evanow, then the mother of 6-month-old twins, describes waking with a bolt of inspiration that caused her to start planning a new business, her mind flashing back to an advertising campaign she’d come across in Food & Wine magazine earlier that day.

“There was an ad for an American vodka with an old farmer that touted ‘all natural’ and I remember thinking, if it’s all natural why wouldn’t they just go all the way to organic,” says Evanow. “You can cheat all natural.”

She was living in northern California at the time, immersed in the movement toward organic, green, and eco-friendly consumption. Evanow describes the realization that no one was distilling organic spirits as “going off like a bell.” That bell sounded an idea that would alter the spirits business and define her as an innovator in a niche industry.

“I wrote down the name Square One,” says Evanow. “The idea that if you start at square one you’re doing it the right way. No herbicides, no pesticides, no fake stuff. You’re telling the truth in your marketing—and no sexy bikini marketing!”

Initially, she thought she’d run the table and produce organic vodka, rum, and gin. After writing the business plan, she says reality set in, and the challenges of building her own distillery caused her to focus solely on vodka.

“People ask if I started a vodka company because I like vodka and I say, ‘No I started it because I hated vodka,’” laughs Evanow. Vodka’s bad image on the cocktail scene at the time stemmed from using less expensive, synthetic ingredients, and Evanow says she decided to “focus on the category that needs the most help because they’ve done the most fake stuff.”

Sixteen years after that fitful night, the Square One brand operates from Evanow’s home office in Ivy and features five labels of vodka: clear, cucumber, bergamot, botanical, and basil, plus a line of mixers and ready-to-drink canned cocktails—all of them organic. Evanow’s farming, fermentation, and distillation processes are certified organic, and use 100 percent organic American rye. This is far more difficult to pull off than the conventional distilling process, but Evanow never deviated from her goal.

“That was the idea, all organic, all real botanicals, plant-based infusions,” she says. “Deriving the extracts or essences from the real plant instead of some guy in a lab coat pretending he made strawberry out of chemicals.”

Evanow made two other key decisions. She used rye to make her vodka and she took a culinary approach to the science of distillation. Get her going on botanical formulas and she utters poetic streams of ingredients: Pear, rose, lavender, chamomile, lemon verbena, coriander, rosemary, and citrus peel…mandarin, navel, and tangerine…juniper, ginger and coriander. “Our original distiller said, ‘No one has ever talked to me about their spirits the way you do. You come at it like you’re a cook,’” says Evanow.

She chose rye because she didn’t want a sweet style like you get with corn, or an “uber neutral” vodka, typical when using wheat or potato. “What I love about rye is it’s got character,” she says, also quick to note that working with rye is not easy, due to its lower yield and a tougher process to make it certified organic. After getting her formula down, the next step was to expand the product’s flavor profile.

Square One’s real cucumber flavored vodka was another industry first and it became a bestseller. “That was a beast to make,” says Evanow. “It tasted like pickles, it was so bad.” The flavor solution came from the world of fine perfumes. “My distiller had been in the perfume biz before…and went out and worked with six different perfume and flavor companies to find stable extraction essences.” The result tastes fresh from the garden.

At first, the bartending community was lukewarm about putting a new vodka into the lineup. But the use of rye, and the authenticity of Square One’s mission, made it a valid addition to the craft cocktail movement.

Now the vodka is a fixture on cocktail lists at high-end restaurants like Morton’s The Steakhouse and boutique hot spot Goose & Gander in Napa Valley. Jason McKechnie at The Ivy Inn tries to feature a new cocktail with Square One vodka seasonally “because the flavors are unique, bold yet balanced, and it’s a product I can trust through and through,” he says.

As with the ingredients and process she uses in her Square One spirits, integrity and authenticity are important to Evanow personally. She’s one of the first women to start her own distilled spirits company, and it’s an industry in which the glass ceiling is still very high. “I’m asked, ‘Did you do this with your husband?’ and I say, ‘No, I started the company and he does not work for me,’” says Evanow.

