Categories
Knife & Fork

Learning to eat: Basque Country’s pinxtos provide culinary revelations

At UVA, I did my third year in Madrid, Spain, and I discovered San Sebastian, a resort town on the coast near the French border that’s famous for its food. It has Michelin-starred restaurants, but my favorite places to eat there were pinxto bars. Pinxto means spike, or skewer, but it translates generally to snack, or tapas. The pinxtos are concentrated in one area in San Sebastian. You go from one to the next, and each has a specialty, often served on a slice of crusty bread. It’s a style of eating, grazing in a cool old neighborhood where food is central to life. The idea of eating fresh and local didn’t exist when I was growing up. I learned about it in Spain, where I ended up living for five years. Today, it informs not only the way I eat but also my business, which uses organic ingredients to make spirits and other drinks.

After I returned to Virginia (I live in Ivy), I got married and my husband and I took a trip—guess where. Part of the planning entailed plotting a course among the best pinxto bars. Thankfully, no driving was involved because drinking definitely was, and my favorite places to eat were within walking distance. The strategy is to start with little bites and then work your way up to a main course. One pinxto we went to specializes in hongos, thick-stemmed mushrooms cut up and sautéed in garlic with a fried egg on top. Another served a dozen different preparations of anchovies, or boquerónes. One delicacy that sounds gross but is delicious are percebes—we call them goose barnacles here—that you eat by sucking the meat out of the shell. Finally, there’s beef, or rather, ox, that’s seared on a big iron griddle, sliced very thin, and again, served on bread.

When you ask about a favorite meal, most people recall one big decadent dining experience. For me, piecing together a bunch of great moments in an amazing place like San Sebastian is how I think of my best meal ever. —Allison Evanow-Jones, founder, Square One Organic Spirits, as told to Joe Bargmann

Square One Organic Spirits are available by request at Virginia ABC stores, and the brand’s organic cocktail mixers can be purchased at local stores including The Spice Diva and Foods of All Nations or online at squareoneorganicmixers.com.

Categories
News

The road to Virginia men’s basketball earning the No. 1 seed in NCAA tournament

Editor’s note: Hours after we went to press, it was announced that Virginia’s De’Andre Hunter would be sitting out the NCAA Tournament due to a broken left wrist (he undergoes surgery Monday, March 19). No. 1 Virginia takes on No. 16 University of Maryland, Baltimore County (UMBC) in the South region at 9:20pm Friday, March 16.

There are 0.9 seconds left on the clock, and the Virginia men’s basketball team is nearing the end of what looks like its worst game of the regular season—and that includes the heartbreaking 60-61 overtime loss to Virginia Tech. They’ve consistently chopped a 13-point deficit to two in the second half, but it’s a Louisville player holding the ball on the baseline, ready for the game-ending inbound.

Every Virginia basketball fan is thinking the same thing—“This is it”—as they prepare for the final second to tick away, and for the team’s first road loss of the season.

But somehow—miraculously—there’s a slip of memory. A few footfalls later, the ref blows his whistle for illegal movement with the ball. Possession changes hands.

There’s a scanning of the court by Virginia’s Ty Jerome, a shuffling of feet, a hard pass to the three-point line and a turn-and-shoot. That’s all there’s time for—and it’s enough. Because it wasn’t just any player shooting that three: It was De’Andre Hunter—the ACC’s Sixth Man of the Year. The same player who scored 10 points on March 10—eight of them from the free throw line—to lift Virginia to its third ACC title in program history, beating North Carolina 71-63.

“There are teams that have more individually talented players than Virginia, but I don’t think you could find a team in the country that plays as a team better than Virginia,” says Allison Williams, a sideline reporter for ESPN.

* * *

It wasn’t supposed to be this team, perched atop the AP Top 25 poll standings for five weeks in a row. A team without point guard London Perrantes, without Malcolm Brogdon, last year’s NBA Rookie of the Year. A team that wasn’t even ranked in the top 25 going into the season.

It wasn’t supposed to be this season, either. This was supposed to be a rebuilding year.

But the fact is, it was this team that won the Atlantic Coast Conference title outright and came away as ACC tournament champs. And it was this season that brought the Cavaliers to the NCAA Tournament with a record of 31-2 (17-1 in the ACC, a league record).

Some would look at Virginia’s No. 1 ranking and ask: “How did this team get here?”

And the answer would be: 53.4.

That’s the average number of points per game Virginia has allowed from opponents. The next closest is Cincinnati, a solid four points behind the Cavaliers, at 57.1 points per game.

But Virginia’s always been good at defense, one might counter.

Yes, but even by Virginia’s standards, the team is having an exceptional year. Last year, the Cavs ended the season at 56.4 points allowed per game. The year before it was 60.1. In fact, the only year in the past five where Virginia has defended better was the 2014-2015 season—the year the team leaders were Brogdon, Justin Anderson and Anthony Gill.

And hiding at the bottom of that roster, unaware perhaps that they would be leading the team soon, was redshirt freshman Devon Hall and freshman Isaiah Wilkins.

These two guys have been the heart and soul of Virginia’s team this year, from the very first tip-off against UNC Greensboro to the final game of the ACC Tournament. Wilkins left the ACC final against North Carolina averaging 5.9 points, 1.5 blocks and 6.3 rebounds per game, but he also brings something much more important to the team, something that doesn’t show up in the box score—hustle.

If a ball is loose, you can bet Wilkins is falling all over the floor trying to get it. If a shot leaves someone’s hands, you can bet Wilkins (who landed on the March 12 Sports Illustrated cover) is jumping up to block it. It’s no surprise that he came away as this season’s ACC Defensive Player of the Year.


ACC Tournament and regular season results

2018

Tournament champion: Virginia

Regular season: Virginia

2017

Tournament champion: Duke

Regular season: North Carolina

2016

Tournament champion: North Carolina

Regular season: North Carolina

2015

Tournament champion: Notre Dame

Regular season: Virginia

2014

Tournament champion: Virginia

Regular season: Virginia

2013

Tournament champion: Miami

Regular season: Miami


And then there’s the improvement in Devon Hall, who himself made the All-ACC Second Team. Hall’s managing 12 points and 4.3 rebounds per game (the second-highest on the team, behind Wilkins). Not to mention that he’s shooting 45 percent from behind the arc and a stunning 89 percent from the free throw line—all massive improvements from his performance last year.

So, when you look at this team’s journey, from that early loss to West Virginia to the win over Duke on the Blue Devils’ home court for the first time in 23 years, you don’t have to look much further than those players to understand where the leadership has come from.

“They’ve seen the hard work that it takes to be good, the level of dedication that it takes to be good,” associate head coach Ron Sanchez says. “They’re not coming into this season with a false sense of what’s required. They’ve seen it; they’ve witnessed it; they’ve been a part of it.”

That level of maturity has certainly helped lead the Cavaliers to a top spot in the rankings, but it doesn’t hurt that the players remain coolly unconcerned with what redshirt junior Jack Salt calls “the media stuff.”

“It’s definitely still a good feeling for us and for the fans, but hopefully we just keep it going and take each game by itself,” Salt says, noting that their ranking in the AP Top 25 “doesn’t really matter” to the team.

Answering the questions

“You had question marks,” Sanchez admits, when he’s asked about this year’s London Perrantes-less team. “As far as how much you could get from the young guys, especially if it was their first year. But you had a calming sense about you because you knew you had guys like Devon Hall and Isaiah Wilkins, who have been around.”

Perrantes was more than just a point guard, though. A starter since his freshman season, he was a guiding hand and—perhaps most importantly—a calming force for the team. He knew exactly what to do when the team wasn’t playing at the right tempo or got stuck in a rut. In his last season, he started every single game, scored an average of 12.7 points, and shot 37 percent from the three-point line.

And this team didn’t just lose Perrantes. It lost Marial Shayok and Darius Thompson, both of whom would have been senior guards this year. Neither of them were star players—they didn’t start every game—but both provided some much-needed points off the bench; points that have conveniently been picked up this season by Hunter and Nigel Johnson.

“You lose some experience in Marial Shayok and Darius Thompson, there’s no doubt about it,” says ESPN analyst Seth Greenberg. “But experience is not 100 percent bought into their role and the good of the group. That’s not Virginia basketball.”

He’s not wrong—Virginia has never been a team that relies solely on one or two star players. Every once in a while, a Brogdon or an Anderson comes along to shoulder the offensive weight, but there’s always been more of an equitable distribution. If Tony Bennett is known for one thing, it’s the skill with which he and the rest of his coaching staff manage to take a mid-level recruit and get high-level results.


Duke Blue Devils fans harass Virginia Cavaliers guard Devon Hall (0) as he tries to inbound the ball during the first half at Cameron Indoor Stadium. Photo by: Rob Kinnan-USA TODAY Sports

This season’s big win

Some things in college basketball just don’t go together: Tony Bennett and a frown, Bob Huggins and a suit and—more importantly—the Duke Blue Devils and losing. Or, we should specify, the Duke Blue Devils and losing at home.

“I don’t think I’ll ever forget that,” junior Jack Salt says of the game back in January. It was his first time playing at Cameron Indoor Stadium. The last time he was there he was still a redshirt freshman, watching his teammates from the bench. “It was definitely a hostile environment and a really good feeling to get the win coming out of that arena.”

Even that’s putting it mildly. Playing against Duke at home isn’t just playing in a hostile environment. It’s playing against a top-tier college basketball club that ended the season second in the ACC, with a 26-7 record (13-5 in the ACC), and was only held back form the ACC tournament final by a five-point loss to rival North Carolina.

“It is not easy to win at Cameron,” says ESPN sideline reporter Allison Williams, who’s watched the team firsthand this year. “If you look at Duke’s margin of victory at home this year, they’ve won every game by an average of 20 points a game in ACC play.” She pauses, and then adds: “Virginia won there.”


