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News

Lessons learned: Five takeaways from election day 2013

Hard to believe it, but yet another election season has come and gone, leaving a combination of ebullience and bitter disappointment in its wake. The tighter-than-expected election of Governor Terry McAuliffe has been certified, and State Senator Ralph Northam is busy measuring drapes for the lieutenant governor’s office.

Luckily for us, there is still some unfinished electoral business to take care of (namely the nail-biting recount in the attorney general election). But even as we look forward to weeks of manual vote tallying and competing claims of victory, we’re also enjoying all of the exciting lessons we learned from this crazy election.

Gerrymandering works. The GOP has raised district line-drawing to a high art, with predictable results. As of this writing, only two House incumbents (Republicans Mark Dudenhefer and Mike Watson) have been ousted, and out of the 55 House races, 10 were won by margins of five points or less. This leaves Republicans firmly in control of the House of Delegates, and observers wondering if there is anything that can upset such a deviously well-drawn map.

Republicans are a house divided. Following Ken Cuccinelli’s narrow loss, the gulf between the GOP establishment and the Cooch’s Tea Party supporters seemed almost insurmountable. The mainstream opinion was (as it so often is) perfectly articulated by Lieutenant Governor Bill Bolling, who insisted that the GOP must “determine what we must do to reconnect with a more diverse voter base whose support is critical to political success in Virginia.” On the other side, the general consensus was that Cuccinelli was hung out to dry by his own party. As Washington Times columnist Judson Phillips bluntly put it: “The Republican ticket failed after being sabotaged by the establishment.”

NoVA is now the kingmaker. While Democrats continue to wither in Southwest Virginia (McAuliffe lost most “coalfield” counties by 20 points or more), it no longer makes much of a difference. Consider this fact, as reported by The Washington Post: Just nine cities and counties in Northern Virginia gave McAuliffe a 135,000-vote lead over Cuccinelli, far more than enough to counter his poor showing downstate.

Democrats bet on black. Despite a slew of pre-election polls that showed McAuliffe dominating Cuccinelli among women, the Cooch actually beat the Macker among white women by 16 points. He also won big with men, and by huge margins among white men. So who powered McAuliffe’s victory? African-Americans, plain and simple. Black voters comprised 20 percent of the electorate—the same percentage that turned out to reelect Barack Obama, and four points higher than in 2009. And, in an amazing statistic that surely makes Republican strategists quake with fear, they voted for McAuliffe by a 9-to-1 margin.

Ken Cuccinelli is still a big baby. After running a terrible campaign, consistently ignoring the job that taxpayers are actually paying him to do, and delivering one of the most peevish, blame-shifting concession speeches we’ve ever heard, the Cooch capped it all off by refusing to make the traditional congratulatory phone call to the victorious McAuliffe. Well, in that general spirit of intolerance, we’d like to offer some sage advice to our soon-to-be-ex-attorney general: Don’t let the door hit you on the way out, loser.

Categories
Living

Is a popular ballet barre class worth the hefty price tag?

“This isn’t so bad,” I think to myself as I grip the ballet barre and sink into the plié squat I’ve been instructed to hold, glancing around at the other women in the 5:30pm Tuesday Pure Barre class. Suddenly the instructor’s hands are on my hips, gently realigning my posture, and an intense burn sets in. Ow.

Turns out it’s a lot more challenging when you’re doing it correctly.

Pure Barre is a nationwide chain that offers daily exercise classes using the ballet barre and tiny, isometric movements to work muscles I didn’t even know I had. Drop-ins cost $23, but new clients can try a month of unlimited classes for $100, and annual and semi-annual memberships are available. Charlottesville franchise owner Amy Jo Bright said the local branch, located on Old Ivy Road, has attracted more than 1,400 regular clients since it opened in June 2012.

We start out with some basic warm-up exercises, which incorporate high knees, push-ups, planks, and light hand weights. The 15 or so women in my class—most of whom appear to be college students or young professionals like myself—have clearly done this before. They’re smoothly transitioning from one position to the next while I fumble with hand and foot placements, and before our instructor even tells us to do so, the chiseled woman next to me slides effortlessly into a full-on split, thighs flat on the carpet.

Once we’re warmed up, we position ourselves next to the ballet barre that extends around the perimeter of the room. Our instructor, Heidi Johnson, is a local marathon runner and spin instructor who said her clothes started fitting differently almost immediately after she began doing Pure Barre last year. As she guides us through the exercises, I’m grateful to have a spot on the mirrored wall, which allows me to double check my own positions—wait, do what with my left leg?—and glance at my neighbors for reassurance.

