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News

Charlottesville kicks off annual budget work, but still needs to allocate ARP funds

It’s budget time again in Charlottesville, and at the November 18 City Council meeting, City Manager Sam Sanders gave council members his first budget brief of the fiscal year.

Sanders highlighted a number of upcoming meetings and hearings, including a Planning Commission work session on November 26 and a public hearing on December 10. Sanders and city staff will also speak with the public about “things that they’d like to see discussed and/or considered for the budget” at the December 12 community forum.

As part of his presentation, Sanders outlined areas requiring additional regular expenditures, primarily to advance the city’s social equity goals. One area of significant investment that may see an increase is the Pathways Fund, which helps connect community members experiencing housing insecurity with resources. The program has had an increased and accelerated need for money beyond the quarterly funding schedule over the last year which, according to city staff, indicates not only a rise in costs, but local need.

“This is the second time this year we’ve asked to front the money earlier, so that we are not leaving a community member in a gap. But what that does mean is that more of our community members are in need, that is even with us putting some limitations on the funding to allow it to stretch as far as it can,” said Deputy City Manager for Social Equity Ashley Marshall. Beyond answering calls and connecting people with resources, human services employees also assist individuals and families in need.

While the details of Charlottesville’s annual budget are still unknown, Sanders says he is working to present a balanced budget that meets council’s priorities without additional tax increases.

“It is my desire that I can bring to you a balanced budget that does not rely on a tax increase. … I am not confident that I’ll be able to do that,” said Sanders. “I would like to have a lower surplus, and I would like to have a budget that I can bring to you that does not require a tax increase. I believe our public has made it clear that it is becoming more and more difficult for them if that is how we continue.”

The initial reading of the American Rescue Plan allocation was originally on the meeting agenda as well, but was pushed to a later date. Council has until the end of the year to finish allocating the more than $7.5 million in funding.

A majority of the remaining ARP funds are expected to go toward efforts to open a low- barrier shelter in the city and expanded social services programming.

The next City Council meeting is Monday, December 2.

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News

In brief 11/20/2024

No shrinking Violet

Despite a report of its impending closure, Violet Crown isn’t going anywhere, according to a statement published on the movie theater’s social media accounts.

“While we are aware of the potential sale of the property, it is our understanding that this sale has not yet closed and no decision is final,” shared Violet Crown Charlottesville in a November 13 Facebook post. “As far as we are concerned, we have years left on our lease term and fully intend to operate through all of them and beyond, if at all possible.”

Rumors circulated over the impending closure of Violet Crown when The Daily Progress published an article earlier the same day. According to the Progress, the owners of the Downtown Mall property where the theater is located are in the process of selling.

In a November 14 press release, Violet Crown lambasted the DP article, calling it “inaccurate” and “misinformation.” The theater also shared that the Progress allegedly denied a request for correction, citing that “every business eventually closes.”

Although it’s uncertain exactly when a sale could occur, the city’s Board of Architectural Review will hear from Jeffrey Levien November 19 regarding a “pre application conference” for the property, according to the meeting agenda. Levien has proposed building an 18-story apartment complex at the location, which would increase housing supply while towering above other downtown buildings. His previous projects include Six Hundred West Main and a forthcoming hotel at 218 W. Market St., a property he sold in mid-September but will stay involved in as a partner.

Violet Crown has been operating on Charlottesville’s historic Downtown Mall since 2015. The theater made news last fall when Austin, Texas-based Elevate Entertainment Group bought the location. Since acquiring Violet Crown, EEG has invested in improvements to the theater’s seating and dining areas.

Not so fast

A Palmyra woman has been arrested in connection with a November 12 car chase from Lake Monticello into Albemarle County. The defendant, Linda Jean Eckert, faces additional charges in Fluvanna and Albemarle in connection with the incident.

According to a release from the Fluvanna County Sheriff’s Office, the chase started when Eckert was seen allegedly violating a protective order and trespassing near a Lake Monticello residence, then fled the scene, disregarding an officer’s order to stop. Officers reported she continued to flee law enforcement and was driving recklessly.

