Painter Frances Brand’s “Firsts” collection put names and faces to innovative doers whose contributions shaped Charlottesville. All images courtesy of the Albemarle Charlottesville Historical Society Collection.
It wasn’t until the 1970s that painter Frances Brand found her creative calling. Inspired by the story of Anna Luisa Puerta, an immigrant from Colombia who took a job as VDOT’s first flag woman in order to support her family, Brand started thinking about other people in our area who were the first to do something noteworthy in their careers, studies, or other endeavors, whether because of race, gender, or nationality. Running with this idea, Brand completed over 157 portraits with the bulk produced between 1974 and 1978.
Painting History: Frances Brand and the “Firsts,” a panel discussion on Brand and an exhibition of her legacy of socially engaged artwork, will be presented at 6pm on Wednesday, January 10, at the Martin Luther King Jr. Performing Arts Center. The panel boasts its share of firsts—Nancy O’Brien (Charlottesville’s first female mayor), Cornelia Johnson (Charlottesville’s first Black female officer), Teresa Walker Price (the first Black female secretary of Charlottesville’s electoral board)—all painted by Brand, as well as Frank Walker (artist and painter of a portrait of Frances Brand). Former Charlottesville mayor Virginia Daugherty will serve as the event’s moderator.
For information about the January 10 panel and exhibition, visit albemarlehistory.org.
The panel, and exhibition of a selection of Brand’s portraits on view in the performing arts center lobby, is part of a larger effort undertaken by Daugherty, O’Brien, and others, to ensure the “Firsts” portraits remain a vital part of the Charlottesville community. Brand’s granddaughter, Cynthia Brand, donated the collection to the Albemarle Charlottesville Historical Society in 2006. Many are in need of costly restoration work. Brand didn’t use the best materials, sometimes painting over affordable artwork from five and dime stores.
Brand, who died in 1990, was wonderfully unconventional. An Army brat, whose father, maternal grandfather, and maternal great-grandfather all graduated from the U.S. Military Academy, Brand was born at West Point. She moved from one Army post to another throughout her childhood, attending boarding schools, including a convent school in Belgium, before entering Goucher College in Baltimore.
Brand lived in Charlottesville twice. The first time while her husband was attending law school in the late 1920s, and then she returned for good in 1959, settling in the JPA neighborhood. In the interim, she had two sons, joined the Women’s Army Corps, divorced, and lived abroad working with the German Youth Association aiding children who’d suffered under the Nazis. Upon her retirement from the Army in 1954, she lived in Mexico City, where she earned a bachelor’s degree in art.
Brand’s deep commitment to portraiture and social justice is similar to her contemporary, the great Alice Neel. So too is the confrontational quality of her portraits, their scale, and the interest in pattern. Brand uses it with panache, as can be seen from the bold herringbone in the jacket of William Harris, UVA’s first dean of African American affairs; the black and gray houndstooth of The New York Times’ first female reporter Nancy Hale Bowers’ cape, which echoes the newsprint in her hand; and the elaborately embellished skirt worn by Grace Tinsley, the first Black woman to serve on Charlottesville’s school board. In Brand’s self-portrait, she employs the conceit of the mirror to give you two Brands: herself and her reflection, thus doubling not just her, but also the expanse of eye-popping floral material that comprises her gown, turning the bottom of the painting into a field of flowers.
Evident in the work of both Neel and Brand is the respect and admiration for their sitters. But that’s where the comparison stops. Neel was a consummate artist in complete control of her medium. She took her time developing a work to completion. For Brand, the narrative elements, and her goal of recording as many firsts as she could, eclipsed technique. She was in a hurry, eager to complete her project and trumpet the achievements of her sitters.
Brand didn’t just paint “the walk,” she walked it, not only by shining a spotlight on ordinary people doing extraordinary things, but in her inclusive attitude. It’s noteworthy that Brand, along with her friend, prominent local civil right activist Sarah Patton Boyle (who Brand depicts with a burning cross that had been ignited by white supremacists on her lawn), are the first white members of Charlottesville’s NAACP.
We don’t often have the opportunity to pause and consider steps made along the way that help enrich a community and move it forward. Brand’s joyful paintings of this extensive cast of lively, interesting, stylish, and socially engaged people offer just this, breathing life into a slice of Charlottesville’s history.
Jenn Clemons at McGuffey Art Center. All images courtesy of the galleries.
Albert and Shirley Small Special Collections Library 2450 Old Ivy Rd. “Their World As Big As They Made It: Looking Back at the Harlem Renaissance,” plus other permanent exhibitions.
The Center at Belvedere 540 Belvedere Blvd. “Near and Far: Oil Paintings from Virginia, Maine and Tennessee” by Randy Baskerville. Through February 29.
