Categories
Living

Harvest comes early for local winegrowers

 When it comes to growing wine in Virginia, “you hope for the best and prepare for the worst,” says vineyard manager Fernando Franco. And this unusually hot and dry season has delivered both. Overall, harvest is early—by as much as three weeks—and, depending on where a vineyard is situated, that can be a good thing or a matter somewhat more stressful.

“In Virginia,” says vineyard manager Fernando Franco, who oversees 147 acres for Barboursville, “you never know what you’re going to get.”

At Barboursville Vineyards in Orange County, where Franco manages 147 acres under vine, crews had already harvested the Pinot Grigio, Pinot Noir and Sauvignon Blanc by August 15. That day Franco pronounced the maturity and flavor of the fruit to be “excellent” and said the balance of brix (sugar content) and acidity was “really nice.”

But at Veritas Vineyards in Nelson County, winemaker Emily Pelton says that for now she’s “withholding judgment on this vintage.” If all had gone according to plan, this was going to be the year that Veritas increased production to 15,000 from 10,000 cases. And though she put an additional 25 acres at Ivy Creek Vineyards into production, she’s predicting that the drought-diminished yields will be about equal to last year. “How many times have winemakers said we want the dry weather and small berries, and here we have it and, oh my gosh, we have no product!” 

Between the effect of wind storms and heavy rains in early summer, cloud cover during bud break, and the absence of cool nights to balance July and August’s super-hot days, “in my 10 years,” says Pelton, “this is the craziest vintage I’ve ever worked.”

Meanwhile over at Sweeley Estate Winery, where this year’s crop will go straight to market rather than into Sweeley wines, winemaker Frantz Ventre confirms that harvest has been early at that Madison County establishment, too. And indeed, “the berries are much smaller than expected.” But he adds, the fruit from his 36 acres so far is “looking very nice.” 

Speaking of Madison County, this just in from the Department of Scenic Wineries: DuCard Vineyards, beautifully situated in what’s known as Gibson Hollow some 40 miles from downtown Charlottesville in Etlan, recently celebrated its grand opening. The well-appointed tasting room is the first in Virginia to be fully solar-powered. Built adjacent to a stream and edged with umbrella tables on a wraparound deck, it was packed on August 7 with well-wishers glad-handing owner Scott Elliff and tasting the five DuCard wines. Among those was an inky Norton, two Viogniers, a Bordeaux-style blend of Cabernet Franc and Petit Verdot, and a Vidal Blanc dessert wine. A Norton-based port is also in the works. 

And, as long as we’re talking spectacular views, if a two-mile high, unobstructed, 270-degree view of the Southwest Mountains sounds appealing, the place to head to is Stone Mountain Vineyards, 25 miles northwest of Charlottesville in Dyke. Be warned: The drive up the mountain is not for the faint of heart or anyone without at least front-wheel drive, but once you get up there and step onto the deck, it’s breathtaking. Owner Chris Breiner confirms that way up there he too is dealing with an early harvest and lower-than-usual yields, but, he adds, “the chemistry is in balance.”

Categories
News

Albemarle judge nears decision on Mann climate case

 The epic staring contest between UVA and Attorney General Kenneth Cuccinelli will continue for at least a few more days. Despite an August 20 hearing in Albemarle County Circuit Court over whether UVA must comply with a civil investigative demand for a former climate professor’s research and e-mails, Judge Paul M. Peatross gave himself a 10-day deadline to issue a ruling.

A lawyer for Attorney General Ken Cuccinelli (right) told an Albemarle County court that former UVA climate scientist Michael Mann is under investigation for “a consistent pattern of premeditated manipulation of data.”

“I was hoping to issue a ruling from the bench,” said Peatross, but the 75-minute hearing gave him too much to chew on.

Though the legal arguments largely involve arcane technicalities—such as whether UVA is a corporation or a state agency—the underlying issue is whether this is a political witch hunt or a valid investigation.

It started in May, when Republican AG Cuccinelli swung his legal guns on former UVA climate professor Michael E. Mann. Though hired away by Penn State in 2005, Mann was one of several scientists implicated in the recent “climate-gate” controversy. Many of his e-mails were hacked from a server in England and published online, and global warming skeptics sniffed a noxious whiff of data deliberately doctored or suppressed. Yet sundry investigations in Great Britain and the U.S. have found no evidence of fraud or malpractice.

So DIY Cuccinelli started his own investigation. Noticing on Mann’s CV that he claimed five grants worth a collective $485,000 from UVA, Cuccinelli pursued Mann based on Virginia’s Fraud Against Taxpayers Act (FATA), and demanded that UVA turn over e-mails Mann sent to and received from 39 scientists and all of his assistants; all documents generated by the grants; and Mann’s computer algorithms, programs and source code. UVA opted for a fight, dropping the “academic freedom” bomb among its concerns.