Eckert is also suspected in a hit-and-run incident that occurred during the pursuit on Union Mills Road. She was arrested after being stopped by police on Route 29, which briefly closed its northbound lanes due to the chase.

Fluvanna authorities are continuing to investigate the incident according to a November 13 release. Eckert was charged with violating a protective order, trespassing, disregarding a law enforcement signal to stop, and reckless driving in Fluvanna; and obstruction of justice, eluding, and hit-and-run in Albemarle. She is currently in custody.

Lifeguard shortage

As winter approaches, Charlottesville is already looking ahead to next summer when families will flock to the Onesty Family Aquatic Center and Booker T. Washington Park pool. The city will consider hiring an outside firm to manage these locations, citing the ongoing lifeguard shortage as an obstacle to independently staffing its pools.

Rake it in

Around 600 people volunteered for Habitat for Humanity’s 11th annual rake-a-thon November 16 to raise funds for local affordable housing. Many University of Virginia students offered helping hands, including those from HUVA, the school’s Habitat Club. “UVA has such a large population in the City of Charlottesville. I think it’s important that students are concentrating their efforts to the entire city as a whole and not just the UVA campus,” said volunteer Achille Guest in an interview with CBS 19.

File photo.

Ctrl + Alt + Heal

A recent study by UVA Health physicians found that Chat GPT outperformed a group of 50 doctors in accurately diagnosing patients. Doctors working with traditional tools versus with A.I. assistance reported similar results, but Chat GPT alone surpassed both groups. Rather than replacing physicians with A.I., a November 13 UVA Health article about the study suggested the findings show the need for more training on optimal use of the technology.

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Arts Culture

Lucinda Williams

Following the 2023 release of her 16th studio album Stories from a Rock n Roll Heart and candid memoir Don’t Tell Anybody the Secrets I Told You, Lucinda Williams and her band bring a unique stage show functioning as a career retrospective. Though Williams can no longer play the guitar in the wake of a stroke she suffered in 2020, the multi-Grammy-winning musician is still a consummate songwriter. Featuring short films, photos, visual supplements, and songs with her full band, this evening will see Williams recount some of the singular moments in her life and career.

Wednesday 11/20. $49.75–84.75, 8pm. The Paramount Theater, 215 E. Main St., Downtown Mall. theparamount.net

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Arts Culture

Nurse Blake

They say laughter is the best medicine, and comedian Nurse Blake is on call with a heavy dose of hilarity. From Level 1 trauma centers to stages around the country, Blake Lynch has taken his unique experiences as a nurse to find the humor in humerus bones, the lighter side of liver disease, and the fun in hospital funding. Celebrating health care practitioners, this tour features live skits, videos, and interactive stories drawn from real life. And there’s likely to be plenty of care providers in the audience should you bust a gut, break a rib, or slap a knee too hard.

Monday 11/25. $45–59.50, 7pm. The Paramount Theater, 215 E. Main St., Downtown Mall. theparamount.net

Categories
Arts Culture

John Gibson in the HotSeat

No stranger to the stage, John Gibson worked at Live Arts for 18 years, from 1992 to 2010. During his run as executive and artistic director, Gibson introduced youth programs and new works, advocated for under- represented playwrights, and launched pay-what-you-can performances, among other initiatives. Since moving to Atlanta in 2011, Gibson has worked as an organizer and leader, striving to build better and more resilient communities. As he returns to town to helm Live Arts’ production of The Wizard of Oz, we put the once-again director in the HotSeat.

Name: John Gibson

Age: 59

Pronouns: he/him

Hometown: Blowing Rock, North Carolina

Job(s): Writer, community organizer, once-upon-a-time theater director

What’s something about your job that people would be surprised to learn? Whether as a writer, an organizer, or a director, boredom and discomfort are your greatest allies. That microsecond where I get bored or annoyed obligates me to initiate change.