But the rest of college basketball didn’t see it that way. Or, at least, not until Virginia had clawed its way to nine conference road wins, a regular season title and an ACC tournament trophy.

“There was no talk about potentially winning the ACC,” says ESPN sports writer Andrea Adelson, in regards to the ACC media day back in October when Virginia was predicted to finish sixth in the conference. “So, I think to see where this team is right now and how far they’ve come is a tribute to not only the leadership, but the belief in the system, and the veterans on this team—players like Isaiah—that know what it takes to win.”

The game-changers

Virginia’s upperclassmen aren’t the only players who have led the team this year.

“The way [Hunter] plays on the defensive end is so pivotal for them,” Williams says. “When you can provide a spark off the bench offensively, that’s tremendous. But he does it on both ends. That’s what’s really impressive to me.”

And Hunter isn’t the only player who surprised fans this season. Sophomores Kyle Guy and Ty Jerome, Virginia’s top guards this year (who made the All-ACC First and Third Team, respectively), have stepped into longer minutes and higher box scores. Jerome, who averaged 4.3 points per game last season, is now putting up 10.5. And Guy has also doubled his production—from 7.5 points per game last year to 14.1.

“Ty Jerome has made so many big shots for them, and it doesn’t seem like any moment is too big,” Greenberg says, noting his pace and size (6’4″, 175 pounds) and how well Jerome’s learned Virginia’s noted pack line defense.


Virginia Cavaliers forward Isaiah Wilkins (21) and Florida State Seminoles center Christ Koumadje (21) battle for a loose ball during the second half at Donald L. Tucker Center. Virginia Cavaliers win 59-55 over the Florida State Seminoles. Photo by Glenn Beil-USA TODAY Sports

Coach’s pick

“I think the Florida State game is one that stands out. When things aren’t going well, it tests your abilities and your level of commitment. That game we didn’t start off as well as we wanted to and then we were able to turn it around against a talented, talented athletic team. I think that game spoke highly of the character of the team.”Associate head coach Ron Sanchez


That’s not a coincidence. According to Sanchez, Bennett explicitly told Jerome and Guy that in order for the team to get better, they had to improve individually, something they “took to heart” in the offseason. Those improvements have let Bennett play the same starting five (Hall, Salt, Wilkins, Guy and Jerome) for every game in the regular season (except Senior Night)—an unusual occurrence at any school.

“They’re the only power-five team in the country who’s played the same starting lineup in every game,” Mike Barber, a sports writer at the Richmond Times-Dispatch, says. “That’s unheard of. They’ve played their five oldest guys, they’ve had De’Andre as their sixth man off the bench, and I think that’s a big part of why they’re winning the ACC.”


Photos by Jack Looney

Numbers game

Ty Jerome, guard

2017-2018: 42% field goals, 39% three-point shots, 90% free throws, 10.5 points per game, 2.3 assist-to-turnover ratio

2016-2017: 47% field goals, 40% three-point shots, 78% free throws, 4.3 points per game, 1.67 assist-to-turnover ratio

Kyle Guy, guard

2017-2018: 41% field goals, 40% three-point shots, 84% free throws, 14.1 points per game

2016-2017: 44% field goals, 50% three-point shots, 71% free throws, 7.5 points per game

Devon Hall, guard

2017-2018: 47% field goals, 45% three-point shots, 89% free throws, 4.3 rebounds, 12 points per game

2016-2017: 41% field goals, 37% three-point shots, 78% free throws, 4.4 rebounds, 8.4 points per game

Isaiah Wilkins, forward

2017-2018: 49% field goals, 6.3 rebounds, 5.9 points per game, 1.5 blocks per game

2016-2017: 56% field goals, 6 rebounds, 6.8 points per game, 1.3 blocks per game

Jack Salt, center

2017-2018: 65% field goals, 4.1 rebounds, 3.5 points per game, .7 blocks per game

2016-2017: 56% field goals, 4.1 rebounds, 3.7 points per game, .7 blocks per game

De’Andre Hunter, guard

2017-2018: 49% field goals, 38% three-point shots, 76% free throws, 3.5 rebounds, 9.2 points per game

*Stats through ACC tournament (March 10)


And although you can’t narrow their success down to one or two things, Williams says it’s hard to imagine where they’d be without most-improved Jerome and Guy.

“You could see their potential and now that potential is producing,” Williams says. “They were the question marks, and they’ve been the answer for Virginia.”

It’s a level of consistency not many were expecting from Virginia this year, in what Barber calls “the best league in the country.”

But the question remains: Is it enough to go far in the NCAA tournament?

Learning how to dance

“When they didn’t make that Final Four, it kind of felt like a window was shutting,” Barber says, of the 2016 tournament when No. 1 seed Virginia fell unexpectedly to 10th-seeded Syracuse in the Elite Eight. But it wasn’t just 2016. It was also 2015, when as a two seed the Cavs fell to seventh-seeded Michigan State. And again in 2014, when the No. 1 seeded UVA fell to fourth-seeded Michigan State.

“I think it gets to a point where it becomes mental,” ESPN’s Adelson says about some of Virginia’s disappointing tournament runs. “For them, a lot of it is going to be forgetting about that, forgetting what’s happened in the past, forgetting the fact that people now have this idea that ‘we can’t take them seriously once the tournament starts.’”

Coach Tony Bennett was named ACC Coach of the Year for the third time after the team won the outright ACC regular-season title. Photo by Jack Looney

But you can’t talk about March without talking about weaknesses—and Virginia’s biggest sore spot is a lack of interior scoring. Center Salt and forwards Wilkins and Mamadi Diakite—the three players most often responsible for those easy, under-the-basket buckets—aren’t exactly the most productive on offense. They know how to protect the rim, they rack up blocks and rebounds, but together they average only 14.7 points per game, which puts a lot of pressure on Jerome, Guy and Hall to pick up the offensive slack.

“If Ty Jerome and Kyle Guy have a bad scoring night, I don’t know how this team scores enough to win tournament games,” Barber of the Richmond Times-Dispatch says bluntly. But even so, he points out that every team’s missing something. “Why not be the team that makes the run?”


NCAA Tournament history

2017: No. 5 seed Virginia loses to No. 4 seed Florida in the second round

2016: No. 1 seed Virginia loses to No. 10 seed Syracuse in the Elite Eight

2015: No. 2 seed Virginia loses to No. 7 seed Michigan State in the second round

2014: No. 1 seed Virginia loses to No. 4 seed Michigan State in the Sweet Sixteen

2013: Did not make the tournament


Virginia certainly wants to be that team, but they’re not going to change much to get there. Not because they don’t care, but because they approach every game the same way: with a clean slate, a tough focus on defense and efficiency on offense.

“Our approach to the tournament is going to be the same as it was for the first game of the season,” Sanchez says, laughing slightly that he can’t give a more “dynamic” answer. “To say, ‘If we do this, we can get there,’ that’s incorrect. Who you play, when you play them, how healthy you are—all those things are important. We’ll try to focus on controlling the things that we can control and that’s really it.”

And when it comes to the madness, everyone knows there aren’t many things you can control.

“It’s hard to get to the Final Four,” Greenberg says. “Everyone talks about that, but it’s just really hard to get to the Final Four.”

 

Categories
Opinion

Animal instinct: Why do we protect sexual predators?

‘‘You’re expecting too much from people,” my friend Lisa explained to me. “We’re mere animals.” I had been pacing the sidewalk rehearsing the details of the Harvey Weinstein story—at press time, following investigative reports in the New York Times and the New Yorker, more than 50 women have alleged he sexually harassed, abused and in some cases raped them over the three decades that Weinstein topped Hollywood’s ruling class. It was evidently an open secret that he preyed on assistants and aspiring actresses; several men in his orbit have since come forth to admit they’d heard about Weinstein’s actions from women he allegedly victimized. Yet these fellas, apparently believing that relationship status is a factor in sexual harassment, played the boyfriend card and figured Weinstein would stop. Never mind the unknown, unsuspecting women likely to be hurt by an unchastened Weinstein: Self-policing would set things right, or right enough for these guys.

In a New York Times interview, Quentin Tarantino, the filmmaker most closely associated with Weinstein, confessed with breathtaking narcissism that he figured once Weinstein realized actress Mira Sorvino was Tarantino’s new girlfriend, he would stop groping her. (A tone deaf Tarantino also expressed hope that folks would keep watching his movies even though we now know he ignored rumors of Weinstein’s continued sexual assaults in the post-Sorvino years.)

What is with these people?! I cursed on the street. Grown men old enough to remember Anita Hill and Clarence Thomas convince themselves the victim’s sex appeal rather than the predator’s power is at the root of the abuse? That’s just one more scent in the Blame the Victim perfume collection. It stinks!

But Lisa’s point was that many people, facing a hard truth and the possibility of confrontation or inconvenience, will take the easy way out.

Which is where our democratic system of laws and regulations is supposed to come in—to protect everybody and ensure your body is respected whether you’re an Oscar-winner’s GF or not. But what happens when those policies fall short, giving more comfort to the perpetrator than the victim?

With sexual assault, the most obvious effect is under-reporting. Lacking trust in the system to uphold their rights above the abuser’s, victims hold back. That can leave their own trauma unresolved and increases the likelihood the perpetrator will strike again. Examples of this abound. Here’s but one: Last year the Atlanta Journal-Constitution published a remarkable investigation into the legal gaps that leave patients vulnerable to sexually abusive doctors, including in Virginia, which earned a grade of C. Using public data to size up the legal situation state by state, the AJC reporters gave the state medical board a score of 64 out of 100.