Chroma Projects Inside Vault Virginia, Third St. SE. In the Micro Gallery, Cyd Black’s “Ordered Worlds” showcases abstract paintings through January 26. In Vault Virginia’s Great Hall Galleries, “Sculpted Harmony” by Alan Box Levine and “Sabr (Patience)” by Amdane Sanda are on display through March.
Amdane Sanda at Chroma Projects.
Crozet Library 2020 Library Ave., Crozet. Ink and watercolor works by Gayle Keaton.
C’ville Arts Cooperative Gallery 118 E. Main St., Downtown Mall. The Studio Sale showcases locally handmade arts and crafts.
Elmaleh Gallery Campbell Hall, UVA Grounds. “Almost Useful: The Michael Owen Jones Exhibition.” Opens January 17.
Grace Estate Winery 5273 Mt. Juliet Farm, Crozet. Works by local landscape artist Anne French. Through March.
Kluge-Ruhe Aboriginal Art Collection of UVA 400 Worrell Dr. “Performing Country,” never-before-seen works from the museum’s permanent collection, and “Close to the Wind,” screenprints and installation work by First Nations Australian multidisciplinary artist Lisa Waup. Through March 3.
McGuffey Art Center 201 Second St. NW. In the Smith Gallery, “De-Circulated,” a photography exhibition of reconstructed covers of banned books by Karen Duncan Pape. In the First and Second Floor Galleries, the new members’ show features works by artists including Carolyn Brandt, Tori Cherry, and Jenn Clemons. In the Associate Gallery, a group show on the theme “Quiet.” Through January 28.
Northside Library 705 Rio Rd. W. A multimedia exhibit with BozART Fine Arts Collective artist’s Judi Ely, Katharine Eisaman Maus, and Shirley Paul. In the Quiet Room, works by Terry Pratt.
The PVCC Gallery V. Earl Dickinson Building, 501 College Dr. In the North Gallery, “Looking Small, Thinking Big,” by Fenella Belle. In the South Gallery, “Drawn to the Light” by Deborah Davis. Through January 13. “The Power of Plenty” opens January 26.
Quirk Gallery 499 W. Main St. “game of telephone,” contemporary works by Michael Reisor is on display through January 21. Frankie Slaughter’s “Interplay” opens January 25.
Random Row Brewery 608 Preston Ave. Watercolors by Juliette Swenson. Through January 15.
The Rotunda UVA Grounds. In the Upper West Oval Room, “Waŋupini: Clouds of Remembrance and Return” features printmaking and ceramics by Yolŋu artists from Arnhem Land. Through July 7.
Scottsville Library 330 Bird St., Scottsville. A community exhibit of sunflower paintings.
Second Street Gallery 115 Second St. SE. In the Main Gallery, “The Labyrinth,” many-layered constructions of mineral-pigmented glazes by Clay Witt. In the Dové Gallery, “Under the Skin,” paintings and works on paper by Akemi Ohira. Through January 19.
Studio Ix 969 Second St. SE. “Black-eyes peas, Greens, and Cornbread,” a group exhibition by the Charlottesville Black Arts Collective, including Lizzie Brown, Gabrielle Cash, Sahara Clemons, Sarah Jones, Jae Johnson, Jowarnise, David Marion and Ron Stokes. Through January 28.
Lizzie Brown at Studio Ix.
Unitarian Universalist Congregation of Charlottesville 717 Rugby Rd. The intuitive, or process, paintings of Shirley Paul. Through February.
Visible Records 1740 Broadway St. “Tributaries: A Visible Records Community Exhibition” is the result of visual artists and poets creating new works in conversation with one another. Through February 7.
Keep an eye on Corey Hoffman’s socials (@neonculturebrewing) for details on the upcoming tasting room at Murphy & Rude Malting Co. Photo by Tristan Williams.
All roads flow back to beer for Corey Hoffman, founder and head brewer at Neon Culture Brewing, a small-but-mighty start-up with big plans and singular suds.
Hoffman’s history with beer as a drinker includes—like many of us—college-age encounters involving red Solo cups, ping-pong balls, and cold cans sipped at a bar. That all changed in 2017 when Hoffman’s brother asked a simple question that launched a career: Have you ever heard of homebrewing?
“At the time I was looking for something to pour myself into,” says Hoffman. “I was trying to get out of my mom’s house, as all millennials try to do after you’re there way longer than you’re supposed to be, so I bought this [homebrewing] kit on a whim.”
Hoffman’s first beer was pretty undrinkable, but the experience inspired him to start researching and learning more about what goes into brewing beer. As he delved deeper into the worlds of homebrewing and beermaking, it became abundantly clear to him just how white the brewing industry is.