What is acting/performing to you? Theater was my daily practice from ages 8 to 44. I then set it down completely for 15 years—rarely even an audience member. I never felt burned out—I just wanted new ways to engage with the world. But curiosity got the best of me—could I still do it? Is it like riding a bicycle? The answer will be onstage from November 22 to December 15. Come judge for yourself.

Why is supporting performing arts education important? Lots of higher-order reasons, but here’s what I learned as a kid
actor: Be nice, show up early, help clean up, don’t touch other people’s stuff, learn your lines, and don’t share mascara (pink eye—that’s why). Also, you can’t know when, but someday clean underwear will really matter.

Most fulfilling aspect of directing for the stage: Failing better.

Favorite city to perform/work in: Wherever those dear hearts and like minds gather. They know who they are.

Favorite venue to perform/work in: The unlikely or undiscovered one. In Charlottesville, none could ever top the coal tower.

What are you currently watching? This seems (or is) insane, but for the last few months, I’ve watched the 1939 Wizard of Oz almost every day. Hundreds of times now.

What are you currently listening to? “Follow, follow, follow, follow!”

Go-to karaoke song: “My Way”

Proudest accomplishment: Loving whole-heartedly and faithfully, twice in a lifetime. And: Building a robust community, also twice.

Celebrity crush: I had a lot of them growing up—Donnie Osmond, Robbie Benson, Scott Baio—the dark-haired, big-eyed, square-jawed types. Reader, I married him.

Who’d play you in a movie? I used to get confused for John Malkovich every once in a while.

Who is your hero? I actually keep a list. Nearly a hundred names. Thinking a lot lately about Pauli Murray, Wes Anderson, Savitri Durkee, John Lewis, and Wendell Berry.

Best/worst part of living here: The best and the worst part of living here is that I don’t live here. It forces Charlottesville into a purely nostalgic modality, which is its long-time preference.

Favorite Charlottesville venue: Various basements, leaky warehouses, overgrown gardens, and fire traps, all long since condemned or torn down, replaced with things fancier, safer, and saner.

Favorite Charlottesville landmark/attraction: Steve Tharp and Sandy McAdams.

Bodo’s order: Everything bagel with liverwurst, onion, horseradish, and mustard.

Describe a perfect day: Thursday has always been my secret favorite.

If you could be reincarnated as a person or thing, what would you be? It’s all such a miracle, from every vantage point. Glad to take the roll of the dice.

If you had three wishes, what would you wish for? The good knees, perfect eyesight, and 32-inch waist I had through my 20s, minus the arrogance.

Are there any superstitions you abide by? All of them—ladder avoiding, salt throwing, non-crack stepping. There are too many invisible forces to take any chances.

Most embarrassing moment: The amount of time I’ve spent on these interview questions is pretty far up there.

Best Halloween costume you’ve worn: When, as an 8-year-old, you get paid to dress up and scare people, you realize: Halloween is for civilians.

Do you have any pets? Projects, ideas, causes, opinions, grudges. Oh—and two dogs.

Subject that causes you to rant: So. Many. Please do not get me started on the devil’s bargain we made, trading incandescent light bulbs for survival of the species.

Favorite curse word? Or favorite word: I swear like a sailor. To choose a favorite curse word would be like choosing a favorite child. I love them all for different reasons. My most overused word is “tedious.”

Most used app on your phone: Questions about “your phone” are tedious.

Hottest take/most unpopular opinion: Everything is going to be okay.

What have you forgotten today? Almost all of yesterday.

Categories
News

House of Delegates committee advances resolutions calling for constitutional amendments

In the wake of the historic re-election of Donald Trump as the president of the United States, Democrats in the Virginia House of Delegates Privileges and Elections Committee advanced three constitutional amendments on November 13.

The amendments aim to enshrine protections for reproductive rights and same-sex marriage, and reinstate voting rights for people convicted of a felony. Both House Joint Resolutions No. 1 and No. 2, which pertain to abortion access and voting rights respectively, passed the committee 12-9 along party lines. A handful of Republican legislators joined Democrats to pass protections for same-sex marriages.

