Categories
News

How rehabilitation saved one old house from the bulldozer

A “Carpenter Gothic” style home sits at 208 Hartman’s Mill Road, restored to all its late 19th century glory. The Nimmo House, named after its builder and master carpenter James D. Nimmo, was constructed in the 1870s, remodeled in the 1880s—and eventually left vacant. Howard and Linda Carey purchased the home in 1994 with the intention of razing it. But after consulting with historian Aaron Wunsch, the Careys decided to renovate.

 

Howard and Linda Carey were on the verge of tearing down the Nimmo House. After renovating it, they loved it so much they moved in.

“Nimmo is the poster child for this successful melding of the uniquely old, affordability, and sustainability,” says Justin Sarafin, vice president of Preservation Piedmont and project coordinator at Monticello. “It’s from that house that the notion of the first exhibition of Preservation Week came from.”

On Friday, April 3, the first ever Preservation Week will kick off at the Charlottesville Community Design Center with an opening exhibition called “Preserving Place = Sustaining Community.” Sarafin and Eryn Brennan, president of Preservation Piedmont and senior planner for the county, created a week-long dialogue on sustainability, green buildings and historic preservation.

The Nimmo House is one of the local preservation successes (as opposed to the now demolished Beta House). But it is the process of how it got to where it is today that is of great importance, says Wunsch.

The Careys, who owned a 1970s home next door, bought the Nimmo House with plans of tearing it down and building a newer structure for their daughter. But Wunsch convinced the couple to rehabilitate the old building. At project completion, they were so enamored with the new residence, they kept it for themselves.

“From the outside, it may look like a fairly ordinary looking house,” says Wunsch. But on the inside, James Nimmo created what is believed to be a showroom for his woodwork: quatrefoil cutouts and pointed windows are just a few of the home’s iconic features.

The Nimmo House didn’t go unnoticed. In 2007, the Thomas Jefferson Branch of the APVA/Preservation Virginia gave it the Private Preservation Project of the Year Award. Most recently, the city Planning Commission proclaimed the house the 2009 Outstanding Sustainable Development.

But Nimmo is successful for many other reasons. “The general conception that the public has is that when you build a structure, it will be more efficient,” says Sarafin. Yet, after the restoration, the Careys are seeing their utility bills approximately 50 percent lower. “It goes to show that the greenest building is one that is already built,” says Brennan.

The main goal of Preservation Week is to highlight and educate people on what historical resources are present in each neighborhood and the tools to protect them. The city has eight local historical districts, protected by historic preservation ordinances, as well as close to 80 individually protected properties.

“Preservation can act as a buffer in mitigating policies that allow residents to check the development and demolition in their neighborhoods,” says Brennan.

The week will also feature lectures by national speakers and a workshop aimed at realtors who want more expertise in historic properties.

“I think the time is so brilliantly right,” says Sarafin. “Developers are not building and there is going to be a real push to utilize what’s here. And this is the way of making the importance of what’s here apparent.”

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
Arts

Capsule Reviews

12 Rounds (PG-13, 108 minutes) Professional wrestler Jon Cena proves himself the working man’s Jason Statham in this film about a New Orleans cop trying to put an Irish criminal back in the slammer. Playing at Regal Downtown Mall 6

Adventureland (R, 106 minutes) Read C-VILLE’s full review here. Opening Friday

Confessions of a Shopaholic
(PG, 112 minutes) When used in moderation, shopahol can enhance the joy of life. But for Isla Fisher, as a young, suddenly popular advice columnist in New York City, moderation might not be an option. Who knows, maybe debt-reduction rom-com based on Sophie Kinsella’s chick-lit bestseller is just what’s called for in these tough times. Hugh Dancy, Joan Cusack, John Goodman and John Lithgow co-star. Playing at Regal Downtown Mall 6

