Categories
Living

October 2009: Toolbox

Saws, y’all!

 

You know you’re a true DIYer when you’re ready to move on from mere paintbrushes, hammers and screwdrivers to the really fun stuff: power tools. One power player that you’ll need for doing serious business such as cutting into plaster, drywall, wood and metal is the hand-held electric reciprocating saw, commonly referred to generically as a “Sawzall” after the popular brand version of the same name manufactured by Milwaukee Tools.
 
The blade of the recipro saw moves up and down rapidly, and its portability, strength and short stroke length make it the preferred power saw for cutting into heavy-duty materials such as pipe, especially in very tight spaces.

You’ll find many uses for the recipro saw, but be mindful of the dangers. Though it’s small, the thing can kick back on you and knock you backward (been there), raise sparks (I never operate mine with short sleeves anymore) and cause debris to fly off into your face (I never operate mine without safety goggles anymore).

And whatever you do, don’t use the saw on old, unused oil pipes and then accidentally cut a gas line, especially on a Sunday evening. The on-call guy from the power company will be very unhappy with you, and your house could explode. I never do that. Anymore.—Katherine Ludwig

Categories
Living

October 2009: Signals of interest

The Albemarle home of Rob Capon looks perfectly ordinary—until you notice the 30-foot radio antenna in the backyard. Together with the small astronomical observatory on the other side of the house, the antenna is a clear sign that someone of a technical bent lives here. And inside the house is another giveaway: an entire room devoted to Capon’s love for ham radio.

 

Packed with gear—a transceiver, amplifier, computer, microphone and Morse code key—the room is a catalogue of dials and knobs. On the wall is a world map with white pins stuck into every country and territory recognized by the American Radio Relay League—338 in all. The pins mark the success of Capon’s quest, just completed in August, to make contact with every one of these entities.

“It took 36 years and four months,” Capon says, who broadcasts under callsign W3DX. “It’s very technically hard and it takes a real sustained activity. You have to be tenacious about this goal for decades.” Only 1,400 people worldwide have done it, in fact.

One reason it’s tough: Some entities are uninhabited, reachable only when ham radio operators undertake an expedition to temporarily broadcast from their shores. This can cause a “pile-up”—a traffic jam on the airwaves as operators all over the world try to make contact.

Yemen was Capon’s last confirmed country. Though his quest is complete, his enthusiasm for the hobby is undiminished, as is evident when he shows a visitor his 10-element beam antenna in the yard. “This is just a beast,” he says. “If I didn’t have a beam I would have missed a few countries. An antenna that pretty you just want to salute.”—Erika Howsare

“When I was 11, I injured my leg and I was on crutches for six weeks. My parents gave me an AM/FM radio, and I listened to stations all over the Eastern U.S. I would send them a signal report and they would send me confirmation cards. Then I saved up with my paper route and got a short-wave radio….When I was 14, I passed my ham radio exam.

“I’ve always had a radio room, for at least 25 years. This is my transceiver. This is a 1,000-watt amplifier—what I call lighting the afterburners. This little baby here rotates my antenna. Here’s my Morse code key.

“It would have been difficult to do this in less than 20 years [because some entities broadcast so infrequently]. When I worked Andaman and Nicobar Islands, that was the first time someone went there [to broadcast] in 17 years. It’s at the entrance of Bengal Bay in India. As fate would have it, the Indian government finally gave permission for someone to go there and then the [2004] tsunami hit. Ham radio was the only communication. They set up a station in the governor’s office.

“I worked them two days before the tsunami. It took about 10 hours to break through and make contact. Asia’s very difficult because the signal has to go over the North Pole, and you’re behind the Japanese stations which are very competitive in Asia. The Caribbean is the flip side. For me, firing a signal to the Caribbean would be like firing a bazooka through that window [whereas it would be difficult for operators in Asia]. Every operator has areas that are tough to contact.

