Categories
Living

Kirsty Harmon is Blenheim’s new winemaker

Kirsty Harmon is pouring her new wines; “new,” as in recently finished and bottled, but also new in that they represent the rebirth of Blenheim Vineyards. The winery, owned by Dave Matthews and family, has been shaken up since parting ways with original winemaker Brad McCarthy. Since its inception the winery’s reputation has been based as much on its rock star owner (and its rock star-ish winemaker), as on the wine. Now, nine years after its inception, Blenheim has a new winemaker. That would be Harmon. This being her first time in the spotlight, and with the stage being so big, does she feel any jitters?

“Of course I’m nervous,” she says with a laugh.

After completing a biology degree, Kirsty Harmon turned to wine. “My whole world changed,” she says, so much so that now, after another course of study, she’s the new winemaker at the Matthews’ family Blenheim Vineyards.

Born in Holland, Harmon moved to Charlottesville in 1989, attending Albemarle High School and then UVA, from where she graduated with a biology degree. Looking for a change from science, she took a job at the Kluge Estate Winery and Vineyard, where she met winemaker Gabriele Rausse. “My whole world changed,” she says, “my whole view of wine.” And voila! she had discovered a new passion and a new career. After several years working with Rausse, she went to the University of California at Davis, the country’s top wine program, to get her masters in viticulture and enology.

“My goal was always to come back to Virginia,” she says, which earned her the question in California: “You’re going where?” Now, following internships at top wineries in France and New Zealand, she’s answered that question by taking a job that brings her full circle, working a few feet from the vines she tended at Kluge and a stone’s throw from the winery of her friend and mentor Rausse.

We sit at a long wooden table and she pours the new Blenheim white wines. Gone are the handmade-looking labels, replaced by sleek and colorful new ones that feature a redesigned logo. Gone too are the corks. In their place: more modern screwcaps. There is a rosé for the first time and a new red jokingly called “Dave’s Blend” that will feature a label designed by the man himself. 

“My vision for the wines,” Harmon says, “is to make them very crisp, clean.” Only the whites are currently bottled, but they definitely fit that description. The Viognier, much dryer than most in Virginia, reminded me of lesser-known whites from the Cotes du Rhone. Her red wines are still in the barrel, and although the blends have not been finished, they seem of a piece with the whites. These are elegant, restrained wines meant to go with food. I like them a lot, but will the tasting room crowds, used to bigger reds and sweeter whites, respond?

Harmon can’t say yet. She doesn’t know the quality of all the fruit, isn’t yet intimate with every inch of the vineyards. That’s a process that takes years. “It really is going to be a discovery,” she says, “and an exploration. And hopefully that’s not too confusing for people.”

News Flash: Ted Burns, an Associate Professor of Neurology at UVA, co-owner of local importing company Williams Corner Wine, and, in his spare time, East Coast correspondent for the popular wine podcast Grape Radio, has been nominated for a James Beard Award for his recent podcast on Thomas Jefferson and wine. Congratulations, Ted!

Categories
News

Hunter Smith rains love on marching band

Hunter Smith’s love for a marching band knows no end. In keeping with tradition, Mrs. Smith, wife of the late Carl W. Smith, has pledged $10.7 million for the construction of a “rehearsal hall” for the University marching band and music programs.

 

Hunter Smith and her late husband Carl helped create the marching band with a $1.5 million gift that got it off the ground (and sent the Pep Band to performance purgatory).

“One of Carl’s and my favorite things was being a part of helping to create the marching band,” she said, according to a UVA press release. “We were so pleased at the fantastic job the University did in getting the band up and running—including the hiring of band director Bill Pease, in designing the uniforms and in recruiting top-notch students. It all happened so quickly and so well.”

This isn’t the first time that Smith has showered green on the marching band. In 2003, the Smiths donated $1.5 million to spark the formation of the Cavalier Marching Band, effectively driving the Pep Band into obscurity. At the halftime performance of the 2002 Tire Bowl between the Cavaliers and West Virginia, the Pep Band spoofed the “The Bachelor,” depicting a female West Virginia student in pigtails and overalls; UVA President John Casteen ended up apologizing to then West Virginia Governor Bob Wise after he threw a hissy fit.