The battle at last arrived in court on Friday. Deputy AG Wesley Russell did the talking for Cuccinelli, who wasn’t in attendance, while UVA’s oral arguments were handled by its attorney, Chuck Rosenberg. The University received moral support in the form of an amicus brief from organizations that included the ACLU of Virginia and the Charlottesville-based Thomas Jefferson Center for the Protection of Free Expression—they too worried about the chilling effect on university research when state prosecutors act in place of peer review.

Judge Peatross took his liberties with the lawyers, poking and prodding their arguments with a slew of questions. He particularly pestered Russell to clarify what the attorney general is investigating—what did Mann supposedly do, and why does the AG think he did it? FATA requires that a civil investigative demand “state the nature of the conduct constituting the alleged violation.”

Pressed, Russell finally said that Mann was under investigation for “a consistent pattern of premeditated manipulation of data,” referencing the “international controversy” and Mann’s most iconic and controversial research product, a hockey-stick shaped graph of rising temperatures in the Northern Hemisphere.

The Attorney General’s office likes to downplay the significance of this civil investigative demand: It only wants to make sure Mann didn’t fake grant applications and bilk Virginia taxpayers of their hard-earned cash; it has nothing to do with the politics of global warming; Mann might very well be exonerated.

“Our office is investigating whether a false claim was presented to the University to secure payment under government-funded grants—nothing more, nothing less,” Cuccinelli said in a statement released after the hearing.

Which would be more convincing if Mann weren’t a controversial climate scientist who believes in anthropogenic climate change and Cuccinelli weren’t a vocal global warming skeptic who’s also suing the Environmental Protection Agency based on “climate-gate.”

Rosenberg concluded his remarks by quoting an open letter to Cuccinelli from Thomas Fuller, one of Mann’s critics, asking that the AG drop the matter. “No matter what has prompted your investigation, there is no doubt that it will be interpreted as a witch hunt.”

Categories
Arts

Checking in with Browning Porter

What were you doing right before we called?
I was working on a CD cover for a local musician, Ian Lawler.

 

When not engaged in alliterative activities like penning poems or telling tales, Browning Porter has designed posters or album covers for Devon Sproule, Carleigh Nesbit and the Naked Puritans.

What are you working on right now?
I make my living as a graphic designer and I have several projects I’m finishing up, or gearing up to do. Ian’s is one of three CDs that I’m in different stages with, and I’m doing a T-shirt as a fundraiser for the grad school where I got an MFA in poetry many years ago. I’m also doing a poster for an Off-Broadway musical in New York as part of a benefit for Haiti.

 

What’s your first artistic memory?
So far, I’ve been talking about my day job as a graphic designer but I think I’m better known around town as a poet and a storyteller and, for many years, as a musician, so it depends on which one you are talking about. I can remember making up my own nursery rhymes when I was very small and figuring out how rhyme worked, getting the feeling that it wasn’t something that had been handed down by the powers-that-be—it was something that people made. It seems profound now but when you’re a kid it seems sort of obvious.

 

What’s your blind date dealbreaker?
It’s been so long since I had any kind of date, you know, with my wife now of 15 years. I get very uncomfortable if someone wants me to pray with them. I don’t know if I would call it a dealbreaker, but it would make me very uncomfortable. It would be difficult to proceed optimistically with a blind date under those circumstances.

 

What’s your favorite building?
My favorite building would have to be my childhood home—the Bull Run House—which my father built when I was about 2 years old and that I grew up in until I was about a teenager. It’s in a little town called Catharpin, which is on the outskirts of Manassas on Bull Run Creek, which is why we called it the Bull Run House.

 

Tell us about a book/painting/record/piece of art that you wish was in your private collection?
There are actually several paintings that my dad did that I wish were in my private collection. There are some paintings that he did that everyone remembers very fondly but were sold many, many years ago and either no one knows where they are, or the people who own them are not willing to sell them back.

 

Locally, who would you like to collaborate with?
I have the ambition to collaborate with Paul Curreri and John D’earth to add new original music to one of my monologues. I would love to follow through with that project and make a recording and eventually do a live performance. I think it would be great on the radio, but I did it at the old Gravity Lounge originally as the opening act for a Brady Earnhart concert and I was very pleased with the results…I’ve wanted to work with John for 20 years. I saw him doing live jazz with poets at the old Live Arts in the Old Michie Building years ago, and thought, “I want to do that.”

 

Favorite artist outside your medium?
At the moment there are some people who are working in a medium that’s related to mine but I do think it’s different and those are the guys who do Radio Lab, on NPR. I’m totally in love with that show. I want to run away and join it, like the circus. They make it sound as though it’s just coming directly out of their brain, it sounds very stream of consciousness, very natural. At the same time, it’s not natural. It’s fantastic editing and they clearly have really good personalities to do that kind of show.