First introduced by House Majority Leader Charniele Herring on November 20, 2023, HJ 1 calls for an amendment to Article I of the Constitution of Virginia by adding section 11-A, which protects the right to “reproductive freedom, including the ability to make and carry out decisions relating to one’s own prenatal care, postpartum care, contraception, abortion care, miscarriage management, and fertility care.” Under the proposed amendment, abortion access in the third trimester would still be legislatively restricted to instances when a physician deems it medically necessary to “protect the life or physical or mental health of the pregnant individual” or “the fetus is not viable.”

Current law requires that three physicians find termination necessary to protect the life of the mother prior to performing a third-trimester abortion.

While pro-choice advocates and legislators have emphasized the need for the constitutional amendment following the overturn of Roe v. Wade in 2022, pro-life representatives and organizations criticized both the content of the resolution and the lack of time given for the committee to review the new version of the amendment prior to voting.

Under HJ 2, the language in Section I of Article II of the state constitution would be amended to still restrict voting rights of those currently incarcerated for a felony conviction, but fully restore voting rights upon release without requiring any further action. Virginia is one of 10 states that does not automatically restore the voting rights of those convicted of a felony upon completion of their sentence. 

The final resolution, HJ 9, would repeal and replace an existing amendment.

While same-sex couples have held the right to marriage nationwide since the Obergefell v. Hodges decision by the Supreme Court in 2015, the Virginia Bill of Rights still includes Section 15-A of Article I—a 2006 amendment that explicitly defines marriage as between one man and one woman. If approved, HJ 9 would almost completely rewrite Section 15-A of Article I to protect “the issuance of marriage licenses to two parties contemplating a lawful marriage” regardless of the “sex, gender, or race of such parties.”

Following the Supreme Courts’ Dobbs v. Jackson Women’s Health Organization decision, many LGBTQ+ activists are concerned that Obergefell may be overturned. If the Supreme Court reversed its previous decision, Virginia’s existing prohibition on same-sex marriage would go back into effect.

Making amendments to the state constitution is a lengthy process in Virginia. Before they’re put to voters, the resolutions must be approved by the state legislature in two different years separated by a General Assembly election. The earliest the proposed amendments could appear on the ballot is November 2026.

Charlottesville-area delegates Katrina Callsen and Amy Laufer both support the resolutions.

“Virginia is taking the first step in a process to safeguard freedoms we hold dear: reproductive rights, marriage equality, and voting rights,” said Callsen in a November 13 Facebook post. “Our Constitution should protect all Virginians—today, tomorrow, and for generations.”

Categories
Arts Culture

“The Wizard of Oz”

Leave the prairies of Kansas and head over the rainbow into a magical land with The Wizard of Oz. Featuring all your favorite songs from the classic 1939 film, the show follows Dorothy Gale as she navigates the yellow brick road and encounters fantastical friends and foes along the way. Train your brain, steel your heart, and summon your courage for encounters with winged primates, wicked witches, and the great and powerful wizard. The beloved classic is directed by John Gibson, who returns to town with his own uniquely personal take on the Royal Shakespeare Company’s stage adaptation. Recommended for ages 10+.

Friday 11/22 Through Sunday 12/15. Ticket prices and curtain times vary. Live Arts, 123 E. Water St. livearts.org

Categories
Arts Culture

Guitarist Bill Frisell relies on instinct, relationships to explore jazz

By Dave Cantor

Bill Frisell is a cypher for American music, ping-ponging among genres for the past five decades. 

Like most jazz musicians, the guitarist keeps his ears wide open. But encountering vibraphonist Gary Burton playing what at one point was called “jazz rock” sent Frisell’s understanding of the genre down a new path.

“The whole psychedelic thing was happening, but then the music was on such a high level,” Frisell says of hearing Burton’s late-’60s and early-’70s groups during his youth. “I mean the guitarists that Gary had in his band were—I guess people don’t even know half of these guys. Even before Larry Coryell, he played with Hank Garland. … Then there’s Jerry Hahn, Sam Brown, John Scofield, Pat Metheny, Mick Goodrick. It’s incredible the guitar players that went through that band.”