Virginia ranked particularly poorly in the areas of criminalization and legal notification: The medical board is not required to report allegations of criminal conduct to law enforcement, nor has Virginia criminalized sexual misconduct involving doctors and patients. Knowing that a physician faces little lasting consequence if found guilty of a sex crime (and the evidentiary standard is uncommonly high in Virginia), a patient would think twice about enduring the ordeal of reporting an incident. Indeed, the Journal-Constitution series highlights a Virginia doctor whose license was reinstated three times though he was known to the state medical board and legal authorities as a serial sexual assaulter. Yuck.

Yes, Virginia, Harvey Weinstein is a beast. And effectively he didn’t act alone. When it comes to enabling sexual predators, it’s high time more of us rise above and stop acting like mere animals.

Yes, Virginia is a monthly opinion column.

Categories
Living

Crushing it: Why this year’s harvest could put Virginia wine on the national map

He pulls the golf cart onto the right side of the gravel path: “Let me show you some of this viognier.” Carrington King, vineyard manager at King Family Vineyards in Crozet, stops the driver of a Kawasaki golf cart heading in the opposite direction of the tasting room, toward the processing facility, loaded down with bright yellow crates called lugs, each filled with 25 pounds of grapes. The crates are marked with the name Roseland in black, the name of the farm and the name of a chardonnay/viognier/petit manseng blend the winery produces. King plucks a cluster of grapes and holds it up to the afternoon sunlight to show how these berries, part of a second harvest of viognier this season, are starting to raisin and dehydrate.

“See how it’s drying nicely, no rot? And that”—he points to a brown discoloration—“that’s a little sunburn, but it’s perfectly fine.”

He pops a few grapes in his mouth.

“Super, super sweet. A year like this you can do interesting projects like this.”

Steeped in history

Our region is part of the Monticello American Viticultural Area, the state’s oldest AVA, founded in 1984. It’s named for the estate of one of the biggest proponents of American winemaking, Thomas Jefferson, who dreamt his home would be surrounded by flourishing vineyards that could compete with the Old World style of winemaking. Jefferson enlisted the help of notable Italian winemaker Filipo Mazzei, who researched the local terroir and planted thousands of vines around Monticello and at farms nearby. Although the American Revolution cut down Jefferson’s dream, if he walked the Monticello Wine Trail today he might see something closely resembling his vision.

The Monticello AVA, which includes Charlottesville and the four surrounding counties of Albemarle, Greene, Nelson and Orange, is made up of 33 wineries and encompasses 800,000 acres in the area on the eastern slope of the Blue Ridge Mountains. About 30 varieties of grapes are grown here, with some of the most prominent being chardonnay, cabernet franc, merlot and our state grape, viognier.

Virginia winemaking saw a resurgence in 1976 with the founding of Barboursville Vineyards by Gianni Zonin, heir to a family wine enterprise in the Veneto region of Italy. In August, the Daily Meal, which gathers input from wine industry professionals and factors in awards and accolades from wine publications, named Barboursville No. 8 on its 101 Best Wineries in America list (Michael Shaps Wineworks came in at No. 57, Jefferson Vineyards at 94).


What makes it Virginia wine?

Vineyards and wineries in which 85 percent of the fruit comes from the Monticello AVA, with the remainder made up in local grapes from around the state, may enter the Monticello Wine Cup Awards each April.

Statewide regulations are a little less strict: 51 percent of the grapes have to come from Virginia land owned or leased by a winery for that wine to be considered a Virginia farm wine (the label will read American wine).

Some of the larger wineries operate under a different classification: 75 percent of their grapes must come from within the state. And the wines of any winery with 75 percent or more grapes grown in Virginia are labeled Virginia wines.


But Virginia is often overlooked when it comes to making the grade as a top wine region in America, with heavy-hitters like Napa and Sonoma, and New York’s Finger Lakes and Oregon’s Willamette Valley getting all the national headlines. In fact, some wineries in California produce as much wine as all of the wineries in Virginia together. Sadly, in early October, wildfires in Northern California killed 42 people and scorched 240,000 acres, destroying six wineries in the Napa and Sonoma regions.

Locally, we also battle Mother Nature: This fall’s lack of rain caused City Council and the Albemarle County Board of Supervisors to issue mandatory water restrictions earlier in the month—no watering your lawn, take brief showers—to help offset the lower water supply levels (the South Fork Rivanna Reservoir fell to 42 percent capacity in just two months).

But our hot, dry autumn is actually good news for grape growers and vineyard owners. A drier season with more mild temperatures means a longer growing season, which allows the fruit to fully ripen on the vine. That means they are picked at the perfect point of ripeness, when the balance of sugar and acid levels for each variety is at its peak.

This year could not only be a banner year for Virginia winemakers in terms of grape yield, quality of the fruit and thus quality of the wine produced, it could be the year that puts Virginia wine on the map, many say.

Hearty harvest

Emily Pelton couldn’t believe what she was tasting. It was the end of July, and the first sample of sauvignon blanc grapes had just come in from the field at Veritas Vineyard & Winery in Afton, where Pelton is head winemaker.

She expected the berries in a random sampling to be tart, like they usually are, but instead Pelton was hit with a punch of sweetness: “Oh, that’s nice!” she thought.

That was one of the first signs that this year would be “a vintage in our books,” she predicts, up there with her favorite vintages in 2009 and 2010.

Although the area also experienced a drought in 2010, that one caused a surge in sugar in the grapes and fast ripening, which led to a smaller yield, Pelton says. This year, she says they hauled in 382.2 tons of grapes between the 50 acres under vine at her family’s winery and another 50 on farms within 30 minutes’ drive, which will make about 26,000 cases of wine (there are 12 bottles in a case). An average year would yield 15,000 to 20,000 cases for the vineyard.

Emily Pelton, head winemaker at Veritas, helped her parents, Andrew and Patricia Hodson, start the winery in 1999. Photo by Paul Whicheloe

Several factors contributed to this year’s bountiful harvest, says Joy Ting, production manager and head enologist at Michael Shaps Wineworks. For one, there was an early bud break in the spring, which generally makes winemakers and growers nervous, because one cold snap could wipe out their crops. But the milder temperatures held, translating into a longer grape-growing season. Most wineries started picking their first white grape crops at least a week early—Pelton says they started picking August 10, almost two weeks ahead of schedule. King Family picked its first chardonnay grapes for its sparkling wine August 3—a full week earlier than it’s ever harvested. In addition, wineries were still harvesting their last red varieties at normal times (early to mid-October), and were even able to do second-round pickings of certain varieties, such as King’s viognier.

The small amount of rain (our area dodged residual effects from Hurricanes Irma and Maria) meant the threat of disease such as rot was lessened, and it also allowed grapes with more concentrated flavor because the vines could focus on their job—growing fruit.

“I feel like the cabernet franc this year is some of the best cabernet franc that I’ve seen since I’ve been in the industry, about five years,” Ting says. The sauvignon blancs, viognier and rosé don’t need to go through malolactic fermentation, which reduces acidity, and will be released in late summer 2018. Most of the reds like cabernet sauvignon, tannat and petit verdot will continue to age in barrels for another year after being pressed and undergoing malolactic fermentation. They will be available in late 2019. “But I would hesitate to say that, only because I really feel like across the board the fruit was very high quality. From the very early whites all the way through the reds…for Virginia, I feel like it was a really wonderful growing season for us.”

Down to a science

As Carrington King passes by blocks of grapes, he points out their labeling system of using cattle tags on each row: red for merlot, pink for cabernet franc, yellow for petit manseng. We stop near a block of viognier, where people are hand-picking the second harvest of the grape, which will likely be used for a small-batch orange viognier (a method of winemaking in which white grapes are fermented on the skins like a red wine, creating an amber hue and giving the wine “nice tannin”). King’s brother’s father-in-law is out in the field, as is King’s mother, Ellen, picking alongside year-round employees. The vineyard is a family endeavor—David and Ellen King started the vineyard in 1998, and the couple’s three sons now help operate the 327-acre farm and vineyard.

King says all the grapes are handpicked—“It’s hard to find them, you have to hunt way up high,” he says. Gathering berries for sampling (which begins about a week after veraison, when the red grapes go from green to red and the white grapes start softening) is not a very scientific process: Someone grabs a Ziploc bag and walks along a path with a row of vines on either side. While looking straight ahead, he’ll reach in and grab some berries off a cluster, sometimes off the top, sometimes off the bottom, and ping-pong between the two rows to ensure a sampling of berries that get both morning and afternoon sun. By not looking at the berries you pick you’re ensuring as random a sample as possible–our eyes are naturally trained to flesh out the best-looking berries.

“When we’re sampling and trying to get tons per acres we do berry weights and cluster weights. On average our berry weight was lower than most years,” King says. “Typically a winemaker would love to have smaller berries, especially in a red where the ratio of juice to skin favors better color, better tannin, better extraction, because your ratio of juice to skin is higher on the skin side. Now, in central Virginia we don’t know what to call average because it’s been so variable every year.”

Employees of King Family Vineyards handpicked a second harvest of viognier grapes last week. Photo by Paul Whicheloe
King Family winemaker Matthieu Finot and vineyard manager Carrington King sort freshly picked grapes by hand. Photo by Paul Whicheloe

Once the sample comes in the process does turn scientific. The berries are crushed and the juice is strained into a beaker, and a pH meter and a refractometer measure the pH level and percent of soluble solids—the sugar level of the juice. As the sugar accumulates in the grape, the pH level increases. When the grapes are first tested the pH might be 2.8 or 2.9, increasing to 5.3 or 6, as it gets more basic (7 on the pH scale is neutral). But acid is good for wine—if it’s not acidic enough the wine won’t taste balanced. Chardonnay used in sparkling wine, for instance, is picked at a lower pH level of 3 to give the wine an “acidic tingle and freshness,” King says.