 

 

Categories
News

Well, we still need water

 For both fans and foes of the Rivanna Water and Sewer Authority’s (RWSA) 50-year Community Water Supply Plan, glasses will remain half-full or half-empty until expansion studies of the Ragged Mountain Reservoir and Lower Ragged Mountain Dam are completed.

On Friday, the RWSA released a review of engineering firm Gannett Fleming’s 2004 water demand analysis, along with a projection of the urban service area’s water demand for 2060. Swartz Engineering Economics was hired by the RWSA for roughly $25,000 to complete the study. The projected demand, 18.45 million gallons per day (MGD), falls in the same splash zone as Gannett Fleming’s 18.7MGD projection for 2055.

The review was conducted, in part, to revisit the “methodology and forecasting” of the 2004 demand analysis, which concluded with a 2002 drought that saw water demand in sections of the urban service area drop by as much as 20 percent. (Verdict? “Properly performed,” “reasonable and sound.”)  

Swartz also reviewed the past six years in water issues, from the after-effects of former Governor Mark Warner’s emergency drought declaration in 2002 to the local impact of the national economic crisis. These factors were measured against future developments that might impact demand—from increased student enrollment at UVA, where per capita use in fiscal 2010 was 7,000 gallons lower than a 1999 peak, to the National Ground Intelligence Center and a new Martha Jefferson Hospital with an enlarged footprint. 

The review concludes that the rate of growth in water demand seems consistent with Gannett Fleming’s 2004 study. “However…we see potential for several one-time steps up in water demand due to planned development,” according to the report.

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
News

Could tax rebate seal Waterhouse deal?

 Thanks to actions last week by Charlottesville City Council and the Board of Architectural Review (BAR), architect Bill Atwood’s Waterhouse project has quickly thawed from glacier to geyser. One day after council unanimously signed off on its first resolution for a tax increment financing rebate—don’t worry, we’ll explain it in the third paragraph—the BAR approved Atwood’s six-story redesign with a 6-1 vote and a few conditions.

Waterhouse developer Bill Atwood said WorldStrides, the Albemarle County client he hopes to bring to his Charlottesville site (pictured in a rendering), wants to be in its new home by November 2011.

The latest Waterhouse design—featuring two parking garage entrances on South Street, and a partially recessed presence at 216 Water Street—will appear before the BAR again for approval of color and a glass column that links the structure’s two main buildings. With the majority of the BAR wooed by Waterhouse’s latest look, Atwood can focus on courting WorldStrides, an Albemarle County student-travel business, as his anchor tenant. 

Now, about that tax increment financing (TIF). Approved unanimously by council, the TIF resolution guarantees that the city will offer Atwood a 50 percent cut of real property tax revenue that can be attributed to Waterhouse and its occupants for five years. The property’s tax base is assessed pre- and post-construction and “the difference…is considered the taxes attributable to the new development,” according to the resolution. (The site is currently assessed at $2.8 million.) The developer must secure all funding—in this case, a $20 million cost—and see the project through construction to receive the TIF rebate.

Aubrey Watts, director of the city’s Economic Development Authority, said the EDA previously received inquiries about TIF funds for projects, but such a model did not seem necessary before Waterhouse.

“In this case, I think it is really a function of three things,” said Watts, who cited the national economy’s impact on loan practices, availability of urban sites and parking costs in the city. Parking proved the most difficult issue for Waterhouse, according to Watts. WorldStrides employs more than 200 people, and would likely overwhelm the 100 or so parking spaces provided by Waterhouse’s garage space while adding more cars to the scramble for spaces Downtown. Atwood said TIF funds could potentially be used for buying or renting more parking spaces Downtown.

“It was clear that if we did not provide something, the proverbial bottom line of the project was just not going to work,” said Watts. He added that the city might consider TIF for future developments, but would decide on a project-by-project basis.

After approving the resolution for Waterhouse, city councilors told local media last week that they would consider using TIF in the future.

“If, by using a TIF, we’re able to land this deal, for the first five years we’ll be receiving somewhat less revenue,” said Mayor Dave Norris. However, Norris added that “the kind of economic activity that will generate Downtown will more than make up for that small amount of foregone city revenue.”

Reached for comment on TIF and local development, Landmark Hotel owner Halsey Minor told C-VILLE that he “never asked the city for help,” and did not have the experience to say whether local developers should pursue such a rebate in the future. Atwood’s project, then, is a sort of guinea pig for the program, which he called “the perfect solution for us.”

“As of right now,” Atwood told C-VILLE, “we’re very efficiently parked.”

C-VILLE welcomes news tips from readers. Send them to news@c-ville.com.

Categories
Living

The Bayly looks at African art through Man Ray's lens

 From the entrance on Rugby Road, the event itself looked to have wilted in the 92 degree afternoon heat; it was move-in day at UVA, and students rode past the Bayly Building in the backs of pickup trucks, beside their mattresses and couches. Theirs was a trip into the heart of darkness worthy of a new exhibit at the UVA Art Museum, “Man Ray: African Art and the Modernist Lens,” which was celebrated with a low-key three hour community event dubbed Man Ray Day.