Duplicity (PG-13, 118 minutes) Julia Roberts and Clive Owen are competing spies and classy con artists and wary lovers and tediously glamorous movie stars. Tom Wilkinson and Paul Giamatti co-star and Tony Gilroy (Michael Clayton) directs. Playing at Regal Seminole Square 4

Fast & Furious (PG-13) On the mean streets of L.A., Vin Diesel and Paul Walker turbo-charge the fourth outing of this popular  car-race franchise. Michelle Rodriguez co-stars. Opening Friday

Gran Torino (R, 116 minutes) Clint Eastwood plays an aging Korean War vet who confronts his own prejudicies in protecting his Vietnamese neighbors. Read C-VILLE’s full review here. Playing at Regal Downtown Mall 6

The Haunting in Connecticut
(PG-13, 92 minutes) Wait, hold on—you’re telling us that the former funeral home that young Kyle and his family live in is haunted? Honestly, who haunts a funeral home? Playing at Carmike Cinema 6

I Love You, Man (R) Paul Rudd plays a dude with no dude friends who’s about to get married and needs a best man. After a few abortive man-dates, it’s Jason Segel to the rescue. But what if their budding bromance threatens the dude’s impending marriage? Playing at Regal Seminole Square 4

Knowing (PG-13, 115 minutes) In this disaster-movie blockbuster, Nicolas Cage comes upon a 50-year-old time capsule containing coded, accurate predictions of global catastrophe. It’s up to him to save the planet. Playing at Carmike Cinema 6

The Last House on the Left (R, 109 Minutes) The goal of remaking Wes Craven’s 1972 horror flick is “bringing one of the most notorious thrillers of all time to a new generation,” says its press release. Do you dare revisit “the story that explores how far two ordinary people will go to exact revenge on the sociopaths who harmed their child”? Playing at Regal Downtown Mall 6

Monsters vs. Aliens (PG, 94 minutes) The latest from DreamWorks, about a woman who makes some unlikely new friends after being transformed into an enormous monster. Fantastic Hollywood voice cast.

Paul Blart: Mall Cop
(PG, 91 minutes) Kevin James plays an enthusiastic suburban New Jersey mall security guard, tested when a gang of crooks tries to muscle in on his turf. Read C-VILLE’s full review here. Playing at Regal Seminole Square 4

Race to Witch Mountain (PG-13, 99 minutes) In this Disney remake, Dwayne Johnson plays a cab driver hired by extraterrestrials on the run from the Feds. The aliens are in the form of cute human kids, so it’s cool. Read C-VILLE’s full review here. Playing at Carmike Cinema 6

The Reader (R, 124 minutes) Ralph Fiennes and Kate Winslet (awarded a Golden Globe for her performance) tear up the screen in this tale of an affair between a law student and a woman embroiled in a war crimes trial. Playing at Regal Downtown Mall 6

Slumdog Millionaire (R, 120 minutes) Director Danny Boyle (Trainspotting, 28 Days Later) returns with a story about an impoverished Indian teen’s uncanny performance on a gameshow. Playing at Vinegar Hill Theatre

Taken (PG-13, 91 minutes) When his daughter gets kidnapped during her Parisian vacation, ex-spy Liam Neeson assures her abductor that he’s made a bad move, then goes to the cupboard to open a can of whoop-ass. Luc Besson co-wrote and produced.Read C-VILLE’s full review here. Playing at Regal Downtown Mall 6

Tyler Perry’s Madea Goes to Jail
(PG-13, 103 minutes) Writer-actor-director-franchise curator Tyler Perry stars in another self-adapted screen version of his own play, in which his comically hotheaded drag matriarch…well, you read the title. Co-starring Keshia Knight Pulliam—yes, the little girl from “The Cosby Show”—as an incarcerated hooker who needs Madea’s help. Playing at Regal Downtown Mall 6

Watchmen (R, 163 minutes) Alan Moore’s comic book magnum opus comes to life as a group of superheroes digs into the mystery of who is knocking off their caped brethren. Read C-VILLE’s full review here. Playing at Carmike Cinema 6