The Smiths’ deep pockets aided the University in many areas. In 1997, they gave $23 million for the expansion of Scott Stadium, enough money to get the area comprising the stadium and the aquatic center renamed the Carl Smith Center. They also pledged $22 million for the creation of an arts center planned for the corner of Emmet Street and Ivy Road on the site of the Cavalier Inn, and $200,000 for the Cavalier Marching Band Scholarship.

Yet the arts center donation never materialized. The original plans called for a 1,600-seat theater, but those plans were altered after delays. As UVA spokesperson Carol Wood explained, the $22 million donation was contingent upon the beginning of construction in 2005. The theater was pushed back to a later phase, while an art museum and a residential college would be erected in Phase I. That project has still not gone to bid.

The new 12,900-square-foot rehearsal hall, which Smith calls a “wonderful, light-filled space,” is slated to be completed in the summer 2011 and will sit across from Ruffin Hall. The hall also includes a 4,000-square-foot rehearsal room, several offices, a library and storage area for the band’s instruments and uniforms.

And if these donations weren’t enough, the Smiths also contributed at least $11.5 million to the UVA College at Wise, including $3 milion for the football team and $1.2 million for (you guessed it) a marching band.

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
News

In politics, as in life, it’s all about the Benjamins

 

By funneling his sea of cash into his organization, The Macker (i.e. Terry McAuliffe) secured the top spot on the Democratic gubernatorial primary ballot.

It’s certainly no coincidence that so many hackneyed political catchphrases have a decidedly financial slant. From “dialing for dollars” to “the buck stops here,” there’s not a single part of the electoral or governing process that can’t be boiled down to crass commercial terms. And that’s only as it should be, since—at its brutish, venal core—the business of politics is all about begging people to give you money so you can buy your way into office and then punish your enemies by taxing them into penury.

And so, since we’re deep into the primary season, here’s a quick look at the three stages of a politician’s money-grubbing career (or, as we call them, the Stations of the Cash), viewed through the prism of Virginia’s political class.

Fund racing

The first, and most arduous, part of a successful political career begins the second you declare for office. Woe to those who dare to enter a race without the ability to raise money, for they shall be swamped by a tsunami of filthy lucre. The most recent, and instructive, example of this can be seen in Virginia’s Democratic gubernatorial primary, where fabled fundraiser Terry McAuliffe is using his monetary might to run ads and build campaign infrastructure while his competitors are still lacing up their skates. This cash advantage makes a difference in ways both large and small; just last week, McAuliffe was the first to submit his primary petition, thereby assuring that his name will top the ballot (a much larger advantage than you might suspect). Fellow candidate Brian Moran had indicated that he would try to beat McAuliffe to the punch, but in the end his cash-strapped campaign had problems confirming voter signatures, and he came in second.

The pork parade

Once you get elected, the fun part really begins: spending other people’s money. Of course, for every stimulus-happy majority member, there’s always a minority party pooper, which explains why House Minority Whip Eric Cantor, who wasn’t especially concerned about deficits during the Bush years, is now fighting tooth and claw to stop Democrats from spending one thin dime of taxpayer money. (We hear he’s also spearheading a campaign to stop salmon from swimming upstream and Britney Spears from saying the word “y’all.”)

The great provider

And then, finally, comes the pinnacle of any aging politician’s career. After a lifetime of arduous elections, he finally gets to kick back and… raise money for other people. (It’s amazing what pols do for fun, isn’t it?) Unfortunately for Virginia’s outgoing governor (and new head of the Democratic National Committee), Tim Kaine, sometimes these things aren’t as easy as they look. In February, the DNC raised a piddling $3.2 million—a number so lousy, even the disorganized and dispirited RNC raked in nearly $2 million more.

You know, Governor, sometimes it’s best to quit while you’re ahead. But then, on the bright side, we suppose you could always call up Terry McAuliffe and ask for a loan.

Categories
News

Miss Manners, students rail against the rude boys

It is time, America, to be more civil. This was the message handed down on Friday, March 20, in the Dome Room of the Rotunda. America is lacking in manners, and one dead president, one etiquette theorist, and well-mannered college students everywhere are going to do something about it.

