Categories
Living

Changes ahead for Market Street Wineshop

After 31 years of selling wine, fresh bread, cheese and more at Market Street Wineshop from the basement level of 311 E. Market St., Robert Harllee has decided to retire.

But fear not; Charlottesville is not about to lose another jewel from its quirky downtown crown: Two of Harllee’s longtime employees, Siân Richards and Thadd McQuade, are taking over. And they don’t plan on changing much: Market Street Wineshop will become Market Street Wine.

In a letter to the editor printed in the July 14, 2005, issue of The Hook, Harllee detailed the history of his shop: Philip Stafford opened The Market Street Vine Shop (at the time, “wine” couldn’t legally be part of a store’s name) in December 1979 and created “the character and flavor” of the wine shop that Stafford’s successor, David Fowler, maintained and passed along to Harllee and his former business partner, Bill Bird. Harllee and Bird purchased the shop from the late Fowler’s estate and opened up in December 1986, with a cash advance from Visa to stock the drawer.

Harllee says that, at first, he waited tables five nights a week to help cover shop costs.

Back in December 1986, there were a few other wine shops in town at the time (among them The Cellarmaster on Elliewood Avenue, In Vino Veritas, Fleurie at Barracks Road, Foods of All Nations), but finding a good bottle of wine is a bit easier now: Nowadays, even grocery stores have decent wine selections. Plus, Harllee says, Virginia wine has undergone “a new renaissance,” which has made not just oenophiles but the average person more interested in the libation. It’s been an exciting thing to witness as a wine shop owner, says Harllee, who closed Market Street Wineshop’s second location on 29 North late last year.

Over the years, Harllee says he’s loved participating in both the big and small of his customers’ lives, helping them choose wines for dinners at home, for birthday parties and engagement celebrations. These are his most cherished memories.

Richards and McQuade are perhaps best known around town as theater artists, but they’ve each worked for Market Street Wineshop in some capacity since 2006 and 1990, respectively. Harllee says they are “infused with the spirit of the shop.” He trusts they’ll carry on what’s special about the shop—the feel of the space, individualized attention for each customer—while also sustaining it for the future.

Market Street Wine will continue to offer fresh bread from Albemarle Baking Company and The Bread Basket, plus cheeses and other delicious things to eat. The Friday night wine tastings will also continue, and Richards and McQuade plan to offer even more specialized and themed tastings, plus classes and other public events.

And in a time when Charlottesville is changing rapidly, when it feels like small businesses with character are being edged out for a new office building, hotel or luxury condos, keeping a small business’ beloved personality is especially important to Richards and McQuade.

The shop has a very “insistent and particular personality,” Richards says, and she and McQuade don’t want to do anything to erase or alter that. She says they want it to remain “a hidden treasure trove that people are excited to uncover” and visit time and time again.“The goal is to make it feel new and refreshed, re-energized, but also be mindful of the years of tradition that are already in place,” Richards says.

Market Street Wineshop will close Saturday, February 24, and Richards and McQuade will replace the floors and rearrange shelving before opening the shop as Market Street Wine sometime in April.

Categories
Arts

Convolution evolution: Updated “Pip & Twig” at Live Arts

Adult identical twins Pip and Twig live an insular, codependent existence. Wearing identical pajamas, they wake in their shared bed at the same time every morning and eat identical breakfasts before going about their daily childlike, tandem routine, clothed in identical dress-and-sweater outfits.

So begins The Convolution of Pip and Twig, a play created from scratch by PEP theater troupe members Kara McLane Burke and Siân Richards, and brought to life by a slew of area artists, including local theater mainstays Jennifer Hoyt Tidwell, who wrote the text, and Martha Mendenhall, who directs Burke (Pip) and Richards (Twig) in the play.

As Pip and Twig go about their routine in the first act, they’re entirely aware of the audience before them. Pip, the more dominant twin, loves to sing and dance and gets a total rise performing for a crowd.

But Twig tires of the twin act. Fed up, she absconds out the window of the twins’ apartment to discover the world. Pip, unwilling to let go of the life she’s orchestrated, nevermind allowing Twig to experience the world without her, follows.

It’s a play about the complexity of human relationships, about how to be with other people while also finding your own identity. It’s a play about “listening to the little twinklings in your heart,” says Richards.

Last summer, Burke, Richards and a small crew from Charlottesville took the play to the Edinburgh Festival Fringe, where they performed it more than 20 times over the course of a few weeks. But they weren’t done: The Convolution of Pip and Twig had evolved.

Charlottesville theater-goers have seen The Convolution of Pip and Twig before; Burke and Richards have performed it a few times in town, most recently last July before heading to Edinburgh. And while the play itself hasn’t changed—the text, the characters, the narrative, the sequence of events and the costumes all remain—Burke and Richards decided to change the set, all in the name of finding new things to explore in the play.

In previous performances, when Twig hops out the window and embarks on her adventure, she sails the sea in a tiny boat. While Burke and Richards loved the image, after performing the play so many times in sequence at Edinburgh Fringe, they discovered that that particular choice limited Richards’ performance of Twig, a character who is, at long last, captain of her own ship.

The pair are tight-lipped about the new set, which they created with set designer JP Scheidler (with help from set painters Zap McConnell and John Owen), but they’ll offer a little bait: The new set is smaller and more contained, so it’s harder for the twins to get around one another, adding to the sense of claustrophobia Twig feels at the hands of the well-intentioned but domineering Pip. At the same time, though, Burke says the set is “like Twig’s fantasy come true.”   

After putting years of effort—creative, emotional, physical, financial—into something, you want to keep working on it until you feel like, “okay, that’s what the thing can do,” Richards says. “You want to hone it until it feels like it can’t be honed any more” because it’s in its final form.

It’s not likely that the ship has sailed on The Convolution of Pip & Twig, but for now, its course, charted for more than a dozen performances at Live Arts’ Gibson Theater in September, is clear.

Categories
Arts

ARTS Pick: The Country Christmas Show

Gather around the Christmas tree (or plastic Santa Claus) with some of Charlottesville’s favorite singer-songwriters during The Country Christmas Show, hosted by songstress Sarah White. Decked out in party dresses as The (All New) Acorn Sisters, White and Siân Richards perform a set of down-home tunes, with appearances by Luke Wilson, Carleigh Nesbit, Jim Waive and The Ample Family Band with Ian Gilliam for a gently rockin’, oh-so-cozy night.

Thursday, December 22. $12-15, 8pm. The Southern Café and Music Hall, 103 First St. S. 977-5590.