“When it gets closer to harvest (three weeks after veraison) we might take samples every few days, to try to say what’s the progression of sugar accumulation and how quickly is the acid going down, to try to find the right balance point of when it’s the right time to pick that grape,” Ting says. “And that’s one of the nice things about not having rain coming. We get to dial that in a little more carefully. If it’s going to rain, we’ll usually pick it before the rain, if we feel like it’s close to ripe. This year we would take samples, and we would almost be able to predict ‘well okay, it looks like it’s gaining such and such sugar per day, so it looks like this weekend it should be right where we want it to get’ and it would be right about where we expected it to be.”

Michael Shaps, which has about 80 acres of vineyard under lease or management in eight counties in the state for its own wines, also does contract winemaking for clients who bring in grapes from their own vineyards, and Ting says grapes from all over the state saw similar consistency this year. Shaps was the original winemaker at King Family, and was succeeded by Matthieu Finot in 2007.

Finot, whose lab is housed in the “newish” production facility at King Family (it’s their fourth harvest in the new building), echoes other winemakers in their love of this year’s crop with good acid, which keeps freshness in the wine and helps it age well.

“I’m very excited with the chardonnay, and the cab franc will just be wonderful this year: good ripening, good color, good tannin extraction,” he says. “I think it’s going to be a key vintage for what we do. We had some rain at the beginning of September, just to give us harvest, then it went back to nice, sunny and dry. On a whole I’m very happy with it. Usually when you talk to the winemaker at this time they’re all depressed…here, it’s like yay!”

Experimental thinking

When asked what her favorite varieties this season are, Pelton lets out a little yelp and squirms in her seat. It’s like asking her to pick a favorite child. She concedes that her sauvignon blanc was “killer” this year—not that the viognier wasn’t—but the sauvignon blanc stands out for its intense aromatics. You can pick out distinct notes of grapefruit and passionfruit, specifically pink grapefruit.

“You can really start diving in there and saying, ‘Ooh, I can smell this!’” she says.

For reds, she names both cabernet franc and petit verdot, but finally settles on cab franc.

King also names their cabernet franc and petit verdot as the red varieties he’s most excited about this year: “The chemistry was amazing,” he says.

King Family hauled in 240 tons of grapes this season from its more than 30 acres, which translates to 12,000 cases. King says demand is going up every year, as is production and new plantings: In 2016 they made 2,200 cases of Crosé, which lasted in their tasting room until July. The year before, they produced 1,800 cases that sold out in September. Each year they’re selling out earlier: They will bottle 4,000 cases of the 2017 vintage of the cult favorite rosé, a staple at summer polo matches at the vineyard.

Although King Family mainly sticks to its stable of wines, it created its small batch series four or five years ago to allow Finot to experiment, and in a banner year like this there’s a little more room to play.

“What’s really fun for us is making these little tiny batches to make very select bottlings,” King says.

Newly released this year for King Family is a wine called Mountain Plains, which was the original name of the family’s property when a 22-year-old Thomas Jefferson, then an attorney, signed the deed. The “super meritage” is a blend of petit verdot, merlot and cabernet franc—two barrels of each.

Currently being processed in King Family’s production facility is a whole cluster petit verdot–pressed with stems and all–much the way they would have done in the Old World when grapes were crushed underfoot. The stems give the wine more tannins, Finot says, but that can be risky. He points to a similar experiment a few years ago with a dry petit manseng that is now being served in the tasting room. When he first tried it he thought it was very harsh and acidic, out of balance, and he considered dumping it. But he kept aging it in barrels, and after two years he ended up with a drinkable wine.

“Now it’s one of the wines I really love,” he says.


Berry good

Although the viognier grape, which has intense, complex aromas of stone fruit with tropical notes, was named our state’s signature grape in 2011 (its thick skin can stand up to Virginia’s heat and humidity), it comes in as No. 6 in grape production totals from a 2016 commercial grape report prepared for the Virginia Wine Board. Here are our state’s top five:

1. Cabernet franc (929 tons)

2. Chardonnay (760 tons)

3. Merlot (620 tons)

4. Cabernet sauvignon (533 tons)

5. Petit verdot (495 tons)


Blenheim Vineyards, which made roughly 4,500 cases in 2016 and will bottle 8,000 cases this year, has added the albariño grape, which generally flourishes in Spain, to its portfolio. Ting points to Bleinheim and Afton Mountain Vineyards as early champions of the grape variety, good for making a fresh white wine. Kirsty Harmon, winemaker and general manager at Blenheim, says both the albariño and sauvignon blanc did well this year, and she made a little wine out of pinot noir, which she hasn’t been able to attempt in years past.

“I’d say that it is potentially the best harvest at Blenheim since I’ve been winemaker for 10 years,” she says.

And Veritas’ Pelton is experimenting too, but less with grapes and more on winemaking styles and the growing process. In 2014 she helped found the now statewide Winemakers Research Exchange in which wineries in Virginia can submit experiments for blind taste tests. Last year the exchange had 10 different tastings; Pelton submitted four or five projects.

The future of local wines

Today there are more than 260 wineries statewide compared with 193 in 2010. In 2015, the wine and grape industry brought in $1.37 billion, and wine production nearly doubled in that time frame from 439,500 cases to 705,200, according to the Virginia Wine Board’s 2015 Economic Impact Study.

Today’s wineries, with careful site selection for plantings and fruit monitoring along with evolving winemaking, are a far cry from the early days 40 years ago, King says. He says he’s often asked who his competitors are. His answer: He doesn’t have any. He says all the winemakers, vineyard owners and grape growers are friendly with one another and eager to share insights to create the best wine and customer experience they can.

“It’s a very intimate thing to sell something that you’re going to imbibe—it’s not tennis shoes or a belt buckle. It’s going in your body,” King says. “If someone has a bad experience somewhere, they might write off Virginia wine.”

Two weeks ago Pelton traveled to Charleston, South Carolina, for a luncheon hosted by Garden & Gun magazine. Only Virginia wines, including Veritas and Early Mountain Vineyards, were served, and guests didn’t know what they were drinking until Pelton walked around to each table to chat with the luncheon’s attendees. Their feedback? They were surprised by the wine’s origins, but they loved it.

“I would just like to point out we have such pride in our Southern food culture,” Pelton says. “I’d like people to start having the same [feeling] about their local brewery, winery and cidery.”

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Fun on the Water: Boating, Fishing, Water Skiing

By Ken Wilson–

Put me on a mountain, way back in the backwoods.
Put me on a lake with a biggin on the line.
  Montgomery Gentry

We have the mountains, we have the backwoods, and we sure do have the lakes and the rivers. Fishing and boating enthusiasts have everything they need here in Central Virginia, including the mild winters.  All that means their favorite time of year is . . . pretty much year-round.

Boating
Canoers can paddle right through downtown Waynesboro on the Waynesboro Water Trail, a four-mile stretch of the South River. Boat ramps located at either end, in Ridgeview and Basic parks, make for easy access, but the river is also accessible along the way. Experienced boaters classify the Trail an “easy paddle,” with only Class I and Class II rapids (Class VI is the highest on the scale) along the way. The Trail is open sunrise to sunset.

Waynesboro’s Paddle the Park program offers rentals of solo and tandem kayaks for use in Ridgeview Park on Sunday afternoons until the end of pool season (an August date as yet to be determined). Rentals are first come, first served, and rates are $10 per hour for solo kayaks and $15 per hour for tandem kayaks.

A limited number of canoes and kayaks are also available for rental on Albemarle County’s 62-acre Chris Greene Lake through August 22 at just $5.00 an hour.

Water Skiing
Water skiers around here are apt to head to Lake Anna, whose 20 square miles ripple through Louisa, Orange and Spotsylvania counties, making it one of the largest freshwater inland lakes in Virginia. Water ski season at Lake Anna extends from April through October. Cool air and cool water make full wetsuits or dry-suits necessary early and late in the season. Short wet suits usually suffice by mid- May, and swimsuits will do in June, July and August. For calm water, go out early.

Fishing
“The diversity that Virginia has to offer for fishing opportunities makes it probably one of the best states I’ve lived in for fishing,” says Carson Oldham, owner of the Albemarle Angler in Charlottesville’s Barracks Road Shopping Center. “Within three hours you can either be catching brook trout in the high mountain streams or you can be in the Chesapeake Bay catching stripers and redfish and flounder and everything else—it’s amazing.”

Oldham’s a fan of Chris Greene Lake, where the fishing for largemouth bass, bluegill and more is good from the bank, or in a canoe, kayak or non-motorized boat, and of the lower part of the Rockfish River, a 28.7-mile-long tributary of the James River in Nelson County with “phenomenal” smallmouth fishing. “The James,” he says, “definitely has a lot of catfish in it.”

During the summer months he loves floating the James, Shenandoah and Rivanna rivers for smallmouth bass.

Central Virginia is brook trout territory too. “The Jackson River in the Hidden Valley area [in Bath County] is phenomenal for floating the tail waters,” Oldham says. “The Moormans River right here in Charlottesville is a phenomenal brook trout stream.” He’s referring to the North Fork of the Moormans River, which runs near Crozet and flows into the Charlottesville Reservoir, from which the city gets its drinking water. Fishing there is catch and release, with single hook artificial lures allowed. The beautiful North Fork also has swimming holes and waterfalls.

The Rapidan, which begins in Shenandoah National Park, was the first fish-for-fun fishery created in the Commonwealth of Virginia, and is another fine brook trout river, with many catches in the 7-9 inch range, but some ranging up to 10 inches. Only single point hook artificial lures may be used here—bait is not allowed. All trout must be immediately returned to the water unharmed.

Virginia’s trout season extends year-round. The state limit is six trout per day, none less than seven inches. Exceptions exist for heritage, urban, special area, special regulation, and fee fishing waters, so it’s best to check carefully. Wild and stocked trout are plentiful in the spring and fall, and during mild winters. Low stream flows and warming water temperatures mean tougher luck June through September.