“Timely and important to society” is what UVA Dean of Students Allen Groves called “The Civility Project: Where George Washington Meets the 21st Century.” When he was a young boy, our first president laboriously copied out 110 rules for behavior (copied, it should be pointed out, not wrote)—good stuff like “Put not off your Cloths in the presence of Others” and “In visiting the Sick, do not Presently play the Physicion if you be not Knowing therein.” Now, some concerned UVA students and nationally syndicated etiquette columnist Miss Manners have decided to update these rules for the modern world.

When I attended the kickoff for the project on Friday morning, several questions ran through my mind: What kind of person goes to a “Civility Project” launch party? Apparently 20 or so students and professorial types, all crisply dressed. Will a cell phone ring during the event? Yes, of course. And most importantly, do we really need to be more civil?

Not surprisingly, Judith Martin, the current Miss Manners, had a lot to say on the subject of civility. She took pains to make it clear that she wasn’t simply a “fork fetishist,” as she calls the fussy old ladies of yesterday’s etiquette columns. Today, the “instant intimacy of America” is being spread all over the world, and so it is important that Americans take etiquette seriously once again.

The difficulty comes when etiquette meets America’s love of freedom, something that rules of behavior are correctly seen to inhibit. The purpose, she said, of a university like Thomas Jefferson’s is not to protect freedom of speech, but to seek the truth, and we can only do that if we are well behaved. After listing some tips on being in the etiquette business (“You will spend a lot of time listening to people’s pet peeves”), she ended her talk with a recruitment plea. Go out there, young people of America, and spread civility. The crowd applauded politely.

I left the talk with the biggest question unanswered. Does anyone, especially the college students of America, really care about civility these days? If most Internet discourse or the average comment in The Rant is any guide, the answer is: Who the hell knows. But at least now you can have your say. Submit your suggested rules of civility here, or at the promised Facebook page. And please, put your cell phone on vibrate.

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

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Uncategorized

Gallery listings

Galleries

Art Upstairs Gallery 112 W. Main St., Suite 3 (in York Place). Tuesday-Thursday and Saturday, noon-5pm; Friday, 1-9pm; Sunday, 1-4pm. 923-3900. www.artupstairsgallery. com. April 3-30: “Dancers in Motion,” oil paintings by Sue Sencer.

Bozart Gallery 211 W. Main St., Wednesday-Thursday, 3-9pm; Friday-Saturday, noon- 9pm; Sunday, 1-4pm. 296-3919. www.bozartgallery.com. Through April 30: Recent works by Kathy Kuhlmann.

The Bridge/Progressive Arts Initiative
209 Monticello Rd. Wednesday-Saturday, noon-3pm, or by appointment. 984-5669. www.thebridgepai.com. April 3-17: “Bright Face (People You Should Know),” a collection of ecstatic portraits by one-time local Adriana Atema.

C’ville Arts
118 E. Main St. Monday-Thursday, 10am-6pm; Friday, 10am-9pm; Saturday, 10am-8pm; Sunday, 12-6pm. 972-9500. www.charlottesvillearts.com. Through March 31: “Bone Sigh Arts,” verse and watercolors by Terri St. Cloud.

C&O Gallery 515 E. Water St. Monday-Friday, 9am-5pm. 971-7044. Through March 31: “Seeing Red,” black-and-white photographs of local landscapes by Andrew Shurtleff.

The Gallery at Fifth and Water
107 Fifth St. SE. Monday-Friday, 9am-5pm. 979-9825. April 3-30: “Images of Yes,” paintings by Janet Pearlman.

Kluge-Ruhe Aboriginal Art Collection
400 Worrell Dr. Tuesday-Saturday, 10am-4pm; Sunday, 1-5pm. 244-0234. Through May 3: “Yuru-yururla: Women’s Painting from Yuendumu,” a collection of 23 works. Through August 9: “All Time Favorites,” a sampling of “best loved” works from the Kluge-Ruhe collection.

La Galeria
218 W. Market St. Monday-Friday, 11:30am-5:30pm; Saturday, by appointment. 293-7003. Through April 1: “Somewhere Else,” a mixed-media collection by Patricia Travers.

McGuffey Art Center
201 Second St. NW. Tuesday-Saturday, 11am-6pm; Sunday, 1-5pm. 295-7973. www.mcguffeyartcenter.com. Through April 26: Multiple exhibits, including “Spirituals for Naturalists,” new paintings by Jennifer Cox; recent works by Judy McLeod; “Seasonal Change,” reliefs and sculptures by Ninni Baeckstrom; and the annual high school show.

