Categories
News

County candidates agree stormwater is a green priority

At a forum sponsored last week by 15 local environmental organizations, the eight candidates vying for four empty seats on the Albemarle County Board of Supervisors fielded questions about their environmental priorities. While candidates’ party affiliations were evident as they talked about global issues like climate change, when it came to local topics, they mostly agreed: The most important voting issue is what to do about stormwater and its impact on the watershed.

Incumbent Republican Samuel Miller candidate Duane Snow noted that runoff is not a new problem in the area. The county has already funneled efforts into stormwater management and is “ahead of other localities,” he said, but new federal mandates are coming down the pike.

“We have a lot of safeguards in place, but we have a new set of guidelines coming down the road that are going to be a lot more stringent than anything we’ve had in the past,” Snow said. “For right now we don’t know exactly what all’s coming or what it’s going to cost, but I personally believe that we will not have a rain tax in our county, and that through working on stream buffers and the other thing we need to work on, we’ll be ready for it. Right now we’re ahead of the curve.”

Several candidates assured the small but attentive audience that, if elected, they would not support a stormwater fee in the county, and the city’s approach to runoff management would not work for Albemarle.

“At the end of the day, the infrastructure has to be paid for,” said Democratic Rio candidate Brad Sheffield. “And that’s the problem we face. We have the growth area, with multi-level dwellings, all the way out to 200-acre land lots, and you can’t have one solution for all of that. The problems range across that type of development density.”

The forum’s sponsoring organizations —which ranged from 350 Central Virginia and Community Bikes to Better World Betty and Transition Charlottesville-Albemarle—collectively asked the candidates four questions: What is your stance on construction of the Western Bypass? How will you address rapid population growth depleting natural resources and aesthetics of the rural areas? What are your plans to address pollution caused by stormwater runoff? How will you localize and address the issue of climate change?

After candidates read prepared responses in the two and a half minutes allotted for each question per person, the audience probed them with additional questions, which touched on issues that ranged from solid waste management to how the Board acquires the most accurate environmental information.

When a member of the audience asked the candidates about their priorities surrounding the Rivanna River, Republican Scottsville candidate Cindi Burket described the Rivanna and James rivers as “our Chesapeake.”

“The Rivanna would play a huge part in any planning we do for keeping environmental concerns at the forefront,” Burket said.

Democratic Samuel Miller candidate Liz Palmer agreed, stating that the county ought to take a “watershed approach” in protecting the Rivanna River.

“We have some wonderful words in the Comprehensive Plan about protecting the watershed,” Palmer said. “However we don’t always do as good a job as we could in enforcing those ordinances.”

Categories
Arts

Film review: Gravity is full of breathtaking suspense and solid effects

Calling a movie Newton’s Laws of Motion would probably have the potential audience running for the hills. Imagine it: Director and co-writer Alfonso Cuarón undertakes such an ambitious project, a movie set in Earth’s orbit with characters under constant threat of danger, but no one goes to see it because they think it’s a documentary about physics. So we get Gravity.

Dr. Ryan Stone (Sandra Bullock) and Matt Kowalsky (George Clooney) are in space. There are other astronauts, too, but they’ll be dead in approximately nine minutes. This is a pure adventure movie. It’s a wonder the other characters even have names.

Because of something stupid the Russians do with a satellite, there’s suddenly a ton of debris (or more) hurtling toward Stone and the team. The good news is she avoids being killed by the aforementioned debris. The bad news is Stone is left floating through space.

Re-enter Kowalsky, who, along with the help of some jets on his suit, finds Stone and rescues her. Unfortunately, there’s catastrophic damage to their space shuttle. There are also dead crew members floating nearby, and Stone is running out of oxygen.

Worse yet, the nearest space station is damaged enough by the debris that Stone and Kowalsky can’t seek refuge there, or at least not for very long. There’s a Chinese station nearby. That will have to do.

Gravity is pretty shrewd. It gives Stone and Kowalsky disaster after disaster with each worse than the disaster that came before it, and there’s no time to consider the realistic possibilities of such disasters. Gravity has moments of drama that are so intense, you may feel as if your breath is sucked away from you as quickly as Stone’s oxygen supply.