“I’ve had really pleasurable long contacts. A long chat with K C Four Triple A—that’s the South Pole station. They talked about how cold it was, their weather balloons, their scientific experiments. And with people in the Balkans during the war, talking in a very heartfelt way.

“But when a rare station goes on the air there’s no time for that. They would say, ‘W3DX, 599.’ I would say ‘TU [thank you], 599.’ Also ‘73’ which means ‘Best wishes’ in ham radio. Bang. You’re doing 40 words a minute [in Morse code] at that point.

“Now that I’ve worked all the countries, I’d like to go on expeditions. And I have to stay on my toes because there will be new countries. The Netherland Antilles is going to be broken into four entities. Kosovo will become an entity.

“It’s like fishing—you have to know where the fish are.”

Categories
News

Celebration; Madonna; Warner Bros.

“Who’s That Girl?” Seriously? Thirty-six songs on the two-disc version of Madonna’s otherwise groovy, career-spanning greatest hits compilation, Celebration, and she includes “Who’s That Girl?” If you’re going to bother with that largely forgettable movie soundtrack, why not include the vaguely danceable “Commotion,” instead?

Upon further consideration, maybe it’s a wise number to include—if not from a musical point of view, then from a cultural perspective. Because, when it comes to the Queen of the Dance Floor, these days, the question “Who’s that girl” truly burns for an answer. Burns, as in heartburn. Or is that heartbreak? Take a gander at Madonna circa 2009 and you might as well ask, “Who’s that face?”

Celebration invites reveling in Madonna’s vast achievements as a recording artist. Never a remarkable singer, early on she transformed her vocal shortcomings into assets that she married to unrelenting musical curiosity. Love that bratty sound she trademarked in the mid- and late-’80s, and songs like “Into the Groove,” “Open Your Heart,” “Dress You Up” and “Like a Prayer” flaunt her insolent, commanding attitude and her underlying don’t-give-a-shit playfulness. Oh, remember when Madonna promised to lead us through the wilderness with a witty, ambitious combination of disco sex appeal, businesswoman savvy and cardinal danger? Remember when she had her own cheekbones?

Starting with the cover art, Celebration insists that you remember. There she is, circa True Blue and Sean Penn, nostrils flaring, half-lidded insolent eyes daring you to reach her, insouciant beauty mark reminding you, as she made clear in the “Papa Don’t Preach” video, that Italians do it better. At this point, you may be thinking that your correspondent is an old school, “I Love the 80s” type of fan who parted ways with Madge about the time she hennaed her hands and wore that Indian princess outfit to an awards show. Not so! She’s had my heart from “Music makes the world go round” (“Everybody,” 1982) to “Music makes the bourgeoisie and the rebel” (“Music,” 2000) and beyond.

But increasingly I think she no longer wants me to dress her up in my love. Let’s leave the whole Third World baby snatching out of the discussion. After all, if l’affaire Polanski proves anything it’s that reasonable people can disagree about whether an artist’s work can and should be separated from his or her personal life and behavior. We can restrict our evidence to recent collaborations and still cover plenty of ground in a discussion of how Madonna’s shepherding (or pimping) her ambitions these days. I fancy myself a little Justin Timberlake, just like any red-blooded female, but there’s something just downright embarrassing about listening to Madonna, nearly twice his age, panting about how she’s got only “Four Minutes” to save the world with him. Coming from a woman who was savvy enough to get William Orbit into the mainstream with the yogi-hedonist-mystical-techno record “Ray of Light,” teaming up with JT seems like a suggestion that came down from the suits in Marketing. Along those lines, Celebration features a new cut that pairs Madonna with Lil Wayne. You can file that one under “whatever.”

But let’s face it: There is only so much of Madonna the Woman that can be filtered from Madonna the Artist. Because she has made her body, her appetites, and her intelligent mining of female types the foundation of her work, we must return to personal matters. By which I mean, of course, the scary plastic surgery and the ridiculous modeling. (Crotch shots? Really? How to say this, Madonna: You have nothing to prove any longer in that department.) There was a time when you could justify my love, when I could open my heart to you, when you didn’t have to tell me to stop. But these days, my darling Madge, you seem like more of a beautiful stranger.