At Orange County’s Lake Anna, the fishing goes on even in the dead of winter, thanks in part to water flowing into the lake from the nearby Dominion Power’s North Anna Power Station, which can be as much as seven degrees warmer than Mother Nature’s average. Best known for its lunker largemouth bass, Anna has also been stocked with bluegill, redear sunfish, channel catfish, striped bass, walleye, blueback herring and threadfin shad. Anglers can access the boat ramp starting 5:30 a.m; lights illuminate the ramp when the sun does not.

Lake Nelson in Nelson County has a concrete boat ramp, a courtesy dock and gorgeous views of the Blue Ridge Mountains. Nelson is stocked with largemouth bass, bluegill, redear sunfish, channel catfish, and crappie. Electric engines are permitted here, but gas engines are not.

Boating Safety
The Virginia Department of Game and Inland Fisheries offers a free classroom boating safety course. Pre-registration is recommended since classes fill fast. The US Coast Guard Auxiliary and the U.S. Power Squadron (a recreational boating organization with more than 35,000 members) offer classroom courses costing $25–40. For water lovers, Oldham says, “This is a great state. I encourage people to get out and enjoy the outdoors and the boating and fishing that Virginia has to offer.”

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Real Estate

Virginia Wine: Finding Its Own Identity

By Ken Wilson – 

It’s no novelty anymore, no curiosity, no fledgling with promise. Virginia wine—more than 6.6 million bottles in 2016—has found its identity and found its fans. It may have taken a few decades—or a couple of centuries counting Jefferson’s aborted attempts—but the local vino is making us proud, and making the state a destination spot for wine lovers eager for new vistas and new tastes. California wannabes? Swirl and sniff and guess again. “Virginia wines have their own merit,” says Matthew Brown of Wine Warehouse in Charlottesville. No longer striving to mimic what’s been perfected elsewhere, area wineries “are planting varietals that will do well in their area, not necessarily what will be the most popular.”

“Planting the right grape variety for the climate is part of it,” says Richard Leahy, author of Beyond Jefferson’s Vines, a complete history of Virginia wine focusing especially on the most recent decade, during which Jefferson’s dream of making world-class wine has come true. “Cabernet sauvignon doesn’t like clay soils for example.” Even more importantly, in his view, viticulturists now “understand the science of viticulture attuned to our growing conditions, especially planting on a well-drained site and spraying fungicides to protect the plants. Also, Virginia winemakers have learned how to make wine in a style that best suits the fruit we grow.”

Some of what we grow best and most distinctively here are Petit Verdot, Cabernet Franc and Viognier, along with Merlot, a well known grape widely planted in Bordeaux. Viognier, a white grape, has what Leahy describes as “distinctive floral/honeysuckle aromas and tropical fruit flavors; it’s dry but gentle on the palate.” Cabernet Franc, considered Virginia’s best red wine grape along with Merlot, “makes a smooth wine with cherry flavors and aromas. Petit Verdot is more of a newcomer, and is very dark, with floral and garden herb aromas, very smooth with black fruit and spice notes. The top Virginia reds today are actually blends of the red Bordeaux varieties like Merlot, Cabernet Franc and Petit Verdot, and have a more Bordeaux-like finesse and balance than what we see from the West Coast.

“Virginia has a ‘Goldilocks’ climate for these grapes,” Leahy says: “warm enough to ripen them, but not so hot that it burns away the delicate fruit flavors which happens in warmer climates. Renowned British wine writer and taster Steven Spurrier even calls Virginia his favorite North American wine region, for its elegant, balanced—with moderate alcohol—wines, with food-friendly acidity.

The result of all this newly achieved excellence? Rapidly expanding markets, as exciting new wines made from hitherto underused grapes garner critical acclaim and word of mouth interest and admiration. “Virginia’s burgeoning wine industry contributes more than $1.37 billion annually to Virginia’s economy, an increase of 82 percent from the last economic impact study conducted in 2010,” according to a study commissioned by the Virginia Wine Board and released this January. Between 2010 and 2017 the number of state wineries increased from 193 to 280, while the number of acres planted in grapes increased by 22 percent. Three thousand acres are planted today. Virginia now ranks in 5th place in the U.S. by volume of wine grapes grown, produces over a half million cases of wine, and contributes roughly $750 million a year to the state economy.

Tourism has grown dramatically as well. The number of people visiting wineries rose by 39 percent in just five years, from 1.6 million visitors in 2010 to 2.25 million visitors in 2015. Those wine tourists spent $131 million, an increase of 43 percent over the five year period.

“This growth is being driven by small wineries,” said Governor Terry McAuliffe, in a statement announcing these impressive economic figures. “I commend our Virginia wineries and grape growers for their hard work in making world-class wines that are driving this success and building the new Virginia economy.”

Right here in the Monticello American Viticultural Area, Leahy says, “we have many of the best wineries in the state, from Barboursville (large and well-established) to King Family and Michael Shaps. One of the newest and smallest is Loving Cup, Virginia’s only organic winery.” Warm weather heralds an abundance of activity at Virginia wineries: festivals, fundraisers, open houses . . . even polo matches. Here is a look just at some of what’s coming up.

Horton Family Vineyards
Soon after Dennis Horton planted his first vineyard in Madison in 1983, he began searching for grape varieties best suited to Virginia’s warm and humid summers. In the Rhone Valley in southern France Horton discovered the Viognier, whose thick skin and loose clusters made it perfect for the Virginia climate. Leahy credits Horton with “single-handedly” bringing Virginia Viognier to national attention in the early 1990s. Today, he says, “we still have the reputation of being the most consistent Viognier producer in the U.S.” Horton currently  bottles two varieties of Viognier, along with a full array of red, white, fruit (pear, peach, etc.) and dessert wines.

Thursday, May 4 is “May The Fourth Be With You Day” at Horton, with free tastings for anyone wearing Star Wars memorabilia. Nurses get their own free tastings on Saturday, May 6, National Nurses Day. Two Brother’s Food Truck will be on hand from 11 a.m. to 4 p.m. with nachos, tacos and more. Saturday, May 13 is Mother’s Day Tea, with savory and sweet delights accompanied by Horton wine and individual pots of tea at 11:30 a.m. and 2:30 p.m. Tickets are $35 for adults and $25 for guests under 21.

Friday, May 19 from 5:30 to 8:00 p.m. is Wine and Paint Night. Tickets are $45 a person and include painting supplies and a glass of wine. Veterans and their spouses enjoy free wine tastings and 10 percent discounts on artisan melts from Gourmeltz, a veteran owned food truck, on Memorial Day weekend, May 27-29.

Horton holds its first ever Food Truck Battle  with as many as ten food trucks offering $3 sampler plates, Saturday, June 3 from 12 noon to 4:00 p.m. Guests, staff, and a local food critic will vote for their favorite dishes. Admission is free.

SOBO (South of the Border) Food Truck comes to Horton on Saturday, June 10 for a fundraiser for Rikki’s Refuge Animal Sanctuary in Orange County. Wine tastings are free with donations of money or paper towels, bleach, laundry detergent, cat food, dog food, and canned tuna. Mouth Wide Open Food Truck will be at Horton on Saturday, June 17 for a MASH-themed Father’s Day Party.

Horton’s Summer Celebration on Saturday, June 24 will feature lawn games for kids and adults.

Gourmeltz and Smiley’s Ice Cream food trucks will be on hand, and totes with picnic blankets, wine glasses, rubber corks, corkscrews, and outdoor toys and games will be on sale. Pop-up tents and furry friends are welcome.

Jefferson Vineyards
Praised by Wine Spectator magazine for having “one of the region’s most consistent track records,” Jefferson Vineyards was established in the 1970s by Shirley and Stanley Woodward Sr. with the help of Gabriele Rausse, sometimes called “the father of Virginia wine.” After building a winery building in Italian Palladian style, similar to architecture at Monticello and the University Of Virginia, they began selling wine in 1986. 

Jefferson’s Sunsets Become Eclectic Concert series kicks off on Saturday, May 13 from 6:00 to 8:00 p.m. Admission is free and parking is $5. The series continues on June 10, July 22, August 12, September 9, and October 21. Bands will be announced.

King Family Vineyards
When David and Ellen King moved to Virginia from Houston, Texas in 1995, they weren’t even thinking of opening a winery. David had been playing polo since 1980, and the family wanted a farm with twelve acres of relatively flat land for a polo field. Today their property in Crozet holds both Roseland Polo field and King Family Vineyards, widely recognized as one of the state’s top wineries.

On Sundays from Memorial Day weekend through mid-October, weather and field conditions permitting, the King family invites Tasting Room guests to join them field side to watch polo. Matches are free and begin at 1:00 p.m. Visit their website or Facebook Page on Sunday mornings after 9:00 a.m., or call 434-823-7800, for confirmation.

Loving Cup Vineyard and Winery
Loving Cup Vineyard and Winery in the Blue Ridge foothills in Albemarle County is one of only a handful of certified-organic winemaking farms on the East Coast. Loving Cup’s two varieties of white wine and two of red are made from hybrid grapes first planted in 2008, in which the pollen of one variety is crossed with the flower of another to produce an entirely different third.

Loving Cup donates part of the proceeds of its Dudley Nose Rosé to the Almost Home Pet Adoption Center, a no-kill shelter in Nelson County that rescues and finds homes for nearly a thousand cats and dogs each year. Rescue dog Roly-Poly, the “label dog” for the 2016 Dudley Nose Rosé, will appear at the winery from noon to 3:00 p.m. on Saturday, May 13. The Nelson SPCA will bring dogs and cats available for adoption.