But at some point, it does get to be absurd. Hitting something in space. Bouncing back in the other direction. Grabbing onto something. Fire. Escape pods. Space parachutes. Landing gear. More debris.

Fortunately, Gravity runs about 90 minutes, and there will be plenty of time to decompress afterward. Plus, Bullock’s effortless charisma and big-budget acting chops go a long way.

It’s in the technical department that Gravity really excels. Until now, the best looking space movie has probably been Stanley Kubrick’s 2001: A Space Odyssey. Even with all the computer-generated images in the world, space has never done quite as well as his models.

Now the bar has been reset. Gravity is seamless, and looks as if it were shot in space, not a studio backlot. The editing, likewise, is seamless. Cuarón took the reins himself with Mark Sanger (who was responsible for the rather showy visual effects in Cuarón’s Children of Men).

Then there’s Emmanuel Lubezki’s cinematography. Lubezki has a habit of shooting big, flashy projects. Sometimes they look great (The Tree of Life), and sometimes they look like big, flashy projects (Children of Men). Gravity, which is no doubt a big, flashy project, is truly impressive. If only its story was at the same standard as its technical components.

Playing this week

Austenland
Regal Downtown Mall Cinema 6

Baggage Claim
Regal Stonefield 14 and IMAX

Battle of the Year
Regal Stonefield 14 and IMAX

Blue Jasmine
Regal Downtown Mall Cinema 6

The Butler
Regal Stonefield 14 and IMAX

Cloudy With a Chance
of Meatballs 2
Regal Stonefield 14 and IMAX

Don Juan
Regal Stonefield 14 and IMAX

The Family
Regal Stonefield 14 and IMAX

Grown Ups 2
Carmike Cinema 6

In a World
Regal Downtown Mall Cinema 6

Insidious Chapter 2
Regal Stonefield 14 and IMAX

Iron Man 3
Carmike Cinema 6

Jobs
Carmike Cinema 6

Metallica: Through
the Never
Regal Stonefield 14 and IMAX

Pacific Rim
Carmike Cinema 6

Paranoia
Carmike Cinema 6

Percy Jackson:
Sea of Monsters
Regal Stonefield 14 and IMAX

Prisoners
Regal Stonefield 14 and IMAX

R.I.P.D.
Carmike Cinema 6

Rush
Regal Stonefield 14 and IMAX

Short Term 12
Regal Downtown Mall Cinema 6

The Spectacular Now
Regal Downtown Mall Cinema 6

Thanks for Sharing
Regal Downtown Mall Cinema 6

This is the End
Regal Stonefield 14 and IMAX

Turbo
Carmike Cinema 6

The Way, Way Back
Regal Downtown Mall Cinema 6

The Wizard of Oz
Regal Stonefield 14 and IMAX

We’re the Millers
Regal Stonefield 14 and IMAX

World War Z
Carmike Cinema 6

Movie houses

Carmike Cinema 6
973-4294

Regal Downtown Mall
Cinema 6
979-7669

Regal Stonefield 14 and IMAX
244-3213

Categories
Arts

October First Fridays Guide

First Fridays is a monthly art event featuring exhibit openings at many Downtown art galleries and additional exhibition venues. Several spaces offer receptions. Listings are compiled in collaboration with Piedmont Council for the Arts. To list an exhibit, please send information two weeks before opening to arts@c-ville.com.

The Bridge PAI 209 Monticello Rd. “Banner Days,” by Tom Hughes and a talk by Belfast-based artist Johanna Leech. 7-9pm.

Chroma Projects 418 E. Main St. “The Forests” by Jean Peacock in the Front Gallery, “Cahier Memoire” by Lillian Fitzgerald in the Passage Gallery, “Man With a Cello” by Blake Hurt in the Black Box. There will be music by Judith Shatin. 5:30-7:30pm.

City Clay 700 Harris St #104. “Sculptural Clay Vessels” by Ted Sutherland featuring slab-built stoneware. 5:00-7:00pm.