As a kid, Frisell frequented a music shop and cultural center run by Harry Tuft—a figure in Denver maybe akin to Moses Asch. He’d hang around, check out instruments and records that were for sale, and take in heady conversations about performers he wasn’t necessarily familiar with.

By his teenage years, Frisell was deep into the clarinet and eventually headed off to college to further study the instrument. His folks also moved from Denver to New Jersey during the ’70s, and then later to North Carolina, where Frisell would “go off exploring” during visits. 

In the western portion of North Carolina and in southwest Virginia, Frisell again found music that rearranged his brain—folk strains developed in tight-knit communities, relatively untouched by the genre’s electric and pop-oriented derivations.

“It was really kind of mind-blowing for me,” the guitarist says. “I hadn’t heard that for real, you know, stuff that people had just grown up [with] there and played. That had a huge impact on me.”

Frisell’s own work has stretched to insinuate the spectrum of music he’s encountered over the decades, veering from jazz standards to familiar folk tunes. In some ways, it was drummer Paul Motian—best known for working in Bill Evans’ trio—who gave the guitarist a significant platform to explore in the ’80s.

“He really recognized me for what my voice was. He wanted a guitar player, but it wasn’t so much about the guitarist. He wanted me as a person,” Frisell says about the late drummer. “I felt so wide open to do whatever I felt. It wasn’t like I was filling a role of what he thought a guitarist should be. It was like, ‘Here, just take it as far as you can go.’”

Frisell’s developed long-standing relationships with a raft of other players—including drummer Rudy Royston; they first played together back in 1993, the guitarist says. During the ensuing decades, Royston’s contributed to a handful of the bandleader’s albums, as well as provided the backbeat for Frisell’s regular trio, which is making a stop at The Southern for a pair of Saturday shows.

In addition to Royston, the guitarist’s group will include Thomas Morgan at its Charlottesville date—a bassist who’s played with Frisell for more than a decade, contributing to a few duo albums on ECM alongside the bandleader. Both rhythm players were also a part of the guitarist’s Grammy-nominated Orchestras, a 2024 album that featured a wealth of European classical talent.

It should maybe go without saying: There’s not a set list for the trio’s local performance.

“The number of songs that we know and the possibilities are so huge that we never really—especially with this trio—we don’t really plan at all,” Frisell says. “Anything I can throw at those guys, they’re gonna know what it is.”

While familiarity with repertoire can help performers shuttle ideas from their minds down to their fingers, attaining that kind of fluidity is a career-long journey. 

Frisell referred to the distance between intent and desired outcome as a “huge chasm.”

“I can never get what it is I’m actually trying to do to come out,” he says. “It’s always … reaching for something that you can’t quite get. So, you just get as close as you can, and that’s what keeps you going.”

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News Real Estate

Judge is ready to rule in Charlottesville zoning case, but opens door to more evidence

One month after City Council approved a new zoning code that allows more residential density across Charlottesville, a group of property owners filed a lawsuit arguing they would be harmed by the changes. 

Last week, Charlottesville Circuit Judge Claude Worrell dismissed two of the four counts in White v. Charlottesville but left room for further hearings on the other two. 

“Plaintiffs have provided a sufficient question of fact for the Court to hear evidence regarding the promulgation of the new zoning ordinance,” Worrell wrote in a three-page ruling dated November 12.

One of the open questions under Virginia law is whether the new development code was “drawn and applied with reasonable consideration for the existing use and character of property,” including a review of transportation requirements and other public services. 

So far, all of the legal proceedings have dealt with a motion from the city that states the plaintiffs have no merit and no standing to sue. Each owns a lot that now allows six or eight units rather than the one permitted under the old zoning. 

Worrell concluded the plaintiffs have the right to bring the case, and his invitation for evidence relates to the question of whether Charlottesville followed state regulations. 

In his ruling, Worrell also said if both parties are prepared to proceed without submitting new evidence, he would be ready to “rule as to the sufficiency of the suit as a matter of fact and law.”

The property owners want their day in court. 

