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ARTS Pick: Hip Hop Showcase featuring EquallyOpposite

Get hip to it: EquallyOpposite’s Lamar “Gordo” Gordon and Zachary “ZacMac” McMullen make “rap music for people who don’t like rap music.” The hip-hop duo recognized something in each other that comes through in their music­—funny, smart, snappy lyrics, and a willingness to be goofy. “You never know what you’re gonna get,” Gordon told C-VILLE in a May 2017 feature story. “Maybe it’s a hook based off of Fred Flintstone’s ‘Yabba Dabba Doo’ or a line about being ‘a good cookie.’” Johnny Ciggs, Reppa Ton, dogfuck, Waasi, DJ Double U, Nic D, and Atreyu also perform.

Friday 8/16. $7-10, 7pm. The Southern Café and Music Hall, 103 S. First St. 977-5590.

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Using the force: Annual Star Wars Day show celebrates science fiction (and an eclectic local music scene)

By Sean McGoey

arts@c-ville.com

Star Wars enthusiasts have a lot to be thrilled about this year: The first trailer for Star Wars: The Rise of Skywalker dropped in April, setting the table for the conclusion of the latest trilogy and sparking speculation over the inclusion of Emperor Palpatine’s sinister laugh at the end of the trailer. And the television series “The Mandalorian,” a space opera web series set in the Star Wars universe, is predicted to be one of the centerpieces of Disney’s new streaming service. But those new projects will require patience. “The Mandalorian” doesn’t air until November, and The Rise of Skywalker debuts on December 20.

Here in Charlottesville, fans of Star Wars and other science fiction can get their fix when IX Art Park hosts the sixth annual May the Fourth Be With You show, where local bands pay homage to the music of sci-fi movies, songs about aliens and lasers, and campy pop tunes from movies and TV shows.

The bands on the roster all share a love of science fiction and fantasy. Stray Fossa frontman Nick Evans recalls dressing as Star Wars characters for Halloween with his brother Will, the band’s drummer, and reading Star Wars: The Complete Visual Dictionary. And Little Graves’ bassist Les Whittaker is a self-proclaimed “total nerd,” citing Ridley Scott’s 1982 epic Blade Runner and the books of William Gibson and John Steakley as favorites.

Goddess ov Mindxpansion’s lo-fi guitars and guttural vocals kick off the show, which will feature everything from YonderPhonics’ funky garage-jazz and Little Graves’ mixture of heavy post-punk and field recordings to the “dense bizarro rap” of dogfuck, who promoter Jeyon Falsini likes to refer to as “dog-friendly.”

“I am not sure if I am more excited to play or see what the other bands will do,” says Evans. Stray Fossa, who relocated from Sewanee, Tennessee, to Charlottesville last year after a multi-year hiatus, will be playing its first May the Fourth show, as will closing act Astronomers.

“The show’s date finally falling on a Saturday and Astronomers headlining is a solid pairing of circumstances,” says master of ceremonies Rupert Quaintance. “We’ve approached them in the past but their schedule never lined up. They’re a crowd favorite. …Even their name lends itself to the aesthetic.”

May the Fourth Be With You is Quaintance’s brainchild. He has partnered with Falsini’s booking and promotion company, Magnus Music, to host the event since 2014. “I wanted there to be an event where people can just zone out into their own brand of nerdiness and feel unabashed about it,” Quaintance says. May 4, which happens to be Quaintance’s birthday, is known by fans as Star Wars Day, but the pair put their own spin on the Charlottesville event. Falsini says they made covers of science fiction- themed songs a requirement to be in the lineup from the very beginning in 2014.

This will be the second May the Fourth since The Ante Room —along with Escafé and the Main Street Arena—closed to make way for the Center of Developing Entrepreneurs, and that still hits a raw nerve for people who miss the inclusive concert venue.

“I can’t say enough about The Ante Room,” Quaintance says. “[Jeyon] had the wherewithal and gumption to open The Ante Room to metal acts and hip-hop events and all sorts of lovely, eclectic things.”

“We were in a really good groove with that space,” says Falsini, who owned The Ante Room since it opened as The Annex in 2012. “But at the end of the day, Charlottesville…just needs stability when it comes to its music venues if it intends to keep fostering the musical arts.”

Despite the lingering disappointment over that space’s closing, an air of optimism surrounds not just May the Fourth, but the music scene in Charlottesville, in no small part due to the presence of welcoming, communal spaces like IX and the efforts of the people who work to keep the scene vibrant and inclusive.