CitySpace 100 Fifth St. NE. “2013 Rising Star Awards,” an exhibit featuring the accomplishments of talented area high school art students. 5-7pm.

C’ville Arts Cooperative Gallery 118 E. Main St. “Dancing in the Sun,” featuring batik painting by Lisa O. Woods. 6-8pm.

Eloise 505 W. Main St. Local artist Max Olivas will showcase his latest work. 5-7pm.

Fellini’s #9 200 W. Market St. “Shooting Stars of Jazz” photography by John Wright. 5:30-7pm.

FIREFISH Gallery 108 Second St. NW. “Tiny Lights,” recent acrylic paintings by Jesse Meehan. 5:30-7:30pm.

The Garage 250 First St. N. An exhibit by Clay Witt. 5-7:30pm.

The Honeycomb 310 E. Market St. “These Things Happen” by Kimberlyn Penrose. 7-10pm.

Les Fabriques 206 E. Water St. New oil paintings by Ron Martin. 5-7pm.

McGuffey Art Center 201 Second St. NW.  “Glass. Metal. Fire” by Charlene Cross and “Colorscapes” by Etta Harmon Levin in the Susan B. Smith Gallery. Art With A Mission presents 100 paintings by Rwandan children in the Hall Galleries. 5:30-7:30pm.

Patina Antiques 1112 E. High St. Paintings and music by Paxson Henderson. 6-8pm.

Second Street Gallery 115 Second St. SE. “SUPERCLUSTER ARION AND OTHER PHENOMENA” by DM Witman. Reception from 5:30-7:30pm with artist talk at 6:30pm.

Telegraph 110 Fourth St. NE. “Arcana” prints offer different interpretations of iconic cards from Tarot’s Major Arcana. 5-10pm.

The Women’s Intitative 1101 E. High St. “Women Artists: A Retrospective for the Women’s Initative,” featuring 10 local artists works in oil, watercolor, pastel, and encaustic.

WriterHouse 508 Dale Ave. “Spontaneity,” paintings by Nina Ozbey. 5:30-7:30pm.

WVTF and Radio IQ Studio Gallery 216 W. Water St. “Food: the Stories Beneath,” new photography by Jill Bascom. 5-7pm.

 

OTHER EXHIBITS

Angelo 220 E. Main St. “Message in a Bottle,” new photographs by John Grant.

Fralin Museum of Art at the University of Virginia 155 Rugby Rd. “Ansel Adams: A Legacy,” “Looking at the New West: Contemporary Landscape Photography,” “In the Shadow of Stalin: The Patterson Family in Painting and Film,” and paintings by Émilie Charmy.

Kluge-Ruhe Aboriginal Art Collection 400 Worrell Dr. “Ngau Gidthal (My Stories),” linoleum and woodblock prints by David Bosun.

Atelier ONE Gallery 1716 Allied St. “Wide Open Spaces,” paintings by Donna Clark.

Second Street Gallery 115 Second St. SE. “Untitled” an installation by Hong Seon Jang.

Thomas Jefferson Memorial Church 717 Rugby Rd. “Fertility,” paintings by Sarah Sweet.

Warm Springs Gallery 105 Third St. NE. New paintings by Angela Saxon.

Westminster Canterbury 250 Pantops Mountain Rd. Watercolor paintings by Chee Kludt Ricketts.

 

Check out PCA’s Google Map of local galleries and cultural hotspots to plan your visit.

View Charlottesville Arts & Culture Map in a larger map.

Categories
News

Officials brief families on historically black schools

Nearly 100 parents and students came together at Albemarle High School last week for a discussion about historically black colleges and universities (HBCUs).

University of Virginia Associate Dean of Admissions Valerie Gregory stressed that college preparation should start in middle school, when students should begin taking advanced classes to prepare them for more challenging high school courses in the future.

Other topics included the historical significance of Greek organizations on HBCU campuses, as well as cultural differences African-American students will face at an HBCU.

Albemarle High School teacher Wes Bellamy said attending an HBCU has the potential to instill a sense of cultural pride in a young person.

“When you get to go somewhere and see individuals who are just like you and are achieving,” Bellamy said, “whose parents are doing well and you learn in your textbooks and readings that you come from a very rich lineage…it exudes through you.”