Categories
News

Trashy novels

Ace: What’s up with the trailer full of books at the back of McIntire Recycling Center? I see people hanging around in there when I drop off my empties. Is it a secret library?­—Red Tolstoy

Dear Red: Although Ace Atkins isn’t exactly a literary guy, he likes to have a number of serious books on his shelf in order to impress the ladies. But why pay for something you’re never going to read? That’s why Ace’s number one resource for free books in Charlottesville is the Book Exchange at the rear of the McIntire Recycling Center. There, Ace can find Encyclopedias from 1980 (a great vintage for encyclopedias), used muscle magazines, and the occasional Great Book from the western canon like Grapes of Wrath by John Steinbeck or Like a Hurricane by Roxanne St. Claire.

You may wonder who in his right mind gets rid of perfectly good books. If people are ditching them, they must be wasted paper, right? Well, last time Ace visited the Book Exchange he found half a dozen copies of Windows 95 manuals, but he also landed mint editions of Their Eyes Were Watching God by Zora Neale Hurston, Play It as It Lays by Joan Didion, and Jane Fonda’s Workout Book for Pregnancy, Birth, and Recovery by Ms. Jane Fonda. All of these will score major points for Ace when his female entourage stops by his pad, even while their spines remain uncracked (the books’, not the ladies’—Ace isn’t the love acrobat he used to be).

A handwritten notice inside the book trailer limits visitors to 30 minutes daily, but Ace doubts that management enforces the rule if you’re just standing there reading, if you’re a frequent contributor to the stock, or if you’re tidying up the books that people sometimes discard cavalierly on beer can-recycling trips. Remember, it’s not always a sign of destitution to hang out at the dump. Sometimes you’re just being literary.

Where else in Charlottesville does Ace find free books for his faux library? Daedalus Bookshop (123 Fourth St. NE) usually offers a number of free tomes on a table outside its storefront. At the Goodwill and the Salvation Army, paperbacks cost pocket change. Or, if you’re desperate, you can wrap a box of cereal in brown paper and write “Crime and Punishment” on its side. Not that Ace is speaking from personal experience.

You can ask Ace yourself. Intrepid investigative reporter Ace Atkins has been chasing readers’ leads for 20 years. If you have a question for Ace, e-mail it to ace@c-ville.com.

Categories
Arts

First Friday—April 3

Art Upstairs “A Moment Caught,” oil paintings by Sue Sencer, 5-8pm.

BozArt Works by Kathy Kuhlmann, 5-9pm.

The Bridge/Progressive Arts Initiative
“Bright Face (People You Should Know),” a collection of ecstatic portraits by one-time local Adriana Atema, 6-8pm

C’ville Arts “Blooms,” floral and garden-themed works by local artists, 6-9pm.

C’ville Coffee “Eight Years/Eight Days,” a documentary photography project by Tod Cohen, 5:30-7:30pm.

Café Cubano Works from Lydia Abbot, Marie Arlet, Zoe Bae and Grace Bowser, 5:30-7pm.

Charlottesville Community Design Center “Preserving Place = Sustaining Community,” 5-7:30pm.

Charlottesville Downtown Transit Station
“Authentic Moments,” collages by Judy McLeod, through 8pm.

Fellini’s #9
“Celebrating Jazz through Photography,” works by Marty Phillips, 5:30-7:30pm.

The Gallery at Fifth and Water “Images of Yes,” paintings by Janet Pearlman, 5:30-8pm.

The Garage “Signs of Divinity are Hard to Read,” prints by Dean Dass, 5-7pm.

Java Java
“The Grand Circle of the Colorado Plateau,” landscape photographs by Ben Greenberg, 6-8pm.

McGuffey Art Center Multiple exhibits from Jennifer Cox, Judy McLeod and Ninni Baeckstrom, as well as the annual high school show, 5:30-7:30pm.

