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News

UVA demographer’s race map gets national attention

Dustin Cable suspected the online map he built to plot the distribution of the entire U.S. population by race—a color-coded dot for all 308.7 million Americans identified by the 2010 Census—would be interesting, useful, and maybe even important.

He didn’t think it would be so beautiful.

“I didn’t expect, for instance, the blending of colors at the different zoom levels,” said Cable, senior policy researcher and statistician for the Demographics & Workforce Group at UVA’s Weldon Cooper Center for Public Service. In views of cities across the map, smudges of mixed shades give way to a vibrant array of dots at the neighborhood level. “Some commenters in the blogosphere are calling it demographic pointillism,” Cable said.

Also unexpected: The level of interest the map generated when the Cooper Center launched it earlier this month. It was quickly picked up by  blogs around the country, and spent a day as the top story on Slate. “We’ve actually crashed a couple of servers,” Cable said.

The idea for the map grew out of a similar project created by Brandon Martin-Anderson of the MIT Media Lab, who used census data to create a population density map of North America last year. The zoomable black-and-white image got Cable thinking: What about the rest of the information in the Census?

He built on Martin-Anderson’s open-source code, layering in data for race and ethnicity, and used software plotted respondents by Census block—a geographic unit about the size of a standard city block. “What you’re seeing is a combination of 1.2 million individual image files,” Cable said. “As you zoom in and out, it’s creating new images.”

Each dot—blue for white, green for black, orange for Hispanic, red for Asian, brown for other—is smaller than a pixel at most screen resolutions, he explained, which is what leads to the striking color blends at high zoom levels.

Zero in on a city, however, and the map often reveals stark and sometimes surprising patterns of racial segregation. In Charlottesville, 10th Street Northwest shows up as a dividing line between mostly white Corner blocks and the almost all-black 10th and Page neighborhood, and the highest concentration of Asians surround UVA’s Darden School and medical center.

Commenters in the blogosphere have noted some other fascinating details. Many wondered about what Cable called “stark little green boxes” showing up in largely rural areas, including Fluvanna County.

“Once you dig further and look at the addresses, you’ll see they’re correctional facilities,” he said.

But what Cable is more interested in are the bigger conversations he hopes the map will spark.

“People are discussing what segregation means, whether it’s self-selective, or whether it’s part of a deeper racial tension in some of these areas,” he said. “I’m already starting to see that.”

Categories
Living

Full hearts, full bellies: Area kitchens’ heavy hitters band together for a good cause

The culinary world in general is a small and intimate one, and in a town the size of Charlottesville, it’s akin to an extended family. Like most extended families, Charlottesville’s culinary clan can be dysfunctional or wild from time to time, but when faced with a tragedy within, ranks are closed and everyone responds with their heart and soul. On August 18 at Glass Haus Kitchen, a veritable who’s who of the local culinary world gathered to raise money for two of their own, chef Melissa Close-Hart of Palladio Restaurant at Barboursville Vineyards and her husband, Matthew Hart of The Local, who lost their home to a fire in mid-July.

About 90 guests filled Glass Haus Kitchen to support Melissa Close-Hart and Matthew Hart, whose house burnt down in mid-July. Photo: Justin Ide
About 90 guests filled Glass Haus Kitchen to support Melissa Close-Hart and Matthew Hart, whose house burnt down in mid-July. Photo: Justin Ide

The event’s organizer, Mike Yager of Glass Haus, explained how it all came about. “We heard Melissa had a fire. I ran over to her house. I saw the damage and came back and started scheming right away,” he said.

Glass Haus chef Ian Boden, who attended culinary school with Close-Hart and prepared the night’s first course, said, “As cooks and chefs, we don’t have a lot of perks in this world, but one of the things we do have is the community we are a part of. It’s always a pretty tight-knit community, so our reaction to any kind of a disaster is to feed people. It’s what we do.”

Each of the night’s five courses were prepared by a different area chef—Jeremy Butterfield of Stonefire Kitchen and Diego Gottardo of Palladio; Craig Hartman and Brooks Tanner of BBQ Exchange; and Curtis Shaver of Hamiltons’ at First & Main, plus the night’s hosts, Boden and Yager.