Albemarle High School will take interested students to an HBCU fair in February.

Promise Gala supports higher education

At the third annual Promise Gala last week, donors, scholarship recipients, and community members came together to raise funds for the Charlottesville Scholarship Program (CSP), a fund that makes financial gifts to help low- and moderate-income citizens further their education.

The program, which has provided 82 scholarships to date and is currently assisting 30 people, was established in 2001 when citizens called for City Council to invest a $250,000 budget surplus in the city’s future.

Adults, city schools graduates, and city employees are eligible for the partial scholarships that usually increase each year and renew until a student graduates. In addition to the financial support, board members also mentor recipients during their tenure in school.

This year the CSP honored Charlottesville City Schools Superintendent Dr. Rosa Atkins with the Russell M. Linden Promise Award, which honors a community member who helps create opportunities for Charlottesville’s students to build futures for themselves.

Meriwether Lewis Elementary School named a Blue Ribbon school

The students at Meriwether Lewis Elementary School have outperformed their peers across the state, garnering recognition last week from U.S. Department of Education Secretary Arne Duncan. The Blue Ribbon Schools Program recognizes K-12 public and private schools that demonstrate high academic performance or significant gains in student achievement.

“I am enormously proud of our teachers, students and parents for their wonderful engagement with our school, for their enthusiasm for learning, and for the high personal standards they set for achievement,” Meriwether Lewis Principal Kimberly Cousins said. “Every member of our school community should be congratulated for making such a significant difference at our school.”

The Virginia Standards of Learning results released last week show Meriwether Lewis students’ scores surpassed state benchmarks. For the 2012-13 school year, 88 percent of the schools’ students passed in English, against a benchmark of 75 percent. In science, math, and history, pass rates ranged from 85 to 97, against a benchmark of 70.

Meriwether Lewis Elementary will be honored November 18-19 in Washington, D.C. with the rest of the nation’s Blue Ribbon Schools, including nine others from Virginia.

Tamara Wilkerson

BULLETIN BOARD

Charlottesville school pictures: Johnson Elementary, Thursday October 3; Venable Elementary, Friday October 4.

Albemarle parent-teacher conferences: Albemarle High, October 2, 4:30-7:30pm; Monticello High, October 2, 4:30-7:30pm; Western Albemarle, October 2, 4:30-7:30pm; Murray High, October 3 from 3:45-7pm; Jackson P. Burley, October 3 from 4:30-8pm; Joseph T. Henley, October 3 from 4:30-8pm. Please call your school for more specific information.

MEET YOUR EDUCATOR

Tamara Wilkerson Spanish Teacher, Jack Jouett Middle School

What has your classroom experience taught you that studying education could not have prepared you for?

The most important thing that I have learned in my classroom is to always expect the unexpected. When I decided to become an educator, I thought that as long as I planned engaging lessons and stayed organized, that my class would always flow smoothly. However, things don’t always go as planned, and even the most organized plans can shift and change. I’ve found that as long as I remain flexible and attentive to student needs, then learning will take place, despite schedule changes. I’m dedicated to making sure that my students learn, regardless of the small bumps in the road!

What teaching adjustments do you plan to make moving forward?

I truly believe in community involvement and I have a strong desire to teach my students how to become responsible teenagers as they grow to become community citizens. I plan to provide my students with opportunities to communicate with our English language learners, through an international food night and a lunch club. Not only will this allow the English language learners to feel  more comfortable at Jouett, but it develops my students’ cultural awareness inside and outside of the school. As much as I love teaching Spanish, I think that students should also learn life skills, and interacting with individuals with various backgrounds will help them in the future.

In your eyes, what is the biggest challenge facing education currently?

I think that funding for education is one of the biggest obstacles that our nation is currently facing. It seems that every day we learn of a new budget cut or funding shortage for various student programs, as classrooms continue to get bigger. I am an advocate for ensuring that students and teachers have all of the resources that they need in order to make sure that learning happens, and financial shortages make it more difficult for teachers to provide that individual support that is necessary for student growth. I emphasize the quote that “teaching creates all other professions”, and if we place attention on more funding for education, then we continue to create leaders for tomorrow.