PVCC 501 College Dr. Monday-Thursday, 9am-10pm; Friday, 9am-5pm; Saturday, 1-5pm. 961-5202. Through April 23: “Vessels,” unique pottery from Kevin Crowe, Cri Kars-Marshall and Tom Clarkson; “Automatic Artifacts,” a collection of paintings from female PVCC painting alums.

Ruffin Gallery 179 Culbreth Rd. Monday-Friday, 9am-5pm. 924-6123. The gallery exhibits work by UVA faculty and students on an ongoing basis.

Second Street Gallery 115 Second St. SE. Tuesday-Saturday, 11am-6pm. 977-7284. www.secondstreetgallery.org. Through April 25: “XO,” new paintings and mixed media by Lisa Beane; “Impera Et Divide,” a collection of multimedia comics and sequential art, curated by Warren Craghead III and Pedro Moura. To read the feature on Warren Craghead, turn to page 19.

UVA Art Museum 155 Rugby Rd. Tuesday-Sunday, noon-5pm. 924-3592. Through April 24: “Matisse, Picasso, and Modern Art in Paris,” a world-class collection of works by Henri Matisse, Pablo Picasso, Georges Braque, Jacques Lipchitz and André Masson. Through April 19: “The Hand and the Soul,” works by Sol LeWitt, Robert Slutzky and Sanda Iliescu. Through June 8: “American Impressionism and Urban Realism.”

Other exhibits

Restaurants, retailers and public spaces that host regular art events

Albemarle County Court House 501 E. Jefferson St. Call for hours. 373-8226. Through April 27: A new exhibit presented by The Central Virginia Watercolor Guild.

Angelo 220 E. Main St., on the Downtown Mall. Monday-Friday, 11am-6pm; Saturday, 11am-5pm. Through April 30: “The Landscapes,” recent abstractions by J.M. Henry.

ART Life Studio The Glass Building, 313 Second St. SE. Call for hours. 996-8087. Through May 1: “Art & Soul,” a collection of works by eight female artists across a variety of media.

Blue Ridge Beads and Glass 1724 Allied St. Tuesday-Saturday, 10:30am-5:30pm. 293-2876. www.blueridgebeads-glass.com. Glass pieces, paintings and instruments by Jerry O’Dell.

BozArt 211 W. Main St. Wednesday-Thursday, 3-9pm; Friday-Saturday, noon-9pm; Sunday, 1-4pm. 296-3919. Through April 30: Works by Kathy Kuhlmann.

C’ville Coffee 1301 Harris St. Monday-Thursday, 7:30am-9pm; Friday, 7:30am-5pm; Saturday, 8:30am-5pm; Sunday, 9:30am-8pm. 817-2633. April 1-30: “Eight Years/Eight Days,” an extensive documentary photography project following a local elementary school class by Tod Cohen.

Charlottesville Community Design Center 100 Fifth St. NE. 984-2232. www.cvilledesign.org. Through April 30: “Preserving Place = Sustaining Community,” visuals that address contemporary design and social issues.

Charlottesville Downtown Transit Station 615 E. Water St. Monday-Saturday, 8am-8pm; Sunday, 9am-5pm. 970-3349. April 3-30: “Authentic Moments,” collages by Judy McLeod.

Fellini’s #9
200 W. Market St. Call for hours. 979-4279. Through April 30: “Celebrating Jazz through Photography,” works by Marty Phillips.

The Garage N. First Street, across from Lee Park. Hours by appointment. 295-6649. thegarage-cville.com. April 3-26: “Signs of Divinity are Hard to Read,” prints by Dean Dass.

Horse & Hound 625 W. Main St. Call for hours. 293-3365. Ongoing: “Virginia Hunt Country,” photographs on canvas by James Rowinski.

Java Java 421 E. Main St. Monday-Friday, 7am-6pm; Saturday-Sunday, 8am-6pm. 245-0020. April 3-30: “The Grand Circle of the Colorado Plateau,” landscape photographs by Ben Greenberg.

Jefferson-Madison Regional Library Third floor, 201 E. Market St. 979-7151. Call for hours. Through April 30: “We Have to Dream While Awake: Courage and Change in El Salvador,” portraits by Peggy Harrison.