“I’m super thankful for the efforts of folks like Jeyon Falsini, Angel Metro, and Sam Roberts, who do look out for local weirdo musicians and put together the kinds of shows that probably wouldn’t even be a consideration elsewhere,” says Little Graves’ guitarist/sampler Luis Soler.

But it requires more than just the efforts of hardworking bookers and promoters.

“Supporting those people and places usually means more than just showing up,” Soler said. “It’s also an opportunity for people to get in on the ground floor and make things happen, think outside the box, and evolve the scene into its next incarnation. Gotta be the change you want to see, right?”


May The Fourth Be With You takes place May 4 at IX Art Park

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Arts

Ways and means: Inclusive hip-hop makes it to the stage at Nine Pillars festival

Hosting an all-LGBTQ+ hip-hop showcase has been on Remy St. Clair’s mind for a while now.

Over the past few years, while performing at various regional Pride events as rap duo Sons of Ichibei, St. Clair and Cullen “Fellowman” Wade kept hearing similar refrains from artists on these Pride bills:

“We’d love to…but we don’t have the means.”

“I’d love to…but there aren’t enough open artists in my city.”

And, perhaps most devastating, “it’d be great, but this kind of event wouldn’t be welcome in my city.”

It didn’t take long for St. Clair and Wade, who, along with a few other folks in town, book and run the Rugged Arts hip-hop showcase and the annual Nine Pillars Hiphop Cultural Fest (now in its third year), to realize that they have the means, enough open artists, and community support to put on this kind of showcase. On Tuesday night at Twisted Branch Tea Bazaar, Charlottesville’s first-ever all-LGBTQ+ hip-hop showcase will feature performances by Noah Page, Shamika Shardé, Torele, dogfuck, Sadeé, and DJ Angel Flowers.

This is the second year in a row that Nine Pillars and Rugged Arts have combined forces to break new ground in Charlottesville hip-hop: Last year, they hosted the city’s first-ever all-female hip-hop bill at the Music Resource Center. Artists everywhere are denied access to the stage or the recording booth because of their gender identity and sexuality, says St. Clair, “and that’s not fair.” In his opinion, it’s talent, the quality of the music, and the messages contained therein that matters. “We really want to be innovative and give those performers and those artists who are overshadowed,” or flat-out denied, the chance to perform, says St. Clair. “We want every artist to be empowered. And we want the community to take note.”

Rugged Arts has hosted regular hip-hop showcases in Charlottesville for nearly a decade now, and in that time, plenty of openly LGBTQ+ artists—including St. Clair, who hosts the showcase—have performed on the Rugged Arts stage. Torele, a local R&B singer on Tuesday night’s bill, is one of those artists. St. Clair saw Torele (who formerly performed as Not3s) at a Verbs & Vibes open mic a few years back and immediately invited him to the Rugged Arts stage. “It became like an addiction for me,” says Torele of the showcases. “I wanted to do it more and more. As an openly gay R&B artist, it was so nice to feel welcome, to have that space,” he says.

Not everyone is so welcoming. Torele says a few artists won’t work with him because of his sexuality, artists who “hold the stigma that it’s going to harsh their image if they work with someone in the LGBTQ+ community.” He wishes that weren’t the case, but his response is to “wish them the best and continue to do my own thing.” Prejudice against LGBTQ+ folks exist in our society, and so, by default, it exists in hip-hop. Artists like the ones on this bill, along with allies, are working to break it down and do away with it altogether.

Phil Green, a rapper who grew up in Charlottesville, now resides in Richmond, and performs under the moniker dogfuck, cites Richmond’s Ice Cream Social queer dance party as just one example. Ice Cream Social’s been going for about two years now (DJ Angel Flowers is a co-founder), and Green takes it as a sign that local music scenes are becoming more inclusive, even if that growth is incremental. The LGBTQ+ showcase indicates “that the [Charlottesville hip-hop] scene has finally sanctioned queer spaces,” says Green. What’s more, Green adds, it declares to artists and to the entire city, “hey, we want queer artists here. We want them to be seen and heard.” It’s an imperative message to put out there, says Green, who has a little something to add to it: “Respect queer artists, because it turns out, your heroes just might be them.”

Shamika Shardé will make her Rugged Arts debut in this particular showcase. Rapping has been a hobby of hers since she saw the legendary Lauryn Hill perform in Sister Act 2, but she’d never spit rhymes anywhere but her bedroom.