Categories
Living

Three cheers for Three Notch’d: A new beer spot makes its mark in the local craft brew lineup

“Of course a macrobeer can’t compete with a craft brew!” I couldn’t agree more. What is surprising, however, is that I agree with Heineken CEO Jean-Francois Van Boxmeer, in a quote from this past August on beveragedaily.com. He went on: “Craft beers have been taking the lion’s share of beer market growth over the last decade—practically exclusively.” That has indeed been the trend in the David and Goliath story of Craft vs. Big Beer.

After Prohibition, the United States beer industry was totally sacked. Up to that point in U.S. zymurgic history, the overwhelming majority of beer was produced by local or regional brewers, and most folks enjoyed what was made in their own area. In 1887, there were over 2,000 breweries nationally, most quenching the thirst of those in watershed. When Prohibition ended in 1933, the number or breweries briefly spiked, then atrophied as larger brewers started buying out their competitors or pushing them to unprofitable corners of the market. In the late 1970s, only 44 craft breweries remained, and it appeared that the U.S. was headed for a beer market with five main players, each peddling bland lagers that were nearly indistinguishable from one another. And then, something interesting happened: The economics of taste began to transform the market. Flavorful ales started gushing out of craft breweries over the next 35 years, infuriating Big Beer and getting Americans equally fired up about craft beer. The trend has most definitely pervaded our area, as we have 60 craft breweries in our state, and now three within walking distance for most townies.

Last year, Charlottesville welcomed the finely crafted ales of Champion Brewing Co., and this September, we welcome Three Notch’d Brewing Co. Named after the famed route linking Richmond and Charlottesville, Three Notch’d focuses on craft ales that take their names from the pages of C’ville history—like the 40-mile IPA and the Hydraulion Red. Owner Scott Roth and brewmaster Dave Warwick fit the craft mold of intrepid beer lovers—advocates for taste and small players in the ever-growing beer market.

I stopped by the brewery to talk beer over a pint of their Trader Crystal-Hopped Saison.

How did you get into brewing? Was there a beer that gave you a Eureka moment?

Dave: There definitely was. “Honey Bear Brown” at North Country Brewing Co. in Slippery Rock, Pennsylvania. I was celebrating finishing my very last final exam of my college career on a beautiful May afternoon in the backyard of their brewpub. A combination of my experience in the beer industry, the malt complexity and smoothness of Sean McIntyre’s brown ale, along with my brand new college degree, led to the epiphany that brewing was the next endeavor I wanted to pursue.

What’s in your fridge right now?

Dave: All local. I’ve been so excited to get to know the Charlottesville area’s brew scene since I moved here in May, that’s all I’ve been drinking lately. Currently, 8-Point IPA from Devils Backbone, Legend’s Brown Ale, and Blue Mountain’s Kolsch.

Scott: Same here. Currently I have a six-pack of Devils Backbone Vienna Lager and of course a growler of Hydraulion Irish Red.

Tell us about your homebrewer’s pilot system.

Scott: The pilot system is something we really wanted to focus on during this project. We admittedly went a little overboard, but hats off to the Fermentation Trap (a locally owned homebrew shop) for working with us on such a great system. The two goals for this 55-gallon system are simple. First, we want to make unique beers that we can offer in the tasting room and receive feedback on. Second, we want to use the system to engage our local homebrew community. We will be starting a regular rotation of home brewers coming in to work with Dave, and at the completion of their recipe, we will feature it in our taproom. It’s a great way for local beer fans to showcase their talents and also learn more about the production side from a professional like Dave. If you’re interested in brewing with him, please reach out to us via our website or Facebook page.

How have you tried to structure your business to overcome some of the disadvantages of being a smaller brewery?

Scott: We really wanted to focus on Charlottesville first. Our taproom and production facility are in the heart of the city and we think the visibility and the fact that we are just here for the beer will make local restaurants all the more excited about carrying Three Notch’d. In addition, we’ve started out with a distributor that only carries our brand. There is a lot of rising competition and this strategy allows Central Virginia Distributing to put its full attention towards developing our story and hopefully getting us on taps all over town. Obviously we hope to outgrow Charlottesville, and when that time comes then we will need the size and strength of one or more of the other fine distributors in the state to help us out.