New Dominion Bookshop 404 E. Main St. Monday-Saturday, 9:30am-5:30pm; Sunday, noon-5pm. 295-2552. April 3-29: New pastel paintings by Michael McGurk.

Sidetracks Music 218 W. Water St. Call for hours. 295-3080. Through March 31: “Vibrant Simplicity,” acrylics by Marcia Renton Grove.

Siips 212 E. Main St. Monday-Wednesday, 11:30am-10pm; Thursday-Saturday, 11:30am-midnight; Sunday, 11am-9pm. 872-0056. Through April 30: Sage Moon LLC presents works by Rhonda Raban and oil paintings by Nancy Wallace.

Small Special Collections Library On the UVA Grounds. Monday-Thursday, 9am-9pm; Friday-Saturday, 9am-5pm. 924-3021. Through August 1: “From Out That Shadow: The Life and Legacy of Edgar Allen Poe.”

South Street Brewery
106 W. South St. Daily 4:30pm-close. 960-9352. Through March 31: A collection of paintings by Edward Thomas.

Spring Street Boutique 107 W. Main St., on the Downtown Mall. Call for hours. 975-1200. Through April 30: “Faux Fur,” recent creature comforts by Beate Casati.

Thomas Jefferson Memorial Church
717 Rugby Rd. Call for hours. 293-8179. Through April 6: Oil and pastel paintings by Carol Lonsdale.

Twisted Branch Tea Bazaar Second floor of 414 E. Main St. Monday-Saturday, noon-midnight. 293-9947. Through March 31: Local portraits by Eliza Evans.

Virginia Artists in Action 112 W. Main St. Wednesday, 3-6pm; Thursday-Saturday, 11am-6pm. 295-4080. April 3-30: “See Art, Heart Art, Speak Art,” pottery by Trew Bennett, Nan Rothwell and Pamela Myers, and multiple works by Floyd Hurt.

Categories
Arts

Adventureland loves the ’80s

About that title: Yeah, that’s sort of a joke. But is it being a joke also an excuse for the new slice-of-life, coming-of-age, your-hyphenate-here comedy from Superbad writer-director Greg Mottola to lack a real sense of adventure? Well, conventionality has its charms, too.

Amusement rides? Jesse Eisenberg and Martin Starr fight job apathy in Adventureland.

It’s suburban Pittsburgh in the summer of 1987, and James Brennan (Jesse Eisenberg) has just finished college. Up next, he figures, will be a jaunt to Europe, then grad school in New York. James is bright and self-possessed, and he has designs to become a globe-trotting literary journalist, or at least a moderately important uptight intellectual. (Watch how swiftly Eisenberg works in a shrewd nod to vintage Woody Allen.)

But it turns out that his parents can’t afford that, so right now James needs a summer job. Of course, he doesn’t have much relevant work experience. As he astutely explains, “Unless someone wants help restoring a fresco, I’m fucked.” Actually, James doesn’t have much experience with anything at all. But that’s just what Adventureland is here for.  

Adventureland is the vaguely seedy local amusement park where young people’s futures come to die, and where James gets to man a game booth for minimum wage. As mandated by his boss (a highly dorkified Bill Hader, with Kristen Wiig as his loyal assistant and wife), James’ job is to tantalize occasional customers with the chance to win a “giant-ass stuffed panda” while taking steps to be sure they don’t. He’d hoped to work on one of the rides, but such is life.

Although awkward in nearly any situation, James makes friends easily enough. For one thing, he always seems to have some weed on hand. Mostly, though, it’s that he finds a few kindred spirits in the park’s coterie of payrolled misfits—particularly Joel (Martin Starr), a jaded Gogol-reading regular, and Em (Kristen Stewart), a sexily sullen girl with a screwed-up family life. Em’s of special interest, in fact, but once again James comes up against that experience problem.

For advice, he consults Mike (Ryan Reynolds), the slightly older park handyman who also happens to be a rock ’n’ roll legend, on account of once reportedly having jammed with Lou Reed. Well, whether it’s by virtue of some unspoken carnie code or just the momentum of Mottola’s script, not everything is as it seems in Adventureland. Complications will ensue.  

Scored by choice cuts of historically appropriate music, James will endure his service-industry ennui and romantic upheavals, not to mention the encroaching yuppie menace, and come to test his new theory that “you can’t just avoid everybody you screw up with.”