Brian Wimer’s zombie musical comes to Vinegar Hill Theatre [VIDEO]

Two things to know about your arts blogger. Thing the first: Hates how fall and winter make the days shorter, and will do anything for a distraction. Thing the second: Will use any excuse at hand to see a movie on the cheap.

Thankfully, fall is a cut-rate movie fan’s Xanadu in Charlottesville because Cinematheque and OFFScreen start up at UVA, and you can catch popular programming and a pretty reliably curated film series each week for less than the price of poppin’ corn. And, since these screenings should save you a few bucks, here’s a cinema-centric way to spend the extra Benjies: Catch a screening of Eat Me: A Zombie Musical by local director Brian Wimer on October 18 at Vinegar Hill Theatre for $10.

Director Brian Wimer at the 2009 Fright Night Film Fest, where he cleaned up with his horror films Eat Me and Mantra.

OFFScreen: My usual Sunday night while a student at UVA, and a place to catch things like that David Lynch flick with the super-rare aspect ratio (Wild at Heart) or that Fugazi documentary (Instrument). OFFScreen shows flicks in the Newcomb Hall Theater every Sunday night for $3 (or the occasional $5 double-feature). The current OFFScreen schedule is available here, and the Canadian zombie flick Pontypool looks particularly awesome.

Cinematheque: Apparently, I could’ve saved $6.50 or so if I waited to see The Hangover with a bunch of undergrads. Face it, people—that’s just the sort of ambience you want while you watch Bradley Coper and Zach Galifianakis bludgeon their livers with booze. In the next week, Cinematheque also screens Up and The Ugly Truth at Newcomb Hall Theater. Price? Again, $3.

Virginia Film Society: In terms of plots, the annual fall film series from VFS seems more bent towards thrills than most years in recent memory. With roughly a film screening per month at Vinegar Hill Theatre, the schedule ups the anticipation. Take a gander here.

For those of you who plan to splurge on the silver screen in one fell swoop, the 2009 Virginia Film Festival announces its lineup tomorrow night. Feedback will report back with details.

*Addendum: Forgot to add something for those of you who like talking about movies but don’t actually have time to watch them. How thoughtless! Here you go:

City Council grants RWSA easement to relocate pipeline in McIntire Park

Last night, City Council voted to grant the Rivanna Water and Sewer Authority an easement to relocate a sewer pipe to make room for the construction of the Meadowcreek Parkway (MCP).

The vote, 3-2, with Mayor Dave Norris and Councilor Holly Edwards voting against the ordinance, came after Edwards inquired about possible alternatives to the relocation in McIntire Park and voiced concerned that a design for the 250 Interchange wasn’t yet chosen. The replacement of the Schenk’s Branch is listed as the second priority in RWSA’s capital plan.

"I am not underestimating the importance of the city residents who will benefit from this, but I don’t feel that I can move forward in good faith without the final design of the Interchange," she said.

Norris, who is an opponent of the MCP, said that while he understands the need to replace the overused pipeline and its health impacts, he could not vote for granting an easement that is based on the design of a road that he opposes.

Councilor David Brown, who voted favorably, said that he understands the need for the upgraded and bigger pipeline.

A public hearing on the design of the 250 Interchange is scheduled for October 29 at 5pm in the City Space and is open to the public.
 

Eco-fatigue in the paint store

Recently I was in a Sherwin-Williams store (a couple of them, actually; there was a bit of a snafu involving paint bases and inventory) when I experienced two odd moments. The first was upon entering the store, when I noticed for the first time in my life the company’s logo. I took a (bad) photo of it later:

"Cover the Earth!"

A better image is here, along with evidence that I’m not the first blogger to question the wisdom of this particular corporate logo. It seems to beg the use of the word "glop" in any description—as in, that paint is glopping all over the planet! Someone stop it! Other bloggers, too, have noticed the company’s spintastic explanation of the logo on its website. It’s right here, at the bottom of their "GreenSure Initiatives" page.