“I knew what I had to say was different from the rest,” says Shardé, and her music reflects that. Because of this, DJ SG and DJ Double U encouraged her to put her music out there, to share her talent and perspective with others. “I was told I have a talent, don’t waste it,” she says. And now that she knows she has a platform, she plans to make the most of it.


Make the most of Nine Pillars

Here’s what not to miss during the Nine Pillars Hiphop Cultural Fest:

Monday, April 22

CVille Freshman Class Youth Rap & Dance Competition

5pm, Jefferson School African American Heritage Center, 233 Fourth St. NW

Tuesday, April 23

Rugged Arts x Nine Pillars
All-LGBTQ+ Edition

8pm, Twisted Branch Tea Bazaar, 414 E. Main St.
Downtown Mall

Wednesday, April 24

Sally’s Kids Vol. 2:
An Oral History of
Charlottesville Hip-hop

Time TBD, WTJU 91.1 FM Studios, 2244 Ivy Rd.

Friday, April 26

Make the Cut DJ Battle

8pm, Music Resource Center, 105 Ridge St.

Saturday, April 27

Wargames Rap Battle

7pm, Champion Brewing Co., 324 Sixth St. SE

Sunday, April 28

Nine Pillars Annual Block Party

3pm, Champion Brewing Co., 324 Sixth St. SE

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Arts

Right angle: dogfuck shapes music around realism

Sitting on a cushioned bench in the back room of the Twisted Branch Tea Bazaar, Phil Green takes a drag from a hookah hose and exhales a stream of hazy smoke that hangs in the fading afternoon sunlight before recalling an early memory.

In that memory, Green’s about 6 years old, riding around in their mom’s car (Green identifies as genderqueer), and a Beastie Boys’ Licensed to Ill cassette belonging to Green’s older brother is playing on the stereo. “Most illingest b-boy, well, I got that feeling / I am most ill and I’m rhymin’ and stealin’. / Ali Baba and the 40 thieves / Ali Baba and the 40 thieves,” goes the first track, “Rhymin’ & Stealin’.”

The increasing volume and attitude of the repeated line “Ali Baba and the 40 thieves” snagged Green’s attention, and in that moment, Green understood the power of music. “It was getting me hype, even when I was little,” Green says, chewing on a white-painted fingernail between puffs of hookah.

dogfuck
Rugged Arts
December 7

Green, 27, who makes electronic-, metal- and punk-influenced hip-hop under the moniker dogfuck, has since realized that music is the only thing that has consistently made sense. Don’t ask Green to explain exactly how or why music makes sense; it just does. “Trying to describe a song is one of the dumbest things a person can do. Music is good because music is good,” says Green with a blend of sincerity and sass; music is something that speaks directly to the intangible within us while facilitating an understanding of that which is outside of us.

Music can move people to do just about anything, Green says. “You can sing someone to sleep; you can try to comfort yourself. Also, potentially, it can start revolutions and shit. Music well-applied can do all of these things.”

For the sake of those who might want to catch Green’s Rugged Arts set at the Twisted Branch Tea Bazaar on Thursday night, this reporter will attempt to describe Green’s application of music so that listeners can tune in to what Green’s doing on stage.

“My music is heavily motivated by things I’m afraid of,” says Green. Things like Nazis, the government, disease, dying alone, being put in the proverbial box, leading an unaccomplished life, being an asshole and making mediocre music, among other things.

Most dogfuck songs say something similar, but in different ways, Green says, and what they say is that, “you suck; that’s okay. The world’s pretty awful; that’s okay too. Don’t take bullshit from people; don’t let them lie to you.” Be alive and be aware.

Green says that a lyric off of “Delusion,” a track on Triangle, a forthcoming dogfuck album, sums up dogfuck’s musical intention pretty well: “Whatever picture depicted is aggregate / When I stand up, all you ever see is you starin’ back and shit. / My love is vast as that chasm is / Art is the act of collapsing it / But life is expectation management.”

Green began writing lyrics somewhat accidentally; rhyming is a musical act that requires no equipment whatsoever. But good lyrics are hard to write, and Green is seemingly never satisfied by what they’ve produced. “I’m not trying to be an asshole, but I’m a fairly intelligent dude,” he says. “I’m aware that I have talent for this shit. I just feel like I should have been applying myself for years up until this point. I make decent music; I could be making really good shit. It gets frustrating, witnessing the gap.”