“Personally, what I want to get out of this is to hang out with a bunch of my buddies and do something good for somebody in the community,” Yager said. “Melissa is like a mother to me. My mom in Arizona deemed her my ‘Virginia Mother.’” And Yager wasn’t the only one in the kitchen with that kind of a connection.

Hartman, one of the elder statesmen of the Charlottesville culinary scene, came from his Gordonsville ’Q joint to help out a longtime friend and colleague.

“We hired Melissa at the Clifton Inn after her first internship from the New England Culinary Institute,” he said. “We fell in love with her right away—her cooking and everything about her.“ After leaving Clifton—which donated to the silent auction—and opening a place in Colorado called the Cliff House, Hartman needed a sous chef. “Right away I thought of her, and oh my gosh, what a job she did.”

All told, about 90 guests filled Glass Haus for the event, including a few other culinary luminaries from around the region who chose to eat rather than cook. Chef Tomas Rahal of MAS; Gay Beery of A Pimento Catering and her husband, Josef; Collins Huff and his wife, Ramona, of Gryffon’s Aerie meats; and chef Amalia Scatena of Pippin Hill Farm & Vineyard were all in attendance, to name a few.

The evening featured five courses from chefs like Craig Hartman of Gordonsville’s BBQ Exchange. Photo: Justin Ide
The evening featured five courses from chefs like Craig Hartman of Gordonsville’s BBQ Exchange. Photo: Justin Ide

When it was all over, attendees had consumed pickled okra, corn gnocchi, striped bass, achiote pork, and oatmeal cream pie, with wine donated by Barboursville and Pollak vineyards.

Said Close-Hart between tears, “It’s meant a lot to us—all this food, friends, and family coming together to help us out in a time of need. The food is awesome, with the Charlottesville heavy hitters in the kitchen. Even if you didn’t know me and Matty, to come here for this dinner would be amazing. We’re just so thankful.”

Categories
Arts

ARTS Pick: Phoenix

French foursome Phoenix arrives with a complex evolution of its synthesized alt-rock sound. The band made famous by the songs “1901” and “If I Ever Feel Better” is touring on Bankrupt!, its fifth studio album, which features musicians swapping instruments, pentatonic song structures, and explorations of the limits of failure. Keeping up the familiar schizo melody jumping and nonsense lyricism, the quartet furthers its reluctant crossover onto the playlists of indie rock party boys.

Sunday 9/1. $41, 7pm. nTelos Wireless Pavillion, Downtown Mall. 245-4910.

Categories
News

Apartment city: How a wave of new projects is increasing density in Charlottesville

The residential development trend in Charlottesville can be summed up in two words: high density.

There are more than 1,100 apartments either newly opened, under construction, or being planned in the city, and September will be a big month for a number of developments set to go before the City Council or Planning Commission for permits or other approvals.

The glut of multi-family projects might seem like a sudden and recent trend, but it’s actually the result of a deliberate planning policy shift that’s more than a decade old, said Jim Tolbert, head of Charlottesville Neighborhood Development Services. When the city adopted its 2001 Comprehensive Plan, sustainability through density was a top priority, he said, especially around UVA, where the growing student body was causing a short supply of housing and parking.

As a result, the plan prioritized building in the core of the metro area, “where you have the infrastructure already in place and where people can use other modes of transportation instead of single automobile trips,” Tolbert said.

The recession brought a lot of projects still in the earliest planning phases to a halt, but new confidence in a recovering economy has coaxed many of them back to life.

Most of the projects currently underway will cater to students, from the eight-story Plaza on West Main to the 35-unit Oakhurst Apartments off Jefferson Park Avenue. The exception is City Walk, the 301-unit market-rate complex going in at the site of the old Coal Tower near Downtown.

There’s a little more diversity among the projects currently under review, including the residential addition to the planned PACE Center on Carlton Road in Belmont, which will serve retirees.