To these ends, the movie is well cast. Stewart suffices, Eisenberg and Starr give better than they get, and there’s something almost uncomfortably just-right about Reynolds as a fading poseur of minimal self-awareness. Adventureland (the film), like Adventureland (the place), is essentially one big interlude—not a bad way to pass the time, as long as you know you’ll eventually get out.

 

 

Categories
Living

The price of success

 

Jaison Burke, chef and general manager of The Upstairs, is rumored to be interested in buying the restaurant. For now, he’s just trying to fill the seats.

We all know that restaurants are hurting across the board right now, what with all the tightening of wallets, closing of corporate expense accounts and losing of jobs, but higher-end places, naturally, are suffering more than most, and many are starting to employ some interesting survival tactics. Take for example, high-end steak house chain Ruth’s Chris, the closest outpost of which resides in Tyson’s Corner. The restaurant’s publicly traded parent company has had much organizational turmoil, including large layoffs, and ended 2008 with $58 million in net losses. As part of a plan to get out of the woods and attract more diners, Ruth’s, best known for feeding groups of formerly flush-with-cash investment bankers across America for $2,000 tabs, has added steep discounts to the menu at many locations, including a steak-and-fries dinner for $19.95 and a three-course meal of “Ruth’s Chris classics” for $39.95. And the trend is hitting home as well. One of our own high-end peddlers of steak—The Upstairs, which sells only the best grade of USDA-rated steak called Prime—currently is running a major deal. Now through Mother’s Day, the restaurant is offering Prime rib-eye and Prime New York Strip steaks for a shockingly cheap $18 (sides are an additional $3). On the regular menu, a 12-ounce Prime rib-eye fetches $35, and a 10-ounce Prime New York strip, $37.

“We’re making it as cheap as humanly possible to entice some more people to come out,” says Upstairs owner Mark Brown. During this same time period, The Upstairs is also offering a $25 tasting menu of three or four courses on Tuesday nights.

Brown says this current economic recession has been an interesting learning experience for him. Before the financial world got all messed up and crazy, Brown says success in retail hinged on quality and controlling costs, but now, he says, “it’s all about price.” Take for another example, a discount The Upstairs offered this past Valentine’s Day, when a nice crowd of 65 was in attendance. “We wanted to get rid of some Dom Perignon, so we offered it for $150 a bottle that night,” says Brown. “We didn’t sell a single one. Two years ago, I would have sold all of it. I guess people are thinking it doesn’t matter that I can’t buy this cheaper anywhere else, I just don’t want to spend $150 on a bottle.”

Brown says he and chef and general manager Jaison Burke are looking forward to The Upstairs opening its patio space for the first time this spring, and though rumors have circulated that The Upstairs is for sale and that Burke himself may buy it, Brown says that for now, it’s business as usual. “Everything I own is perpetually for sale,” says Brown, whose real estate holdings include the Downtown Mall building that houses The Upstairs and Escafé as well as a few other properties, “but it’s not being actively advertised.”

Openings

One opening and two pending openings to report: Shenandoah Joe has opened an espresso bar in the old Java Java space on Ivy Road (the Downtown Java Java remains in operation under new ownership). Hong Kong Restaurant and Take-Out in the Southside Shopping Center is opening May 1, and Tres Amigos at 946 Grady Ave. (in the old Mamma Mia and short-lived El Dorado space) is “coming soon.”

Categories
Arts

Capsule Reviews

12 Rounds (PG-13, 108 minutes) Professional wrestler Jon Cena proves himself the working man’s Jason Statham in this film about a New Orleans cop trying to put an Irish criminal back in the slammer. Playing at Regal Downtown Mall 6

Adventureland (R, 106 minutes) Read C-VILLE’s full review here. Opening Friday

Confessions of a Shopaholic
(PG, 112 minutes) When used in moderation, shopahol can enhance the joy of life. But for Isla Fisher, as a young, suddenly popular advice columnist in New York City, moderation might not be an option. Who knows, maybe debt-reduction rom-com based on Sophie Kinsella’s chick-lit bestseller is just what’s called for in these tough times. Hugh Dancy, Joan Cusack, John Goodman and John Lithgow co-star. Playing at Regal Downtown Mall 6