One of the first moves involves grasping the underside of the barre in a bicep curl position, standing on my tiptoes, bending slightly at the knee, and making tiny, barely noticeable tucking motions with my hips. We isolate each hip one at a time, doing these standing tucks for what feels like forever. No more than two minutes at the barre, and my quads are already shaking. My thigh muscles are burning in a way that I’ve never felt through running, swimming, or weight lifting. I look up and the woman next to me, whose legs are also quivering, has her eyes closed and a tight-lipped, concentratedly peaceful expression on her face. My own face is the same bright red as the exercise balls at our feet, and beads of sweat are lining my hairline, despite the fact that I’m barely moving. I’m suddenly less grateful for the mirror.

I make it through the 55-minute class —which ends with gentle stretching and a 90-second plank—and I’m already feeling it. The leg soreness I had anticipated, but I’m surprised when I start jotting down notes afterward and the newly strained muscles in my tricep cause my hand to shake.

It’s a tough workout, and the class moves along at a faster pace than I expected. It isn’t for everybody. But the intense positions and isometric movements will certainly sculpt muscles and supplement a regular cardio routine, and Johnson and Bright promise that the soreness goes away after a couple classes.

 

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The Editor's Desk

Editor’s Note: Living with Gabe’s spirit

Gabe Silverman died over the weekend. If you never met him, it’s your loss, but if you hung around the Downtown Mall much, you probably did. He was a real estate developer, I guess you could say, but he never dressed like one. Sometimes he looked like a super, puttering around in his green pickup truck with a slew of keys, smoking a cigarette out the window. Other times he looked like a cross between Keith Richards and Paul Hogan, dressed in a black T-shirt and jeans, a permanent wry smile etched into the lines around his eyes. I was introduced to him through a friend and only spent time with him on four or five occasions.

Here’s what I know about Gabe: He was a charmer who valued people. He hated whiners but loved to complain. He trusted young people to make decisions, because he remembered being a young person who made decisions. He cajoled, bullied, prophesied, and cut deals to realize his vision for the world, which could be both far-reaching and specific. He always thought everything could be better than it was, and he focused much of that energy on West Main Street, where he spent years hassling UVA, the city, and Coran Capshaw to do more to connect Downtown to Grounds.

Gabe saw a Charlottesville that needed to be more diverse, more demanding, more energetic, more fun, and more like the California he grew up in, where everything was both a real estate hustle and an opportunity to create a new scene. He was, at heart and by training, an architect. This week’s cover story on a dance contest that aims to promote hip-hop culture on the Downtown Mall is, I think, a fitting one to pair with our version of Gabe’s obituary.

Ty Cooper, an African-American agent and promoter, grew up in Harlem and came to Charlottesville after college at Norfolk State. In the span of a few years Ty became a board member at The Paramount Theater, which was a segregated institution in a segregated Downtown in the not-so-distant past. Ty is a hustler, an agitator, and a relentless worker who has a way of connecting his personal interests, his vision for the community, and his connections with people to make things happen. Don’t just stand there, do something.

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Arts

PVCC reaches out to the community for Rosencrantz and Guildenstern Are Dead

When Tom Stoppard wrote Rosencrantz and Guildenstern Are Dead, an absurdist comedy about two minor characters from Shakespeare’s Hamlet, he was only 27 years old. Trapped in a nebulous otherworld, courtiers Rosencrantz and Guildenstern debate the nature of freedom and fate from lives pre-scripted to death. Comic dialogue coupled with philosophical themes, including the use of language to uncover and confound reality, helped crystalize the playwright’s style and earned him the 1968 Tony Award for Best Play. Now students at Piedmont Virginia Community College and members of the Charlottesville acting community bring their own youthful energy and seasoned sagacity to a one-weekend performance November 13-17.

Veteran director and theater faculty member at Mary Baldwin College, Clinton Johnson chose Rosencrantz and Guildenstern Are Dead as PVCC’s winter offering because the show is one of his all-time favorites. “You don’t get many absurdist comedies, but they tend to be very smart and very funny,” Johnson said. “Usually shows about Shakespeare or that re-work Shakespeare end up working against it. Stoppard manages to not be precious with the original material while still maintaining a clear love for it.”

Stoppard’s close readings of the Bard weave throughout the play. Isolated from Hamlet, which presumably runs offstage, the titular courtiers struggle to find meaning in a decontextualized nowhere land. PVCC echoes this strangeness with a sparse set and vomitorium staging, in which two groups of audience members face each other across a strip of stage bracketed by darkness.