Reactions from those who will eventually be living in the shadows of the city’s crop of new apartment buildings inevitably include one major concern: traffic. In the case of Meadowbrook Flats, a 73-unit project planned for the corner of Emmet Street and Barracks Road, a more expansive two-building complex was scaled back after pushback from neighbors, and the Planning Commission’s recent approval of a special use permit for a five-story apartment at 925 E. Market St. met with objections from local residents over access and traffic issues.

But Tolbert said more high-density residential construction isn’t a problem—it’s actually the solution to congested city streets. He said it takes a critical concentration of people in an area to make public transportation viable. “Our densities are finally getting to the levels now to support transit,” he said. Yes, new apartment-dwellers will likely come with cars, but residents will likely be using them less.

“Is it better for them to live in town where they can ride a bus or walk, or live five miles out where they have to drive in every day?” said Tolbert. “We made the decision that we want to see more people live in the community, and the only way we want to do that is to have more density.”

What’s coming up? Half a dozen apartment projects currently under review are set to go before city officials for permits or other considerations in the coming weeks.

Meadowbrook Flats

Where: Venable, 1138 Emmet St. N

Who: Property owner Clara Belle Wheeler; Pinnacle Construction.

What: What was initially to be a two-part development that included the replacement of an existing commercial structure with a five-story apartment building was scaled down to a by-right 74-unit residential building next door.

What’s next: The Planning Commission will consider entrance corridor and critical slopes waiver applications in September.

PACE Center Amendment

Where: Belmont, 1335 Carlton Rd.

Who: Riverside Health Systems; UVA Health Systems; Jefferson Area Board for Aging.

What: 102-unit residential addition to a senior care center. A nursing home alternative, the complex will be for individuals 55 and older.

What’s next: The City Council considers a special use permit for the project in September.

925 E. Market St. 

Where: Martha Jefferson

Who: Woodard Properties; CMB Development, LLC; dBF Associates Architects.

What: 57-unit mixed-use building with 18,297 square feet of commercial space.

What’s next: The Planning Commission recently approved a special use permit required for the new building’s increased density, which will go before the City Council for final approval in September.

Beta Apartments

Where: Venable, 418 17th St. NW

Who: Beta Bridge, LLC; CBS Rentals.

What: 11-apartment addition to an existing student housing complex near Lambeth Field.

What’s next: A preliminary site plan conference is scheduled for September 4.

The Standard

Where: 10th and Page, 853 W. Main St.

Who: Landmark Properties, Athens, Georgia; Mitchell Matthews architects and planners.

What: 192-unit student-oriented mixed-use building with 12,000 sq.ft. commercial space.

What’s next: The city’s Board of Architectural Review cleared the existing Republic Plaza for demolition this month, and there will be a preliminary site plan conference on the project September 4.

Categories
Arts

Interview: Mike Love discusses the legacy of The Beach Boys

In 1961, Murry Wilson founded The Beach Boys, a family act consisting of his sons Dennis, Carl, and Brian, their cousin Mike Love, and family friend Al Jardine. Combining the vocal harmonies of the doo-wop era with the instrumentation of surf rock, and subject matter rooted in West Coast youth culture, The Beach Boys were an unmistakably American act.

Despite the close family ties, the history of the group is a turbulent one whose details are hotly debated and dissected by die-hard fans. Brian Wilson took the group’s recordings in creatively ambitious and experimental directions and was eventually sidelined by mental health problems. Meanwhile, Mike Love led the live band as a nostalgia-tinged act with timeless appeal.

Love still tours under the name The Beach Boys, along with Bruce Johnston and a number of hired touring musicians. They were rejoined by surviving members Brian, Al Jardine and David Marks for a highly publicized 50th Anniversary World Tour last year, but in a controversial move, Love and Johnston continued touring without them after the reunion tour ended.

Generations of fans have painted Brian Wilson and Mike Love as the two opposing faces of the group—with Wilson as the troubled genius, and Love as the savvy professional—but in truth, The Beach Boys’ multi-faceted music has always contained contradictions, and a fundamental duality represented in the talents of each of its members.