More women in leadership roles can expand the industry creatively, says Evanow. She makes sure her brand and marketing is never “dumbed down” and that people know Square One is founded by a woman. “Because, I don’t think a bro would do this,” she says as she carefully inhales the essence of a basil vodka. “I don’t think a bro would care about the quality in this way.”

 


How-tos for tasting the hard stuff

Start from scratch
Before tasting, be sure your palate is clean and neutral. Drink water and avoid spicy foods and strong flavors.

Hold the rocks
Sip the spirit at room temperature, neat.

Don’t nose it
Wave the glass gently to get the aromatics. Hold the glass slightly away from your face, with the nose outside the glass as you inhale, in order to avoid the “burn” of the alcohol.   

Double dip
Don’t judge by the first sip. Take it slow, and take a few.

Savor the flavors
Depending on the base ingredient, you’ll discover bready/yeasty/cereal notes
(vodkas made from grain), vanilla/caramel/butterscotch notes (oak-aged spirits),
smoke/brine/peat (scotches), herbal/vegetal/earthy (tequilas), and citrus/botanicals
of all kinds (flavored spirits like vodka, gin, and aquavit).


From the Ivy Inn
Perfect pear

 1 oz. Square One Organic vodka

 1.25 oz. spiced pear liqueur (preferably St. George Distillery Spiced Pear
Liqueur or Rothman & Winter Orchard Pear, infused with 2 cinnamon sticks and
14 clove pods for 36-48 hours)

 .25 oz. elderflower liqueur

 .25 oz. maple syrup

 .5 oz. lemon juice

Shake with ice for 20 seconds and strain into a chilled coupe/martini glass. Garnish with freshly grated cinnamon or a pear wheel, or both!

Categories
Culture Food & Drink Living

All in favor, say pie

Shaun Jenkins, owner of Soul Food Joint, grew up in a pie-loving household. The weekend before Thanksgiving, his mom would make about 40 pies, and folks would stop by to pick one up after church—free of charge.

Jenkins carries on that tradition by baking a bushel of his own favorite sweet potato Thanksgiving tarts every November. We asked a few other soul food chefs for their take on holiday pies, plus we polled our readers about their faves too.

Jeneatha Douglas, JBD Mobile Catering & Events: “My sweet potato—sweet potato pie, most definitely. I have to say I cheat with [a store-bought] crust, but everything else is all me.”

Dejua Douglas, Dejua’s Creations (as told by Jeneatha Douglas): “She does holiday cakes and pies, as well. I would say her favorite pie is a mean apple pie—and sometimes a cherry or peach.”

Angelic Jenkins, Angelic’s Kitchen: “My favorite is apple pie a la mode—those apple pie crumbs and vanilla ice cream, it’s a must-have. It brings happiness and laughter to the whole table.”

Ryan Hubbard, Red Hub Food Co.: “I’m going to go with our chocolate pecan bourbon pie. It’s got that essence of bourbon and uses a 60 percent dark chocolate.”

Shannon Campbell, Croby’s Urban Viddles: “Pecan. My nana made the best pecan pie.”

Categories
Culture Food & Drink Living Uncategorized

Take us out: Local restaurant favorites will make you happy at home

Restaurant dining has changed dramatically due to coronavirus, but we still want our favorites— and a night off from the kitchen. We asked our writers and staffers to give us their best takes. Keep watching for more, and send in your own to living@c-ville.com. Oh, and save the griping for Yelp. We want to support the hard work our restaurants are doing and see them through this COVID winter. See our Take Out Guide for your next order.