“When I started homebrewing I quickly realized there weren’t a lot of people that looked like me that were doing what I was doing,” Hoffman says. “I wondered in my mind, why don’t Black people like this beer? Why don’t I see a lot of Black homebrewers? It’s not that they don’t like it, it’s just that either you’re not exposed to it, or maybe the price point is too high, but mostly that it’s very intimidating walking into spaces when you don’t know anything about them.”
“That was the catalyst for me starting my own thing,” Hoffman says. “I wanted to share what I was doing with people, but at the same time I wanted to change the perception of what craft beer is—who it’s for and what it’s about.”
So Hoffman launched Neon Culture, a grassroots, community-organized brewery that keeps inclusivity, community, and collaboration at the heart of its mission. It’s also the first Black-owned brewery in Charlottesville.
While many breweries today embrace a classic style, Neon Culture brings a different vibe into the local beerscape—one that embraces experimentation, unconventional ingredients, and welcomes seasoned hop-heads and beer newbies alike.
“I think of all my brews as mixtapes,” says Hoffman, who is inspired by ’80s and ’90s aesthetics, including bright colors, vintage technology, and music. “We always have one or two beers that are on the normal side, and then there’s at least one with that Neon Culture vibe that’s a little different.”
Hoffman’s previous brews include Appetite for Inclusion, a hazy IPA made with Richmond homebrewer Rusty Barrel, HAZELWHAT?!, an imperial stout with hazelnuts, cacao nibs, and vanilla beans, and Summer at the Dreamhouse, a wheat beer that blends nostalgia with current pop culture and notes of grilled pineapples, mangoes, and habanero.
All of Neon Culture’s beers are brewed at and released in collaboration with Decipher Brewing, as Hoffman slowly works toward opening his own brewery. The next step in his journey—a small taproom and tasting bar in Murphy & Rude Malting Co.’s expanding space—is coming sometime this year.
“I’m not in a rush,” says Hoffman, who is embracing every step of the process. “I’m trying to make a new culture around here.”
Jason Crane, who's been joined by several dozen locals for vigils in support of the Palestinian people, says he's heartened by the support he's received. Photo by Matt Dhillon.
As the number of Palestinian lives lost from the conflict in Gaza climbs to over 20,000, according to the Palestinian Ministry of Health, voices addressing the crisis are louder than ever. Local activist Jason Crane is one of them.
Since October 24, Crane has held a vigil every weekday morning on the corner of Rugby Road and Rugby Avenue in observance of the loss of Palestinian life. Like hundreds of thousands of Americans, Crane wanted to acknowledge the unfolding crisis in the region, so, with a homemade sign reading “Stop Genocide, Free Palestine,” he walked to the busiest street corner accessible to him, and made it a daily ritual.
Crane says for the first week or two, he held the vigil alone. Then someone saw one of his daily posts on Instagram and joined him the next morning. A neighbor who saw him while driving by decided to stop and participate as well. Crane says there are now about 50 people who attend off and on. On November 9, a similar vigil gathered in front of the Northrop Grumman building on Route 29, and has continued from 4 to 5pm every Friday.
According to the Crowd Counting Consortium, a public service project that tracks non-violent protests, the majority of demonstrations in the United States expressed solidarity with Israel in the first 10 days following the October 7 attack by Hamas, with 270 recorded compared with nearly 200 in support of Palestine. But as the war continued, the nation saw a massive surge of support for Palestine. On November 28, CCC recorded 1,869 events showing solidarity for Palestine compared to 433 in support of Israel since October 7.
“The belief that Israel is committing genocide in Gaza appears to be an important factor in the growth of this movement,” writes Jay Ulfelder, program director of Harvard’s Nonviolent Action Lab, on the CCC blog.
“For me this is a daily show of solidarity,” says one attendee of the Charlottesville-area vigils. “What’s important is that we show people we’re still out there and remind people that this is still happening.”
Crane says their presence every day is helping those who feel the same way know that they are not alone, one of his primary motivations for holding the vigil.
“The way that I know that, is people do things like pull over and hand us a tray of muffins, or bring us coffee,” Crane says. “A very elderly woman came with a box full of pastries from Albemarle Baking Company, and she handed them out to us.”
But there are also the hecklers.
“The number-one reaction, far outstripping every other reaction, is apathy,” Crane says. “It’s just people who barely look at us or look and look away. Number two is positive, and there are a lot of positive reactions. And a distant third is negative, people who flip us off or yell.”
Sixty-one percent of Americans support a permanent ceasefire in the region, according to a poll conducted by Data for Progress and published December 5. The poll found that 74 percent of those surveyed support sending food, water, and medical aid to the people of Gaza. 49 percent support sending military aid to Israel, while 38 percent oppose it.