Loving Cup will hold its Fourth Annual Open House from 11:00 a.m. to 5:00 p.m. on Saturday, June 10. Activities will include a hay wagon tour of the vineyard and a cellar tour with the winemaker, sangria and live music on the verandah, pizza by Dr. Ho’s Humble Pie, and the expected appearance of “an 8-year old Thomas Jefferson.” 

Veritas Vineyard and Winery
Roman historian Pliny the Elder famously observed that “In Vino Veritas” – “In Wine There Is Truth.” Andrew and Patricia Hodson established Veritas Vineyard and Winery in Afton in 1999, and run it as a family affair with the help of their children. Veritas will serve a Mother’s Day Winemaker’s Brunch, Sunday, May 14 at 12:30 p.m. Tickets are $75; a vegetarian menu will be offered. The public is invited to bring a picnic or sample the Veritas buffet, and enjoy concerts on the lawn during the 2017 Starry Nights season: Saturdays June 17, July 8, August 12, and September 9. Tickets are $15.

Shenandoah Wine & Jazz Festival
The ninth annual Shenandoah Wine & Jazz Festival, featuring wines from the Shenandoah Valley, takes place on June 24 from 1:00 p.m. to 7:00 p.m. at the Frontier Culture Museum in Staunton. Participating vineyards include Barren Ridge, Blue Ridge, Bluestone, Cave Ridge, CrossKeys, Hunt’s, North Mountain, Rockbridge, and Wolf Gap. Festival goers will hear swing music by Acme Swing Mfg. Co., blues by Stone Rollin’, and traditional and Latin jazz by Mark Whetzel and his group.

Tasting tickets for the Shenandoah Wine & Jazz Festival are $16.00 in advance for adults with valid IDs, and $20.00 at the door. Non-Tasting tickets are $10.00 for adults, $9.00 for students ages 13 to 17, and $6.00 for children 6 to 12. Children 5 and under get in free. Food Vendors will be on hand as well. Admission price includes admission to the Museum plus a souvenir wine glass.

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Real Estate

Up Close and Personal: The 2017 Virginia Festival of The Book

By Ken Wilson – 

Up and down Charlottesville’s Downtown Mall on a recent Saturday morning, the literati were looking. At New Dominion Bookshop, the oldest bookstore in town, dating back to 1924, a woman was checking out the Lit Crit section.  At the Blue Whale, where original prints, antiquarian maps, and rare volumes sit alongside 20,000 used books, a man was browsing in the philosophy of science section. At Read It Again, Sam folks were eyeing the racks out front. And just off the Mall at Daedalus Used Bookshop, the oldest used bookstore in town, a couple was navigating three floors with 100,000 books in search of . . . What is it with all these people? Haven’t they heard of the Internet, Kindle downloads, free shipping and next day delivery? Chances are they have. No, the reason there are so many booksellers on the Mall in addition to a great big chain store elsewhere in the city is that around here we like to get up close and personal with books and the good people who write them.

That’s why the annual Virginia Festival of the Book—five days of mostly free talks and panels bringing together writers and readers in celebration of books, reading, literacy, and literary culture—is the largest community-based book event in the Mid-Atlantic region, attracting audiences of more than 20,000 each year. That’s why more than 400 authors will be in town for over 260 programs this March 22-26 as part of the 23rd Festival.

“I love our book-loving community!” says Jane Kulow, Director of the Virginia Center for the Book, which programs the Festival. “While we’re proud of the audiences we attract from the region and from across the country, Charlottesville and Albemarle County residents have been  remarkable in their support for the Virginia Festival of the Book for twenty-three years. Our local community helps keep the Festival going strong; this support brings national attention to the Festival and to the community for being a ‘book-loving town,’ and it aids our efforts to bring in top-notch authors.”

Asked what she is especially looking forward to this year, Kulow singles out two programs, one hyper-topical, one highly imaginative. “Given the news cycles of the past year, through the Presidential campaign and since, we all have a greater appreciation for the necessity for media literacy,” she says. “Questions, Expertise, and the President: Not Just for News Junkies,” on Saturday March 25 from 4:00 to 5:30 p.m. in the City Council Chambers will meet that need with a panel featuring National Security Affairs professor Tom Nichols, former CNN anchor and GWU School of Media and Public Affairs director Frank Sesno, and Washington Post reporters Marc Fisher and Michael Kranish.

“On a lighter note,” Kulow says, “I cannot wait to hear from the authors in “Wild Fiction!! Attacks! Exorcism! Animation!” with Manuel Gonzales, author of The Regional Office is Under Attack!, Grady Hendrix, author of My Best Friend’s Exorcism, and Kayla Rae Whitaker, author of The Animators. We’ve passed those books around the office for all to enjoy!”

Economic Inequality
No issue is more central to the national conversation currently than economic inequality, and two Friday programs, presented in collaboration with the interfaith, Central Virginia group, Clergy and Laity United for Justice and Peace, will shed light on the subject. Former CNN Anchor and White House correspondent Frank Sesno will moderate a discussion with Daniel Hatcher (The Poverty Industry), Thomas Shapiro (Toxic Inequality), and Jennifer Silva (Coming Up Short) from 4:00 to 5:30 p.m. at the Jefferson School African American Heritage Center. From 7:00 to 8:30 p.m. at the Martin Luther King Jr. Performing Arts Center, Nobel Laureate Joseph Stiglitz, author of The Great Divide: Unequal Societies and What We Can Do About Them, will speak on the rise of inequality in the West and a possible solution. Frank Sesno will join Stiglitz for discussion and questions. Tickets for this event are $5.

Religious Satire
In today’s charged political atmosphere, the urge to mock comes quick and often. True satire, argues Virginia Wesleyan College professor Terry Lindvall, is at heart moral outrage expressed in laughter. Lindvall’s 2015 book, God Mocks: A History of Religious Satire from the Hebrew Prophets to Stephen Colbert, received the 2016 Religious Communication Association Book of the Year Award. Lindvall will speak about his book on Saturday, March 25 from 5:30 to 6:30 p.m. at St. Paul’s Memorial Church. UVA’s Theological Horizons will host a reception honoring Dr. Lindvall, with book sales and signings, following the discussion.

Local Author Writes for Kids
Ninety of this year’s authors are Virginians, including Priya Mahadevan, who worked as a political reporter in India before moving to Charlottesville 15 years ago, began blogging about vegetarian cooking and the birth of her third child, Shreya, and now works as a caterer specializing in vegetarian, vegan, and gluten-free cuisine. Mahadevan calls her first published book, the children’s picture book Princesses Only Wear Putta Puttas, “a labor of love, an embellished version of truthful events that happened during her second trip to India, which Shreya was actually able to remember. It was fascinating to watch her revel and assimilate and embrace so quickly everything she saw and experienced.” 

Bestselling author Kwame Alexander has written twenty-one books for kids and young adults, including The Crossover, winner of the 2015 Newbery Medal. Illustrator Ekua Holmes’s debut book, Voice of Freedom: Fannie Lou Hamer: The Spirit of the Civil Rights Movement (written by Carole Boston Weatherford), won the Caldecott Honor Book and a Sibert Honor Book awards. Alexander and Holmes will appear at UVA’s Culbreth Theatre on Wednesday March 22 at 7:00 p.m. to talk about their careers, the children’s publishing industry, creating books for minority readers, and their new collaborative volume, Out of Wonder: Poems Celebrating Poets. While Out of Wonder is meant for children, says Assistant Director of the Virginia Center for the Book, Sarah Lawson “as an adult reader it’s fantastic as well. It’s composed of different poems honoring poets over the course of time, from all areas.”

Storyfest
Kids will enjoy their own day-long literary blowout Saturday, with eleven “Storyfest” programs including a “Book Swap” from 10:00 to 12:00 p.m. and a “Storytime Marathon” from 2:00 to 4:30 p.m. at the Jefferson-Madison Regional Library (JMRL), and a “Wild About Reading” program with stories and live animals at the Discovery Museum from 10:30 to 11:30 a.m.

Lawson calls Christiansburg author Tom Angleberger—author of Rocket and Groot: Stranded on Planet Strip Mall, the bestselling Origami Yoda series, and the Fake Mustache, Horton Halfpott, and the Qwikpick Papers series—a “rock star” of children’s literature. Angleberger and Out of Abaton author John Claude Bemis will tell tales of betrayal, fantastical adventures, and other hijinks from their popular novels and illustrated comics at JMRL from 4:00 to 5:30 p.m. Angleberger, Mahadevan and Alexander are among the children’s authors who will visit public and private schools in Charlottesville-Albemarle during the Festival to entertain and inspire students in personal encounters.

Crime Wave
Festival Saturdays bring a daylong Crime Wave to the Omni, with seven programs worth of mystery and suspense, spies and private eyes. “The Mysterious Worlds of Abbott, Dahl, Lin, and Tran” from 12:00 p.m. to 1:30 p.m. in Ballroom A will feature what Lawson calls the “dark but really immersive” psychological thrillers of Mystery Writers of America winner Megan Abbott and three whodunit “up-and-comers”: Julia Dahl, Ed Lin and Vu Tran.

Two of the three writers in “Private Eyes You’ll Want to Follow,” from 4:00 to 5:30 p.m. in Ballroom C, are poets as well as crime novelists. Poets Erica Wright (The Granite Moth) and Greer Macallister (Girl in Disguise) will be joined by Michael Robertson, author of The Baker Street Letter series, featuring a Sherlock Holmesian London solicitor. Moderator Ed Lin’s six acclaimed thrillers are set in New York City’s Chinatown and in Taiwan.