Any advice to aspiring brewers?

Scott: If you get the chance to be a part of a business like ours, take it. Coming to work is exciting and every day something different is going on. If you can’t make it a profession, homebrew. It’s relatively inexpensive, and who knows? Someday soon you might be brewing with Dave Warwick and have one of your recipes featured in the Three Notch’d taproom!

Micah LeMon, formerly the bar manager at Blue Light Grill, is the current bar manager at Pasture.

 

Try it out

Three Notch’d is located at 946 Grady Ave. and is open Tuesday-Thursday 4-10pm, Friday 3-11pm, Saturday noon-11pm, and Sunday noon-8pm.

 

Categories
News

Legal Aid reaches proposed settlement with Housing Authority over utility charges

Attorneys with the Legal Aid Justice Center have reached a proposed settlement with the Charlottesville Redevelopment and Housing Authority that may could be worth upwards of $500,000 in cash and relief to public housing tenants. A federal class action suit filed last year claimed that the CRHA failed to provide adequate utility allowances to its residents, resulting in tens of thousands of dollars of overcharges to as many as 2,000 low-income residents in Charlottesville.

According to a press release from the LAJC, the proposed settlement was filed Tuesday, September 30, and must be approved by Federal District Court Judge Glen Conrad and go through a fairness hearing before it’s final.

The plaintiffs in the case asked the CRHA for three things. They want the Housing Authority to reevaluate its utility allowance and establish a new policy that will better accommodate the needs of its tenants, and they want each tenant to be reimbursed for all overcharges since 2003, to the tune of about $400,000. Finally, the CRHA promised an incentive of a $50 U.S. savings bond for residents who keep their utility usage within the allowance, which LAJC’s John Conover said the The CRHA has not followed through on. The suit demanded the CRHA acknowledge and honor its promise to award the bonds.

The proposed agreement states that $95,400 will be distributed among tenants who paid utilities to the CRHA from June 2, 2007 through may 31, 2013, and another $6,000 will be given to renters whose utility charges were below their annual utility allowance. The press release also states that current public housing residents will receive a $15 per month credit on their accounts for 36 months, and $5 per month for an additional two years.

After the suit was filed last year, the CRHA conducted a new utility allowance study, and has adopted a new policy allowing elderly and disabled residents to seek relief from utility surcharges for special needs. All together, LAJC estimates the proposed settlement could be worth half a million dollars total in relief and cash to public housing tenants.

Categories
Arts

ARTS Pick: Jessica Lurie and the Megaphone Heart Bands

A true instrumentalist, Jessica Lurie is an expert saxophone player, accordion player, and vocalist, accounting for the tremendous amount of praise she receives in the jazz
community. The New Yorker is a real “jack of all trades” when it comes to her genre, and along with the Megaphone Heart Band, throws a complex melody over a backing beat that results in multi-genre jams from rock ‘n’ roll to salsa. The diverse group creates a musical gumbo of worldly tones.

Friday 10/4. $5-15, 8pm. The Haven, 112 W. Market St. 973-1234.

Categories
News

City hires former attorney to head human rights office

Charlottesville’s Office of Human Rights is open for business.

Four months after the City Council ended a two-year fight over whether to tackle discrimination complaints with its own local rules and enforcement, administrators hired Zan Tewksbury, an Albemarle High School graduate who has worked as a civil rights attorney in Portland for 16 years, to manage its new office. The city has also expanded its relationship with the local director of the federal Equal Employment Opportunity Commission, and officials hope the presence of both in City Hall will foster more dialogue on a long-simmering issue.

Tewksbury, who moved back to the area this spring after 40 years on the West Coast to be closer to family, was here only two weeks when Council passed the ordinance establishing a volunteer Human Rights Commission and staff positions to support it.

“I thought, ‘Way to go, Charlottesville,’” she said. When she saw the job description, “it was like they took my resume and embedded it. There was no way I wasn’t going to apply for the job.”