Though the U.S. has long been a staunch ally of Israel, President Joe Biden said the country was losing international support by its “indiscriminate bombing” of the area. Israeli airstrikes continue across Gaza, including the southern city of Rafah. More than 50,000 Palestinians have been injured, 300,000 residences destroyed, and 26 out of the area’s 35 hospitals are not functioning, according to data collected by Al Jazeera.
Yet the U.S. has vetoed three U.N. resolutions calling for an immediate end to hostilities in the region. Fifth District Representative Bob Good expressed “unequivocal support” for the war in Gaza during a December 20 pro-Israel event at the Fluvanna County Public Library.
On the topic of popular support for a permanent ceasefire, the congressman said, “the only solution for Israel is to eradicate and defeat Hamas to ensure [an attack] cannot happen again.” Good supported a $14.3 billion aid package for Israel that passed in the House at the beginning of November.
From Crane’s vantage, however, the vast majority of people are in favor of peace.
“I’ve been really heartened by the number of people who support us,” Crane says. “I think it’s not a hard concept to understand that genocide is bad. And I think we afford [people] a very small chance each morning to say that out loud in some way.”
The Alderman Library project, which cost more than $100 million, included renovating 100,000 square feet of the original structure and a 130,000 square-foot addition. Photo by University Communications.
The University of Virginia will reopen Alderman Library on January 8 after nearly four years of renovations. As work continues on the project during the spring semester, the UVA Board of Visitors will also consider renaming the university’s main library ahead of the official grand opening in April.
Since closing in March 2020, Alderman Library has undergone extensive renovations to improve the buildings’ safety, accessibility, and amenities. New features include the secondary entrance on University Avenue, two study courts, and more natural lighting.
“We are eager to welcome the UVA community back to the newly renovated library,” says UVA Deputy Spokesperson Bethanie Glover. “Library visitors can expect more study spaces, better accessibility, more natural light, a student-run café, and more following the reopening.”
Glover says the university is opening the building now to allow the Class of 2024 the opportunity to use Alderman before graduation. Most elements of the library will be accessible in January, but the book and material relocation process will continue throughout spring. More than a million books will be moved by library workers in what is expected to be a six-month process.
Beyond book relocation, another crucial item is still up in the air: the library’s name.
The University of Virginia is one of several major institutions that has considered and, in many instances, renamed buildings that are named after problematic individuals. One example is UVA’s 2020 decision to drop enslaver and confederate supporter J.L.M. Curry’s name from the School of Education and Human Development.
The university’s main library is currently named after UVA’s president from 1905 to 1931, Edwin Alderman. Proponents of renaming the library say Alderman should not be honored, given his staunch support of the pseudoscience of eugenics and white supremacy during his time as university president. A 2018 president’s commission report examining slavery at the UVA noted Alderman’s aim to make the university a “leading eugenics research center.”
“The topic of renaming the library is expected to appear in the March 2024 Board of Visitors meeting materials for discussion,” says Glover. She did not say whether new signage referring to the building as Alderman Library was created during the renovation process.
While the Board of Visitors was slated to take up renaming the library in December, it pushed consideration of the name change to March 2024. At press time, the Board of Visitors had not responded to a request for comment.
The university is not expected to hold any special events related to the reopening prior to April’s official opening.
The original design for an apartment building at the old Martha Jefferson Hospital site may not work under the city's new zoning code. Image by Two Street Studio.
Now that 2024 is here, one of the challenges for a land-use reporter will be how to cover potential buildings as they make their way through Charlottesville’s new rules for building. City Council adopted a zoning code on December 18 that eliminated most discretionary review of land-use applications.
One day later, Charlottesville’s Board of Architectural Review held a preliminary review of one project for which a site plan had been submitted in mid-November. That’s after the August 18 cut off, as recommended by staff and agreed upon by council, so it will be reviewed under the new rules.
The site plan by Two Street Studios shows a five-story building with 192 residential units constructed in what is now a surface parking lot for the building that formerly housed Martha Jefferson Hospital. An internal garage will supply spaces for both the new homes and the converted office building.
The property at 915 E. High St. is in one of the city’s historic conservation districts. That will continue to give the BAR a role to play in shaping future buildings.
“The design guidelines would say new construction should be at the prevailing height,” says Jeff Werner, the city’s preservation planner. “That would suggest two stories.”
However the guidelines would also allow the BAR to issue a certificate of appropriateness for a structure to be 200 percent of the prevailing height.
“The new zoning, once everything gets put in place, would allow a 10-story building at this site,” Werner says. “It’s not a single-family detached house. This is a building within a neighborhood of single-family detached homes.”
The new zoning ordinance will cap the building width at 175 feet, and Warner says a new design will need to incorporate some sort of a break in the structure to avoid it becoming too monolithic.