As a result, attendees become part of the dramatic experience. “The audience spends a lot of time seeing each other and one another’s responses,” said Brad Stoller, PVCC’s new coordinator of theatrical productions, a choice that underscores the show’s investigation of “human existence and why we’re here.”

With a cast and crew that include both student and community performers, PVCC’s production is part of a new model in community theater. “The idea is that young actors learn best from other actors,” said Stoller, who took helm of the program in 2012. Faced with the reality that many PVCC students juggle children, jobs, and commutes to school and do not have time to rehearse full-length plays, the PVCC drama department decided to open auditions to the public. “As long as we have at least a half and half split with plays,” Stoller said, “I’ve been given the go ahead to let people in the community join the community college. Which makes sense to me.”

PVCC auditions draw local performers of all ages, many of whom have been acting their entire lives. These days, veterans fill many major roles while students learn the ropes, but as time passes and students return to the program, Stoller expects the ratio to shift.

In the meantime, he believes this mentoring process gives students an unprecedented opportunity for a hands-on theater experience. “Traditional programs can be insular,” Stoller said. “I had to wait until my third and fourth years to get any technical experience, and the only reason I got cast in roles is because I was a dancer. Come to PVCC, and you can be part of all aspects of theater right away.”

Stoller approaches each show as a producer, selecting expert directors who choose the shows for which PVCC holds open auditions. “A director knows what they love and want to direct,” he said. “As long as it’s something a community college can do—age and budget-wise—we’ll do it.”

Rosencrantz and Guildenstern Are Dead is complex, designed to unhinge a viewer’s perspective so insight can pour through the cracks. The quick back-and-forths that delight Stoppard fans also require actors to master specific verbal and physical work while maintaining a grasp of the script’s complex logic. “It’s almost as demanding as farce,” Johnson said of the show’s mind-boggling details. “‘First you flip the coin, and then I say this, and then you catch it, and then I look.’”

For this reason, Johnson appreciates PVCC’s new model. “We’ve been able to pull in some people whom I consider to be heavy hitters for this show,” he said. “I mean, you learn theater by doing it, and you really learn by doing it with people who’ve done more than you. I think it’s good for these students to see how seriously these community members take what they do on stage.”

Courtiers, actors, audience members, we all have questions about the roles we play. Rosencrantz and Guildenstern Are Dead may not provide all the answers, but as Johnson said of PVCC’s production, “Two young men in average health can get into a surprising number of sexual positions in three minutes and 33 seconds. I give you that piece of knowledge for free.”

Categories
Living

A wine expert’s eight wines worth celebrating during the holidays

As Wine Guild of Charlottesville co-founder, I taste a lot of wine.

There’s a lot of great wine out there, and some not-so-great wine too; after awhile, though, I end up with a substantial list of wines that I love, or that are overperformers in their category, or both. So, with the holiday season upon us, I thought it would be nice to furnish you with a wine buyer’s cheat sheet.

These are some of my top picks of 4Q 2013 for value, quality and character—the three most important things to look for at this point in the season:

Louis de Sacy ‘Brut Originel’ Champagne NV ($35): Great Champagne, that with both classic styling and unique character, is a relative rarity under $50. There are a handful of producers, though, that have really started to make inroads into bringing affordable yet worthwhile entry-level juice to the marketplace, and Louis de Sacy is one of them. This dry bubbly, made with nearly 70 percent Pinot Noir, is bright, fresh and lively up front, with a bit of lemon curd and vanilla. As it develops on the palate, a richness and a touch of toast comes through; it displays a nice bit of weight and seriousness towards the end.

La Meuliere Chablis 2011 ($20): No Thanksgiving table should be without Chablis, and the La Meuliere is a fine example of why. Another classically styled wine, a bit reserved, but with very elegant fruit and the aroma of wet stones and cellar must just below the surface. A balanced, food-friendly wine that will complement nearly any complex meal.

Stolpman Vineyards ‘Golden Point’ White Blend 2011 ($24): This is a wine of purity and light (hence its name and label…a golden point of light), while still having a modicum of richness to keep the edges nice and soft. It’s undoubtedly a feminine wine, and it is comfortable in its own skin. The juicy pineapple and white chocolate that Roussane embodies is front and center, and the balance between that opulent side and its leaner, more acidic side is ultimately what makes this whole package work.

