Categories
Arts Culture

Galleries: May

May Shows

Artistic Remedies for Creative Hearts 8767 Seminole Tr., Ste. 101, Ruckersville. “The Birds and the Bees” by Sigrid Eilertson and “The Dream Weave—Everything We Dream About in Life and in Sleep,”  an ARCH members exhibit. Opens May 14.

Baker Gallery Woodberry Forest School, 898 Woodberry Forest Rd. “INTO THE LIGHT” features works by 12 members of BozART Fine Arts Collective in celebration of the group’s 27th year. Through June 5. Artist reception May 22. 

The Bridge Progressive Arts Initiative 209 Monticello Rd. “Nosotros” (us, we), a collaboration by Kris Bowmaster and Chicho Lorenzo. Through May 30.  

Kris Bowmaster and Chicho Lorenzo at The Bridge Progressive Arts Initiative. Image courtesy of the artists.

The Center at Belvedere 540 Belvedere Blvd. HE “ART” featuring Joan Dreicer, Matalie Deane, and Julia Kindred. Through June 30. . 

Chroma Projects Inside Vault Virginia, Third St. SE. “High Wire,” a collection of new dimensional wall work by Kim Boggs. Through May 27.  

Create Gallery at InBio Silk Mills Building, 700 Harris St. “Resilience of Humanity,” works from members of the Fiber and Stitch Art Collective. Through May 22. 

Crozet Artisan Depot 5791 Three Notch’d Rd. “Shots from the Shenandoah,” a collection of photography featuring Shenandoah Valley-based landscapes, nature, and astrophotography by Erin Harrigan. Through May 31. Artist reception May 14. 

C’ville Arts Cooperative Gallery 118 E. Main St., Downtown Mall. “Second Chances are Here,” whimsical and environmentally conscious works by tinkering guru, clockmaker, and upcycling artist Allan Young.   

Jefferson School African American Heritage Center 233 Fourth St. NW. “Memory Quilts” displays nine quilts by Deloris Thomas that explore the relationship between color and form and utilize old patterns, some associated with the Underground Railroad. “Picturing Climate Justice” features photographs, artwork, and maps alongside interactive data tools to shed light on the nature of climate injustice in our region. Through June 4 and May 28, respectively.

Les Yeux du Monde 841 Wolf Trap Rd. “Modern Alchemy,” works by Rosemarie Fiore and Ana Rendich. Through June 26. 

Live Arts 123 E. Water St. “Confluence,” a series of small semi-abstract mixed media landscapes by Andrew Sherogan. Through May 31. 

The Looking Glass IX Art Park 522 Second St. SE. Ste D. “Sanctuary” a new permanent interactive installation by Kathryn Wingate using conductive paint, UV paint, foam, and mixed media.   

Loving Cup Vineyard & Winery 3340 Sutherland Rd., North Garden. “There is Beauty in Color,” works by Sara Gondwe using a melted crayon technique. Through May 29.

McGuffey Art Center 201 Second St. NW. In the Smith Gallery, works by Klaus Anslem and Joan Griffin. On the first floor, works by Judy McLeod. On the second floor, “Water Works.” Through May 29.

McIntire Connaughton Gallery Rouss & Robertson Hall, UVA Grounds. “2 Plein Air Painters,” oil on linen, oil on linen panel, and oil on canvas by V-Anne Evans and Lee Christmas Halstead. Through June 13.

New City Arts 114 Third St. NE. “Sally Hemings University Connecting Threads (SHUCT),” an exhibition of work made by students of April Fellow Dr. Lisa Woolfork and Tobiah Mundt. May 6-7.

Piedmont Place 2025 Library Ave., Crozet. In the second floor hallway, “A Little Bit of This and That,” varied works by six members of BozART Fine Arts Collective. Through June. 

PVCC Gallery V. Earl Dickinson Building, 501 College Dr. The Annual Student Exhibition features a curated selection of works by student artists from the latest academic year. Artistic media include painting, drawing, ceramics, graphic design, digital media, sculpture, and more. Through September 9.

Random Row Brewing Co. 608 Preston Ave. “From Land and Sea,” works by watercolorist Juliette Swenson and digital photo collage artist TJ Drake. Through June 30. 

Second Street Gallery 115 Second St. SE. In the Main Gallery, “Pathways,” layered mixed-media paintings by Francisco Donoso. In the Dové Gallery, “Community Lost & Found,” a solo exhibition featuring new paintings by Christina Flowers. Through May 27.  