Tewksbury has had a front-row seat for the changes that have swept through American employment law in recent decades. She graduated from the Northwestern School of Law of Lewis and Clark College in Portland with a focus on civil rights in 1990, a year before the first major expansion of the Civil Rights Act since 1964 gave employees new powers in discrimination cases.

“Suddenly we could go to trial, we could get juries to hear the cases,” she said. “A lot of the case law developed in those years.”

She retired from the private practice she had watched grow for 20 years in 2011, ready for something else. She got certified as a mediator and did consulting work for small businesses. And then she landed in Charlottesville, in a job where both her legal expertise and her mediation skills will be in heavy demand.

Tewksbury, who will receive a salary of $72,000 out of an allocated budget of $197,000,  is the public face of the new city office, and for the time being, she’s its only employee. She’ll be the one taking the calls, reading the e-mails, and listening in person as residents come forward. Even though the city is still in the process of creating its nine-member Human Rights Commission, her work establishing the office as a confidential clearinghouse for complaints about discrimination on the basis of race, gender, disability, or sexual orientation begins now.

And that makes sense, she said, because she knows from experience that the vast majority of employment discrimination claims aren’t resolved in court, or even by tribunal-like bodies such as Charlottesville’s eventual commission.

“In my law practice, I’d say 85 to 90 percent of our cases were settled before trial, and the vast majority of those were through a mediation process,” she said. Litigation has its place, but it’s costly for all parties involved, and sometimes, it doesn’t get to the heart of what a complainant is really looking for.

“In court, all they care about are the facts,” she said. “Nobody cares about your story. In mediation, you get to tell your story.”

Darrell Graham stressed the same point. Graham is the director of the Richmond office of the Equal Employment Opportunity Commission, the federal agency responsible for enforcing anti-discrimination laws. His office takes in discrimination complaints against companies employing 15 or more people in 78 counties and cities in the Commonwealth. Graham is now holding monthly “office hours” in Charlottesville in an effort to give residents a venue to voice complaints that Tewksbury’s office, which is limited to complaints of discrimination at companies with six to 14 employees, is not set up to handle.

Graham said that despite having a severely reduced staff, he’s made the area a priority. Of the approximately 1,300 employment complaints his office takes in on an annual basis, 10 percent come from Charlottesville and Albemarle.

“That’s almost 10 a month,” he said, and the numbers are higher than usual for 2013. “This year, we’re way ahead.”

Very few of those complaints result in penalties for employers. But that doesn’t mean the process isn’t working, he said—most are resolved through mediation or early settlements.

Tewksbury said her office and the EEOC’s presence will offer residents assurance that someone is listening. It might take some time for people to learn they exist as a resource, she said, “but we believe it’s going to be, ‘Build it, and they will come.’”

Categories
Arts

Émilie Charmy defied convention with her masculine style

Born in 1878 in the town of Saint-Étienne near Lyon, France, Émilie Charmy was groomed for the proper profession of teaching. But Charmy, whom I had never heard of before the Fralin show, had other ideas, taking up painting instead. Initially, she focused on traditional scenes of domestic life in an Impressionist style. But, she soon began painting subjects that had been the province of male artists. One of the first paintings in the show, Charmy’s shimmering “The Salon,” c. 1900, features naked prostitutes in a brothel—though you might never know it, given the decorous soft focus with which they’re painted.

Charmy must have been something to set up her easel in a house of ill repute at age 22. At the time, female artists were banned from art classes with live models, so her behavior would have been deeply shocking. But from Charmy’s perspective, painting in a bordello was practical in that it provided access to the nude models she yearned to paint. One of the impressions that bounces off the Fralin walls, and that is borne out by this example, is how very ambitious Charmy is. Not in an obnoxious, dog-eat-dog way, but you can see how she constantly challenged herself. She wanted to be a really good painter and achieve equal footing with her male counterparts.