In anticipation of the upcoming Beach Boys show at the Pavilion on August 28, C-VILLE Weekly spoke to Mike Love by phone.

C-VILLE Weekly: Why do you think the music of The Beach Boys continues to resonate with people after more than 50 years?

Mike Love: Well, at the heart of it, I think there’s a peace, and a love, and singing those harmonies—that’s what initially distinguished us from other groups, our four-part harmonies. So one aspect is really the warmth of those harmonies, combined with the beat, the sound, and the melodies.

While a lot of The Beach Boys themes are universal, a lot of the subject matter is specific to early 1960s California/American teenage culture. Do you see yourself as representing that to the world?

Oh, definitely. We were Americans growing up, with everything that comes with that, and all of the experiences that you have along the way. And we completely identified with that. Specifically with the beach life and surfing culture.

You know, it’s ironic. Murry Wilson, Brian, Dennis, and Carl’s father, and my mother Glee, came from Kansas and were growing up in very desperate conditions in the Depression in the 1930s. They were very poor. And one generation later, here we are singing about beach life in California and all of its attributes.

We’ve had number one hit records in South Africa, Sweden, Germany, England, Japan—it’s amazing, that it transcends language, not only nationalities. We did a show in Paris about a month and half ago. We were singing pretty quickly in American-style English—there’s no way they could have understood everything we were saying—but the beat, and the hooks, and the way everything comes together…the whole mood carries the day, so to speak. It’s like that all around the world. We’re very blessed and very fortunate to be able to have that kind of appreciation and that kind of audience.

I’ve read that you recorded some solo albums in the 1970s, First Love and Country Love, which were never released. Have you given any thought to releasing those? 

I’ve been working with the experts. We’re trying to figure out what can be done with the songs or with a particular project. There’s a minimum of three albums unreleased. There’s one called Mike Love, Not War, which has social consciousness, awareness-building songs due to my experiences with transcendental meditation and the philosophy that grows out of that. I’m certain some of those songs will see the light of day.

Last year for The Beach Boys 50th anniversary you had a lot of former members back in the band. Now you’re back to The Beach Boys touring line-up from previous years. How would you compare those two different versions of The Beach Boys?

Well, when we did that, it was to celebrate the 50th anniversary of the group. My main interest has been with the touring group since 1964 when Glen Campbell came in and subbed for Brian, before Bruce Johnston came on board. And now Bruce has been with us since [then]. The first song he sang with us was ‘California Girls,’ which I wrote the lyrics to. He was with us on Pet Sounds, on ‘Good Vibrations.’ That was a pretty amazing first year, for him. Al had been with us since the first single we did, he was on ‘Surfin’.’ And then he left to go to dental school, to become a dentist, and came back a few years later.

My cousin Carl passed away in February of 1998, and during that time, Bruce and I continued on. Brian had been doing his own thing, re-recording Pet Sounds, re-recording Smile. So he’s been doing his own things, he’s been busy. He has an excellent band, we just did a few shows together.

Anyway, Bruce and I have done 100 shows a year or more, give or take. The difference is that [the 50th Anniversary Tour] was enormously expansive, it was a big production with so many musicians onstage. The promoters were selling out shows in a couple of days. With shows like that, the ticket price is high and the cost of having the show is unaffordable to a lot of venues.

We like to do things kinda small— playing theaters, amphitheaters, fine arts centers as well as baseball stadiums—and you couldn’t keep doing something like the 50th Anniversary show year after year with all of the production that it entailed.

So now we’re back to: Brian’s gone off with his band, and Bruce and I have ours. We’ve gone back to touring and doing a variety of shows which I really enjoy. We’re looking forward to playing in Charlottesville. I remember that it’s a gorgeous town.

Music’s carried us far and wide, and it’s been a big blessing. There’s a lot of places we never would have been able to see. With music, we’ve reached all the corners of the globe, and we’re glad to bring it to Charlottesville.