Shenandoah Valley Art Center 126 S. Wayne Ave., Waynesboro. In the Invitational Gallery, works by Gail Haile; in the Hallway Gallery, works by Dana Wheeles. In the Member’s Gallery, “White,” works by SVAC members in a variety of mediums. Through May 28.  

Studio IX 969 Second St. SE. “WANDER and BLOOM” features works by self-taught fiber artist Tobiah Mundt as part of the Prolyfyck Exhibition Series. Through May 29. 

Vault Virginia 300 E. Main St. “The Memories Won’t Fade Away,” a group exhibition featuring works by Brittany Fan, Lucy “Clare” Spooner, and Lauchlan Davis. Through July 15.  

Visible Records 1740 Broadway St. “Future Elsewhere: Dreams are transitory things,” an exhibition by Dana Washington-Queen.  

Vitae Spirits Distillery 101 E. Water St. Photographs of vernacular architecture and innate cultural landscape context by Gary Okerlund.

Correction: This post was edited to correct the location of the show at Vitae Spirits Distillery.

Categories
News

In brief: Union rally, FOIA lawsuit, and more

‘Having a voice matters’

Waving colorful homemade posters and blue union authorization cards, several dozen Albemarle County teachers and community members rallied in front of the County Office Building last Thursday evening, urging the county school board to allow school employees to unionize. In late March, the Albemarle Education Association submitted to the board a draft collective bargaining resolution, which supporters say could boost pay, improve contracts, and provide other benefits. More than two-thirds of teachers, transportation staff, and school nurses have signed union cards.

After the crowd marched into the building, several teachers and union supporters told the school board about the desperate need for collective bargaining. The resolution was listed on the meeting’s agenda as an information item, but it was not discussed.

“Employees having the right to negotiate their contracts is a key way to retain the experienced workforce of [ACPS] employees,” said Albemarle Education Association President Vernon Liechti during public comment. “Having a voice matters.”

Teacher Mary McIntyre criticized the school division for not giving pay raises to middle- and high-school teachers with more than 150 students, violating state law. Art teacher Donna Evans claimed she had over 250 students last year and was not properly compensated until she went through a lengthy grievance process.

“This intense schedule has indeed affected my health,” said Evans. “I feel taken advantage of, and truly not valued.”

When former teacher David Zatyko worked for the division, he noticed that many teachers had to get a second or third job in order to make ends meet. “Collective bargaining will help promote a workplace environment where teachers are not thrown to the wolves,” he said.

Bekah Saxon of the Virginia Education Association called on the board to meet with the AEA, and start negotiating a collective bargaining agreement as quickly as possible. 

“Having some silence now is causing us a whole lot of angst,” said Saxon. “We don’t want this to become hostile or all about the lawyers fighting things out.”

Last month, the Charlottesville Education Association submitted its own collective bargaining resolution to the city school board. The county and city boards have until July 22 and August 12, respectively, to respond to the proposed resolutions. 

FOIA fracas

After receiving dozens of pages of redacted emails and letters in response to his FOIA requests from the City of Charlottesville last month, civil rights attorney Jeff Fogel—along with local activists Cherry Henley and Tanesha Hudson, and journalist Dave McNair—filed a lawsuit claiming the city violated their constitutional rights and FOIA rules by refusing to disclose how much it paid out in police misconduct settlements from 2017 to 2021.

Jeff Fogel. Photo: Amy and Jackson Smith.

In its FOIA response, the city claimed that several state codes allowed it to redact “personnel information,” information covered by “attorney-client privilege,” and attorney “work product,” reports The Daily Progress. Fogel disagrees that these codes applied to all five of the cases included in the response. 

When the city’s insurer, the Virginia Risk Sharing Association, pays out settlements, claimants are required to sign non-disclosure agreements. The plaintiffs want Charlottesville Circuit Court to issue a declaratory judgment that the city’s non-disclosure policy violates the First Amendment, as well as prohibit the city from enforcing Hudson’s non-disclosure agreement related to her settlement and award them attorney’s fees and other costs, according to the joint complaint. 

In brief

Cutting carbon

Charlottesville’s Climate Protection Program has launched two community surveys, requesting input on how the city can meet its goal of reducing greenhouse gas emissions by 45 percent by 2030—and achieving carbon neutrality by 2050. Both surveys are open until May 20. To take the surveys, visit charlottesville.gov/climateplan.

Free bikes

In partnership with the Tonsler Basketball League and We Code Too, former city councilor Wes Bellamy is raising money to give 300 bicycles to kids and teens from low-income Charlottesville communities. The organizers are collecting donations on GoFundMe until May 6, and will distribute the bikes at Tonsler Park on June 5.