Selvedge Brewing has been open since midsummer, but only started offering takeout recently. The menu is brewery food, but with Chef Tucker Yoder at the helm in the kitchen, it’s elevated above average pub fare. Online ordering was simple and pickup was quick. The food did not disappoint. Bibb lettuce salad with garlic dressing was nicely accented by slices of smoked pork jowl and house-pickled red onions that were just the right balance between sweet and sour. Croutons made from pretzel buns brought a bit of crunch. The chicken sandwich is the best I’ve had in town, a pickle-brined thigh fried with light batter that reminds me of Japanese tempura, topped with a generous amount of pickles and some white barbecue sauce. Their small-batch, craft beer is available for takeout only in 32-ounce “crowlers” (single-use cans filled on demand). I opted for the Poplin, an Italian-style pilsner that was light, full of mildly sweet biscuit flavors, with just a hint of bitterness on the finish.—Paul Ting

Dr. Ho’s Humble Pie offers alternative pizza, but it has so much more. Everything on the diverse menu is made from scratch. To partake of the deliciousness involves a short drive (pickup only; no delivery) to North Garden, and the process is easy. On what appeared to be a pretty busy night, my order only took 20 minutes to prepare, and it was ready for me when I arrived.

A Dr. Ho’s meal is not complete without the Fat and Sassy. This pull-apart garlic cheese bread is a shareable appetizer that looks like a pizza. Mozzarella and cheddar cheese are melted on hand-tossed pizza crust made from homemade dough loaded with cloves of roasted garlic. The Fat and Sassy is traditionally served with marinara sauce and homemade ranch, but the ranch is so good I skipped the marina and opted for two ranch dressings. (The ranch dressing is so popular, Dr. Ho’s sells it by the pint and quart.)

On this night, I wasn’t feeling pizza, so I decided to go for another staple—the burger. The cheeseburger is made with local grass-fed beef, sharp cheddar cheese, lettuce, and tomato. The burger was cooked perfectly to the temperature I specified, and the toppings tasted fresh. It comes with a large helping of hand-cut French fries—so many that I couldn’t finish them all. It was super satisfying comfort food.—Laura Drummond

C-VILLE Weekly staff takes:

Al Carbon remains a gem. The chicken itself is delectable and tender with just the right amount of rich smokiness. The South American spices are different from almost anything else in town. And the caramelized plantains are heavenly.—Ben H.

Citizen Bowl and Monsoon Siam: Ready on time, always fresh, always correct, and COVID protocols followed.—Nanci M.

I recently ordered delivery from Lemongrass via DoorDash. I had the mango curry with tofu, and it was the perfect blend of sweet and savory. However, beware if you’re getting delivery in the evening and have a taste for sushi—for the second time in a row, I ordered sushi to go with my entrée, but the restaurant was out of it.—Brielle E.

We have loved our experiences at Oakhart Social and Now & Zen. Delicious options and safe, easy pickup at both locations! We love Oakhart’s pizzas and shaved salad. I am so happy to be able to get my Green Giant roll to go from Now & Zen. The Bodo’s drive-through experience is fantastic too. The lines move fast and the process is easy.—Anna H.

I have ordered Maru from DoorDash recently. I was happy with the items I picked and they traveled well. The food and service was excellent, and I will definitely be ordering from them again.—Gaby K.

During the heart of COVID stay-at-home restrictions, the fact that Chimm would deliver to Lake Monticello every Saturday was a godsend. A bowl of hot pho on a cold April day made me feel a little normal again.—Tracy F.

Up 29 North is the Timberwood Grill, which has kept us supplied with Honey Fire Tenderloin Tips; Stoplight Enchiladas; Wild Mushroom Ravioli; and BEER (build-your-own sampler = four different brews for $7.95) since the pandemic started.—Susan S.

TEN sushi to go was the perfect choice to celebrate a birthday with a small group during these careful times. The chef’s omakase nigiri was a glistening, jewel-like array of fresh, perfect slices over rice, the rainbow roll of sashimi wrapped around the kani avocado roll was a decadent, fun conversation starter, and the spicy toro roll stood out with chu toro, avocado, pickled jalapeño, crunch, spicy sauce, and tobiko sending an exhilarating rush of heat and umami across the palate. The easy curbside pickup and careful packaging made for an impressive home dining experience.—Tami K.

Categories
Culture Living

Holidays from the heart: Local Southern cooks sound off on celebratory suppers with soul

Soul food and Thanksgiving go hand in oven mitt. Traditional American fare. Humble ingredients. Big flavors.