Photographs like Man Ray’s “Noir et Blanche,” from 1926, are on display at the UVA Art Museum alongside many works of African art that are featured in other photographs.

On hand Saturday were artists like Kris Iden, who gave a demonstration on cyanotype prints, Ann Cheeks, who led a mask-making exercise, and the Charlottesville Community Drum Choir, which performed African song and dance. These events served as a worthy enticement to the head-spinning exhibit inside, which shows mostly small photographs of people—often famous, like Clara O’Keefe, Billie Holiday and the shipping heiress and 1920’s fashion plate Nancy Cunard—pictured “getting something intense from African art,” said Matthew Affron, one of the museum’s curators.

The exhibit places photographs taken of African art by famous artists between the first and second World Wars—Ray, the American-born, Paris-dwelling photographer who was at the fore of the Surrealist movement, as well as Charles Sheeler, Walker Evans and Alfred Stieglitz—next to the works of African art that appear in the pictures. The result is a curatorial feat that challenges museum-goers to weigh their perception of African art—mostly symmetrical wooden sculptures with rigid formal qualities—against their display in the highly affected, shadowplay-heavy images of Ray, or the more documentary leanings of Evans.

All of these postmodern layers seemed to create some spatial confusion among the exhibitgoers, who shared tours Saturday. During one, a group of about 20 were being shepherded by Affron through rooms full of small sculptures and photographs. In trying to get close enough to one such photograph—Clara Sipprell’s image of the German intellectual Max Weber, beholding with curiosity a small African idol at an arm’s distance—a woman almost tripped into a glass box containing a sculpture by Man Ray. The tour group sucked the air from the room, as if waiting for the sculpture to topple.

A narrow miss—the tour went on. “It’s terrible in museums, that you have to coexist with these objects,” Affron quipped. But seeing the objects themselves alongside the photographic displays only begins to undo the work that went into visually mystifying African culture, popularly regarded as “primitive” at the time. (The exhibit shows a pamphlet from a 1923 show at the Brooklyn Museum called “Primitive Negro Art.”) No mistake that many in these images were women, sometimes naked: Ray and other commercial photographers during the period leveraged the exotic lure of African objects to lend those qualities to women. But on the other hand, the exhibit argues that the images served a role in linking Black intellectuals of the Harlem Rennaissance to their African roots.

Big easy

 

As the furor over whether to change the format of UVA’s community radio station seems to have subsided for now, WTJU reminds listeners of free form radio’s strong point: its ability to take a sweeping view of the musical landscape, this week in service of the Big Easy.

In celebration of the fifth anniversary of Hurricane Katrina, 91.1FM joins the fray with a week’s worth of programming centered on the music of New Orleans. Highlights include Bruce Penner and Darrell Rose, who discuss the African roots of New Orleans music on Wednesday at noon; Sandy Snyder’s “The Eclectic Woman” show explores the women of Crescent City Thursday at 9pm; and Stephanie Nakasian’s “Steph-o-scope” program features the music of one of New Orleans’ most famous tooters, Louis Armstrong. All this, if God is willing and da creek don’t rise.

 

Categories
Living

Best of C-VILLE 2010


Not so fast, ladies and gents

Click here for staff picks from Best Of C-VILLE 2010

Welcome, one and all, to the winners’ parade. Below lie your choices for the best in restaurants, doctors and entertainment. Prepare to be amazed, for while you’ll recognize a few of your picks from previous years, others are new to the big show. To all those No. 1s, we congratulate you. To all those taking in the spectacle, go ahead and freak out.

 

 

ENTERTAINMENT

FOOD & DRINK

RECREATION & FITNESS
RETAIL

SERVICES

Big venue

Small venue

Place to dance

Place to look at art

Public art

Trivia night

Place for karaoke

Place to watch the game

Annual music event

Annual fundraising party

Movie theater

Musical group

Front man

Singer/songwriter

Theater group

Visual artist

Emerging artist

Local filmmaker

Local photographer

Live DJ

Local radio station

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

Restaurant

New restaurant

Food cart

Coffeehouse

Date spot

Greasy spoon

Sandwich spot

Breakfast

Quick lunch

Brunch

Late-night menu

Vegetarian menu

Meal under $10

Signature cocktail

Draft beer selection

Restaurant wine list

All-you-can-eat buffet

Dining patio

Bakery

Delivery

Steak

Chinese

Japanese

Thai

Mexican

Italian

French

Seafood

Mediterranean

Indian

Wings

Burger

French fries

BBQ

Pizza

Local food blogger

Place to hike

Place to mountain bike

Place to road bike

Place to run

Park for kids

Kids’ summer camp

Golf course

Yoga teacher/studio

Pilates teacher/studio

Place to weight train

Personal trainer

Public pool

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Jewelry store

Place for fashion accessories

Vintage clothing store

Place for jeans

Place for a party dress

Place to buy shoes

Place to buy running gear

Place for kids’ clothes

Place for a man’s suit

Place to rent men’s formalwear

Secondhand clothing store

Local hardware store

Place to buy wine

Place to buy beer

City market stall

Local grocery store

Place for furniture

Place for antiques

Place for home accessories

Place for music gear

Place for used books

Nursery

Florist

Toy store

Bike shop

Place for pet supplies

Place for gifts

Place for greeting cards

 