Planning Commissioner Carl Schwarz also sits on the BAR, and he pointed out that the original design may not fit under the new zoning.
“The setbacks on this project are significantly greater than would be allowed by what I believe our new zoning code is going to permit,” Schwarz says.
Schwarz wanted to know how much leeway the BAR might have in granting greater setbacks. Werner says some of the ramifications of the new zoning will come out as individual projects are reviewed.
“Now that they’ve approved the ordinance, staff kind of got to the point where we said, ‘Let’s see what they approve and then we’ll go back in and become experts on it,’” Werner says.
The BAR review also allows a conduit for neighborhood feedback to be taken into consideration. Chair Breck Gastinger read the comments from people who wanted more information on how the project would improve pedestrian connectivity in the area. He also added his own comment.
“I think it could be appropriate to add height on East High Street if that is desired,” Gastinger says. “Having more height variation across that facade would break down the mass.” That additional height would be allowed by-right under the Node Mixed Use 10 zoning that is now codified in the approved zoning ordinance.
“We have made the planet inhospitable to human life.” That’s what the lead researcher in Project Censored’s number one story this year said. He wasn’t talking about the climate catastrophe. He was talking about so-called “forever chemicals,” per- and poly-fluoroalkyl substances (PFAS), linked to prostate, kidney and testicular cancer and additional health risks, and the study he led found unsafe levels in rainwater worldwide.
Even though this story received some corporate media attention—in USA Today and on the Discovery Channel—the starkly shocking bottom line clearly didn’t come through to the general public. Have you heard it before? Has it been the subject of any conversation you’ve had? No? Well, that, my friend, is the very essence of what Project Censored’s signature list is all about—exposing the suppression (active or passive) of vitally important information from the public, which renders the public unable to act in the way that a healthy democratic public is supposed to. They’ve been doing it since Carl Jensen began it with a single college class in 1976, inspired in part by the way the Watergate story got this same sort of treatment until well after the election cycle it was part of.
1. “Forever chemicals” in rainwater a global threat to human health
Rainwater is “no longer safe to drink anywhere on Earth,” Morgan McFall-Johnsen reported in Insider in August 2022, summing up the results of a global study of so-called “forever chemicals,” polyfluoroalkyl substances, published in the journal Environmental Science & Technology. Researchers from Stockholm University and the Institute of Biogeochemistry and Pollutant Dynamics at ETH Zurich concluded that “in many areas inhabited by humans,” PFAS contamination levels in rainwater, surface water, and soil “often greatly exceed” the strictest international guidelines for acceptable levels of perfluoroalkyl acids.
They’re called “forever chemicals” because they take so long to break down, “allowing them to build up in people, animals, and environments,” Insider reported. Project Censored notes, “Prior research has linked these chemicals to prostate, kidney, and testicular cancer and additional health risks, including developmental delays in children, decreased fertility in women and men, reduced vaccine efficacy, and high cholesterol.”
“PFAS were now ‘so persistent’ and ubiquitous that they will never disappear from the planet,” lead researcher Ian Cousins told Agence France-Presse. “We have made the planet inhospitable to human life by irreversibly contaminating it now so that nothing is clean anymore. And to the point that it’s not clean enough to be safe,” he said, adding that “We have crossed a planetary boundary,” a paradigm for evaluating Earth’s capacity to absorb harmful impacts of human activity.
The “good news” is that PFAS levels aren’t increasing in the environment. “What’s changed is the guidelines,” he said. “They’ve gone down millions of times since the early 2000s, because we’ve learned more about the toxicity of these substances.”
All the more reason the second strand of this story is important: “The same month,” Project Censored writes, “researchers at the University of California, San Francisco, published a study in the Annals of Global Health using internal industry documents to show that the companies responsible for ‘forever chemicals’ have known for decades that these substances pose significant threats to human health and the environment.”
There’s been limited corporate media coverage that rainwater isn’t safe to drink—specifically from USA Today, the Discovery Channel, and Medical News Today. But the general public clearly hasn’t heard the news. However, there’s been more coverage of the series of lawsuits developing in response to PFAS. But the big-picture story surrounding them remains shockingly missing.
2. Hiring of former CIA employees and ex-Israeli agents “blurs line” between big tech and big brother
“Google—one of the largest and most influential organizations in the modern world—is filled with ex-CIA agents,” Alan MacLeod reported for MintPress News in July 2022. “An inordinate number of these recruits work in highly politically sensitive fields, wielding considerable control over how its products work and what the world sees on its screens and in its search results.”
“Chief amongst these is the trust and safety department, whose staff, in the words of the Google trust and safety vice president Kristie Canegallo, ‘[d]ecide what content is allowed on our platform’—in other words, setting the rules of the internet, determining what billions see and what they do not see.”