New Dominion Bookshop
New pastel paintings by Michael McGurk, 5-7pm.

Second Street Gallery “XO,” new paintings and mixed media by Lisa Beane; “Impera Et Divide,” a collection of multimedia comics and sequential art, 6-8pm.

Siips Works by Nancy Wallace, 6-8pm.

Virginia Artists in Action “See Art, Heart Art, Speak Art,” pottery by Trew Bennett, Nan Rothwell and Pamela Myers, and multiple works by Floyd Hurt, 5:30-8pm.

Categories
Living

The price of success

 

Jaison Burke, chef and general manager of The Upstairs, is rumored to be interested in buying the restaurant. For now, he’s just trying to fill the seats.

We all know that restaurants are hurting across the board right now, what with all the tightening of wallets, closing of corporate expense accounts and losing of jobs, but higher-end places, naturally, are suffering more than most, and many are starting to employ some interesting survival tactics. Take for example, high-end steak house chain Ruth’s Chris, the closest outpost of which resides in Tyson’s Corner. The restaurant’s publicly traded parent company has had much organizational turmoil, including large layoffs, and ended 2008 with $58 million in net losses. As part of a plan to get out of the woods and attract more diners, Ruth’s, best known for feeding groups of formerly flush-with-cash investment bankers across America for $2,000 tabs, has added steep discounts to the menu at many locations, including a steak-and-fries dinner for $19.95 and a three-course meal of “Ruth’s Chris classics” for $39.95. And the trend is hitting home as well. One of our own high-end peddlers of steak—The Upstairs, which sells only the best grade of USDA-rated steak called Prime—currently is running a major deal. Now through Mother’s Day, the restaurant is offering Prime rib-eye and Prime New York Strip steaks for a shockingly cheap $18 (sides are an additional $3). On the regular menu, a 12-ounce Prime rib-eye fetches $35, and a 10-ounce Prime New York strip, $37.

“We’re making it as cheap as humanly possible to entice some more people to come out,” says Upstairs owner Mark Brown. During this same time period, The Upstairs is also offering a $25 tasting menu of three or four courses on Tuesday nights.

Brown says this current economic recession has been an interesting learning experience for him. Before the financial world got all messed up and crazy, Brown says success in retail hinged on quality and controlling costs, but now, he says, “it’s all about price.” Take for another example, a discount The Upstairs offered this past Valentine’s Day, when a nice crowd of 65 was in attendance. “We wanted to get rid of some Dom Perignon, so we offered it for $150 a bottle that night,” says Brown. “We didn’t sell a single one. Two years ago, I would have sold all of it. I guess people are thinking it doesn’t matter that I can’t buy this cheaper anywhere else, I just don’t want to spend $150 on a bottle.”

Brown says he and chef and general manager Jaison Burke are looking forward to The Upstairs opening its patio space for the first time this spring, and though rumors have circulated that The Upstairs is for sale and that Burke himself may buy it, Brown says that for now, it’s business as usual. “Everything I own is perpetually for sale,” says Brown, whose real estate holdings include the Downtown Mall building that houses The Upstairs and Escafé as well as a few other properties, “but it’s not being actively advertised.”

Openings

One opening and two pending openings to report: Shenandoah Joe has opened an espresso bar in the old Java Java space on Ivy Road (the Downtown Java Java remains in operation under new ownership). Hong Kong Restaurant and Take-Out in the Southside Shopping Center is opening May 1, and Tres Amigos at 946 Grady Ave. (in the old Mamma Mia and short-lived El Dorado space) is “coming soon.”