 

Doctor

Dentist

Dermatologist

Gynecologist

Pediatrician

Chiropractor

Psychologist/Counselor

Plastic surgeon

Architect

Real estate agent

Plumber

Electrician

Home repair/Handyman

Lawn and garden care

Carpenter

Place to get your car repaired honestly

Taxicab service

Attorney

Bankruptcy attorney

Financial planner

Foreclosure specialist

Place to board your pet

Veterinarian

Preschool or daycare

Caterer

Hairstylist

Barber

Spa

Tattoo artist

Dry cleaners

Hotel or inn

 

 

 

 

 

 

 

 

Categories
News

Good spirits

If you walk through the doors of the ABC store on West Main Street with fantasies of mojitos and margaritas watering your mouth, you’ll find your buzz is soon killed. The store has more in common with the sterile confines of a dentist’s office than a tropical paradise.

Sure, there are random glimmers of personality: hand-held American flags taped to shelves, orange and red streamers dropped from the ceiling and plastic Christmas garlands hugging the walls. But it does little to excite the palate and compel a splurge purchase. It’s a hardware store for spirits, and that certainly doesn’t set the stage for maximizing profits.

The store’s bland ambience is a 76-year-old remnant of Prohibition. In owning liquor sales, Virginia now has 332 ABC stores, seven of which are in the Charlottesville-Albemarle area.

Candidate Bob McDonnell vowed in his gubernatorial campaign to lead the charge to take Virginia out of the liquor-selling business and hand over sales to the private sector. In doing so, he said he could generate a onetime $500 million windfall through private retail licenses and wholesaler fees. He promised to allocate those monies toward underfunded transportation projects.

As governor, McDonnell has remained committed to the privatization plan, in words and deeds. He has organized a Commission on Government Reform & Restructuring, which by September 15 will present to the General Assembly a detailed privatization proposal. Also, behind the scenes, the governor’s policy team has been meeting with police, faith-based groups and alcohol industry reps in an attempt to clarify misconceptions and allay concerns.

McDonnell is also investing his own time and energy in the issue, much more than previous governors who have considered privatization. He has embarked on an eight-city, late-summer town-hall meeting tour to convince state residents that now is the time to privatize. 

“Assure me that you’re not going to rob the General Fund, and I’d consider privatization,” says State Senator Creigh Deeds.

The ideological premise behind McDonnell’s case is compelling: Selling liquor is not a core function of government. Even Democratic Senator Creigh Deeds, who ran against McDonnell last fall, acknowledged as much in an interview with C-VILLE.

But upon further probing, it emerges as an issue more complex than any “Reduce Government” bumper sticker. Over the last 10 years, ABC’s oversight of liquor has generated, on average, $220 million in excise taxes and profits that are deposited into the General Fund, a flexible pool of state money that can be used at the discretion of the governor and the General Assembly. If privatization is approved by state lawmakers, then that guaranteed annual stream of revenue would disappear.

“Assure me that you’re not going to rob the General Fund, and I’d consider it,” Deeds says. “But there’s no way this thing produces half-a-billion dollars up front for transportation. That number was pulled from the air last year during the campaign.”

Deeds’ financial reservations are shared by state Democrats and Republicans alike, though McDonnell and his team are confident that the effects of privatization will more than recoup the $220 million in annual intake.

In addition, privatization is facing opposition from the Virginia Assembly of Independent Baptists, a lobbying presence in Richmond concerned about how social ills might fester if liquor sales are put into the hands of the private sector.

How McDonnell and his team take the financial complexities and social concerns, wrap them in a lawmaker-friendly box and tie around it a politically palatable bow will determine whether privatization succeeds and a campaign promise is fulfilled.

However, under a challenging budgetary climate for states, the governor and his team face the tall order of assuring Virginians that taking away a proven revenue source will make The Old Dominion money in the long run.

Not a full exit

 

The governor’s reform commission is debating four privatization plans: offering liquor licenses to all 3,000 state businesses that already sell beer and wine—the most laissez-faire of the four; selling liquor assets to one private entity, which would sign a lease controlling the operation for a set number of years; having many private companies act as agents of the state, which would get a cut of liquor profits; and auctioning 500 to 1,000 retail licenses to the highest bidders.

In opposing privatization, lawmakers like Delegate Rob Bell look to the $220 million or so in annual ABC revenue. Half of that comes from ABC store profits, including Virginia’s 69 percent mark-up and the 20 percent excise tax on liquor, which is among the nation’s highest.