Categories
Arts

ARTS Pick: Parachute

Local-gone-national heartthrob act Parachute drops in to promote the release of its new album Overnight with a two-day celebration. The band will treat fans to a retrospective of favorites—and play through the new record in its entirety—as it pushes away from pop rock and into a new electronic direction centered around hypnotic lyrics backed by a strong dance beat. Matt Hires and Paradise Fears open.

Friday 8/30 and Saturday 8/31. $20-35, 7:30pm. Jefferson Theater, 110 E. Main St., Downtown Mall. 245-4980.

Categories
News

Albemarle County Supervisor showdown: Rio

As we head into election season proper, we’re taking a look at the four contested races for seats on the Albemarle County Board of Supervisors. Yesterday, we introduced the two Scottsville District candidates. Today, we hear from the Rio candidates: Incumbent Republican Rodney Thomas and Democrat Brad Sheffield.

Rodney Thomas. Photo: Albemarle County

Rodney Thomas

  • Party: Republican
  • Age: 69
  • Occupation: Charlottesville Press owner
  • Government experience: Albemarle County Planning Commission, Albemarle County Board of Supervisors

Brad Sheffield. Photo: Brad Sheffield for Supervisor

Brad Sheffield

  • Party: Democrat
  • Age: 39
  • Occupation: Assistant directof of JAUNT
  • Government experience: No elected office
Q: How do you balance representing constituents from suburban neighborhoods like those off 29 to rural areas like Buck Mountain Road? 
Thomas: I’ve been involved with neighborhood associations for a number of years, and I have a lot of town hall meetings so I can explain things to different neighborhoods and relate to everyone in my district. I’m a fan of citizens coming in and talking. I like people to come and express what they think in a civilized manner. This county is so communicative and intelligent; we’re blessed to have that around us.
Sheffield: The rural areas have a whole different set of issues, specifically infrastructure, and how to make it more functional and efficient. In the urban areas we need to think about protecting the quality of our neighborhoods. The area is continuing to grow, and we need to be protecting what’s already there, including business and commercial areas.

Q: What needs to be done to improve transportation in the increasingly dense core around the city? How does the planned Western Bypass play into that?

Thomas: As the area’s getting denser, bus transit will be a more viable mode of transportation, as long as the stops are more frequent. We got Route 11 put on Rio Road—we needed that really badly for a long time, another bus on that route, and we finally got CAT to do it. I’m a big fan of the Meadow Creek Parkway, and of course I’m one of the bad boys on the Bypass. I ran on that. That’s not anything new. I just think it needs to be done, not for Lynchburg, for Charlottesville-Albemarle.

Sheffield: There’s a lot of deficiency in the road network in the area. Curbs and gutters, stormwater management issues—we just don’t have a lot of those things in place. Look to areas like Commonwealth Drive, where stormwater systems are blocked up, destroyed by snow plows, and there’s a lack of sidewalks. [As for] the Bypass, I don’t know what can be done a Supervisor’s level. I don’t believe anything can be done at this point. As a planner…my frustration lies in that the county is not planning either way. If it’s going to get built, what are the impacts of it on growth patterns, land uses? What’s going to happen areas being bypassed, commercially and residentially? If it doesn’t get built, what are we going to do to satisfy needs that residents have clearly identified? For me it’s more about how we are preparing for either scenario, not about being for or against it.

Q: What do you think are the three most important issues facing Albemarle right now? 

Thomas: Schools, transportation, and the county budget.

Sheffield: Finding transportation solutions—not just building new roads, but alternative transportation solutions for the growth area like expanding the transit system to make it more frequent and more reliable. The rural areas—focusing on reducing traffic and minimizing the impact of traffic, focusing on improvements that need to be made, continuing to grow, protecting what’s already there. Third is infrastructure—it’s important that as we’re moving forward, we’re paying attention to how to maintain everything we’re developing.

Categories
Living

Value, uncompromised: Don’t sacrifice quality when it comes to buying inexpensive wines

Choosing wine is never easy, but it’s always a pleasurable challenge. The mere thought of heading to the local wine shop makes me giddy with anticipation, with so many possibilities looming behind those doors. But finding quality, everyday drinking wines under $20 is difficult, and even harder if you don’t know what to look for.