“Southern food is indigenous food,” says Ryan Hubbard of soul food and barbecue joint Red Hub Food Co. “You start with Native American influences, and you have basically a melting pot over the course of the next three centuries—African, French influence, even the Great Britain influence.”

Early U.S. Southerners of all ethnicities—but perhaps none more than Black Americans—embraced technique over high-end ingredients at a time when it was a necessity, creating what is known today as soul food.

Slow-cooked meats. Off cuts and offal. Stewed and braised vegetables. Copious amounts of butter, sugar, and salt.

“Soul food can be an acquired taste,” says Jeanetha Douglas of JBD Mobile Catering & Events. But it’s also the taste of family—of large, low-cost meals designed to fill folks up and bring them comfort.

“This time of year is our most successful,” says Shaun Jenkins of Soul Food Joint on Market Street. “People come in and say, ‘this is Thanksgiving early.’”

Who better, then, to ask about the best preparations for Thanksgiving staples—the gravy, the stuffing, the turkey, the pie—than our local soul food standouts, the folks who make the dishes darn near year-round.

The gravy

For the best slatherin’ sauce, Shaun Jenkins says to keep it simple. “Meat makes its own gravy. You don’t have to add much to it.”

For his own T-givin’ spread, Jenkins says turkey gravy is a must. That means collecting the meat’s natural juices as they run off the bird, adding a thickening agent—he prefers good old-fashioned flour—and your own blend of herbs and spices.

“Especially for a person like me, who likes the white meat, I love to have some of that gravy over the top of my turkey,” Jenkins says. “I can’t give you the exact recipe—that would be my mom’s recipe, of course.”

The stuffing

Stuffing—the most controversial of holiday meal mainstays. Cook it in the bird or separately? White bread or cornbread? Sausage or vegetarian?

Angelic Jenkins of Angelic’s Kitchen goes in for the best of both stuffed worlds, making her dressing on the stovetop and finishing it inside the turkey cavity.

“It comes out of the oven, and it is perfect—looks beautiful, the crispiness hanging out of the turkey,” she says. She also insists on chicken broth, never water, for her stuffing, as well as parsley, onion powder, and butter.

Douglas goes all in on direct-to-turkey filling. She prepares her stuffing studded with giblets instead of the ubiquitous sausage, and it goes straight into the poultry pocket. “You have to get all those juices and flavors together,” she says. “And it keeps your stuffing from drying out.”

The extras

Okay fine, you should probably put something green on your soulful Thanksgiving table. But no one says your veggies can’t be cooked in pork fat or swimming in cream sauce.

For Angelic Jenkins, the indispensable Thanksgiving extras include fresh collard greens, stewed for a full 24 hours in chicken broth with a ham hock (she makes a vegetarian version for her food truck), diced onions, and top-secret seasonings. “Everybody at home thinks I’m crazy,” she says of her full-day preparation. She grabs fresh instead of canned vegetables for her turkey day green bean casserole, combining the quick-blanched beans, Campbell’s cream of chicken soup (other folks can keep the cream of mushroom), fried onion strings, onion powder, and olive oil, and popping it all in the oven ’til gold and bubbly.

Shannon Campbell of Croby’s Urban Viddles agrees on the fresh green bean front, though hers are slow cooked with fatback, salt, and pepper, and mounted with butter and bacon. “Spending time with my family cleaning and snapping the beans is almost better than eating them,” she says.

Shaun Jenkins’ ace in the holiday hole? Deep-fried deviled eggs. “We like to put a spin on things,” he says. “We started deep frying deviled eggs. It’s not exactly soul food, but everyone loves them.”

The bird

It seems most of the soul food chefs around town oven roast their turkeys. With the right combination of time, temperature, and basting, everyone believes they have the secret to the perfect bird buffet.

For Douglas, that’s a liberal amount of seasoning, a quick blast at 375 degrees in a convection oven—for “a little crisp on top”—then down to 350 for about four hours of occasional basting. (The convection process of circulating heat around the meat speeds up the cooking time.) Shaun Jenkins recommends liberal amounts of butter: “Rub that thing down,” he says.