The auction plan has emerged as the clear frontrunner, which is curious given that it includes a layer of governmental regulation and intervention—not McDonnell rallying cries. In addition to limiting how many stores sell liquor, the state would set minimum bid prices for three kinds of licenses, depending on the store’s size. That way, a mom-and-pop liquor depot would not be bidding alongside Walmart.

Eric Finkbeiner, a senior policy advisor for McDonnell who is spearheading the privatization effort, told C-VILLE that the auction plan reflects the governor’s commitment to privatize “in a very Virginia conservative way.” He defined that as ensuring both tasteful marketing and a sensitivity to underage access.

“We don’t want to see a jump from 332 to 3,000 [liquor stores],” Finkbeiner said. “We don’t want to have a liquor store on every street corner. We don’t want the gawdy neon signs or the floating blimps of various bourbon and vodka products flying over roadways.”

By capping the number of stores, the state might be leaving money on the table, and it risks ruffling the band of laissez-faire lovers known as The Tea Party, whose anti-big-government sentiment McDonnell appears to be channeling with his privatization push.

However, Carole Thorpe, chairwoman of the Jefferson Area Tea Party, suggests that the cap is a compromise aimed at social conservatives who are concerned about the social cost of additional liquor stores.

Thorpe did not disparage the plan’s free enterprise impurities.

“Few things aren’t regulated to some degree, otherwise you’d have anarchy,” she told C-VILLE.

Speaking generally on privatization, Thorpe added: “It’s refreshing to see an effort that is eliminating an unnecessary function of government to fund a necessary function of government, which would be in this case to fix our infrastructure.”

A Pandora’s box of social ills?

 

If the number of liquor stores in Virginia doubles or triples, it might stand to reason that Virginians would buy and consume more spirits. Such proliferation could increase alcohol abuse and could also lead to increased time and energy that local police spend on alcohol-related cases.

“The societal cost of alcohol abuse concerns me,” Deeds said.

The Virginia Assembly of Independent Baptists, a group of about 500 Baptist churches, share his concerns and has helped kill liquor privatization legislation in the past.

Jack Knapp, the executive director of the assembly, says that on “95 percent to 99 percent of the issues,” he and McDonnell “agree completely, but this is one area where we disagree.” 

Biblical principles promote personal responsibility, Knapp said, and that tenet aligns with the political and economic notions of smaller government and free enterprise. However, alcohol is a different animal, he said, and the ills it can create should compel government to intervene and practice its duty “to protect us from both internal and external outlaws.”

“If ABC stores are sold,” Knapp said, “then we move away from an agency whose primary concern is control to a free-enterprise system whose primary concern is making a profit, and that’s exactly what they should be concerned with. That’s what private enterprise is all about. But we all know the problems that alcohol causes: drunk driving, child abuse, spousal abuse, loss of work time, diseases that come from consumption. Why would we promote a product like that? Why would we encourage more sales of it?”

On the question of whether privatizing liquor sales would lead to more drunkenness in Virginia, McDonnell cites data that shows it does not meaningfully increase drunk-driving deaths or binge-drinking rates.

To assuage Knapp’s concerns, as well as those who share his beliefs in the General Assembly, McDonnell & Co. say that the health and safety and policing aspects of the state’s Department of Alcohol Beverage Control (ABC) would remain at full strength if privatization passes. The administration would also empower localities to institute stricter alcohol-related sanctions, if that’s what a community agrees on.

McDonnell and his team have data to back up their claim that privatizing liquor sales does not increase alcohol consumption, nor meaningfully increase drunk-driving deaths or binge-drinking rates.

“In terms of the likelihood of harmful effects from alcohol, it really has nothing to do with privatization,” Finkbeiner said.

Among the findings McDonnell & Co. cite is a recent study from the Virginia Institute for Public Policy. The think tank found that in the 18 states that still control liquor distribution, an average of 33.8 people per 100,000 died each year from alcohol-related causes for the years 2001 to 2005. Meanwhile, in the other privatized states, that figure was 34.6.

Finkbeiner also claims that in northern Virginia, the state is losing 15 percent to 20 percent of liquor sales to D.C. and Maryland due to convenience. With more liquor outlets opening as a result of privatization, Virginia would win back those customers—and the taxes they would pay – without increasing consumption, he said.

“In our scenario, Virginians are still consuming the same amount of alcohol, but they’re purchasing those spirits in Virginia stores,” Finkbeiner said.

Knapp is among those who aren’t buying the argument.

“Figures don’t lie, but liars figure,” he said. “If you look hard enough, you can find a study to support whatever position you want to take, and I think that’s exactly what has happened here. I believe that reality will show that.”

Finkbeiner contends that even with the social concerns, many of the General Assembly’s social conservatives with whom the administration has spoken are troubled by government bloat. In their minds, the act of reducing government will prevail over their anti-alcohol beliefs when they cast votes on the issue, he said.