And more broadly, “a former CIA employee is working in almost every department at Google,” Project Censored noted.
But Google isn’t alone. Nor is the CIA. “Former employees of U.S. and Israeli intelligence agencies now hold senior positions at Google, Meta, Microsoft, and other tech giants,” Project Censored wrote. A second report focused on employees from Israel’s Unit 8200, its equivalent of the CIA, which is “infamous for surveilling the indigenous Palestinian population,” MacLeod wrote. Using LinkedIn, he identified hundreds of such individuals from both agencies, providing specific information about dozens of them.
“The problem with former CIA agents becoming the arbiters of what is true and what is false and what should be promoted and what should be deleted is that they cut their teeth at a notorious organization whose job it was to inject lies and false information into the public discourse to further the goals of the national security state,” MacLeod wrote, citing the 1983 testimony of former CIA task force head John Stockwell, author of In Search of Enemies, in which he described the dissemination of propaganda as a “major function” of the agency.
“I had propagandists all over the world,” Stockwell wrote, adding, “We pumped dozens of stories about Cuban atrocities, Cuban rapists [to the media]… We ran [faked] photographs that made almost every newspaper in the country … We didn’t know of one single atrocity committed by the Cubans. It was pure, raw, false propaganda to create an illusion of communists eating babies for breakfast.”
“None of this means that all or even any of the individuals are moles—or even anything but model employees today,” MacLeod noted later. But the sheer number of them “certainly causes concern.”
Reinforcing that concern is big tech’s history. “As journalist Nafeez Ahmed’s investigation found, the CIA and the NSA were bankrolling Stanford Ph.D. student Sergey Brin’s research—work that would later produce Google,” MacLeod wrote. “Not only that but, in Ahmed’s words, ‘senior U.S. intelligence representatives, including a CIA official, oversaw the evolution of Google in this pre-launch phase, all the way until the company was ready to be officially founded.’”
This fits neatly within the larger framework of Silicon Valley’s origin as a supplier of defense department technology.
“A May 2022 review found no major newspaper coverage of Big Tech companies hiring former U.S. or Israeli intelligence officers as employees,” Project Censored noted. “The most prominent U.S. newspapers have not covered Google, Meta, Microsoft, and other big tech companies hiring former U.S. and Israeli intelligence officers.” Individual cases may make the news. But the overall systemic pattern remains a story censored by mainstream silence.
3. Toxic chemicals continue to go unregulated in the United States
The United States is “a global laggard in chemical regulation,” ProPublica reported in December 2022, a result of chemical industry influence and acquiescence by the Environmental Protection Agency over a period of decades, according to reporters Neil Bedi, Sharon Lerner, and Kathleen McGrory. A headline example: asbestos, one of the most widely-recognized toxic substances, is still legal in the U.S., more than 30 years after the EPA tried to have it banned.
“Through interviews with environmental experts and analysis of a half century’s worth of legislation, lawsuits, EPA documents, oral histories, chemical databases, and regulatory records, ProPublica uncovered the longstanding institutional failure to protect Americans from toxic chemicals,” Project Censored reported. ProPublica identified five main reasons for failure:
1. The chemical industry helped write the 1976 Toxic Substances Control Act. A top EPA official “joked the law was ‘written by industry’ and should have been named after the DuPont executive who went over the text line by line,” ProPublica reported. The law “allowed more than 60,000 chemicals to stay on the market without a review of their health risks” and required the EPA to always choose the “least burdensome” regulations. “These two words would doom American chemical regulation for decades.”
2. Following early failures, the EPA lost its resolve. In 1989, after 10 years of work, the EPA was banning asbestos. But companies that used asbestos sued and won in 1991, based on a court ruling they’d failed to prove it was the “least burdensome” option. However, “the judge did provide a road map for future bans, which would require the agency to do an analysis of other regulatory options … to prove they wouldn’t be adequate,” but rather than follow through, the EPA simply gave up.
3. Chemicals are considered innocent until proven guilty. For decades, the U.S. and E.U. used a “risk-based” approach to regulation, requiring the government to prove a chemical poses unreasonable health risks before restricting it—which can take years. In 2007, the E.U. switched to a “hazard-based” approach, putting the burden on companies when there’s evidence of significant harm. As a result, ProPublica explained, “the E.U. has successfully banned or restricted more than a thousand chemicals.” A similar approach was proposed in the U.S. in 2005 by New Jersey Sen. Frank Lautenberg, but it was soundly defeated.