False alarm

Early Thursday morning, several UVA officials received emails from a person “threatening harm” to the school, according to an email sent to the university community. After investigating the source of the threat, the University Police Department “determined that no credible threat exists to warrant any immediate action.” 

Denver’s done

Former 5th District Republican representative Denver Riggleman has stepped down from his role as a senior advisor to the House of Representatives committee investigating the January 6 insurrection, and taken a new job with a nonprofit in Ukraine. Riggleman will “support efforts assisting Ukrainian refugees and non-lethal mission areas,” according to his resignation letter. After being defeated by hardcore conservative Bob Good in a 2020 primary, the one-term rep became one of the few Republicans to criticize the Capitol siege and join the investigation.

And stay out

Unite the Right organizer Jason Kessler has been banned from UVA Grounds again—and this time, for good. Last week, the University Police Department renewed its no-trespassing order—issued after Kessler threatened students at UVA’s School of Law library in 2018—against the University of Virginia grad. The university’s no-trespassing orders against nearly a dozen other white supremacists are set to expire in October.

Categories
Culture Food & Drink

Thoughtful pairings

When it comes to wine, it can be easy to focus on education and use facts, legality, and tradition in your approach. What does a particular grape variety taste like, or what should it taste like? What laws govern wine of a certain style or from a certain place? What defines “quality” in a wine? How do I know if a wine is good? It is important, though, not to lose sight of another aspect of wine: a creative expression of personal taste. Wine can occupy a magical space, facilitating the exchange of ideas, bringing people together in fellowship around the table, and, in doing so, binding people together in community. 

Oenoverse (“oeno” is Latin for wine) is a new wine club concept from Blenheim Vineyards that was designed to pair community and discussion. Every two months, members receive wines chosen by a rotating wine enthusiast or wine professional, appointed for their knowledge and their ongoing support of Blenheim Vineyards—and that’s just the beginning.

Tracey Love, the director of marketing and events at Blenheim, says that Oenoverse is different from traditional clubs because it aims to be “experiential.”

With every membership, entry for two people is included for an in-person tasting event led by the person who selected the wines. “Our intention is ensuring that Blenheim is an inclusive space where everyone is welcome to enjoy, share, and learn about wine,” she says. “The goal is to share a platform that invites the community together with the focus of wine and conversation.”

Reggie Leonard, who has hosted similar events, will serve as master of ceremonies at each tasting. With Oenoverse, Leonard, the associate director for career connections and community engagement at UVA’s School of Data Science, combines an expertise in community engagement with his burgeoning passion for wine. He describes the new club as “inclusive by design” and a “collective experience,” rather than the traditional club member pick-up, where you get your wine and retreat to your respective corner or friend group. “You’ll definitely make new friends and have new reference points for wine after attending a club event,” he says. 

PK Ross, well-known for Splendora’s Gelato and Not Your Sweetie Chocolates, led the discussion at the club’s kickoff event in April. Ross sees the opportunity to change stereotypes and to empower people who may view themselves as outside the traditional wine community. “I like that I could be wildly wrong about these [wine and food] pairings, and that Oenoverse makes space for conversations to start… I think casual wine drinkers could learn to take more chances in the wine aisle if they had a safety net of ‘you have your own neural pathways. You can talk about wine however you want.’”

Love explains that space is the limiting factor as things get started. “We are hoping that the Oenoverse stays a manageable size because we’d prefer the in-person tasting events to stay intimate, but will adapt depending on whatever happens,” she says. “We can expand to the tent or offer a virtual option if we need to. The more the merrier!”

At the same time, when your founding principles are community, inclusivity, and diversity, growth seems almost inevitable. Leonard is careful with his words. “So far, it’s a Blenheim thing,” he says. “The idea…is transcendent enough to expand to more regional wineries, and it even has the legs to be a far-reaching club with chapters. Hopefully, in seeing conversations led by members and leaders of various communities, more of our community can see themselves being a part of the Oenoverse.”

As Love frames it: “We all have work to do pushing the wine industry to be more inclusive and diverse. This is one small step towards growing our wine community.” More information about the Oenoverse wine club can be found at blenheimvineyards.com/oenoverse.

Gather, drink, and think 

These special guests lead the upcoming Blenheim Vineyards’ Oenoverse club conversations.