“That’s the feedback we’ve gotten so far,” Finkbeiner said.

The artisanal liquor bump?

 

Social consequences aside, for some small businessmen who currently sell beer and wine, adding high-end, artisanal liquor to their shelves is an attractive, and potentially profit-boosting, idea.

“It’s a gigantic untapped market for Virginia,” said Will Richey, who owns Revolutionary Soup and is a founding member of The Wine Guild of Charlottesville, a buying club.

“Virginia is a tourism state,” Richey said. “We really bank on our wineries and our history. And if you look at the wine shops and breweries that have opened up all over the state and the interest out there for wine and artisan beer, to have such a controlled ABC system I think is ridiculous.”

Religious opponents to privatization say that if ABC stores are sold, “then we move away from an agency whose primary concern is control to a free-enterprise system whose primary concern is making a profit, and that’s exactly what they should be concerned with.”

To boot, Richey’s gut feeling is that the introduction to the Virginia market of more varied high-end liquors would increase alcohol profits without increasing consumption.

“The people who drink for volume are already getting what they want; there’s nothing holding them back,” Richey said. “What most of the wine and beer retailers go for around here is higher quality and smaller quantity, to some extent. It’s more interesting to me to sell half-a-case of a $50 bottle of Burgundy than to sell two cases of Australian Yellowtail. Grocery stores can do that. With privatization, I think we’d see higher sales on higher-dollar alcohol that people more naturally drink in moderation.”

With liquor sales in private hands, Richey noted, distilled spirit marketing could also become more personalized and creative.

“I’m not criticizing ABC employees, but right now there’s no incentive for them to up-sell or give you the history behind a bourbon producer,” he said.

Another question is whether in Charlottesville and Albemarle there’s demand for more than the seven liquor stores currently run by the Department of Alcoholic Beverage Control.

The answer is “yes,” according to John Woodriff, co-owner of Beer Run.

“I think we could support more liquor stores,” Woodriff said. “If more people were selling liquor, we’d have much more diversity.”

ABC figures show that Charlottesvillians do indeed enjoy their spirits. In 2009, the city’s four ABC stores sold 164,025 gallons of liquor—that’s  4.67 gallons per person, which amounts to $12.1 million in gross sales.

Albemarle’s sales were not nearly as high. The county’s three ABC stores sold 75,286 gallons of liquor, or 1.02 gallons per person, which totaled $5.1 million in gross sales. 

Not all local adult beverage connoisseurs are enthusiastic about the possibility of selling liquor, however.

Robert Harllee, owner of the Market Street Wineshops, objects on philosophical and aesthetic grounds. If privatization passes, liquor will not appear on his shelves. Harllee calls wine “a living thing” and liquor “a dead thing.”

“Every time they make it, it’s exactly the same,” he says. “It’s an industrial process. The only thing living that’s done is putting them in barrels to age them.”

What about ABC employees?

 

Another tentacle to privatization is the fate of more than 2,000 ABC store employees, about 30 percent of whom work full-time. With privatization, ABC clerks and store managers would face job uncertainty.

The state is not allowing ABC workers to speak freely to reporters about privatization, but Del. Bob Brink, D-Arlington and member of McDonnell’s reform commission, offered his opinion.

“I think we have a moral and legal obligation to make sure any employee who might be displaced is treated fairly,” Brink told C-VILLE.

Compounding the issue is the fact that full-time ABC workers are in the state retirement system, and the average age of an ABC employee in fiscal 2009 was 47. If these employees opt to cash in on retirement benefits, expenses would be added to the state’s ledger.

For his part, McDonnell policy advisor Finkbeiner downplayed the impact that privatization would have on ABC employees.

“We’ve talked to wholesalers and retailers out there on the private side,” he said, “and they’re very interested in hiring current ABC employees, because you would have a built-in pool of folks with experience and expertise who know the industry.”

All about the Benjamins

 

Local lawmakers Deeds, Del. David Toscano, D-Charlottesville, and Del. Rob Bell, R-Albemarle, have acknowledged that their top privatization reservations revolve around finances. 

“We don’t want the gawdy neon signs or the floating blimps of various bourbon and vodka products flying over roadways,” says McDonnell policy advisor Eric Finkbeiner.

“The risk is that we’ll be in a worse situation, from a revenue standpoint, than we are right now,” Toscano said.

Bell noted: “You don’t want to make short-term decisions that have long-term consequences.”

And if one dives deeper into the minutiae, it’s easy to understand their uneasiness.

In looking at the $220 million or so in annual ABC revenue that lawmakers are reluctant to part with, half is generated from ABC store profits, including the 69 percent mark-up that Virginia currently applies to each bottle of liquor. The other half originates from a 20 percent excise tax on liquor, one of the highest in the country. Simply put, the government has created for itself one heck of a cash cow.

