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Pick: Trans-Siberian Orchestra

Merry Rockmas: Rock the silent night away with the Trans-Siberian Orchestra, a progressive rock band that takes holiday tunes to the next level. The group is celebrating 25 years since the release of its debut rock opera, Christmas Eve and Other Stories, with a live show featuring wailing strings, lasers, lights, and effects synchronized to the music. The band performs holiday favorites, including the best-selling single “Christmas Eve/Sarajevo 12/24,” which tells the tale of a lone cello player as he performs a long-lost Christmas carol.

Thursday 12/16. $47.50-87.50, 7:30pm. John Paul Jones Arena, 295 Massie Rd. johnpauljonesarena.com

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A KISS goodbye: A Q&A with Paul Stanley

They’ve shown us everything they’ve got, kept us dancing while the room got hot. They’ve driven us wild, we’ve driven them crazy. KISS has taken us for a spin, but now the party’s winding down, and for one last time, they’re letting us in: The legendary hard rockers play John Paul Jones Arena Friday, on their End of the Road World Tour.

In advance of the show, we spoke with band co-founder and “Black Diamond” and “Detroit Rock City” songwriter Paul Stanley—aka The Starchild—about 40-plus years of rocking and rolling all night, his makeup removal routine, fan stories that rock his world, and whether or not this really is the end of the road for the band.


 

C-VILLE: This is your last tour. What song will you be happy to never play again?

Paul Stanley: I’m thrilled with every song we play. My point of view is, if you’re tired of playing a song, it’s probably not a good song. Some of these songs come from 45 years ago, or even longer, and they’ve stood the test of time because they’re that good. And for me to not give them the respect that they deserve, would be me being undeserving of those songs. I’m thrilled to play “Rock & Roll All Nite.” I’m thrilled to play “Love Gun.” I’m thrilled to play “God of Thunder,” “Detroit Rock City,” and on and on and on. So, those songs are rallying cries for us and our audience. Our connection to our audience is so strong because we never lose sight of wanting to please them. And on this final tour, this is the ultimate KISS show. It’s bombastic. It’s over two hours of all the songs you want to hear. It’s a unique opportunity to know that this is the last time. Many times in life, we all find ourselves losing someone, or losing something, and saying, “If I had only known, I would have done something different.” Well, instead of going out with a whimper, we’re going out with a bang! And this is a victory lap where we all get together—because it’s like a congregation of everyone cheering for what we’ve accomplished. And by “we,” I mean us and the fans.

What song will you most miss playing?

I love ’em all. And again, it’s important to note that this is the end of touring. The band isn’t necessarily disappearing into thin air. It’s just reached a time where touring, and doing 100 shows in seven months, which is what we’ve done so far, is just…it’s just too demanding and time-consuming, when there’s other things to do in life.

The band put together a book of official KISS memorabilia (KISS: The Hottest Brand in the Land)…but I’m curious, what’s the coolest or most bizarre piece of fan-made KISS swag you’ve seen?

Oh my gosh! That’s an interesting question. I don’t know that off the top of my head, that I can come out with a particular piece. But, I’m always just taken by how many people I get to meet who tell me that KISS was instrumental in them becoming lawyers, doctors, getting off drugs, staying out of prison, the list goes on and on—becoming a famous musician. The fact that we can serve as inspiration without preaching, is probably the most powerful way you can influence somebody, [and that’s done] by leading by example. And we’ve always done that, by not being limited by the boundaries or limitations of other bands. When we started this band out, we were facing incredible odds, but, you find out how much something is worth to you by how hard you’re willing to work for it. So, hard work is how you achieve things. If you think you’re just going to win the lottery, the chances of that are slim and none.

What’s your preferred brand of makeup remover?

I think it’s Dermalogic. It’s better than sandpaper, that’s for sure.

KISS did a farewell tour 20 years ago [ed. note: with the original lineup of Stanley, Gene Simmons, Ace Frehley, and Peter Criss]. Why should we believe you this time?

Well, because the writing’s on the wall: We’re 20 years older, for starters. And secondly, the first time we did a farewell tour, it was ill-conceived. The idea that we should let two members who were making us—meaning Gene and I—miserable, and compromising the band, shouldn’t be a reason for calling it quits. We have always believed that the band is bigger and stronger than any individual members, and we suddenly got caught up in the idea of putting the horse down instead of just getting rid of a couple of the jockeys.

Has your costume ever gotten in your way of shredding a sick riff? I imagine that studs and sequins and chest hair don’t exactly mix. And then you add platform shoes….

You know, I have to say, if you complain about any of the above, then it’s like complaining about taxes when you win the grand sweepstakes. I won, and I have no complaints.


KISS plays John Paul Jones Arena Friday, February 7. David Lee Roth (of Van Halen fame) opens.

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Arts

ARTS Pick: KISS

KISS off: There’s a longtime rock ‘n’ roll rumor that Eddie Van Halen tried to break up Van Halen so he could join KISS when Ace Frehley left the band in 1982, citing
the
friction with VH’s wild frontman David Lee Roth (fate had other plans, i.e. Van Hagar). Today, DLR is back in Van Halen after two splits, and currently touring his solo stuff as the opener for KISS, while the hard-rock legends take a (supposedly) final lap around the globe, saying goodbye to the army of fans that has kept the face paint, space-glam costumes, fire breathing, blood-spitting, pyrotechnics and theatrics going strong for 47 years.