Publishing Day
As always, Saturday at the Omni Hotel is Publishing Day, with a Lit Fair featuring literary magazines, publishers, and writing resources and seven programs designed to aid, instruct and encourage both published and aspiring writers. “Keys to Success in Book Publishing and Promotion,” from 10:00 to 11:30 a.m. in the Monroe Room, will bring novelists Ann Garvin and Tom McAllister and young adult novelist Brenda Drake together with moderator Jane Friedman, an internationally known speaker on writing and publishing in the digital age. Conversation will center on working with publishers and using traditional and new-tech publicity techniques to direct readers to an author’s books. Literary agents Lisa Bankoff, Michael Carlisle, and Eric Smith will take part in a roundtable discussion on the publishing business and will answer audience questions from 4:00 to 5:30 p.m. in Ballroom A.

Audiobook sales were strong in 2016 and are expected to grow in 2017, according to Publishers Weekly. Love and lust were widely reported as well, and are expected to remain universal phenomena. Romance audiobook narrators and voice actors David Brenin, Will Damron, Luke Daniels, Derek Perkins, and Aiden Snow will discuss the world of audiobook publishing from 12:00 p.m. to 1:30 p.m. in the Preston Room at the Omni, and divulge—and possibly demonstrate—the vocal techniques that make listeners swoon.

Inspiration
That a great book can change your life is a truism, but do they retain that power in the digital age, and how do you find the right ones anyhow? While the Festival itself might be seen as five days of resounding answers (“yes,” and “here they are!”), “Get Lit: Books That Inspire,” from 2:00 to 3:30 p.m. at the Central Branch of the JMRL Library, gets a little more specific, with authors David Denby (Lit Up: One Reporter. Three Schools. Twenty-four Books That Can Change Lives) and Bethanne Patrick (The Books That Changed My Life: Reflections by 100 Authors, Actors, Musicians, and Other Remarkable People). JMRL’s Central Branch manager and assistant director Krista Farrell, a used bookstore owner in a former life, and thus doubly entitled to her own opinions, will moderate.

Middlemarch in Song
Virginia Woolf called George Eliot’s tragic but searching novel Middlemarch, published in 1872 and subtitled A Study of Provincial Life, “one of the few English books written for grown-up people.” “What do I think of Middlemarch?” wrote Emily Dickinson. “What do I think of glory?” On March 23 and 24 at the Paramount Theater Charlottesville Opera (formerly Ash Lawn Opera) will give the East Coast premiere of Middlemarch in Spring, a new chamber opera based on Eliot’s masterpiece by composer Allen Shearer and librettist Claudia Stevens. New Yorker staff writer Rebecca Mead, author of My Life in Middlemarch, a memoir of the novel’s instructive role in her own life, will speak before the March 23rd performance, at 6:30 p.m.

Presented each year by the Virginia Foundation for the Humanities, the Virginia Festival of the Book has produced legions of dedicated fans like Sarah Lawson, who go primed for new discoveries. “It’s always been amazing,” says Lawson, who grew up attending with her librarian parents, “to realize how many things I just stumble into. Prior to working for the Festival I would be very open to just wandering into programs and seeing if they struck my fancy, and often they did. I would learn something new, or find a new author that I loved. I think that joy of discovery is such an important part of the Festival, and something that is so crucial and so loved by the local community and the people who attend each year.” That’s for sure.

Categories
Real Estate

The Virginia Film Festival: An Embarrassment of Riches

Historic and heartwarming (Loving). Family-friendly and inspiring (The Eagle Huntress). Searching and shocking (The Promise), romantic (La La Land) and jaw dropping (Liv Ullmann, Werner Herzog and Shirley . .. that’s right, MacLaine)—if it boasts more than 125 films, and way too many admiring modifiers to choose from, it’s the 2016 Virginia Film Festival, screening November 3-6 in Charlottesville.

First conceived of in 1999 as a vehicle to educate and engage audiences, encourage discussion, and support films and filmmakers in the Commonwealth, the Virginia Film Festival is an annual

feast of cinematic riches and related conversations, bookended by a couple of great parties. This year’s festival, says Jody Kielbasa, in the topics it covers, the cultures it celebrates, the film icons it brings to town, and the thoughtful discussion it is sure to stimulate, “is the best in my eight years as director. It is a very rich and compelling program that will engage our community in a significant dialogue, and be a lot of fun.”

Opening Night Film
This year’s Opening Night presentation, Loving (7:00 p.m., Thursday, November 3 at The Paramount Theater) will be “very much a part of the Golden Globe and Oscar dialogues,” Kielbasa believes. The critically acclaimed film dramatizes the courageous story of Richard and Mildred Loving (Joel Edgerton and Ruth Negga), an interracial couple from a small Virginia town who were married in 1958, in defiance of state law. First jailed, then banished, the Lovings fought for their union all the way to the U.S. Supreme Court, which in a landmark 1967 case affirmed their right to marry. Directed by Jeff Nichols, Loving was nominated for the Palme d’Or at the 2016 Cannes International Film Festival. Nichols, Negga and Bernie Cohen, one of the original ACLU lawyers who argued the case, will discuss the film following the screening.

Loving captures an important moment in the history of the Commonwealth,” says Governor Terry McAuliffe, “and tells a story that speaks to the triumph of love over division—a story that resonates in our world today. The film also shines a deserved spotlight on Virginia’s thriving film industry, which continues to be an important driver in our work to build a new Virginia economy.”

Centerpiece Film
Long before the O.J. Simpson spectacle, the trial of UVA honor students Elizabeth Haysom and her German boyfriend Jens Soering riveted the nation on live TV. Charged with the gruesome double murder of Haysom’s parents in rural Bedford County, the convicted couple have now spent over three decades behind bars. Soering, however, still proclaims his innocence. New evidence presented in journalist Karin Steinberger and filmmaker Marcus Vetter’s investigative film The Promise has made headlines and may win him a new trial. Soering’s lawyer and several of the original investigators and journalists will discuss the film after its North American premiere, 7:30 p.m., Saturday, November 5 at The Paramount Theater.

Closing Night Film
While the Opening Night and Centerpiece films tell true stories of love triumphant and love overcome by tragedy, Closing Night offers a romantic musical comedy-drama of two young strivers finding love in the big city. An audience favorite at the Telluride and Toronto film festivals, the wryly named La La Land (7:30 p.m., Sunday, November 6 at The Paramount Theater) pays tribute to a classic Hollywood genre, and to the city from which it takes its name. Starring Ryan Gosling as a dedicated jazz pianist and Emma Stone as an aspiring actress, this beautifully shot film is “a kind of a love letter to the traditional old Hollywood movie musicals,” Kielbasa says, with an “incredibly charming” leading couple. “It reminds me a little of a modern-day Singing in the Rain.”

A Conversation with Liv Ullmann
Along with the chance to view so many classics and so many contenders in one short burst, another of the Festival’s great pleasures is the opportunity it affords to hear and to question the people who make them. One of the great actresses of her generation, Liv Ullmann won fame for her daring work with master filmmaker Ingmar Bergman in Persona, The Passion of Anna, Cries and Whispers, and other such explorations—12 in all—of the human psyche and the human predicament. Still active after seven decades, Ullmann has most recently directed for the stage and the screen, including a Broadway revival of Tennessee Williams’ A Streetcar Named Desire, and a film version of August Strindberg’s Miss Julie. Ullmann will be at UVA’s Culbreth Theatre at 4:15 p.m. on Thursday, November 3 for a moderated discussion led by Michael Barker, Co-President and Co-Founder of Sony Pictures Classics.

“There is an elegance about her career that is extraordinary, that you don’t often see today,” Kielbasa says. She is really a very, very intelligent actress. It’s an honor to bring her back and to have the conversation moderated by Michael Barker, whose films have been nominated for 159 Academy Awards. This is clearly a gentleman who knows his stuff.”

Ullmann will be on hand as well after the screening of Liv & Ingmar (1:00 p.m., Friday, November 4 at Vinegar Hill Theatre), a 2012 documentary about her 42-year relationship with Bergman. The director and the woman he called his “Stradivarius” fell in love when she was 25 and he was 46, each married to someone else. Told entirely from Ullmann’s own perspective and including films clips, love letters and behind the scenes footage, the film chronicles a great passion that became a deep friendship.

The World of Werner Herzog
A pioneer of the postwar West German cinema movement and one of the world’s most innovative contemporary directors, Werner Herzog began his 45-year career at age 19 and has since produced, written and directed more than sixty feature and documentary films, including Aguirre, the Wrath of God (1972), Fitzcarraldo (1982) and Grisly Man (2005).

“Herzog’s nearly half century long career has taken him to the ends of the earth, the bottom of the sea, and down into deep forgotten caves,” says VFF Programmer and Operations Manager Wesley Harris. “He has dragged ships across the mountains. He’s one of the most iconic and strong-willed minds in the art world. I think this artists’ work helps an audience become better movie watchers.”

Harris will join the director at 2:00 p.m. on Saturday, November 5 at The Paramount Theater, in a program that will include Herzog reading from his writings as well as other texts, followed by an audience Q & A.

Herzog’s new documentary Into the Inferno, a survey of the world’s active volcanoes and the cultures and religions that have formed around them,  “is a return to form, old-school Herzog,” Harris says. “He’s trekking around the world, going to places of physical and geographical extremes and violence, and having some fun exploring the odd characters that he comes across. If there is any through line thematically to his work it’s the violent indifference of nature towards man, and this film is that in a capsule. He’s a filmmaker of extremes, but he also manages to give nuances to these largest possible landscapes and characters that he comes across in his films.” Into the Inferno will be shown at 9:15 p.m. on Friday, November 4 at the Culbreth Theatre.

A Salute to Shirley MacLaine
Richmond native and six-time Academy Award nominee Shirley MacLaine got her big break as an understudy on Broadway in 1954 when the leading lady broke her ankle. MacLaine’s performance in The Pajama Game so impressed a major film producer that he signed her to Paramount Pictures, where her film debut in Alfred Hitchcock’s The Trouble with Harry won the Golden Globe Award for New Star of the Year—Actress. Hot Spell and Around the World in Eighty Days followed, as did a total of in 72 films and 44 awards in 50 years, and even an amusing turn as a formidable mother-in-law on Downton Abbey.