To match the ABC intake, a leading idea within McDonnell & Co. is to shift the tax structure post-privatization so that the excise tax is replaced with a per-gallon fee that private wholesalers would pay the state. Proceeds from that fee would offset the loss of the $220 million, they say.

To understand the details of the issue, one needs a finance degree, a law background or a very adept teacher. The McDonnell administration has gathered all three types so that fiscal nuances are accounted for and presented to lawmakers and the public in a convincing, digestible way. Administration helpers include Goldman Sachs and other financial houses, as well as the ABC Privatization Coalition, which is made up of the law firm Eckert Seamans and the public-affairs firm Capital Results.

Brink, the Arlington Democrat who sits on the governor’s reform commission, has seen a similar movie before. He worked on Capitol Hill during Hillary Clinton’s push for health care reform in 1993.

The effort failed largely because the plan was “dropped on Congress without [the administration] having prepared them for it,” Brink said.

One can be sure that McDonnell’s team is well aware of how a communication breakdown can doom legislation, as in HillaryCare’s case.

Even so, Brink, who is more engaged with privatization than the average state lawmaker because of his role on McDonnell’s reform commission, feels the governor “has a lot of work to do before it’s ready for prime time.”

And prime time doesn’t mean the fall TV season, but rather a special legislative session in Richmond that the governor will likely organize in October or November. That session could lead to a decision on privatization.

 

 

 

 

 

What is the indigenous music of Virginia?

After teasing followers on its Twitter, the Charlottesville Pavilion made another exciting announcement this morning: LCD Soundsystem and Sleigh Bells, two of the most acclaimed bands in independent music, will play the Charlottesville Pavilion on October 2. Visit the Pavilion’s website for details.

Lots of goodies in this week’s paper. Resident film guru Jon Kiefer reviews Get Low, which stars Bill Murray, Robert Duvall and Sissy Spacek and opens at Vinegar Hill Theatre this Friday; I reviewed Sarah White’s Saturday show at the Jefferson Theater, after she rescued the evening from Neko Case; and my column this week is about the densely layered exhibit on Man Ray and African Art showing through October at the UVA Art Museum.

And onward:

An exhibit called "Virginia Rocks! The History of Rockabilly in the Commonwealth" opens at the Virginia Historical Society in Richmond on Friday, to shine light on the contributions of native Virginians to the popular musical canon. The project stems from the Virginia Rocks! compilation, released last year on Rebel and Country Records and compiled by Christopher King. Rockabilly put ecstatic frontmen before restless, huge, reverbed-out guitars when "Beatles" was still a word spelled with two consecutive Es. Among the included are Link Wray, who lived for a time in Norfolk, and whose guitar will be on view in Richmond.

Link Wray’s "Rumble"

Taking the nearby opening as a cue, I ask, "What is the indigenous music of Virginia," not because I have anything that resembles an answer. But here’s a few suggestions.

  • Gary U.S. Bonds, the R&B ringleader and pioneer of the "Norfolk sound." Gary "U.S. Bonds’ "Quarter to Three

  • At the other end of Virginia, Patsy Cline was a Winchester, Virginia native who went on to sing the "Nashville Sound." (Alternate name for that sound: the Virginia sound?) Patsy Cline’s "Crazy"

  • Call me a product of my generation, but one nonnative Virginian, reared in Ohio in Texas, captured the spirit of my Virginia—the laziness of summer, living in drafty houses on the cheap, the knowing too much to seem so lazy—and his name is David Berman, of the Silver Jews. The Silver Jews’ "We Are Real"

Who does for Virginia what Springsteen does for New Jersey?

John Prine and the Disco Biscuits are coming to the Charlottesville Pavilion

Two big shows announced this morning for the Charlottesville Pavilion. John Prine, whose songs have been covered by everyone from Joan Baez to Ben Harper, will be in town October 16. And perhaps sensing that there was some stiff competition in the category of "best biscuits in Charlottesvillle," the Disco Biscuits hit the Pavilion for an extra-spooky Halloween show. Visit the Pavilion’s website for on-sale dates

As the furor over whether to change the format of UVA’s community radio station seems to have subsided for now, WTJU reminds listeners of free form radio’s strong point: its ability to take a sweeping view of the musical landscape, this week in service of the Big Easy. To celebrate the fifth anniversary of Hurricane Katrina, 91.1FM joins the fray with a week’s worth of programming centered on the music of New Orleans. Highlights include:

  • A discussion between Bruce Penner and Darrell Rose about the African roots of New Orleans music Wendesday at noon,
  • Sandy Snyder’s “The Eclectic Woman” show explores the women of Crescent City Thursday at 9pm
  • and Stephanie Nakasian’s “Steph-o-scope” program features the music of one of New Orleans’ most famous tooters, Louis Armstrong.

All this, if God is willing and da creek don’t rise. Here‘s a full schedule.

Do you like your biscuits with jam?