May/June: Titus Green, sommelier, wine judge, wine rap, wine tasting events

July/August: Tasha Durrett, wine lover and founder of Black Women Who Wine 

September/October: Matt Harmon, winemaker and CEO of Harmony Wine

November/December: Jason Becton, wine professional and owner of Mariebette and Petite Mariebette

Categories
Arts Culture

Freedom in movement

While developing the choreography for Connections, its original production that premieres May 7, Charlottesville Ballet had some big questions. 

For answers, the company, coming off a two-year pandemic hiatus, turned to its own dance academy, outreach programs, and the broader Charlottesville community, and asked:  What does freedom mean to you? and When did you feel a true sense of belonging? 

Ballet, says Emily Hartka, Charlottesville Ballet’s co-director, is “a mirror of what happens in our society.” And she wanted suggestions for how to “tell the stories of our time.”  

Connections, created in collaboration with the Charlottesville Symphony, Lighthouse Studios, and the UVA Democracy Initiative, explores the power of dance to connect and unite. It features works by four choreographers of color from Virginia and Washington, D.C., and includes traditional pieces, such as Brandye Lee’s “Req,” and Maggie Small’s “A La Folie,” as well as Jason Ambrose’s contemporary work, “For Now I Am…,” which includes a stunning array of rotating mirrors.  

The centerpiece of the performance is Keith Lee’s “The Orion Constellations.” Lee, the company’s artist laureate and director of diversity and inclusion, used the community’s responses to inspire five choreographed movements, and asked the respondents to record themselves performing those movements. With the help of Lighthouse Studios, the recordings became projections that will be shown as a backdrop to the dancers during “The Orion Constellations.” Lee says this virtual community cast is a powerful example of “Charlottesville Ballet’s work to bring accessibility and inclusion to the art of ballet.” 

The first African American soloist at the American Ballet Theater in 1970, Lee has choreographed for companies across the U.S., and in Connections, his work ranges from Le Corsaire, a traditional ballet from 1856, to “Just Make Believe,” a piece that reflects on 2017’s Unite the Right Rally. 

In tandem with the premiere, audience members are invited to attend Democracy & Dance, a discussion panel that features Lee and Brandye Lee (no relation), as well as Dr. Marie Chee, who instructs CB’s 50-and-older dance program, and Christina Johnson, a guest coach who’s featured in Misty Copeland’s book Black Ballerinas. The conversation will center around using performing arts to unite people, asking how dance can help create an inclusive public culture.

Charlottesville Ballet began as a professional company, and Hartka and co-director Sarah Clayborne were only 19 and 20 years old when they founded it in 2007. The pair, who met while dancing for Richmond Ballet, grew up in the professional ballet world, and had concerns about it. Hartka experienced group weigh-ins and demands to conform to a certain body type, which she says contributed to years of struggling with eating disorders. “We couldn’t articulate it at the time, but we knew there had to be a better way,” she says. “We had a vision of a company that would respect its artists.” 

At CB, their vision celebrates ballet options for every body type and removing barriers to dance classes. The organization also prioritizes health and wellness in training. “We bring science and education to the curriculum, such as physiology on how the body functions and moves,” she says. “That’s not always standard in the classical ballet world [that believes] you either have the jump, or the body, or the turnout, or you don’t.”

In the early years, Hartka and Clayborne would joke that their professional company was a rehab for dancers unaccustomed to wellness-centered training. Then they realized that joke reflected a dire need. “Wait—maybe [ballet education] shouldn’t traumatize the children from age 3 on,” Hartka remembers discussing. “Maybe we should start at a young age with healthy training, so they don’t have to come to us for rehab.” In 2011, they began the Charlottesville Ballet Academy, and what started as a program with 60 students now has 600, with classes in ballet, tap, jazz, and hip hop.

The third tier of Charlottesville Ballet is the community outreach program, CB Moves. The classes are free and for those underrepresented in the ballet world, including seniors, Parkinson’s patients, and students with disabilities. CB Moves also partners with public elementary schools for classes and opportunities to win lifetime scholarships to the Charlottesville Ballet Academy. 

“We’re trying to follow [our core values of accessibility and inclusion] in an authentic way and live it every day,” says Hartka. Connections, with its focus on community and diverse voices in dance, is just another part of that…“a celebration, but also a moment of reflection on the ties between us all.” 

Categories
Arts Culture

Pick: Camp Revel

Gear up: Don your camo and headlamp, or simply strap on Tevas to gear up for Camp Revel. Woodsy vibes plus “a lust for creativity, connection, and a hint of constructive danger” set the tone for The Bridge Progressive Arts Initiative’s annual fundraiser. Happy campers can choose from wild activities and treats, including a dance party, artmaking, an art auction, specialty cocktails, food, and more.