4. The EPA mostly regulates chemicals one by one. In 2016, a new law amended the TSCA to cut the “least burdensome” language, and created a schedule “where a small list of high-priority chemicals would be reviewed every few years; in 2016, the first 10 were selected, including asbestos,” ProPublica reported. “The EPA would then have about three years to assess the chemicals and another two years to finalize regulations on them.” But six years later, “the agency is behind on all such rules. So far, it has only proposed one ban, on asbestos, and the agency told ProPublica it would still be almost a year before that is finalized.” Industry fights the process at every step. “Meanwhile, the E.U. has authored a new plan to regulate chemicals even faster by targeting large groups of dangerous substances,” which “would lead to bans of another 5,000 chemicals by 2030.”
5. The EPA employs industry-friendly scientists as regulators. “The EPA has a long history of hiring scientists and top officials from the companies they are supposed to regulate, allowing industry to sway the agency’s science from the inside,” ProPublica wrote. A prime example is Todd Stedeford. “A lawyer and toxicologist, Stedeford has been hired by the EPA on three separate occasions,” ProPublica noted. “During his two most recent periods of employment at the agency—from 2011 to 2017 and from 2019 to 2021—he was hired by corporate employers who use or manufacture chemicals the EPA regulates.”
“A handful of corporate outlets have reported on the EPA’s slowness to regulate certain toxic chemicals,” Project Censored noted, citing stories in The Washington Post and The New York Times. “However, none have highlighted the systemic failures wrought by the EPA and the chemical industry.”
4. Stalkerware could be used to incriminate people violating abortion bans
Stalkerware—consisting of up to 200 surveillance apps and services that provide secret access to people’s phones for a monthly fee—“could become a significant legal threat to people seeking abortions, according to a pair of articles published in the wake of the U.S. Supreme Court’s decision to overturn the constitutional right to abortion,” Project Censored reports.
“Abortion medication is safe. But now that Roe is overturned, your data isn’t,” Rae Hodge wrote for the tech news site CNET just two days after the Dobbs decision. “Already, the digital trails of abortion seekers can become criminal evidence against them in some states where abortion[s] were previously prosecuted. And the legal dangers may extend to abortion seekers in even more states.” The next month, writing for Slate, University of Virginia law professor Danielle Keats Citron warned that “surveillance accomplished by individual privacy invaders will be a gold mine for prosecutors targeting both medical workers and pregnant people seeking abortions.”
Invaders only need a few minutes to access phones and passwords. “Once installed, cyberstalking apps silently record and upload phones’ activities to their servers,” Citron explained. “They enable privacy invaders to see our photos, videos, texts, calls, voice mails, searches, social media activities, locations—nothing is out of reach. From anywhere, individuals can activate a phone’s mic to listen to conversations within 15 feet of the phone,” even “conversations that pregnant people have with their health care providers—nurses, doctors, and insurance company employees,” she warned. As a result, Hodge cautioned, “Those who aid abortion seekers could be charged as accomplices in some cases,” under some state laws.
It’s not just abortion, she explained, “Your phone’s data, your social media accounts, your browsing and geolocation history, and your ISP’s detailed records of your internet activity may all be used as evidence if you face state criminal or civil charges for a miscarriage.”
“Often marketed as a tool to monitor children’s online safety or as device trackers, stalkerware is technically illegal to sell for the purpose of monitoring adults,” Project Censored noted, but that’s hardly a deterrent. “Stalkerware and other forms of electronic surveillance have been closely associated with domestic violence and sexual assault, according to the National Network to End Domestic Violence,” Citron noted.
In addition, Hodge explained, “third-party data brokers sell sensitive geolocation data—culled through a vast web of personal tracking tech found in apps, browsers, and devices—to law enforcement without oversight.” And “abortion bounty hunter” provisions, adopted by states like Texas and Oklahoma, add a financial incentive. “Given the inexpensive cost of readily available stores of personal data and how easily they can be de-anonymized, savvy informants could use the information to identify abortion seekers and turn a profit,” she noted.
“The law’s response to intimate privacy violations is inadequate, lacking a clear conception of what intimate privacy is, why its violation is wrongful, and how it inflicts serious harm upon individuals, groups, and society,” Citron explained. “Until federal regulations and legislation establish a set of digital privacy laws, abortion seekers are caught in the position of having to create their own patchwork of digital defenses, from often complicated and expensive privacy tools,” Hodge warned. While the bipartisan American Data Privacy and Protection Act is still “slowly inching through Congress” it “is widely thought toothless,” she wrote.
The Joe Biden administration has proposed a new rule protecting “certain health data from being used to prosecute both clinicians and patients,” STAT reported in May 2023, but the current draft only applies “in states where abortion is legal.”
“Corporate news outlets have paid some attention to the use of digital data in abortion-related prosecutions,” Project Censored reports. While there have been stories about post-Roe digital privacy, “none have focused specifically on how stalkerware could potentially be used in criminal investigations of suspected abortions.”