“The plaintiffs expect to present evidence regarding the promulgation of the new zoning ordinance at a trial on this matter,” said Mike Derdeyn, the plaintiffs’ attorney.

When asked if it would submit anything new, Afton Schneider, Charlottesville’s director of communications and public engagement, said the city does not comment on pending litigation. 

In late September, Fairfax Circuit Court Judge David Schell ruled against a provision added to Arlington County’s land use regulations that had the same intent as Charlottesville’s development code—to increase the number of places people can live. Schell, a retired judge, was assigned to the case after Arlington judges recused themselves because they are homeowners. Worrell, a property owner in Charlottesville, did not recuse himself.

Part of Schell’s ruling against Arlington’s Expanded Housing Option program hinges on the same section of state code that has kept the Charlottesville case alive. Arlington County has indicated it will appeal the ruling. 

According to the website ARLNow.com, Schell’s ruling will permit several dozen units being built under the EHO program to proceed, but he warned they may one day need to be torn down depending on how the appeals process works out. 

A handful of “major development plans” have been filed with the City of Charlottesville, including the conversion of 303 Alderman Rd. from a single-family house to six townhomes and a by-right request to build 24 units at 2030 Barracks Rd.

Categories
Arts Culture

David Cross is good at what he does, and he likes doing it

Comedian, actor, and writer David Cross is a recognizable face thanks to still-fresh classics like ’90s HBO sketch show “Mr. Show” and the sitcom “Arrested Development,” as well as more recent roles such as that of Sy Grossman on Netflix’s “The Umbrella Academy.” Decades ago, Cross earned a core of devoted Gen X fans, and has since cultivated a lengthy list of critical praise, as well as multiple Grammy Award nominations for Best Comedy Album. His many successes elsewhere (animated blockbuster voiceovers, British TV) haven’t prevented him from continually revisiting his stand-up roots, though, and his The End of the Beginning of the End tour brings his singular disarming wit back to town. We spoke to him by phone to find out why, after more than 40 years, he’s still drawn to cracking wise for crowds.

C-VILLE Weekly: I always thought stand-up seemed like the most difficult thing anybody in the performing arts could choose to do. So why do you keep doing it?

David Cross: I like difficult things. I like the challenge. But it’s not difficult anymore; I’ve been doing it for, geez, two-thirds of my life now. The shortest answer is I really enjoy it. I don’t have to do it. I choose to do it.

Is there a specific aspect you like most that keeps you coming back to it?

I’m having fun. And being out on the road is another aspect I like; I love traveling across the world. And that hour and 20 minutes or so that I’m on stage is really fun. So whatever kind of shitty day I’ve had or shitty news I’ve gotten, I know that that will be a good hour-plus time spent that day. 

You mentioned that you’ve been doing it for so long. Besides your early years where you were still figuring things out, how has your approach changed?

For the last five tours or so I’ve been repeating a process and I’ve got it down to a science. When I’m ready to start working again, I will do these shows called “Shooting the Shit, Seeing What Sticks” in Brooklyn, where I live. I’ll have a couple of special guests and I literally am starting from scratch, with notes and papers.

I record everything because I do all my writing on stage, basically. I’ll do it in a tiny 99-seat basement theater for a couple of months—probably eight to 10 of those things, then I’ll move to a slightly bigger venue for six shows. It’s about a five-month process to write a new hour. And when I go out on tour, the set will change fairly significantly from the first show I do to the 70th show.

In addition to that, I saw that you’re also doing a podcast every week [“Senses Working Overtime with David Cross”], and I have to confess that I haven’t listened to it—but I saw some clips on Instagram. When the hell are people supposed to listen to podcasts? Do you listen to podcasts?

I don’t. My wife does. As far as when you’re supposed to listen to it, that’s a question that only you can answer, my friend.

How would you describe your act for people who haven’t seen you?

I’ve been doing it for a long, long time. I know what I’m doing. I’m not a clean comic. I’m a little edgy. I’m not for everyone. And if you’re not familiar, check it out. You may like it or you may hate it. (pauses) I don’t know who you are.