Tselepos Mantinia Moschofilero 2012 ($18): The perfect wine for Sauvignon Blanc fans who are looking to branch out, the Mantinia is a unique cobbling of both juicy passionfruit and subtle herbaceousness. It’s a very giving, expressive wine, never shy; there’s a little more weight to this bottling, yet still it maintains enough acidity to stand up to food (or just refresh the palate on its own).

Chateau Chamilly Bourgogne 2009 ($20): Great, inexpensive red Bourgogne is my “white whale,” and this is a new favorite. A feminine wine at its core, the Chamilly has the elegance and grace that Challonaise Pinot should, but it also has weight, and substance, and color…and it’s actually assertive. At the same time, it’s fresh and vibrant, full of red sour cherries and plums. Finally, there’s real character and interest, like eucalyptus, sage, oatmeal cookies, and old wood.

Podere Castorani Cadetto Montepulciano d’Abruzzo 2010 ($15): This Montepulciano retains all of the dusty, earthy, dried-fruit-and-red-stones-and-old-leather qualities that are the foundation of great dry Italian table wine, but it’s what happens beyond that that makes the wine exceptional. A very big herbal component is up front, with garrigue and eucalyptus and sage that recall memories of great Bandols and intrigue your palate right off the bat. Beyond that, there’s a slight touch of sulfur (in a very good way), sanguine iron, fruit that’s a touch riper than you’d expect, and subtle baking flavors like allspice. The texture is ripe and soft in the center, but is flanked by assertive acidity and dusty tannins that hold the balance. Perhaps the perfect Italian table wine?

Castillo del Barron Monastrell 2010 ($10): One of the best values in everyday red wine that I’ve tasted all year, this Monastrell (a.k.a. Mourvedre) is bursting with sun-drenched red fruit and a pleasant earthiness. It comes across a bit like northern Rhone Syrah, with a healthy dose of black peppercorns, and finishes with some gentle acidity to leave your palate clean and wanting more. This is something to buy by the case and drink with your friends through the season.

Honig Late Harvest Sauvignon Blanc 2008 ($55/375mL): This makes the list not just because it is one of the only American dessert wines that, for me, has ever stood up to the classic greats of France’s Sauternes; it also is one of the best sweet wines that I’ve tried this year. Like Sauternes, its grapes fall victim to a natural fungus in the vineyard, which concentrates the sugars and flavors. It is dominated by notes of caramelized orange peel, a touch of dusty wood, golden raisins and wildflower honey; it has the expected richness and a viscous texture, but it’s never cloying, and it actually finishes quite clean. A tour de force in American dessert wine.

If you’re interested in purchasing any of the wines above, contact The Wine Guild of Charlottesville (www.wineguildcville.com), or reach out to your favorite local wine shop.

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News

County poised to O.K. public sewer, water expansion at Monticello

The Albemarle County Board of Supervisors last week signaled its approval of a request to connect Monticello to public sewer lines and expand its access to public water, despite county staff’s recommendations against the new infrastructure.

The Thomas Jefferson Foundation, the private organization that owns and operates the UNESCO World Heritage site and in 2011 recorded assets of $233.6 million, has asked permission to build sewer lines servicing the historic house, its visitor center, and other existing and future buildings, and to extend water lines to a new storage tank at nearby Montalto and other spots on the mountain—all at its own expense. Onsite septic fields are reaching their capacity, the Foundation has said, and current water access could leave some parts of the mountaintop vulnerable if there was a fire.

But the county’s criteria for expanding public utilities in rural zones are strict. Its comprehensive plan dictates that only developed areas should be served, and exceptions should be made only when a property is adjacent to an already served area or when public health or safety is in danger.

That’s not the case with the Foundation’s request, as county staff explained in a four-page report ahead of last week’s meeting.

“The continued connection of properties in the Rural Area to the public system results in further extension of lines from the fringe…potentially straining water and sewer resources and the capacity to serve higher priority needs,” read the report, which recommended denying the request.

But the Board of Supervisors unanimously agreed that Monticello ought to be an exception to the exception, and moved the request to public hearing anyway.

Board Chair Ann Mallek said she and her fellow supes weren’t ignoring the recommendation from staff. It’s their job to lay out the rules, she said, and elected officials’ job to determine whether a request is a special case. Monticello is a key cultural and economic resource for Albemarle, she said, and the county doesn’t have to worry about an expansion of utilities spurring more growth there, because development on the mountain is capped at a few additional buildings.

“We are community stewards to an international asset here,” said Mallek. “We have to step up further than we do for a cluster of houses.”