Duplicity (PG-13, 118 minutes) Julia Roberts and Clive Owen are competing spies and classy con artists and wary lovers and tediously glamorous movie stars. Tom Wilkinson and Paul Giamatti co-star and Tony Gilroy (Michael Clayton) directs. Playing at Regal Seminole Square 4

Fast & Furious (PG-13) On the mean streets of L.A., Vin Diesel and Paul Walker turbo-charge the fourth outing of this popular  car-race franchise. Michelle Rodriguez co-stars. Opening Friday

Gran Torino (R, 116 minutes) Clint Eastwood plays an aging Korean War vet who confronts his own prejudicies in protecting his Vietnamese neighbors. Read C-VILLE’s full review here. Playing at Regal Downtown Mall 6

The Haunting in Connecticut
(PG-13, 92 minutes) Wait, hold on—you’re telling us that the former funeral home that young Kyle and his family live in is haunted? Honestly, who haunts a funeral home? Playing at Carmike Cinema 6

I Love You, Man (R) Paul Rudd plays a dude with no dude friends who’s about to get married and needs a best man. After a few abortive man-dates, it’s Jason Segel to the rescue. But what if their budding bromance threatens the dude’s impending marriage? Playing at Regal Seminole Square 4

Knowing (PG-13, 115 minutes) In this disaster-movie blockbuster, Nicolas Cage comes upon a 50-year-old time capsule containing coded, accurate predictions of global catastrophe. It’s up to him to save the planet. Playing at Carmike Cinema 6

The Last House on the Left (R, 109 Minutes) The goal of remaking Wes Craven’s 1972 horror flick is “bringing one of the most notorious thrillers of all time to a new generation,” says its press release. Do you dare revisit “the story that explores how far two ordinary people will go to exact revenge on the sociopaths who harmed their child”? Playing at Regal Downtown Mall 6

Monsters vs. Aliens (PG, 94 minutes) The latest from DreamWorks, about a woman who makes some unlikely new friends after being transformed into an enormous monster. Fantastic Hollywood voice cast.

Paul Blart: Mall Cop
(PG, 91 minutes) Kevin James plays an enthusiastic suburban New Jersey mall security guard, tested when a gang of crooks tries to muscle in on his turf. Read C-VILLE’s full review here. Playing at Regal Seminole Square 4

Race to Witch Mountain (PG-13, 99 minutes) In this Disney remake, Dwayne Johnson plays a cab driver hired by extraterrestrials on the run from the Feds. The aliens are in the form of cute human kids, so it’s cool. Read C-VILLE’s full review here. Playing at Carmike Cinema 6

The Reader (R, 124 minutes) Ralph Fiennes and Kate Winslet (awarded a Golden Globe for her performance) tear up the screen in this tale of an affair between a law student and a woman embroiled in a war crimes trial. Playing at Regal Downtown Mall 6

Slumdog Millionaire (R, 120 minutes) Director Danny Boyle (Trainspotting, 28 Days Later) returns with a story about an impoverished Indian teen’s uncanny performance on a gameshow. Playing at Vinegar Hill Theatre

Taken (PG-13, 91 minutes) When his daughter gets kidnapped during her Parisian vacation, ex-spy Liam Neeson assures her abductor that he’s made a bad move, then goes to the cupboard to open a can of whoop-ass. Luc Besson co-wrote and produced.Read C-VILLE’s full review here. Playing at Regal Downtown Mall 6

Tyler Perry’s Madea Goes to Jail
(PG-13, 103 minutes) Writer-actor-director-franchise curator Tyler Perry stars in another self-adapted screen version of his own play, in which his comically hotheaded drag matriarch…well, you read the title. Co-starring Keshia Knight Pulliam—yes, the little girl from “The Cosby Show”—as an incarcerated hooker who needs Madea’s help. Playing at Regal Downtown Mall 6

Watchmen (R, 163 minutes) Alan Moore’s comic book magnum opus comes to life as a group of superheroes digs into the mystery of who is knocking off their caped brethren. Read C-VILLE’s full review here. Playing at Carmike Cinema 6

Categories
Living

A love measured in letters, plane tickets, and chicken sandwiches

Danny and Christina Wysong met during freshman orientation at William and Mary. But they’d have to travel through other relationships—and continents—before arriving at their destination: each other.