Which brings me to the second odd moment. I was standing around waiting for paint to be tinted and noticed a special little section of "eco" products: no-VOC paint, paintbrushes whose handles are made with FSC-certified wood, biodegradable paint trays, etc. And whereas during the past few years, I likely would have been somewhat cheered to see these products, this time I just felt sort of irritated. "What good does one lousy shelf of supposedly green products do in a big store full of conventional stuff?" I thought.

Quite possibly, it was my pre-existing bad mood talking (see: snafu), but it sometimes does strike me as deeply beside the point to worry about the handle of a paintbrush being FSC-certified.

Many personal eco-actions require a big leap of faith for the person undertaking them to believe they are worthwhile and effective—it’s that familiar "If everyone did it, what a difference it would make!" argument, which we rarely or never get to observe firsthand. We just muddle along, buying our paintbrushes and turning off light switches, while the big trends (climate change, extinction) continue to get worse. Meanwhile, companies have found a nifty new way to make money: putting "green" lables on their products and organizing special sections in their stores to appeal to a small, earnest subgroup of customers. Sometimes it really feels like too little, too late.

Clearly, readers, I need a little pep talk.

Locally produced World Peace film gets premiere at Paramount [VIDEO]

Well, isn’t today a goldmine for fans of local film? I just received a press release from The Paramount Theater that says World Peace and Other Fourth Grade Achievements—a film by Chris Farina about John Hunter’s World Peace Game—will screen at the theater on February 21, 2010.

The film has been more than two years in the making; Hunter mentioned it to me when I visited his classroom at Venable School in 2007. (Hunter currently teaches at Agnor-Hurt Elementary School.) During the same trip, Hunter also led a video tour through his game. I can’t embed the trailer for World Peace, but you can watch C-VILLE’s video tour below:

John Hunter explains his World Peace Game. Director Chris Farina’s documentary on the game, which premieres in February, should lift the spirits of those of you eager to see The Road.

For those of you unfamiliar with Farina’s work, I believe a copy of his documentary West Main Street is available at Sneak Reviews.

And here’s an interesting convergence of sources: Another fan of Hunter’s game (and advocate for Farina’s film) is Richmond-based artist Noah Scalin, who writes about the film on his blog here. Scalin is mentioned in C-VILLE today as the designer of the vegetarian license plates that the Virginia DMV might make available. And I wrote about Scalin’s work for a cover story on a PVCC art exhibit last summer.

This news makes me chomp at the bit for word on The Parking Lot Movie, Meghan Eckman’s documentary on the Corner lot owned by—of all people—Chris Farina. Heck, what other people, places and games should we be documenting?

Deeds distances himself from 2006 gay marriage vote

Democratic gubernatorial candidate Creigh Deeds says he may have changed his mind on an issue he voted on three years ago.

In Sunday’s Washington Post, Deeds is pictured rethinking his vote on the state constitutional amendment prohibiting gay marriage or civil unions.

Deeds’ new stance is that he doubts the government should be involved in deciding same-sex marriage. When asked what are his own views on same-sex marriage and civil unions, Deeds stumbled a bit.

“I, I, I…support making sure everybody has equal rights. Down the road, in the big picture, and this is an area where my thoughts has evolved, I’m not as convinced as I used to be that government should even be in the marriage business…But the reality is that Virginia law does define marriage.”

According to the article, supporters believe that the changing his mind is a sign of good leadership.

“I could well have come to a different decision had I to do it again,” Deeds said.

According to the latest Rasmussen poll, Republican candidate Bob McDonnell’s lead is increasing: 51 percent of voters surveyed would vote for McDonnell against 42 percent for Deeds.

Monday Morning Quarterback – Stats=Fantasy Football Dorks!