If you want to go outside the convection box, Hubbard suggests smoking your holiday fowl. He starts a 48-hour wet-brined turkey and “a really nice smoker” loaded up with wood.

“To be able to brine the turkey and put it on the smoker—that smoked flavor is just so different from what you get out of the oven,” Hubbard says. “Cooking it slower, it just holds the moisture inside and gets that pinkish-purplish smoke ring. It’s one of those things [where] you can see the difference.”

Hubbard recommends a 225-degree smoker for turkey, and says the wood is critical. Red Hub Food Co. sticks with hickory and oak for its workaday beef and pork, but mixes in fruit woods like apple and cherry for smoked turkey. The fruity smoke stands in for some of the citrus and apple you might see in oven roasted fowl, lending a vibrance and acidic punch.

Hubbard’s last tip? Don’t worry about holding your turkey at temp surrounded by ripping wood smoke the entire cooking time. The smoke imparts most of its flavor in the first hour, he says, so if you lose your hardwood coals or can’t hold 225, don’t fret. Feel free to transfer it to the oven.

Hubbard wraps his birds in foil after an hour and a half to maintain moisture and ensure even cooking—kind of a brisket-style approach. “There is a misconception that the smoke is going to be involved the whole time,” he says.

Campbell has one last tip: Don’t be intimidated by new recipes, techniques, and flavor combinations for the holidays. Tradition is important, but don’t get stuck in a rut.

“Just try it a week before Thanksgiving so you can perfect the recipe,” she says. “Also, don’t be intimidated by a fancy sounding name. My mom gave me her chocolate cake recipe that included ganache. I didn’t think I could make that. I’m not a formally trained chef. But I Googled, asked a million questions, then just rolled up my sleeves and got cooking.”

Now that’s the holiday spirit.

Red Hub Food Co.’s Ryan Hubbard suggests
you smoke your holiday turkey this year.
“Cooking it slower, it just holds the moisture
inside and gets that pinkish-purplish smoke ring,” he says.

Categories
Arts Culture

PICK: Help Desk

Help yourself: Even with COVID-19, the show must go on—online that is. Help Desk: A Stay-At-Home Play is a one-act comedy that magnifies the funny-not-so-funny frustration we’ve all faced while working with a help desk. And it doesn’t take long for the ironic to spiral into the absurd in Don Zolidis’ livestreamed play. Make sure you have the most recent computer updates, but if you have any problems logging in, don’t call customer service—the folks there are busy being hilarious.

Through 11/22, $20 suggested donation, 8pm. Zoom required. fourcp.org.

Categories
Arts Culture

PICK: Like A Wrecking Ball

Breaking walls: Miley Cyrus, watch out: multidisciplinary Australian artist Tony Albert comes in swinging with his latest work, Like A Wrecking Ball: Using Art and Humor to Confront Racist Statues in Australia and the USA. Scholar-activist Jalane Schmidt will moderate as Albert and Native American artist Nicholas Galanin address problematic colonial legacies. The virtual workshop is presented by the Kluge-Ruhe Aborginal Art Collection of UVA and The Fralin Museum of Art.

Thursday 11/19, Free, 7pm. Registration and Zoom required. Kluge-ruhe.org.

Categories
Arts Culture

PICK: Fiebre Tropical

First crush: Juli Delgado Lopera’s debut novel Fiebre Tropical tells a coming-of-age story that combines visually rich prose with characters who are as colorful as their Miami setting. Fifteen-year-old Francisca narrates as her Colombian family’s American dream decays after arriving from Bogata. She seeks survival strategies amidst alcoholism, evangelical rituals, and the pressure of coming out. Lopera and Catalina Esguerra will discuss the book virtually in The Virginia Festival of the Book’s Shelf Life series.

Thursday 11/19, Free, noon. Zoom required. Facebook.com/VaBookFest.