 

During that first year of college, they were both dating other people. And sophomore year, Danny studied abroad in Russia. When summer came, he was working as a camp counselor and Christina (a Charlottesville native) was getting ready for her own international adventure—a semester in Spain. “She was freaking out about it,” says Danny. “I sent her a letter full of advice and helpful hints on dealing with the language barrier.”

From that kind gesture a correspondence was born, and a nice old-fashioned one at that, since Danny had no email or phone access at camp. In their letters, “We were clearly really getting along,” Danny says. They went electronic once Christina was in Spain. Finally, Danny says, “I just really snapped and sent her an email: ‘Hey, I like you!’ But a lot better framed than that.”

Then Danny started talking about a visit. “He kind of joked about it, and I encouraged it, but figured it would never actually happen,” Christina says. He was serious, though. “I sold all my textbooks and flew to Spain,” he says. “My parents were ready to murder me. My mom said ‘Well, you better marry her.’”

When he finally got off the bus in the town where Christina was living, he was “jetlagged out of my mind.” He’d told Christina he was coming (“I didn’t want to do the stalker-esque thing, creepy thing, and pop up behind her at a café”) so she was waiting on a bench in the central plaza. “We kind of hugged,” she remembers, “we kissed real quick, and he said ‘Will you go out with me?’ I said yes and we went and got ice cream.”

That was fall 2005. They both say their relationship worked, even long-distance, because of how comfortable they are together. “We kind of look at the world in the same way,” she says. And he adds, “I don’t have to curb myself or censor myself.” They stayed together through school and then a move to Arlington.

Danny proposed last April on a trip to Williamsburg (“directly after eating a chicken sandwich,” he says) and on October 5, 2008, exactly three years after Danny arrived in Spain, they got married at King Family Vineyards.

These two never neglect the lighter side. “Christina can raise one eyebrow very well,” says Danny. “She knows I find this very amusing, so she did this continuously throughout the ceremony, when I’m saying these super-serious things, like ‘I will be with you forever.’”

Categories
Arts

Blasts from the past

“100 Greatest One-Hit Wonders of the ’80s”
Tuesday-Friday 10pm, VH1

A few years back, VH1 provoked my ire by naming Bon Jovi’s “Livin’ on a Prayer” as the No. 1 song of the ’80s. As if! But you can’t go wrong with a topic this cheesy. Relive some of the most infectious choruses and atrocious fashions ever committed to tape in this four-night special hosted by Judah Friedlander, “30 Rock”’s expert in trucker cap chic. Off the top of my head, I can think of some major contenders, from Nena’s “99 Red Balloons” to Toni Basil’s “Mickey” to Thomas Dolby’s “She Blinded Me With Science.” But I’m pulling for Men Without Hats’ “Safety Dance” (Midgets! Ren Faire chic! Chicken masks!) to make the Top 10, and think it would be criminal to ignore A-Ha’s live action/animation hybrid “Take on Me,” which is still a legitimately awesome video nearly 25 years later.

Pedro: The Movie
Wednesday 8pm, MTV

Back before “The Real World” turned into our nation’s leading skank breeding ground, it featured young people dealing with serious issues. No cast member has had a greater impact than Pedro Zamora, part of the show’s third season, based in San Francisco. When the show debuted in 1994, Zamora became one of the first openly gay men living with HIV/AIDS to star on a national television program. His openness about his condition and passion for AIDS awareness helped to bring the disease into mainstream America’s attention. Even after Zamora’s death, his legacy lives on. This new made-for-TV movie dramatizes Pedro’s life leading up to, during, and after his time in San Francisco that changed his life, and maybe changed the world.

“E.R.”
Thursday 9pm, NBC

After 15 seasons, we bid the doctors at County General adieu, as the one-time top TV drama comes to an end following a one-hour series retrospective. Like most viewers I lost interest during the constant cast defections and increasingly ridiculous plotlines that characterized the middle seasons, but the show has done a good job bringing back some of its most notable alums for cameos throughout this final season. Noah Wyle’s John Carter returned for a multi-episode arc, Julianna Margulies and George Clooney made cameos a few weeks ago, and even Anthony Edwards’ long-dead Mark Greene appeared in some smart flashbacks. Expect this last episode to focus more on the current cast.