“The forest carbon offsets approved by the world’s leading certifier and used by Disney, Shell, Gucci, and other big corporations are largely worthless and could make global heating worse, according to a new investigation,” The Guardian reported on January 23, as part of a joint nine month reporting project with SourceMaterial, and Die Zeit. “The analysis raises questions over the credits bought by a number of internationally renowned companies—some of them have labeled their products ‘carbon neutral’, or have told their consumers they can fly, buy new clothes or eat certain foods without making the climate crisis worse.”
“About 90 percent of rainforest carbon offsets certified by Verra, the world’s largest offset certifier, do not reflect real reductions in emissions,” Project Censored summed up. Verra, “has issued more than one billion metric tons worth of carbon offsets, certifies three-fourths of all voluntary carbon offsets.” While “Verra claimed to have certified 94.9 million credits” the actual benefits “amounted to a much more modest 5.5 million credits.” This was based on an analysis of “the only three scientific studies to use robust, scientifically sound methods to assess the impact of carbon offsets on deforestation,” Project Censored explained. “The journalists also consulted with indigenous communities, industry insiders, and scientists.”
“The studies used different methods and time periods, looked at different ranges of projects, and the researchers said no modeling approach is ever perfect,” The Guardian wrote. “However, the data showed broad agreement on the lack of effectiveness of the projects compared with the Verra-approved predictions.”
Specifically, “The investigation of twenty-nine Verra rainforest offset projects found that twenty-one had no climate benefit, seven had significantly less climate benefit than claimed (by margins of 52 to 98 percent less benefit than claimed), while one project yielded 80 percent more climate benefit than claimed. Overall, the study concluded that 94 percent of the credits approved by these projects were ‘worthless’ and never should have been approved.”
“Another study conducted by a team of scientists at the University of Cambridge found that in thirty-two of the forty forest offset projects investigated, the claims concerning forest protection and emission reductions were overstated by an average of 400 percent,” Project Censored reported. “Despite claims that these thirty-two projects together protected an area of rainforest the size of Italy, they only protected an area the size of Venice.”
While Verra criticized the studies’ methods and conclusions, an outside expert, Oxford ecoscience professor Yadvinder Singh Malhi, had two Ph.D. students check for errors, and they found none. “I wish it were otherwise, but this report is pretty compelling,” he told The Guardian.
“Rainforest protection credits are the most common type on the market at the moment. And it’s exploding, so these findings really matter,” said Barbara Haya, director of the Berkeley Carbon Trading Project, who’s researched carbon credits for 20 years. “But these problems are not just limited to this credit type. These problems exist with nearly every kind of credit,” she told The Guardian. “We need an alternative process. The offset market is broken.”
“There is simply nobody in the market who has a genuine interest to say when something goes wrong,” Lambert Schneider, a researcher at the Öko-Institut in Berlin told SourceMaterial.
“The investigations by The Guardian, Die Zeit, and SourceMaterial appear to have made a difference. In March 2023, Verra announced that it would phase out its flawed rainforest offset program by mid-2025,” Project Censored reported. But they could only find one brief mention of the joint investigation in major U.S. newspapers: a Chicago Tribune op-ed.
Michael Clem has been entertaining local audiences with his solo, duo, trio, and ensemble configurations for over 15 years. Known for his multi-instrument talent and membership in Eddie From Ohio, Clem celebrates the release of his third full-length record, Circus Brawl, with a special solo set. The album’s nine songs span bluegrass to roots rock, and continue Clem’s tradition of celebrating musical connections with features from Andy Thacker, Charlie Bell, Malia Furtado, and more.
Saturday 1/6. $20–25, 8pm. The Front Porch, 221 E. Water St. frontporchcville.org
Vincent Zorn is always ready to rumba. The Charlottesville-based musician performs almost daily as a soloist and with his duo, Berto & Vincent. Zorn’s unique percussive style draws inspiration from gypsy culture in southern France and from time spent in Spain, Turkey, and Mexico, incorporating a variety of strumming styles, rhythms, and taps.
Various dates. Free, times vary. The Bebedero, 225 W. Main St., Downtown Mall, and South and Central Latin Grill, Dairy Market. vincentzorn.com
The Lord of the Rings: The Fellowship of the Ring. Photo by New Line Cinema.
Order extra popcorn and pop, because the extended edition of The Lord of the Rings: The Fellowship of the Ring clocks in at just under four hours. Peter Jackson’s fantasy classic is back on the big screen for a special screening to ring in the new year. Follow along as Frodo and his Hobbit friends battle terrifying Orcs and journey to the fires of Mordor. The series continues throughout the month with The Two Towers and The Return of the King.
Friday 1/5 & Saturday 1/6. $10, times vary. Alamo Drafthouse Cinema, 5th Street Station. drafthouse.com