Categories
Culture Living

Fighting hunger: As food insecurity rises, local nonprofits step up their efforts

Food insecurity in Albemarle County is on the rise. Feeding America, a national hunger relief organization, reports that while 11.8 percent of Charlottesville’s population was food insecure in 2018, that number is expected to rise to 15.1 percent by the end of 2020. Accordingly, the Blue Ridge Area Food Bank told Richmond’s NBC12 in August that 12 percent of its June customers were new clients needing emergency food assistance for the first time.

There are a variety of local places supporting the projected three in every 20 Charlottesvillians who are unsure where they’ll find their next meal. The organizations’ donation needs have changed during the pandemic, and the holiday season is always a crucial time, so here’s how you can help.

Blue Ridge Food Bank

What it does: Ninety-seven percent of the Blue Ridge Area Food Bank’s pantries across Virginia have stayed open to provide groceries during the pandemic, thanks to safety restrictions including drive-through food pickups and pre-packaged meal boxes.

How to help: According to the BRAFB website, a one-dollar donation can fund four meals. Volunteer opportunities are also available for low-risk workers. brafb.org

Loaves & Fishes

What it does: Loaves & Fishes, the largest agency of the Blue Ridge Area Food Bank, supplies groceries twice a month for families who need extra assistance filling their pantry. It currently operates a drive-through grocery pickup where clients accept bags from masked volunteers without leaving their cars.

How to help: Limited volunteering opportunities are available. Monetary donations can be made on the website. Thanksgiving dishes (anything from canned yams to instant mashed potatoes to frozen turkeys) are in high demand, as are diapers. cvilleloaves.org

Meals on Wheels

What it does: Meals on Wheels of Charlottesville/Albemarle is a nonprofit that has delivered hot meals five days a week since 1977. The organization connects with the most isolated members of Charlottesville in the most isolating time of their lives, ensuring that secluded seniors are checked on daily.

How to help: Over 90 percent of the meals provided by Meals on Wheels are directly subsidized by monetary donations, which can be made on the website. Contact MoW directly if you’re interested in providing physical donations or volunteering to do anything from answering phones to driving delivery vans. For holiday gift baskets, the organization is looking for mugs, tea, cocoa, puzzle books, winter accessories, and toiletries. cvillemeals.org

The Haven

What it does: When Charlottesville residents find themselves without a home, The Haven works to make that situation “rare, brief, and nonrecurring.” In addition to providing temporary housing, the shelter helps unhoused families seek new residences to call home.

How to help: The Haven website lists what a financial donation would fund, from $47 (a day’s worth of showers) to $2,1000 (the move-in cost for a one-bedroom apartment). Volunteering is limited due to safety restrictions, but low-risk volunteers can apply. In addition to monetary contributions, The Haven is looking for donations of coffee, as well as volunteers to work breakfast shifts over the holidays. thehaven.org

Emergency Food Network

What it does: Customers in need can call the Emergency Food Network once a month to receive kits for three healthy meals. No financial proof of need is required. Meal bags include non-perishables like canned tuna and fresh items like bread and milk.

How to help: All volunteer slots are full, and due to COVID-19 restrictions, food donations can’t be accepted; financial contributions are preferred. According to the Emergency Food Network, small operating expenses mean that about 91 cents of every dollar is spent on food. emergencyfoodnetwork.org

Local Food Hub

What it does: Local Food Hub works to connect local farmers with extra food to local consumers without fresh food. ItsFresh Farmacy program provides those in need with biweekly installments of locally sourced fruits and vegetables.

How to help: Food is already provided by area farmers, so monetary donations are the way to go. Thirty dollars is enough to send a bag of locally grown produce to someone in need. localfoodhub.org

Cultivate Charlottesville

What it does: Cultivate Charlottesville has helped students build gardens at schools across the city. According to CC, gardens built through the program have involved over 2,000 volunteers and produced over 80,000 pounds of food as part of the Food Justice Network, a group of more than 35 organizations working not only to alleviate hunger in the short term, but to attack the problem at its roots.