Saturday 5/7. $25-75, 7pm. Visible Records, 1740 Broadway St. thebridgepai.org

Categories
Arts Culture

Pick: Live Dueling Pianos

In the key of win: What’s more intense than a riff off or a rap battle? Live Dueling Pianos. You pick the songs and two pianists tickle out lively renditions that incorporate comedy and audience interaction, then a winner is declared. Pop, rock, country, disco, rap—anything goes. The cabaret-inspired evening features food and drinks, raffles and door prizes.

Wednesday 5/4. $25, 7pm. Pikasso Swig, 333 Second St. SE. pikassoswig.com

Categories
Arts Culture

Pick: Gogol Bordello

In solidarity: Punk rock band Gogol Bordello has cultivated a unique sound that’s reflective of its members’ diverse origins. Formed in America by immigrants from Ukraine, Russia, Ecuador, and Ethiopia, the group fuses underground rock with Eastern European Romani music. Lead vocalist Eugene Hütz calls it a sound that “unites people against oppression of any kind.” The band is currently using its platform to support Ukraine, with live shows and new music, such as “Zelensky: The Man With the Iron Balls,” a collaboration with multiple artists, including Les Claypool and Sean Lennon.

Monday 5/9. $34-38, 7:30pm. The Jefferson Theater, 110 E. Main St., Downtown Mall. jeffersontheater.com

Categories
News

Luminaries jump into the fray

Your move, Montpelier Foundation. That was the message delivered by the Montpelier Descendants Committee at an April 28 press conference announcing a slate of 20 candidates for nine spots on the Montpelier Foundation board and demanding the reinstatement of fired staff members who led the archaeological work at the fourth U.S. president’s former home. 

The MDC’s list of board nominees descended from enslaved workers at Montpelier was offered amid an escalating conflict between the MDC and the foundation board over the board’s June 2021 vote to create “structural parity” with descendants by allowing MDC to recommend at least half the foundation’s board members. 

“Throughout the Black community in the country, a lot of folks have been paying attention to the developments at Montpelier,” says MDC’s attorney Greg Werkheiser, co-founder of the Richmond-based Cultural Heritage Partners law firm. “And when we reached out to a lot of the luminaries…across public policy, politics, history, law, journalism, finance, philanthropy, and we said, are you willing to jump into the fray here and help us resolve this and return Montpelier to a reputation of respected leadership? You know, the vast majority of people said yes.”

Among the names on the MDC’s list are journalist Soledad O’Brien; Michael Blakey, National Endowment for the Humanities professor of anthropology, Africana studies and American studies at The College of William & Mary; and Reverend Cornell Brooks, former CEO of the NAACP and professor at Harvard Kennedy School. 

Their willingness to serve, Werkheiser says, is “a testament to how important they think that resolution of this situation, this crisis at Montpelier, is not just for Montpelier, but as a representative of the struggle that a lot of cultural sites are going through around the country and what the implications are nationally for solving this problem locally.” 

Much of the conflict’s resolution now rests on the timing of the installation of the MDC-recommended board members. After initially blaming the MDC for the communication breakdown as national outrage mounted in early April, foundation board chair Gene Hickok and Montpelier CEO Roy Young offered a compromise. The board would select nine new MDC-recommended members from a list of 15 names. The catch? The new MDC-recommended board members would be installed in two tranches. Some would be fully installed in July, while the others would take their place on the board in October. MDC wasn’t satisfied with that offer.

“Essentially what it means is that they’re going to take these new board members and appoint them to the positions, but give them no power. And there’s a couple of reasons they’ve offered for that, none of which passes the smell test, frankly,” says Werkheiser. “If they do do that, they would essentially be preserving their voting majority, the current board’s voting majority, for months. And they would have the opportunity, once the press turns its attention away from this controversy, to simply reverse any of the commitments they appear to be making in public now. And they can also continue to fire people as they’ve been doing.”

On Monday, May 2, the foundation appeared to capitulate to the MDC’s demand. “The board agrees to vote on the MDC nominees, as proposed by the Committee, with all assuming active Board membership at the same time,” a new foundation statement reads. Werkheiser responded to the new statement with a request for confirmation that all nine new MDC-nominated candidates will be voted into service and have full voting powers effective at the close of the May 16 meeting; that the only business that will be taken up on May 16 is the vote to install the nine new members; and that the membership status of current board members will not be considered on May 16. He had not received a response from the foundation by C-VILLE Weekly press time.

The new foundation statement does not respond to the MDC’s other demand—that Montpelier staff who were fired after speaking out on behalf of descendants be reinstated.