What does come easily to Green is beatmaking. So far this year, Green’s released six different instrumental-only beat tapes on dogfuck’s SoundCloud page, including a 26-track concept beat tape, The Alphabet (or, The Entire Fucking Alphabet, as it’s called on SoundCloud), where Green created a beat for each letter of the English alphabet. A letter is a symbol that represents a specific speech sound; letters are building blocks for words, for languages. But Green imagined a deeper, more complex sonic landscape for each letter—if A were a song instead of just a single sound, what would it sound like? What about B, C or X? It’s an assertion of “that’s what it sounds like now, [because] I made it that way,” Green says of the tracks, named “Number A,” “Number B” and so on, conflating letters and numbers when normally, they’d be separated into two different spheres.

“I don’t know how much I believe this, but, [maybe] people are only free when things are going ‘wrong,’” says Green through a cloud of smoke. “Seeing this hookah on the table, I probably wouldn’t register it as anything in particular,” because it “belongs” on a table in the Twisted Branch Tea Bazaar, says Green, but see a hookah in a cemetery and you’d wonder what the heck it was doing there. “Those rule-breaking moments, that discloses the world,” says Green.

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Arts

C-VILLE music writers share can’t-miss concerts

Please Don’t Tell

IX Art Park 5/25

Please Don’t Tell might be the Charlottesville music scene’s best-kept secret. This duo plays dark and often humorous Berlin cabaret with piano, cello and vocals.—Jackson Landers

Future Islands

The Jefferson Theater 5/30

On the movie soundtrack of your life, Future Islands delivers the mellow, moody, cinematic synth-pop for road trips, long runs and love stories gone awry.—Elizabeth Derby

Future Islands. Publicity Photo
Future Islands. Publicity Photo

Sons of Ichibei and Dogfuck

Twisted Branch Tea Bazaar 6/17

Shows are like potato chips to me—most weeks, I can’t have just one. So, I’ll choose a venue: Twisted Branch Tea Bazaar. From weirdo jazz to conscious hip-hop, folk pop, ambient rock and synth noise, Valence Shows books the tea haus’ entertainment calendar with the best variety of quality shows in town, almost always featuring local acts.—Erin O’Hare

Strand of Oaks

The Southern Café and Music Hall 7/14

On his latest album Hard Love, Tim Showalter has pivoted away from sad-bastard confessionals toward indulgent, distorted alt-rock anthems; perfect for blowing off steam in the heart of summer.—Jedd Ferris

Gillian Welch

Sprint Pavilion 7/30

Gillian Welch returns with telepathic picking and singing partner David Rawlings for a full-album performance of The Harrow & the Harvest (2011), and hopefully lots more from her bountiful oeuvre.—Nick Rubin

Punch Brothers

Sprint Pavilion 8/8

Born of broken hearts and rooted in classical acoustic mastery, Punch Brothers pack talent into dramatic modern bluegrass that flows from wholesome harmonies to lush pop to proggy grooves as uplifting as a cool Blue Ridge mountain breeze on an August evening.—Tami Keaveny

Delta Rae

The Jefferson Theater 8/25

Inspired by gospel and country, folklore and images of Americana, six-piece Delta Rae promises foot-stomping fun. Powerful vocals from Liz Hopkins and Brittany Holljes pack a Dixie Chick punch.—Mary Shea Valliant

Sylvan Esso

The Jefferson Theater 9/15

Durham, North Carolina-based Sylvan Esso pumps out dancey, electropop hooks. The duo’s sophomore album, What Now, was released in April and it’s a joyride through dazzy, euphoric tracks. Play it right by taking in a live performance.—Anita Overcash

Sylvan Esso. Publicity Photo
Sylvan Esso. Publicity Photo

Spoon with The New Pornographers

Sprint Pavilion 7/19

With a rotating cast of music heavyweights such as Neko Case, The New Pornographers’ sound is a power-pop explosion. And Spoon’s new album, Hot Thoughts, is just that: hot!—-Desiré Moses

The Head and the Heart

Sprint Pavilion 6/14

There’s a quiet happiness in this Seattle-based indie band’s songs that goes straight to the heart. Although touring since March without frontman Josiah Johnson who is battling drug addiction, expect no shortage of crescendo-building ballads as the band promotes its third album, Signs of Light.—Jessica Luck