How to help: Volunteers are needed for everything from planting, harvesting, and weed control to outreach and research. Those interested in the organizational aspects of food justice can intern in the Cultivate Charlottesville office. cultivatecharlottesville.org

Categories
Arts Culture

Free form: Zappa embraces the brilliance and complexity of a non-conformist

A documentary about the life and work of Frank Zappa is so obvious that it seems like there should already have been four or five of them. Watching Alex Winter’s Zappa, it becomes clear why no one attempted it before, and why Winter is the right filmmaker for the job. How can any one film capture the spirit of a perfectionist who delighted in deconstruction? Zappa was a prolific, genre-hopping creative force with a staggeringly large catalog who was indifferent to recognition. Where do you begin with a life so varied that even his most conventional output defies categorization?

He sounds like an enigma, but he didn’t live like one. Mining the Zappa family vaults, Winter tells Zappa’s story largely in his own words, using archival footage and interviews, most of which had never been seen or heard since they were recorded. Part of Zappa’s genius was the ability to see the way our society places value on the valueless while rejecting anything of substance, and makes idols of one-trick ponies. He lived and reveled among rock stars but was not one of them, detesting drugs, and involving himself as much in the business side of his enterprise as the creative. Their goal was sex, drugs, and rock ‘n’ roll. His was to make music.

Many of the stories in Zappa will be familiar to viewers who have read The Real Frank Zappa Book, his almost-memoir, from his small-town upbringing, finding beauty in things rejected by white suburbia (especially R&B and avant-garde noise music), his arrest for “conspiracy to commit pornography” (yes, really), all the way through his many musical projects and showdown with the Parents Music Resource Center. Winter’s Zappa could be viewed as a companion piece to that book, telling the rest of his story from after the book was published in 1989 to his death from prostate cancer in 1993. Zappa’s goal in life, as he explains several times in the film, was to make music so that he could take it home and listen to it, and if anyone else wanted to listen too, he would make it available to them. Much of his worldview appears to have been shaped by obstacles put in his way, from censorship to businessmen to hollow rock stardom.

Nobody explains Zappa better than Zappa himself, and while The Real Frank Zappa Book lays out his point of view, Zappa explores his wider impact. Interviews conducted with musicians who worked with him, all the way from the earliest incarnation of the Mothers of Invention to his on-and-off-again collaborators throughout the 1980s, reveal a side of the man not often discussed. He was certainly a perfectionist, and the accurate rendering of what he’d written was a high priority for musicians. Though most of his performers were hired hands, the amount of returning collaborators throughout his work speaks to his relationships with creative people. He wasn’t outwardly compassionate during rehearsal, but the ingenuity of his work and the precision it required was magnetic for those who wanted to devote themselves to it. Comments made by percussionist Ruth Underwood are especially moving; his music broke her out of Juilliard, where she was learning what music should be, while joining the Mothers showed her what it could be, freeing her from playing the triangle in huge orchestras. Near the end of the film, she plays one of the most notoriously difficult Zappa pieces, “The Black Page,” revealing the human dimension of one of his most monstrously technical works.

There would be no Frank Zappa as we know him without his wife Gail, who operated the many dimensions of the family business. Some of the most revealing interviews of the film were conducted with Gail prior to her death in 2015, most notably how she categorizes him. “I married a composer,” she says with a half-proud, half-exhausted grin. “Composer” is telling. Not “musician,” not “perfectionist.” The context in which she used it referred specifically to the less romantic side of being a creative professional and the distance it created. (Both she and Frank are stunningly blunt about his infidelity, neither laughing it off nor dwelling on it.) A rock star’s life is full of passion, explosions of emotion, good and bad, burning out and leaving a compelling (but false) legacy. A composer’s life, meanwhile, is obsessive and never finished. In popular imagination, composers belong to another era and continent, they don’t grow up in 1950s California. Yet that is Frank Zappa, treating even his most rock-infused work with a composer’s sensibility.

The Onion once published a devastating article titled “Frank Zappa Fan Thinks You Just Haven’t Heard The Right Album.” It was painful because it was true. Before this film, there was no entry point. You knew right away whether you were an instant fan, begrudgingly appreciative, or wholly repulsed. Zappa fills an enormous need by effectively condensing the life of a prolific and verbose man without sacrificing an ounce of his complexity.