Those firings have created a “culture of fear,” according to a statement signed by “a majority of full-time and a growing number of part-time Montpelier staff” on the new website, montpelierstaff.com. The staff statement alleges archaeological digs have been abandoned, data is at risk, and it accuses foundation board leadership of violating federal law.

The toxic atmosphere at Montpelier began under the leadership of Young, who became CEO two years ago, according to one of the longtime staff member who was fired.

“It became rapidly clear they had their own ideas,” says Matthew Reeves, who worked at Montpelier for 22 years and served as Montpelier’s director of archaeology and landscaping restoration until his firing April 18. “There wasn’t a lot of time and care spent understanding the institutional history of work we had done with the community.” 

Reeves says Young and Hickok were concerned about losing a million-dollar state grant awarded to Montpelier for memorialization of the lives of enslaved workers. That fear led to the board’s historic vote for structural parity with the MDC in June 2021, but Reeves describes it as “contentious.”

“That was a vote that they were forced into not only because of the $1 million grant, but also there were several staff, including myself and [Montpelier Vice President Elizabeth Chew], who threatened to resign if the board vote was no. And this was presented to the board…during that board meeting. And that turned the no vote…into a yes vote. And so this conflict had been simmering for a year by the time that vote happened,” Reeves says. 

In an email response, Young claims the data and archaeological sites are being protected by experts, but Reeves says the situation at Montpelier makes it unlikely the archaeological work can continue.

“At this point, it would be very difficult for this board under the current leadership to ever hire archaeologists again,” he says. “You just look at what archaeological organizations all across the nation have written, and censured what Montpelier is doing with the descendant committee. I am not going to rest until all of the…data is safely put away and protected.”

The foundation’s actions have also rattled donors, including Orange County farmer Bill Speidan, who first visited Montpelier as a child in the early 1940s. Speidan says he’s been an annual donor for many years, knows Reeves and the other staff members who were fired, and has been shocked by what has unfolded.

“It’s unconscionable to fire people that have been…with you 22 years doing their job,” he says, noting that Young is the first Montpelier Foundation CEO he’s never met. “I would certainly hesitate to donate further if they do not take advantage of what work Matt Reeves and others have done there,” he says. 

The foundation’s new statement doesn’t mention any change in leadership, but it does strike a conciliatory tone. “The path to parity requires a spirit of collaboration,” it reads. “We look forward to that collaboration and to working together for the benefit of Montpelier.” 

Montpelier. File photo.

Could the National Trust revoke Montpelier’s lease?

Dozens of national historic organizations have publicly condemned the Montpelier Foundation board’s recent actions. Among them is the National Trust for Historic Preservation, which owns Montpelier and leases it to the foundation in a cooperative agreement.

The agreement was signed October 1, 2000, and provides a lease that renews every five years. That makes the next renewal date October 1, 2025.

C-VILLE Weekly legal analyst Scott Goodman reviewed the lease and says the National Trust may have the power to take action against the foundation.

“In my opinion, nothing prevents the trust from doing anything it
wants to do in this situation, given the apparent threat to the viability
of Montpelier and arguable inability of the foundation to continue to carry out Montpelier’s mission. Carrying out that mission is the very purpose of the lease,” he explained.

But in an email, National Trust spokesperson Matt Montgomery says the agreement doesn’t allow the trust to revoke the lease.

“It places the ability to revoke with the foundation only,” Montgomery says.

While straight revocation of the lease may be in question, the agreement contains provisions for dispute resolution between the foundation and the National Trust.

In the event of a dispute, the agreement calls for the creation of a task force consisting of three members: one appointed by the foundation, one appointed by the trust, and one appointed by agreement of both. The task force has three months from formation to make a binding recommendation for resolving the dispute.

The National Trust declined to comment on whether it will activate the dispute resolution clause.—Courteney Stuart

Categories
News

Just say ‘yes’

The proposed reconfiguration of Buford Middle School was the subject of headlines and hand-wringing for much of the past year, until Charlottesville City Council arrived at a less expensive solution to allow that project to proceed. Now, another long-overdue renovation of a public facility—the Albemarle-Charlottesville Regional Jail—is on the table, and questions about the cost and speed of the planning process have led to the ouster of a long-standing jail board member.

“I was doing my job in wanting to remind the board that we need to take the time to be mindful and deliberate,” says now former jail board member, attorney Cyndra Van Clief. 

Van Clief says her removal was prompted by her vote at a March 10 meeting, when she was the only jail board member to come out against a resolution to notify the state that the jail would request reimbursement for 25 percent of a $49 million project estimate. 