That’s the sentiment the Foundation was hoping for. President Leslie Greene Bowman said the organization has been evaluating its options for updating Monticello’s aging infrastructure since 2008, and has determined footing the bill for a public connection, while “certainly not the cheapest thing we could do,” is its only viable choice. Neither skimping on fire suppression capacity nor bulldozing Jefferson’s historic orchard to put in a new leach field seemed like good options.

“I don’t think 450,000 visitors a year really want to look at a septic field,” she said. “The only historically and environmentally responsible option is to ask the county to connect us to public facilities so we’re not in any way continuing to damage historic ground.”

Bowman declined to give an estimate for the cost of the new lines, but county staff confirmed that the Foundation would be on the hook for design, installation, and maintenance for everything on its property, including an underground sewage pipe that would run from the mountaintop to a public hookup near the Moore’s Creek Wastewater Treatment Plant—a facility which, Mallek pointed out, was built on land donated by the Foundation.

With that in mind, Mallek said, “it would seem the height of rudeness to say no.”

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Arts

ARTS Pick: Three Notch’d Road: The Charlottesville Baroque Ensemble

Indulge in the sounds of the 1600s with Three Notch’d Road: The Charlottesville Baroque Ensemble’s season opener, “O Sacred Oracles: Handel Oratorios & Sonatas.” Local instrumentalists perform using period instruments, like the baroque violin and recorder, which were popular in the era between Renaissance and Classical music. Highlighting works by German composer George Frideric Handel, the concert includes special guest artists Charles Humphries, a globally renowned countertenor, and early music soprano, Rebecca Kellerman Petretta.

Saturday 11/16 . $15, 7:30pm. First United Methodist Church, 101 E. Jefferson St. (703) 587-0483.

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Living

Local chefs share their favorite seasonal ingredients

Where I come from in the Lombardy region of Italy, fall is gray, cold, and sad, but the produce brightens up the season, turning it into a time for eating at the family table. Now that I’m settled beneath the Blue Ridge, where the deep reds and golds transform the landscape every year, the local food reminds me of the basic dishes with simple, earthy ingredients from home—like the potato stew or classic Milanese minestrone my mom prepared on especially dreary nights.

Have you walked around the farmer’s market since the leaves started changing? The excitement of fall produce is not in its variety or exoticism, but rather in its traditional presence and, in a way, its strength and simplicity of flavor. Squash, kale, turnips, apples. You have to pair these vegetables with food that can stand up to them.

Brian Helleberg, chef and owner of Fleurie on the Downtown Mall,  grows much of what he cooks with. His ingredients of choice nowadays are beets, but turnips, different varieties of squash, beans and spinach are close behind. Fleurie’s local tasting menu features a range of locally available seasonal dishes, like crab meat sautéed with a puree of butternut squash, a pork cheek braised in white wine with a celery root puree, and steak served with a red wine risotto, leeks, and a side of seasonal vegetables.

Dessert gets a more traditional treatment with a customer favorite and cousin to the classic fall-time pie: apple tart. He described it as a “super, super simple dish that needs to be done right.” And that means fluffy puff pastry, a puree of apples and thinly sliced apples on top.

Brookville owner and chef Harrison Keevil is in transition, seeing out the last of the green vegetables like cauliflower and Brussels sprouts, and eagerly looking forward to the next batch of autumnal ingredients

“I am really excited about cabbages to come in, and of course apples and potatoes,” he said. “These are the ingredients that get me through the winter.”

Keevil braises and purees the crunchy, leafy cabbage and pairs it with the restaurant’s revered pork dishes. He’s also experimenting by making his own sauerkraut for the first time this year.

A fall seasonal menu would be incomplete without apples. Keevil’s favorite variety is Granny Smith, for its tartness. To make the restaurant’s signature apple sauce, the fruits find themselves nestled in a pan with onions, butter, salt, pepper, and vinegar to “boost up the acid.”

“It’s got a nice acid and we pair it with pork belly so that the acid cuts through the rich fat of the pork,” Keevil said.

Down the street at Horse & Hound Gastropub, butternut squash is mashed with potatoes and served with a seared scallop wrapped in bacon.

Co-owner and pastry chef Brooke Fedora says the key to fall cooking is simple ingredients, just “good, earthy food.”