Categories
Arts

Blasts from the past

“100 Greatest One-Hit Wonders of the ’80s”
Tuesday-Friday 10pm, VH1

A few years back, VH1 provoked my ire by naming Bon Jovi’s “Livin’ on a Prayer” as the No. 1 song of the ’80s. As if! But you can’t go wrong with a topic this cheesy. Relive some of the most infectious choruses and atrocious fashions ever committed to tape in this four-night special hosted by Judah Friedlander, “30 Rock”’s expert in trucker cap chic. Off the top of my head, I can think of some major contenders, from Nena’s “99 Red Balloons” to Toni Basil’s “Mickey” to Thomas Dolby’s “She Blinded Me With Science.” But I’m pulling for Men Without Hats’ “Safety Dance” (Midgets! Ren Faire chic! Chicken masks!) to make the Top 10, and think it would be criminal to ignore A-Ha’s live action/animation hybrid “Take on Me,” which is still a legitimately awesome video nearly 25 years later.

Pedro: The Movie
Wednesday 8pm, MTV

Back before “The Real World” turned into our nation’s leading skank breeding ground, it featured young people dealing with serious issues. No cast member has had a greater impact than Pedro Zamora, part of the show’s third season, based in San Francisco. When the show debuted in 1994, Zamora became one of the first openly gay men living with HIV/AIDS to star on a national television program. His openness about his condition and passion for AIDS awareness helped to bring the disease into mainstream America’s attention. Even after Zamora’s death, his legacy lives on. This new made-for-TV movie dramatizes Pedro’s life leading up to, during, and after his time in San Francisco that changed his life, and maybe changed the world.

“E.R.”
Thursday 9pm, NBC

After 15 seasons, we bid the doctors at County General adieu, as the one-time top TV drama comes to an end following a one-hour series retrospective. Like most viewers I lost interest during the constant cast defections and increasingly ridiculous plotlines that characterized the middle seasons, but the show has done a good job bringing back some of its most notable alums for cameos throughout this final season. Noah Wyle’s John Carter returned for a multi-episode arc, Julianna Margulies and George Clooney made cameos a few weeks ago, and even Anthony Edwards’ long-dead Mark Greene appeared in some smart flashbacks. Expect this last episode to focus more on the current cast.

Inside Playboy’s “Girls of the ACC” photo shoot at UVA [PHOTO]

From behind the bedroom door in her suite in the Courtyard Marriott, I heard former Playboy playmate and longtime bunny photographer Cynthia Kaye directing her first girl from UVA, a sophomore that I’ll call "Brooke," who is sprawled across a fleece Cavaliers athletics blanket.

"Sit like Marilyn Monroe," she said at one point. "Point those toes…I like that. I like that." And, on more than a few occasions: "You’re beautiful."

Brooke (pictured below) was the first of roughly 10 UVA students who will pose for Kaye today, the first of a two-day stop in Charlottesville for Playboy’s "Girls of the ACC" issue, launched 32 years ago. Our city has been a fruitful hunting ground for bunnies in previous years: Amanda Paige graced the ACC issue in 2005, followed by a 2007 cover, and still works for Playboy currently.

Brooke’s shoot was brief, and Kaye left her with a t-shirt from Playboy’s "The Girls Next Door" TV show, then answered a few questions before her second girl arrived, a 21-year-old in a Playboy t-shirt and with a friend in tow for support. And C-VILLE caught the full experience—check out next week’s paper and c-ville.com for more. In the meantime…

Former Playboy model-turned-photographer Cynthia Kaye (left) snaps shots of a second-year UVA student. Wahoowa!

And for those of you curious about how a hotel room is decorated for a Playboy photo shoot, here’s a glimpse of the Playboy gear that filled out the hotel’s living room:

Design Week tears down the walls

A friendly reminder, greenies: There are a lot of really excellent events going on this week. If you’re one to pay attention to the natural world, it’s Bloom Time for daffodils, forsythia, and certain trees, including—I think—crabapples. The brown thrasher has returned to the yard and the towhee is singing up a storm. Any day now the redbuds will break.

In the human universe, it’s Design Week, which means you have your choice of brain food. You could go to lunchtime films from noon to 1pm today or Thursday, both at the CCDC. ("Edward James, Builder of Dreams," Thursday’s film, sounds especially amazing—I haven’t had a chance to further my Surrealist education since I left Rhode Island.) Or you could go to evening films at the Bridge, 8-9:30pm Tuesday, or at UVA’s Campbell Hall, 7-10pm Wednesday.