“I had talked to several board members and they, too, were very concerned about this ballooning cost,” says Van Clief, a Republican and self-described fiscal conservative who was concerned that the cost of the proposed renovation had soared and that taxpayers hadn’t had enough opportunity to give input on the project during pandemic Zoom meetings. 

“We were moving too fast for 50-some million dollars which would set the future of our jail for the next 50 years, two generations,” says Van Clief, who raised the alarm after hearing figures like $50,000 to repaint floors. She wanted to hear more from the public about desired alternatives to incarceration including restorative justice.

“I knew the resolution would pass,” Van Clief says, describing her “no” vote as simply a suggestion to slow the process down and not an objection to improving conditions at the jail. 

She says Albemarle Board of Supervisors Chair Donna Price asked for her resignation in early April, citing Van Clief’s opposition to the resolution, and the supervisors, all Democrats, voted unanimously for her removal at a closed session on April 20. A letter to Van Clief confirming her removal cites her “failure to act in the County’s best interest as determined by the Board of Supervisors.”

Both Price and Albemarle County Supervisor Diantha McKeel, chair of the ACRJ board, declined to comment on Van Clief’s removal. McKeel, however, addressed some of the questions Van Clief raised.

In an emailed statement, McKeel denies the process has been rushed. The pace, she writes, is determined by the state’s Community Based Corrections Plan timeline and the General Assembly budget. The process must be initiated by a January deadline or the jurisdiction has to wait until the following year. 

McKeel says that the $49 million “is only an estimated cost” that’s been discussed at four jail board meetings, each with opportunity for public comment, as well as at presentations to each of the jail’s three member jurisdictions (Charlottesville, Albemarle, and Nelson) during March and April. A final cost will be presented to the board and the public this summer or fall. The proposed plan does not expand beds at the jail but instead improves conditions and adds space for classrooms and mental health treatment.

C-VILLE Weekly reached out to other ACRJ board members with questions about the renovation and Van Clief’s removal over her vote. None would comment on Van Clief, but City Councilor Sena Magill says she believes the estimated cost is reasonable.

“Having just passed $68 million for a school revamp, for one school, $50 million for a jail does not seem that far-fetched,” Magill says. “Not if we want a place that’s actually climate controlled.”

Albemarle County Sheriff Chan Bryant agreed with Van Clief that the resolution to notify the state was moved on with “lightning speed” to avoid missing the state deadline. Both she and Charlottesville Sheriff James Brown voted in favor of the resolution but want more public input on the plans before they’re finalized. 

“We want to make sure we’re using taxpayer’s dollars wisely,” says Brown.

Van Clief shares her former fellow board members’ assessment that a jail renovation is badly needed. In fact, she says she’s the one who brought deplorable conditions in the women’s quarters to the board’s attention. “It was exposed metal, sharp, that you would get tetanus [from] or be cut,” she says, describing filthy conditions and a lack of natural light or fresh air.

Her concerns, she insists, stemmed from her desire to inform the public about the project before so much money is committed.

“We don’t want to put all of our resources right into just housing people,” she says. “We were about to make some decisions that would affect the future for the next 50 years, that could affect generations of people as to what the criminal justice system and our facilities and our whole entire approach as a community would be like.”  

Jail tour reveals harsh conditions

The Albemarle Charlottesville Regional Jail was built in 1974, with an addition in the 1980s and an early 2000s renovation. The poor conditions don’t just impact people who are incarcerated there, says ACRJ Superintendent Martin Kumer; they are also a problem for staff and visitors.

[A] “This is the most shameful part,” says Kumer on a recent tour of the jail. It’s the “administrative segregation” unit on the jail’s lower level, used primarily as a last resort punishment for violent infractions. Several small cells line one side of a hall not much wider than a human body. The space is illuminated by harsh fluorescent lights, and plexiglass covers the bars on the cell doors, a response, Kumer explains, to correctional officers being grabbed as they patrolled the area. The temperature is controlled by a chiller unit, which forces moist cold air directly into the cells making the term “temperature control” a misnomer.

[B] A high-walled brick courtyard covered by a fiberglass roof is the only outdoor area available to those housed at the ACRJ. “You could be here for a year and never feel sunlight on your skin,” says Kumer. The jail renovation would add an outdoor recreation area on a rooftop.

[C] A lack of ventilation is among the biggest concerns for Kumer and jail board members. There are no fresh-air intake ducts in much of the jail, which means the indoor air is recirculated. That makes preventing the spread of illness including COVID difficult or impossible. 