“Just last night I was reviewing her career and kept being surprised at the number of films I had forgotten were part of her filmography,” Kielbasa says, marveling not only at “the length, scope, and breadth” of her career,“ but “at the fact that she is still working.” MacLaine will appear at the Paramount Theater at 7:00 p.m. on Friday, November 4 to discuss her career with Bob Gazzale  of the American Film Institute and even—her idea—take questions from the audience.

An Embarrassment of Riches
Even for casual film fans, the embarrassment of riches that is the Virginia Film Festival each year rewards a close look at the line-up. Grown-up Disney lovers will be intrigued by an extraordinary screening of Beauty and the Beast (3:00 p.m. Saturday, November 5 at the Culbreth Theatre), the first feature-length animated film ever nominated for Best Picture, shown here in the same work-in-progress state in which it previewed (25 years ago at the New York Film Festival) with original pencil drawings alternating with completed animation. Paige O’Hara, the voice of Belle, and producer Don Hahn will discuss the process by which the film was made. Hahn will also screen and discuss his documentary Waking Sleeping Beauty, on the revitalization of Disney’s animation studios, at 1:00 p.m. on Sunday, November 6 at Vinegar Hill Theatre.

Fredericksburg native Danny McBride wrote and starred in the HBO comedy series Eastbound & Down, and now co-stars in the network’s hit comedy Vice Principals. Joe Hill is co-creator and director of both series. McBride and Hill will screen two episodes of Vice Principals plus clips from Danny’s career, and  discuss their artistic process at 6:45 p.m., Friday, November 4 at Culbreth Theatre.

Filmed in the breathtakingly beautiful Mongolian steppe, The Eagle Huntress (6:45 p.m., Saturday, November 5 at St. Anne’s-Belfield) tells the story of a 13-year old girl training to be the first female eagle hunter in 12 generations of her family. “It’s a great story of female empowerment,” Harris says, “delving into a heritage amazingly removed from what many Western audiences would have any experience of.”

Just four days before the election, legendary filmmakers DA Pennebaker and Chris Hegedus will show their classic documentary The War Room (6:00 p.m., Saturday, November 5 at the Culbreth Theatre), a look behind scenes of Bill Clinton’s 1992 presidential campaign that introduced us to George Stephanopoulos, James Carville and Paul Begala. Begala will join the filmmakers for a discussion moderated by Larry Sabato of the Center for Politics.

Since 1996 the folks online at IndieWire have been a leading source for film and television news, reviews, interviews and festival coverage. Three of the site’s four founders and its current chief film critic, Eric Kohn, will be at Vinegar Hill Theatre at 4:30 p.m., Saturday, November 5 for a moderated discussion on film criticism and IndieWire’s 20-year legacy.

When a five-year-old Indian boy becomes separated from his older brother on a train platform in Lion (7:30 p.m. Sunday, November 6 at the Culbreth Theatre), he winds up nearly a thousand miles away in Calcutta, is adopted by an Australian family, and raised in Tasmania. Twenty-five years later, to find his original family, he turns to Google Earth.

Family Day on Saturday, November 5 at the Betsy and John Casteen Arts Grounds at the University of Virginia will feature award-winning short films from Disney Animation Studios, interactive arts workshops, a Musical Instrument Petting Zoo, and screenings of films made by the more than 600 local students taking part in the Festival’s Young Filmmakers Academy. The highlight of the day will be a 20th Anniversary screening of James and the Giant Peach, at 12:30 p.m. at the Culbreth Theatre.

At 9:30 Saturday evening the 13th Annual Adrenaline Film Project comes to the Culbreth to show what 10-12 teams of young filmmakers under the guidance of Charlottesville native Jeff Wadlow (Kick Ass 2, Bates Motel, Non-Stop) can write, produce, and edit in a mere 72 caffeine-fueled hours. 

Throughout the Festival, the Digital Media Gallery in the Second Street Gallery will feature video installations by UVA cinematography students and young filmmakers from Lighthouse Studio, offering visitors a look at the latest in digital filmmaking technology.

From celebrated classics to cult favorites, from soon-to-be blockbusters to seat of the pants debuts, the 2016 Virginia Film Festival is a four-day dive into the world of cinema. We’re so lucky to have it. Silence your cellphones; and open your eyes.

Categories
Real Estate

Veterans Calling Central Virginia Home: Initiatives to Help Veterans Buy Homes

They served us bravely, and so we thank them. Having defended our homeland, they deserve to own their own homes, and happily there is help available to make that easier. Established in 1930 but carrying on work dating back to the Revolutionary War, the United States Department of Veterans Affairs supports service members, veterans, and surviving spouses in myriad ways, and since 1944 one big one has been to assist them in becoming homeowners. But for post-911 veterans who have suffered severe injuries and are now looking for suitable housing, the picture is even better. The national non-profit organization Homes For Our Troops (HFOT) builds mortgage-free, specially adapted homes nationwide for severely injured post–9/11 veterans.

U.S. Department Of Veterans Affairs
For veterans who meet its length of service requirements, the U.S. Department Of Veterans Affairs makes possible extraordinarily generous loans and payment terms: no down payment, no mortgage insurance, and limited closing costs. “As far as low or no down payment programs go, I would put the VA at the top of the list,” says Movement Mortgage Loan Officer Jay Domenic. “The typical veteran has VA eligibility, which makes them eligible for 100% financing.” The VA itself doesn’t actually issue the loans; those are provided by private lenders like banks and mortgage companies. What the VA does is to guarantee a portion of the loan, allowing the lenders to offer the most favorable terms. VA-assisted loans do come with a guarantee fee—a percentage of the loan amount—but the fee can be financed (and is waived for veterans with service-connected disabilities). For first time users of the VA entitlement, the fee is just 2.15 percent.

A VA-guaranteed loan can be used to purchase an existing home or to pay for a newly constructed one, as long as the home will be the veteran’s primary residence. It can also be used to refinance an existing loan. The process is remarkably fast Domenic says, “we can typically close a VA loan in 30 days.”

Homes For Our Troops
Marine Corporal Kevin Blanchard endured over 30 surgeries, including several blood transfusions, after losing his left leg and sustaining serious injury to his right from a roadside bomb while on patrol in Iraq. For his service Blanchard earned a Purple Heart—and a new home in Crozet, thanks to Homes For Our Troops. Since its establishment in 2004 in Taunton, Massachusetts, the private non-profit foundation has provided mortgage-free homes for 225 veterans in 41 different states. Twenty-eight more homes are currently under construction, and over 50 more are already in the pipeline. Here in the Commonwealth, 14 homes have been completed, and two more are under construction.

Most HFOT recipients have sustained severe injuries, and live with after-effects like single or multiple limb amputations, partial or full paralysis, and/or severe traumatic brain injury (TBI). HFOT homes are intended to restore some of the physical freedom and independence these warriors sacrificed on their country’s behalf.

To that end, HFOT works with local contractors to build one-level, 2,700-square foot homes, with features customized for each individual veteran. Over 40 major special adaptations are available to choose from. Hardwood floors, wide doorways and hallways, automatic doors and roll-in showers, for example, allow for ease of access, while roll-under countertops let wheelchair users work at the countertop without being obstructed by cabinets. Pull down shelving eliminates the need to reach up high or climb, reducing the risk of falling from a wheelchair.

While HFOT homes are mortgage-free, the organization applies ten-year liens to protect its donors and corporate partners. After five years, however, veterans begin building equity in the home, and after year ten it is entirely theirs. Each home is fully warrantied, and HFOT will fix most problems that might occur. Veterans themselves are responsible only for routine maintenance, taxes and general upkeep. HFOT’s thorough review and vetting process ensure they are prepared for the financial aspect of home-ownership, while providing them with sound financial advice.

“I heard about Homes For Our Troops through a friend and fellow Veteran I recovered with at Walter Reed Hospital,” Blanchard says. “He received a home several years ago and kept telling me I should apply. At the time, I didn’t think I would qualify and wasn’t ready to take on the responsibility of home ownership until recently.”

When Blanchard began researching the program three years ago, he found it typically takes two to four years for applicants to receive homes. “I called HFOT and explained my situation,” he says. “They did a background check on my personal life, military retiree status, and personal finances.” A year after Blanchard completed his application, HFOT invited him to their annual conference, to give him a better understanding of the process. He was accepted into the program the following week.

Work has now begun on Blanchard’s L-shaped, one-floor ranch house, two-car garage, and back porch. It has been a community effort. REALTOR® Kathy Hall with Loring Woodriff Real Estate Associates was “instrumental,” Blanchard says, in helping him and his wife Myra find a lot to build on, in the Westlake development in Crozet. “We chose the Charlottesville area to be close to our family, and to enjoy the outdoors, and because Myra works for UVA. We chose Crozet because of its community-focused culture.”

CAAR Helps
Serving more than 1,000 real estate professionals and affiliate members throughout the City of Charlottesville and the counties of Albemarle, Fluvanna, Greene, Louisa and Nelson, the Charlottesville Area Association of REALTORS® (CAAR)  is committed not only to its members but to their communities. “CAAR has been incredible in building awareness among its members, in encouraging support and individual contributions beyond its organizational gift, and in facilitating awareness around the community,” says Bill White, 2016 President of the Virginia Association of REALTORS. “It has been a champion of the relationship with Homes For Our Troops at every level.”

“CAAR helped spread the word about the program, and became a regional partner,” Blanchard says. Investing in partnerships, investing in communities, is “part and parcel,” White says, of what REALTORS® do.