As I was perusing the statistical landscape of college football a couple of interesting stats came to my attention. Virginia is 1-0 in the ACC and 1-3 overall with 8 games remaining. There are 120 college football teams playing in the Football Bowl Subdivision.

~Virginia ranks 8th nationally in Pass Defense giving up a 156.6 yards per game. Not too shabby.

~Jameel Sewell is ranked 87th nationally in Total Offense with 184 yards per game. The nations leader is Case Keenum at the University of Houston with 436.79 yards per game.

~The Hoos are ranked 31 in Total Defense after 278 defensive plays so far, and are giving up 301.75 yards per game to the other teams offense.

~UVA’s Rushing Offense is ranked 110 nationally with only 93 yards per game on the ground.

~UVA’s Passing Offense is ranked 99th nationally with 179.25 yards per game.

~Virginia has 51 Freshman, 25 Sophomores, 21 Juniors, and only 13 Seniors on the team. Obviously, this means we are a very young football team. This bodes well for the future.

~Three weeks ago in the loss against the Southern Miss Golden Eagles, UVA put 34 points on the scoreboard and collected 390 yards of offense. Both were season highs. Last Saturday, UVA scored only 16 points, and amassed 254 yards of offense and WON THE GAME. What does this show? That statistics don’t mean a freaking hill of beans. A win is a win, and stats are for fantasy-football-dorks that are locked in the basement all weekend.

Vic Hall – The Heart of a Lion and My Favorite All-Time Wahoo

Most serious Virginia fans have an all-time favorite player. Maybe it was someone in your family, like it was for me with my cousin Mike Cubbage. Mike played quarterback here and also got the very first baseball scholarship UVA ever gave. Perhaps it’s a guy that played the game with the heart of a lion, like Fredericksburg native Charles McDaniel. This favorite all-time guy just might be someone that re-wrote the record books during his time here on grounds like Chris Slade, or even Chris Long. I’m not sure I could pick one Virginia former student-athlete whom I could call my all-time favorite until yesterday when I read Jerry Ratcliffe’s column in the Daily Progress about Vic Hall.

Vic Hall is not the best college quarterback statistically to play at UVA. Nor is Hall the best punt-returner, defensive back, wide receiver or special teams player to play here in Charlottesville. Vic just might be the best wild-cat QB we have had because he is the only one we have ever had!

So, as the story goes, Vic Hall walked into Al Groh’s office last week and flat out told his coach that Jameel Sewell deserved to be UVA’s starting QB and that Hall would do whatever Groh needed him to do so that the Hoos could start winning again. This, of course, was coming from one of the best high school QB’s of all time in the Commonwealth of Virginia. Groh absolutely was blown away by the humbling nature of Hall’s comments. So blown away, that on Saturday in Chapel Hill Hall played the most positions I have ever seen one dude play in all my years of watching college or NFL football.

On that winning Saturday in Chapel Hill, Hall played: tailback, quarterback, slot-receiver, holder for extra-points, holder for field-goals, safety and cornerback in the dime package on defense. In this day-and-age of big-mouthed, moronic team-killers like, Marcus Vick, DeAngelo Hall, Terrell Owens and Chad Johnson, something like this makes me realize why I played this amazingly team-oriented game of football for all those years. It also makes me remember why I root for the little guy like Vic and why it is important for people to be cognizant of what football is really all about: Teamwork, dedication to the greater goal of winning far ahead of ones personal goals, and never, ever giving up. Sometimes you have to take yourself out of the spotlight and realize you can help the team much more by playing in a less glamorous position.

Vicqual Hall, of tiny Gretna, Virginia is now my favorite Wahoo of all time not because of statistics, or what it might or might not say in any record book. Vic has always had a sixth sense about where he needs to be on the field. Hall is my all-time favorite Wahoo because he knew he could help this team win at another position then where he was slotted to play. Hall stepped-up, took that chance by speaking his mind to his coach, and as much as anyone that field Saturday, Vic Hall knew he could help Virginia win that game. And he was right!

So, Virginia fans, who is your all-time favorite UVA football player?