Nearly every year since the restaurant opened, Horse & Hound has offered a Thanksgiving pick-up menu for classic food-lovers who would rather spend the day watching football than slaving over a hot stove. Customers can choose from either a package or a la carte menu and place their order by the Tuesday before turkey day. The meal—smoked or herb-rubbed turkeys, and enticing sides like sausage or sage stuffing, macaroni and cheese, and collard greens—is then prepared from scratch and ready for pick up the day before Thanksgiving.

“Luther’s collared greens are insanely crazy good,” said Fedora of her husband Luther, who’s also co-owner and chef.

Angelo Vangelopoulos, owner and chef of the Ivy Inn, is serving grilled quail, with sweet potato gnocchi, collard greens, and spicy peanuts. The sweet potato puree holds the dish together, collecting the juices and enhancing the flavor profile.

Horse & Hound chef Luther Fedora mashes butternut squash and potatoes to complement a seared sea scallop wrapped in bacon.

Categories
Living

Stepping out: Dance competition brings hip-hop and step to the Paramount Theater

In a small rec center exercise room off Rose Hill Drive, a group of girls who are no older than 14 face a floor-to-ceiling mirror. They’re watching UVA student Athena Bannister, who’s demonstrating a complicated series of fast-paced steps, claps, and stomps. At the signal from Bannister, the girls slowly repeat the motions, faces scrunched in concentration as they clap and slap their feet and thighs in time with one another.

Stepping, a style of dance that uses the entire body as an instrument of rhythm, originated in Africa as a form of communication among tribal communities. It uses movement and sound—chanting, clapping, stomping—to convey allegiance to a group, and became popular among African-American fraternities and sororities in the early 1900s.

Amechia Faulkner is one of 10 girls who meet twice a week through the local youth empowerment group Helping Young People Evolve (HYPE) to learn and practice stepping routines. The girls are preparing for the day they’ll be under the bright lights at The Paramount Theater, performing in front of hundreds of people and competing against some of the state’s best step teams. This is the second year in a row they’re part of the lineup for the Best of Both Worlds Dance & Step Competition (4pm on Saturday, November 16), an annual contest coordinated by local business owner and event planner Ty Cooper. It’s brought dozens of the region’s competitive dance and step teams to Charlottesville every year since 2007.

The teenagers in the back are at least a head taller than the girls in the front, whose spunk and sass make up for the fact that their limbs seem to get ahead of them and get lost somewhere in the steps. One of the smallest steppers, 8-year-old Faulkner, glances up at the older girl next to her throughout the moves, mouthing the counts to herself as she learns the new steps.

“If we get it wrong, they don’t yell at us and stuff,” Faulkner said. “We just try it again.”

The Burnley Moran third-grader joined the step team last year, but said she got discouraged early on when the routines were too complicated for her.

“I couldn’t get the steps, so I stopped,” she said. “But I came back. I like to dance, and it’s getting easier.”

The step and dance moves are still challenging for her and the other girls her age, but it’s the support and feeling of sisterhood with her teammates that keeps Faulkner coming back each week. Most girls in the group are from low-income families in Westhaven, so despite the age differences and the spats that come along with a group of girls, they’ve developed a family-like bond and are always recruiting new neighborhood kids to the team.

“I like meeting new people,” Faulkner said. “We learn from each other and make new friends.”

Center stage

Local promoter Ty Cooper was shocked by the lack of diversity in Charlottesville’s arts and culture scene when he relocated here from Virginia Beach four years ago. In a city that prides itself on being historical and artistic, where were the shows geared toward minorities? Why weren’t there any African-American art galleries? Why wasn’t there a black club?

Shortly after moving here, Cooper was invited to join The Paramount Theater’s board of directors. He was the only African-American board member in an institution that was trying to broaden its programming.

“I came in really wanting to make some immediate change in who we cater to,” Cooper said. “If you call yourself a community theater, you must satisfy the demands and desires of the entire community, not just high-priced ticket items.”

For the last two years, he’s held Best of Both Worlds at the Paramount instead of other local theaters, at the cost of a $6,000 price difference and a drop in attendance. But it’s worth it, he said.

“The Performing Arts Center is tucked away, but at the Paramount, people are spilling out onto the Mall. Young blacks, whites, Asians—faces that may not have even been in that building ever, in there for the first time because of the step show,” Cooper said.

The Paramount was, in its first incarnation, a segregated theater. Cooper said he understands a hesitation from the black community to venture out onto the Mall for a show, but it’s time to relieve some of that tension.

“Young people don’t have the experience of back in the days of Jim Crow when blacks had to come in through the Third Street entrance, so they don’t have that excuse,” he said. “I think people were intimidated by the Paramount because it isn’t known for reaching out to them, but we really need to tear down that wall.”