Friday, February 7, $47.50-$998, 7:30pm. John Paul Jones Arena, 295 Massie Rd., 243-4960.

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ARTS Pick: Lindsey Stirling

Well played: Growing up, Lindsey Stirling could not decide between dancing and playing the violin, so she chose both and developed a unique act mixing hip-hop, pop, and classical music. At 23, she landed a slot on the fifth season of “America’s Got Talent,” competing as a hip-hop violinist. The competition was tough—Jackie Evancho and Fighting Gravity were semifinalists—but the judges were tougher. Sharon Osbourne told Stirling: “You need to be in a group. …What you’re doing is not enough to fill a theater in Vegas.” The comment caused Stirling to dig in and stay true to herself. Today she is the second-most successful performer to come out of “AGT”; her savvy YouTube vids have earned her over 12 million subscribers, and she plays to sold-out audiences around the world, including Las Vegas. Her Warmer in the Winter tour is her third all-holiday outing.

Saturday, December 14. $37-115, 7:30pm. John Paul Jones Arena, 295 Massie Rd.

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ARTS Pick: Ariana Grande

We are next: Superstar Ariana Grande has been on an intense performing schedule for the last eight months, showcasing her recent albums Sweetener and Thank U, Next. Known for her commitment to fans, Grande’s giving them what they love—a setlist with tight choreography that highlights her introspective sentimentality and dance-pop smash hits. Her songs are packed with clever pop-culture references and cheeky lines like “break up with your girlfriend I’m bored.”

Friday, November 15. $77.95-277.95, 7:30pm. John Paul Jones Arena. 295 Massie Rd. 243-4960.

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ARTS Pick: Twenty One Pilots

Firmly entrenched: After huge success with 2015’s thematically cryptic Blurryface, Twenty One Pilots entered into a period of “going dark” for a year, which singer Tyler Joseph says was needed to bring authenticity back to the music and battle some unspecified personal demons. When the duo released its follow-up, Trench, in 2018, its fanbase, better known as the Skeleton Clique, went on gleeful searches to decode the record’s hidden meanings. Joseph and drummer Josh Dun offered clues online and in songs that referred to earlier releases, further populating the band’s imagined universe with characters who convey stories about insecurity and the interplay between the darkness and light that fuels the pair’s artistic process.

Sunday 6/9. $39.50-79.50, 7pm. John Paul Jones Arena, 295 Massie Rd. 243-4960.

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ARTS Pick: Jeff Dunham

Hand to mouth: In a show built around bad behavior and puppets, Jeff Dunham dishes out political and cultural commentary through multiple characters. As a ventriloquist, Dunham has carved out a unique space in comedy, and his act is hugely popular—he’s the third-highest-paid comedian in the U.S., behind Jerry Seinfeld and Chris Rock. Peanut, Walter, José Jalapeño, Bubba J, and Achmed the Dead Terrorist all make an appearance on Dunham’s current Passively Aggressive tour, along with two new personalities who offer takes on the current volatile American political scene.

Friday 4/12. $45.50, 7pm. John Paul Jones Arena, 295 Massie Rd. (800) 745-3000.

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ARTS Pick: The Harlem Globetrotters

The Harlem Globetrotters’ combination of easy athleticism and circus-worthy moves elevates the team to a supernatural level on the basketball court. Since 2013, their sporty antics have led to entries in The Guinness Book of World Records, and in 2018 they added five new records, including: Most basketball under-the-leg tumbles in one minute (female), most blindfolded basketball slam dunks in one minute, and most behind-the-back three-pointers in one minute.

Friday, March 15. $28-106, 7pm. John Paul Jones Arena, 295 Massie Rd. 888-JPJ-TIXS.

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ARTS Pick: Mumford & Sons

British folk-rock quartet Mumford & Sons makes no secret of taking inspiration from American bands. Since the days of pub gigs in West London, the group has practiced a modern blend of old-timey music and bluegrass, pioneered by bands like Old Crow Medicine Show. Marcus Mumford credits the Harrisonburg group with shaping his sound: “I first heard Old Crow’s music when I was, like, 16, 17, and that really got me into folk music, bluegrass…Old Crow was the band that made me fall in love with country music.”

Saturday, March 16. $44.50-104.50, 7:30pm. John Paul Jones Arena, 295 Massie Rd. 888-JPJ-TIXS.

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ARTS Pick: Panic! at the Disco

From the old-time fan favorite “I Write Sins Not Tragedies” to the latest platinum single “High Hopes,” Panic! at the Disco serves up another album full of soaring vocals and punk-tinged brass orchestrations. Pray for the Wicked is the sixth record by the emo pop forefathers whose tumultuous membership finds frontman Brendon Urie as the band’s sole remaining original member—yet the dancing days are far from over as Panic! continues to fill arenas around the world.

Wednesday, January 23. $28 and up, 7pm. John Paul Jones Arena, 295 Massie Rd. 243-4960.