As a rule of thumb, wines from appellations neighboring some of the most famous in the world are about a third of the price, without compromising integrity. The areas of the Rhône and Loire valleys are some of the best examples. Domaine du Coing Chardonnay from the Loire Valley is versatile and crisp, due to being unoaked, allowing the fresh fruit notes of pears and quince to display prominently. Its lowly designation of a Vin de Pays, meaning “country wine,” makes its value underappreciated by the French—lucky for us ($10.99 at Market Street Wineshop).

Another great Loire Valley find is a Sauvignon Blanc made by Michel Langlois. Right off the bat, it’s pretty obvious they saved some money on label design, as it’s not much to look at, but that’s not nearly as important as what’s inside. The wine shows classic notes of grapefruit and refreshing minerality that come from the limestone and clay soils of its origin. This wine is best suited for those who prefer a fuller bodied, yet dry white wine ($12.99 at Market Street Market). In the Rhône Valley, value wines are easy to come by with plenty of Côtes du Rhône and village appellations to choose from. These wines, in a nutshell, are declassified Chateauneuf du Pâpe and Vaqueras wines, which come with much stricter wine laws and a hefty price tag. Michel Chapoutier’s Bila Haut is a Côtes de Roussillon Village-designated wine made from syrah, grenache, and carignan grapes ($13.99 at Market Street Market). It shows the savage aromas of syrah, the jammy spiciness of grenache, and the dried herb characteristics of carignan, making it a full-bodied, mineral-driven red wine suited for grilled meats and duck. The Chapoutier line of wines spans from high end, single origin appellations to organic and middle-of-the-road whites and reds.

I’m a sucker for Italian wines across the board, but the whites from Campania take the cake, and are often priced affordably, which make them a realistic option. They have personality, floral aromas, bright acidity, and an oily texture unmatched by other regions. The Cantina del Taburno Falanghina is optimal, with hints of lemon peel, pineapple, and supple ripe pear. It is well suited for seafood and light appetizers ($16.99 at Market Street Market).

Moving north to the Piedmont region, where some of the finest wines of the world are crafted, the G.D. Vajra Langhe Rosso comprises a mélange of pinot nero, dolcetto, nebbiolo, barbera, and albarossa. It is a lighter-bodied red wine with noticeable tannins (almost) rivaling its big brothers, Barolo and Barbaresco, while showing similar notes of bright cherry and violets. The family-owned and run winery makes fantastic expressions of those as well, but at an affordable price, this bottle can be enjoyed with greater frequency ($15.99 at Beer Run). It’s a solid match for charcuterie and aged hard cheeses, which cut through the sharp tannins.

The Folk Machine Tocai Friuli rivals its Italian heritage in the new world. It is round, creamy, and ripe, with candied lemon rind, grapefruit, and plenty of aromatics. This producer focuses on making quality, esoteric wines and has succeeded with this one. Serve it with Vietnamese food and the puzzle is complete ($14.99 at Greenwood Gourmet).

Austrian wines are often affordable and quaffable, with many Grüner Veltliners on the market that are thirst-quenching and don’t require much thought. Meinklang in Burgenland makes a Pinot Noir that is organic and biodynamic ($16.99 at Market Street Market). With this grape gaining popularity in the U.S., prices are going up in regions like Oregon and California, and have remained steadily high in France’s Burgundy region, but this one hovers within our everyday threshold. It is fresh, with notes of white pepper and jammy fruit, and easily packable for a picnic of prosciutto, cured meats, and cheese—it even has a screw cap! The wine is vegan and vegetarian friendly, even if the picnic foods aren’t.

Finding inexpensive local wines proved more challenging than anticipated, with many selections hovering right around or just over the $20 mark. The Pollak Vineyards rosé is made from the saignée (meaning “to bleed”) method from cabernet franc grapes. It’s refreshing and reminiscent of strawberry and rhubarb jam, but with a dry finish and vibrant acidity. Perfect for end-of-summer weather ($16 at Greenwood Gourmet).