Assistant City Manager David Ellis, who’s serving as a judge at the Best of Both Worlds competition, said stepping was an integral part of his experience in Kappa Alpha Psi at James Madison University.

“It’s an opportunity for fraternities to put themselves out there,” Ellis said. “It’s highly competitive, but it’s also a healthy form of expression and good exercise.”

Traditional black fraternities like Ellis’s are known for passing group-specific step moves through generations and generations of brothers, integrating props like canes into the performance and keeping a tight lid on tradition. Each step number tells a story. But as stepping has evolved and begun to influence mainstream culture, it’s also begun to appropriate from other art forms, incorporating more music, singing, and even background videos into performances.

“I think people have seen the value of integrating popular dance moves with traditional steps,” Ellis said. “The crowd gets really into it, which gives everyone more energy.”

Ellis didn’t get into stepping until he joined Kappa Alpha Psi, and noted that the children’s teams at the competition may actually have an advantage over the older steppers.

“Some of these kids have been doing this their whole lives, and may have more experience than college students,” he said. “It’ll be interesting to see how it all plays out.”

Interesting also is that local girls are learning step from Bannister, who learned the form with her Zeta Phi Beta sisters at UVA. That story leads back to HYPE organizer Wes Bellamy, who two years ago started a program to teach mostly African-American low-income boys discipline and structure through boxing.

When a group of young girls—who tried their hand at boxing and decided it wasn’t for them—approached him and said they wanted to start a step team, he was stumped. A boxer himself, he could teach punching and footwork all day long, but when it came to dancing and stepping, he had no idea where to begin. But what he did know is that stepping is an aspect of African-American culture that could give the girls lessons in discipline and teamwork that they weren’t getting anywhere else.

“Africans have proven to be more eccentric learners, and do things with their hands, get up and move around,” Bellamy said. “They learn that way, and they’re confined at school when they have to sit down, look straight, and not express themselves. With stepping they get a chance to let it all out, and they’re in tune with their ancestors.”

That’s when he turned to the community and volunteers at UVA for help. He recruited a small group of sorority sisters who immediately jumped on board to teach the girls stepping, teamwork, and discipline.

“It’s crazy how things just work out,” Bellamy said.

The group started out practicing at Tonsler Park, and moved into the community center conference room whenever it wasn’t booked for a meeting. The girls had little to no experience, Bellamy said, and it was a rocky start. But as neighbors began noticing their routines in the park and commented on their progress, Bellamy said the girls grew more sure of themselves. This time last year, they participated in their first competition—the Best of Both Worlds Dance & Step Competition 2012.

“Just to see the looks on their faces, man, it was incredible,” Bellamy said. “These girls had never even been in the Paramount before, and for Ty to let them come out and perform, their confidence just shot through the roof.”

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With Dems ruling Albemarle, can the Western Bypass be rolled back?

A week after Democrats swept the Albemarle County Supervisors election, focus on the Western Bypass is heating up yet again. In the weeks before the election, a group called the Charlottesville Bypass Truth Coalition stirred controversy by running anti-Bypass ads that pushed for the defeat of Republican Bypass supporters Duane Snow and Rodney Thomas.  Some are now calling Snow’s and Thomas’ ousters a referendum on the controversial road, and a mandate for the Dems, all of whom oppose the Bypass, to reverse course. This far into the project, however, with millions of dollars in public funds already spent, questions remain: Is reversal on the road even possible? If so, how can it be done, and what will it cost the county?

Outgoing supervisor Dennis Rooker, an Independent and a longtime outspoken critic of the planned road, believes the new county Board, coupled with the new state administration, means the Bypass can—and will—be bypassed.

“We’re going to get a more rational appraisal again as to whether the state should invest over $300 million in this project,” he said two days after the election. Rooker and others think the “con” column on a Bypass analysis is now long enough to chill support at the federal level: widely acknowledged design flaws, evidence that traffic impact would be limited, a historic home and cemetery in the road’s path, and now, the public’s firm rejection of pro-Bypass pols.

Sitting Democratic supervisor Anne Mallek agrees with Rooker that the public was never in favor, and she says the election results confirm that.

“Somehow, people seemed to think that in the past four years, the majority of people wanted it, which is clearly not the case,” said Mallek. ”There was an astonishing margin in those races, which shows that people understood what the problem was, which is that we’re willing to spend a huge amount for a miniscule return.”

So who are the Bypass supporters? Certainly, a bunch of them live about an hour south of here.