So instead of enchanting studies of women and children that would have been her expected lot, Charmy gives us a morphine addict. The figure in “Woman in an Armchair,” c. 1897-1900, reclines in a narcotic fog. A whisper of a handkerchief is clutched in her hand, and the tools of her addiction are on the table beside her. Charmy’s brushwork matches the mood. In the sitter’s daringly strapless dress, the paint has a leaden quality. Pushed across the surface with a palette knife it adeptly conveys the texture and weight of the velvet.

“Young Girl in an Armchair,” c.1900 presents a striking portrait of a child wise beyond her years. With an appraiser’s eye, she sizes up the viewer. The delicately rendered face is captivating, but what I like are the broad expanses of pigment, the scumbled gray of the dress, the vertical brushstrokes that compose the fabric of the chair and the lively treatment of the floor. There’s also an audacious blotch of scarlet in the background, a sketch of something—a saint, perhaps—under a Victorian bell jar. The color choices in this painting are so unorthodox—about as far as you could get from Mary Cassatt—and the bold treatment of the paint is, dare I say, masculine.

In 1902 Charmy moved to Paris. Here she encountered Matisse and his circle of Fauves (A.K.A. “wild beasts”) with whom she would work closely. Their influence can first be seen in Charmy’s “Still Life,” and “Flowers and Fruits,” both of 1904. In the former, paint is applied with joyous abandon to produce a rich pastiche of color. “Flowers and Fruits” is an exuberantly splashy painting that combines a heavily painted foreground against a blurred, almost watery pattern signifying background wallpaper.

Then there are Charmy’s infinitely appealing landscapes of Corsica where she travelled with her Fauves cronies. “Piana Corsica—Stone Pine,” 1907-10 conveys that hard-edged quality of the sun when a storm has passed through or is coming. The clarity of the townscape contrasts with the blurred indistinct middle ground of sea where agitated brushstrokes suggests choppy water. “L’Estaque,” 1910, one of four Charmy paintings exhibited at the famous Armory Show of 1913, is a paradigm of a South of France landscape. It gives you everything you need, sparkling light, lush palette, and vista of ocean. With very little, Charmy describes the distinctive vegetation, tiled-roofed architecture, and topography. Stripped down to essentials, the quite abstract “Corsican Landscape,” c. 1910, provides an interesting stylistic contrast and demonstrates that Charmy was in synch with the latest art trends.

There follows a wonderful assortment of paintings of women, both clothed and nude. While I love the chic fashionistas Charmy depicts (especially “Self-Portrait with an Album,” 1907-12, featuring herself in a striking navy dress against a terra cotta background), the nudes, which run the gamut from erotic to matter-of-fact, are fascinating—done from a woman’s perspective, as opposed to with the “male gaze.”

Seemingly caught with her mouth open as if in midsentence, “Self Portrait in an Open Dressing Gown,” 1916-18 is a remarkable depiction of sangfroid. “Nude Holding her Breast,” 1920-25 uses a calligraphic treatment to render the expressive face and also, in an elegant flourish, to describe the pubic hair. “Portrait,” 1921, featuring a clothed model has striking color and a wonderfully austere composition. Here, Charmy allows the woman’s arm to dissolve into her dress and I realized that she doesn’t spend a lot of time on hands in any of her paintings. Maybe she didn’t like to draw them, but it doesn’t really matter because she’s very good at suggesting them.

What I admire about Charmy is her inspired palette, her superb compositional sense, and her dogged determination to succeed as a painter on equal terms with male artists. I concur with novelist, Roland Dorgelès’ assessment: “Émilie Charmy, it would appear, sees like a woman and paints like a man; from the one she takes grace and from the other strength, and this is what makes her such a strange and powerful painter who holds our attention.”

The Émilie Charmy exhibit runs at UVA’s The Fralin Museum of Art through February 2.

 

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ARTS Pick: Humble Tripe

Unique folk project Humble Tripe graces local fans with a celebration of its sophomore release, The Giving. The album is a collection of the unique Americana the players are known for, and incorporates odd instruments like the theremin (producing a sound often found in old horror flicks). The soulful, and often tough to categorize, ensemble pulls it all off with skillful playing and some high-flying whispers from leader Shawn Luby.

Friday 10/4. $7, 8pm. C’ville Coffee, 1301 Harris St. 817-2633.