Or, and this is where it gets nicely local, you could meet and greet almost any architect or designer in town by going to the appropriate open house. Check the schedule; there are open houses Tuesday, Thursday and Friday. You could get some face time with really interesting architects—many of whom are doing good green work—like Formwork, Siteworks, VMDO, Alloy Workshop and The Gaines Group.

Hate schmoozing? Me too. Instead of open houses, go hear John Quale speak on Thursday from 7-9pm, once again at CCDC, or lurk in the back of the room as Pete O’Shea (from Siteworks) and Lance Hosey (formerly of McDonough + Partners) discuss the merging of different design disciplines to make the world better for us all.

The words "green" and "sustainability" aren’t plastered all over the Design Week promo stuff, but I’m guessing they’ll come up a lot. If anyone’s been to a DW event thus far, tell us how it was!

UVA hires someone other than Tubby Smith

According to The Daily Progress’ longtime sports reporter Jerry Ratcliffe, UVA has hired Tony Bennett as men’s basketball coach, replacing Dave Leitao.

Bennett (no relation to the crooner) just finished his third year as head coach at Washington State University. Relatively young at the age of 39, he isn’t exactly the “home run” hire that many Cavalier fans have been looking for.

Wahoo fanatics plugged into TheSabre.com have been driven nearly delirious by rumors and gossip about the coaching hire. One poster on the basketball message board linked to the flight pattern of a private jet on the way to St. Paul from New Jersey with its next leg destined for Charlottesville. For 45 minutes, speculation ran rampart that UVA’s supposed chief target, Tubby Smith of Minnesota, would board that plane for a press conference at the John Paul Jones Arena—until the flight no longer showed the Charlottesville connection.

Judging by the reaction on TheSabre.com to the Bennett news, Athletic Director Craig Littlepage will need to work hard to hype up the hire.

“If this is true I am seriously thinking about getting rid of my season tickets,” wrote TheGreatHooFan.

“Face it, we will always be bush league,” lamented Kenny Saw.
 

Limited engagements: The Matchmaker and Waltz with Bashir

Live Arts‘ all-is-fair-in-love-and-farce production of The Matchmaker is easily one of the local theater’s most charismatic, winning productions of the last two years. (Since Ain’t Misbehavin’, in my book.) Chris Patrick bounces exasperation and mania off of a brilliantly growled, stony-faced Chris Baumer; Ronda Hewitt is pleasantly impulsive as Irene Molloy; and Denise Stewart makes for a capably conniving Dolly Levi. The show’s run extends through this weekend, with shows April 2-4.

Bonus: Director Mendy St. Ours and sound guru Cristan Keighley outfitted the show in ’80s chic with a load of New Wave and arena rock cuts, many performed by a group called The Vitamin String Quartet. Give ’em a listen here. (I also recommend their covers of "The Chain" and "How Soon is Now?")

For those of you looking for heavier fare, or a nice graphic chaser to Second Street Gallery’s show, Waltz with Bashir screens at Vinegar Hill Theatre through Thursday. Bashir drew a good crowd during the last Virginia Film Festival and earned superlatives from those folks in the C-VILLE office to see it so far. (Upcoming Vinegar Hill forecast: Skip Gomorrah, wait patiently for Kelly Reichardt’s Wendy and Lucy.)

Now, for all you Bono fans who made it through Thornton Wilder and a film about the Lebanon War to get here, reap your rewards: U2 announced a date and a location for its Charlottesville gig—October 1 at Scott Stadium.

He’s the Baum! Irene Molloy (Ronda Hewitt, left) and Dolly Levi (Denise Stewart) fight for the affections of Horace Vandergelder (Chris Baumer), who has none. (Photo by Will Kerner)