During his campaign, Governor Bob McDonnell promised Lynchburg legislators, long hungry for a shortcut around Charlottesville, that he’d make the Bypass a priority, and Secretary of Transportation Sean Connaughton was gung-ho to help him keep that promise before the end of his term.

In April 2011, Connaughton invited the county’s Metropolitan Planning Organization reps Thomas and Snow to meet in Richmond,  where the men agreed on a plan to revive the long dormant project. In exchange for county approval of the Bypass, the state would include funding for some high priority road projects including the Hillsdale Connector, the Best Buy ramp, and the extension of Berkmar Drive.

Two months later, in June, 2011, the four supervisors then serving—Republicans Boyd, Snow, and Thomas and Democrat Lindsay Dorrier—stunned their fellow supervisors Rooker and Anne Mallek by changing a rule on the spot and then holding the so-called “midnight  vote” to approve the Bypass.

Fast forward two and a half years, and the road is still stalled as the federal government reviews the environmental assessment conducted by the Virginia Department of Transportation.

Rooker claims it’s not too late to turn back. The initial steps toward reversing the road, he said, are appointments. First, Governor-elect Terry McAuliffe will appoint a new Secretary of Transportation to replace Connaughton.

“People forget that if you go back to the eight years prior to the time McDonnell was in office you had secretaries of transportation that concluded the project was not a good project for the state to move forward with,” he said.

The new Board—made up of newly elected Dems Brad Sheffield, Liz Palmer, Jane Dittmar, Independent Diantha McKeel, and sitting supes Mallek, a Democrat, and Ken Boyd, the sole Republican—must appoint two new representatives to the Metropolitan Planning Organization to replace outgoing supervisors Thomas and Snow.

After those appointments are made, Rooker acknowledges, the reversal process could get sticky.

“The MPO could remove the project from its transportation plan, and the state would then be in a quandary as to whether it could proceed anyway,” said Rooker in an e-mail, adding that the federal law that governs the state’s right to do so isn’t completely clear.

MPO Program Manager Sarah Rhodes confirms that new MPO board members can block funding for the Bypass by removing it from the Long Range Transportation Plan and the Transportation Improvement Program, the two planning documents that dictate how federal funds are spent locally.

If that happens, it won’t just get sticky, said Rodney Thomas, it could get downright nasty.

“It’s a signed deal, as far as I’m concerned,” he said, suggesting that the government will demand its money be paid back. “It’s really not in our hands—it’s federal government and the state.”

Rooker said the idea that the county could be penalized if it backs out of the Bypass comes from two pieces of legislation passed with support from Lynchburg State Senator Steve Newman.

“If the MPO removed the project unilaterally, these statutes may provide a basis for a penalty against the Culpeper Transportation District and/or the Charlottesville/Albemarle area,” Rooker said. “How much that penalty would be can’t be computed today, as it isn’t clear what the cost to the state would have been.”

Reached in his Lynchburg office, Senator Newman said that the cost could be steep —$50 million, the amount already spent on the project including the purchase of right-of-ways.

Newman sees the Bypass as a rare opportunity, and said rejection could be disastrous.

“There are only a couple of times in a generation that an area like Lynchburg or Charlottesville gets an opportunity to have a major transportation improvement program,” he said, suggesting that if Albemarle County reverses course now on the road, the General Assembly is unlikely to approve any funds for future road projects.

“This is going to be crippling to the people in Charlottesville for many generations to come,” he warned.

Boyd agreed. “All the other dollars for projects that needed improvement are going to go away,” he said.

Rooker scoffed at the claims and said the path toward undoing the Bypass plan is clear, assuming the county and the state agree the road is a bad plan.

“The Bypass doesn’t work as now designed and will require more funding, perhaps substantially more,” said Rooker. “It certainly isn’t clear what would happen if the MPO refused to approve additional funding, which would be a new action.”

Boyd, the lone Republican on a new Board now stacked with Bypass opponents, strikes a conciliatory note and says that despite his concern over the impact of a Bypass reversal, he believes he’ll be able to work effectively with the new Board.

“My own personal experience has been, once we sit down at the table in the county, we throw away political tags and all that and try to concentrate on what’s best for Albemarle and this community,” he said. “I firmly believe that’s how our new supervisors will approach this.”

Mallek, the chair and the senior member of the Board’s new Democratic majority, said she’s ready to tackle the issue.

“I think it’ll be a top priority of discussion, no doubt about it, for all the reasons we’ve been concerned about all along,” she said.