[D] The 1974 wing of the jail will be demolished as part of the renovation. Kumer says new construction will be “trauma informed,” adding sound baffling and using calming colors to improve conditions for inmates and staff. There will be expanded space for classrooms and mental health treatment.—Courteney Stuart

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‘No new crimes’

During a heated one-day veto session last week, the Virginia General Assembly killed Governor Glenn Youngkin’s amendments that would have created two new misdemeanor crimes for possessing more than two ounces of marijuana, accompanied by potential fines and jail time. The controversial legislation also would have banned the sale of Delta-8—a popular form of THC that gives users a less potent high than regular weed—starting in October.

The Democratic-controlled Senate initially rejected Youngkin’s amendments, which would have allowed the governor to sign or veto the original bill prohibiting marijuana products in the shape of a human, animal, vehicle, or fruit. However, after a lengthy debate, the senators decided to send the bill to the Rehabilitation and Social Services Committee, taking the new crimes off the table—at least until next year.

Since Virginia legalized marijuana last year, the laws surrounding the drug have continued to stir up debate among legislators. While adults 21 and over can legally possess up to one ounce of marijuana and grow up to four plants at home, it will not be legal to sell it until 2024. Individuals found guilty of possessing more than an ounce—but less than a pound—are subject to a $25 civil fine. (Possessing more than a pound remains a felony.)

Multiple racial justice groups rallied against the governor’s amendments, which they said would have had a disproportionate impact on Black people. According to the American Civil Liberties Union, Black people are nearly four times more likely than white people to be arrested for marijuana possession, even though both use the drug at about the same rate.

“This re-criminalization of possession is really just a re-targeting of law enforcement back on Black and brown people in Virginia,” says Chelsea Higgs Wise, executive director of Marijuana Justice. “You’re separating families, you’re putting people in a cage, and you’re now putting up barriers to housing and education.”

Last month, the CannaJustice Coalition—including Marijuana Justice, Rise for Youth, Justice Forward Virginia, and the Virginia Student Power Network—delivered a petition signed by more than 1,300 supporters to the General Assembly, urging it to not create any new marijuana crimes, among other demands. Instead, the coalition says legislators should focus on resentencing the hundreds of people incarcerated for using a now-legal substance.

“We are also disappointed that legislators and even some advocates are publicly discussing which new crimes would be more acceptable than other new possession crimes, when the demand should be no new crimes,” adds Higgs Wise. “If we can’t agree on that, then we definitely can’t agree on who should be making the millions and billions of profit.”

The proposed penalties would have taken the state’s criminal justice reform efforts a step backwards. Last year, Virginia automatically sealed all records of misdemeanor possession with intent to distribute marijuana, including arrests, charges, and convictions. And in 2020, all records of misdemeanor simple possession were sealed. 

The death of Youngkin’s amendments comes after the Republican-controlled House killed a bill earlier this year that would have allowed licensed medical dispensaries and 10 industrial hemp processors to begin selling recreational weed in September, but prohibited other retailers from selling the drug until 2024. Some advocacy groups protested against the proposed law, claiming it would give corporations an unfair advantage and increase enforcement in marginalized communities. Legislators are expected to discuss early sales again next year.

However, marijuana advocates like Virginia NORML continue to urge legislators to crack down on unregulated marijuana products, and establish a legal market as soon as possible. Over the past year, products like Delta-8 have increasingly popped up in convenience stores, smoke shops, and other businesses across the state, causing some users to experience adverse effects.

“Unregulated products containing synthetically-derived THC will continue to be sold at retail and wholesale outside of the strict regulatory oversight currently required for legally produced cannabis products,” said JM Pedini, executive director of Virginia NORML, in a press release. “Consumers deserve to know what they’re purchasing, and far too often what’s on the label is not what’s in the package.”

Still, Pedini points to a new law improving the state’s medical cannabis program as a victory for NORML this year. Starting in July, patients who have received written certification from a medical provider will no longer have to go through the lengthy process of registering with the Board of Pharmacy—they will be allowed to shop at a medical dispensary right away. There are currently around 8,000 patients waiting to access the program.

Higgs Wise remains worried about what the next legislative session will bring, and anticipates another tough fight to keep new marijuana crimes off the books.

“I am hoping that by then there will be one or at least a few champions that step up for legalization and will carry a bill that has our true demands in it,” she says. “We do not have to rush to legalize [sales] next session…It’s not just about the criminality but also the commercialization that is going to lead towards exploitation [and] leaving out small entrepreneurs.”

“We’re ready to hold the line strong,” she adds.