Tracey Love is the event coordinator at Blenheim Vineyards, the sales and marketing associate for the Best of What’s Around farm, and proprietress of Hill & Holler.

Categories
Living

Past in the present: A Batesville pizza kitchen stays the same—and that’s O.K.

It’s true what people say: All the great things are simple, and they are especially so if they’re old and cherished. To enter Nancy and Michael McCarthy’s Batesville home is like stepping back in time. Through its iron bar front door to the original wood paneling that follows the space throughout the open floorplan, it’s hard to believe that this is the original Craigs Store, built in 1822—a structure that was once a stage coach stop, a post office, and a general store and that has surely witnessed many lives and daily occurrences in a time that now seems a very distant past.

The McCarthys bought the property in 2008, around the same time they purchased Dr. Ho’s Humble Pie, the beloved pizza joint in North Garden. The house fell in their lap; they were not actively looking to relocate. In fact, they’d just completed a chef’s kitchen in their Downtown Charlottesville residence.

Photo: Christian Hommel
Photo: Christian Hommel

“I just had a very dramatic reaction to it,” said Nancy. “It felt like a once-in-a-lifetime opportunity and I remember walking in the master bedroom and getting teary eyed.”

The kitchen sits on the right corner of the large first floor of the two-story house; it is small and dark, but charming and absolutely perfect. The family who lived in the house in the late 1970s and ’80s did most of the renovations and used materials found around the property.

“The house really lends itself to family life,” said Nancy, looking over at her two young sons, 3 and 1. “It’s very functional. If you are standing in the kitchen making a meal, you can see what the kids are doing and that makes it really easy.”

The McCarthys haven’t done much to renovate the 1970s-era kitchen, aside from changing a light fixture, replacing the old hood fan with a new one, and adding stylish crown molding. But they like it that way; it reflects their new way of life, away from the hustle and bustle of the city. They do have plans to add a soapstone countertop, but are not ready to alter the feel of the house.

“The simpler we live, the happier I am,” she said.

Simple is only in terms of space and finishes, because what the house lacks in that department, it makes up in spectacular views of pastures and nearby farms and an overall peace that is lost in most modern dwellings.

Photo: Christian Hommel
Photo: Christian Hommel

“It’s really majestic and beautiful. We got to sit on the front porch a lot when we first bought it, because we didn’t have children,” Nancy said. “We used to sit there at night and listen to nothing and everything; you could hear the cows chewing the grass.”

Standing at the stainless steel sink, one can work a pizza dough and look out to the hilly meadows in the sun and feel completely at ease. During the “Snowmageddon” a couple of years ago, the silence and white landscape was worthy of a postcard.

“We felt like we were at the end of the earth, because there was nobody driving by,” she said.

Little objects dispersed around the house remind them of the tradition they bought into: the framed 1899 ABC license that hangs in the first floor bathroom; the kitchen cabinets made out of wood from the property; the current playroom that was once a post office. Everywhere you stand, history surrounds you with welcoming warmth—especially the kitchen.

Photo: Christian Hommel
Photo: Christian Hommel

“Food is the heart and soul of our family,” said Nancy. “It feeds us, literally.” It is not surprising considering Michael is a trained chef who bakes between 40 and 150 pizzas every day. Over a lunch of pizza with Virginia ham, figs, blue cheese, golden raisins soaked in cherry vinegar and balsamic, the McCarthys’ reminisce on the old days of city living and the new freedom of living in the country, entertaining relatives, and using the kitchen every day as a family.

“It’s neat to live in a house so old, where so many people have lived in before,” Nancy said.

Categories
Arts

ARTS Pick: Oona Love

Deep, soulful vocals front the down-to-earth indie folk rhythms of singer-songwriter Oona Love. Known for heartfelt emotional sets, Love’s extensive range defies genre boundaries on both covers and original songs. After a career in Celtic folk music, she tapped into her urge to rock, and over the past five years has worked out the happy culmination of her talents in a solo career driven by powerful live performances.

Thursday 8/29. Free, 8pm. Blue Moon Diner, 512 W. Main St. 980-6666.

http://youtu.be/yezJC5Nj77c